jan 2/RUN

5 miles
franklin hill turn around
36 degrees
95% snow-covered

Oh, I needed this run! Started out rough, walking to the river, slipping on the sidewalk. The path was covered in slick, unsettled snow. But somewhere after the lake street bridge something happened and I started to feel that joy of being outside and breathing in the cold air and feeling my muscles working. Was it around the time I noticed the river? Not white, but brownish gray, free of ice and snow. Or after I passed the unleashed dog and its human near the trestle? While I was running down the franklin hill, my arms swinging rhythmically? Or after I turned on my running playlist as I started running up the hill? Now I remember. It was when ACDC’s Back in Black came on and I picked up the pace between franklin and the trestle. Today I got to fly and it was amazing.

Listened to the Current yesterday for their end of the year/decade (or as Mark Wheat liked to pronounce it: duhCade) wrap-up and discovered Nur-D and “Black Wizard Wave.” Favorite lines: “I’m currently feeling myself” and “I’m so high. Levio Levio Leviosa”

This is the first poem I read in 2020. I found it yesterday morning while scrolling through twitter. Beautiful.

Abstract/ Todd Dillard

A hummingbird has died in my driveway.
My neighbor, mowing his lawn, glimpsed it falling,

and now he holds the body careful as a soap bubble
in the chalice of his broad hands. The summer 

this year is sending our street hate mail: FUCK YOUs and
I HOPE YOU DIEs written in sidewalk worms and mosquito bites,

every shirt darkened by Pangaea damp, every kiss salt
lick and dog pant. And it’s ridiculous, really, how no one

has researched why every body gets smaller when held,
how a pocket-sized grief can become a particular tininess: lost

picture, forgotten phone number, memory of an old coworker
who would sing as he mopped the bookstore café, his tenor

rolling through air like rainwater down subway stairs. We hang,
my neighbor and I, suspended in June’s sewer breath,

inventing the kind of time travel where our minds age
backward, turning us into children again, asking:

What should we do? What happens next? Our dead
mothers call from porch steps—dinner’s ready, come

eat these decades while they’re still fresh! And then—
pop—we’re our old selves again, we head to our houses,

him to toss the bird into his garbage bin, then maybe do the dishes,
me to get dinner started, to stand before the open fridge

and wonder what it is I am hungry for
listening to the hum of its engine.

Favorite lines right now: we hang,/ my neighbor and I, suspended in June’s sewer breath,/ and Our dead/mothers call from porch steps

This poem was published in the journal, BOOTH. I looked at their submission policy and found these scary statistics:

  • Our acceptance rate is typically around 1% or lower.
  • From September to March, we typically receive around 3,500 submissions, or between 15-20 per day.

Wow. I imagine this is pretty typical for most journals. I’m glad I don’t write poetry to get published.

dec 31/RUN

3 miles
trestle turn around
20 degrees/ feels like 10
100% loose snow

It snowed all day yesterday and even though they plowed it once, there was still a lot of loose powder on the path. Not fun to run in this stuff. Still, I enjoyed it. Watched my shadow as she helpfully showed me how my running form looked. Again, I forgot to look at the river. I did see some other walkers and runners and a kid and adult sledding down a hill on the other side. Also encountered a plow which wasn’t actually plowing but just speeding down the path. Heard my feet crunching sharply on the path as the spikes from my yaktrax met the crusty snow on the edge.

Stranger by Night/ David Hirsch

After I lost
my peripheral vision
I started getting sideswiped
by pedestrians cutting
in front of me
almost randomly
like memories
I couldn’t see coming
as I left the building
at twilight
or stepped gingerly
off the curb
or even just crossed
the wet pavement
to the stairs descending
precipitously
into the subway station
and I apologized
to every one
of those strangers
jostling me
in a world that had grown
stranger by night

I feel lucky to have stumbled upon this poem by a poet I like very much on a subject that is very important to me. I have the opposite problem with my vision–my central vision is going while my peripheral will always be there. I see people but their edges are fuzzy (and so are their faces). It’s hard sometimes to see where they end and I begin. This becomes especially overwhelming in crowded places, like the Mall of America which I hate going to but often do to please my daughter. I like the gorge because there are more trees and rocks than people and when I can’t see them or bump into them, I don’t have to apologize.

Rereading this poem a few times, I love how it is all one sentence. I also love how he describes his experience with vision. I’d like to try writing a poem like this one about my own vision problems. He seems to have found an effective way to communicate the strange scariness of it without being too heavy-handed with emotion, which seems hard to do. Sometimes I feel angry or overwhelmed by my inability to see and others’ inability to make more room for people like me.

dec 30/RUN

3.25 miles
trestle turn around
34 degrees/ snow
15 mph wind/ gusts up to 29 mph
100% snow-covered

Happy Winter Running! Even running straight into the wind and the snow didn’t dull my delight for being outside in the wintery white world. Wow! (too much with the rhyme and alliteration?) These days I don’t mind so much about the wind or the snow as long as the path isn’t too rough and uneven. Today I wore my yaktrax and had no problems running on the snow. There were a lot more people out there than I would have expected. I thought I was the only crazy one who goes out in this. Was it because of the holidays? Was able to say good morning to Dave the Daily Walker at the end of my run–I haven’t seen him in a while. I do not remember looking at the river even once–now I do remember looking down at the river when I got to the trestle but I absolutely don’t remember what I saw.

Observations (or thoughts?)

  1. The snow was wet and heavy and made pock-marks on the sidewalk.
  2. The sharp, wet flakes flew straight at my face coating my vest, turning the black material from dull to slick and shiny.
  3. For a few stretches, I pulled the brim of my baseball cap down as far as it could go to block my face from the sharp, prickly snow. I looked down at my feet and imagined the path in front of me.
  4. The path was covered in footprints and a single track–probably from a bike wheel.
  5. With the snow, I couldn’t see where the path ended and the grass began but I could feel it when my foot stepped off. Softer on the grass and springier too.
  6. Heard but didn’t see geese honking overhead as I ran south. I imagined what it would feel like to be flying so high in the icy wet sky, honking with wild abandon.
  7. Running by, I noticed two people standing at the top of the old stone steps. How long did they stay there? Did the climb over the chain and take the steps down to the river? If they did, who/what did they find?

Before heading out for my run, I listened to a Poetry Off the Shelf podcast episode with Matthew Zapruder. In it, he talks about nothingness (which is also a chapter in his book, Why Poetry):

One way I think about nothing is silence and absence. And I think that poems—people want to talk a lot about the difference between poems and song lyrics. You know, are song lyrics poetry, and I think the lyrics in song take place against the information of music. And they’re in dialogue with that information. But poems are in dialogue with silence. And silence and nothingness and absence are so fundamental to the physical experience of writing and reading poems for me. But nothingness also has a conceptual importance for me as a poet, which is that, you know, language—I mean, even the kind of talking that you and I are doing now—it’s so purpose driven. We want to accomplish things with our language and communicate and exchange. And that’s a beautiful thing, and that’s what language—you know, it’s a miraculous tool in that way. But what happens if you remove all that purpose and functionality from language? If you take it away and there’s a kind of absence or nothingness in your purpose of speaking, what then starts to happen? And I think what happens is poems. Because then language has a chance to move around and be intuitive and make connections and reach for the limits of experience in a way that it can’t do when you’re constantly turning it to a purpose.

I really like thinking about language not having a purpose and about a poem giving language the chance to breathe and move around and not be driven by any one aim.

Erstwhile Harbinger Auspices 
BY MATTHEW ZAPRUDER

Erstwhile means long time gone.
A harbinger is sent before to help,
and also a sign of things
to come. Like this blue
stapler I bought at Staples.
Did you know in ancient Rome
priests called augurs studied
the future by carefully watching
whether birds were flying
together or alone, making what
honking or beeping noises
in what directions? It was called
the auspices. The air
was thus a huge announcement.
Today it’s completely
transparent, a vase. Inside it
flowers flower. Thus
a little death scent. I have
no master but always wonder,
what is making my master sad?
Maybe I do not know him.
This morning I made extra coffee
for the beloved and covered
the cup with a saucer. Skeleton
I thought, and stay
very still, whatever it was
will soon pass by and be gone.

I have loved the word harbinger ever since I first encountered it in a vocabulary book in a high school english class. I love how this poem makes me wonder why a blue stapler from Staples is a sign of things to come. I love the idea of air being an announcement and that people called augers studied the honks of birds to determine the future. I love when a word can be both a thing and the action that thing does–flowers flower. And I love that it will take me many readings to begin to make sense of this poem.

dec 29/RUN

5.4 miles
franklin loop
42! degrees/ 98% humidity
0% snow-covered/ 40-50% puddle-covered

A wonderful run on a wet, almost raining day! Wasn’t planning to do the franklin loop but then decided at the last minute, why not, I bet it’s clear on the st. paul side and it was. The river was brown then gray then brown again. Never white. As I crossed the franklin bridge I could see that the path below in the east flats was clear. The path above was too. Lots of puddles, but no ice or snow. Didn’t think about anything I can remember.

Observations

people

  1. Encountered an older man and woman on the lake street bridge as I climbed up from the steps. As I started to run again, the man said, “And she’s off!”
  2. Running up behind a woman with a dog on a narrow part of the path. She veered in front of me without looking. Called out to her once, “excuse me” but she didn’t hear me. Had to do it again and freaked her out.
  3. Lots of runners on the minneapolis–any on the st. paul side? I don’t think so.

water

  1. So wet! Lots of drips from the trees.
  2. The sewer pipe in the ravine was rushing, gushing, almost roaring.
  3. Big puddles on the sidewalk. Tried to avoid one but stepped right in it.
  4. Car wheels whooshing over the wet pavement.
  5. Always wondering: is that just water or a sly slick spot?
  6. More gushing, dripping, falling water on the St. Paul side.
  7. Huge puddles on the east river road. Big splashes as the cars drove through them.
  8. Tiny ice chunks flowing down the river towards the falls below the lake street bridge.

After finishing the run and walking back, stopped to record the sounds of water on the street, rushing down the sewer, dripping off the eaves, mixed with all the birds:

Last week, I read a great poetry/craft advice column–The Blunt Instrument–on sentimentality and whether or not it’s bad.

It’s not sentiment or emotion itself that’s bad, it’s misused or overused emotion, and this is what writers, maybe especially poets, need to watch out for: unearned sentiment that feels mawkish, cloying, or cheap. In other words, laying it on too thick, or using emotional tropes to trick the reader into thinking they’re feeling something, when actually they’re just recognizing the outlines of a familiar emotion.

I enjoy her description of how excessive, insincere sentiment, which she names as hokey and corny, is determined:

You can’t define an adjective like “hokey” or “corny” (both of which, by the way, mean “mawkishly sentimental”) by any clear objective standard, but some number of people are going to read it and make the puke face.

Her advice for avoiding the puke face? Read a lot and learn how to judge from a wide range of examples when feeling is corny or genuine.

Her final line offers a great way to sum up sentimentality:

Sentimentality is feeling that’s too sure of being understood. 

dec 27/ RUN

3.5 miles
trestle turn around
29 degrees
0% snow-covered!

Back home in Minneapolis. Clear paths and sunshine. Feels harder to run in the afternoon today. Ran to the trestle with no headphones, returned with a playlist. Most memorable thing observed: a car honked its horn for at least 15 seconds when a slower car pulled out in front of it. What an asshole (the honker, not the honked-at). Don’t remember much else from the run other than I was tired–probably because I ran the final mile a minute faster than mile 2. Why? Not sure. I think I’m too tired to have any “brilliant” revelations about my run or life or the gorge.

A few nights ago, unable to sleep, I found a great book by a poet I happen to like a lot. So I checked it on my Libby app (this app is awesome): Theodore Roethke/ On Poetry and Craft

dec 26/RUN

3.3 miles
Austin, Mn
34 degrees

Ran 3/4 of a mile to a elementary school then ran the block around it 4 or 5 times. Ran back to Scott’s parent’s house, into the wind. Sorta-sprinted up the final hill. The sidewalk had a lot of slick spots so I ran on the road. Not too bad. Happy to be able to get outside. Felt good to run and breathe coldish, fresh air. Heard lots of water whooshing under car wheels. Also heard some loud crows. Encountered 2 other runners.

dec 25/ RUN

3.2 miles
Austin, MN
42 degrees

Ran in Austin with Scott this afternoon. Warmish. The streets were clear, the sidewalks had lots of puddles and ice and snow built up at the ends. We ran a mile, walked a minute, three times. Then walked another mile.

Observations

  1. Slick, wet pavement. Be-puddled sidewalks.
  2. Running over the crushed up, light brown gravel on the sidewalk where they had been doing sewer work
  3. Wonderfully tacky inflatable nativity scene in front of someone’s house
  4. Big stretches of bare ground–mud, green grass.

dec 24/RUN

5.5 miles
bottom of Franklin hill and back
34 degrees

Didn’t have time to write this entry until the 26th so I don’t remember that much. I do remember it was a good run and I felt strong and happy to be able to run for 50+ minutes outside at the end of December. And I also remember reaching the bottom of the hill and listening to the water in the flats slowly flowing.

dec 22/RUN

4.2 miles
to the falls and back
33! degrees
25% snow-covered

Ran south again this morning. Beautiful! Above freezing! Only wore one shirt and a vest today. Trying out a new thing where I post 5 observations (see/hear/feel/smell).

At least 6 Observations on My Run

  1. (Heard) Kids having fun, yelling near the savanna.
  2. (Saw) Runner running below on the Winchell Trail near 42nd. Shuffling along, steadily climbing up the snowy path.
  3. (Heard) Booming roar of the rushing water at the falls, Low rumbling roar of a plane overhead, High-pitched, frantic roar of a car engine, speeding on the parkway.
  4. (Saw) The ancient boulder by the bench (mentioned yesterday) partly buried in snow.
  5. (Saw) A snowy view of the other side of the gorge through the bare trees.
  6. (Heard) A biker on the road spitting.
  7. (Saw) A small gray car almost running the stop sign at Godfrey and 46th.
  8. (Saw) A runner’s red quilted vest–not bright red.
  9. (Saw) The curve of the wrought iron fence below the path, bending around the ravine near 42nd.
  10. (Saw) Snow trapped in a small pothole on the path that’s been getting bigger ever year.
  11. (Heard) The slushy crunch of my feet striking the snow on the path.
  12. (Saw) A dropped glove–black, thick–on the edge of the sidewalk.

Felt good again today. Enjoyed running south to the falls and stopping to admire them for a few seconds. Almost forgot–encountered a runner I’ve been seeing a lot on the weekends. Usually I see him running much farther north. Does he usually run this far or has he changed his route too because of the snow? Thought briefly about asking him how far he usually runs but didn’t. Will I see him again next weekend, shuffling along in his black sweatpants and hooded sweatshirt?

I don’t think I have posted this poem before although I know I have admired it.

Choices/ TESS GALLAGHER

I go to the mountain side
of the house to cut saplings,
and clear a view to snow
on the mountain. But when I look up,
saw in hand, I see a nest clutched in
the uppermost branches.
I don’t cut that one.
I don’t cut the others either.
Suddenly, in every tree,   
an unseen nest
where a mountain   
would be.

dec 21/RUN

4.2 miles
to the falls and back
25 degrees
50% snow-covered

Ran south instead of north this morning. Much better conditions on the trail. I ran on bare pavement for much of it. Hooray! The sun was shining and the wind wasn’t too bad. A wonderful morning for a run. If it had been just a little clearer on the paths, I might have called today (near?) perfect conditions. Much easier to notice the river running this way. It’s because there’s not much other than steep slopes between the bluff and the river in this stretch. Nearing Locks and Dam #1, I could see shimmering river near the Ford Bridge. Open water! Beautiful. Ran through Minnehaha Regional Park and stopped for a few seconds to admire the rushing falls. Not frozen over yet.

Encountered lots of runners and walkers. 2 fat tires. I passed one runner on the way up to the double bridge. I could hear them behind me. At first growing more distant, then closer. They were speeding up. For a few minutes, I tried to speed up too but just past 38th street I gave up. I slowed down so they could pass and so I could stop hearing the crunching of their feet stalking me. Maybe someday I won’t be bothered by people following me but today was not that day.

This morning I read a great essay, The Art of Finding by Linda Gregg. She writes:

I am astonished in my teaching to find how many poets are nearly blind to the physical world. They have ideas, memories, and feelings, but when they write their poems they often see them as similes. To break this habit, I have my students keep a journal in which they must write, very briefly, six things they have seen each day—not beautiful or remarkable things, just things. This seemingly simple task usually is hard for them. At the beginning, they typically “see” things in one of three ways: artistically, deliberately, or not at all. Those who see artistically instantly decorate their descriptions, turning them into something poetic: the winter trees immediately become “old men with snow on their shoulders,” or the lake looks like a “giant eye.” The ones who see deliberately go on and on describing a brass lamp by the bed with painful exactness. And the ones who see only what is forced on their attention: the grandmother in a bikini riding on a skateboard, or a bloody car wreck. But with practice, they begin to see carelessly and learn a kind of active passivity until after a month nearly all of them have learned to be available to seeing—and the physical world pours in. Their journals fill up with lovely things like, “the mirror with nothing reflected in it.” This way of seeing is important, even vital to the poet, since it is crucial that a poet see when she or he is not looking—just as she must write when she is not writing. To write just because the poet wants to write is natural, but to learn to see is a blessing. The art of finding in poetry is the art of marrying the sacred to the world, the invisible to the human.

To see carelessly and to learn an active passivity. I remember writing/thinking about active/passive seeing a few years ago on this running log. I’ll have to find where. I think running lets you do this because you can’t actively think/theorize about the landscape as you’re running. You’re too busy running. The details get absorbed passively while you’re doing something else.

I like her idea of writing down 6 things you notice each day. I might try that on my run for a month. I already do this on the log but more informally.

6 Things I Observed On My Run Today

  1. Saw shining, open river water through the trees
  2. Heard then saw a Minneapolis Parks plow approaching me on the path, then veering off onto the road
  3. Heard but didn’t see some kids yelling at the park, about to sled down a steep hill
  4. Saw a person walking through the snow on a part of the Winchell Trail that climbs up closer to the road then back down again
  5. Heard then saw 2 people with a dog below me on the Winchell Trail. Almost sounded like they were skiing as they shuffled along but how could that be?
  6. Noticed how one of the ancient boulders on the path–the one near a bench–had a mound of snow on top of it

This was difficult. Maybe because I’d already written a bunch of observations earlier in this log? I think I’ll trying doing this through January.

White-Eyes
BY MARY OLIVER

In winter 
    all the singing is in 
         the tops of the trees 
             where the wind-bird 

with its white eyes 
    shoves and pushes 
         among the branches. 
             Like any of us 

he wants to go to sleep, 
    but he’s restless— 
         he has an idea, 
             and slowly it unfolds 

from under his beating wings 
    as long as he stays awake. 
         But his big, round music, after all, 
             is too breathy to last. 

So, it’s over. 
    In the pine-crown 
         he makes his nest, 
             he’s done all he can. 

I don’t know the name of this bird, 
    I only imagine his glittering beak 
         tucked in a white wing 
             while the clouds— 

which he has summoned 
    from the north— 
         which he has taught 
             to be mild, and silent— 

thicken, and begin to fall 
    into the world below 
         like stars, or the feathers 
               of some unimaginable bird 

that loves us, 
    that is asleep now, and silent— 
         that has turned itself 
             into snow.