Tag: afternoon

feb 25/RUNGETOUTICE

2 miles
river road, north/lena smith, south
22 degrees

Sunny, cold, shadowed. Most distinctive shadow: the ball-like one, made by the light of the street light. It was nice weather for a run. Not too cold, or too warm, clear trails. Unfortunately, I struggled. Sore legs, unfinished business, and some fatigue. And now I’ll struggle not to worry about what caused the bad run — this worrying about my health is the way my anxiety is expressed. No fun.

Even with my not-so-great run, can I remember 10 things I liked (or loved)?

10 Things

  1. the feel of my feet sliding on the grit as I ran up the lake street hill
  2. the bright orange graffiti under the lake street bridge
  3. the surface of the river, covered in a thin skin of ice, a pale gray
  4. the bright blue and empty sky
  5. the deep footprints on the snow-covered walking path, descending just below the road
  6. feeling strong and relaxed as I ran up the hill from under the bridge
  7. the sheen of the thin glaze of ice on the shaded sidewalk
  8. some puddles on the sidewalk where snow from a yard had melted
  9. looking through a net of bare, slender trunks
  10. chirping birds, all around

For the first part of my run, I listened to the traffic and my feet striking the gritty ground. For the second part of the run and the walk, I put in my new “Bunnies and Rabbits” playlist — see below. I heard these songs today:

  1. Rabbot Ho / Thundercat
  2. Baile InoLVIDABLE / Bad Bunny
  3. Rabbit Fur Coat / Jenny Lewis
  4. Abracadabra / Steve Miller Band
  5. I’m Drivin’ My Life Away / Eddie Rabbit

I’d liked the speed/fast beat of the Bad Bunny song, the storytelling in “Rabbit Fur Coat,” the 80s kid nostalgia of Abracadabra, and the little North Carolina Sara nostalgia of Eddie Rabbit (from June 1980, when I was 6). Jenny Lewis’ story about her poor (both, no money and tragic figure) mom made me think of Diane Seuss and her use of a rabbit motif — see below and this diane seuss and rabbits.

Rabbits, Rabbits, Everywhere — written earlier today

As is usually the case when I give attention to something I haven’t given much attention to before, that something is suddenly everywhere, or not everywhere, but the instances of it seem to grow exponentially (you might say, they breed like rabbits). The rabbit/bunny/hare floodgate has been opened! This morning, I’m finding so many rabbit references!

And what’s the point of all of this? Following the rabbit down the rabbit hole is a wonderful distraction. It is also an excellent opportunity to learn. And to learn more about rabbits, which leads to caring about them as living things and as symbols. This caring might (is) enabling me to open up a closed part of myself (closed = strong dislike of rabbits). And it is helping me to think more broadly and specifically about the impacts of humans and human encroachment on environments and the consequences of that encroachment for humans and non-humans. Plus, all (or any) of it could inspire new poems.

Here are a few rabbit-related things:

1

The killer rabbit in Monty Python and the Holy Grail. I should rewatch this movie because I remember the rabbit in the cave (or is it a bunny) at the end, but not that clearly. Is the joke that rabbits/bunnies are soft and cute and frail and couldn’t possibly be vicious killers?

2

Bunny Lebowski in The Big Lebowski. It’s been long enough since I’ve seen this film that I all I can remember is that she is the young wife of the Big Lebowski, who is kidnapped and is a catalyst for much of the action. Is that right? I could look it up, but I’d rather use this lack of remembering as a reason to watch the movie again.

3

Rabbit in Red matchbox from Halloween. Near the beginning of the movie, the nurse who has accompanied Dr. Loomis to pick up Michael Myers from the mental hospital and bring him to his parole hearing lights a cigarette using a match from this matchbook just before Micheal Myers attacks them and escapes in their car. Later that same matchbook appears in the grass near the dead body of a mechanic. A clue! Michael Myers must have been here! And now he’s going home to finish what he started!

4

Harvey, a Jimmy Stewart movie from 1950 in which Stewart befriends a 6 foot tall invisible rabbit. I have never seen it, but when I was younger, after having watched Rear Window, I developed a bit of a crush on Jimmy Stewart. Maybe that’s why I thought of this? I looked to see if it was streaming anywhere or available from the library. Nope.

5

Max and Ruby, Ruby and Max. A cartoon with baby brother/big sister bunnies. My kids watched this when they were young, thanks to hand-me-down dvds from my sister whose kids watched it when they were young. When and where did it air? What I remember most about this show was that the adults were almost non-existent and Ruby was the suffering big sister who rarely got to have any fun because she had to mother clueless Max. The gendering in this one — wow!

6

The documentary from PBS, The Pill. When I taught a class about debated issues within feminism, we usually started with a section on Reproductive Justice. Instead of focusing on abortion, we looked more broadly at women’s reproductive health and their access to care and control over their own bodies. I often screened this documentary and I recall a section with rabbits in a lab that also included the story of how they experimented on women in Puerto Rico. I can’t easily stream this again, so I’m relying on my memory and the transcript. The section is called, “A Cage of Ovulating Females.” Here’s the mention of the rabbits:

Margaret Marsh, Historian: Gregory Pincus wasn’t a physician, he was a scientist. And so he could give the pill to as many rabbits as he wanted to. Rabbits everywhere could take this pill. But he couldn’t give the pill to women. He wasn’t a doctor. He couldn’t run a clinical trial on human beings.

The Pill

And here’s one bit about Puerto Rico:

Getting the pill to market would require approval from the Food & Drug Administration, and that would entail a large-scale human trial. In exasperation, Katharine McCormick, asked, “Where can we find a cage of ovulating females?”

Puerto Rico had a network of birth control clinics and no Comstock laws. Pincus called it “the perfect laboratory.”

The Pill

The experiments on Puerto Rican women were considered a success, but some of the women suffered terrible side effects: headaches, nausea, dizziness, vomiting.

7

Rabbit from Winnie-the-Pooh — Winnie-the-Pooh’s neighbor who sometimes wishes he wasn’t — there’s a real Dennis the Menace vibe happening here, with Pooh as Dennis, Rabbit as the menaced neighbor. Yesterday I read about how Lewis Carrol intended the White Rabbit to be a sharp contrast to Alice:

For her ‘youth’, ‘audacity’, ‘vigour’, and ‘swift directness of purpose’, read ‘elderly’, ‘timid’, ‘feeble’, and ‘nervously shilly-shallying’, and you will get something of what I meant him to be. I think the White Rabbit should wear spectacles. I’m sure his voice should quaver, and his knees quiver and his whole air suggest a total inability to say ‘Boo’ to a goose!”

The White Rabbit in Fandom

I see a similar contrast between Pooh (as Alice) and the Rabbit (as White Rabbit):

8

Cadbury Creme Egg Bunny. Growing up, I LOVED these eggs. Unlike now, in the 80s and 90s you could only get them around Easter. More than any other, these eggs are my favorite childhood candy. Do they hold up? Not really. I remember the commercial with the bunny that sounds like a chicken:

the 1983 commercial with copy read by the Smuckers guy!

9

9

Diane Seuss and rabbits. Yesterday I remembered a line from a favorite Diane Seuss poem, I Look Up at my Book and out at the World Through Reading Glasses:

The load of pinecones at the top,
a brown smudge which could be anything: a wreath
of moths, a rabbit strung up
like a flag.

She’s referencing some famous still life painting with the rabbit, I think — this is in her collection all about still life paintings, Still LIfe with Two Dead Peacocks and a Girl. I looked up “Diane Seuss and rabbits” and found two other poems by her with rabbits in them!1

excerpt from backyard song / Diane Seuss

Uncorked, I had a thought: I
want the want
I dreamed of wanting once, a
quarter cup of sneak-peek
at what prowls in the back, at
what sings in the
wet rag space behind the garage, back
where the rabbits nest

Her first poem had a rabbit/ Diane Seuss

in it. Life
story at age fourteen sifted
through a rabbit.

It had a tattoo on a hand
in it. And cherries, the kind
that come in a can.

She tended
toward rabbits back then.
Toward the theoretically mild

that are really
wild. Like ducks on a pond
that is really a moon

full of menacing weeds.
The duck gets ready for noon,
she wrote. Yes,

nonsense, I guess.
She embroidered a poem
on a foam

pillow with a felt pen.
Pinned an actual
cherry on it back then

life story sifted through a rabbit — drawing upon this poem and a few others, AI suggests that Seuss frequently uses the motif of rabbit to explore themes of wildness, vulnerability, and the grotesque. In the summary, it (AI) misnames the poem “Basket,” which is the name of the journal, not this poem.

theoretically mild, really wild

Ducks on a pond, right next to the rabbit? That has to be reference to the optical illusion — do you see a duck or a rabbit? — right?

11

The Runaway Bunny — This was one of my favorite books as a kid. At first, I wondered why I thought that, then I found the book and opened it and saw why:

book inscription: To little Sara on Easter 1978 -- from Mommy and Daddy
my copy from 1978

11

Looney Tunes: I want hasenpfeffer! I am almost certain that when I watched this cartoon as a kid, this was the first time I had heard of hasenpfeffer or imagined that rabbit was something you could eat. I still never have, but whenever I hear the word hasenpfeffer I think of this cartoon.

Hasenpfeffer

From a comment: “The King wants Hasenpfeffer which is traditional Dutch and German stew made from marinated rabbit or hare, cut into stewing-meat sized pieces and braised with onions and a marinade made from wine and vinegar.”

What to do with all of this rabbit-holing? I want to orbit around all, or at least many, of these ideas. Bring them into poems. Write a series of small poems about rabbits and bunnies and hares. As I was writing this last line, another bunny zapped into my head — The Runaway Bunny! I’ll add it above. What form should these rabbit poems take? Could this be an inspiration — Seven American Centuries? Whatever the form, I like the idea of returning repeatedly to century bunny/rabbit themes, and telling a story across the poems, not in one poem.

  1. Yesterday I realized I could easily do footnotes and I’m here for it! Googling “Diane Seuss and rabbits” the AI explanation seemed useful and it was, but also a bit suspect. When I clicked on the links offered at the end of the AI summary and read the source, it often wasn’t saying what AI claims it saying. AI takes some liberties, I think. ↩︎

a Rabbit/Bunny/Hare playlist

When Scott reminded me of Thundercat’s song “Rabbot Ho,” I knew I needed to make a playlist for this recent preoccupation!

  1. Rabbot Ho / Thundercat
  2. Baile InoLVIDABLE / Bad Bunny
  3. Rabbit Fur Coat / Jenny Lewis
  4. Abracadabra / Steve Miller Band
  5. I’m Drivin’ My Life Away / Eddie Rabbit
  6. The Young Rabbits / The Jazz Crusaders
  7. Let’s Pretend We’re Bunny Rabbits / Magnetic Fields
  8. Rabbit Heart (Raise It Up) / Florence + the Machine
  9. Rabbit Fighter / T. Rex
  10. Jack Rabbit / Elton John
  11. Here Comes Peter Cottontail / Gene Autry
  12. White Rabbit / Jefferson Airplane
  13. White Rabbit / George Benson
  14. Rabbit Will Run / Iron & Wine
  15. Breathe (in the Air) / Pink Floyd
  16. Pink Rabbits / The National
  17. Mycomatosis / Radiohead
  18. Alice / Peggy
  19. Mad as Rabbits / Panic at the Disco
  20. Bunny is a Rider / Caroline Polachek

feb 24/RUNGETOUTICE

4.3 miles
minnehaha falls
35 degrees
25% puddles

Sitting at my desk in the morning, I heard some noise — rustling, I think? — just outside the window. Freezing rain or snow — graupels. Then it started snowing, not too hard, but enough to cover everything. No! I wanted to run today. Luckily, it warmed up and by the time I was ready to run, everything had melted.

10 Things

  1. a police car parked parallel to the road in the first falls parking lot
  2. aside from the police car, the lots were empty
  3. a lime scooter leaning against a bench
  4. one guy standing at the bridge overlooking the falls, with an orange hat or an orange something else (I couldn’t see)
  5. voices below on the other side of the wall, down in the falls
  6. no one else in the park
  7. big puddles everywhere — my one foot was soaked only 5 minutes into the run
  8. kids yelling and laughing on the playground
  9. the river was covered with ice and snow with one sliver of open water
  10. a walker approaching me, walking 3 tiny dogs — this made me smile

The run was mostly great. At times, my legs felt heavy (or, at least, heavier than they usually do) and I stopped to talk a few extra times. Were they sore or my lack of ferritin or some other ailment? The second half felt easier.

bunnies — nudge? muse? pest? ghost?

note: I started writing this section yesterday and have spent over four hours this morning wandering through the spaces it created . There’s a lot of movement in it — traveling from thought to thought to thought, here to here to here. Future Sara, and anyone else reading this, you might get lost.

So far I’ve written two bunny poems without really trying to. I’m starting to believe they want me to write about them. This very idea suddenly appeared in my third poem. I started writing about the moment when I first noticed the bunnies in the backyard at night and realized they had probably always been there. Then I wrote in my Plague Notebook 27: I didn’t choose to notice them as much as they decided to be noticed. And I thought: muse! Could this poem be about bunnies in the backyard and about bunnies as the thing that has decided it’s time for me to write, and write about them? For years now, I’ve disliked bunnies, and never imagined writing about them. But now here I am, writing about them, and I fear that I might learn to like bunnies.

All of this has me wondering, what is a/my muse? I’m familiar with the term, but have never seriously studied it, either as a concept or through examples of it in the popular imagination. Do I want to now? Is it necessary for my poem? Maybe instead of devoting a month to it — although that could be fun! — I’ll give it a day or two?

Muse/ Linda Pastan

No angel speaks to me.
And though the wind
plucks the dry leaves
as if they were so many notes
of music, I can hear no words.

Still, I listen. I search
the feathery shapes of clouds
hoping to find the curve of a wing,
and sometimes, when the static
of the world clears just for a moment

a small voice commes through,
chastening. Music
is its own language, it says.
Along the indifferent corridors
of space, angels could be hiding.

If the bunnies are my muse, I didn’t seek them out. I looked out the window one winter night and saw them on the lawn, not knowing what they were. Did they seek me out, or are they indifferent to me? Did they reveal themselves, or did I just happen to notice them one day? I think I do less trying to find a muse, more trying to create the conditions where it could be possible. I noticed the bunnies because I was doing a month-long practice I called the purple hour. It involved using the time when I woke up in the middle of the night, unable to sleep, to notice purple and write about it. One night, I was studying the different purples in the backyard and there they were, the bunnies. And maybe it’s more than creating the conditions where it’s possible; it’s also about being open to what could be a muse, letting it in.

Muse — to be occupied by, possessed, taken over, haunted, held captive, in the thrall of?

This idea of captivity reminded me of the poem, Captivity/ Siddhartha Menon which I posted on this log on 15 may of this year. In an essay, Menon wrote this about the final line of the poem:

“You are paralyzed.” It suggests the fatal indecision of a rabbit caught in a hunter’s flashlight, and snaps the poem shut” (Siddhartha Menon on Epigraphs).

My rabbit/bunny is back! This sentence is the only mention of a rabbit in a 872 word essay about a poem that features a bird. Where will my bunnies appear next?

Returning to definitions of muse, I googled it, and just past the dictionary entry — the nine daughters of Zeus, a person/personified force who is the inspiration for an artist — in the “People also ask” section was this question: What makes a woman a muse? Here’s the AI generated answer:

A woman becomes a muse through qualities like enigmatic allure, deep connection, and embodying creative energy, acting as a profound source of inspiration for an artist, often sharing a unique bond that fuels artistic expression, though not always romantically. Muses can be captivating personalities, friends, lovers, or even strangers who embody traits like wisdom, charisma, or mystery, prompting the artist to create, often embodying a living, breathing work of art themselves, inspiring everything from specific works to an artist’s entire focus. 

Eww. The uneven power dynamics here, between the subject (isn’t it most often a male artist?) and the object (a woman who is not an artist, or is not considered an artist) that inspires them bother me. After images of male artists and their models flashed in my mind, a phrase appeared: Manic Pixie Dream Girl. I recalled encountering a critical feminist essay about this trope back in the day (around 2007 or 2008, when I was teaching pop culture and queer theory at the University of Minnesota). I searched for it. Not an essay, a video from Feminist Frequency. Yes! I remember them. This video holds up. Around 4 and a half minutes in, they link the trope directly with the Muse:

manic pixie dream girl

And now I’m thinking about birds in poetry and how they’re used to do a lot of the heavy lifting of a poem. She’s not the only poet to write about it, but here’s a good example of this idea from Ada Limón:

does this bird want to be in this poem today? Maybe it doesn’t. You know, we always want to turn the animal into something else, right. And sometimes I want to let the animal be. Of course animals are symbols, of course they turn into our metaphors. I mean, that happens. But I also think there are moments when you just think, okay, the birds aren’t going to save me.1

VS Podcast Interview with Ada Limón

All of this makes me wonder: what am I doing as I keep putting the two bunnies in my backyard into my poems? And why do I insistent on calling these wild and mature eastern cottonwood rabbits bunnies? I’m not sure these rabbits are indifferent to me, but I think they notice me in terms of whether or not I am a threat to their main activity: grazing in the grass.

Now I’m remembering an interesting fact I encountered the other day: much of the eastern cottonwood rabbit’s time is spent eating, 6-8 of the day, both during the day and at night!) Okay, I looked it up again and I was right about the 6-8 hours a day, but here’s a delightful detail: primarily during dawn and dusk. They are rabbits eating habits as crepuscular grazers. Crepuscular (cre PUS cular)?! What a word, and a good title for a poem?!

But, back to if rabbits (I still want to call them bunnies) notice me or not. Is my assumption correct about noticing me in terms of my threat level? Another google:

Wild rabbits are acutely aware of humans, perceiving them primarily as potential predators due to their innate, high-alert survival instincts. They utilize exceptional hearing and a keen sense of smell to detect people, often fleeing immediately to safety. While they may learn to tolerate consistent, non-threatening human presence over time, they generally maintain a healthy fear of people.

Yes! So, here’s something interesting: in the poem I’m working on right now, tentatively titled, Bold as Brass, my backyard bunnies do not care that I’m passing by; they keep grazing. They’re seemingly so indifferent that I’ve started calling out a pre-boomer phrase (and unironically!) to anyone around me: those bunnies are bold as brass! Where’s their healthy fear of humans? Is it that they can tell I am no threat, or are they being impudent? Or, has something screwed up their “normal” behaviors, and could that something be human-caused (like the over-developing of land, the loss of “natural” habitats, the increased need to live in the midst of humans?) Could that be the true heart of this poem?

Possibly, but first, another plunge2 down that rabbit hole! What do “experts” say about my theory of encroaching landscapes? Looked up “rabbits encroaching landscape” and What to do about wild bunnies? appeared. Here’s the subtitle: “Timid wild rabbits may occasionally eat plants in the garden, but usually live unnoticed on the fringes of our yards.” Usually unnoticed and on the fringes? Two favorite themes in my poems! Also included in one of the first paragraphs: edges, in-betweens.3 Back to “usually unnoticed,” here’s another useful bit from the article:

Here today, gone tomorrow is one way to describe rabbits in suburbia. Given the many predators who make meals of rabbits, their populations can rise and fall dramatically over the course of a year.

Come on, now, the pun was set up for you: hare today, gone tomorrow! Anyway, does my recent (for the last year) notice of backyard rabbits, almost every day, count as part of this normal rise and fall of rabbit populations? Or does it indicate something else?

The line about the gardens make me think of two things. First, a memory. My mom loved gardening and was especially proud of her West Des Moines garden (I created a digital story about it a few years ago). I recall the rabbits liked her flowers, especially her roses. On the advice of a neighbor, she sprinkled bone meal around the bush, which didn’t work. Not wanting to kill the rabbit, she managed to catch it — I can’t remember how, maybe with the help of that same neighbor — and drove 10 or 15 miles out of town and into the prairie to release the rabbit.

Second, a few feelings I recall having decades ago when reading the section in Peter Rabbit when Peter Rabbit’s coat gets caught on Mr. McGregor’s fence and he’s trapped and then when he manages (barely, at least how I remember it) to make it home and has to recuperate in bed. The feelings: not fear or relief but an understanding that life was dangerous and serious and an ambiguity as to who was in the wrong — the bold, misbehaving Peter who disobeyed his mother’s orders and stole vegetables, or the hard-working farmer who was planning to kill Peter as punishment. I recall thinking I was supposed to think Peter was in the wrong, but I wasn’t buying it.

What to do with these rabbit wanderings? And where has my plunge down the rabbit hole led me? It seems fitting to conclude this ramble with the rabbit hole, which is a reference to Alice’s Adventures in Wonderland and her following of the white rabbit down into Wonderland. Of course, “down the rabbit hole” is also a term used for getting lost on the internet:

“Down the rabbit hole” is an English-language idiom or trope which refers to getting deep into something, or ending up somewhere strange. Lewis Carroll introduced the phrase as the title for chapter one of his 1865 novel Alice’s Adventures in Wonderland, after which the term slowly entered the English vernacular. The term is usually used as a metaphor for distraction.[1] In the 21st century, the term has come to describe a person who gets lost in research or loses track of time while using the internet.

wikipedia

Out-of-control curiosity. Distraction. Losing track of time. Getting lost in strange worlds. These are presented as bad things. Are they? Many of them are embraced within poetry. And they are great tools of refusal and resistance against late-capitalism and wannabe fascist governments — you’re not working for/perpetuating the system while you’re following the rabbit hole.

Does that work when the getting lost is online, where the rabbit hole is designed to be the way curiosity is monetized: the more levels of the rabbit hole you enter, the longer you stay lost in all of the information offered, the more attention you give to a site and its advertisers.

I started this ramble yesterday after realizing my third bunny poem might be about the muse. That realization was partly inspired by a recent rereading of an excerpt from Tommy Pico’s poem, “IRL.” Somehow I’ve made it back to that beginning. Here’s the last section of that excerpt:

All I need is my phone.
Subway, elevator, drifting off
in a convo—no one really seems
to notice, occupied by their own
gleaming pod of longing.
I am the captain of my shit,
possessed by the spirit
of Instagram I am omnipotent
on Twitter on Blurb on Vine
Soap boxes on the street corner
of my mind Clear, boosted, boundless
something come stop the shaking
A sun to fly towards iMean
something to do: mimicry
of purpose. The injury
of hunger is: death. The word
of the day is: Gloze.
To explain away.
Glowing gauze glozes the
etc. Weather.com says
Stay inside forever, or
drop dead. We’ve ads
for you to click. You n me?
It’s going to take soooo long
for us to know each other
ten years.

I don’t understand all that is happening in this excerpt, but the more I read it, the more doors it opens for me and my thinking about the internet, IRL, and the Muse.4

  1. “the birds aren’t going to save me” — I suppose my initial turn to the bunnies was with that expectation, where saving = giving me something else to think about other than ICE and Occupation Minneapolis and fascism and my high blood pressure and insomnia ↩︎
  2. My choice of plunge is deliberate; it’s a reference to Emily Dickinson’s “I felt a funeral in my Brain” — And then a Plank in Reason, broke,/And I dropped down, and down,/ And hit a World, with every plunge,/And Finished knowing – then – ↩︎
  3. Something else included: “rabbits will excrete, eat and re-digest their own droppings to obtain the maximum amount of nutrients.” I wonder if that’s part of what the rabbits in my yard are doing when they spend so much time stock-still in the snow. ↩︎
  4. One last thing about the Muse that I want to mention for a future discussion. What if the bunnies/rabbits are not a muse, or a catalyst for action (which was said of the white rabbit in Alice in Wonderland), but a gate? As in, Marie Howe opening in “The Gate”: I had no idea that the gate I would step through / to finally enter this world / would be the space my brother’s body made ↩︎

feb 22/RUNGETOUTICE

3 miles
river road, north/lena smith hill x 3
15 degrees / feels like -2
wind: 24 mph gusts
100% clear path

A late afternoon run. It was cold but I had on (almost) all of the layers — 2 pairs of running tights, 2 base layer shirts, 1 hooded pull-over, a jacket, a buff, a cap with ear flaps, 2 pairs of gloves — so I was very warm. Only now, back inside at my desk, can I feel how the cold burned my face. I saw a few walkers, but I think I was the only runner. The river was open, the paths were clear, the sky was a grayish white.

overheard: 2 men walking a dog, heading north — when can we get out of this wind?!

Yes, the wind was rough. I don’t recall it stirring up anything, just howling, and feeling cold. 3 miles was enough for me today.

thank you past Sara!

Performing my morning ritual — my “On This Day” practice in which I read past entries from this day — I reread 22 feb 2024 and my lengthy discussion of pain. Such a gift today when I seem to be having an almost 2 month long argument with my body. I hesitate to call it pain, although I am in some discomfort. It started with a mild but persistent “cold” (never tested it, so I’m not sure what it was) that lasted more than 2 weeks. Then the discovery of high blood pressure at an annual check-up, which I’m monitoring for the next month (doctor’s orders), and that is sometimes normal, sometimes not, and is leaving me unsettled by its refusal to be one or the other. Combine that with the return of anxiety, a stretch of particularly bad restless legs and insomnia, and the acceleration of fascism in the US. Fascism aside, none of these are that big of a deal, and maybe that’s part of the problem. If they were actually a big deal, I would learn how to accept and accommodate them. Instead they linger as uncertainties, specters of worry, causing a rift between me (who is the me here?) and my body. (This litany of minor complaints is offered as gift to future Sara who most likely won’t read them as complaints, but as the documenting and archiving of what it felt like to be living in this strange and terrible and hopeful time.)

I’m not sure when I created the hashtag, body in pain, but I should do more with it — maybe create a page? And maybe I can do a little more with the 2024 entry and this — 18 august 2017.

Get Out Ice

Fight
Unlawful
Conduct
Keep
Individuals and
Communities
Empowered Act

Democratic lawmakers in New Jersey have sent a blunt message to Immigration and Customs Enforcement with the introduction of a new bill.

The “Fight Unlawful Conduct and Keep Individuals and Communities Empowered Act” – or F*** ICE Act – was introduced Thursday in the State Assembly. It aims to extend residents’ rights under state law to sue federal immigration officials for unconstitutional conduct. 

“There have to be real consequences if ICE breaks the law,” said Katie Brennan, an Assembly Democrat who is co-sponsoring the bill alongside former Hoboken mayor Ravi Bhalla, also a Democrat, according to The New York Times.

The Independent

Many of the articles about this FUCKICE Act described it as vulgar in the headline, which reminds me of a great quote from an article in MPR recently about mocking ICE and the Dildo Distribution Delegation:

“When people come out and say, ‘Well that was really vile or vulgar or distasteful,’ it sets up the question: isn’t it more distasteful and violent and vulgar to shoot people in the back of the head when they’re at a protest or to kill the citizens of Minneapolis?” Winchester said.

misheard

Read a poem last night, or was it early this morning?, by Kelli Russell Agodon that connects with my interest yesterday in sense misperceptions, and reminds me of something I wrote about on a log entry from 26 jan 2025: the 10 muses of poetry, including: Mishearing, Misunderstanding, Mistranslating, Mismanaging, Mislaying, and Misreading. The poem: “Coming Up Next: How Killer Blue Irises Spread —Misheard health report on NPR” And here’s something else from that 26 jan 2025 entry to put with all of this:

A second key might be “eavesdropping.” As it happens I have deficient eyesight and hearing, not enough to impair my regular function but enough that I can, as my colleague Karla Kelsey puts it, “squint,” either with the eye or the ear, without difficulty. Some of my best lines—especially the generative lines, the bits of poetic grist from which poems develop—come from phrases I’ve misheard in conversation or (at least initially) misread as text. I guess you could say I “own” such material—I make a lyric and creative claim to it—by mishearing or misreading it.

An Inheritance Reassembled

I bought a collection by Waldrep after discovering this intervew, and a few of his poems. Maybe it’s time to read it!

feb 21/RUNGETOUTICE

4.25 miles
minnehaha falls and back
18 degrees / feels like 6

After a week of warmth, winter is back and this time the paths are clear! Hooray! It is (almost) never the cold but the uneven trails that bother me in January and February (and March and often April). I felt good as I ran south and even better as I ran back north. As I ran, I thought about how I was wearing my dead mother-in-law’s purple jacket and my dead mother’s teal cap with the tassels. I liked feeling as if they were both there with me. I also thought about #2 (see below) and what it means to be good at something. I imagined it not as something you are, I am good at x or y or z, but as a moment you experience or as a means to a deeper end: to feel free or satisfied or joyful — because I can run well, I am able to float on the trail and devote more attention to this place or to travel farther on this trail or enter the flow state and feel closer to the earth, the air, the water.

10 Things

  1. a flash or a slash or a blur of bright red below me — with a second glance I saw that it was a person with a red coat walking on the winchell trail
  2. a BRIGHT dot and a thought whispered in my head — yellow — an instant later recognition, a crosswalk sign
  3. thump thump thump the deep bass of a song exploding out of a car
  4. another car, more music — a song that I could almost but not quite hear — I strained my ears to identify any lyrics or a melody, but couldn’t
  5. the faint echo of the train bells near the falls
  6. the falls were still gushing from behind the ice columns, the dark water of the creek was rushing
  7. a group of people standing at the wall, looking down at the falls — they were laughing and cheering as they threw something below — I think they were snowballs
  8. the river was completely open and was mostly a deep brownish blueish dark gray — it stretched wide and far and looked more like a wall than water
  9. my feet slid (but didn’t slip) on the grit on the trail
  10. the paths held a range of people — single walkers, walkers with dogs, running pairs, running trios, adults and kids walking single-file — but the benches held nothing — they were empty

some things to remember

1

For almost a year now, I’ve been jumping from project to project. In the spring, it was color, then in the summer it was water and inklings, in the fall my book manuscript on echolocation and the gorge, and this winter it has been love. So many projects! And I have more big ideas that have been simmering for years and waiting for the light of my attention. But, I also like wandering without a clear purpose or goal. I like devoting a month to a random topic, like shadows or windows or wind, making a playlist for it, exploring new things that I haven’t encountered before. It’s difficult to balance a desire to wander and experiment with the need to turn it into something.

And right now, the need to turn it into something is winning. Even as I write this, I’m thinking of another project which would be part of a larger manuscript on how I see. So far, I have written about how I am seeing color (inner and outer color), how I navigate, looking at the world as if through water (inklings), now it’s time for another section/chapbook of this — thoughts? Optical illusions or hallucinations or mistaken identities? I’m imagining this might include examples from my log of seeing something in a very WRONG way — like disembodied legs walking toward me on the trail.

My starting point could be to gather: examples from past entries; lines from poems that speak to/of the beauty and the danger of these illusions; some research on illusions by scientists and psychologists; excerpts from essays by G. Kleege and Naomi Cohn; examples in art — like Monet and Magritte. Along the way, I want to turn this work of gathering into a resource page for others.

2

In my post from 21 feb 2017, I posed the question, what does it mean to be good at running? What does it mean to be good at something? And now I’m wondering, what does it TAKE to be good at something? The word excellence echoes in my head as I think about my studying of Aristotle and the figure skating in the 2026 winter Olympics. Two different models: Ilia Malinin (the quad god) and Alysa Liu. And I’m also thinking about the idea of needing to suffer for your art and where joy fits into your practice. And, another question — is the goal always to be good, to excel, to master?

3

A book to buy, or to check out of the library: Against Breaking — the power of poetry / Ada Limón

4

A mural to find:

a storm drain mural for water quality, designed and painted by local artist Precious, shows a sunset over a cityscape in vibrant colors. You can see it at the Mississippi River Gorge scenic overlook along Mississippi River Boulevard in Highland Park.

FMR

5

a poem to read again and to place beside my restlessness, my desire for movement, and my desire to find new ways to understand stillness:

The Art of Silence / Christine Anderson

a Buddhist monk taught me to sit silently
be the moon floating over my back field
a buttercup cradled in a clump of spring grass
sit hushed
as the broad shoulders of granite mountains
in their shawl of clouds—
sit despite
an unquiet morning
that buzzes and twitters and zips
sit to be a dewdrop
in the garden
a perfect pearl of daybreak—
a Buddha
sitting.

Get Out Ice

Found a substack list of LOTS of anti-ICE stuff happening around the cities. This one seemed particularly fitting:

We want ICE OUT!!! Of our city, our state, our community, and for one night only, out of our margaritas.

Celebrate National Margarita Day this Sunday 2/22 at Hai Hai with NO ICE margaritas to support our restaurant community. ICE doesn’t belong here anymore and we are pulling frozen water out of our favorite cocktail to prove it. A portion of each No Ice Marg sold will be donated to @thesaltcurefund for restaurants in need. If and when ICE leaves, restaurants will have a long way to go to recover from the impact their occupation has had on our community, join us for a drink and some laughter and help us take one step forward towards recovery.

Hai Hai Instagram post

feb 18/RUNGETOUTICE

It is 1:30 pm. It is sometimes raining, sometimes snowing, and is all-the-time windy. It is also 32 degrees. But the pavement is bare and it might not be this clear for a few days because we are supposed to get some more snow. Should I go out for a short run when I have the chance? Or, are the conditions too crappy, my left knee too sore? Future Sara will let us know! Sara from 2:47: I did it! I went out for a run in this blustery weather!

3.3 miles
river road, south/north/neighborhood, south
31 degrees / feels like 17 / snow
wind: 25 mph gusts

Not the best conditions, but I’m glad I went outside. I started by running south on the river road trail, but it was tough. I was running straight into the wind and stabbing snowflakes. I turned around at the Rachel Dow Memorial Bench, then turned off the river road and onto Lena Smith Boulevard at 32nd. I was plannng to do some hills but the road was blocked off. Instead, I meandered through the neighborhood.

I encountered one other runner, at least one fat tire. Any walkers? I can’t remember. It was difficult to see what was ahead of me. Snow was thick in the air and I pulled the visor of my cap down low to block it. If I saw the river, I don’t remember what it looked like. When I turned around to head north again, it was much easier and more fun. The snow was swirling in front of my face, looking like white confetti or bits of styrofoam. It wasn’t as cool, but it reminded me of the scene at the men’s Free Ski Big Air final that Scott and I watched last night. The sky was black, the heavy snow was illuminated by the bright lights of the venue. I remember admiring it and wishing it would snow here again so I could run through it. Well, the snow today wasn’t nearly as heavy as what I saw on the tv, but it was still delightful. It will probably be a slippery nightmare tomorrow, but today it was fun!

Lisel Mueller!

I’ve posted several poems by Lisel Mueller over the years: When I Am Asked/ Lisel Mueller, The Blind Leading The Blind/ Lisel Mueller, Sometimes, When the Light/ Lisel Mueller, Things/ Lisel Mueller, and Monet Refuses the Operation/ Lisel Mueller. But, I’ve never checked out any of her collections until now. Yesterday I picked up Alive Together: New and Selected Poems / Lisel Mueller. I started at the beginning, and stopped when I found this poem:

Losing My Sight / Lisel Mueller

I never knew that by August
the birds are practically silent,
only a twitter here and there.
Now I notice. Last spring
their noisiness taught me the difference
between screamers and whistlers and cooers
and O, the coloraturas.
I have already mastered the subtlest pitches in our cat’s
elegant Chinese. As the river
turns muddier before my eyes,
its sighs and little smacks
grow louder. Like a spy,
I pick up things indiscriminately:
the long approach of a truck,
car doors slammed in the dark,
the night life of animals—shrieks and hisses,
sex and plunder in the garage.
Tonight the crickets spread static
across the air, a continuous rope
of sound extended to me,
the perfect listener.

coloratura = elaborate ornamentation of a vocal melody, especially in operatic singing by a soprano.

I imagined that Mueller knew something about vision loss when I read her, “Monet Refuses the Operation” a few years ago, but I didn’t know that for the last 20 years of her life (she died in 2020), she was losing her vision and couldn’t read. I found out about that while reading this interview, “Slightly Larger Than Life Size“:

Mueller speaks always in a steady, gentle tone—even when describing the death of her beloved husband, Paul Mueller, in 2001 or the partial loss of vision she has suffered over the last 20 years. “I’m blind for reading, really,” she explains plainly, almost as if she were describing someone else. “I use an enlarging machine. And I have two friends who come read to me.” 

Mueller also no longer writes, in part because of her diminishing vision. She treats this circumstance with the same tough realism—compellingly at odds with the ethereal nature of her poetry—as the other hardships in her life. “I do miss writing,” she replies when asked the obvious question. “But I simply don’t have the images coming to me anymore that would start a poem. The language no longer flows. I would have to force it and come up with some artificial things, and that’s not my way. I’m someone who has learned to put up with things as they are. Because of the blindness, because of what happened to my husband, because of leaving the country that I was born in and coming here—I accommodate myself.”

Slightly Larger Than Life Size

I accommodate myself. Love that line! A title for a poem, I think. I wouldn’t say I put up with things; rather, I adapt and find new ways to be, to see. I like the line about not forcing it and coming up with artificial things. I agree.

In my imagined poem titled, “I accommodate myself,” I might start it with a line from Mueller’s “Losing My Sight”: I never knew . . . . / Now I notice. Maybe I should make a list of all of things I’ve noticed since my vision began declining?

The perfect listener. Reading this line, I immediately thought of Ed Bok Lee’s line in “Halos“:

That visual impairment improves hearing,
taste, smell, touch is mostly myth.

I do notice things much more than I did before my vision loss; I’ve made it a big part of writing/attention practice. I’ve devoted many runs to listening or smelling or feeling the various textures. So, being a good listener didn’t just happen because my vision declined; I worked for it. Yet, even as I’m noticing more with my ears, I do also seem to struggle to hear what people are saying to me. So much so that I asked for my hearing to be checked at my last appointment. It was fine. So, what’s happening? Why do I need more time to process what people are saying, or need to ask them to repeat it? FWA thinks I might have an audio processing disorder — something one of his favorite Youtubers has. Possibly. I think it has more to do with how people use visual cues — gestures, their surroundings — to convey the meaning of their speech. People with normal sight don’t realize how much they are relying on vision when they speak and they don’t recognize how that impacts people who cannot see the things that they are referencing. I find this frustrating and also fascinating to think about how we our senses work together.

One more thing about Mueller’s poem. I’d like to memorize it. There are too many wonderful lines that I don’t want to forget.

Sharing the Love

I have not given much any attention to building an audience here or on social media and, as a result, no one is seeing/responding/sharing my love poems. It is probably also because of the algorithm. Scott suggested that I put the link in the first comment and post a picture of a dog. It’s time for me to think again about if I want a bigger audience. Actually, the better question is: how can I reach people with my work? For me, it’s less about a big audience, more about finding ways to share what I’m doing and connect with others. Experiment time! The goal for me is not a bigger audience, but finding ways to contribute and connect. Hmm . . . I’ll have to think about it some more.

a few minutes later: As a first step, I’ve decided to try sharing my love poems again on Facebook. I put the link in the first comment and posted a photo, not of a dog, but of this Valentine that Scott noticed in the bathroom at Arbeiter Brewing:

Valentine, I’m falling for you & hoping the system does, too.

Also, I posted the STOP ICE photo that I posted here yesterday on my Instagram.

Maybe one of the biggest reasons I’m not sharing on social media is because it’s hard for me to do it with my bad vision. Everything takes so much longer and I can’t always see when I’ve made a mistake. And, I’ve been self-conscious about posting photos that I imagine are poorly cropped or framed strangely. Time to get over that.

Get Out Ice

Seen on a bathroom door at Arbeiter Brewing:

sickers on a bathroom door at Arbeiter

feb 16/RUNGETOUTICE

4.05 miles
river road, north/south
51 degrees
50% sloppy

51 degrees! Another run with bare arms. Lots of puddles, but also lots of dry path. I was able to run on the walking path for long stretches. The surface of the river has cracked — no open water yet, but patches of thinner ice in light gray were scattered all over. A bike passed by blasting music: “Losing my Religion” by REM. I heard some kids’ voices at a playground before I reached the river. Saw/heard an ambulance rumble by on the river road, its LOUD siren freaking out all the nearby dogs. Near the end, recited Alice Oswald’s “A Story of Falling” as I ran — in my head, not out loud. Also near the end, heard the bells of St. Thomas chime twice — it’s 2:00 already? Wow.

I stopped to walk several times, often because I had become trapped on a part of the path that was suddenly blocked by a short wall of snow or a deep puddle. One of the stops was at a bench nearing Franklin that I have delighted in noticing before. It is dedicated to “Margaret Carlson, Dog Lover.” Today I remembered to take a picture of it!

“She cherished her girls; Schnapps, Candy, Maggie, Mitzi and Suzi*”

*yes, it should be a colon, not a semi-colon, but who cares; I’d rather give my attention to the fact that one of her “girls” is named Schnapps, and another, Candy!

I’m not sure if I’ve written this yet, but I’d like to remember: when I go out running now, I carry a whistle and my passport ID card. And I don’t listen to any music, so I can be better aware of what’s happening around me.

Get Out Ice

I am almost finished with my collection of love poems. Here’s the final poem, which is an erasure of a Facebook statement by Carbone’s Pizzeria on Cedar near Lake Nokomis:

This New Normal / 15 February 2026

This New Normal

We are with you. We love you.
love Always.
We Love
We Love
We Love
We Love
this new normal together,
love

feb 15/RUNGETOUTICE

3.5 miles
locks and dam #1
45 degrees
100% sloppy

It felt warmer than 45, warm enough to take off my pull-over and run the second half in short sleeves. I know winter is coming back next week and that I will enjoy running in the snow some more, but today I liked spring. I ran south on the river road trail, which had more people and more puddles than 2 days ago. Everything was bright — the sky, the silvery reflection on the water’s surface. In fact, writing this 10 minutes later, I’m having trouble seeing the screen because my eyes are still adjusting from how bright it was outside.

I heard the torpedoed call of a cardinal, the dripping of melting snow down the eaves, the whoosh of car wheels on the road. I felt the grit on the path, the warm air on my face, the cold, damp sponge of my sock. Squish squish squish!

Turkeys! As I ran south, I noticed a group of women gathered at the edge of the path, near an entrance to the Winchell Trail. I looked below and saw — or did I hear them first?! — 3 wild turkeys grazing in the grass and making some noise. Excellent!

The water under the ford bridge was still a thick white. Sometimes geese gather down here, but not today. Above, voices drifted down. Was it a bridge brigade: neighbors gathering together with signs and horns to protest ICE?

Get Out Ice

Here’s the beginning section of something Robert Reich posted that’s spreading around Facebook:

This, from one cabinet secretary to another. I could not say this any better:

”The New York Times reports that Department of Homeland Security has sent Google (owner of YouTube), Meta (Facebook and Instagram), and other media corporations subpoenas for the names on accounts that criticize ICE enforcement. The Department wants to identify Americans who oppose what it’s doing.

I’ll save them time.

***

Hello? Kristi Noem?

I hear you’re trying to find the names of people who are making negative comments on social media about ICE enforcement.

Look no further. I’ve done it frequently. I’m still doing it. This note to you, which I’m posting on Substack, is another example… You will find what I’ve said, and you’ll find it’s very critical. I’ve done some videos that are very critical of you and ICE, too.

Let me not mince words: I really truly believe you’re doing a sh*tty job.

Robert Reich

feb 13/RUNGETOUTICE

3 miles
locks and dam #1 and back
46 degrees!
75% sloppy

Okay first false spring! So many less layers today: running tights, shorts, short-sleeved shirt, pull-over, cap. No gloves or long sleeved base layers or coats or buffs. And, by the end of the run, I took off my outer layer and was walking back with bare arms. Nice! I’ve told the kids for years, whenever they wonder how they can make it through the long winter, once you get through January, it always warms up for a few days around Valentine’s Day. And, like it usually does, it warmed up right around Valentine’s Day!

I felt good during my run. Happy, strong, able to run through moments of wanting to stop. I wasn’t able to avoid puddles though. Squish squish squish. Soaked socks.

10 Things

  1. patch-work surface below: white and pale blue — will the ice split before it gets cold again?
  2. birds! sounding excited for spring
  3. deep puddles everywhere — they were particularly bad on the double bridge, I had to grab onto the wooden railing and climb around them
  4. a car passed me twice blasting some music that sounded like enya
  5. encountered lots of runners — were any wearing shorts? I can’t remember
  6. drip drip drip
  7. the sun was reflecting off of the water on the path, everything was shiny and bright
  8. at least one or two fat tires
  9. a few walkers in bright yellow vests
  10. the grassy boulevard was a combination of mushy snow, very slick snow, and grass, and mud

When I reached the locks and dam #1, I ran halfway down the hill and stopped to record a thought, and some false spring sounds:

False spring / 23 feb 2026

restless / still

At my annual check-up a week ago, I told my cnp that my legs were restless and I was waking up several times a night (which has been the case for a decade now, I think). She ordered a blood test for my ferritin. Yep — very low: 16; she wants it to be at least 40. So, iron pills for a month, another test, then maybe iron transfusions. This description is for future Sara who likes to remember these things, and present Sara who imagines a future Sara that will. This description is also prompted by two references to stillness in my “on this day posts” from past years. In 2021 I posted a passage from an audiobook I was listening to, Wintering:

There are gaps in the mesh of the everyday world and sometimes they open up and you fall through into somewhere else. Somewhere else runs at a different pace to the here and now where everyone else carries on. Somewhere else is where ghosts live, concealed from view and only glimpsed by people in the real world. Somewhere else exists at a delay so that you can’t quite keep pace. Perhaps I was already resting on the brink of somewhere else anyway, but now I fell through as simply and discretely as dust shifting through the floorboards. I was surprised to find I felt at home there. Winter had begun. Everybody winters at one time or another. Some winter over and over again. Wintering is a season in the cold. It is a fallow period in life when you’re cut off from the world, feeling rejected, side-lined, blocked from progress or cast into the role of an outsider.

Wintering / Katherine May

Here stillness = a lack of movement, frozen in the cold, removed from the action. Reading this passage again, I’m not so sure that I think of stillness, but when I read it a few minutes ago, and then read a line from Elizabeth Bishop, I thought, still. Here’s the line from Elizabeth Bishop’s poem, “Five Flights Up”:

Still dark.

When I read this brief line, I thought about how much I like that still can mean more than one thing at a time. Still dark = it is still dark, the dark continues, it is too early for light, we continue to be in the time/place of not-yet-day. And, still dark = it is quiet, there is a lack of movement, everything is still and dark, nothing moves and nothing can be seen.

Maybe I should spend some time studying Bishop? I have read several of her poems, even studying one more closely — The End of March on 30 march 2023. And now I’m thinking of Jorie Graham and studying her, or finally writing a poem about being still and restless? And all of this makes me think, again, of a film still, a photograph, an image frozen — my “how I see” project!

Get Out Ice

Thinking again about today’s false spring weather. FWA asked how many false springs I thought we’d have before it was warm for good and I said, I wasn’t sure but that I knew it would get very cold again. The earliest spring has stayed is the end of March. I added, no one believes that this warm-up will stay, that we’ve made it through winter. What this warm up does it reminds us that a world beyond winter is possible, which is easy to forget when we’re in the deep of it. This feels like a metaphor for ICE’s leaving of Minnesota. It’s not over, they’re not really leaving. No one here believes that. But this withdrawal of troops does signal a victory and demonstrates that a world beyond ICE beyond Trump is possible.

Love

I’m working on the introduction to my love, minnesota-style chapbook. Since I’m a little stuck, I tried to think about it as I ran. A sentence popped into my head, and I recorded in the middle of the run: “Words don’t merely describe something, they do something.” And I added, and I’m particularly interested in what these words did/do to me, to others here in Minneapolis and St. Paul.

feb 12/RUNGETOUTICE!?!

5.4 miles
bottom for franklin and back
41 degrees
40% puddles

Puddles everywhere. After about a mile, I could hear the squish sound of my wet sock with every foot strike. Who cares? Not me. I’m happy for warmer weather and clearer paths. I wasn’t sure how far I’d run, but I just kept going and made it to the bottom of the franklin hill. First I was going to stop at the trestle, then I wanted to make it a little closer to Franklin. When I reached Franklin, I looked down at the uneven, cracking ice on the river’s surface and decided I needed to run to the flats to get a closer inspection. Very cool — cold (temp) and aesthetic (strange and interesting and other-worldly).

I heard birds, felt warm sun on my face, smelled sewer gas (below, near the rowing club), saw a woman biking in a tank top.

Get Out Ice!?!

The official word, announced this morning by Homan, is that ICE is leaving Minnesota and Operation Metro Surge is over. But, is it over, or just taking more hidden forms? And was this move made primarily to get the budget passed and/or ease the pressure being applied in D.C.? Whatever the case, it does seem to be a failure for the Trump administration and it also seems to be bullshit. They are staying and will continue doing bad (as in unconstitutional, terrible) things here and all around the country.

love

While all that I wrote in the last paragraph seems to be true — and scary and difficult to imagine and endure — something else is true: people are speaking out, resisting, caring for each other, paying attention, reclaiming democracy, organizing together, refusing to be intimidated or overwhelmed by the administration’s tactics. Will this stop ICE or Trump? Maybe not, but whatever happens, the love that has been expressed/practiced in Minneapolis for the past 2 months isn’t going away and too many of us have witnessed what it has cracked open that can’t be fully fixed by the administration. There is another world possible.

feb 11/RUNGETOUTICE

4.5 miles
minnehaha falls and back
35 degrees
15% sloppy

Sun! Above freezing! Melting and melted snow! And I think I remember hearing chirping birds somewhere. Plus, the falls were faintly falling! Today’s run felt much better than yesterday’s. I felt stronger and calmer and more capable of handling everything — running included.

10 Things

  1. two benches at the park were occupied, one near Sea Salt and one just across the road from the Longfellow House
  2. a low, dull whine coming from the indoor ice rink at Minneahaha Academy
  3. the gentle curve of the retaining wall wrapped around the ravine between 42nd and 44th, covered in white
  4. much of the snow near the bench above the edge of the world was melted — the bench was empty, the river was white
  5. a few cars in the parking lots at the falls
  6. two people standing on the path at the edge of the falls looking up at something — but what?
  7. 2 fat tires
  8. a man and a dog emerging from a snow-covered trail, climbing a snow bank and then crossing the road
  9. a long honk from a car across turkey hollow
  10. the soft sound and the slide-y feel of my feet striking the grit on the path

As I ran, I thought about my low ferritin and wondered what impact it has made on my running. Is it why I struggle to run more than 4 or 5 miles at a time? Then I imagined how much better my running might be after a few months of taking the iron pills my np (nurse practitioner) prescribed for me.

Here in Minnesota, we have a few months (if we’re lucky!) before it’s spring, but it sure feels like it today. In honor of that feeling, here’s a Mary Oliver poem I just discovered in my recently purchased Little Alleluias:

A Settlement / Mary Oliver

Look, it’s spring. And last year’s loose dust has turned
into this soft willingness. The wind-flowers have come
up trembling, slowly the brackens are up-lifting their
curvaceous and pale bodies. The thrushes have come
home, none less than filled with mystery, sorrow,
happiness, music, ambition.

And I am walking out into all of this with nowhere to
go and no task undertaken but to turn the pages of
this beautiful world over and over, in the world of my
mind.

***

Therefore, dark past,
I’m about to do it.
I’m about to forgive you

for everything.

I love this poem! To turn the pages of this beautiful world, to forgive the dark past, to declare, I’m about to do it in a poem. I want to borrow that line.

Get Out Ice

An IRL friend shared a post on Facebook with some wise words about care and love. The whole post is great, but here’s an excerpt that explicitly discusses care and another form of love: relational humility and the de-centering of needs/desires

So beloved white women kin, please let us watch each other. If you see this happening, please turn towards our kin and ask them to hold a contradiction with you: we need the efforts and care that are being brought forth, this strategy that uses our privileges to build things that are needed but, at the same time, and with the greatest of humility, we have to recognize that we carry within us deeply rooted survival needs that are about our own comfort and centering; our desire to feel and be seen as valuable and worthy. And because those needs are deeply rooted, we often don’t see them when they crop up, although others do. Which is why practicing relational humility rather than defensiveness is key to this moment.

Link arms with each other and say, hey, while we are doing this work, let’s check each other on what we are bringing to it. Who else are we in relationship with? How are we checking our actions against something other than the minds of other white women? Is there anyone else doing the same thing or something similar and can we help them rather than start something new? Is there a part of us doing this thing because we have an image of ourselves as brave and selfless, a kind of inner hero narrative? Come on, loves, tell the truth. Where are we holding on to control rather than care, feeling a sense of ownership to our work that we are attached to, expressing false humility when we actually want the attention, and believing that we know what is best for whatever moment we are in? Are we trying to build an empire or just a moment for the people nearest to us, people we want to create safe? Loves, beloveds, there are a number of white women engaging in empire building right now, even though it is called care.

Raffo Susan

there are a number of white woman engaging in empire building right now, even though it is called care.

love

I have written 14 love poems using words/lines/phrases from the social media statements of local businesses. For Valentine’s Day, I want to gather them in a small chapbook to be shared and spread. I’d like to include a brief introduction that would explain what, why, and how I put these together, and might offer a more straight-forward description of how love is being imagined and practiced here in Minnesota. This afternoon and tomorrow, I need to write this introduction.