Tag: lifting the veil

nov 28/RUN

5.6 miles
minnehaha regional park and back*
27 degrees / feels like 20

*south on river road trail to the falls/ up the steps and over the bridge past John Stevens House/ turn around at 3 miles and the entrance to the trail that leads to a steep set of many steps down to the mississippi / back by the falls/ north on the river road trail

A cold wind this morning making it harder to breathe. Sunny, uncrowded, clear trails. Another nice run. Still thinking about ghosts. Thought about possessing, dispossessing, repossessing and then this reminder popped into my head: you can’t ever truly own (or possess, as in own, control, take over) something. The river gorge, for example, can be maintained, managed, exploited but it always exceeds that control. It spills over, invades, resists, refuses to be tamed.

10 Things I Noticed

  1. At the start of my run, before the sky had fully cleared, heading south, the sun was illuminating the river. The water was all silvery white with a few dark spots, caused by the reflection of a tree or a building
  2. All the trees are bare, nothing blocking the view to the Winchell Trail and the river below
  3. My shadow was clearly visible in front of me, not the faint hint of a shadow, but a full, almost solid form
  4. The falls: water still rushing over the rocks, but also big columns of ice falling down too
  5. After running under the ford bridge, I noticed — not for the first time — a dirt trail that winds through the small woods between ford parkway above and west river parkway below. For much of the year, this trail is hidden behind leaves
  6. The dinging of the train bells at the 50th street station on the other side of Hiawatha — not real bells, but a recording. A hollow, fake sound
  7. Voices from runners approaching. It took a long time for me to tell if they were coming from in front of or behind me
  8. The sidewalk/walking path that winds above the gorge between the Veteran’s Home and the dog park often undulates — up up doooowwwwnnn
  9. Running parallel to someone below on the Winchell trail, hearing the leaves rustle as they ran through them
  10. At the end of my run: the clicking and clacking of a roller skier’s poles

Finally, after getting this book in July of 2020, I’m reading Victoria Chang’s amazing Obit. Here’s one that mentions a shadow:

Victoria Chang–died unknowingly on
June 24, 2009 on the I-405 freeway.
Born in the Motor City, it is fitting
she died on a freeway. When her
mother called about her father’s heart
attack, she was living an indented
life, a swallow that didn’t dip. This
was not her first death. All her deaths
had creases except this one. It didn’t
matter that her mother was wrong (it
was a stroke) but that Victoria Chang
had to ask whether she should drive to
see the frontal lobe. When her mother
said yes, Victoria Chang had the
feeling of not wanting to. Someone
heard that feeling. Because he did
not die but all of his words did. At the
hospital, Victoria Change cried when
her father no longer made sense. This
was before she understood the cruelty
of his disease. It would be the last time
she cried in front of it. She switched
places with her shadow because
suffering changes shape and happens
secretly.

nov 21/RUN

4.5 miles
franklin loop
38 degrees
wind: 25mph

Ran with Scott on a blustery, dark morning. It was not gloomy, but dark, with a veil over the sun. Strange and beautiful with the bare trees, brown gorge, blue river. Greeted Dave, the Daily Walker and few other runners.

10 Things I Noticed

  1. Extremely windy crossing the franklin bridge, pushing us around, kicking up dirt that got in my eyes
  2. After exiting the bridge, a wind gust from behind pushed us on the path. A wild ride!
  3. The trail below, in the east flats, is finally visible
  4. Last week, or sometime not too long ago, I mentioned a missing fence panel. Today, there was caution tape marking it off
  5. The white line they were painting on the road earlier in the week was straight and bright
  6. Running on the east side, looking over at the west and the bright, glowing white of the white sands beach
  7. Crossing lake street bridge: small waves on the water — straight lines parallel to the shore — making it easy to determine the direction of the wind
  8. A small pack of runners approaching us
  9. The scraping of a ski pole on the asphalt from a roller skier in a bright orange vest
  10. A passing runner, tethered to a dog

Here’s an essay? a prose poem? by Mary Ruefle from her collection, My Private Property:

Observations on the Ground/ Mary Ruefle

The planet seen from extremely close up is called the ground. The ground can be made loose by the human hand, or by using a small tool held in the human hand, such as a spade, or an even larger tool, such as a shovel, or a variety of machines commonly called heavy equipment. We bury our dead in the ground. Roughly half the dead are buried in boxes and half the dead are buried without boxes. A burying box is an emblem of respect for the dead. We are the only species to so envelop our dead. An earlier, more minimal, way to envelop the dead was to wrap them in cloth.

Besides burying the dead in the ground, we bury our garbage, also called trash. Man-made mountains of garbage are pushed together using heavy equipment and then pushed down into the ground. The site of this burial is called a landfill. The site of the dead buried in boxes is called a cemetery. In both cases the ground is being filled. A dead body in a box can be lowered into the ground using heavy equipment, but we do not consider it trash. When the dead are not in boxes and there is a man-made mountain of them we do use heavy equipment to bury them together, like trash. It is estimated that everywhere we walk we are walking on a piece of trash and the hard, insoluble remains of the dead. Whatever the case, the dead and the garbage are together in the ground where we cannot see them, for we do not relish the sight or smell of them. If we did not go about our burying, we would be in danger of being overcome.

Also buried in the ground are seeds, which we want to see when they emerge from the ground in their later form–that is, as plants. Plants rising from the ground are essential to life. To bury a seed it to plant it. When a seed is planted and not seen again, those who buried it are made sad. The anticipated plant of wished-upon seed has not materialized. It is dead, and remains buried. Heavy equipment is used to plant large expanses of ground with seed. When a whole field of shivering grain rises from the earth, there is a growing sense of happiness among those who buried the seeds. Happiness is also present when a tree emerges, or a tree that will bear fruit, or leafy green, edible plants that were formerly planted. When flowers arise from the ground, colorful and shapely in an astonishing variety of ways, the living are made especially happy. Not only are flowers admired for their outward beauty of form, but their scents are capable of overcoming us and therefore prized. Nothing, it seems, makes the living as happy as a flower. Flowers are among the most anticipated things on earth. For this reason, we separate the flower from the ground and present it to another to hold or to look at. After a while, the flower that has been separated from the ground dies, and we throw it in the trash. Flowers are often planted where the dead are buried in boxes, but these flowers are never cut. That would be horrible. Whoever did such a thing would be considered a thief. Those flowers belong to the dead.

nov 19/RUN

6 miles
ford loop
29 degrees / feels like 25
wind: 18 mph

No snow yet. Bare pavement. Still time to enjoy running the ford loop before the snow accumulates. Many of the trails on the east side aren’t cleared that well, and neither is the bridge. Usually, I don’t run the ford or franklin loops in the winter. I wasn’t too cold, but the wind was tough. Pushing me around.

10 Things I Noticed

  1. A single black glove on the branch of a bare tree near the side of the trail between the lake street and ford bridges
  2. A plaque on the ground near a bench. I didn’t stop to read it. The plaque looked older than the one I stopped to read last week — that one was from 2008
  3. The wind on the lake street bridge was strong, coming from the side
  4. Far below the lake street bridge: one person, dressed in black, walking the winchell trail right next to the water, another person, not dressed in black, running the trail
  5. My shadow, very faint in front of me, overcast today
  6. The ravine between shadow falls and the monument was completely visible. It looked much wider than it was deep
  7. A city truck hugging the side of the road blowing leaves on the trail. They stopped to let me pass
  8. Another runner ahead of me in black running tights and a bright yellow shirt (or was it a jacket?) with a fanny pack or runner’s belt poking out of the back
  9. Reaching the ford bridge: the huge amount of land that was the ford plant and had been fenced off, was now wide open with trucks everywhere. They’re building houses, condos, businesses, new streets, a new park
  10. The big slab of white in the middle of the river that Scott and I have been wondering about for the last week or so is still there. We determined that it might be a sandbar. Looks like it to me

One of my favorite poetry people, Ilya Kaminsky, posted a great question the other day on twitter. What’s the difference between wonder and astonishment? Here’s the thread. And here are a few of my favorite explanations:

I don’t think anyone is ever filled with astonishment, nor does astonishment invite you in. It’s a presence that leaves you reeling. A prolonged buffet that can make you laugh, or gasp, or scrabble to have thoughts again. Perhaps it’s the assertive version of wonder.

While wonder invites, in a way hard to resist. Can you breathe enough breath? Can you travel enough to glimpse a further side? Can you ever be outside of wonder? Or do you just close your eyes?

@MathJonesPoet

I associate wonder with quiet–when an interior reality mingles with exterior reality (whatever reality means) and for me wonder is often a perhaps, a what if… astonishment is a shock, a jolting awake — it can be delightful or violent or terrifying or a mixture of all three

@motleybookshop

“Wonder” feels closer to something constructed for me, like someone looking back at memories and applying emotion through the passing of time, which can result in something disingenuous or forced. “Astonishment” feels closer to something that happens in the moment—present tense.

@jdsctt

in wonder is a mystery unknown that cannot be known is tenderness,a lingering,a touch of an aetherial wing

state of being&a verb veiled&filled with how,a why a when, a could it be .. astonishment is awe&hit by coup de foudre open mouth&open eye

@purpezwaan

wonder is a continuous state, astonishment strikes then disappears

@nataliejedson

Wonder is a slow freight train going slow over a bridge, & between the cars you see peeks of snowy mountains. (Peeks of peaks?) Astonishment is when you’re on the train, & you round the corner & see the ruins of an old old building, & all the ghosts are visible, present.

@AlyssandraTobin

Wonder puts you in the thing and you become a part of it, maybe reciprocal in a way, astonishment is always outside of you.

@vickymharris

For me, I feel wonder in my gut, it has a shock quality. I process astonishment with my eyes, my eyebrows raise, my mouth opens, akin to awe.

@yoursbc

Some general ideas: wonder is a slow glow, astonishment is a quick flash. Wonder is a way of being, an approach that opens us up. Astonishment temporarily shuts us down, stops us; it is unsustainable as a state. We wonder, astonishment happens to us through shock, surprise. Wonder = curiosity, astonishment = surprise, shock, bewilderment. Wonder deepens time, astonishment freezes it. Wonder is warm, astonishment is burning hot. Wonder starts everything, astonishment ends everything.

nov 17/RUN

5.35 miles
franklin loop
39 degrees / feels like 32
wind: 15 mph / 28 mph gusts

Blustery but bright with a warming sun. My left knee has been stiff at the end of my runs for the past few weeks (months?) and my left foot hurt at the beginning — the result of my new shoes and the strange redesign that is too tight on my toe. Who cares?! It was a great run. Mid to late November when all the leaves are gone and the sun can reach every corner of the forest is my favorite time to run. My love for it is heightened by the knowledge that soon snow will come and these lower trails will be un-runnable until March or April.

Starting sometime last week, I began a series of poems on haunting and haunted. I’ve been using my runs to help me figure out some of the lines. Today, again, it worked. I went out for my run wanting to work on this unfinished line: what is a ghost but… About a mile and a half in, I came up with some ideas: a part of the past we carry with us visible to anyone who notices. I also came up with an ending, connected to these lines: I am both haunting and haunted. I’m very pleased with how helpful my runs have been for my writing lately.

10 Things I Noticed

  1. Running on the east side, near the U, the knocking of a woodpecker somewhere on a wooden kiosk. Was it on the top of the roof? Inside or outside? I stopped to look, but couldn’t tell
  2. Shadows, 1: running above the floodplain forest, the sun was shining down casting shadows everywhere
  3. Shadows, 2: Following my sharp, defined shadow right in front of me
  4. Crossing the franklin bridge: the river was blue and slightly rough from the wind
  5. A city/park/state truck repainting the white line for the bike lane
  6. A city worker halfway up the bridge steps, painting the railing
  7. 2 orange cones and some tape blocking the entrance to the steps
  8. A pile of dead leaves pushed by wind up against the bridge railing
  9. Someone stopped at the overlook on the bridge
  10. Looking down from the lake street bridge at the rowing club: a little cove, dark blue water, a white dock, a line of stone slabs in the river

Here’s a poem that feels very right for today and my thoughts about knees and carrying history with us:

In Passing/ MATTHEW SHENODA

There is something inside
each of us
that scurries toward the past
in our bodies a rooted history
perhaps in the balls of our feet
a microscopic yearning
that floats inside that sphere
yearning in a language we’ve forgotten.

History is too in our knees
in the ball that pops
& twists as we journey.

And for those of us blessed to be old
& for those of us blessed to be young
it lives inside the tiny ball of skin
deep inside the belly button
tickles recollections from our tongues
stories of stories from then—

history lives in circles & spheres

floating

always suspended

waiting for release.

nov 15/RUN

4.75 miles
Veteran’s Home Loop
32 degrees / feels like 26

Colder today. Traces of snow on the ground. Most of the trees bare. Alone on the trail for much of it. Wonderful. Working on a poem about feeling like a ghost, mostly because of my vision — fuzzy, out of focus, disconnected. Thought about that every so often during the run. Stopped on the grounds of the Veteran’s home to record an idea about not feeling fizzy but flat, or a flat fizz? Not so much light but weighted/heavy with distance and separation and invisible layers. Almost protected, wrapped. But…do I feel heavy or something else? Weightless but not light or heavy because in my untethered state, lightness or heaviness aren’t felt so they can’t be used for reference. I am a hovering ghost who is not heavy or light but hidden, unnoticed, lacking substance, insubstantial. Thinking about this more, it might seem like being unnoticed or disconnected is bad/unfortunate/a bummer. Occasionally it is, but mostly I like the freedom it gives me, the chance to observe without being bothered or judged or distracted. Plus, this feeling of being on but not on the path, insulated, is trippy and cool, strange, surreal.

10 Things I Noticed

  1. Entering Minnehaha Regional Park, nearing the falls: the grass was white with snow, the trail was dry and dark gray, the trees light green. A jarring contrast. Spearmint or peppermint popped into my head
  2. Rushing gushing falls churning white foam
  3. Above the falls on the other side of the creek: Big Feet — what FWA, RJP, and I call the tall statue of  Gunner Wennenberg, a Swedish composer, poet, and politician (I looked up on june 27, 2021)
  4. A crow aggressively cawing on someone’s lawn
  5. The oak savanna exposed, no more leaves, the winchell trail below the mesa clearly visible outlined by the light dusting of snow
  6. The river: brown, flat, not looking cold but not warm either
  7. The sidewalk on the high bridge that leads to the Veteran’s Home was snow-covered and slick, icy
  8. Running on the double bridge, around a ravine, the light dusting of white on the deep brown, mulch-covered hill looked like powder sugar
  9. Reaching the 44th street parking lot: yelling laughing kids at the minnehaha academy playground across the road
  10. After my run, walking Delia the dog around the neighborhood, one block over: a huge tree still fully dressed in light green (with a hint of yellow) leaves. Will they turn and fall, or stay all winter?

Still reading Maggie Smith’s Goldenrod. Here’s another poem from it that I really like:

How Dark the Beginning/ Maggie Smith

All we ever talk of is light—
let there be light, there was light then,
good light—but what I consider
dawn is darker than all that.
So many hours between the day
receding and what we recognize
as morning, the sun cresting
like a wave that won’t break
over us—as if light were protective,
as if no hearts were flayed,
no bodies broken on a day
like today. In any film,
the sunrise tells us everything
will be all right. Danger wouldn’t
dare show up now, dragging
its shadow across the screen.
We talk so much of light, please
let me speak on behalf
of the good dark. Let us
talk more of how dark
the beginning of a day is.

Yes. The dark is not always bad. And, while we’re at it, let’s talk some about the “bad” light: too bright, dazzling, disorienting, burning too hot, deceiving, overwhelming/overstimulating. Can I make this poem fit with the November theme of lifting the veil? Maybe lifting the veil, coming out from the dark and into the light, isn’t always good? Or, maybe a veil can be lifted when we stay in the dark?

nov 12/RUN

5 miles
bottom of franklin hill and back
35 degrees
wet snow flurries!

It begins! Cold air, layers, snow. Winter is almost here. Everything was already wet when I started, then, at some point, it started sleeting or snowing or something in-between. I didn’t care; I had a hood and a water resistant vest. Greeted Dave the Daily Walker and a new regular who I don’t have a name for yet. No distinguishing features that my fuzzy eyes can see–an older man, not too tall or short, not too big or small, white. All I remember is his enthusiasm and the joyful ways he waves or greets me with a “morning.” Am I even sure it’s the same person every time?

When I got to the bottom of the franklin hill I stopped to dictate a line for the poem I’m working on. Yesterday I struggled to get through a section on bells and ghosts. Early this morning, I had a breakthrough but still needed to work on the last line. I figured a run would help, and it did. Hooray for running and its ability to get me unstuck!

After that, I put in a playlist and listened to music for the rest of my run, which made me run about 1 minute per mile faster. I felt like I was flying. Free and fast and untethered.

10 Things I Noticed

  1. The color palatte of the day: light gray, dark brown, spicy mustard yellow, slate blue, light green
  2. Running down the franklin hill noticed that half of the tree line was bare, half was a light green
  3. Running through the tunnel of trees, looking down on the floodplain forest: here you can’t see the river, only an endless stretch of forest floor and bare trees
  4. Almost to the the bottom of the hill, a snow/rain drop fell straight into my eye — ouch
  5. Some geese honking, sounding agitated
  6. A chirping whistling bird, sounding like spring, a woman stopped on the path, craning her neck, looking for the source of these sounds (at least, that’s what I imagine she was doing)
  7. Flashing lights from a parks or city vehicle, glowing brighter in the gloom
  8. The vase of flowers still perched on the ledge below the railroad trestle
  9. A bright white paper towel or plastic bag laying on the path, just past the franklin bridge
  10. A very fast runner that I saw twice in shorts and a bright orange long-sleeved shirt

This poem! So many lines that I love:

In the Meantime/ Max Garland

The river rose wildly every seventh spring
or so, and down the hatch went the town,
just a floating hat box or two, a cradle,
a cellar door like an ark to float us back
into the story of how we drown but never
for good, or long. How the ornate numbers
of the bank clock filled with flood, how
we scraped minute by minute the mud
from the hours and days until the gears
of time started to catch and count again.
Calamity is how the story goes, how
we built the books of the Bible. Not
the one for church, but the one the gods
of weather inscribed into our shoulder
blades and jawbones to grant them grit
enough to work the dumb flour of day
into bread and breath again. The world
has a habit of ending, every grandmother
and father knew well enough never to say,
so deeply was it stained into the brick
and mind. We live in the meantime
is how I remember the length of twilight
and late summer cicadas grinding the air
into what seemed like unholy racket to us,
but for them was the world’s only music.

nov 10/RUN

5.25 miles
franklin loop
44 degrees

Still lots of yellow in the gorge, but leaves are falling fast. Wind, rain, and the possibility of snow flurries this weekend. Overcast, windy, less humid. I ran north to franklin, over the bridge, south on the east side of the river until reaching another bridge, back over to the west side, then home.

10 Things I Noticed

  1. The view down to the floodplain forest was clear; I could see the forest floor, or at least all the yellow leaves on the floor
  2. The view up to the road from the tunnel of trees was clear too; no hiding below the road until spring
  3. The river from the franklin bridge: cold, dark blue, the railroad trestle in the distance
  4. Running under the railroad trestle, I heard some voices, laughing. Looked down: at least 2 people walking up the limestone slab steps on the Winchell Trail
  5. Running under the railroad trestle, 2: a memorial for someone who died–a biker hit by a car? In addition to the hanging white bike, which is always there, a vase of flowers placed on the ledge
  6. Nearing the old stone steps, hearing the yippy bark of a dog slightly below, the sound moving up slowly — was the dog climbing the steps? Yes. When I reached them, there they were: black, tiny, skittering around
  7. The spray of water that hit me as I started my run–not sure what it was from. It happened as I ran by a neighbor’s house, where a loud machine that looked like a pump, attached to a hose, was set up. Was it an exploding sprinkler? Would I have been able to avoid this if I could see better?
  8. A shorter, older woman with white hair, slightly hunched, walking fast
  9. A taller, younger woman with a pony tail and jutting elbows, also walking fast
  10. After my run was finished, walking the last few blocks: wind chimes!

A great run. I’m working on a long, sequence poem about haunts, haunting, and haunted, and I had a few good thoughts, like the idea of haunting (frequenting, traveling on, slightly floating above) the path/trail as being (happily) out of touch. Disconnected. I thought about the image of a phone being off the hook and eavesdropping, to listen in, overhear, catch bits of someone else’s conversation. Everything an opportunity to be curious and imagine/guess what’s being said without needing to connect that imagination to reality. To fly, float, have freedom, be freed from concerns, worries, the need to be productive.

Yesterday, working on this poem, which is in the form of 3 syllable/2 syllable lines, I thought about Lorine Niedecker and the short, stubby form of her poems. I think she’s an inspiration. Here’s a bit from one of her longer poems, Wintergreen Ridge. (note: in addition to having short lines, this poem travels across the page, broken up into 3 lines, the first with no indentation, the second with one indent, the third with two, on repeat throughout the poem. Mary Oliver does something like this too. Did she take inspiration from Niedecker? Anyway, I’m being lazy or rushed, so I’m not doing the fiddly, extra formatting required (lots of  s) for spacing it.

Wintergreen Ridge/Lorine Niedecker

Life is natural
in the evolution
of matter

Nothing supra-rock
about it
simply

butterflies

***

(autumn?)

Sometimes it’s a pleasure
to grieve
or dump

the leaves most brilliant
as do trees
when they’ve no need

of an overload
of cellulose
for a cool while

Nobody, nothing
ever gave me
greater thing

than time
unless light
and silence

which if intense
makes sound
Unaffected

by man

I love Niedecker and her condensing ways!

nov 8/RUN

6 miles
ford loop
50 degrees

Another nice, late fall run. My cold is almost gone. Sun, not too much wind, lower humidity. I have decided that the ford loop is my favorite fall loop for 2021.

10+ Things I Noticed

  1. Sibilant sounds coming up from the ravine where Shadow Falls is located — possibly wind, but most likely falling water
  2. On the lake street bridge: a trail and some sort of disruption of the water. In my periphery, it always looked like something was there, but when I turned to use my central vision, nothing. Dead cones or faulty peripheral vision?
  3. The memorial plastic flowers leaning on the railing on the st. paul side are slowly falling apart
  4. The view down into the ravine by shadow falls is much clearer than before: a veil lifted. Looking down from the trail above, the gorge isn’t deep but wide and strangely shaped
  5. Also from the view above the ravine: the direction of the sun cast my shadow down in the ravine. As I ran above, she ran below next to the trickling water
  6. A small plaque on a random rock that I didn’t stop to read
  7. The tangy smell of decomposing leaves. Sometimes this smell is sweet, or almost too sweet, but today it was sharp and not quite salty — sour?
  8. At the last parking lot before reaching the ford bridge: an information sign with the history of the forming of the gorge. Some accounts claim the river warren arrived to carve the gorge starting 10,000 years, some 12,000 years, this sign: 13,000 years
  9. My aching toe! The toe box of my new shoe is rubbing against my big toe. It hurt whenever I ran downhill
  10. Crossing the ford bridge: small ripples on the very dark blue water caused by the wind, making a pattern I could see, a texture I could almost feel
  11. The stretch of the sky covered with a ripped veil of clouds

Thinking more about #5, my shadow down in the ravine. As I watched it below me, I thought about ghosts and shadows and faint traces of things not quite here. I imagined the shadow as a different version of me, having the chance to run below in the ravine. And I thought (again, because I’m sure I’ve thought this before) about these quick moments or flashes of something else — shadows, faint trails, breaks in the trees, a disembodied sound coming from somewhere un-locatable — as opportunities, possibilities, evidence of other ways of being or doing. Are these things real? That’s not the point. They’re suggestions or indications, other options.

Before I went out for my run, I skimmed through Mary Oliver’s The Leaf and the Cloud. I was trying to get myself primed for thinking about veils and lifting them. I settled on this bit at the end of a section titled, “Work”:

I will sing for the veil that never lifts.
I will sing for the veil that begins, once in a lifetime,
maybe, to lift.
I will sing for the rent in the veil.
I will sing for what is in front of the veil, the
floating light.
I will sing for what is behind the veil—
light, light, and more light.

This is the world, and this is the work of the world.

These are the lines that I read on the window of neighbor’s house that inspired to find this book and to devote a month to Mary Oliver.

Rent: to rend, or tear, split violently, break apart, wrest, pierce

One of the reasons I love late fall, after the leaves have fallen and before the snow comes, is because it is when I have the best view of the river, the gorge, the other side. The veil of leaves and excessive greenery has temporarily lifted. For a few years, I’ve been trying to understand why I like it so much, especially when it seems to be a time of sadness and loss and dread for so many other people. I think this lifting of the veil is a useful way for me to think about it: a better view, more space, a chance to breathe and stretch and connect with things usually hidden, covered, concealed. I like the idea of lifting much better than renting/rending. This lifting is not violent or destructive.

One (boring?) thing I’ve been noticing that I never see when the trees are choked with leaves: cars parked at parking lots on the other side of the river. Today I noticed a white car, glimmering in the sunlight, positioned amongst a line of bare tree trunks. Why do I find this interesting? Maybe because it helps to orient me in relation to the other side or because it’s evidence that more than trees are over there (usually a view of the other side seems the same: tree after tree after tree, and nothing else).

nov 7/RUN

3.15 miles
turkey hollow
50 degrees
humidity: 81%

Shorts weather. Overcast, everything a brassy yellow with brown and gray. A nice run in my new shoes. Cold update: almost gone. Just a thin layer of crud lining the throat, lungs, in the nose. Slighter harder to breathe when running.

Went to Gustavus Adolphus College for FWA’s first fall band concert yesterday. Very cool. I love that he’s attending the same school Scott and I did. It’s so great to go back and remember where my life began. Before the concert we walked around the arboretum/prairie, to a big sculpture of a bison on a small hill. As we walked the mowed grass trail, we saw a “river of birds” above our heads (love this phrase, river of birds, which is how a friend from band that we saw at the concert described it). Thousands of birds flying above us, their wings flapping like thunder. I think they might be starlings or swallows? An amazing thing to witness — the whole sky filled, looking like static. A few times, right above our heads, the birds would split up, with a mass of them flying left of us, another mass flying right.

At some point during my run, I began counting in 3s and doing triple berry chants: strawberry/blueberry/raspberry — raspberry/blackberry/gooseberry. I added in mystery and later: ri/ver/road ri/ver/gorge run/ning/path thir/ty/eighth (for 38th street steps) tres/tle/bridge. I stuck mostly with the meter: stressed/unstressed/unstressed. I should remember what meter this is, but I always forget: is it iambic or anapest. I started chanting those two: an/a/pest — i/am/bic Sometimes An/a/pest, sometimes an/a/Pest I/am/bic i/am/Bic

Just looked it up:

anapest = unstressed unstressed stressed
iambic = stressed unstressed
dactyl = stressed unstressed unstressed

So, it was dactyls, not iambic or anapest. I KNOW I’ve written about this a few years ago, and I’ve reviewed it many times. Will I ever remember? I think I should print it out and put it under the glass on my desk, so I can look at it all the time.

Anyway, as I was thinking about meter and form, I decided that I’d like to use triples — with dactyls and anapests — as the meter (or form?) for another poem about haunting, with the theme of a faint trail, the trace, the worn dirt as path and evidence of others, the residue/remains as offering (poem, an alleluia on the page, Mary Oliver).

Here’s a poem that fits with this idea of what remains (or refuses to die/leave?, that persists, offers up something unexpected or not quite locatable):

Perennials/ Maggie Smith

Let us praise the ghost gardens
of Gary, Detroit, Toledo—abandoned
lots where perennials wake
in competent dirt & frame the absence
of a house. You can hear
the sound of wind, which isn’t
wind at all, but leaves touching.
Wind itself can’t speak. It needs another
to chime against, knock around.
Again & again the wind finds its tongue,
but its tongue lives outside
of its rusted mouth. Forget the wind.
Let us instead praise meadow & ruin,
weeds & wildflowers seeding
years later. Let us praise the girl
who lives in what they call
a transitional neighborhood—
another way of saying not dead?
Or risen from it? Before running
full-speed through the sprinkler’s arc,
she tells her mother, who kneels
in the garden: Pretend I’m racing
someone else. Pretend I’m winning.

nov 6/RUN

3.1 miles
marshall loop
46 degrees

Ran with Scott up the Marshall hill and around Shadow Falls on the east side of the river. Stopped a little short. Warmer this morning. Still humid. We both greeted Dave the Daily Walker. I felt over-dressed a few minutes in. Tried out my new Saucony’s: black with light pink soles. Very nice. I’ve wanted black shoes for a couple of years now.

10 Things I Noticed

  1. River, 1: Running over the lake street bridge, the water was a few different shades of blue: dark blue near the bridge, then gradually lightening as it moved downstream
  2. River, 2: The white heat of water through a break in the trees. Mostly woods, with one sliver of the river
  3. River, 3: Sparkly, shiny, a cylinder of light traveling from one shore to the other
  4. Passing by a full black garbage bag on the bridge
  5. The clicking and clacking of roller skier approaching from behind
  6. At least 3 different small packs of runners on the east side of the river
  7. No rowers, no geese, no crows
  8. My shadow, off the side, her pony-tail swishing
  9. Passing lots of walkers on the bridge without worrying about covid
  10. Leaving the house, about the start the run, admiring our front tree on full display: brighter than gold

Yesterday, I started working on a poem (or a series of poems?) based on my October focus on ghosts and haunting. I’ve decided to use my rhythmic breathing pattern as the form: couplets with 1 three syllable line and 1 two syllable line (3/2). Here’s a bit that I like about going over the same trail, again and again that doesn’t fit in my current poem (and maybe doesn’t quite work?):

retread. Thread
needle

after need-
le stitch

stitch after
stitch use

the pattern
follow

directions
stay straight

but not quite
keeping

track losing
your place

untethered
let loose