Tag: 10 things

march 9/RUN

4 miles
river road, north/south
25 degrees

Oh, I love running in weather like it was this morning! Sunny, calm, crisp air. So many shadows, some sharp some soft. Sparkling, shimmering, simmering river. Today my legs didn’t feel heavy and my calf was quiet, or maybe it was humming happily? My IT band didn’t hurt either! No compression sleeve while I ran, just after, for recovery.

I felt good. When I reached 2 miles I stopped, spoke a few notes into my phone, put on Beyoncé’s Renaissance and ran south.

10 Things

  1. shadows of the fence railing above the ravine, 1: 3 slightly crooked lines on the path, very solid and sturdy and thick
  2. fence railing, 2: the 3 lines became straight and crisp, seeming more real than the actual fence railing to my eyes
  3. shadow, 3: another solid sharp thick line from a tree’s branch
  4. shadow, 4: a soft, almost fluffy, form made from a cluster of small branches
  5. shadow, 5: a flash of dark overhead — a big bird in flight?
  6. shadow, 6: not a flash, but a flutter or flurry of movement — a few darting birds?
  7. a small white dot in the sky — was it a plane? the moon? I tried to find it in my periopheral vision but couldn’t
  8. something dark and plastic looking down below on the winchell trail — a sleeping person?
  9. young voices rising up from longfellow flats
  10. hopefully mis-overheard — one older woman to another: I farted and then the diaper filled with blood — what?

As I was admiring the fence railing shadows I thought about how clear and real they seemed to me. Much more there than the actual fence railing, which was staticky and vague.

At some point in the run, I had an idea for the triptych poem I was working on earlier this morning: intentionally do not mention the type of bird I’m writing about. It’s all about these different ways that I see birds through my peripheral — swishing wings, a call/cry/sound?, a sense of feathers and a shadow. Yes!

This weekend, I need to finish the wonderful book I’m listening to before it gets automatically returned to the library: The Ten Thousand Doors of January. I’m thinking about doors a lot lately. Wrote this before breakfast:

an open
door says

come in and
a shut

door says who
are you

but a door
opening

does not speak, 
it sings.

Does it work? Not sure. And here’s a wonderful poem by W.S. Merwin:

Door/ W.S. Merwin

This is a place where a door might be
here where I am standing
In the light outside all the walls

there would be a shadow here
all day long
and a door into it
where now there is me

and somebody would come and knock
on this air
long after I have gone
and there in front of me
a life would open

march 7/RUN

4 miles
minnehaha falls and back
45 degrees

Felt a little heavy and slow today, but happy to be outside, running.

10 Things

  1. wild turkeys! — 2: one on a narrow strip of grass between the paved trail and the road, the other deep in the small stretch of woods near the ford bridge, both quiet and unbothered by my presence
  2. the falls falling — a gush of white, more than a shimmer, less than a roar
  3. imagining the ancient swing of my arms, like a pair of scissors cutting the air — I listened for the sharp swish of blades and almost heard it
  4. running beside a squirrel, wary, wondering if it would dart out in front of me (no)
  5. a strange looking bike propped against the bench at folwell — had to stare to make sense of it — a bike with a makeshift trailer?
  6. black-capped chickadee fee bee
  7. the scratching noise of a leaf skittering against the curb repeatedly
  8. a runner in hot pink shoes and a kelly green vest — hello 80s!
  9. my breath, underneath the silence
  10. the roar of kids having fun on the playground at Dowling

Silence

Before the run, discovered Paul Goodman’s Nine types of Silence via Brain Pickings today.

Not speaking and speaking are both human ways of being in the world, and there are kinds and grades of each. There is the dumb silence of slumber or apathy; the sober silence that goes with a solemn animal face; the fertile silence of awareness, pasturing the soul, whence emerge new thoughts; the alive silence of alert perception, ready to say, “This… this…”; the musical silence that accompanies absorbed activity; the silence of listening to another speak, catching the drift and helping him be clear; the noisy silence of resentment and self-recrimination, loud and subvocal speech but sullen to say it; baffled silence; the silence of peaceful accord with other persons or communion with the cosmos.

9 Types of Silence (Goodman)

  1. the dumb silence of slumber or apathy
  2. the sober silence that goes with a solemn animal face
  3. the fertile silence of awareness, pasturing the soul, whence emerge new thoughts
  4. the alive silence of alert perception, ready to say, “This… this…”
  5. the musical silence that accompanies absorbed activity
  6. the silence of listening to another speak, catching the drift and helping him be clear
  7. the noisy silence of resentment and self-recrimination, loud and subvocal speech but sullen to say it
  8. baffled silence
  9. the silence of peaceful accord with other persons or communion with the cosmos.

Paul Goodman’s name sounded familiar, so I looked through my past blogs to see if I had written about him. I had: Paul Goodman, troublemaking role model? According to this post, I watched a documentary about him that I don’t remember watching. The link in this post no longer works, but I can watch it on Kanopy through my library if I want to — do I?

There’s the still silence of the Farm’s front 40 field; the cocooned silence of the Downtown Minneapolis Library’s parking garage; the fleeting silence of the river road, briefly emptied of cars or bikes or people.

from 29 march 2017: 3 ruminations on silence (with one of my first poems) — silence is easily broken, deafening, impossible, uncomfortable

a silence in which
another voice may speak (Praying/ Mary Oliver)

As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race
Wrecked, solitary, here –
(I felt a Funeral in my Brain”/ Emily Dickinson

Accept what comes from Silence.
Make the best you can of it.
Of the little words that come
out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came
(How to be a Poet/ Wendell Berry)

The world is filled with music, and in between the music, silence   
And varying the silence all sorts of sounds, natural and man made
(Hymn to Life/ James Schuyler)

I thought about silence while I ran, listened for silence, stayed silent the entire time — that is, if I take Goodman’s understanding that silence = not speaking. I smiled, I breathed, my feet struck the ground — not all of me was silent. I struggled to remember Berry’s little poem that mentions silence and thought about not wanting to disturb the silence from which it came. I imagined ripples and wondered how big they’d have to be to count as disturbing the surface. Then I thought about Audre Lorde and her essay, “The Transformation of Silence into Language” and when speaking is urgent and necessary.

question mark
the length of silence
after a loon’s call
(Birds Punctuate the Days/ Joyce Clement)

listen to the horrible keep-time of a man walking,
rustling and jingling his keys
at the centre of his own noise,
clomping the silence in pieces
(Dart/ Alice Oswald)

You probably think I’m nuts saying the mountains 
have no word for ocean, but if you live here 
you begin to believe they know everything. 
They maintain that huge silence we think of as divine, 
a silence that grows in autumn when snow falls 
slowly between the pines and the wind dies 
to less than a whisper and you can barely catch 
your breath because you’re thrilled and terrified.
(Our Valley/ Philip Levine)

added on 11 march 2024:

These be
Three silent things:
The falling snow. . the hour
Before the dawn. . the mouth of one
Just dead.
(Triad/ Adelaide Crapsey)

one final silence (for today’s entry): data silence

When I read through the entry that I posted about Goodman on my TROUBLE blog, I found a link to one of my favorite ed-tech troublemakers from when I was still angry about the academic industrial complex and still trying to figure out how to position myself in relation to it: Audrey Watters. I read her new about page and found out that she isn’t writing about tech-ed anymore and has instead become: a multi-sport athlete. Wow! Very cool. She also writes about “health technologies and Silicon Valley’s obsession with engineering bodies and minds” on Second Breakfast. I’m excited to read what she thinks about all of this. For more than a year, I’ve had passing thoughts about my Apple watch and whether or not I should keep wearing it. Earlier this week, after feeling uncomfortable anxiety over a resting heart rate that was a little higher than normal, and had been for several days, I wondered, why is this small change in my heart rate bothering me so much? And, should I really be tracking it this closely? No. So I decided to not wear my watch right after getting up, and not until I went out for a run. The next step is probably to ditch the watch altogether, but I’m not sure if I’m ready for that . . . yet. Anyway, I’m looking forward to reading AW’s takes on “wearables” and health-tech. Increasingly, I’m thinking I’d like to move towards data silence.

feb 27/RUN

4.5 miles
VA bridge and back
46 degrees
wind: 16 mph, 29 mph gusts

What a wonderful morning for a run! Okay, maybe the wind was a bit much, but the sun and the warm air and the clear paths made up for it. I felt good and strong and relaxed. A few times my right calf reminded me it was there — no pain, just a strange stretched feeling. I recited ED’s “I heard a Fly buzz — when I died –” several times, mostly in my head, but once, as I climbed out of minnehaha park, out loud! Should I be celebrating this? Do I want to be that person who doesn’t care if others hear her reciting poems as she runs? Yes, I do.

10 Things

  1. the hollow knocking of a woodpecker on dead wood, echoing across the gorge
  2. lots of black capped chickadees calling to each other
  3. oak tree shadows, sprawled everywhere
  4. the brown creek water lazily heading towards the limestone ledge
  5. rustling below me, on the winchell trail — someone walking over the leaves
  6. climbing up from the part of the path that dips below the road, seeing the shadow of trunk on the path that was so sharp and dark I thought it was a fallen tree
  7. sirens on Hiawatha, getting louder as they off the walls of the tunnel near 50th
  8. passing a runner — What a beautiful morning! — Yes! Almost perfect!
  9. a biker in a bright yellow shirt, as bright as the one I was wearing
  10. the meandering curves of the sidewalks that wind through the part of minnehaha falls near John Stevens’ house

This morning, while drinking my coffee, I decided to write about the delightful noise of geese wings cutting through the air that I’d recalled hearing a few weeks ago on my back deck — I remembered it after reading a list of 10 things from a feb 27th from another year. I wrote a draft of a poem, then decided I’d like to start writing delight poems every morning. No pressure — just patch a few words together and don’t try to make them elaborate — this isn’t a competition but a doorway into thanks and a silence in which another voice may speak (Praying/ Mary Oliver) — just the opportunity to sit with one of the delights I’ve encountered while running beside the gorge. A few minutes later, I had a further idea about including Emily Dickinson:

The practice, elements:

  • write a poem each day
  • the poem should be about some delight noticed on the run — either from that day or a past entry
  • any form running/breathing form: couplets of 3 syllables/2 syllables
  • uses, in some way, a favorite line from an Emily Dickinson poem

Here’s the poem I wrote this morning:

Too Silver for a Seam / Sara Lynne Puotinen

Even more than the sight of them
it is the sounds they make
that move me.

Usually it is the mournful calls
from within a tight formation
then the lone honk of the last in line,

but today the geese were low enough
to hear the sharp swish of their wings
cutting the air.

In their wake only the echo
of scissors and sharpening knives
and movement too silver for a seam.

The ED line is too silver for a seam and it comes from “A Bird came down the Walk”:

And he unrolled his feathers
And rowed him softer Home—

Than Oars divide the Ocean,
Too silver for a seam—

I like it! It needs a little work, but it makes me happy and captures my delight in hearing this sound. Scott wondered about the scissors and sharpening knives — such violent imagery — so I explained — the scissors make me think of Scott’s mom and the old scissors I inherited from her that make a wonderfully sharp scissor-y sound when you use them — it also makes me think of my mom who was always using scissors for her fiber art. The sharpening knives make me think of Scott’s dad and the enthusiastic and dilligent way he would sharpen their knives with their knife sharpener. I think I might need to add a line or two that signals my affection for these sounds without making it too obvious.

During the last mile of the fun, I started reciting other ED poems, including:

To make a prairie it takes a clover and one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.

Note: This seems like an edited version from Mabel Todd, with all its punctuation and no capitalizing of clovers or bees.

As I recited this small poem, I suddenly thought about how I was a bee, wearing my bright yellow shirt with my black running shorts and tights. I kept running, feeling ready to stop, looking ahead and wondering how close I was to being done. Suddenly I saw it: the bright yellow crosswalk sign with black figures at 38th street! I’m almost done when I reach that sign! I watched it getting closer and thought, it takes one bee or, it takes a bee?

update, six hours later: I’m back. Decided that I might want to add one more rule to this ED delight daily practice: I want to use my running/breathing form of 3 syllable/2 syllable couplets. I tightened up the poem I wrote earlier using that form. Here’s the new version:

Today the
geese flew

low enough
to hear

the quick swish
of wings

slicing through
the air. (I could leave air for the unintentional rhyme or switch to sky)

In their wake —
echoes

of scissors
cutting

knives being
sharpened

their blades too
silver

for a seam.

feb 14/RUN

6.7 miles
franklin loop+*
37 degrees

*The + is because when I reached the lake street bridge, instead of taking the steps up to it, I kept running up the summit hill until I reached the top, then turned around.

When I started my run, the sky was blue and the sun was shining. I wondered how a winter storm could move in by this afternoon. But, by the time I was done running, it was overcast. We could get up to 4 inches. Finally, I’ll get some snow. That’s what Dave, the Daily Walker said when I saw him on the trail. My response: I know!

10 Things

  1. woodpecker, 1: loud drumming
  2. woodpecker, 2: a downy woodpecker call, sounding like a loon to me
  3. the lake street bridge, its arch reflecting a smile in the river
  4. the light reflecting off of the stream in the ravine near shadow falls — a bright white
  5. shadows — mine, of lamps, trees, railings
  6. a sandbar in the river the trestle
  7. the sun illuminating all of the patched-up cracks on the path just under the lake street bridge on the east side
  8. paw prints in mud
  9. the river, pale blue with one shiny circle in the middle
  10. smells: fried and savory (from longfellow grill?), weed

I took several pictures, but I’ll save them for posting after I experiment with them.

more experiments with alt-text

A close-up image of tree bark that is rough and brownish gray (or grayish brown). There are streaks of greenish-yellow lichen on the bark. While taking this picture, with my face close to trunk, I could see the lichen, and if I put my face close to the screen I can still see it. But at a normal (1 foot) distance, it almost blends in, not looking yellow or green but light brown.
12 october 2023

initial description of image from 12 oct: A close-up image of tree bark that is rough and brownish gray (or grayish brown). There are streaks of greenish-yellow lichen on the bark. While taking this picture, with my face close to trunk, I could see the lichen, and if I put my face close to the screen I can still see it. But at a normal (1 foot) distance, it almost blends in, not looking yellow or green but light brown.

The trunk of a tree with rough bark. A few more trees and a road behind it.

12 oct 2023

5+ nouns / 5 adjectives / verbs of first image of the trunk:

nouns: tree, bark, cracks, depressions, ridges, textures
adjectives: dark, rough, light, weathered, gray, bumpy, old
verbs: hiding, aging, enduring, exposed, weathered, entangled

one sentence about the most important thing in image: Close up, with my face almost on the bark (or the screen), I can see the green lichen near the bottom of the image, but from a foot back, the bark is only brownish-gray or light with dark depressions or rough.

a second sentence about the second most important thing: The rough texture on this bark, made visible by the constrasts between light and dark, offers an interesting pattern.

a third sentence about the third most important thing: Just off center (by less than an inch?) there’s a light spot with a dark hole in its middle that is where the bark has worn off but that looks almost like a belly button, making it impossible for me to see anything else but it, and hear only belly-button in my head instead of tree or bark.

Oh, I’m enjoying this experiment! Each of my sentences speaks to a different thing about my vision. Sentence one is about how I rarely see color beyond gray or brown. The yellowish-green, which I imagine is very obvious to people with all of their cone cells, is invisible until I look very close or to the side, through my peripheral vision.

Sentence two is about how I have replaced ROYGBIV colors (like green or yellow) with contrast; the 2 primary colors for me are light and dark. They are how meaning is made for me.

Sentence three is about how when I’m focused on one thing, like the light spot near the center, (most) others things are invisible. I only see the spot and not the rest of the tree, or even that it is a tree. I’m sure this is true to some extent for other people with working cone cells, but it is more extreme for me. An example: when I’m running on the trail and my attention is focused on a biker approaching from a distance, the runner much closer to me is completely invisible. I don’t see them at all until we’re fairly close. It’s happened several times over my years of running with low vision. I’ve never run into anyone because I always see them with enough time to adjust. But it’s unsettling and doesn’t feel normal, or at least like how I used to see before so many of my cone cells died.

feb 9/RUN

3 miles
trestle turn around
32 degrees

Colder today, windier too. Back to winter layers. A lot of the run was a blur — or was it quick flashes?

10 Flashes

  1. looking down at the bare branches of the floodplain forest
  2. wet pavement by the welcoming oaks
  3. waving water under the lake street bridge
  4. uneven limestone also under the lake street bridge
  5. a woman with 2 dogs, one on each side, sprawled out on the trail
  6. the light blue-gray river below as I neared the trestle
  7. wind rushing past my ears
  8. a muddy trail on the grassy boulevard
  9. flashing lights from a parks truck
  10. the tree that looks like a person, with a burl right at eye level that looks like a head

before the run

Before the run, I gathered some more resources for my “how I see” project:

Reviewing more descriptions of ekphrasis, I’m wondering how it fits with what I’m trying to do. I wrote in my notes that my project exists somewhere between alt-text and ekphrasis.

Here’s a condensed version of a helpful article (Conventions of Ekphrasis) I found out conventions within the ekphrasis:

  • Speaking out: giving a voice to the mute art object , artwork speaks to the artist or the poem will speak to the mute visual artifact , poet may implore the painting/sculpture to speak or to justify the artist or poet’s work — technical term for giving a voice to the mute art object is prosopopeia
  • Praise: poet/persona frequently praises the mastery of the visual artist and his work
  • Paragone Competition:competitive relationship between words and images, an implicit critique of the material, its stasis, and its immutability, Poet may seek to establish superiority of words over the painter/sculptor and his material limitations by suggestion they have: more immediate access to the real; more immediate access to the divine; that one art has a more direct relationship with Truth; that one exists in either time or space and therefore is more accurately representative through the accuracy of its resemblance; more education, learning and talent or that it is less crude 
  • Emotional response: deeply moving visual experience that triggers a latent or unresolved emotional vulnerability, “transfixing” the poet, speechlessness, ability to “trick” the poet into believing that the work is “real”, the painting “breathes” life while the poet remains “breathless” before it
  • Stasis of the art object: painting is mute poetry and poetry a speaking picture
  • Enargia: to make the object lively appear before the reader’s eye through detailed description, use of sensory information, imagery, etc… In other words, so ekphrasis will also attempt to visually reproduce the art object for the reader so that the reader can experience the same arresting effect as the poet
  • Actions of the painter: linger on the actions of the visual artist concentrating on the act of creation and often paralleling the act of artistic creation with divine creation
  • Artist’s studio: reference or be wholly concentrated upon the artist’s studio
  • Museum ekphrasis: poet is wandering through the museum looking at various pieces and each begins to bleed into the poet’s poem/thoughts

during the run

Right before the run, I reviewed the ekphrastic conventions and decided to think about the competition between image and word — which has more access to the real? to truth? the divine? I had many thoughts — so many of them still floating, not quite remembered. I’ve decided to not try; if the thoughts are important, I’ll remember them at some point.

after the run

I kept trying to make more happen here — to find words for some of my thoughts, but we’re driving down to St. Peter for FWA’s band concert and I’m feeling the pressure to pack and get ready. So, that’s it. Oh — and this. I stopped at 2 miles to take this photo of the lake street bridge from below. I was inspired to take it because of a story RJP told me on our walk a few days ago. She and her friends hopped over a fence and walked up the arch over the water. Apparently there’s a room with a door and couch somewhere up in the arch where kids like to hang out. I thought about trying to get close to see it, but that would have required descending the uneven bricks and possibly twisting my ankle.

Under the Lake Street bridge. The bottom third of the image is of uneven limestone rocks sloping down to 2 pilings, a chain link fence, then river. Beyond the river more bridge -- cream colored or pale yellow -- with graffiti.
Under the Lake Street bridge. The bottom third of the image is of uneven limestone rocks sloping down to 2 pilings, a chain link fence, then river. Beyond the river more bridge — cream colored or pale yellow — with graffiti. The graffiti at the lower left looks black to me until I put the computer screen right up to my nose. Then I can see that it’s blue or purple or some bright color. Overall, I can see the edges of the limestone in the foreground, but the rest of the image is fuzzy and hazy and looks more like a dream or an abstract painting than a photo of a real bridge.

feb 5/RUN

3.2 miles
locks and dam no. 1 and back
45 degrees

Ran in the afternoon. 45 degrees and no snow. Spotted one lone chunk of ice floating in the river. Very mild. I was overheated in my layers: black tights, black shorts, long-sleeved green shirt, orange sweatshirt. For a few minutes of the run I felt good, but for most of it I felt off. Some gastro thing, I think.

In my state of discomfort and distraction, did I happen to notice 10 things?

10 Things

  1. overheard, one woman walker to another: It’s been five years and a lot has changed
  2. kids yelling on the playground
  3. a flash of white car up ahead — were they driving the wrong way in the parking lot? No, the car I was seeing was on the road, on the other side of the ravine
  4. someone roller blading — not roller skiing
  5. the short dirt trail where folwell climbs up to the top of the bluff then back down again was all mud
  6. lots of bikers on the bike path
  7. lots of walkers down below on winchell
  8. (as mentioned above) the river was open except for one big chunk of ice
  9. playing chicken with a walker who was walking on my side until the last minute — were they playing chicken too or just oblivious?
  10. no grit on the path or shadows or honking geese or regulars

today’s peripheral: just a distraction

daydreams reveries distractions

When ideas float in our mind, without any reflection or regard of the understanding, it is that which the French call reverie; our langauge has scarce a name for it.

John Locke, cited in The Plentitude of Distraction

To make a prairie/ Emily Dickinson

To make a prairie it takes a clover and one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.

This short book takes a second look at distraction, extracting untold pleasures and insights from its alleged dangers, defending and celebrating the unfocused life for the small and great miracles it can deliver.

The Plentitude of Distraction/ Marina can Zuylen

Reverie in Open Air/ Rita Dove

I acknowledge my status as a stranger:
Inappropriate clothes, odd habits
Out of sync with wasp and wren.
I admit I don’t know how
To sit still or move without purpose.
I prefer books to moonlight, statuary to trees.

But this lawn has been leveled for looking,
So I kick off my sandals and walk its cool green.
Who claims we’re mere muscle and fluids?
My feet are the primitives here.
As for the rest—ah, the air now
Is a tonic of absence, bearing nothing
But news of a breeze.

feb 3/RUN

5 miles
ford loop
38 degrees

Ran with Scott on the ford loop. Today I talked about the US Olympic Marathon Trials, which I watched this morning. A runner from Minnesota, Dakotah Lindwurm, got third. Scott talked about the music project he worked on before the run — a little jam with his new keyboard and bass. We also mentioned slippery mud, tight shins (Scott), cramped toes (me), running up the Summit hill during the marathon, and mistaking a fire hydrant (Scott) and a black fence (me) for people. I was surprised that there weren’t more people out running — it’s not that cold and the paths are clear. Maybe it was the time of day — 12:30?

10 Things

  1. an empty bench on the bluff
  2. a wide (r than I remembered) expanse of grass between the path and the edge
  3. the crack trail
  4. some strange decorations on the fence in front of the church — yarn? paper chains?
  5. a car blasting music at an overlook parking lot — the only lyric I remember was senorita
  6. a wide open view of the river and the other side
  7. a double lamp post on the ford bridge — one light was on, the other was not
  8. the dead-leafed branch that’s been pushed up agains the other side of the double bridge for months — still there with all of its dead leaves
  9. no poem on the poetry window — have they stopped doing it? was it just for the pandemic?
  10. ice on river, near the east shore, one chunk almost the shape of a right triangle

Searching “peripheral” on the Poetry Foundation site, I found this interesting blurb:

Poet Tan Lin edited issue 6 of EOAGH, for which he invited contributors to submit a piece of “peripheral” writing – that is, a text that doesn’t directly supply the material or inspiration for the authors’ work, but is in some tangential, peripheral, or ambient way, related.

blurb

I would like to play around with this idea of the peripheral text in my own writing. What are the peripheral texts, ideas, practices that contribute to my poems, especially my Haunts poems?

jan 29

7.3 miles
lake nokomis and back
40 degrees

Sun! Sun! Finally some sun! After days of gloom, sun and warmer air. Birds. Snow all gone. Greenish grass. It feels like spring. An unpopular opinion, but as much as I like this weather, I want some snow. Big fluffy flakes to run through. The silence only a blanket of snow can create. Crisp, cold air. I’m sure we’ll get some in February.

Ran to the lake for a specific reason: I wanted to see if Painted Turtle, the restaurant, has made any progress on building a structure so they can serve beer this summer. Nope — at least, now that I could see.

The lake still has a thick layer of ice, but the surface is wet and blue. Such a beautiful, intense blue. I don’t think I saw anyone out in the middle on the ice — did I just forgot to look? Or is too wet or too thin?

10 Things

  1. Ran over the recently redone duck bridge, noticed it squeaking
  2. a sparkling river
  3. a truck making a racket as it went over a bump — the noisiest part were its rattling chains
  4. no ice on the creek, no water in the swampy area in my favorite part of the path
  5. what I thought was a teacher’s shrill whistle at the playground was a bird, calling repeatedly
  6. still working on nokomis avenue, had to cross over to the sidewalk
  7. lots of mud near the lake — again, no snow
  8. walking by my favorite bench at the big beach, imagining myself sitting there this summer and my suit, waiting for open swim to begin
  9. no poem on the window at the house that used to put up a poem on their front window
  10. many friendly, kind people on the sidewalk moving over for me to pass

Earlier this morning, reading the Longfellow Messenger, I found an article about Edmund Avenue — the one I’ve mentioned many times here. The Edmund is after Edmund Walton who was the first developer to do a racial covenant on the properties he was selling. He did this in 1910. Some people want to change the name. I’m with them. Racial covenants are terrible; we had one on our house that we didn’t realize was there and just filed paperwork to get it removed a few weeks ago. And, it’s not in the past; our neighborhood, and all of Minneapolis, is still shaped by who could and couldn’t buy a home here. The article mentioned a site: Reclaiming Edmund

Found this poem last week:

an excerpt from Poem/ Shin Yu Pai

for Wolfgang Laib

a life
of collecting pollen
from hazelnut bushes
a life of gathering word-grains
to find all you have wanted
all you have waited to say

five
mountains
we cannot climb
hills we cannot touch
perhaps we are only here
to say house, bridge, or gate

a passage
to somewhere else

House, bridge, or gate. Love this idea. I want to add it to my thoughts on windows and doors.

jan 27/RUN

4.15 miles
franklin loop
34 degrees / humidity: 82%

Another run with Scott. As we ran north we talked about jazz band and soloing and COVID and how some people are still isolating and how it’s never going away but we’re learning to be out in the world again. Then I talked about muddy trails and no snow and Scott imagined possibilities for his new projects, including an arrangement of Porkpie Hat.

10 Things

  1. slippery mud — almost fell!
  2. crossing the franklin bridge, the water looked like dark glass
  3. the shore was glowing white
  4. the edges of the water were gray and icy and looked cold
  5. crossing the lake street bridge, the water was dark gray with small waves
  6. also on the lake street bridge: a sandbar that stretched out from the bridge footing
  7. most of the lamps on the bridge were lit, only a few had been stripped of their wires
  8. no eagle on the dead tree limb near the bridge
  9. the sky was gray and gloomy, the tree line was a soft, pleasing brown
  10. spotted: a small white strip of something on the trail. Was it a ruler? I couldn’t quite tell

jan 26/RUN

2.1 miles
river road, north/dorman/loons coffee
37 degrees / humidity: 90%

Ran with Scott up the river road and over to a coffee place. The air was so thick with moisture, which made it harder to breathe. Otherwise a good run. We talked about The Muppet Movie, which we watched last night, and how it didn’t dumb down (or try to purify) the characters or their relationships. Then I rambled on for a few minutes about what a rich, messy character Miss Piggy was and how there was such a variety of representations of love within the movie.

10+ Things

  1. encountered and greeted a woman in a bright red jacket, almost the same color as Scott’s
  2. passed a woman in a blue jacket — she’s a Regular that I should name. I see her often. The thing I remember most is that she’s always wearing a long skirt or dress. In the winter, she also wears a ski jacket and tights, in the summer just the dress. I’m not sure what to call her — all dressed up?
  3. near the tunnel of trees the river is still white
  4. everyone else the river is open — a deep dark gray
  5. heard some cardinals, at least one black-capped chickadee
  6. the ghost bike — June’s bike — at the trestle was wreathed in dried flowers
  7. the ravine, between the 35th and 36th street parking lots had an open view and was only half covered in snow
  8. 4 stones stacked on the ancient boulder
  9. bright orange striped barrel blocking the way down the old stone steps
  10. a lone black glove, looking forlorn on the biking path
  11. a SUV honking unnecessarily and repeatedly at a pedestrian near Minnehaha Academy

Here’s a poem I don’t want to forget by Jane Hirshfield:

To Opinion: An Assay/ Jane Hirshfield

Many capacities have been thought to define the human— yet finches and wasps use tools; speech comes into this world in many forms. Perhaps it is you, Opinion.

Though I cannot know for certain,
I doubt the singing dolphins have opinions.

This thought of course, is you.

A mosquito’s estimation of her meal, however subtle,
is not an opinion. That’s my opinion, too.

To think about you is to step into
your arms? a thicket? pitfall?

When you come rising strongly in me, I feel myself grow separate
and more lonely.
Even when others share you, this is so.

Darwin said no fact or description that fails to support an argument can serve.

Myoe wrote: Bright, bright, bright, bright, the moon.

Last night there were whole minutes when you released me.
Ocean ocean ocean was the sound the sand made of the moonlit waves
breaking on it.

I felt no argument with any part of my life.

Not even with you, Opinion, who drifted in salt waters with the bullwhip kelp
and phosphorescent plankton,
nibbling my legs and ribcage to remind me where Others end and I begin.

Good joke, I agreed with you, companion Opinion.