nov 11/RUNYARDWORK

6 miles
hidden falls and back
41 degrees

Beautiful morning! I was over-dressed in 2 long-sleeved shirts, running tights, winter vest, stocking cap, gloves, and a buff. Wow — what was I thinking? Had my hair in a braid, which really wicks the water, so when I arrived home RJP and FWA let me know that sweat was dripping (pouring) down my back. They thought it was hilarious and disgusting. It was.

My average pace wasn’t the fastest (11 minutes), and I stopped several times to walk in the second half, but I’m proud of my mental victories. I had planned to run this route before I started, but in the first mile I already felt it would be too hard. Just make it to the downhill at the locks and dam no 1, I thought. By the time I reached that I thought, just make it to the top of the wabun hill. Then it was, keep going over the bridge and make it to parking lot before you stop. Then, keep going until you hit 3 miles. I made it to 2.8, at the spot when the path and parking lot were closed for construction. I walked, then ran, then walked, then ran again for 1.5 miles.

10 Things

  1. what a view between the ford overlook and hidden falls — wide open and steep
  2. a lot of sirens — police, ambulance, fire? — across the river — on highway 5?
  3. feeling strong and fast on the ford bridge
  4. voices below on the winchell trail — happy, chatting
  5. a tall fence around a construction site (for a BIG house) at Highland Bridge
  6. later, that fence rattling, when a worker was entering the site
  7. the “straight” (that is, straight to me) bluff line across the river, visible and framed with fuzzy tree limbs
  8. someone sitting on the ledge at the ford overlook, gazing out at the gorge
  9. the steady flow of water above hidden falls, part of the new water management plan for Highland bridge — making a soft, pleasing sound
  10. empty benches, until I stopped at the one above the edge of the world to retie my shoes

Arrived home just in time to rake the leaves for almost 2 hours. Now I’m tired!

a few more things: Inspired by a call for hybrid/text-images/sound pieces for a journal, I thought about doing more with my rock, river, and air chants from GGG. Not sure I can do it in time for this call (11/16), but something fun to include with GGG as a collection.

Talked with RJP and she showed me her sketches from yesterday’s hike in the gorge. I love them! I could imagine us doing some fun collaborations!

Came across this great resource while searching for something else rock-related. It seems fitting to add it in this entry, since I ran to Hidden Falls! The Cascades of Minneapolis/St. Paul

nov 10/SWIM!HIKE!RUN!

2600 yards / 1.5 loops
104 laps
ywca pool

Another swim. Hooray! It took some time to get my nose plug and goggles sorted — they were leaking — and my cap wasn’t ever quite on right, but it was a great swim. A solid 45+ minutes of moving through the water. I shared a lane with a woman who did some interesting sets. Lots of dolphin kick on her back. Some of the time she swam on her back, feet first — normally to move forward you swim head first. I don’t know if I’ve ever seen that before. She was doing a strange spread-finger paddle. She was already swimming when I started, and kept going after I finished. I wonder how long she swims for. I wasn’t trying to be competitive with her, but I probably was, in spite of my best attempts to be chill. Mostly, we were at opposite ends of the pool, but a few times I would catch up to her. Difficult to pass — was she trying to race me? Once our hands hit as we passed each other.

To focus my attention on something else, I looked down at the dancing shadows on the pool floor. Soft, not very distinct, like the floor was moving. It wasn’t that bright outside, so there were no big circles of light. Didn’t notice any pool friends — no fuzz.

hike: 30 minutes
with RJP
around the gorge
35 degrees

Hiked with RJP to some favorite spots that I’ve written about so she could take some pictures. She’s doing a series of colored pencil drawings inspired by GGG poems for her final project in her drawing class! Very cool!

We took the old stone steps to the river, then back up and over to the winchell trail and the oak savanna. RJP took a picture of the tree growing through the fence — I hope she’s able to draw it. She took lots of pictures of steps and rocks and trees. Oh — and the surface of the river.

run: 4 miles
wabun bluff / locks and dam no. 1 / river road
35 degrees

An afternoon run. Only 4:00 and it’s already getting dark. Chilly, but not too cold. The lack of wind helped. Lots of leaves on the trail, but not too many runners. A steady stream of cars, kids playing soccer over at the school — kick it higher! higher! Parents waiting to pick up kids at Dowling Elementary. Some voices down in the gorge. Could it be rowers? I couldn’t tell. The gate into the Locks and Dam no. 1 was closed. Is it closed for the season?

No turkeys or geese or fat tires or roller skiers. No music blasting from radios or droning leaf blowers. Plenty of squirrels, but none of them darted in front of me. Too busy rooting around in the dry leaves, making a racket.

cells remember

Found a great blog post on Poetry Foundation about cells:

symbiogenesis: we came about not only through competition but through acts of cooperation. We carry evidence of species merger in our cells, and of species relation in almost every structure we daily rely upon. Is there one piece of us that doesn’t also, in some form, belong to someone else? Your fingers ghosting chimp as they slender in the air. Lobe-finned fishes did protolungs, acorn worms might have done something like a heart. The more complex organs, like eyes, had to be developed many times, but jellyfish saw first, and not for us. Biology is remembering. Our cells remember ancient chemical interactions, pre-life, and our limbs remember salamanders. A poem remembers our past in language and posits a future in the simplest sense, like a to-do note, hoping that it will be read at some point hence, reminding us of something worth knowing. It can cast back between the “its” and the “octopus” in the second paragraph of this blog and remember the relation. In addition, it’s an ecosystem that, ideally, like any functioning ecosystem, deals with its own waste.

Like the octopus’s smart shadow, a poem’s shadow also always knows more than we do.

Mitosis, Meiosis, Poiesis

Biology remembers. Cells remember. Cells remember? Here’s some future reading: How a cell remembers

nov 9/HIKE

45 minutes
neighborhood / old stone steps / winchell trail
29 degrees / feels like 13

Okay winter! Feels like 13! Took Delia on a long walk. Gray sky with snow flurries and some wind. Beautiful fall colors — what was left of the leaves. Much of them were already gone or has fallen last night and earlier today. Favorite moment while walking through the neighborhood: a buttery yellow door on the side of someone’s house.

Crossed over to the trail and took the old stone steps down to the river. Slippery with the recent snow and wet leaves. Good thing I was holding onto the railing! At the bottom, the forest floor was covered in green leaves. A strange sight. Reaching the river, I could hear it lapping the shore. I could see some small waves. I wish I could have stayed there longer, but Delia wanted to leave almost as soon as we got there. Boo.

Returning through the forest, I marveled at the slope of the gorge. All yellow, and so tall! The entire time I was down below, I could hear the leaf blowers up above. Really? Using a leaf blower today, when the wind is so strong — or using one ever; I hate leaf blowers.

I need to make sure that I get out for more walks/hikes this winter.

nov 8/RUN

5.5 miles
falls / veterans home / ford bridge
34 degrees

Wonderful November weather — at least, I think so. Sure, the sky was gray and it was just above freezing but the color left on the trees was intense and the views were open, and the river — the river! — steel blue with scales, curving and stretching. Running over the ford bridge, admiring the red and yellow and orange tree line on the west bank, looking out at the open water, I smiled and reflected on how lucky I am to live here and how glad I am that I’ve dedicated myself to the place for almost a decade.

I experimented with the route today. I ran to the falls then past them to the tall bridge then over to the veterans home and across the ford bridge. Under the bridge and over to the other side then across and north to the winchell trail. A falls, a creek, a river, some seeps. 2 bridges. Above, over, beside, and through the locks and dam no. 1. 3 parks.

10 Things

  1. 2 roller skiers
  2. 2 fat tire bikes
  3. a tree the color of golden chrysanthemums
  4. deep grayish blue river with soft scales
  5. the road over the bridge to the veterans home was blocked off with cones and tape, but the walking wasn’t
  6. the strong smell of week as I passed by a walker on the ford bridge
  7. running above on the ford bridge, looking down at the painted lines of parking spaces at locks and dam no 1
  8. running near the edge of the bluff, the yellowed leaves were thick on the path
  9. a young kid near the edge, a mom calmly saying, it makes me nervous to have you that close to the edge. if you tripped you could fall straight down
  10. running over the tall bridge, admiring the sandy trail far below me

Looked up “cellular” on poetry foundation and found this wonderful poem:

A Body’s Universe of Big Bangs/ Leslie Contreras Schwartz

A body must remind itself
to keep living, continually,
throughout the day.

Even at night while sleeping,
proteins, either messenger, builder,
or destroyer, keeps busy

transforming itself or other substances.
Scientists call these reactions
—to change their innate structure,
dictated by DNA—cellular frustration,

a cotton-cloud nomenclature for crusade,
combat, warfare, aid, unification,
scaffold, or sustain.

Even while the body sleeps, a jaw slackened
into an open dream, inside is the drama
of the body’s own substances meeting

one another, stealing elements,
being changed elementally,
altered by a new story

called chemical reaction.
A building and demolishment,
creating or undoing,

the body can find movement,
functioning organs, resists illness—
or doesn’t. Look inside every living being

and find this narrative of resistance,
the live feed of being resisted.
The infant clasping her fist

or the 98-year-old releasing
hers. This is how it should be,
we think, a long story carried out

to a soft conclusion. In reality,
little deaths hover and nibble,
little births opening mouths
and bodies the site of stories

the tales given to us, and retold, retold,
never altered, and the ones forgotten,
changed, unremembered

until this place is made of only
ourselves. Our own small dictators,
peacemakers, architects, artists.

A derelict cottage,
a monumental church
struck in gold, an artist’s studio

layered with paints and cut paper,
knives and large canvas—

the site the only place
containing our best holy song:

I will live. I will live. I will keep living.

I love so much about this poem and the poetic way Schwartz describes what a cell does in (and to) the body. These lines were particularly striking:

and bodies the site of stories

the tales given to us, and retold, retold,
never altered, and the ones forgotten,
changed, unremembered

until this place is made of only
ourselves. Our own small dictators,
peacemakers, architects, artists.

Cells as dictators, architects, artists? Nice. As I think about more expansive understandings of what it means to be an artist, I especially like this idea of a cell as an artist.

Googled more about the history of the discovery of the cell and was reminded that central to the discovery, and the very idea of a cell, is the microscope and the ability to see a cell. This made me think of Robin Wall Kimmerer and something she said in an interview about western science. Can I find it?

Maybe this, from “Ways of Knowing”:

Both Western science and traditional ecological knowledge are methods of reading the land. That’s where they come together. But they’re reading the land in different ways. Scientists use the intellect and the senses, usually enhanced by technology. They set spirit and emotion off to the side and bar them from participating. Often science dismisses indigenous knowledge as folklore — not objective or empirical, and thus not valid. But indigenous knowledge, too, is based on observation, on experiment. The difference is that it includes spiritual relationships and spiritual explanations. Traditional knowledge brings together the seen and the unseen, whereas Western science says that if we can’t measure something, it doesn’t exist.

Two Ways Of Knowing: Robin Wall Kimmerer On Scientific And Native American Views Of The Natural World

Or maybe it was this, from “How to See” in Gathering Moss?

We poor myopic humans, with neither the raptor’s gift of long-distance acuity, nor the talents of a housefly for panoramic vision. However, with our big brains, we are at least aware of the limits of our vision. With a degree of humility rare in our species, we acknowledge there is much that we can’t see, and so contrive remarkable ways to observe the world…Electronic microscopes let us wander the remote universe of our own cells. But at the middle scale, that of the unaided eye, our senses seem to be strangely dulled. With sophisticated technology we strive to see what is beyond us, but are often blind to the myriad sparkling facets that lie so close at hand. We think we’re seeing when we’ve only scratched the surface….Has the power of our devices led us to distrust our unaided eyes? Or have we become dismissive of what takes no technology but only time and patience to perceive?

“How to See” in Gathering Moss/ Robin Wall Kimmerer

For further reading, see this article on the history of the cell.

And this video is fun: The Wacky History of Cell Theory

nov 7/SWIM!

2800 yards / 1.5 loops
YWCA pool
102 laps

Another swim! Hooray. It felt good and not hard to swim for a little over 45 minutes. I stopped a few times for a sip of water but mostly just kept swimming, breaking it up (mentally) by 200s and different breath/stroke rates: 3/4/5/3 then 2/3/4/5 then 3/4/5/6. It’s dark and gloomy today so not as many shadows on the pool floor. The water was mostly clear, too, so no fuzz or band-aid friends. When I stopped on the wall to drink some water, the guy next to me asked how long I swim for. At first I couldn’t answer, so he said, jokingly, wow, you swim so much you can’t even remember! I finally answered, about 2 miles. He was impressed. I said, I love the water! He responded, I used to. There’s a story there, I think.

Anything else I remember? It was very difficult, almost impossible, to tell if there were swimmers in the lane when I was trying to figure out where to swim. Also, the woman next to me, who was also a good swimmer, had on the same open swim cap as me — bright pink. Scott said she also had almost the same water bottle as me. Hers was a little bigger. As I swam, I kept seeing orange off to the side. Orange signs, orange cones. I did think about much as I swam. I’ll have to give myself a challenge, like memorizing a poem or poems to recite as a I stroke. What other fun experiments could I try?

cells and water

Inspired by my swim, I decided to search for “water cells poetry.” I found this cool blog post by a poet who did a short residency with 7th grade science students, involving looking closely and attention to patterns, both in cells and poetry. The title of the post: One Small Drop of Water: Poetry on the Cellular Level

As part of the exploration, they created an object, a handmade book. The artist/teacher mentioned “Traditional Four Hole Japanese Binding.” I looked it up, and found a book I’ve requested from the library: At Home with Handmade Books. Fun! Maybe I’ll start making homemade books?!

nov 6/RUN

3.35 miles
2 trails+
49 degrees / feels like 37
wind: 15 mph / gusts: 32 mph

Windy today. Had to make sure my hat was secure. Ran south to the start of the Winchell Trail. Stopped to admire the river — a clearer view, with far fewer leaves. Stopped again, a few minutes later, to study a felled tree. Yesterday, we (me, Scott, FWA) had seen park workers with chainsaws and a truck with a ladder around here as we drove by. This must be one of the trees they cut down. I felt a little safer running through this section in the strong winds, knowing that the tree workers had just been here yesterday removing sprawling branches and leaning trees.

added a few hours later: this came up on my instagram feed. I love these stories and learning more about what park workers do!

The trail was covered in leaves, so I couldn’t see if there were any potholes or big cracks. Of course, I often can’t see them even if the path is clear. So I run lightly and carefully. The worst part of the trail was the graveled bit in the ravine. Ouch! A few times my feet landed on the sharp end of a stone.

10 Things

  1. above the floodplain forest, looking out, no leaves, small branches all around created a veil of mesh, making everything look fuzzy
  2. the wind rushing through the leaves on the bluff, or was it water seeping out of the limestone?
  3. the voices of laughing kids at the playground
  4. swirling leaves
  5. leaves, floating gently
  6. voices above me
  7. a biker with their headlight, their wheel crossing over and onto the walking path
  8. a short, all-white animal on the trail — a dog? no a little kid in a white snowsuit
  9. the limestone ledge in the ravine looking dark and cavernous
  10. something clanging down below near the old stone steps — a dog collar?

cells

1 — juliana spahr

the opening lines of poemwrittenafterseptember11/2001 / juliana spahr

There are these things:

cells, the movement of cells and the division of cells

and then the general beating of circulation

and hands, and body, and feet

and skin that surrounds hands, body, feet.

This is a shape,

a shape of blood beating and cells dividing. 

But outside of this shape is space.

—

cells
the movement of cells
the division of cells

2 — how much of us is not us?

57%. 43% of a human body is made up of human cells, the rest is: “bacteria, viruses, fungi and archaea (organisms originally misclassified as bacteria)” (More than half of your body is not human).

the importance of microbiomes

3 — L Niedecker and dwelling with place

our bodies as place or space (see J Spahr up above)

      It all comes down
to the family

‘We have a lovely
finite parentage–
mineral

vegetable
animal’ 3

Instead of fretting over how such a finite parentage might threaten our “humaniqueness,” Niedecker welcomes our bond with nonhuman life and seeks instead to endow us, as she writes in “Paean to Place,” with a deeper appreciation for the “sea water running / in [our] veins.”

She also insists upon the necessity of our learning to dwell with other biotic elements who share our land-community, including what she calls in one poem “our relative the air” and “our rich friend / silt.”

—

Niedecker’s portrayal of living with beings and things in our environment is not merely a poetic metaphor; it also finds support in the field of biology. We now understand that even our bodies, the things we think of as most us, are in fact shared organisms, with trillions of microbacteria colonizing our guts in such numbers that they may potentially outnumber our own cells. 

Dwelling with Place: Lorine Niedecker’s Ecopoetics

some rambling: And now I’m thinking about all of this and wondering if it fits with Girl Ghost Gorge or is part of a new (series of) poems? It does, I think, in terms of the relationship between the girl and the ghost and the gorge and how the speaker/writer/Sara imagines herself as all three yet also wants to assert a Sara-self (Girl). I like the idea of composing this poem, and assertion of self, with lines from others — a cento! Poets and scientists and geologists and historians.

Questions of what makes us us? and what part of us remains throughout our lifetime? and what is the essence of Sara or, who is Sara, on the cellular level? I do think that these are questions that haunt these poems, as the other side of a deep desire for connection. In light of so many connections and how much of me is made up of stuff outside of or before me, what is sturdy and solid and singular about Girl/Sara/me?

I came up with a draft of a poem responding to these questions that I quite like. I’m calling out “43% Girl”

Happy 4th Anniversary

During today’s On This Day practice, I discovered this, from 2021:

Yesterday, I started working on a poem (or a series of poems?) based on my October focus on ghosts and haunting. I’ve decided to use my rhythmic breathing pattern as the form: couplets with 1 three syllable line and 1 two syllable line (3/2)

from log entry dated 6 nov 2021

4 years. That seems like a long time to be working on one collection of poems, and also not that long at all. It started as Haunts, then became Girl Ghost Gorge. Poems all about haunting a place and being haunted by it. Up until recently, the haunting involved a lot of feeling disconnected and isolated. Perhaps because of all of the attention I’ve given the gorge and those feelings, I feel more connected and more girl, less ghost. I should finish this collection and be done with it before I start editing it too much and lose some of its original story.

nov 5/RUN

4.25 miles
marshall loop (to Summit)
47 degrees

What a run! Late fall/November is the best — half leaved, half unleaved. Cooler, more energy in the air. Two things I want to remember more than anything else:

1

Running down the summit hill, nearing the lake street/marshall bridge, a woman ahead of me, walking with another person, wearing the most amazing BRIGHT pinkish orangish jacket. She glowed. As I ran by I called out, I love your bright jacket. She slapped her thigh in delight and called back, It’s my don’t hit me jacket. Then we both laughed.

2

Just cresting the final hill and almost to the ancient boulder, I passed by two women walking and talking and marveling at how beautiful this place is. They both agreed, they hoped they never had to leave it. Then the younger woman, presumably the daughter, said to the older woman (mother): I only want to live here or where you are. That broke me open in the best way possible. I want to make that the title of a poem.

Reflecting on these moments, I imagined turning them into 2 (very brief) acts of a play. Act 1: the bright colored jacket, Act 2: mother and daughter share a moment.

I had a great run. I did the Marshall hill loop. I ran up the whole thing and didn’t stop to walk until I reached the Monument. Then I climbed down a few steps to listen to the shadows fall. After a few minutes, I ran back home — down the summit hill, past the woman in the bright jacket, over the bridge, up the ancient boulder and past the mother and daughter.

added 5 hours later: I just remembered the river and standing on the lake street bridge, peering over the edge and staring into the glitter path. Such bright, sparkling water! I’m not sure I could have stared at it as long and as directly as I did if I didn’t have so many dead cone cells. Bright lights don’t bother me much anymore.

bells

I’m working on the final (I think) poem in my collection. It’s a reworking of my ending poem for the OG haunts. And it’s inspired by some words from Annie Dillard (in “Seeing” from Pilgrim at Tinker Creek) that I’ve fit into my running/breathing form:

My whole life
I’d been 
a bell but
never
knew until
I was
lifted and
struck. Now
I am still
ringing.
—Annie Dillard

Here’s what I wrote in a pages document I’m using to gather some thoughts:

something about becoming a bell, or remembering that I was a bell — vibrating, carrying and passing on the songs — ancient rhythms of grief joy love anger restlessness buried deep within her, knocked loose by this place, by her ghosts, by her never ending movement — everything buzzing, ringing, chiming, pulsing, thrumming, strumming — even the oldest rocks shimmy and shake and shift and settle — her body, an echo, her feet adding to the ruts and the grooves, leaving a trace in foot strikes and words and shadows and, a scattering of Saras all around

For some of my run I thought about bells and Annie Dillard’s quotation about being a bell and Ammons and energy and movement and cells bouncing and shaking and disintegrating and being replaced and movement and — I wish I could remember the rest of what I was thinking, but I can’t.

I do remember one other bell-related thing I thought about. The book closes with Annie Dillard’s bell struck quotation. It begins with some lines from Emily Dickinson and “I felt a Funeral, in my Brain” that I fit into my breathing/running form:

As all the
Heavens
were a Bell,
Being
but an Ear

I am both bell and ear. Some substance of the Heavens/the Bell/the Eternal resides within me. And, to be = to notice, to listen

before the run

Yes, to this poem-of-the-day on poets.org and the discovery of a new word (or the remembering of a word long forgotten): vermiculation!

Some Melodious Plot/ Anthony Borruso

The United States government murdered over 12 billion birds over the course of 1959 
threw [sic] 2001. As they killed off the real birds they replaced thim [sic] with surveillance 
drone replicas. Indistinguishable from a biological bird. There are now no real 
birds left. 

—Official Birds Aren’t Real Informational Van Bumper Sticker

i. The Philosophical Ornithologist

It is, as all things are, a problem 
of perspective. What you think

you are watching, watches 
you. Your binoculars convince

themselves they’re quotation marks. 
The spy in the song, the feathered

thoughts, the cold hard data 
you spun into silky fact

that the comment section couldn’t 
wait to run its fingers over.

Of course, the pigeons adapted 
to an urban space—they’re party birds

with smokey plumage, and they grow 
peckish unless they’re bobbing

beaks to Milli Vanilli or waving 
glow sticks around the Sabrett stand.

Ancient Egyptians and Williamsburg 
hipsters have nothing in common

except how their feelings take sharp 
angles in broad daylight when the sun

nests in their beards. What I mean 
is that the bygone is hellbent

on a comeback, i.e., the early bird 
pecks a blog post about the importance

of visually manifesting the worm— 
actually encompassing its wriggle

in your quaint skull before 
taking it to beak. You know though

that we are post-extinction and fully 
flapped out—just look at us,

ogling Mother Nature’s augmentation 
with craned necks, covering every

millimeter of the visible world 
with the vermiculations of a stock

ticker. Something’s wrong. Like, 
real wrong: I knock on mountains

and hear a vast metallic thud. I sleep 
on eiderdown, but can’t seem to

squawk loud enough to stir the other 
Denny’s denizens from their Grand

Slam breakfasts. In Altoona, Pennsylvania 
and Waco, Texas, I can feel my face

being scanned every time I munch 
a Big Mac. On this highway, a pit stop

is a pit stop is a pit stop and overhead 
migration is a chance to grease gears

and re-feather the avian bait-and-switch.

vermiculation: Merriam-Webster entry

1: TORTUOUS, INVOLUTE

2: full of worms : WORM-EATEN

3

a: VERMIFORM (resembling a worm in shape)

b: marked with irregular fine lines or with wavy impressed lines
(line in the feathers of a bird)

cells and spindles

Yesterday I mentioned that a line from Hix’s cell phone reminded me of A.R. Ammons’ garbage. Today, I’m revisiting garbage to find and think about the lines.

Reading through it again, I found this:

we, give rise to to us: we are not, though, though
natural, divorced from higher, finer configurations:

tissues and holograms of energy circulate in
us and seek and find representations of themselves

outside us, so that we can participate in
celebrations high and know reaches of feeling

and sight and thought that penetrate (really
penetrate) far, far beyond these our wet cells,

right on up past our stories, the planets, moons,
and other bodies locally to the other end of

the pole where matter’s forms diffuse and
energy loses all means to express itself except

as spirit, there, oh, yes, in the abiding where
mind but nothing else abides, the eternal,

until it turns itself into another pear or sunfish

These lines stayed with me as I ran today.


nov 4/RUN

4 miles
river road, north/south
49 degrees

We were planning to go to the Y, but when we stepped outside and felt how beautiful it was, we changed our plans. Instead of swimming, I would go running. I’m glad I did; it was beautiful out there! Saw on the forecast that rain turning into snow is possible on Saturday. It’s coming: winter! Felt strong again and bouncy, able to pop off the asphalt with my powerful leg swings and foot strikes. Nice!

I’m writing this 3 hours late because we had a mini kid crisis with parking tickets and passes. Had to help figure that out. Can I remember 10 things?

10 Things

  1. Good morning Dave! / Good morning Sara
  2. running in shorts with bare legs, warmed by the sun
  3. a tall oak, 2 of its branches stretched, looking almost like shrugging shoulders
  4. a lime bike below me in the bushes
  5. stopping before the trestle, walking through dead leaves, standing on the edge of the bluff, looking down to the below the trestle and at the blue river
  6. the warning tape and cones around the big crack north of the trestle have been removed — has the crack cracked more? Possibly
  7. standing by an empty bench nearing franklin, walking past it to another bluff edge and another open view of the river and the other side
  8. sliding bench: empty
  9. my shadow: sturdy, strong, moving fast
  10. after the run, walking back through the grass, kicking up dead leaves and delighting in their crunchiness

Listened to the last part of the Invisibilia episode that I mentioned yesterday. According to the neuroscientists, there is no thing in our body that doesn’t change over the course of our lifetime, even our brain cells are transformed. I need to listen to it again; I was distracted.

3 hours later:

“Neurons don’t die and get replaced, but the atoms that make them up are constantly turning over.”

memory: “each time we think about a memory, we corrupt it”

“we have this illusion of continuity”

Looked up “cell” on poems.com and found this great poem:

Always and Only from Material/ H.L Hix

A drop of water changes shape if it falls through an electric field
(the thunderstorm, say, that gave God material form
in Job, then in Lear trued troposphere to terror).
The drop takes the shape of a spindle (the same that turns,
in the myth of Er, on the knees of Necessity)
and sends out from tl1e positively-charged spindle-point
a slender filament of electrical force.
Or take your red blood cells, which in the blood itself
retain the shape of a dimpled disc, a spongy
rubber ball squeezed lightly between finger and thumb.
A little water, though, to thin that blood, and the cell
turns spherical; a little salt, and the entire
cell shrinks and puckers, grape into raisin.
Mysteries attend even membrane formation.
No pure liquid ever froths or foams. Something
must be dissolved or suspended, to sustain
the additional surface area, the passage
from smooth and taut to bubbled and subdivided.
I feel subdivided, denatured, quasi-solid.
I often fall through electrical fields. I can speak
only as I do: in fragments, of a continuum.

This last bit: I feel subdivided, denatured, quasi-solid./ I often fall through electrical fields. I can speak/ only as I do: in fragments, of a continuum.

Hix’s mention of the spindle reminds me of A.R. Ammons and garbage. I remember that he writes about the spindle early on — in relation to presocratic philosophers, I think? I’ll have to find the reference.

I always forget what denatured means: take away or alter the natural qualities of.

Do I feel subdivided, denatured? No, I don’t feel fragmented or altered, just unstable and never quite finished.,

This poem comes from a book that I might like to find: BORED IN ARCANE CURSIVE UNDER LODGEPOLE BARK

“H. L. Hix demonstrates a Thoreauvian burrowing of the mind—a burrowing of fifty poems—into fifty “seed sentences” from fifty “soil texts” from natural history. The poems burrow, too, into common yet rarified encounters with “the carcass of an elk,” or the sun which “contains all direction,” or the “breathing of Breathing” of a “fresh-brushed red-brown ribcage-rounded coat” of a horse. We readers are invited to burrow along with Hix, not unlike “generations of a beetle species” who can “migrate /deeper into a cave than any individual / could travel to get out.” The exploration yields glimpses of the mystic part and the elusive, mythic whole as well as a profound and sobering reflection of the human experience upon planet Earth.”         

nov 3/RUN

4.5 miles
minnehaha falls, new variation
45 degrees

Late fall fabulousness! More of a view, sparkling water, crisper air, brightly colored leaves. Had fun trying out a variation on the minnehaha falls loop: the regular version until I reached the steps near the falls. I took them down, then ran beside the creek until I reached the last bridge before the path is closed. Crossed over the creek, turned back up towards the river road. Climbed up a hill that led me to the bottom of wabun park. Ran up some easy steps — a stretch of slanted sidewalk, a set of 5 or 6 steps, sidewalk, steps, sidewalk, steps. Ran past the splash pad that I used to take the kids to 12 or so years ago, then down the steep hill to the locks and dam.

I’m feeling stronger, physically and mentally. Scott and I are thinking about doing the marathon again in fall of 2026.

10 Things

  1. the tree that is usually red 2 doors down is yellow-orange this year
  2. the view to the other side is opening up — less leaves on the trees
  3. river surface — bright white and burning
  4. a thinner falls
  5. a subdued creek down below — not rushing or gushing but also not still
  6. honking geese near the splash pad in Wabun
  7. the gate down to the falls is still open
  8. empty benches above the edge of the world and at Rachel Dow Memorial bench — I decided to stop at the edge bench, which is not right on the edge but several dozen feet in — walked over to the edge and admired the water and sun and openness of it all
  9. bright pink graffiti under the ford bridge
  10. good morning/morning! greeting a woman in a puffer jacket that I think I saw in the same spot yesterday

after the run

I am officially ready for winter running. Scott and I went to Costco and they had some great winter stuff set up in the front. New gloves, 2 new pairs of running tights and base layer shirts, and all the hand and foot warmers that I could possibly need! Guess that means I’ll have to run outside in the arctic cold so I can use them!

cells cells cells cells cells

Today I’m returning to EAP and “The Bells,” which I my using as a template for my own “The Cells” poem. Three versions of cells that I’ve been working with so far: dying/dead photoreceptor cone cells; the uncontrolled growth of cancer cells and late capitalism; and the narrowing of a world out of anxiety and necessity —

writing this, now I’m wondering about cells as individual building blocks of living things and the phrase, on the cellular level. What exactly does that mean? basic functional and structural unit of an organism.

And now, I’m looking up cellular level and “cell small room” and reading about “understanding health at the cellular level” and having a wonderful thought: why not devote a month to the cell and some of its different meanings? Fun! In the past 2 months, I haven’t posted monthly challenges; I’ve been too busy working on a draft of Girl Ghost Gorge. As I finish that (because I want to be finished for a while and submit it for a first book contest), I’d like to return to the delightfully wandering work of picking a topic and finding as many different ways to imagine and understand it as I can.

a lingering thought: I am enjoying using EA Poe’s “The Bells” as a starting point for a poem, but I’m not sure I’m a good enough poet (yet? ever?) to wrangle rhyme and meter the way he does in his poem. So tricky and easy to overdo it.

and now a random thought bursting in my brain: what is poetry, at the cellular level? the basic unit, the building block of poetry? Rhyme, meter, sound, pulse, something else?

from definitions of cell on Merriam Webster: a single room, usually for one person

cellular, celluloid, cell phones cell towers, the creepy movie The Cell

Looked up cell on poets.org. Found this Sara poem!

Sara in Her Father’s Arms/ George Oppen

Cell by cell the baby made herself, the cells

Made cells. That is to say

The baby is made largely of milk. Lying in her father’s arms, the little seed eyes

Moving, trying to see, smiling for us

To see, she will make a household

To her need of these rooms—Sara, little seed,

Little violent, diligent seed. Come let us look at the world

Glittering: this seed will speak,

Max, words! There will be no other words in the world

But those our children speak. What will she make of a world

Do you suppose, Max, of which she is made.

Sara, little seed! Love it. And, Come let us look at the world/glittering and What will she make/of a world of which she is made

WHAT? Whoa!

So, reading this poem and the opening lines, Cell by cell, the baby made herself, the cells/made cells, prompted me to ask and then investigate: How often are our cells replaced? And do all of them get replaced every 7 years? I found information about the time span of different types of cells, an explanation of why the 7 years thing is a myth, and then this from NPR: Does Your Body Really Refresh Itself Every 7 Years?

I watcher their video and got to the part, which is almost at the end, when they say this:

And there’s one more part of you that lasts your whole life

2:14Months before you were born,

2:16a little cluster of cells stretched and filled themselves with transparent protein

2:21As you grew, even after birth, more and more fibers were added, but that center endured

2:28This is your lens the window through which you are watching this video right now2:34and its core has remained the same since the moment you first opened your eyes

generated transcript on YouTube

Sara’s little seed eyes?! I had no idea that the lens lasts!

Video (can’t embed it)
A tumblr post with more info

And found out this about the lens:

What is the eye lens made of?

The lens of your eye is made up of structural proteins called crystallins. This is why it’s sometimes called the “crystalline lens.” It has the highest concentration of proteins of almost any tissue in your body. These specialized proteins give the lens its transparency and focusing power. Mature crystallins have no nucleus or organelles — they lose them as they mature. This adds to their clarity and transparency.

But having no nucleus or organelles also prevents the cells from reproducing. This means they don’t “turn over,” as most of your body’s cells do. The cells arrange themselves in concentric layers, like tree rings. Throughout your life, new cells continue to grow at the outer edges of the circle, while the older cells compress toward the center. Eventually, the older cells at the center begin to show wear and tear.

source

Like little tree rings?! You better believe that that is making it into a poem at some point!

future explorations and ideas to play with: If (most) of our cells are being replaced, what makes us us? And, are they really “our” cells? Or, do we all just live together (Oppen’s household)? Is a body one thing?

Listen to Lulu Miller on an Invisibilia episode, especially the last story:

Finally Lulu talks to a scientist to come up with a complete catalogue of all the things about us that actually do stay stable over the course of our lives. They look at everything from cells to memories until ultimately they come up with a list — but it’s a really short list.

a final note: Questions about cells and bodies and what makes us us are ones I’ve been asking for a long time, but I was especially preoccupied with them after my mention of M. Hemingway and her retreat for reclaiming the “sovereign self” in yesterday’s post.

nov 2/RUNSWIM

4 miles
locks and dam no. 1
39 degrees

Okaaay 39 degrees! As I said to Scott, this is my weather! Love it. Black running tights, long-sleeve green shirt, black vest, black gloves, buff. I felt relaxed and strong and not in need of a port-a-potty. Windy. Lots of leaves on the trail, some of them wet and slick, especially thick on the part of the path south of the double bridge that dips below the road and on the hill climbing up to Wabun park. Some BRIGHT yellow, an occasional slash of red. Any orange? I don’t think so. The river under the ford bridge was darker gray with scales. The gate was closed so I couldn’t run all the way to the locks and dam door. Heard some geese honking, on the ground, not in the sky. Someone was sitting at the Rachel Dow Memorial bench, no one was sitting at the one above the edge of the world. Encountered several other runners — all older men? — and lots of walkers. One woman, climbing up and out of the locks and dam behind me, suddenly blew her nose, which startled me enough to prompt her to apologize.

At the halfway point, I stopped to walk up the hill and put in “The Life of a Showgirl” on shuffle.

favorite image: After the run, walking home, the wind picked up and a swirl of leaves, like confetti, flying through the air. Yellow leaves, I think. Wow!

before the run

Encountered some interesting language on instagram this morning:

You can’t think your way into a new life, you have to train for it.
Consistency creates safety.
Repetition rewires truth.
Embodiment is built, one breath at a time.

Whether it’s your healing, your art, or your leadership
you don’t need to perform change, you need to practice it.
That’s why our rituals matter: breath, movement, stillness.
They turn insight into muscle memory.

Don’t chase becoming. Train remembering…

source

train / not in your head, but your body / repetition / habit / ritual / rewire / don’t perform, practice / breath movement stillness / greater understanding deep in the muscles / don’t become, remember

My first reaction: on a surface level, many of these words resonate for me — embodiment, training, habits and repetitions and rituals, remembering

This is an ad for a 3 hour retreat led by Mariel Hemingway. I was curious (and skeptical), so I went to her site to learn more. At the bottom of the page, I found this:

Disclaimer: The Return of the Queen™ is a sacred space rooted in personal experience, spiritual reflection, and embodied remembrance.

Mariel Hemingway offers guidance based on her own lived journey — not as a therapist, medical professional, or licensed counselor, but as a woman who has walked the path of deep inner healing and returned with wisdom to share. The content and practices shared throughout this experience are designed to support emotional exploration, self-inquiry, and spiritual growth. They are not a substitute for professional mental health, medical, or therapeutic care. Every woman’s path is unique. Results will vary depending on your personal history, readiness, and the depth of your participation. Please honor your own inner and outer needs. If you require clinical or medical support, we lovingly encourage you to seek care from a licensed provider. This is not about fixing or diagnosing. This is about remembering. Thank you for honoring the sacredness of this space and taking full responsibility for your own wellbeing..

source

At the top of the page, it describes the retreat as a “3-hour journey back to your Sovereign Self.”

Sovereign Power

Sovereign has everything to do with power. It often describes a person who has supreme power or authority, such as a king or queen. God is described as “sovereign” in a number of Bible translations. In addition to describing ones who have power, the word sovereign also often describes power: to have sovereign power is to have absolute power—that is, power that cannot be checked by anyone or anything. Nations and states are also sometimes described as “sovereign.” This means that they have power over themselves; their government is under their own control, rather than under the control of an outside authority.

Merriam-Webster dictionary entry for sovereign

The language of sovereignty doesn’t work for me, even as I recognize the need to claim your own life. And I don’t like “queen” and the understandings of power it evokes.

Past Sara, the feminist academic, could have spent the entire day dissecting these words and the foundation that undergirds them, but Sara-right-now isn’t interested in wasting time in that way. Although, I am interested in giving some attention to other models that are about embodiment, training, practice, remembering but not Power and control and Sovereignty. Robin Wall Kimmerer discusses memory and remembering; she links it to deeper traditions and human and non-human communities.

The idea of distinguishing between practice and performance is interesting to me. Just yesterday, I submitted a poem to be considered for a journal issue with the theme of performance. Here’s what they wrote about performance:

Theme Description: The theme for this issue is performance. To perform is to, for some audience, create the illusion that reality is this, rather than that. We do this everywhere–our social (and social media) lives, our dress, our relationships, our feelings, our genders, all performed in their ways; all around us there is the low hum of wishful artifice imparting an intended impression onto seen and unseen—perhaps even imaginary–spectators. Taken to its logical conclusion, a reasonable, if cynical, truth emerges: performance, in our day-to-day, is so essential, so inextricable from our quote-unquote “authentic selves,” that perhaps the authentic self is simply the sum of a lifetime of performances–that the show has somehow become its own type of truth. In professional wrestling, the word for this is “kayfabe”–the unspoken agreement that not only is the show inextricable from reality, but that, in essence, the performance is the reality. Or is it? How do we perform, and for whom? Send us your work!

What is the relationship between performance and reality? My submission to this call was about my running/training/performing beside the gorge. Here’s what I wrote to explain how it fits with the theme:

“When I learned that I was losing all of my central vision, I started giving more attention to the world and my favorite place in it, the Mississippi River Gorge in Minneapolis and St. Paul. Regularly, I return to it, run around it, and write about what I’ve noticed there. This habit is a ritual is a ceremony, happening almost daily, that when performed brings a new world in which I am still able to see, but strangely, into existence.”

The title of my poem: How to Be When You See Strangely, Performances Daily

swim: 1.4 miles / 1.5 loops
ywca pool

We rejoined the Y and I was able to swim!! I’m excited to swim inside this winter, to reunite with my pool “friends”: the shadow on the pool floor, the fuzzy things floating near the bottom, the pale torsos and froggy legs, the friendly people. Today it was the nice guy who, when I asked him if I could share a lane with him, said Of course!

oct 31/RUN

5 miles
franklin loop
43 degrees
cold drizzle

This is Halloween. This is Halloween. As I ran, I listened to Apple Music’s Halloween dance mix. A great run. I felt so fast and strong and capable of running hard for long periods of time. And I did — relatively speaking. Faster and longer without stopping than I have in the past year.

10 Things

  1. slick leaves on the path — don’t remember hearing them squeak
  2. running on the east side, near meeker island dam, a large group of kids laughing and playing on the other side. too far to be at a school playground. were they on the white sands beach?
  3. puddles on the franklin bridge
  4. a runner running far ahead of me, then walking, the stopping to sit on a bench — he wore bright blue shorts
  5. bright headlights
  6. the river from the franklin bridge — a view of the trestle and reflections of trees, but no rowers
  7. the river from the lake street bridge — empty pewter river, pale brown sandbar, slight ripples
  8. on the franklin bridge, a small red dot off in the distance, then it turned green — a stoplight
  9. a person with a dog, turning down and entering the meeker dog park
  10. a soft rain, difficult to notice with my hat and tights and sweat

October viewing update

Finished Theater of Blood — so good! Although the second to last death was super gross — let’s just say it involved gluttony and a funnel. And the last “death” — presumably the worst because it was the final one — was more terrible than actually dying; it involved hot knives and blinding the one remaining critic. Sigh — the idea that not being able to see is a fate worse than death, or a living death. Regardless, I really enjoyed the movie.

Also watched John Carpenter’s The Thing. I really liked it — some gross special effects, but a very good movie. Good pacing, good acting, a good premise with haunting questions about trust and how/where enemies lurk.

Current Writing

I’m on a role right now with my writing. I have so many things to work on, that I don’t want to take the time to explaing them right now!

oct 30/REST

Since I ran Monday, Tuesday, and Wednesday, and because my hip is a little sore, I decided to not run (as opposed not to run). Instead, I’ve been writing and submitting poems to journals. Will I have any luck? Future Sara will report! Usually on rest days, those days when I don’t even take a walk or do Yoga, I don’t post on this log. It’s a loose rule for me: no posting unless I go out by the gorge. But, I wanted to archive the list of movies Scott and I have watched for Halloween, and I didn’t want to wait until tomorrow. So, here I am, and here’s the list:

October Viewing

I love Halloween (and Halloween) and early-ish (pre Hellraiser) horror movies. Scott does too. I’m not sure if he always did, but being married to me for almost 29 years, he does now. Every year we watch Halloween on Halloween night. Some years that’s all we do, and some years we watch other horror movies throughout October. Like this year. One of the best selection of movies, I think. So that we don’t forget, here’s a running list:

  • The Omen (1976)
  • He Knows You’re Alone (1980)
  • House of Wax (1953)
  • Amityville Horror (started, but never finished) (1979)
  • Chopping Mall (1986)
  • The Monster Club (1981)
  • The Fog
  • The Pit and the Pendulum (1961)
  • Theater of Blood (1973)

So many good ones. The only dud was Amityville Horror. Too serious and slow and painful to watch. Vincent Price is amazing. He Knows You’re Alone was surprisingly feminist. I had watched it as a kid, so probably 40 years ago, and had always wanted to see it again. It held up. The biggest name in it is Tom Hanks — he’s only on screen for a minute or two, and he doesn’t even get killed. We have about 25 minutes of Theater of Blood left. So good! The 70s movies are so dark and disturbing; this one is giving off Clockwork Orange energy. And, Diana Rigg is in it! I love her — 2 favorites: Evil Under the Sun and On Her Majesty’s Secret Service. Chopping Mall was delightfully campy and was in on the joke, but too many boobs. I had forgotten how boob-laden mid 1980s movies were. Sure, the 1970s was jiggle tv, but you only saw the outlines of nipples and the movement of boobs (or am I remembering wrong?), but the 80s were all about gigantic (fake?) fully exposed to the air boobs. I had never seen The Fog, but Scott had. Even so, he hadn’t realized that several of the people in Halloween were in this too, including Jamie Lee Curtis and Nancy Loomis (Annie!)

Tonight, we’ll finish Theater of Blood and then maybe watch the Foo Fighters horror comedy, Studio 666. And maybe we’ll also watch John Carpenter’s The Thing. WAIT — I have a plan for tonight. Finish Theater of Blood, then a double feature: John Carpenter’s The Thing and They Live. Excellent.

the mannequins!

In 2019, I started working on a poem about the wonderful State Fair mannequins. Here’s what I wrote in sept 2019:

I find delight (reading Ross Gay’s wonderful, The Book of Delights, I’m trying to be better about claiming my own quirky delights) in this mannequin andher continued (and improbable) presence at the State Fair in a space barely touched by progress where the amateur is celebrated and beauty is never slicked up. Every year, walking into the creative activities building and seeing these cracked, faded, weathered mannequins still adorned in handmade hats and coats and scarves and sweaters, looking creepy and odd, I am delighted–and not in an ironic, hipster way. Here, the ugly and old and outdated have a space. I think I’m almost able to articulate this delight, but not quite. I’ll keep working at it. Something about how these mannequins represent resistance to the relentless need (by capitalism) to constantly change things to make them better! and newer! and prettier! and, in doing so, erase/remove/destroy those things which don’t fit their vision of better/newer/prettier. I love things that are ugly and overlooked and unsettling.

I’ve been working on the poem, off and on, ever since. Today I decided to polish it a little more and then submit it Okay Donkey — “a literary magazine that likes to read the odd, the off-kilter, and the just plain weird. We like work that’s funny, that’s sad, and that’s both funny and sad.” I’m not sure if I’m weird enough yet, or genre-bending (definitely not), but I decided to submit it again today.

oct 29/RUN

4.5 miles
veterans home in reverse
49 degrees

Another beautiful late fall day. Sun, sparkling river, gushing falls, red and orange and yellow leaves. Parts of the run were easy, parts of it weren’t. Felt tired this late morning/early afternoon. Ran up the hill through Wabun to the veterans home, then over the bridge, past John Stevens’ house and to the falls. The bench above the edge of the world was empty but the Rachel Dow Memorial bench had two people sitting on it. ALL of the kids were outside on the Minnehaha Academy playground as I ran past it on the other side of the road. Two memorable things: 1. a teacher calling out to a student — no, no, we do not climb the fence. get down! and 2. I heard a trumpet playing Reveille. It sounded like a live trumpet and not a recording. Is that what they play to call kids in from recess?

Scott sent me this poem. I’m posting it partly for its cleverness, partly for our shared dislike of licorice, and partly because I love the word It.

It/ Gertrude Sturdle

It is never
what it seems to be
unless it is licorice.
And then
sadly
it is.

the cells, cells, cells, cells, cells, cells, cells

Yesterday I mentioned using Poe’s “The Bells” as a template for my own poem about the cells: dying cone cells, strange rod cells, the uncontrolled growth of cancer cells, a narrowing of space (cell as room, place). I started working yesterday afternoon and am back at it this morning before my run. Fun!

version 1

EA Poe’s original first verse:

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

My version

Feel the leaving of the cells —
the failed cells.

What a world of loneliness their abandonment foretells.

How they tumble, tumble, tumble,
In the fading of the light.

While the cones start to crumble
,
All the rods seem to rumble
in the loosening of her sight;
Then it’s grays, grays, grays,
and a veil of fuzzy haze.
With an undead half possession and the cast of haunting spells
On the cells, cells, cells, cells,

Cells, cells, cells—
On the slumbering and the stumbling cells.

type of bell: sleigh bells
bells / foretells / wells
merriment / melody

tinkle / oversprinkle / twinkle

a line about the night air
night / delight
time time time
time/rhyme
tintinabulation / musically
bells repeated 7 times
jingling / tinkling — slant rhyme

cells: dead cone cells

cells / foretells / spells

world — loneliness / abandonment
tumble / crumble / rumble
grays grays grays
grays / haze
undead half possession

oct 28/RUN

4.25 miles
the monument and back
49 degrees

Before running I was thinking about bells (see below), so I decided to run over to the Monument and time it so I could hear the bells from St. Thomas. It worked! Just as I crested the Summit hill: bells! 3 rounds of chiming, which means it was 11:45. Ran to the port-a-potty in the parking lot (yep, a little unfinished business — oh well), then over to above Shadow Falls. Hiked down into the ravine and listened to water falling although I didn’t get close enough to see it so, who knows, maybe I was hearing shadows falling instead? Wow wow wow! That ravine! So wide and open and glowing a pale yellowy green. Amazing! After a few minutes of marveling, I hiked back up and started running again, just as the bells were chiming for noon.

All around, it was peak color. Butter yellow, marigold yellow, cherry red, crimson, orange. Leaves on the trees, leaves on the ground. Did I see any leaves flying in the air? I don’t think so. I did see some turkeys! Almost a dozen grazing in the grassy stretch at the bottom of the hill in the middle of the road. When I returned 20 or 30 minutes later, the turkeys had crossed the road and were blocking the path.

Stopped on the bridge at the overlook to check out the bright colors on the shore and the sandbar just below the water. There were small scales on the water and the reflection of the bridge railing in the water was flickering.

added the next morning: I just remembered the albino squirrel! After exiting the port-a-potty, heading back to the Monument, there it was at edge of the bushes: an albino squirrel.

before the run

During my On This Day practice, reading through my 28 october 2021 entry, I was reminded of Edgar Allen Poe’s “The Bells,” and returned to an obsession, something that haunts Girl Ghost Gorge: the bells, bells, bells. In the earliest versions of GGG, when it was called Haunts, the bells commenced and concluded the collection. The vibrations of the bells, ringing like a bell, the soft echo, the fading away, but not really fading away of the sound of bells. Had to stop for a minute to find out what Scott was listening to in the next room. I heard bells and wondered, is that coming from him, or am I hearing wind chimes outside? It was him. I exclaimed, “I am literally writing about bells right now!” and in a Owen Wilson voice, playfully mocking me, he said, “Wow.” Back to the bells — just when I thought I was done with this collection and ready to submit it to the Two Sylvia’s women poets over 50 contest, I must write about the bells. The St. Thomas bells, the bells in poetry, bell as echo, slant rhyme, the image of a stuck bell, ringing, vibrating, as similar to my constantly moving buzzing central vision.

aside: some years ago — was it before or after the pandemic? — I gathered together bell words and ideas and thoughts and made a page for my How to Be project. Not long after I finished, Scott gave me some bad news: something happened to our wordpress sites and anything posted in the last week was lost forever. No! I had written so many things in that time, including my page about the bells. Some of it I remember, some of it is lost.

Here are the original references to bells in my first and last Haunt poems from 2021:

opening

Listen to 
bells on 

the other 
side ring

out sound that
spreads from 

hard center
to soft

edge

close

Echoes.

Bells bounce off
boulders,

bridges, time,
singing

familiar
tunes from

the other
shore. We

are not those
 bells but

their excess,
reverb,

sounds after
the sound

that surround.
Buzzing

persisting
trying

to pass on
songs of

joy love grief
anger

that began
before

we were here,
before

we believed
we were

all there was,
before

we were ghosts.

Hmmm….I really like how I begin and end with the bells, as if signaling a ceremony. And, this collection, is a ceremony! Or, at least, it has a ceremony as part of it. Listening to the bells as a way to prepare yourself for the poem — the one made up of words, the one made up of the family of things at the gorge, the one shaped out of a life from the wearing down of stone and the flow of water.

after the run

Walking home after finishing my run I had a thought: using Poe’s “The Bells” as a starting point, write a chanting poem about the cells, cells, cells — cone and rod cells, the cancer cells that killed my mom. Faulty cells, drying up cells, dying cells, the narrowing of a world (cell as small, confined space), uncontrolled growth (cancer, late-stage capitalism).

What an amazing morning/noon! I felt strong and relaxed and grateful to live near this place and have strong lungs and legs and the discipline to return here again and again.

oct 27/RUN

3.25 miles
trestle turn around
59 degrees

A late afternoon run. Nice! I might try doing more of these later workouts this winter — but not outside, in the dark! I like the light at this time (around 5) — softer, longer, winding down, golden. I only stopped once — to take off my sweatshirt. I considered taking it off while I was running, but thought better of it. I felt strong and confident that I could keep running.

10 Things

  1. bright yellow leaves
  2. a roller skier
  3. laughing voices below me in the ravine
  4. bright yellow t-shirts and vest on some of the walkers
  5. still green below the sliding bench
  6. a long line of cars stopped on the river road whenever there was a stop sign
  7. someone speeding by on a scooter
  8. in the tunnel of trees the path was covered in bright red leaves
  9. a loud honk ahead of me, on the lake street bridge
  10. no geese or turkeys or rowers

vision study

I went in for my second vision test appointment at the U. Colin, a post-doc in the psychology of vision department tested me on a fancy machine that takes 300 pictures of my eyes a second to track what and where I’m looking.

First, a calibration. I put my chin on the chin rest, didn’t move my head, and moved my eyes to track a dot as it traveled from the upper left corner and around the lower right. When I saw it, the dot would explode in confetti. Nice!

Second, a reading test. I was given a sentence to read that kept getting smaller. I struggled to read it when the text was big, but it got easier, and I got faster as it got smaller. I could read sentences that were even too small for my tester to read. When that was finished a screen popped up: 390 trials. Colin said, oh boy. What? The screen said I needed to take 390 of the “trials” to determine if my vision/eyes would work for this study. I asked, what’s the average number of tests? Colin: 100. Of course, my weird eyes would require more testing and of course, this delighted me.

Third, the real test. I had to stare between two dots and try to identify the 3 letters that flashed. At first, the text was too big for me, and I couldn’t see any of the letters. Then Colin decided to try and make the letters a lot smaller — way smaller than anyone had ever done, or even that the program could handle. He thought it was very cool and I could tell he was excited. When I asked him why, he said that he had never seen anyone’s vision work this way. Yes! Even among people with strange sight, my sight is strange! I knew it.

It was fun to do the study and talk with someone about my vision. Will I qualify for continuing? Not sure yet. My vision might be too strange, and too much for this program. They’ll let me know sometime in the future. Whatever happens, it was fun and I got more verification that I’m unusual!

This afternoon, I submitted 5 of my Girl Ghost Gorge poems to a journal, and my chapbook, “I Empty My Mind, I Stuff it with Color” to a contest.

update, 25 jan 2026: I am assuming I didn’t qualify for the next round of the vision study because no one has ever gotten back to me. I got ghosted. Also, at some point in the months since I submitted poems to a journal, a chapbook to a contest, all of it was rejected. Oh well, writing poetry then trying to get it published involves a lot of rejection.

oct 26/HIKE

2+ hour, 4 mile hike
mississippi river gorge
62 degrees

Almost every fall, in September or October, when the weather is still nice, and not too long before the snow will start flying, Scott and I devote an afternoon to the river. Sometimes we hike, sometimes we bike. Today, we did an epic hike, taking the Winchell Trail from 35th to the southern entrance at the Horace WS Cleveland overlook, then down to the locks and dam no. 1, over the metal grate platform above the river to where the water used to rush over a concrete wall. We stopped to take in the view of a canoe passing through the locks and the Mississippi River stretching north. Then crossed back over the platform, hiked up the hill, crossed through turkey hollow, and walked back home through the neighborhood. Wow! What a wonderful afternoon. Half the city agreed and joined us on the trail. Yes, an exaggeration, but there were more people on the trail than I ever remember seeing before, and the sloped grass at the overlook was packed, too.

10+ Things

  1. a clear and close-up view of the rock wall at the locks and dam: soft, crumbling sandstone at the bottom, hard limestone at the top
  2. 4 big turkeys looking for food in someone’s yard
  3. noticing the silhouette of something dangling from the chest of the one of the turkey’s — Scott said it was a long feather
  4. pointed out the green leaves on a bush that had called out to me yesterday as I ran, saying blue! Scott agreed that there did seem to be a hint of blue on this green
  5. intensely yellow leaves — lemon yellow
  6. light green leaves — pear-colored
  7. almost to the bottom of the locks and dam hill, a closer view of the water’s surface: scaled
  8. the river was low at the locks and dam — when it’s full, the water covers the bottom of a stand of trees and a sandbar. Today they were both exposed
  9. what used to be a roar of rushing water on the concrete wall, is now one narrow stream at one end — the water looked green as it fell over the mossed covered concrete
  10. crossing over the metal grate platform, taking in the wide view of the river, remembering taking RJP here more than 10 years ago — almost everything looks the same, only the vending machine that sold Sierra Mist is gone
  11. the enormous and exposed roots of a tree at the base of the trunk, looking like an elephant’s foot

oct 25/RACE

10k race
Minneapolis Halloween Half
45 degrees / rain

A wonderful race! Not even close to a PR, but a huge success: Scott and I ran the whole thing together; we didn’t stop even once even though we were undercooked — I haven’t run a 10k without stopping for a year; I had a lot left at the end and was able to sprint; I had no problem running up the steep hills; I was happy and smiled as I crossed the finish line; and no unfinished business! I think it’s been more than a year since I ran more than 5 miles without the urgent feeling of needing to poop. What a mental victory! I didn’t think there was any way I could run this whole thing without stopping, especially the hills, but I pushed through and did it.

A classic Sara-moment: I recited “A Rhyme for Halloween” to Scott as we ran up the first big hill, 1.5ish miles in. Nice! Then, referencing the line, Baruch Spinoza and butcher are drunk — I talked about how Judy B (Judith Butler) likes Spinoza and his skepticism and used to read him as a kid.

At least 10 Things

  1. Waldo — the first thing the announcer said, I found Waldo! / a runner running up the steep hill near mile 5: I’ve counted 7 Waldos so far
  2. running costume: Olivia Newton John from Physical — headband, tight curls, bright colored tights, leg warmers, jean jacket
  3. Maria, Luigi, Waluigi running up the hill — where’s wario, Scott wondered
  4. the cobblestones were terrible — so rutted and puddles
  5. bright orange tree on one side of the road, bare branches the other
  6. a dog poopin’ in Front of Gold Medal Park
  7. 2 people with gorge tattoos on their calves!! I was so excited that I had to ask them about them and told them that I wanted to get one too. They were so appreciative of my delight, which was completely genuine, that they thanked me! I think I might have to get a gorge tattoo on my calf — and an outline of Lake Nokomis, or something related to Lake Nokomis, on my shoulder
  8. the terrible pacer — the one who always runs too fast and that caused to me to overdo it at the beginning of a 10 mile race and then fell apart in the second half — was there, and was pacing too fast again. I overheard some other racers complaining about him
  9. no live national anthem, instead a terrible recording
  10. puddles and potholes and rutted cobblestones
  11. a runner nearby, shaking out his arms and saying, this is tiring!
  12. several women, descending the hill into the flats, realizing how much more there was to run, and how steep it was, saying oh fuck!
  13. thanking another runner for letting me know she was passing me, her thanking me back
  14. crossing the finish line and feeling great — joyful, relieved, in disbelief that we managed, on our limited training, to run the entire thing without stopping

oct 23/RUN

3.5 miles
locks and dam no. 1*
49 degrees

*ran south to the locks and dam no. 1, then halfway down the hill and over to another hill that climbs up beside the underbelly of the ford bridge and to the bluff and wabun park. Turned around and headed down to the bottom of the locks, then back up it again.

Ran in the late afternoon. The gorge has very different energy in the almost evening. Cars rushing to get home, kids walking home from school, the light longer, lower. Noticed some amazing golden-avocado-orange leaves on a tall tree and some small bright red leaves on a low bush. Twice I ran past a bush/mini-tree with green leaves that yelled out to me, BLUE! What? I stopped the second time to figure out how I was seeing/hearing blue, but couldn’t.

Geese! I haven’t seen as many geese this year. Today, half a dozen of them were floating in the water under the ford bridge. I don’t think I heard them, but I saw one of them spread their wings wide and then flap them furiously.

Turkeys! Running above the winchell trail between the 44th and 42nd street ravines, I saw them across the parkway. 4 or 5 big turkeys rooting through the grass. At least one car slowed way down to witness their awesomeness for a minute.

Anything else? Oh — I heard music coming from a bike speaker. Just the opening chords — I’m 90% sure it was “Just What I Needed” by The Cars. Excellent!

I felt strong and fast and bouncy. Wore the yellow shoes, which were mostly great, although they did hurt my feet a little.

For most of the day, I’ve been working on a poem that is less about form and more about the process of creating it — almost 9 full years of noticing and writing about what I noticed in this RUN! log AND sitting down today and recounting those things from memory. The poem is 2 pages wide. In the upper left corner, loosely representing a gorge wall, are the words, She goes to/the gorge/to notice, and in the bottom right corner, every/thing. The rest of the page is filled with what I have noticed, written across the page with the noticed things separated by slashes. It’s fun! I am about three quarters of the way finished with the first draft. I imagine I’ll want to tweak it a little. The last thing I added before leaving for my run: port-a-potty, clean / port-a-potty, dirty / port-a-potty, tipped / port-a-potty removed to discourage encampments below. Will I keep these? Not sure.

oct 22/RUN

3.1 miles
2 trails
44 degrees

Blustery, cool, full of color. Reds and oranges and yellows. Everything wet from yesterday’s rain. The winchell trail was covered in leaves, some wet, some dry, most of them rusty red. I greeted a guy I passed with a good morning, then realized it wasn’t morning, but afternoon. Oops. He said morning back. I wonder if he realized the mistake. Thanked several other walkers for moving over to let me pass. Heard some kids yelling at the playground and one guy yell out to someone else, that’s Ben. Ben is here. A woman stood at the top of the old stone steps, studying something below. Was she deciding whether or not to take them down? Wondering what was down there, or whether or not the steps were too slick?

Every so often, I thought about a line that I haven’t quite found a home for in GGG: Each loop adds substance, tightens the tether, but never enough to stop the looping.

Began chanting: looping and/looping and/looping again

After I finished running, as I walked back, I had 2 ideas for fun experiments with the lines.

first: switch up the order of the words — mimicking of swirling water falling from a limestone ledge? or, take part of it and create an anagram?

second: do a variation on the golden shovel form by taking the tether/never/looping sentence and ending each line of a new poem with the words from it, in order, so that it spells out the sentence. Or, to mimic the rock walls of the gorge, start each line of the new poem with the first half of the sentence, then end each line with the second half. Too contrived? Future Sara will let me know.

Found a wonderfully wandering poem this morning, “Reading Virginia Woolf in a Women in Literature Class at Bergen Community College.” It’s long, so I’ll just an excerpt:

excerpt from Reading Virginia Woolf in a Women in Literature Class at Bergen Community College/ Carlie Hoffman

when my sister asked if I’d ever
kissed anyone. I was just beginning
freshman year, working to get my time
down for swim team where I’d spent summer
ditching birthdays & the ice cream
truck’s persuasive tune to practice
the butterfly & freestyle & learning to dive
less crooked, which was going as well
as expected until Andrew
sat next to me on the bus
ride home from the pool during tryouts,
his chlorine-dried hand on my shoulder
a little too long without asking when he asked
my name & he has a crush on you
said my friend Becca while faking
a gagging sound in her throat. I said yes
even though I hadn’t kissed anyone & maybe
this was my first true poem, lying
to my sister in support of love, stealing imagery
from the books I’d read in the library
to avoid the cafeteria

I love her definition of a poem: lying to someone in support of love, stealing imagery from other poets

Richard Siken!!

I love Richard Siken’s new book that I picked up from Moon Palace Books Monday night. Read this poem while Scott was rehearsing with the community jazz band:

The List/ Richard Siken

I tried to say something nice to the nurse. I introduced myself. She said we had already met. I thought she was moody until I realized she was several nurses, each working their own shift. To them I was Hamlet in a long line of Hamlets. My problems were unimpressive and not unique. I had a grief counselor, like everyone, and a suicide counselor, because I had said the wrong thing. I wrote in my notebook. I made a list, a working glossary. My handwriting was big and crooked. Meat. Blood. Floor. Thunder. I tried to understand what these things were and how I was related to them. Doorknob. Cardboard. Thermostat. Agriculture. I understood North but I struggled with left. Describing the world was easier than finding a place in it. The suicide counselor said the people who hadn’t shown up weren’t going to show up, that the ones that had stopped coming would not be coming back. She had seen it before, she saw it every day. The person they knew was gone. To them, I had broken the contract: I had left first and they were already grieving. I started a second notebook, for venom and hard feelings—things that would leak into the list if I let them. It was harsh and ugly. It was true and harsh and ugly and it made me feel sick. What do I know? What do I know for sure? I built up meaning with a double set of books. —A doorknob is a rock for the hand. It opens a hole in the wall. —A doorknob is your stupid head. You will not survive this.

I remember reading the line, Describing the world was easier than finding a place in it, as part of “About this Poem” explanation of “Real Estate.” I loved the line so much I turned it into a form fitter — my name for the lines that I shaped into my breathing rhythm of 3/2 syllables. I always thought it belonged in a poem, and here it is. Wow!

Describing 
worlds is

easier 
than find

ing your place 
in them

OR

Describing
worlds is

easy. Find
ing your

place in them
is hard.

oct 21/RUN

3.1 miles
trestle turn around
44 degrees / rain

Brrr. Rainy and chilly today. Time to find my gloves — my hands were going a little numb by the end. Ran north to the trestle. A few other walkers and runners joined me — we didn’t move together, just in the same place (above the gorge), at the same time (early afternoon). Tried to run relaxed and not too fast. The relaxed part happened, but not the not too fast part. The path was wet and leaf-covered and slightly slippery. The sprawling oak by the ancient boulder and at the entrance to the tunnel of trees was a metallic — frosted gold and silver. Wow! The floodplain forest below the tunnel of trees was glowing pear and butter. Double wow! I never looked at the river or heard a bird, but I did smell hot chocolate, burnt coffee, and pipe smoke.

Thought about revisions to my latest poem and the refrain I put at the end of it, created to chant while running. I played around with different rhythms. First, the words:

no after / only here / Remember / Remember / reMember /

Actually, the original, un-tested-out-by-the-gorge-version was: there is no after/there is only here / remember / remember / remember. But as soon as I tried to chant it, I could tell it wouldn’t work — too many words for my running rhythms.

no After
no After
no After
only here

only here
only here
here here here
here here here

Remember
Remember
reMember

Remember
here
reMember
here
here here here

Re Mem Ber
here here here

The lines inspiring these chants are: There is no after. There is only here and a moving away from and returning to it.

Also thinking about my What time is it? (2020) poem that involves a list of o’clocks. I’m thinking maybe I should be brave (a word RJP and I are using a lot these days), and include something about George Floyd. It’s an important part of what I wrote about in May/June of 2020 in this log. What do I mean by brave here? I’m going to think about that some more.

oct 20/RUN

4.3 miles
minnehaha falls and back
49 degrees
wind: 30 mph gusts

Figured out how to switch the pace of my watch from rolling miles to current pace. It was a pain to do and I’m not sure it was worth it, although I did learn that I have difficulty keeping a consistent pace. Windy. I made sure my cap was on tight. I ran to the falls then took the steps down to the creek. Forgot to look at the creek because I was too focused on avoiding rocks and walkers. Walked back up the steps near “The Song of Hiawatha.”

Running back I admired the reddish-orange or orangish-red leaves and thought about how someone fell off of the bluff somewhere around 42nd. Yesterday, Scott heard the sirens and saw the fire trucks and Rosie read that someone fell. Are they okay? I hope so. I tried looking it up, but couldn’t find anything.

As I ran, I recited “A Rhyme for Halloween.” Our clock is blind, our clock is dumb/ Its hands are broken, its fingers numb/ No time for the martyr of our fair town/Who wasn‘t a witch because she could drown. The blind clock with broken hands and numb fingers. Maybe I could use this in the time section of Girl Ghost Gorge?

10 Things

  1. someone in bright yellow standing near the roundabout — ma’am the road is blocked up ahead, you need to turn around
  2. foamy white water at the falls
  3. the dirt and rock-studded trail covered in fallen red leaves
  4. a little girl greeting me, hi!
  5. another runner greeting me, good morning!
  6. a high-pitched whistle then STOP! someone calling to a dog down on the winchell trail?
  7. running on the paved path, above the winchell trail, hearing the voices of walkers, seeing the flash of moving forms
  8. occupied benches: above the edge of the world and Rachel Dow Memorial bench
  9. chainsaws in the oak savanna — buzzzzzz buzzzzzz
  10. the rush of wind through the trees

GGG update

1

Not sure how it will work, or if it will stick as part of GGG, but I think I need to write a ghost story poem. Maybe something inspired by UA Fanthorpe and her poem, Seven Types of Shadow. I should look back at what I’ve written about this poem in the past.

2

I’m experimenting with a poem inspired by Endi Bogue Hartigan and her o’clocks. Here’s what I have so far:

it’s covid
o’clock
twelve minnesota
deaths o’clock

three hundred nineteen

minnesota deaths
o’clock
four thousand minne
sota deaths o’clock
a quarter of a
million half of a
million one million
u.s. deaths o’clock
keep your six feet of
distance o’clock
spit in a cup o’clock

memorize poems
by Mary and

Emily o’clock
read Georgina o’clock
find your blind spot o’clock

oct 19/RUN

3.75 miles
bottom of locks and dam no. 1
47 degrees

Another wonderful run. Windier, but it didn’t bother me. Not too crowded on the trail. Didn’t encounter anyone at the bottom of the hill at the locks and dam #1. I ran until I reached the door that leads to the steps that take you over the iron grate bridge to the concrete curtain where the water falls. Saw my reflection in the glass window next to the door. Hello friend! I felt strong and was running fast/er — maybe too fast? I could run the pace for 2 miles, but then wanted a walk break. I’d like to figure out how to change my watch to show current pace instead of rolling pace.

10 Colors

  1. yellow — not golden, but marigold or the color of butter? — lit from behind by the sun
  2. a full head of orange-ish yellow leaves on the tree by the double bridge
  3. streaks of red in low-lying bushes — vermillion?
  4. BRIGHT yellow running shoes — canary yellow?
  5. cerulean sky
  6. blue-gray water with small scales
  7. the gun-metal gray sound of a roller skier hitting their poles on the rough asphalt with strong strikes
  8. shimmery silver sound of a dog collar
  9. grayish-tan of the ford bridge arch
  10. bright pink flowers — garden cosmos — in many neighbors’ yards

Richard Siken!

First, I love Richard Siken and his second collection, The War of the Foxes. Second, I was aware of his new book that just came out, his first in a decade, but I didn’t feel any urgency to get it. Then I read this interview, An Encyclopedia of the Self: An Interview with Richard Siken and I want to read his book, now!

Check out this response:

Mandana Chaffa

One of the things I enjoyed most about this collection—other than the delight of more of your work in the world—was considering prose poems and how they serve the writer and reader. Each page is a stanza—in the Italian sense of the word—with doors, windows and sometimes, secret hidey holes to similar themes in other pieces, in different sections. When did you start contemplating this collection, and how soon in the process did you set the architecture? Were the vignettes always poems? Or always in this form?

Richard Siken

I had a stroke. I was paralyzed on my right side, lost my short-term memory, and couldn’t make sentences. This was the experience of it. This is all I could do. There are some memorable lines in these poems but mostly they hinge and swerve in the gaps between the sentences. It’s associative. It’s broken logic. The goal was to say a complete thought. That’s what I was going to measure my recovery against: a solid, complete paragraph. The sequencing of one word after another was excruciating. In conversation, I would trail off and get lost.

A fundamental power of poetry is the friction between the unit of the line and the unit of the sentence. When you break a sentence into lines, you create simultaneous units of meaning. Meaning becomes a chord, not a single note. But I couldn’t break the line anymore. Everything was so broken, I didn’t want to break an additional thing. So, I had a form—the paragraph—and everything would have to be poured into identical molds. I set the margins to try to contain the thoughts. I made boxes, rooms, and sat in them and moved the furniture around.

I’m excited to see how the form of his poems is shaped by his limitations. I’ve been thinking about that a lot with my own poetry and how my inability to read a lot of words, or for long, influences my forms.

And this:

Mandana Chaffa

I appreciate how you wield language, as meaning to be sure, but also as a gesture. How in “Pain Scale,” there’s the friction between the linguistic structures we’re often forced to operate under, in this case, the almost ludicrous expectation that pain can be numerical rather than adjectival, and equally, how often people hear, but still don’t listen. What use is language, if those we speak to can’t understand?

Richard Siken

I fell down. I was taken to a hospital. I said, “I’m having a stroke.” They said, “No, you’re having a panic attack” and they sent me home. I kept thinking, “Something is terribly wrong. I do know some things.” That’s where the title for the collection came from. I went to a second hospital the next day and they admitted me. I was hard to understand and not many people tried. My premises didn’t add up, so my conclusions didn’t make sense. There were fish moving under the ice; I was running fast at a plate-glass door. They didn’t get it. I didn’t know how else to say it. Speaking in figurative language with the doctors didn’t work. They didn’t try to understand. They ignored some very important things I was saying. I just wasn’t able to say everything literally. But when you write, there’s an understanding that there will be a reader. The audience inside the poem might be impatient or dismissive but the reader is leaning in, listening very closely, trying to understand.

oct 18/RUNHIKW

3.25 miles
marshall loop
52 degrees

It’s leaf peeping time. Up at the North Shore it was mostly gold, but down here, more reds and oranges. Bright sun this morning and quiet. After hearing Scott talk about how the Marshall hill was helping him get into shape, I decided to try it. I did it! I ran up the entire hill without stopping to walk — a mental victory. The thing I remember most about the run was rowers on the river. Running east, I could see a single shell out of the corner of my eye. Only a dark form moving in the water. Running back west, I stopped at the overlook for a longer view. Another single shell. The person was rowing with one paddle, the other moving on its own.

45 minute hike
minnehaha off-leash dog park
58 degrees

The weekly dog park hike with Delia and FWA. What a morning for a hike by the river! Cool, sunny, some leaves the color of pears, others apples and oranges. Inspired by my mention of the pear, FWA started recounting Annoying Orange stories and the grumpy pear.

10 Things

  1. a hovering helicopter, the loud choppy buzz of its propellers
  2. what were they doing? searching for someone who fell in the river? Nope. Fixing power lines! one dude was hanging off the end of a rope with a ladder
  3. the incessant bark of a far off dog
  4. the flash of white and black — the fur of a fast dog
  5. wore hiking sandals — fine, soft sand right by the river seeped through the gaps in my sandals and gathered under my big toe
  6. a woman picking up a toddler and smelling them, then saying, nope, you must have stepped in dog poop
  7. the river, burning a bright white
  8. Delia stomping through the water, lifting each paw all the way out
  9. a woman in bright red pants, and a bright red jacket
  10. an almost medium-sized dog in a cute/stylish sweater, their owner wearing burgundy tennis shoes and an orange jacket

oct 16/RUN

2.5 miles
canal park, duluth
53 degrees

Took a quick trip to Duluth with FWA and Scott. Ran with Scott beside Lake Superior this morning. Wow! Mild weather. Some wind, a few sprinkles, but a nice run. I was born beside this beautiful lake, I love returning to it.

I’m writing this entry on the 18th, after we returned home. Here’s what I wrote in my plague notebook about it:

windy, wet, pewter water
seagulls — quiet, still, stuck in the sky
sky — void — white
running fast than 2 bikers — a kid and an adult
empty water: no ships, no horns
lighthouse — green light
no lift bridge lifting
puddled path

We had a great trip. What a difference a year makes! The last time we were up here, FWA and RJP were both struggling so much. Now, they are both starting — slowly, gradually — to do/be/feel better.

me and FWA, Lake Superior in Duluth

I love this picture. I love this lake. I love this human.

oct 15/RUN

2.35 miles
2 trails
49 degrees / humidity: 94%
occasional drizzle

A quick run this morning before FWA and I drive to Duluth to meet up with Scott after his gig in Bemidji. His band is being interviewed and playing a concert for the public tv station up there. Very cool.

Felt strong and faster (not fast, just faster than I have been for the last year). Wore shorts and my bright orange sweatshirt. I wasn’t cold. In fact, I was sweating by the end.

Everything was wet. Heard the water falling out of the 44th street pipe and gushing out of the 42nd street pipe. Entering the Winchell trail, I mistook a wet and dark tree stump for a critter twice.

The best part of the run were the colors of the leaves. Reds, oranges, yellows all around. Two favorites:

1: Running down on the Winchell trail, I passed a small tree with pink! leaves — the pink of florescent crayons from the 80s. Wow! I had to stop running and marvel at it for a moment. I might have taken a picture of it if I had my phone, but I didn’t have my phone, and I don’t imagine a camera could capture that color.

2: Stopping at the bottom of the 38th street steps, looking across to the east bank of the river, everything looked orange. Were the trees on the other side all orange, or was the orange coming from the tree on this side that was partly obscuring my view? I tried looking across from different angles, but I still couldn’t tell. The uncertainty of this fascinated me.

I was greeted by Mr. Morning! I didn’t recognize him in his jeans and jacket. I had become used to his summer habit: shorts and a short-sleeved t-shirt. I don’t remember what the river looks like, but I do remember glancing down at the thinning trees on the steep slope.

Anything else? A strange thumping sound somewhere down in the ravine. No geese or chickadees or albino squirrels. No roller skiers or fat bikes or kids laughing on teh playground. No umbrellas or packs of runners. Lots of empty benches and bright headlights and wet leaves. Once, the sploosh! of a car driving over a puddle.

oct 14/RUN

5.4 miles
franklin loop
48 degrees
drizzle, on and off

Feeling stronger and faster with every run. A overcast, rainy morning. Not gloomy, at least not to me: full of reds and yellow and oranges. Encountered Santa Claus in a bright orange, or was it yellow?, jacket. Heard lots of water everywhere, falling off the trees, gushing in the ravines, seeping out of cracks in the limestone, dripping down the steps on the bridge. I heard a lot of water just before reaching the trestle. I wondered if it was the inaccessible spring that I’ve read about.

When I started my run, the roads and sidewalks felt slippery, but I didn’t have any problems on the trail. I thought about the water section in my GGG collection — what does water do? Today, it: dripped, puddled, pooled, slid, (over)flowed, sprinkled, gushed. And, it exposed things that are difficult to see: cracks, fissures, slightly uneven ground. Water — as puddles or ice or snow — reveals what is normally hidden.

10 Things

  1. the river from the lake street bridge, 1: flat, smooth, pewter
  2. the river from the lake street bridge, 2: leaning over the railing, see the faint brown sandbar beneath the surface
  3. the shorter rock next to the ancient boulder almost looked like a little bear to me as I ran by — the rain had darkened the rock making it look like black fur
  4. still green down in the tunnel of trees
  5. the bright reddish-purple leaves on some trees lower to the ground
  6. empty benches
  7. on the east side, birds were chirping as I ran under the trees
  8. on and off, rain — mostly, I was sheltered from it by the still leafed trees, so it was difficult to tell what was rain and what was drips
  9. some kids laughing and yelling up on the hill
  10. puddles on the franklin bridge

Before sitting down to write my list, I remembered something to add to it, but by the time I started I had forgotten it. What was it? a few minutes later: this isn’t it, but I remembered something from the other day. There was a Palestinian flag made out of yarn on part of a fence somewhere on my run a few days ago. It might have been down near the tunnel of trees. I wonder if it is still there?

GGG update

During my “on this day” practice, I found some inspiration:

1 — 14 oct 2019

Looked up vista and found something interesting: “Vista is generally used today for broad sweeping views of the kind you might see from a mountaintop. But the word originally meant an avenue-like view, narrowed by a line of trees on either side. And vista has also long been used (like view and outlook) to mean a mental scan of the future—as if you were riding down a long grand avenue and what you could see a mile or so ahead of you was where you’d be in the very near future.”

My view is the opposite of these older meanings of vista in two ways: First, the narrow and tree-lined view makes me think of tunnel vision, when you only see what is straight ahead of you in your central vision. I see mostly with my peripheral. Second, my desire for a view is not in the hopes of seeing a specific future. Instead, I want to return to the past, or not the past, but to see a broader and longer view of the now, where everything exists together at the same time — maybe Mary Oliver’s eternal time?

also: there is an avenue (one article about the grand rounds and the gorge called them ornamental avenues) beside the river, but that is only the formal path to take. There’s the walking trail which meanders and (roughly) follows the terrain and is designed, not to get somewhere faster, but to engage with the gorge. And then there are dirt trails, alongside the paved trail, and deeper in the gorge, that don’t offer a clear or direct future. Not sure if this will make sense to a future Sara. I’m also thinking about Wendell Berry and the distinction he makes in “Native Hill” between roads and trails — I’ll have to find it.

Maybe I should do a You Are Here about a view, or I could call it an Overlook? Yes.

2 — 14 oct 2021

Earlier today I was thinking about pace — and only slightly in relation to running pace, more about pacing and restlessness and ghosts that haunt the path. Pace and pacing, like watches or clocks, impose limits and boundaries: a running pace uses seconds and minutes per mile (or km) and pacing involves walking back and forth in a small or confined space, retracing your steps again and again until you rub the grass away and reach dirt, or wear the carpet bare. What to do with that information? I’m not quite sure…yet.

to remember: Scott just told me that the musician, D’Angelo died today from pancreatic cancer. He was 51, my age. Scary and sad. My mom died of pancreatic cancer; it sucks.

oct 13/RUN

4 miles
minnehaha falls and back
55 degrees

Fall, leaves, fall; die, flowers, away;/lengthen night and shorten day; (Emily Brontë). Ran at noon because I got my hair cut this morning. A great time for a run, at least today. Sunny, calm, cool. I wore my bright yellow shoes and felt strong. Chanted in triple berries, then one of my Your Are Here poems:

Held up by the openness,
Not hemmed in by the trees.

Admired the golden leaves, but forgot to look at the river. Did I notice it even once? If I did, I can’t remember. I did notice the rushing creek and the gushing water fall. Saw a school bus, then heard some kids laughing at the playground by the falls. At my favorite spot, I stopped to look at the falls. Then I walked up the hill and put in Taylor Swift’s new album.

10 Things

  1. bright blue, cloudless sky
  2. the faint outline of the moon above a still green tree
  3. folwell bench: one person sitting there
  4. bench above the edge of the world: empty
  5. benches at the falls: all empty
  6. a runner behind me — were they catching up? for a few minutes I could hear their shuffling feet, then nothing — did they turn off somewhere, or was I just going faster?
  7. something on the bottom of my shoe was making as shshshsh sound as I ran. Stopped at a rock to rub it off
  8. the sweet smell of tall grass near “The Song of Hiawatha”
  9. a leashed dog spinning around and jumping up, then sitting calmly beside a human
  10. puddles on the part of path near the ford bridge — a result of last night’s rain

GGG — before the run

I think I’m getting closer to being done with this collection? One of the poems I still have to write is called “Everything.” It is two pages wide. In the upper left corner of one page is: I go to/the gorge/to witness. In the lower right corner of the second page is: everything. These lines are the rock walls framing the open space of the gorge above the water/ground. In the open space, I’m planning to fill it with things I’ve witnessed at the gorge, culled from the 10 Things I noticed lists I’ve been making for at least 5 years. Just now, a thought: what if I organize the things to reflect the seasons, so the upper right quarter = spring, lower right = summer, lower right = fall, upper left = winter. In theory it sounds good, but what will it look like?

oct 12/RUN

1.75 miles
neighborhood to old stone steps to winchell
69 degrees
wind: 33 mph gusts

Overcast, windy, a few drops of rain. A fall afternoon. Everything slowly turning golden. Wow! I needed to run less than a mile today to reach my 20 miles per week goal. I decided to mix it up and add in a few detours. Ran through the neighborhood over to 32nd then down to the river road trail. Stopped to walk down the old stone steps and stand on the shore at longfellow flats. The forest was all green and thick. The flats were not flat but a steep ridge. Guess it’s time for the parks department to do some more dredging and dumping here. I stared at a yellowed maple leaf bobbing on the surface of the water. Encountered 2 people on the steps. I said, it’s a beautiful day, because I thought it was, but I wonder if they thought I was strange describing wind gusts and lack of sun and intermittent drizzle as beautiful. When I got to the top of the steps, I started running again and kept going past the welcoming oaks and the ravine to the entrance to the Winchell Trail. I went down the worn wooden steps and hiked in the ravine, above the two ledges. I studied the rip rap at the bottom of one. Some of the stone are wedged vertically, but more of them are horizontal. Should my riprap poems mimic this shape and spread out across the page?

Yesterday’s Ironman Championships was crazy. 80% humidity, a feels like temp of 96. Dangerous conditions. Both of my favorites — Lucy Charles Barclay and Taylor Knibb had to drop out during the run. Taylor Knibb was in first and had less than 2 miles (out of 26.2, 15 minutes out of 8 1/2 hour race) left to run, but she was completely empty. She wobbled and wandered then sat down in the middle of the road on asphalt that had to be more than 100 degrees. It’s scary and a little inspiring (but more scary), to see how deep these athletes can dig. I haven’t heard any interview with her, but I imagine she’ll be a bit disappointed, but also satisfied with her effort; she tried as hard as she possibly could and left everything out there on the melting road.

GGG

I’m working on a looping poem and trying to write some lines that echo these:

Each loop adds substance,
tightens the tether,
but never enough
to stop the looping.

Here’s what I’ve come up with, inspired by the riprap and how they shore up a slope:

Each chant offers a
memory, a way
back to the other
shore, but never more
than a trace of
something witnessed and
found familiar.

Or, should it be made familiar? I like how found sounds, but I like the idea of making it familiar through the looping.

oct 11/RUN

2.8 miles
sliding bench and back
49 degrees

A shorter run before Kona Ironman begins. I have loved watching this race since I was a kid when they showed the hour long recap of it on NBC. Now, I can watch the entire thing — all 8+ hours of it — online. I don’t want to race one, too much time on the bike, but I love watching them.

My run was good. Wore my bright yellow shoes and felt strong and fast — or faster than I have been for the last couple of years. Greeted Dave, the Daily Walker twice. The second time, he wished me happy birthday again! Dave is the best.

10 Things

  1. hello friend! good morning! — greeted the Welcoming Oaks, slower turning golden
  2. 3 or 4 stones stacked on the ancient boulder
  3. a few people walking on the trail in bright yellow vests — were they volunteers or rowers?
  4. some red, some orange, still mostly green
  5. click clack click clack a roller skier
  6. empty benches — the one just north of the old stone steps, above the rowing club, the one sliding into the gorge
  7. a biker handing a water bottle to a runner — what marathon are they training for? New York?
  8. stopping at the sliding bench: on the bluff, the trees were yellow, but down in the gorge, near White Sands beach, still green and thick
  9. tunnel of trees: still green
  10. passing a runner on the other side of the street before starting my run — their breathing was labored, heavy

I don’t remember what the river looked like — did I even see it? Don’t remember squirrels or birds or dogs. Oh — I recall hearing a collar clanging. Did I, or was that only my key in my zipped pocket? One small pack of runners. No coxswain’s voice or sewer smells or overheard conversations. No sirens or honks or geese. Where are the geese? I have heard a few this fall, but not that often. No chants or drums or protests on the lake street bridge, no burnt coffee smells, no Daddy Long Legs or Mr. Morning! or Mr. Holiday or All Dressed Up. Were these things not there, or was I just not noticing them?

oct 10/HIKE

60 minutes
Minnehaha Off-leash dog park
63 degrees

Wow, wow, wow! A beautiful fall hike with FWA and Delia-the-dog at the dog park. Sun, shade, a cool breeze, yellow and red leaves, sparkling water, soft sand, cute dogs, great conversations — less abstract and theoretical and more personal this time. About anxieties and social norms and traumas and friends that don’t get you.

10 Things

  1. soft sand
  2. a motor boat, floating slowly
  3. small stones just under the surface of the water, near the shore
  4. a small stretch of beach, populated by soft sand, frolicking dogs, the bones of an old tree
  5. a loud cry — was that human? FWA thought a kid, I wondered about a fox
  6. someone far off whistling badly
  7. the surface of the water sizzling white
  8. sitting on the smoothest section of a log — how many other people, and for how many years, have sat in this very spot?
  9. top of the limestone steps — jagged, steep
  10. comparing Delia’s short, quick, little steps to a much bigger dog’s loping, floating strides

GGG (girl ghost gorge), today’s update

before my hike: Reading through the last section of this collection — Air — I had some ideas about time and Endi Bogue Hartigan’s o’clock poems, specifically these lines from oh orchid o’clock:

it is morning 
birds plus 
socket sound of
car closing / 
21st 
century 
pastoral
o’clock

A 21st century pastoral! Yes, I’d like to write some triple chants and offer a twist on the pastoral. The twist = critical of the romanticizing of land, of understanding land as object and background, etc. Fun!

Also, I want to write another poem — possibly a chant? — in this o’clock form that mixes my timeline with that of the gorge.

Other things yet to write: more on air in terms of lungs and breath; a looping poem using the last section of my poem, “Conservation”

anti-pastoral

I decided to start by searching for “pastoral” in my old log entries.

1 — 13 april 2021

I posted and wrote about Forrest Gander’s poem, “Pastoral.” He’s critical of the idea that we observe landscapes/land from a distance, as if seeing were a process, and not an instant act. I appreciate his challenge to the idea of distance, but don’t agree with his suggestion that seeing is instantaneous. Looking does take time to happen, for everyone.

dispossessed (not owned or occupied)
a process
encounter — a process / between two / actors / the beheld / beholder
no study, absorption
immediate, gradual

2 — 28 dec 2021

In the poem, “The Grand Scheme of Things,” Maggie Smith links the eye to the pastoral, too.

We say the naked eye
as if the eye could be clothed, as if it isn’t the world

that refuses to undress unless we turn our backs. 
It shows us what it chooses, nothing more,

and it’s not waxing pastoral.

Yes! The pastoral is all about a certain understanding of sight and vision and how/what we see, how we look.

how we see / a soft sight
filtering
what is “real”?
no access / to the Truth / through our eyes
surely you/can’t imagine/the trees look/like they look/when we are/not looking (MO)

(side note: I’m realizing that the pastoral — paintings/poems — are all about how we look and see. I need to turn to this in my ekphrastic/how I see project. )

after the hike

3 — 6 feb 2022

Pastoral turns up in A Nearly Perfect Morning/ Jessica Greenbaum:

It was a nearly perfect morning—bucolic, pastoral—

bucolic: related countryside, farm fields, pastures, rural, rustic, countrified

bucolic
countrified
a plowed field
managed land
rusticate

4 — 21 march 2022

From an interview with Alice Oswald:

there’s a whole range of words that people like to use about landscape, like pastoral, idyll. I quite like taking the names away from things and seeing what they are behind their names. I exert incredible amounts of energy trying to see things from their own points of view rather than the human point of view.

…more interested in the democratic stories…the hardship of laboring, looking for food…the struggle of a tree trying to grow out of stone…always looking for that struggle. I’m allergic to peace. I like this restless landscape. I like that it won’t let you sit back and say, “what a beautiful place I’ve arrived to.” You’ve never arrived. It’s moving past you all the time.

Landscape and Literature Podcast: Alice Oswald on the Dart River

idyll = “an extremely happy, peaceful, or picturesque episode or scene, typically an idealized or unsustainable one.”

non-human / perspective

AO rejects the beautiful, as in, what a beautiful place, let me just sit and admire it! I’m thinking of 8 dec 2024, and my discussion of beauty as awe inspiring and awful, beauty as not perfect and relaxed, but pain and grief and struggle

struggling
suffering
laboring
a tree’s struggle / to make a home/ out of a stone
a river’s/fight to be free
restlessness / not relaxed
never here / always there
difficult / not easy (see 14 april 2021 and MO)
lacking peace

5 — 2 may 2022

she discusses William Blake’s poem, “The Ecchoing Green” and how the green in it is not the pastoral but the communal/village green, “where people mix with one another, young and old, playing and slowly fading, ecchoing. Green, as it echoes on the green, is the color of human community” (6)

Green Green Green

communal
village green / public space / gathering
not alone / solitude / together
echoing
mixing/ together
mingling
young and old/ animal, / mineral, / plant

6 — 21 may 2023

anti-pastoral poets

As for the pastoral poetry tradition, two poets and influences come to mind: Vievee Francis and the “anti-pastoral” poems in Forest Primeval, and Jennifer Chang’s Bread Loaf Lecture, “Other Pastorals: Writing Race and Place” (June 2019, available here.)

interview with the poet, Sarah Audsley

this is not / nostalgia. / this place has / a context, / histories / visible / and erased.

Many contemporary pastorals investigate power dynamics, status differences, and the hierarchies of classification.

Pastoral in the Back Yard (essay)

7 — 2 feb 2024

Pastorale, mentioned by Robert Fripp in a blog post about his “Quiet Moments” playlists. Ambient music, Brian Eno, music creating a space to dwell in, not a narrative. Not tightly structured, directing the eye one way, but an open field allowing the ear/the eye/the whole self to wander.

open field
opening
wandering
dwelling in / dwelling with / dwell among
solitude

8 — 24 july 2025

OED: landscape — “A view or prospect of natural inland scenery, such as can be taken in at a glance from one point of view.”

“A field is used more often to describe an area managed by people. The field before you was once an orchard and pasture belonging to a farmer. A meadow is used to describe a wild area.”

“Fields and meadows start when trees have been removed from an area. This can occur naturally with a forest fire or flood, or humans may cut down a forest. Seeds from grasses and weeds take root shortly after and a meadow is born.

As the trees within my macula disappear, my forest meadows. here I’m thinking about my classic memory from science class with the inverted tree in the back of the eye.

as the trees
within my
macula
disappear
my forest
fields and
meadows

cultivate
management
removal
forest fire
open field / empty field / unused field
no longer / occupied

—

So many great ideas from this wander through my archive!


oct 9/RUN

3.6 miles
bottom of locks and dam no. 1
48 degrees

Another cool morning! Today, I glowed: a bright orange sweatshirt, bright blue running shorts with lighter blue swirls, bright yellow running shoes, a purple-pink-blue running hat. Did it make me run faster? Maybe. I felt much better on the run this morning. Was it because I didn’t have any unfinished business, or because I was going only about half the distance? Or a little bit of both? I ran south and recited part of my new You Are Here poem about the grassy boulevard. I like it.

10 Things

  1. red leaves
  2. the occasional thump of an acorn hitting the ground
  3. the loud rumble of a school bus approaching Dowling
  4. scales on the river near the locks and dam — no clear reflection of the bridge today, instead more of an impressionist painting of it
  5. the bridge in the 44th street parking lot was empty, so was the one near folwell
  6. a dog’s bark, deep and loud, in the trees near Becketwood
  7. more golden light through the trees
  8. heading north, descending on the path that dips below the road, seeing a big but not the trail — hidden behind leaves
  9. the bench at the edge of the world: empty
  10. a buoy (not orange) bobbing in the river under the ford bridge

Listened to cars and dogs as I ran south. Put in “Taylor Swift” essentials retuning north.

Since I wrote about the grassy boulevard this morning, and being alone, and freedom, here’s a fitting poem:

Grass, 1967/ Victoria Chang

When I open the door, I smile and wave to people who only
have eyes and who are infinitely joyful. I see my children,
but only the backs of their heads. When they turn around, I
don’t recognize them. They once had mouths but now only
have eyes. I want to leave the room but when I do, I am
outside, and everyone else is inside. So next time, I open the
door and stay inside. But then everyone is outside. Agnes
said that solitude and freedom are the same. My solitude is
like the grass. I become so aware of its presence that it too
begins to feel like an audience. Sometimes my solitude grabs
my phone and takes a selfie, posts it somewhere for others
to see and like. Sometimes people comment on how
beautiful my solitude is and sometimes my solitude replies
with a heart. It begins to follow the accounts of solitudes
that are half its age. What if my solitude is depressed? What
if even my solitude doesn’t want to be alone?

Chang’s version of solitude involves being watched, stared at, judged and assessed, evaluated. And it involves a distance created with eyes and staring and being on display. My solitude, or maybe my loneliness, involves a lack of seeing — not of being seen, but of not seeing when I’m being seen.

oct 8/RUN

6 miles
hidden falls and back
48 degrees

48 degrees! Wore shorts again with my compression socks. Wasn’t cold at all. In fact, felt warm and sweat a lot by the end. Not as easy of a run as it was yesterday. Unfinished business, tired legs. Even so, a few mental victories. Made it to Hidden Falls for the first time this year! (I checked and my last run to Hidden Falls was on 8 dec 2024).

A beautiful run along the river road, on the edge of Wabun Park, over the ford bridge, by the river again, above Hidden Falls. I stopped at the overlook there and marveled at the view. Such a view of the river valley on the way to St. Paul. I thought about the openness of this view: wide, far and also uncluttered, not much to look at, just open space. Nothing to try to see and not be able to. A chance to focus on other senses or not focus at all, but just to be.

There were a few things I saw that delighted me. My view was of the tops of trees. In the distance, some leaves silvered and shimmered in the sun light and wind. Glittering trees — I’ve written about that before. Then, a plane high overhead. At first, dull and dark, but as it hit the light, it sparkled and flashed, a shiny dot in the otherwise blue.

I listened to hammers pounding nails, kids yelling, and cars driving by until I reached Hidden Falls. Then I put in Taylor Swift’s “The Life of a Showgirl” on the way back.

today’s study of Air, before the run:

I’m thinking about how/why something becomes/is open: the planning by rich men of spaces, both as inviting — for experiencing wonder and stillness, and as buffers –protecting from the unwanted; the process of succession (see 4 may 2025) and meadow becoming thicket becoming forest becoming open/barren field; how Minneapolis Parks, National Parks, and the Longfellow Neighborhood Association work to keep spaces within the park; how the city of Minneapolis clears out encampments in the gorge. I’m thinking about my own experience with my blind spot: an opening that won’t close, that stays open to how vision really works and it limits, that opens me up and softens me, offering room to dwell in a place without judgment and enabling me to experience the world differently and outside of, or on the edge, of late capitalism and Progress! and excessive growth.

And then, a pivot. I started thinking about Canadian wildfire smoke and air quality and smells — sewer smells. I wondered, why does it sometimes smell so bad, and how do they handle those smells? Looked it up:

Sewage pipes from much of the West Metro converge at this site. Here, they drop their contents into deeper pipes that then carry the sewage under the river and on to the Metropolitan Wastewater Treatment Plant east of downtown St. Paul. When the sewage drops, sewer gasses are forced out. For years, smells were managed through use of a biofilter (a.k.a. woodchips), but results were mixed and local residents and park users requested improvements.

The new odor-control structure will house four carbon filters that should prove far more effective. Scheduled to come online in early 2017, the small building will soon be fitted with a charcoal gray metal roof along with frosted windows in the north and south roof peaks. Next spring, it will be painted more natural colors and the lot will be revegetated with grass.

source

after the run

I think I’ll leave smells and sewers for another day. Back to space-as-buffer-zone. Way back in 2017 or 18, when I first read the Gorge Management Plan from 2002, I encountered a description of the Boulevard that I’ve wanted to write about:

West River Parkway marks the transition between the natural communities of the River Gorge and the residences of the Longfellow neighborhood.

To function as an effective transitional zone, the boulevard should retain the natural character of the Gorge but also be visually acceptable to local residents and those using the boulevard and its pedestrian trails.

Gorge Management Plan, 2002

A transition zone, a threshold space between private (neighborhood) and public (park) land. Back in 2017, I imagined this transition as a way for me to prepare myself for the sacred practice of my run. A place to pass through — to leave behind the mundane world and enter the sacred. A place for getting ready to notice and slow down and let go. I think there is room to imagine that as an intent of Cleveland and early park planners. But, when I discovered the terrible history of Edmund Boulevard, named after Edmund Walton who brought red-lining and racial covenants to Minnesota, I read this buffer-zone differently. A buffer as “protection,” exclusion, denying access, keeping out, creating distance and division. And, Edmund’s white supremacist work is not in the past. These racial covenants and red-lining continue to shape the racial mapping of Minneapolis and who has access to home ownership, especially homes in places with open spaces and good air.

How do I want to reference this context in a poem? I’m not sure, but I’m thinking it will be in a poem titled, You Are There: Lena Smith Boulevard.

oct 7/RUN

3 miles
trestle turn around
51 degrees

Fall, finally! Wore my bright orange sweatshirt and black shorts with gray compression socks. Greeted Dave, the Daily Walker. Hi Dave! It’s a beautiful morning! Not too long after that I spotted an albino squirrel by the edge of the bluff. I didn’t stop, but I slowed down and took an extra glance to check that I was seeing what I thought I was. I think so, but how would I know? I saw some rowers emerging from the hill that leads down to the rowing club, but didn’t hear any of them on the river. Since I went north, I didn’t hear any kids on a school playground. Noticed lots of trash bags beside the already full trash cans. Marathon clean-up or a clearing out of camps in the gorge? Also noticed some flowers at the trestle in a makeshift vase — an open cylinder where a railing used to be attached. Orange cones were still next to the crack, warning runners and walkers — stay away. The crack looks like it hasn’t gotten any bigger or longer.

In mile 2, I started chanting a part of my poem, You Are Here: Tunnel of Trees:

Oh, where is the sky?
And where is the ground?
Neither can be seen.

Moving feet strike
only air,
and eyes see
only green.

To fly, to float,
to pass through with ease.

held up
by openness,
not hemmed in
by trees.

The last lines didn’t quite work with my movement, so I changed them slightly:

held Up by
the openness,
not hemmed In
by the trees.

Then I began repeating certain verses instead of reciting them straight through. To float, to fly/to pass through with ease//to float, to fly/to pass through with ease//to float, to fly/to pass through with ease and Held up by/the openness/not hemmed in/by the trees//Held up by/the openness/not hemmed in/by the trees.

I noticed a difference in how it felt as I switched up the lines. To float, to fly had a lot more open space around it. This is how my foot strikes matched up with the words: (x = foot strike without word)

To float x
To fly x
To pass through with ease

The silent extra beat created space and felt slower, maybe a little more labored? In contrast, the last verse was faster and easier for me to sync up my feet with lungs and brain and heart and the gorge.

Held up by
the openness
Not hemmed in
by the trees

No silent foot strikes, just one word per strike.

This experiment was fun and made the run easier, and, as a bonus, it helped me with my poem!

Air

I am little late with picking a theme for this month. I’ve been too haunted by my Girl Ghost Gorge project. Editing and adding new poems every day. Finally, a week in, it has come to me: AIR. Air is the section I am working on right now. It’s the third (love those 3s!) element of the collection: rock, river, Air.

Air as: air quality, good air, bad air, lungs, breathing, syncing up lungs with my feet and the feet and the lungs of others (human and non-human), open space, Nothingness/void, emptiness, a clear view, secrets revealed, thresholds, late October to mid-November before the snow flies, when the veil lifts or thins, boulevards and parkways, ventilation and purification, things not seen but sensed, a stillness within the flux of happenings, fleeting/ephemeral/weightless, smells, plagues, rust, erosion, fire, uncluttered and calm

Walked over to the split rail fence above the ravine and the sewer pipe that freezes in the winter and creates an icy tunnel, then drips blueish greenish water as it melts. The Winchell Trail winds around this ravine, over a steel grate and beside a wrought iron fence that once displayed dozen of keys with social justice-y messages until they were ripped out–by who and why? I wish I could remember the messages. A few: Be nice. We are One. Resist Fear. From up above, at the end of my run, I cannot see the ravine or the sewer or the keys. Sometimes I smell the sewer or hear someone talking below me, but I can’t see anything but green until the leaves fall in late October, early November. This is my favorite time at the gorge. I love being able to see deep into the gorge when its bare bones are exposed, its secrets revealed. I love the color palate of rich browns, pale blues, dull grays, rusted reds. I love the smell of mulching leaves, the sharp, crisp air, the paths that aren’t yet covered with snow but with crunching, crackling leaves.

log entry 7 oct 2019

flame and rust, flame and rust — another October poem (along with Louise Glück’s and May Swenson’s Octobers): Leaves

Today, while I ran, I thought about how chanting in the lines, held up by/the openness/not hemmed in/by the trees, made me feel how I was floating through the air. I noticed the space between foot strikes, that small instant when both of my feet are off of the ground, instead of when they’re striking it. My Apple watch measures my ground contact time while running, the time each foot is on the ground per stride (in ms), but it doesn’t measure the time you’re not on the ground. I guess I could figure it out, but couldn’t the watch do it for me? What percentage of my running is in the air versus touching ground?

With some help from Scott and AI, I determined that my stride time (60/170 — cadence) is 353 ms. Then subtracting my ground contact time from my stride time: 353 – 230 = 123 ms. To find the percentage, it’s ground contact time / total time. For me, I’m on the ground roughly 65% of the stride, and in the air 35% of the stride. It might be fun to work on increasing my cadence (time for the metronome!) and see if that makes any difference in my floating/flying time. Sounds fun!

oct 6/RUN

4.3 miles
minnehaha falls and back
50 degrees

The heat broke! Hooray. My run felt so much better, and dreamier, everything fuzzy and soft. My right knee felt a little strange at the very beginning of the run, but better the longer I ran. The air was crisp, the sun was bright, and the leaves were orange and red and yellow. Today I noticed a stretch of yellow just north of 42nd.

Listened to kids biking to school, water rushing over the limestone ledge and the falls, and at least one song out of a bike radio as I ran south. Put in Taylor Swift’s new album, “The Life of a Showgirl.”

10 Things

  1. Nearing a walker, about to pass them from behind, they suddenly spit. It missed me, but I was grossed out and stuck out my tongue without thinking. Morning! Oh no — it was Mr. Morning!
  2. a row of buses lined up in front of Dowling Elementary — another school week begins
  3. remnants of the marathon — not trash, but barricades, waiting to be picked up
  4. more red and orange leaves — not full trees, but slashes in the bushes
  5. the surface of the river was burning white again
  6. a white truck with an arm and bucket parked in a falls paking lot — was it there to clean up after the marathon?
  7. a rushing creek with foam that looked silvery purpley, oxidized green, blue, then pewter
  8. water trickling out of the sewer pipes
  9. empty benches
  10. the sweet smell of the tall grass — a thought today: is this a smell from my childhood in North Carolina?

some things for future Sara

1

Yesterday, Scott and I walked over to the river and watched the first wave of marathon runners reach mile 17. We saw the wheelers — I love seeing the motion of the silver handlebars turning turning and turning. We saw the men’s lead pack, their heels bouncing rhythmically like balls. We saw the lead woman and second place — a runner I’ve been following for 5 or 6 years now on Instagram. And we saw the GOAT of Ultra running, Courtney Dauwalter. I wish I had remembered to where (added the next day: where instead of wear? wow. a mistake, or is it? In that moment, I was, in fact, lamenting, oh, where are my glasses!) my glasses — in addition to losing my cone cells, I’m near-sighted. If I’m standing still, glasses can help see some far off things, like “exit” signs or moving bodies. Scott and I were inspired and have decided that we want to give the marathon another go, hopefully next year.

2

Finished the novel, Victorian Psycho yesterday. The final section was an epic bloodbath. The violence didn’t seen gratuitous, but fit, and it was so beautifully written. Descriptions of scarlet ribbons streaming from throats. After I finished, I suddenly realized that this final section must be a reference/homage to the Odyssey and Odysseus’s slaughtering of the suitors, which was also a bloodbath.

3

When Scott and I walked into Costco, we discovered that they were offering free, no appointment necessary, flu and COVID shots. Nice! We needed them so we waited about 5 minutes and then got jabbed. So convenient! Past Sara, who drove up to Duluth to get her first vaccine in 2021, would be shocked.

Lena Smith Boulevard

Last year — 29 jan 2024 — I wrote about an effort to rename Edmund Boulevard because of its namesake, Edmund Walton, who was responsible for racial covenants in this area and across Minneapolis. The efforts of community members and a community organization worked! The boulevard is being renamed after Minnesota’s first black woman lawyer, Lena Smith. The renaming was approved on sept 11, 2025. When will we see new street signs?

I’m thinking of this renaming today because I’m working on poems related to Air. Ever since I read a few lines in Gorge Management Plan from Minneapolis parks about this boulevard as a threshold space, I’ve wanted to write something about it. Now I want to add in some lines about the renaming, and the ongoing history of this place, and who is and isn’t given access to these open spaces.

Speaking of AIR, I’ve also wanted to write about lungs and breath and idea of room to breathe out by the gorge. A thought just popped into my head: the Canadian wild fires! I’ve been writing about the Air Quality Index and the thick smoke that travels south from Canadian wild fires for a few years on this blog. Maybe that could be part of my AIR section, too?

oct 4/RUN

3.25 miles
2 trails + ravine
72 degrees
dew point: 62

8:30 in the morning and 72? Ugh. I’m glad it’s cooling down on Monday. My IT band felt strange for the first few minutes, but after that I forgot about it.

10 Things

  1. noticed the difference in drips at the 2 ledges — one concrete, one limestone — in the ravine between the 35th and 36th street parking lots — the concrete ledge, which was higher up, dripped less and slower
  2. a greeting from Mr. Morning!
  3. a peloton — 2 dozen bikers? — on the bike path
  4. not much yellow, but lots of red and orange
  5. the Winchell Trail was muddy parts — when did it rain?
  6. almost running into a walker, thinking that I was coming up behind them instead of them coming towards me — sometimes I can’t tell when someone is facing me or turned away
  7. the trail through the oak savanna: only a swirl of leaves and mulch
  8. a little more of a view at the edge of the world and the folwell bench
  9. a thick haze, trapped in the oaks in the savanna
  10. the surface of the river burning white
the surface of the river burning through the trees / Rachel Dow Memorial Bench

I decided to take a video of the river instead of a photo; I wanted to capture the movement of the light on the surface.

for future Sara: Ran past a house all gussied up for Halloween on 34th near Seven Oaks. A figure in black leaning over the fence, graves and skeletons in the front yard. I need to walk by here at night.

Listened to water trickling and voices below for the 2.5 miles of the run. Put in Taylor Swift’s new album for the last bit.

excerpt from Karma Affirmation Cistern Don’t Be Afraid Keep Going Toward the Horror / Gabrielle Calvocoressi

it’s okay. To know you’re part craven smuggler.
Part thief. Maybe if you know your animal.
I mean really know your animal.
You won’t become a builder of factories
or slave ships. Maybe instead of building
a ship somewhere in your body
you just let yourself feel the pain and
humiliation. No need to make it beautiful
for some future reader. Just say how much
you wanted to hurt someone like you got hurt.
And then just watch that for a while. It’s okay
to feel horribly ashamed. Best not to look away.
The gate to joy is past the factory and past
the reader and maybe it’s past your last breath
on this planet. There’s nothing you can do about it.
You come from the cistern of brutality
and hunger. You are the resonator. Just breathe.

Best not to look away. Wow! On the Poetry Foundation site, the poet reads this poem and they do a great job.

oct 3/HIKE

60 minutes
with Delia and FWA
Minnehaha Off-leash Dog Park
80 degrees

A new ritual: hiking at the dog park with Delia-the-dog and my son, FWA. Every Thursday or Friday, more often Friday. What a park. On the edge of Minnehaha Falls Regional Park, next to Coldwater Springs, heading towards Fort Snelling, down in the floodplain, across from Hidden Falls in St. Paul. Such a great space for Delia to run and play with other dogs, and for FWA and I to hike and talk about roots and fungal nets and Mars and abundance and scarcity and Robin Wall Kimmerer, and the sand mafia and Fall Out 76 and poetry and anxiety and . . . . In past years, parts of this park have been flooded. Hiking through, the evidence is everywhere: soft sand, the bones of giant trees, ridges and cracks and wide open spaces with tall canopies, dirt studded with rocks and pebbles and stones.

Earlier this morning, Scott sent me this link: Minneapolis witch coven takes to their paddleboards for spooky lake gathering. I wish I could have seen that!

After reading the witch article, I returned to Girl Ghost Gorge and my air section. A thought: Instead of Girl Ghost Gorge, should I call this collection, River Rock Air? I don’t think so, but I’ll keep it open as a possibility. Today’s focus started out as time and the re-reading of Chloe Garcia Robert’s “Temporal Saturation,” and I’m still thinking about that, but it shifted slightly when I reached this line:

Temporal saturation . . . is used to explain both the canyons that can appear inside moments of great rending, joyous or horrific, entombing an incarnation of the self which will never again exist; as well as the median intervals of floating passivity that resist recollection and whose ending is marked by a feeling of awakening: a drowsy startle or a gradual reconsciousness.

Temporal Saturation/ Chloe Garcia Roberts

canyons. The gorge! The gash, gap, open space where more is possible, between beats, where Nothing happens and where there is (good) Air to breathe. Does it entomb an incarnation of the self which will never again exist? Ooo–I have thought about the idea of different Saras intermingling above/beside/in the gorge. It’s not that they don’t ever exist again, but that they only exist (together) here in this space. It’s the gorge as holding everything — not trapping or entombing, but holding — beholding, witnessing.

inside moments of great rending: rending = tearing — splitting and cracking open, ripping, breaking, eroding

floating passivity — resist recollection, or thinking, those spaces on the trail that are lost, when you let go, stop thinking, soft attention?

amplifies the moment, in joy or terror, both feeling like falling, joy, a falling into, terror a falling through

When I first encountered this book last spring, it wasn’t too long after I had read JJJJJerome Ellis’s amazing book, Aster of Ceremonies, which inspired me to think about my blind spot as (almost) a gorge, similar to how Ellis imagines their stutter as clearing. So now I’m reviewing my old Plague Notebook from that time, vol. 24. Here are some notes:

We all have a blind spot, mine is just bigger than yours (sight unseen/ G. Kleege). Not a lack, not nothing, Nothing. A gap, a gorge, an opening, both solid and unstable / limestone and sandstone / a break, a rupture

And then a Plank in Reason, broke/ and I dropped down and down/and hit a World at every plunge/and finished knowing then (ED — from memory so punctuation is a bit off)

a going under — not a drowning/disorientation/underwater/submersion/immersion/more porous, less divisions

cracks/erosion/waring away

from Octagon of Water, 3/ JJJJJerome Ellis

The name of that silence is these Grasses in the wind, and the name of these Grasses in this wind is that other place on the other side of this instant. This instant is divided by curtains of water and the sound of shuddering time.

time stopping, pause

erosion = pressure + time

ED’s elemental rust: ‘Tis first a cobweb in the soul/ A cuticle of dust/ A borer in the Axis / An elemental rust

big enough to hold all — expansion/room/possibility/generosity/holds multitudes — WWhitman — contradictions, ambiguities

entangled connected not needing to be resolved

a silence — And me and Silence some strange race wrecked solitary here (ED)
unseen unstable

weather — a different language of time (See Jenny Odell, Another Kind of Time)

extraction, dehumanizing, people outside of time, with no history

“Like a clearing in a forest, the stutter, for Ellis, can open a space of gathering for Ellis and the People he is communicating with” (Angel Bat Dawid and JJJJJerome Ellis).

erosion can lead to reclaiming, re-wilding as less abundance, a clearing away

a blind spot — no critical judgment, usually read as uncritical, but what if we read it as free of judgment, a generosity? See 19 march 2025 for more on this!

AOswald on erosion: worn down to abstract form, anonymity of weathered sculptures — “I love erosion: I like the way that the death of one thing is the beginning of something else.”

erosion, a softening, a vulnerability, a tenderness

Find the ceremony in every instant. — Ellis

At this point in the notebook, I moved on to color and my chapbook, I Empty My Mind.

Reading through Plague Notebook, Vol 25, I stopped on a mention of familiar with intimate. Yes! I’ve been thinking about worn in as a form of familiarity. Habit, accustomed to, familiar, family, and now, intimate/intimacy.

Okay, it’s Friday almost evening, and I need to stop!

recap for next time: exposure to air = rust = erosion — write more about the process / I’ve written about the open space of the gorge in time (Between Beats), now I need to write about in space, with an engagement with the blind spot! / the familiar/family/intimacy among us edge-dwellers at the gorge / keep revisiting Roberts’ temporal saturation / and, more on Air

oct 2/RUN

5.3 miles
ford loop
64 degrees

Felt strange when I started my run and wasn’t sure how much I would be able to do. Ended up doing the ford loop. What a morning! Still too warm, but lots of color and sparkles and golden light. My left knee continues to feel strange before I start and during the first mile, like a rubber band is crossing over the kneecap. Is that a tendon or a ligament? No, looked it up: IT Band. It doesn’t hurt at all.

IT Band? Guess it’s time for some more fun with medical terms!

IT, the Halloween version: Stephen King’s IT

  • Stephen King’s Inconsistent Talent
  • Stephen King’s Iffy Takes
  • Stephen King’s Incandescent Tadpoles
  • Stephen King’s Insatiable Teacup
  • Stephen King’s Indigo Trash
  • Stephen King’s Iconic Terror
  • Stephen King’s Inedible Treats
  • Stephen King’s Irritated Throat
  • Stephen King’s Itemized Tally

My IT Band is already feeling better!

Running past the Horace Cleveland Overlook, stopping to fix my headphones, I noticed the river through the trees. Wow — a shimmering, sizzling white. Smelled something sour just south of the Monument. Heard a roller skier. Saw 5 or 6 single rowing shells on the water, encircling the coxswain’s boat below the Lake Street bridge. Greeted several people — runners and walkers. Stepped on dead leaves on the ground. Heard the St. Thomas bells and water tinkling at Shadow Falls.

Another great poem on poets.org this morning. Here are a few lines:

excerpt from This Is Not a Horse/ Blas Falconer

A hoof implies the presence of
the whole horse. A saddle implies

a horse and a rider.

How much information do we need to recognize/identify a form? Only a hoof? The curve of a back? A giant eye?

Earlier this morning, working on Girl Ghost Gorge and the idea of restlessness, I wrote:

worn out / exhausted / made still
worn down / eroded / exposed
worn in / familiar / used

worn in = an accumulation of experiences, having a context, a history, a substance/substantial presence, lasting through time, enduring

oct 1/RUN

4.2 miles
minnehaha falls and back
67 degrees

A good run! I felt strong and relaxed and able to run farther without needing to stop for a walk break. More color on the trees today, lots of orange and red, not as much yellow.

10 Things

  1. workers in bright yellow vests at the Cleveland Overlook next to a big white truck with a long arm and a bucket — trimming trees?
  2. slashes of orange everywhere, not big stretches of it, only a dot here, a dot there
  3. a fine, cool spray coming off of the falls
  4. the smell of fried something at the falls — Sea Salt?
  5. chickadeedeedeedee
  6. kids laughing and yelling on a playground hidden behind trees
  7. a woman walking over to a man near the ledge etched with “The Song of Hiawatha,” saying, I like it here
  8. that tall grass smell that reminds me of cilantro, almost — the common thread: the smell of freshness? and green?
  9. the dirt trail that winds through the small wood near the ford bridge looked muddy
  10. a roller skier on the trail — I don’t remember the click clack sound of his poles, just the fast swinging of his arms as he propelled himself forward

As I ran, I thought about water and erosion and how that might translate into a new form and/or way to play around with my already existing poems. I had a few ideas:

  • water as causing cracks, fissures, splitting words open. New breaks in the lines, in individual words? Making new words out of the already existing ones?
  • water as swirling and falling. A mixing and swirling and wheeling of words?
  • water as wearing down, peeling away layers, condensing forms to their essence

Read (and heard) an amazing poem this morning:

A Bookshelf/ Hua Xi

My father read a mountain aloud.

Opened to a page
where a green bird lands on a thunderclap.

Named for the billowing hands of
brittle blue flowers.

As if the unfinished poetry of the paraffin

is pulled aside like scenery,
so that I may write by the only light I know.

My father read only his one life and recited
the last line over and over.

The book is written in giant letters of fog
that wander like goats across the alpine pastures.

The moon is dog-eared as if the treetops looking up
have studied the idea of love too much.

On a page with some scattered pine needles,
a voice goes on calling out to me.

My father learned to read
in a one-room schoolhouse,

and never read a poem.

A little herd of lightning
gets spoken out loud in the dark.

Change
is scenic and sudden.

One year, I came home
and all the leaves fell off my father.

After that,
he was winter.

I’m thinking about a poem as a life and those last lines about her father and how he became winter. Wow.

sept 30/RUN

4.1 miles
river road, north/south
65 degrees
humidity: 75%

Yesterday, it was almost 90 degrees. It will be in the 80s all this week. Ugh. I’m ready for cooler weather! I felt okay during the run, but now, after it, I’m wiped out. Thankfully, the sun was hidden behind a thick layer of clouds. I ran the entire first mile, then the second with one walk break in the center, and the third: run 3 mins, walk 1 min.

10 Things

  1. 2 packs of male runners, around a dozen in each pack, a gap of 20 or 30 seconds between each — the U of M or Macalester or St. Thomas cross country team?
  2. exchanged greetings with Mr. Morning! He was wearing a bright orange t-shirt
  3. some more red leaves as I descended into the tunnel of trees
  4. 3 stones stacked on the ancient boulder
  5. a steady stream of cars on the road
  6. a man standing above the limestone steps that lead to the Winchell Trail near the trestle, waiting
  7. someone sitting at the sliding bench — have I ever sat on the bench? it looks too precarious, right on the edge of a steep slope
  8. the crack just north of the trestle is still cracking
  9. a bird: cheesburger cheeseburger cheeseburger (a black-capped chickadee)
  10. the Welcoming Oaks are still green

My mom died 16 years ago today. I wanted to think about her on the run, but I was too distracted by my effort and the humid conditions. For the second half of my run and part of my walk home, I listened to my “Doin’ Time” playlist. Some lyrics in the last song I heard made me think of my mom. Time will heal from Time Song/ the Kinks. I thought about how much time has passed since Mom died and how I feel her absence less intensely than I used to. I wouldn’t call it healing; just finding ways to live with the grief.

listing

I want to include some 10 Things lists in my Girl Ghost Gorge collection. Partly because they are part of my practice, and partly because the writing of lists, and the gathering of things noticed that listing involves, is a way to create substance to my ghost-like, untethered self. It is also a way to ease my restlessness. The idea — if I write enough lists, I’ll get tired and/or stop being so restless and unsatisfied. I’m not sure how many lists to do. Maybe 4? One for each season?

sept 28/RUN

3.6 miles
bottom of locks and dam and back
55 degrees

Yes, cooler! An easier run. Calm, sunny. Relatively uncrowded for a Sunday morning.

9* Things

  1. roller skiers
  2. squirrel shadows
    cacophony of honking geese
  3. golden light: sun filtered through light green leaves
  4. open gate — the entrance to the locks and dam no 1
  5. patches of red leaves on the trees (not the ground)
  6. smooth surface on the river near ford bridge
  7. the reflection of the bridge on the water — another portal
  8. jangling collar — someone running with 2 dogs down the wabun hill
  9. an empty bench

*I’m writing this several hours after my run, so I could only remember 8 things.

As I ran down the locks and dam hill, I chanted in threes:

softening/softening/softening/surfaces
softening/softening/softening/underground

Another riprap idea:

Make it into a triptych: 1. the original poem (rock), 2. the new poem composed of words from the old — words reordered (riprap), 3. the faint trace of the original poem with the words from the new poem in their original order

And a palimpsest idea: take one of the poems, and show the different layers or iterations of it over the years, from 2021 to now

squirrel shadow

running south
looking

to my left —
movement

thinking — my
shadow

2 squirrels
running

instead. I
choose to

imagine
believe

make real — my
shadow

burst into
squirrels

sept 26/RUN

3.5 miles
top of wabun hill and back
60 degrees
humidity: 82% / dew point: 56

Still too warm for me, but beautiful. I don’t recall seeing much color. Was it because I was too focused on my effort? I saw something that made me think, fall!, but now I can’t remember what it was. (a few minutes later: I remembered! It was all of the dead leaves on the sidewalk and a neighbor’s driveway.) Heard the rush of water out of the 42nd street sewer pipe and a coxswain talking through a bullhorn. Saw the sparkle of water between the trees. Passed 2 runners on the trail twice. Both because they stopped to walk, then I did, then they started again, and so did I. I ran up the hill that starts below the ford bridge and ends at Wabun. I remember looking out at the river, but I can’t remember if I noticed the locks and dam.

sept 25/RUN

5 miles
franklin loop
62 degrees
humidity: 80%

Not an easy run, but I kept going and was happy to be outside, above the gorge, for almost an hour. Some walking, more running. Was able to greet Dave, the Daily Walker. Noticed something sticking out in the middle of the river as I ran across the lake street bridge. People swimming across? No, tree branches stuck on the sandbar. The bridge steps were wet. Not rain, but a hose?

3 moments of color

1

Running across the Lake Street bridge, looking out through the railing, pink. Someone had spray-painted the railing with a thin line of bright pink, maybe bright green too, or was that my bad vision? Or maybe the bright sunlight doing strange things? Whatever it was, it looked magical.

2

Descending into the tunnel of trees from the north, a pool of reddish-orange light ahead of me. A wildfire sun? No, reflections from some orange paint on a nearby tree and red leaves on the ground.

3

Again on the lake street bridge: a very bright circle of light on the water, silver with streaks of orange, or an orange tone? or the idea of orange?

Found a powerful poem on Poetry Daily this morning, Schrödinger/ Katie Erbs.

excerpt from Schrödinger/ Katie Erbs

a little thought experiment
gone sideways an idea
trapped in ovum
the cedar chest the bride suffocates in
the refrigerator’s magnetic closure invented only
after one too many kids
got trapped inside leaving
little claw marks on the insides
of little coffins how I dreamed
of the little bell to ring
from inside the box
to let everyone know
I’m alive inside still

Just yesterday, I was reading a novel, Victorian Psycho, that mentioned these bells in coffins. I don’t think I had ever heard of them before.

I am convinced I can hear bells — the bells that chime from inside the safety coffins in the Hopefernon churchyard. ‘To ensure one isn’t buried alive,’ explained the Reverend when I first remarked upon them as a child. ‘They can only be rung from inside the coffin.’

‘But I hear them at night,’ I had told him, and the Reverend had sighed and shaken his face full of wrinkles . . . .

Victorian Psycho/ Virginia Feito

sept 24/RUN

2.5 miles
2 trails
70 degrees
humidity: 67%

Tried an experiment today. Instead of running early when it was much cooler, but very high humidity (97%), I waited and ran when it was much warmer, but with lower humidity. The hypothesis: the humidity is more of a problem than the temperature. Observations: fatigue, abundant sweat, slow legs, needing to walk sooner and for longer, not much fun. Tentative conclusion: heat affects me more than humidity. Of course, other factors to consider include: a different time of day, direct sun. My scientific method here might be half-baked, but I’m accepting the conclusion. No waiting until later to run! When in doubt, go earlier.

As (almost) always, I’m glad I went for a run by the gorge. A beautiful fall afternoon! A bright blue sky, rusting leaves, clear paths.

At the beginning of my run, I chanted the opening section of my Running Chant: River — flow flow flow / slow slow slow / flow flow flow / slow slow slow. The goal was to quiet my mind and fall into the rhythm of my feet. An idea: why not have a page filled with these opening words as part of my Girl Ghost Gorge collection?

3 visual options:

  1. a page with a line of flow then a line of the word slow
  2. 2 or 4 columns, one with flow, one with slow — you can read it vertically, down the lines, or horizontally, across the columns
  3. a page of flow flow flow / slow slow slow in very faint print, with only a few of the words in regular (or bold?) print

10 Things

  1. empty bench at the Horace Cleveland Overlook
  2. trickling water at the 44th street ravine
  3. the steady falling of water at the 42nd street ravine
  4. a friendly biker on the walking path below — hello! / hello
  5. 2 people at the folwell bench, one of them leaning over looking at their lap — were they holding a phone?
  6. graffiti — can’t remember color or what it said — on the limestone retaining wall
  7. a squeaking sound from across the river — a bike?
  8. someone squatting at the edge of the 38th street steps, talking on the phone
  9. a trace of color — yellow, pink — on the 38th street steps
  10. kids’ voices drifting over from across the road — recess

sept 23/RUN

4.1 miles
river road, north/south
61 degrees
humidity: 90% / dew point: 60

Yes, it was uncomfortably humid, and that’s all I’ll write about that. I memorized my rock chants before I left, then recited them as I ran. Here’s a snippet:

soft stone
shifts

hard stone
waits

sandstone
rubs

limestone
breaks

They worked pretty well, although it was hard to think of the words fast enough for my feet. Near the end of the run, I switched to some river words (3 1-syllable words):

drip drip drip
drop drop drop
stone stone stone

I was able to greet Dave, the Daily Walker — Morning Dave!, but forgot to greet the Welcoming Oaks. Saw some rowers climbing up the hill and leaving the rowing club. Noticed big bunches of purple wildflowers. Ran by the persistent crack that continues to settle and spread. Will they be able to fix it before the ground freezes? Wondered if the road closed ahead sign was because they were removing the safety fence they put in during their I-94 construction. Stopped at the top of some wooden steps leading down into the dark green of the Winchell Trail. Also stopped at the sliding bench to take a picture. A thought: what if I took a picture every week at this bench to track the slow and subtle changes?

from behind the sliding bench / 23 sept 2025

For future Sara, a brief recap: Jimmy Kimmel returns to his show tonight after being suspended/censored; Trump is claiming aspirin causes autism and that they’ve found a “cure” for it; and more leaves are turning yellow and red at the gorge.

sept 22/RUN

4.3 miles
minnehaha falls and back
61 degrees
humidity: 91% / dew point: 64

It rained last night, so everything was wet, even the air. Puddles, mud, slick leaves. Gushing sewer pipes, a roaring creek, fast-falling water.

I’m working on a series of chants for Girl Ghost Gorge. All triples. One for rock (a 2-syllable word/1 syllable word). One for river (3 1-syllable words). And one for air (1 3-syllable word).

During the first mile, I chanted for air: 

industry
convenience
resilience
persistence
underground
neighborhood

During the second mile, I chanted for rock:

paddle/wheel
roaring/creek
paving/stone

During the third mile, I chanted for water:

drip drip drip
drop drop drop
drip drop drip
drip drip drop

My plan for the chants is to use 1, 2, and 3 syllable words from my long poems for the chants. Right now I’m sorting them out.

10 Things

  1. wet red leaves scattered near the trail
  2. the smell of tar as I passed a park worker patching the trail (yay! they’re fixing the terrible spot on the bike path finally!)
  3. one woman to another: my ex-husband makes over a million dollars in his new job
  4. the yellow-vested park working, leaning and looking at his phone while he waited for the tar to be ready to smooth
  5. the squeak of a bike’s brakes
  6. bare branches poking out of the top of a tree
  7. the white froth from the falls
  8. 2 people sitting on the ledge of the bridge, their feet dangling over the falls
  9. a circle of bright water and sky, made by a break in the trees
  10. the smell of almost-cilantro from the tall grass surrounding the stone etched with Longfellow’s “Song of Hiawatha”

sept 21/RUNBIKE

2 miles
lake street bridge and back
70 degrees

Went out for my run just before noon. Too hot! Running north, nearing the lake street bridge, I heard some chanting and drums. People marching on the lake street bridge, heading to the capital. I just back from a weekend with my college friends. Friends for 29 years. Amazing.

bike: 5 miles
minnehaha park
71 degrees

Biked to Minnehaha Park and the falls in the early evening. At some point, a downpour. Luckily we were under the awning. The falls were roaring, A busker was playing saxophone. A tiny human in a blanket, looking like a jedi, was marching. Lots of dogs. A wonderful night at the falls. Biking homd, after the rain, everything wet. Fall!

sept 17/RUNBIKESWIM

4 miles
the monument and back
72 degrees
humidity: 80% / dew point: 64

More gnats, more heat, more sweat. Ran over the lake street bridge and up the summit hill to the Monument. Ran the first mile, did 2 minutes running/ 1 minute walking for the second mile, and mostly running, some walking for the rest. My right knee was sore because the kneecap slid out last night. I had to pop it back into place by going up and down the stairs. When it slides out it rubs the tendons or ligaments or something and they’re sore the next day. No big deal.

10 Things

  1. a bunch of kids sitting on the sidewalk outside of the church with the daycare — an adult called out to some other adult, I checked the website. They should be picking them up by 9
  2. a gnat flew into my eye — all the way, now the corner of my eye is sore
  3. no rowers on the river, only small waves
  4. peering over the side on the lake street bridge, checking out the sandbar. How far below the surface is it? How deep is the water around it?
  5. the faint sound of falling water at shadow falls
  6. a railing in front of a neighbor’s house, adorned with garlands and lights
  7. several wide cracks on the trail halfway down the summit hill, outlined in orange
  8. running up the summit hill, hearing a biker slowly approaching then creeping past me
  9. checking my watch during a walk break, the numbers blurred and difficult to see — a combination of my bad vision and feeling slightly dizzy/dazed from the heat
  10. the jingling of my house key in my pack, the thudding of my pack against my shorts

I don’t remember much from the run because it was hot and tiring. What did I think about?

Listened to kids, cars, random voices, and a dog barking running to the Monument. Put in my “The Wheeling Life” playlist on the way back. First song up, “Day by Day” from Godspell. In this song., the wheel is moving forward, progressing towards a better relationship with God. Wow — Jesus-rock was a thing in the 70s. The refrain for the song:

Day by day, day by day, oh dear Lord, three things I pray, to see thee more clearly, love thee more dearly, follow thee more nearly. Day by day.

bike: 7.5 miles
lake nokomis and back
79/75 degrees

Earlier today, Scott and I drove by lake nokomis and we noticed that the buoys were still up, so we decided to bike over to the lake in the late afternoon. If the blue algae was gone, I’d swim. So we did, and it was! The bike ride was great, even if it was windy. The thing I remember most about the bike was hearing the twack of the pickle ball at a pickle court on the way there, and a tennis court on the way back. Also: someone mowing their lawn and kids playing at the lake nokomis rec center playground.

swim: 2 loops
lake nokomis main beach
76 degrees

The water was clearer and warmer and slightly less choppy than the last time I was here. Still too many vines reaching up from the bottom. I had to swim farther out in the lake to avoid them. Saw at least 2 paddle boarders, a sailboat, a kayak. No fish, but seagulls. Heard geese honking from the other shore. Some adult was playing with a kid and calling out, Nestea Plunge. Yes! I can still picture the dude standing with his back to the pool, falling back into the water.

Noticed the mucked-up underside of a once red, now pinkish orange buoy. Was fascinated by the bubbles on the otherwise smooth surface of the water. Felt some thin vine tendrils encircling my wrist, some thicker and sharper vines brushing against my leg. I don’t remember seeing any planes, but I do remember some wispy clouds.

sept 16/RUN

4 miles
minnehaha falls and back
73 degrees
humidity: 84% / dew point: 64

Yes, another day of uncomfortably hot and humid conditions. Another morning with sweat and a flushed face. Also, something new: swarms of gnats. Getting in my eyes, my mouth, my nose, on my shirt. After the run, getting ready for a shower, I counted more than a dozen dead gnats on my chest. Yuck!

Do I regret going out for the run? Not one bit. Even with the heat and the gnats, it was beautiful — changing leaves, sparkling water, a bright blue sky, a gushing creek and a roaring falls. Plus, the gnats have inspired me. I want to write about them for Girl Ghost Gorge!

Tried something new for the second half of the run: run 2 minutes, walk 1. It worked out well. I think I’ll try this again. Maybe I’ll experiment with the amounts: 3 minutes of runner/1 minute of walking or 2 minutes of running/30 seconds of walking?

For the first time in a while, I saw the regular, Mr. Santa Claus. We greeted each other with a wave.

gnats Returning to the gnats, I’ve been thinking about them more lately because of Endi Bogue Hartigan and her mention of them in her poem, “Running Sentences,” especially these lines:

c A chorus sings in swarms of gnats.

b First the body on the path, but first the body as circumference,

a First the cloud of gnats first the movement through the cloud

collective noun: a cloud of gnats / a swarm of gnats / a horde of gnats / a rabble of gnats

sept 16/RUN

3.5 miles
locks and dam no 1
72 degrees
humidity: 84% / dew point: 69

Overcast today. Everything dark, everything gray and deep green. A few sprinkles at the start. On my warm-up walk, I heard The Clash’s “Should I Stay or Should I Go” coming from the corner where some workers were making the sidewalk more accessible. Later at the river, I heard some more music blasting out of a bike speaker that I recognized but can’t remember the name of now.

The first almost 2 miles of the run was okay, then it got hard, then I locked in and zoned out and it was no longer hard or easy, it just was.

10 Things

  1. passing an entrance to the Oak Savanna: a deep, dark, green hole
  2. a yellowish-orangish tree
  3. slashes of red on the side of the path, waist-high
  4. more orange leaves scattered in the trees
  5. dozens of small red leaves on the side of the trail
  6. thwack thwack acorns falling
  7. someone took down the sign alerting people to a conservation area and asking them to stay on the paved trail
  8. one car parked at the bottom of the locks and dam no 1 hill, window slightly open, low music playing, the smell of cigarette smoke
  9. bright headlights cutting through the gray sky
  10. the ford bridge reflected in the water looking like a window or a portal
ford bridge window / 16 sept 2025

Vuelta update: Yesterday, the final stage of the Vuelta was shut down when it entered Madrid. Protesters had occupied the course and pulled down all the signs/flags, toppled the barricades. There was no violence, just chanting and holding up signs that said, in Spanish, Down with the State of Israel. There was a large police presence that was attempting to manage the crowd, but they weren’t using force or rubber bullets or tear gas. Very different from what happened here in Minneapolis in 2020.

Today’s thoughts about my Girl Ghost Gorge project:

1 rituals. What rituals do I do during my run?

  • greet the Welcoming Oaks
  • greet the Regulars
  • listen for roller skiers and rowers and water dropping out of the sewer pipe
  • track the changing of the leaves, especially in the floodplain forest
  • make note of whether or not the benches are empty
  • notice the river
  • stop at the sliding bench or at the bench above the edge of the world
  • stop in the flats or at the bottom of the locks and dam no 1 to study the river surface
  • count the stones stacked on the ancient boulder

2 You Are Here: Trestle: In this poem, I’d like to include something about how it’s rarely used for trains. Now it holds electric blue yarn bombs and ghost bikes and flowers for June

sept 14/RUN

4.1 miles
river road north/south
70 degrees
humidity: 88% / dew point: 68

Ugh! Uncomfortably warm again today. A flushed face and dripping ponytail. Was able to greet 2 regulars: Dave, the Daily Walker and Mr. Morning! Admired sparkles on the water, heard the coxswain from below, smelled the sourness of the sewer. I tried to do my “beat” experiment:

mile 1: triple berry chants strawberry/raspberry/blueberry
mile 2: listen to metronome at 175
mile 3: listen to music

I went too fast with the triple berries, then didn’t have the metronome turned up enough to feel the beat. By the time I got to mile 3, I was overheating. After that, it was difficult to run for that long. Lots of walking. I’ll have to try this experiment again when it is much cooler.

For the Girl Ghost Gorge collection I’m working on, I’ve decided to add some You Are Here poems: poems that locate me/the reader in one particular (and meaningful to me) location above or with or among the gorge.

possible you are here locations

  1. the trestle
  2. folwell bench
  3. sliding bench
  4. the edge of the world
  5. double bridge
  6. ancient boulder with stacked stones
  7. franklin hill
  8. turkey hollow
  9. 44th street ravine
  10. 42nd street ravine
  11. 35th street ravine
  12. welcoming oaks