Initially I was planning to run south but then I remembered that Scott and RJP had seen a cool art display near the trestle so I ran north to find it. First I ran through the neighborhood, past the daycare playground which was empty of kids, and over the lake street bridge to the east side of the river. Then I ran north to franklin, west over the bridge, and then south to the trestle.
A beautiful morning! Ran into the wind for the first half, with it behind me for the second half. I had to adjust my cap a few times to make sure it wouldn’t fly off, but otherwise the wind didn’t bother me. In fact, I liked what it did to the surface of the water as I ran over the lake street bridge: a wide stretch of rough scales.
I did 9/11 and it helped me to not run too fast. I felt strong, especially in the second half of the run.
As I neared the trestle from the north, I began looking for the art display. I finally found it in a grassy stretch near the part of the walking trail that splits from the bike trail. It’s a cluster of mitten tulips! We’re not sure who did it, or why, but I love it!
After stopping to take these pictures, I kept running south. As I neared the tunnel of trees, I saw that the road was closed. Then I saw smoke — a lot of smoke. Were they smoking the sewers in the neighborhood. Then I heard the crackling of fire on the hill below lena smith boulevard. Oh — a controlled burn. I stopped to take some video. For some reason, most of it is in slow motion again. Only the first five and last five seconds of it are at normal speed.
controlled burn / 5 may 2026
holes, grids, other worlds and other mothers
Yesterday I gave myself a task: weave thread through the plastic grid, sew thread on paper, sew thread on a plastic bag. A preliminary2 verdict: thin yarn on the plastic grid is possible iff I find the right purpose; paper might work if I think more deliberately about it; plastic has a lot of possibility. I’d like to try replicating a drug-induced spider web on it! My sewing skills are very limited — limited = 7th grade home-ec class + the occasional darning of pants/shirts + sewing up the rip on the brand new couch that Delia the dog made when we first got her 10 years ago. Will that stop me? Maybe in the past, but not today! I’ve already cleared the first hurdle: I threaded a needle! Yes, with my very bad vision, I managed to thread the eye of a tiny needle. Oh — the eye of a needle?! That’s an interesting connection to this project and my poem about the string that ties eye to words to world.
eye = needle / string = thread
I posted about this last week (I think?), but I’m reminded of Wallace Stevens’ poem, “Tattoo,” again and the lines, light is like a spider . . . it crawls under your eyelids/And spreads its webs there–/Its two webs./The webs of your eyes Spiders and threads and eyes. Now thread = light = that invisible thing that connects us to words and meaning. So good!
Maybe I should also try creating the web on the latch hook grid? I don’t have a needle with an eye big enough for the thin yarn I’m using, so I’ll try to do it with my hands.
I just watched a clip from Coraline on YouTube titled, “Coraline — Meeting “Other Mother.” I want to think more about the other mother’s button eyes and the idea of the hole as a portal between the world of her mother and other mother. Question: So far, I’ve taken inspiration from Alice in Wonderland and Coraline about holes to other worlds, but what other classic kid movies/books feature a hole/portal? Just as I wrote those last words I recalled Narnia and “The Lion, the Witch, and the Wardrobe,” which I loved reading as kid. A connection: the portal/hole/door is in a wardrobe, closet and through clothes. Is the thread/cloth connection significant?
other mother, button eyesthrough the small door between
55 minutes minnehaha off-leash dog park 59 degrees
More green, less dogs, a lot of wind, loose sand. Delia the dog was in her element — such joy in her body as she ran and leaped and sparred with other dogs. FWA and I talked about a distracted dog owner who failed to recognize that her big dog was overwhelming Delia. We both noticed how the beach was much smaller and the river much larger. Most of the mucky shoreline gone.
As we headed back, there was shouting ahead, then an older woman approached us and asked if she could walk with us. She explained that when she asked a man to get his big dog away from her small dog he called her a cunt and then yelled at her, then he kept harassing her. She didn’t feel safe. When the red-faced man (that is, according to FWA; I couldn’t see his face) paused and denied what happened, FWA successfully de-escalated the situation, saying to the man, just walk away. He did and we walked part of the way with the woman and her dog, Scotchie, short for Butterscotch. Love that name! After we parted ways, FWA and I analyzed our re/actions. I’m proud of FWA and I’m glad the situation was quickly defused.
We heard the pileated woodpecker, black-capped chickadees, and some corvid that didn’t sound like a crow and wasn’t screechy enough to be a blue jay.
grids
Scott and I went to Costco and loaded up on Grapefruit. I noticed a lattice/grid on the bag. Can I use it? It’s red (or orange? or pink?) so I’m not sure, but maybe?
grapefruit bag grid
I placed the grid directly over another holes poem just to see what it would look like. A thought: if this visual poem was in black and white, how would it look?
grapefruit bag grid — black and white
One inspiration for this switch to black and white: a story from Scott about the set on the Adams Family tv show1. While the show was in black and white to make it look more gothic, the actual set was in crazy colors. Nice!
While gathering a few different plastic bags from our Costco shopping to play around with, I thought about how my interest in plastic bags — because they seem to be an effective way to describe the distance between me and words and the world — is giving me a chance to give attention to the (over) use of plastic in packaging. So much plastic. More broadly, my interest in using everyday objects in my visual poetry is helping to give attention to objects that I would otherwise not notice. A door to a new way of being in the world is opening!
I almost forgot about another grid I discovered. Yesterday, RJP and I were at Michaels picking up a few supplies — yarn for her, needles and pins (no, not The Searchers song) for me. Sudden inspiration hit: what about the grids used in latch hook?!2 We asked a very helpful employee and found them. Yes! There is potential, I think, for using this in my Holes 4 poem. I wish I would have bought more than one!
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1: panel with words of poem cut out 2: panel with bigger words of poem pasted on 3: both panels
I’m wondering what it would look like to play around with thread or yarn woven through the holes?
tomorrow’s plan: weave thread through plastic grid; sew with thread through/on plastic bag; sew with thread through/on printer paper.
Fun fact: I loved watching this show when it was on reruns; I had a crush on Gomez/John Astin. ↩︎
I know about latch hooking from my older sister MLP who loved to do it so much that once she latch hooked a map of China for a school report! ↩︎
7 miles lake superior boardwalk, duluth 37 degrees
An impromptu trip to Duluth with Scott. Our first trip alone since last April when we went to visit my best friend in Iowa. We need more of these. This morning, we ran together above Lake Superior through Leif Erikson park and 3 miles north, then turned around and headed back. As we ran, I told Scott that the theme of the run was water.
10 Water Things
thin sheets of ice on the water! earlier from the window of our room, I had noticed the texture of the water and wondered what was causing the strips of rough water amongst the smooth stretches
water gushing out of a sewer pipe embedded in a ravine
crack crackle crackle the ice sheet butting up against the rocks near shore and cracking — such a cool sound!
drip drip drip water dripping out of some pipe deep in a backyard
the rushing of the creek under the high wooden bridge we ran over
Lake Superior — blue and beautiful, one giant ship, anchored miles from shore
drip drip drip sweat dripping off my face
a pool of water on the floor of the port-a-potty
benches dotted on the bluff, filled with people enjoying the view
almost all of the ice gone — I thought all of it was, until I noticed a few sheets still on the surface as we walked up the steps after the run
While we ran, we talked about our kids and Star Trek and an article Scott had read about fraternal twin girls with the same mother but different fathers. I saw my shadow and started singing Me and my Shadow. Scott asked who had sung it and when I said, I wasn’t sure but I had a version with Frank Sinatra and Sammy Davis on my shadows playlist, he said, Sammy Davis Jr. is his shadow? Yikes. And I said, Jesus, how have I never noticed that before. Then a string of associations: I mentioned that they sang it on a tv special which led to a discussion of the Andy Williams Christmas special, then the kids in it, which reminded Scott of the scared kid on the Ray Coniff Christmas Special who hears a creepy story about a little gray lamb read to her by the guy who played Wilbur on Mr. Ed — Scott couldn’t remember the actor’s name. Scott started reminiscing about watching Mr. Ed with his mom on Nick at Nite, which prompted me to start singing the theme song from “The Patty Duke Show” — because, of course I would.
It was a good run, and a great mental victory. As I said to Scott, I’m excited to push myself mentally to run these longer distances. It is a wonderful feeling to successfully push through these tough moments.
a quick note about grids
Yesterday, while driving back from 2 Harbors to our hotel in Duluth we started talking about the show Alone and then what it means to be “off the grid,” Yes — another meaning of grids! How can I play around with this in my exploration of grids?!
hike: 53 minutes minnehaha off leash dog park 40 degrees
At the beginning it was chilly this morning, even with gloves, but by the time we were heading back to the parking lot, it had warned up. More green. Another very LOUD woodpecker. Fun encounters with other dogs. One of them was just a little smaller than Delia and covered in chocolate fur. Something about how they darted around made me think they weren’t dog but some other creature — Thing 1 or Thing 2 popped into my head. More good and difficult conversations with FWA. I’m trying to respect his need to figure things out on his own timeline, but it’s very hard to watch and not say anything.
When we got back to the house, Scott told me that he read an article in the Star Tribune this morning about how they might have to shut the dog park down. It’s sacred Dakota land and some (many? all? — I haven’t read the article; it’s behind a paywall) tribal leaders want it returned to the Dakota people. I would be very sad if this wonderful park closed, but I support the Dakota people and their claims to the sacred land. I hope some sort of compromise can be reached.
run: 4 miles river road, north/south 49 degrees
An afternoon run. A little warmer and much sunnier. So crowded on the river road! Car after car after car. Near the trestle, the cars were backed up — at least 10 cars stopped in a line, extending both ways. The floodplain forest below the tunnel of trees was thick with green — no more river view here.
After climbing out of the tunnel of trees, I heard voices below me in the gorge. Rowers! The rowers are back! A few minutes later, I saw a roller skier. Two wonderful signs of spring. Now it just needs to stay warmer!
strings
This morning, I decided to work on a new poem. Instead of holes, and my blind spot, it’s about strings and threads and the lines that connect/tether me to words and meaning. I created this poem out of words from a favorite NYer essay: “Mystery Man.” I mapped it out, then printed out the words in bigger text, then pinned it up on my cork board, then connected the words with black embroidery thread, making it look like a murder board. Here’s the poem. Each stanza is from a different page.
the strings that tie
eye
to word to world
are un
ravelling.
the strings that tie / eye / to word to world / are un/ ravelling
Is the string/thread dark and thick enough to see clearly, or should I go for thin black yarn?
I like the idea of this resembling a murder board, particularly in relation to my use of the word “unravelling.” Unravelling has two, almost opposing, meanings: 1. to fall part, to undo and 2. to solve a mystery, to make clear, to unknot or disentangle. So, the ties between eye, word, and world, are both coming undone AND are becoming more clear.
Sunny, cool-ish. Overdressed in tights and my hooded pullover. Everywhere green and gorgeous. I was too dazzled by the green to notice the river. Was it sparkling? I also didn’t notice the falls — how hard and fast were they falling? I do remember giving a quick glance to the creek: gray, open, flowing fast.
When I wasn’t thinking about anything, which was much of the time, I thought about not running too fast and pushing through tough moments
10 Things
a class-sized group of kids down in the oak savanna — running above, I heard their voices, then saw them hiking below the mesa on the winchell trail
passing a guy on veterans bridge — I was about the say hi when I noticed he was talking into a phone
the surrey kiosk is up — today, on a wednesday, it was empty and closed
running down the locks and dam hill, passing a man, exchanging greetings — hello / hi
encountering a series of bikers — spaced far enough apart that I wondered if they were together — the first two had bright headlights on
from behind, the faint noise of bike wheels moving very slowly, finally passing — a woman very upright in a bright yellow jacket biking very casually
explosions of white blossoms on some of the trees lining the trail
a mower at wabun, the smell of freshly cut grass
the parking lot at veterans home was crowded and full
a moment: running just north of the 44th street parking lot — shadows then suddenly more light: a net or web of shadows, some sprawled, some with little circles at the tips (the buds of trees)
When I saw these shadows I stopped running, pulled out my phone, and took a few pictures. A thought: this net of shadows would be the grid/net obscuring the text of a NYer essay. I’ll have to play around with it. As I kept running, I thought about shadowboxes and silhouettes and playing around with them in a visual poem. I stopped twice more to take shadowed pictures.
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I decided to post all the pictures that I took so I could study them some more. I like imagining these shadows as a net or a veil, a weaving/gathering of threads/strings/lines that affect my view of what is beneath them. Here it is the sidewalk, on the NYer page, it’s the words.
a thought: I’ve been trying to create neat and precise (well, precise-ish) grids of lines to mimic the Amsler grid, but does that really express/show how I see, or how I feel about, the words as I try to read them? What if I drew a “normal” grid directly on the text and then made the grid elevated above it more slanted, askew, not straight or orderly?
a few hours later: I made another frame out of cardboard and then tried to turn it into a loom that I could thread a grid on. Unsuccessful. Too hard to cut the slats enough so I could wind thread through it. I’m not completely giving up on this idea, but I think I’ll take a break from it. A little discouraging, but that’s okay. I think I just need some time to build up the skills to figure it out.
Went to an eye doctor this morning that I saw 8 years ago. Back then, early in my processing of my vision loss, I had accepted it, but I didn’t know much about my vision and I was a bit overwhelmed. When I told the doctor I had been diagnosed with Best’s Disease, he said that it didn’t look like Best’s to him; it was a more vague cone dystrophy. He was very clinical in his approach and way of communicating and I thought he was an asshole. Today he was just as clinical, but I didn’t think he was an asshole. He was nice and openly admitted that they don’t know a lot about these eye disorders and he explained that I might have Best’s, and I might not. There were no answers. There was also no acknowledgment of my vision as a strange or serious thing. Only neutral language and talk of returning in a few years to have it checked again. Oh, and the suggestion that my thinning retina looks similar to age-related macular degeneration and might respond to injections in my eyes every two months for the rest of my life. But, those injections won’t improve the retina thinning, just help it not thin anymore, and there haven’t been any studies on eyes like mine so there’s no guarantee that they will work and that means the very expensive procedure definitely won’t be covered by insurance. I left the appointment feeling frustrated and disappointed. Scott and I talked about it as we walked back to the parking garage. I recall saying something like, it sucks to lose my vision, but what makes me okay with it is that it’s so strange and fascinating. I want a doctor to acknowledge that strangeness. After saying that I’m unusual in my perspective and that most people want reassurance that it’s not too strange or severe, Scott added: you want to lean into the freakiness of it. Yes I do. I don’t care that there’s no cure, or that they don’t know much about it. I don’t want to submit to (and pay for) every expensive test they have to exhaust the possibilities of what it could or couldn’t be. I just want an expert to acknowledge the strange and serious and terrible beauty of my vision! But of course, the medical approach to eye care, with its emphasis on fixing and curing and making people “normal” again, doesn’t allow for that.
Here’s a positive thing that came out of that appointment: I advocated for myself! The doctor was about to leave and even though he didn’t ask if I had any questions, I offered one: do you have any resources for living with low vision. He said, oh, of course, that’s a good idea! I’ll give you a referral for a low vision specialist and occupational therapy. Yes. I’m ready to learn more about low vision specialists and their approach to vision and vision loss! (I know that I’ll have to be very clear about what I want and need — and it’s about tips and tricks for navigating and not how to be normal! Advocating for myself her was a big deal; getting information about low vision resources was one of my main reasons for this appointment!
And one more interesting thing, a concept that could be the title of a poem, or at least the primary influence: Variant of Uncertaint Significance. When talking about genetic testing and using it to try to determine what exactly my eye condition is he mentioned it multiple times.
VUS When analysis of a patient’s genome identifies a variant, but it is unclear whether that variant is actually connected to a health condition, the finding is called a variant of uncertain significance (abbreviated VUS). In many cases, these variants are so rare in the population that little information is available about them. Typically, more information is required to determine if the variant is disease related. Such information may include more extensive population data, functional studies, and tracing the variant in other family members who have or do not have the same health condition.
found poems (non Holes)
Before leaving for the ophthalmologist, I returned to a favorite erasure collection, A Wonderful Catastrophe, and read a few poem that offer inspiration:
from A Wonderful Catastrophe/ Colette Love Hilliard
I listen to the leaves and try to forget about that World within my head
from A Wonderful Catastrophe/ Colette Love Hilliard
I remembered loss could be beautiful
I was hoping to run today, but I didn’t have time before my appointment, my eyes were very dilated for hours and I wouldn’t have been able to be out there in the very BRIGHT sun.
Before working on my Holes project, a quick walk as the rain hit with Delia the dog. At first only a drizzle, but by the time we made it around the 2nd block, rain. I could barely tell with my raincoat on — a bright green jacket inherited from my dead mother-in-law — and my hood up. For the rest of the day: rain. No heavy storms, just a steady rain.
drip drip drop little April showers
Making
First, more fun with distressing plastic. I “drew” an Amsler Grid on a ziploc bag. Then I draw another one with my blind spot in the center. Then I cut the center of the spot out. I like this technique, and it’s very easy to do, and to replicate!
The perpetual problem with this plastic: it looks cool when I hold it up, but it doesn’t quite work when placed on the page: you can’t see the distressed grid and it doesn’t obscure enough of the words.
At some point, another thought: create a frame out of strips of cardboard. First I tried strips that were 2 inches thick. I slotted the strips to make the frame, then put the distressed plastic with the amsler grid/blind spot over it. I placed this frame over one panel of Holes 4. I liked it, but it was messy. And difficult to read. I wondered, would making a thinner frame help? I made one with 1 inch strips and added a different distressed Amsler grid. Still messy, still not quite right.
assessment: I like the idea of the frame, but I need to work on the execution — learn to cut the cardboard more neatly. Also: I need to make the words just a little more legible — if not, the actual words, the shadow of their presence.
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image of poem panel — I like how the words of this panel create their own poem: it‘s you that is something (yes, I know that it is technically its and not it’s, but I don’t care)
side profile of 2 frames
the first attempt with the thicker frame
second attempt with the thinner frame placed over a panel where the words of the poem have been cut out
None of what I made was very successful, but it’s so much fun to try making things. Even as I still am not very good at it, I love that I keep trying. And I can tell I’m gaining confidence and improving. I still struggle to cut through cardboard effectively, but my lines are getting straighter. I’m glad I’ve stopped using my bad vision as an excuse!
note: if I can figure out how to more effectively execute the cardboard frame, I could use it as a loom for my thread grid!
also
Here are 3 other things that I’d like to make note of, and return to:
1 — achilles exercises
To help with achilles pain, strength the calf muscles: the gastrocnemius and soleus. I want to check out the 5 exercises mentioned in this post.
2 — The Art of Kindness, Helen J. Shen interview
I’ve barely started listening to this amazing interview with Helen J. Shen! There’s some great insight on the difference between being nice and kind and how to acknowledge, then let of of imposter feelings, and that’s just in the first 17 minutes!
3 — crocheted technology
Scott sent RJP and I a link to this brief post about crocheting — I don’t crochet, but I’m thinking a lot more about fiber arts these days!
For tomorrow: a run, a ophthalmologist appointment (how bad is my vision these days?), and reading more poems — and posting one here. I’m really enjoying all the making and experimenting, but I haven’t been reading other people’s poetry that much in the last month1.
Right after writing and publishing this thought I realized that I have been looking at and posting poetry — I’m reading Her Read by Jennifer Sperry Steinorth and loving it. I’ve been looking at visual poetry, but not any other forms. ↩︎
4 miles up wabun / down locks and dam 59 degrees overcast
It is supposed to rain all day tomorrow, so I ran today. Warm — shorts and a short-sleeved shirt. Spring! I ran south on the trail. Lots of bikers but no reckless biking. I almost wrote that I forgot to look at the river, or that I don’t remember what I saw when I looked at the river, but then I remembered that I noticed it at the bottom of the locks and dam hill. Blue-gray and choppy,
sight of the day:a little kid (2 or 3?) hanging over the edge of a part of the wooden fence on the edge of the hill leading down to the oak savanna, an adult holding onto them tightly. What can you tell from a scene while running of a little kid with their back to you? Not much, I guess, but it felt like the kid had a wonderful curiosity, and the adult with them was supporting/encouraging/safeguarding it.
running thoughts: I felt strong and more confident, having run the 10k race yesterday. I ran too fast — I need to slow down! After the run was finished my achilles felt a little strained or strange or both. One of my funning YouTubers has achilles problems and they keep them in check by doing calf raised after every run. Maybe I should try that?
10 Things
smell: cannabis somewhere nearby
a cardinal’s pew pew pew call
a bike peloton (15-20 bikes) on the paved path
someone on e-bike zooming by on the road
more green buds
some empty benches, some occupied
someone on a bike biking alongside a runner — marathon training, maybe for Grandma’s Marathon?
a white car speeding down the locks and dam hill, turning around, then speeding back up it
gnats! one landing on my check near the edge of my eye — I could see a black spot in my peripheral vision
the boot hanging off a stalk in a neighbor’s yard is still there, a month later
holes
Today I’m experimenting with different ways to visualize my Holes 4 poem:
you look at words. you don’t see the gaping hole. you see seltzer fizz and a nothing that is something not sharing its secrets.
First, I cut up a ziploc bag and made dots in it with a pencil. This looks like fizz or static or snow, which is cool. A problem: you can feel it, but you can’t really see it. How to make those marks show up? Then I cut the static ziploc into the shape of my blind spot — actually, I cut out 20 of them. It’s still not visible, but I like the texture and the idea of making the visual less visible. I think I’ll use these somewhere.
After spending some time with distressed ziploc bag and not getting anywhere, I tried a different approach. First, streamline the poem, get rid of the fizz, and get over the idea of trying to represent fizz or static. Here’s the new version of the poem:
you look at words, you don’t see the gaping hole, you see a nothing that is something not sharing its secrets.
When I shortened the poem, I was able to “find” it on four instead of six of the pages of the new yorker essay.
Next, instead of trying to make fizz, I decided to distress a new sheet of ziploc plastic with a criss-cross pattern. I really like it!
view 1view 2
I really like this way of distressing the plastic. And, it’s easy to do and to replicate! When I put it directly over the text of the essay, it didn’t obscure the text enough. Soon I realized that it needs to be at a slight distance. I keep coming back to the idea that these poems need to be 3-D. How should I do that?
6.4 miles* falls to lake to ford to falls Get in Gear 45 degrees / drizzle
*I started my watch before the start line and we didn’t take the tangents so we were weaving around the course.
A good start to marathon training. Probably By far, the slowest 10k I’ve ever run in a race (partly due to a port-a-potty stop 3 miles in), but Scott and I ran together, we felt strong, and we didn’t stop for any walk breaks. A big mental victory, especially in that last mile, which seemed to last forever.
Near the beginning of the race, as faster runners were passing slower runners, I had 3 people in a row clip my elbow as they ran by. I asked Scott, do I run with my elbows sticking out? He said no, but I’m not so sure.
I can’t remember what Scott talked about, but I remember talking about pro runners running with wide elbows to claim space on the track, and the music they played — My Way — at the house with the bleachers on the marathon route. I talked about past versions of this race — we run it at least 5 times, probably more. I remember we were talking about how many races we’ve run total. I guessed at least 50. Scott looked it up on his spreadsheet: 65.
Just before mile 4, an older woman rang a cowbell and chanted this:
It was awesome in its awkward earnestness and deadpan delivery. It prompted me to start chanting and talking about chanting with Scott. I did my classic triple berry chants for a few minutes. Scott said that doing this would drive him insane. I said that it helps keep me focused.
The last mile seemed to go on forever but I found some energy at the end to pick up the pace. It felt so fast, but it was really only about what I used to run as an average pace for an entire 10k. Wow, I have slowed down as I have gotten older.
10 Things
the gentle tapping of rain on the port-a-potty roof
little kids chanting, go! go! go!
an enthusiastic woman behind me in the start corral responding to the announcers, how is everyone feeling? with a shriek
the pavement was wet and felt slippery under my shoes
several non-racing runners calling out to some runners, go mill city running!
frequent big cracks in the asphalt
crossing the ford bridge, hearing a white car continuously honking as they drove by us
wild turkeys! in a yard — I didn’t see then, just heard another running point them out to someone and then another runner calling out to the turkeys, hey turkey! gobble gobble!
feeling the rain falling mid-race and not caring
nearing the finish line — not seeing it, but close enough to hear the crowd — hearing an air horn go off
55 minutes minnehaha off leash dog park 49 degrees
Cooler today, but sunny with a soft breeze. Wonderful for moving. FWA and I agreed that there was energy in the air, a lifting — of impending storms, oppressive heat, humidity. The dog park vibe today: chill. Dogs moving quickly and quietly.
today’s dog name: Sunny (or Sonny?)
10 Things
glittering water
a small boat, fishing near the end of the trail
the LOUD knocking from a pileated woodpecker
a very big uprooted trunk, almost upright, leaning in the hollow of a living tree
deep, soft sand
the slapping sound of Delia’s water running through the water at the edge of the shore
the soft, thundering thump of Delia’s running feet on the soft dirt
2 HUGE fluffy white dogs
a small (smaller than delia) dog emerging from the woods — first, a flash, then right in front of of us — first they jumped up on me, then FWA, as if to say, hi! hi!
even more green on the trees, on the ground
While we hiked, FWA and I discussed Ariadne (see below). It started with me asking FWA if he was familiar with Ariadne’s thread from his reading of The Odyssey in college, or Percy Jackson in elementary school. He said, sure, but I mostly know it from Tarkov (a Steam video game). Of course. I’m always fascinated by all the stories/history FWA knows from playing video games. A few minutes later,FWA said, I think I also know it from Kaos (a Netflix show about greek mythology starring Jeff Goldblum as Zeus.
holes and strings and words
This morning, I feeling a bit overwhelmed and disoriented by all of my ideas about holes and strings and threads. Instead of trying to think and theorize my way out of it, which is my inclination — I’ve decided to stop trying to figure it out and follow some more trails. These trails may offer some answers, or they may cause me to get even more entangled (ensnared, knotted).
1 — Ariadne’s Thread
In yesterday’s post, Ariadne came up in a quote from the intro to Her Read. I knew the name, but couldn’t remember why. Just as I began typing In yesterday’s post, I remembered! It was mentioned in a poem about Icarus that I posted here on 19 june 2025: Altitude/ Airea D. Matthews. This poem has a favorite line, which I think fits here:
Bliss is a body absconding warp speed toward a dwarf star whispering, Unsee the beheld.
In that 19 june post, I kept thinking about unseeing:
Unsee as different than not-seeing (which I ‘ve thought/written about before). Not seeing is a static thing; you just don’t see it. To unsee is more active and also suggests a process of unravelling which is where my vision is at.
A few minutes later in the walk, I thought about flipping the phrase to, behold the unseen.
I like thinking about to unsee as a verb, an act, a process, a type of prayer? Just as seeing is not a static thing, where you simply see, but a process of light and signals and filtering and guessing by the brain, unseeing is a process of slow (or sporadic) unravelling then adapting — a brain doing mysterious and magical things with the scrambled and limited data it receives, a mind developing new ways to witness/behold without stable and dependable eyes.
Wow. All of this thinking about unseeing the beheld and unraveling vision, returns me to another thread in the book review about Helen Oyeyemi’s new book: swap the dead-eye liturgy of doomed vision for shadow acts wild and improbable. Is there something there to return to?
In my brief searching for Ariadne’s thread, I found a description of it as a method in logic for “solving a problem which has multiple apparent ways to proceed—such as a physical maze, a logic puzzle, or an ethical dilemma—through an exhaustive application of logic to all available routes” (wikipedia).
I found this bit about how Ariadne’s thread differs from “trial and error” interesting:
The terms “Ariadne’s thread” and “trial and error” are often used interchangeably, which is not necessarily correct. They have two distinctive differences:
“Trial and error” implies that each “trial” yields some particular value to be studied and improved upon, removing “errors” from each iteration to enhance the quality of future trials. Ariadne’s thread has no such mechanism, and hence all decisions made are arbitrary. For example, the scientific method is trial and error; puzzle-solving is Ariadne’s thread.
Trial-and-error approaches are rarely concerned with how many solutions may exist to a problem, and indeed often assume only one correct solution exists. Ariadne’s thread makes no such assumption, and is capable of locating all possible solutions to a purely logical problem.
In short, trial and error approaches a desired solution; Ariadne’s thread blindly exhausts the search space completely, finding any and all solutions.
The goal is not the solution/answer, but an exploration of possibilities. I also like the idea of using the thread approach in my erasing of text in a New Yorker article. The key: it’s arbitrary!
With a little more research, I also found this brief description:
The phrase “Ariadne’s Thread” refers to to the problem-solving technique of keeping a meticulous record of each step taken, so that you can always backtrack and try alternatives if your first efforts fail to yield results.
side note: this might be helpful in tracking my creative experiments so I don’t lose some of my initial ideas.
Before I left for the dog park with FWA, I had an exciting idea about how Ariadne’s thread seems to contrast with Alice’s rabbit hole. Here are some notes I jotted down so I wouldn’t forget:
tension = going down a rabbit hole (free fall, untethering, getting lost) versus ariadne’s thread (logic, finding, tethered to the world/meaning/language) — part of the feeling/process/practice of reading — what is the relationship to the word, how do I read? I answer with a mix of phenomenology (describing/showing my mechanics or reading words on a page) and an invitation to a new relationship with words, a new way for meaning and connecting and communicating not based on progression or logic or efficient understanding.
2 — a plastic bag
Some good ideas with the thread, but also too much thinking and theorizing and trying to fit ideas into a concept. I want to be led by the making and experimenting, not some concept. So, I returned to playing around, this time with my ziploc bag again. I like this material as the material for the hole or the effect the hole makes on words. I decided to deconstruct (that is, cut and spread open) the bag, the distress it with a pencil (drawing spirals and lines and zigzags on it). Then I realized it was almost the size of a single page: I can use it as a veil over the entire page!. I decided to create two bag sheets to make the text more difficult to read. Then I put them on 2 stacked pages of an essay — the same page. I found a word, eye, and cut it out of the one page so that you could still see it on the second (same) page. A hole in the page — I like this idea. Unfortunately, this version of it didn’t quite work; I’ll have to play with it more. Running out of time, I decided to write the word in bigger letters just to test out the effect. It needs some work, but it has potential.
a test: 2 sheets of distressed ziploc bag over text with a hole cut out to reveal a poem
For this picture, I held the papers up in front of the window with sun streaming in. I need to distress the plastic more.
same pages/poem, light source on, not through
A thought: as I work on these poems about reading, consider the light source; it strongly impacts how and what I can see. How can I replicate different levels of light, from BRIGHT to dim.
Another thought: more frequently, I’ve been placing holes on the page to erase the text, like my blind spot made out of black netting. I like the idea of experimenting with ways to cover the text, like with this distressed ziploc. I could also use layers of netting and thread grids — ones that are straight and ordered, others that are tangled and slanted.
Her Read
a page from Her Read/ Jennifer Sperry
Wow, this is very cool! I’d like to use this as inspiration. I’ll have to spend some time with this to see if I can read it. I like the color and how the words for the poem are all over the place and the arrows/directions.
No run today. I’m taking it easy because Scott and I are running a 10k race this Saturday. Neither of us are ready and we will certainly be walking some of it, but it’s the official start of marathon training, which is exciting.
youtube
Yesterday at Arbeiter, Scott and I talked about YouTube and possibilities for vision-related videos. He talked about consistency, fine-tuning the process, and finding a small and regular way to create videos. I mentioned one idea: I could do brief videos — shorts? — in which I describe a moment of Sara-seeing, or Sara not-seeing. Strange examples happen every day — not seeing words that I’ve already written and writing over them; not being able to read text quickly or billboards at all; not seeing something that is bright red and obvious to everyone else — like a cardinal; not seeing a face and automatically looking through my peripheral to find it. Most of these I’ve mentioned aren’t that funny, but I have lots of instances of strange/absurd/funny ones too. The key for starting this project: keep it simple and short; I’m not interested in having this take over the other things I’m doing right now. The next step: figure out the process and start doing them.
holes
This morning, I’m re-working Holes 1. So far, I’ve drawn the Amsler Grid directly on the text for panels/pages 1 and 2. Then I printed and cut out the words of the poem and placed them on/over the grid. When I looked at the picture I had taken of it, I wasn’t satisfied. The words weren’t visible enough. Next I tried something I keep returning to but haven’t quite figured out: a 3D grid made from thread and pins above the grid + blind spot on the page. I like the effect of this, but now I need to figure out how to attach the words to the grid. Should I create a third layer with only the words? And should that layer be on top or in the middle –and, if in it’s in the middle, how do I do that?
holes 1, sideholes 1, above
I discovered something interesting as I worked on this poem as 4 different panels/pages. Each of the pages, which include words from different parts of the longer poem, create their own poem. Some of those poems work better than others, but they can all be read individually. The smaller poem in this panel is:
a hole in your is
Okay, the other panels don’t work as well as poems, but I bet I can tweak them to make them work. Another challenge!
A recap for Holes 1: keep thinking about how/where the words fit on the grid (and how they make visible the idea of the poem, a hole making an uneasy fellowship with the word; ruminate: should there be a single or double grid on this one?; and how can I tweak the words to make 4 individual poems?
big picture thoughts: This series offers a progression towards more confusion, or a more peculiar relationship with the word as a reader. I want to demonstrate that progression visually through the changing configuration of the hole, the string/line/thread, and the word. So far, I’ve been experimenting with what material to use to represent the hole — pencil shading, black netting. Next up, the plastic bag! I also want to try making the “magic” blind spot decoder that I mentioned yesterday: when you place it over a certain spot, a new poem is revealed.
As for the string/line/thread, I’m using a double grid. I also want to try a crime board, where the thread becomes a string that connects all of the words. And, a hanging mobile with the words dangling from strings — does it need to spin? Other thoughts: broken or knotted strings AND strings coming out of the center hole and angling out to sections of words. I should write these up and match them to my poems!
Her Read/ Jennifer Sperry
This book! It’s an erasure of a history of art book by Herbert Read that only includes one woman sculpture, and only as an afterthought.
From the introduction to the erasure:
Thread, fabric, the Fates, the spin, life span — women in all the ages past made what was both essential and perishable: life, cloth, food.
When you look at the cover of this book, you find an identity inextricable from embroidery: the cover of Herbert Read’s book, its original title and author, are altered with stitching and patchwork — so we are first called to think of erasure by cross stitching, a crossing out that is, at the same time, a women’s traditional kind of making, and not unlike the fibrous threads that close a wound. Or, Ariadne’s thread, a clew that leads out of the labyrinth of Western iconography.
Some great thread thoughts! I’m mentioned this a few weeks ago: I want to use thread in my found poems/erasures as a way to connect with my fiber artist Mom who died in 2009, and my fiber artist daughter, RJP, who is currently majoring in fashion design in college. And, to my grandmothers — one, a sewer, knitter, and cross stitcher (Orliss), the other a weaver (Ines). And more broadly to women’s way of making. This mention of Ariadne is intriguing to me — I need to revist that story; I like the idea of the line of the grid as a thread that leads me out of a maze of some sort.
cover, Her Read / Jennifer Sperry
I think I read that the red splotches are Sperry’s blood, from a wound she received while using a knife to cut the spine of the book.
A quick run before it warms up later today. 80 degrees at 5. My legs felt heavy and sore and something doesn’t seem quite right with my new shoes. Nothing felt smooth. Hopefully, I’ll break in the shoes and it will be okay.
Even with the struggling, I’m glad (as always) that I went out for a run. A beautiful spring morning! Birdsong, bright sun mixed with cool breeze, green buds, shadows.
My favorite part about the run: the sun was coming from the east and creating sharp shadows of the fence on the sidewalk1. As I ran below on the winchell trail, the lines from the wrought iron fence were so distinct that I thought I was running on a boardwalk instead of a sidewalk. The lines reminded me of the stretch of wooden walkway near the Guthrie. It didn’t feel like a boardwalk, but my brain kept making me think that it was.
Other things noticed: the sound of water trickling out of the ravine at 42nd; a woman power walking in the street, swinging her arms with purpose; kids laughing and talking as they got dropped off for school; mostly empty benches, one or two occupied; the bells of St. Thomas; the rumble of construction work somewhere nearby; a steady stream of cars commuting to work.
from the library
Last week I requested the graphic poem, Her Read by Jennifer Sperry, and today I was able to pick it up! Scott and I did our usual routine: pick up a book at the library, head over to Arbeiter for a beer because it’s about a block away. This book looks really great. I”m excited to dig into it tomorrow!
As I was telling Scott about the slat shadows, I realized that it was less the direction of the sun and more the fact that there were no leaves blocking the fence. In the summer, when I usually run down on the Winchell trail, there are no shadows because of the thick leaves. ↩︎
4.2 miles shadow falls / monument and back 50 degrees
The earliest run I’ve done in some time. I started just after 8, which would have been a late run five years ago. I want to get back to early morning runs as it gets warmer. Even in 50 degrees, I was sweating. Is it the effort of hot flashes?
I decided to run through the neighbor hood, and past the Church daycare. The kids were outside already and having fun. It sounded like one kid was playing some sort of game where he was blasting his enemies as he ran near the perimeter of the fence — take that! pew pew pew! I admired the river as I ran over the lake street bridge. Blue, calm, inviting reflections. No rowers yet. At the Monument, I could hear Shadow Falls roaring, which only happens after rain, so I stepped off the trail and hiked for a closer look. A runner with a dog passed me at one point, both of them having no problems navigating the narrow and steep trail on the edge of the bluff — good morning! thank you! /hi! sure! I couldn’t see the falls falling but I heard the gentle rushing of water. In a flash, I thought of the poem I wrote last year, especially this part:
Deep in the autumn when rain rarely happens and nothing flows down off the ledge, listen for something other than water, listen for shadows instead.
Shadows of soldiers, Shadows of mothers, Shadows of paved-over creeks. Shadows that signal what else could be here now Shadows that dwell in-between.
Speaking of shadows, I saw mine, down in the ravine, beside me on the path, climbing a tree.
In addition to the runner and the dog, there was another hiker on the trail, and a few different pairs of fast runners near the hill that climbs out of the monument park. I heard the roar of a plane, then saw the flash of silver in the sky. Also heard cheeseburger cheeseburger — I think that’s a carolina wren? Yes! Looking it up, the results said it was a black capped chickadee, but I knew it wasn’t. I found the carolina wren when I remembered the other words people think this song sounds like: tea kettle tea kettle.
This run wasn’t easy — sore legs, unfinished business — but I’m glad I did it. I love being outside in the early-ish morning. Today it was 8, but I’d like to be up and out by 6:30 or 7 this summer.
With summer, and high humidity coming, here’s a poem to help me endure it:
What am I if not what happens when I try to run away?
Water falls out of me like an opinion. I’m like a screen door banging between two rivers.
Dear air, what’s inside me you’re so desperate to take?
I put on the Atlantic like a sweater. My head bobs on the surface of a lake I’m named after.
Where do I belong? My head asks. My body, exasperated, answers.
hike: 60 minutes minnehaha off leash dog park with FWA and Delia 63 degrees
Ahhh! A wonderful late morning for a hike. The green continues to creep up the trees. More exploding shadows of new buds. I only recall hearing one dog name: Liza. Liza, don’t you ambush that dog! That dog was Delia, and if there was any ambushing being done, it was by Delia to Liza and her human. Delia loves to get other dogs worked up, which the humans don’t see, or ignore. They assume because Delia is small and cute she is always the one being preyed upon. Ha! Another typical Delia dog encounter: a big talk playing fetch in the water. Delia thought it looked fun and wanted to join in. The big dog barked at her, which seem to translate to: back off! this is my game, and this is my stick!
Often as we’re walking, FWA and I talk about video games or the past or One Piece. Today we wer’re mostly quiet, except for my occasional commentary on this tree or that leaf. I was fine not talking; I liked having the chance to listen to all the different sounds: birds, footsteps, a nearby stream rushing or gushing or swirling in an eddy.
holes
Today, more cutting out black netting holes and layering and mapping them on the paper. For now, I’m pinning them, but I’m wondering if I could fasten them with a button through the center and then glue the word to the button? Would that work on paper? Only one way to find out — I just need more buttons and a needle!
Here’s one version of Holes 1. I wrote numbers directly on the page to indicate how to read it, but I’m not sure if I want to keep them. Also, I kept the cross-hatched hole and the pencil shaded one for now.
the numbered version
another note: the shape of the word is the shape of my working central vision. In theory, I like doing this, but I think the shape looks awkward. I’d prefer a circle instead.
the hole process island where reading still possible waits as large something that surrounds it grows
another note: I want to make the shade part around the hole process larger also: instead of individual numbers, I could number the 4 pages/panels and identify the location of the words in a small key
word island where reading still possible waits as large something that surrounds it grows
I thought I might take a walk today, or a run, but in the end I decided to watch the Boston Marathon and then experiment with different materials. Fun!
holes
A few more experiments: a plastic grocery bag (1); black netting (2)
1 — grocery bag
This material was difficult to cut and not as effective as the ziplock bag: effective = distorted, harder to read, creating a disconnection with the words
2 — black netting
I like the netting and the feeling of black. However, this netting was hard to cut! So hard that I couldn’t manage to cut the inner hole to expose the word/s of the poem. I should ask RJP for advice, or have her cut it. Examining the effect closer, I like it. Now I need to find out how to cut a hole into for the poem word! And, how should I attach this netting?
2 layers3 layers4 layers2 layers / 2 holes
I asked FWA which version he preferred and he liked the lighter look with 2 layers. I can’t decide. It will probably be easier to decide when I figure out how to cut out the center and expose the words. Which one offers the better balance of emphasizing the poem word while not being too dark.
I asked Scott and he thought that working with black netting might be too difficult and that the look of it also had been done before. He’s a fan of the ziploc bag look. I like that look, but I don’t think it translates from a distance, and the “big picture” is part of what I’m trying to achieve. Also, as I told RJP, part of why I am doing these poems is to show what my vision is like as I read (and, if I’m being honest, to “prove” that it’s real and substantial). I’m still liking the netting most. Is there another material that could achieve a similar effect but was easier to work with? What about window screens? I like window screens because they are already framed. Could I find some used ones at ReStore? Does the screen offer enough of a distortion?
No time to look for screens today, so I decided to play around with the netting some more. I printed out the words and pinned them on top of 3-5 net holes. One of them has a lattice drawn under it, one is shaded in with pencil, a few have 3 holes, some four, one five. The hole with five also has the outline of the hole erased. Which treatment works best?
Impatient as I am, I quickly pinned the word to the nets to the paper and took the picture in full sun. It’s a bit messy and the shadows are obscuring part of the text. Even so, I like this effect! I’m looking forward to working on it some more tomorrow. Future Sara (or, Sara sent somewhere — still not sure if that works) also needs to figure out how to direct the viewer/reader to the order of the words of the poem. A number by each? A key with panel numbers next to the word?
3.75 miles top of wabun, bottom of locks and dam no. 1 43 degrees
It felt warmer than 43 today. Today’s sign of spring: the shadows of budding leaves on the tree, looking like sparkler explosions on the sidewalk. I’ve written about these in past springs — was it last April or the April before? The sky was bright blue, the water was scaled with waves. Encountered bikers and runners and walkers. No surreys yet or roller skiers. No songs blasting from radios. No soaring birds or bird shadows or birdsong. Some flashes of green, several occupied benches. I started to recite Philip Larkin’s “The Trees” — The trees are coming into leaf/Like something almost being said/Their recent buds relax and spread/Their greenness is a kind of griefi.
For the first half I listened to everything around me, for the second half: my “Windows” playlist. Demi Lovato’s anthem, “Skyscraper” came on and even though it is cheesy and overwrought, I started running faster to it and felt something deep opening. Cathartic. If it hadn’t been so crowded I might have started crying, which would have been a great release. Even without the tears, it felt good to run fast and feel free/d.
Right before my run, RJP cameo ver to tell us all about her success with the fashion show at St. Kate’s. She didn’t have any garments in it, but she served on a committee for it and helped set it up. It’s hard to put into words how big of a victory this was/is for RJP.
a quick note about Robert Macfarlane and the river:As I washed the incredible amount of dishes that had accumulated — almost ALL of them! — I finished listening to the Between the Covers episode from last year with Robert Macfarlane.side note: when did Between the Covers switch from Tinhouse to Milkweed?And does that mean I need to go through and fix my past links to episodes? Probably. Future Sara (does Sara sent somewhere work as a name?) get on that! What a gift! I’m currently waiting for the audiobook of What is a River? I checked it (or the ebook version) on 10 august but didn’t listen to it. I must have been busy doing my swimming one day in august challenge. Or maybe I wasn’t ready to hear the words. I am now. Currently the waiting time is “several months” and I am 54th in line. I hope it comes in time for summer. This is a perfect water book for my water season! Maybe if it doesn’t come in time, I’ll buy it as an early bday present? I just checked on Moon Palace and the paperback is coming out on June 9th! I’ll have to preorder it. I could spend the rest of the afternoon writing about the interview, but I’ll leave that for when I start reading — either with my eyes or ears — the book in June,
holes
I didn’t have much time this afternoon, but I started experimenting with 2 ways to cover my blind spot template on the page. First, I created a cross-hatch pattern on one of them with a ruler and pencil. Second, I used a ziploc plastic bag. Because the bag was clear, I distressed it by drawing a spiral repeatedly using a pencil. I like the effect.
1 — cross-hatched hole2 — ziploc bag
Experiments to try tomorrow: a plastic bag (grocery store), black netting, static dots, dark pencil erased.
3.25 miles locks and dam no. 1 and back 41 degrees / feels like 24 wind: 16 mph / gusts: 27 mph
That wind! I seemed to be running into in every direction. Had to wear my winter layers: tights, 2 shirts and a pullover, hood, gloves. One too many layers and unnecessary gloves. The sun and sharp shadows, combined with the green grass and new flowers made it look warmer and springier than it was. By Wednesday it’s supposed to be 79 degrees. Then, by the end of next week, 50s. That’s a Minnesota-spring for you.
grids and holes
To distract me from the run, I decided to listen to my “Window” playlist. When I got to “Waving Through a Window” I started thinking about the window as a barrier between me and the world, which made me think of the grid on my visual poems as not only being about mapping and locating and connecting (as thread or string or line), but as net or a veil or a thing that blocks my immediate access to the word and the world. Yes! The grid as both offering connection and preventing it, or obscuring it, or weakening it.
Here’s another version of the double grid that I did last night. I noticed that I am feeling much more confident with my graph making. I worried less about it not being straight and just drew lines and most of them are straight, or as straight as I want!
double grid, version 2
I wonder what this would like if it was twice as far away and made out of some of my thicker thread? I’d like to see, but using what? Should I find some wood and nail long nails into the wood? Yes! Should that be tomorrow’s project? I’m sure we have a scrap piece of wood and some long nails in the basement!
Lately, I’ve been thinking a lot about the grid/thread/string aspect of this project and how to make it, but I don’t want to forget the hole. Reading through my entries from March, I found this:
I’d like to push at this idea of a hole in the vision, with the hole not being (just) empty or a void, but something — like a rabbit hole: an in-between space, a passageway, a liminal space, a threshold, but also a clearing (JJJJJerome Ellis), the Nothing around which something functions, the gorge.
A few thoughts:
First, I’d like to return to my original version of Holes 1, with my blind spot around each of the words. I want to experiment with different ways to “make” that blind spot — color it in with dark pencil; erase that pencil, leaving only a trace; a plastic bag; a net of thread; sparkles or something that resembles static — how do you realize that?; the black netting I bought with RJP. Instead of Holes 1, I’m using Holes 5c about the two holes.
Second, I’d like to find a New Yorker article about a gorge or a river or a field and make a hole poem out of it. I found an article: The Landscape in Winter
5.25 miles franklin loop 63 degrees / drizzle humidty: 85%
I beat the storm! Yes, there was drizzle, but no strong wind or thunder, so I’ll take the victory. Today I felt strong and relaxed and capable. Not anxious or overwhelmed. Today I also feel vulnerable and open to the world, ready to embrace any slight shifts in perspective.
Image of the Day: Running north on the east bank, looking down at the river: a sea of bright, fresh green. On this side of the gorge, between lake and franklin, there used to be a park down below, so there’s wide stretches of cleared land and open grass. Even knowing that, the green looked like water not grass to me, high up on the bluff.
Realization of the day: Returning to the west bank, running south, admiring the straight-ish ridge line across the gorge and wondering how it could be almost uniform, I realized something: this ridge line was made by humans — leveled after logging and road and residence building. What did it look like before settler colonists arrived?
on training for the marathon: Today I ran 9, walked 1. After crossing over Franklin, I did a 5 minute walk to get my heart rate below 170. Then another 9/1. After this last one I checked how long it took to get my heart rate down to 135: 2 minutes. A goal for future Sara: cut that time in half, or even more.
10 Things
flashes of white flowers on the edge of the bluff: the spring ephemerals!
little kid voices, laughing, somewhere deep in the gorge
a guy yelling near a car parked across the parkwy on seabury — was it “fun” yelling as he played with a kid, or “unhinged” yelling at someone?
chickadeedeedee
a verbal greeting with a walker: good moring! / good morring!
honking geese, a honking car horm
a grayish-brownish-blue river, empty
bright LED headlights, cutting through the thick gray air
slashes of bright green are beginning to appear in the floodplain forest!
several stones stacked on the ancient boulder
grids and strings and threads (oh my)
It’s a few hours after I returned from my run and it’s hailed twice and thundered and dropped 15 degrees since then. Boo. I tried a new thing with Holes 3: drew a graph directly on the words, mapped the words on the xy axis, lightly shaded in the words, repinned the grid over that, and then used thread to finish it. I like the doubling, almost out of focus feeling that the pencil grid and the string grid create. I don’t think the words are clear enough yet. I’ll have to keep working on that.
double griddouble grid, a slightly closer look (find fall and almost)
Here’s something else I tried: encasing the words in circles (using a penny) then roughly erasing the circles:
ghost hole effect
Another thought: map the words on a grid, then color in the rest of the grid box around the word or phrase from the poem. How would that look?Maybe I’ll try it on a smaller scale?
60 minutes Minnehaha Off-Leash Dog Park 68 degrees
Another hike with FWA and Delia. So beautiful! Today, FWA shared a realization about something that happened to him in 5th grade that was traumatic and has had a lasting impact. This realization explains so much about him and how he retreated into himself in middle school. My heart aches for that sweet, young boy! Oh, how I wish I would have recognized it when it was happening for what it was! But, I’m not sure I could have; I don’t think he even realized how much it impacted him until now.
dog names overheard: Daphne (a french bulldog); Carly (a standard poodle); and Danny, short for Lt. Dan (from Forest Gump (a corgie — Lt. Dan because he has no/short legs) and Ari (no idea what kind of dog Ari was, I never saw them, just heard their owner irritatingly calling for them ALL the time — Ari! Ari! Aaaaarrrriiii!)
10 Things
a stopped, silent motor boat
thin white foam on lapping the shore
a log floating by, looking like a beaver (at least to me)
more flashes of green
a gaggle of honking geese, first flying then landing somewhere under a bridge
a black puppy with white paws the same size as 10 yr old Delia
a dirty golden retriever jumping on me (I didn’t care)
a sweet mid-sized white dog acting like a cat, approaching then leaning into me (also didn’t care)
a new entrance to the dog park, set farther in and farther from the road
woodpeckers knocking on wood! Once, a deep and very hollow sound — FWA and I guessed it was a big bird and a very hollow piece of wood. Another time, a quicker, softer knocking, sounding like a rattling jawbone to me
Near the end I mentioned hearing a rock bouncing off a hollow spot in the packed dirt, which prompted FWA to start talking about sink holes. There are lots of sink holes all around the river. At one point during this discussion, I thought about my holes project and how our discussion fit. Here’s one way to think about it: as we talked about sink holes I mentioned (or thought, I can’t remember) how freaky the idea of a hole opening up in the ground and swallowing someone or something unsettled me. Why is this so unsettling to me? The idea of being swallowed, of disappearing without a trace, of being trapped without an escape from somewhere deep? Could it also be the falling part too? The dizziness, your stomach dropping, the total loss of control? Possibly. Three thoughts related to my Holes series:
1
Dizziness. Feeling dizzy, like I might pass out, then a soft panic after trying to read for too long, or while trying to read labels at a grocery store. More than once, I’ve stopped and closed my eyes and held onto the grocery cart to ground myself.
2
Disorientation and feeling lost. I can’t read the names of stores or restaurants on the signs outside of buildings, so it can be very hard to get my bearings in a new place.
3
Delight. This morning, I watched the scene from the animated Alice in Wonderland again and marveled (again) at Alice’s reaction to falling down the hole. As she plunges into the darkness, she looks back at her cat standing at the top of the hole, and calls out to them in a delighted and excited voice, Good bye Dinah! Goodbyeeeeeeeee! Alice is not terrified or confused. As she continues to fall, she says something like, Now I will think nothing of falling down stairs!
grids and lines and threads
This morning, a return to thinking through the bigger picture of this series. A reminder from my thoughts from 7 april: the jacked-up spider web experiment in which NASA scientists gave spiders several different substances than studied the webs they created on those substances. A visual inspiration for this series! I’m printing out some images to put at the top of my cork board.
my cork board with the spider webs in the top right corner
Before the hike, I gave myself 3 tasks for today: 1. collect/work on Holes 5a, b, and c, also known as Hole Perspective, Hole Time, and Hole Process. Try to include “strings” or “pull the strings” in one of these poems; 2. draw/shade the dots encasing the words for Holes 3; and 3. work on the poem for Holes 6/Strings 1 — the book review about daughter’s memoirs
Holes 5a, 5b, 5c and Strings 1
Holes 5a
My hole perspective — life on the way to wonderland.
I fall through a what is this? feeling as text bloom into nonsense.
Holes 5b
hole time — measured in word (or words) one word then one then one word
Holes 5c
the hole process — a small island where reading is still possible waits as the large nothing that surrounds it grows
Strings 1
the strings that tie words to the world of meaning have come un done
I like these!
2 — Draw the holes in Hole 3
I did it. And it took much longer than I anticipated, so no third thing today. I drew larger holes and then created an elevated grid over it, first on my wall board and then on a piece of cork board on my desk. I think the holes are too big; they should be dots to match the center dot of the amsler grid and of points mapped on the x and y axis.
grid with big dots
I’d like to plot the small dots on the map of the text and then place the grid over it. I think I need to print the text directly on a graph to plot it properly — or is there another (easier?) way to do this?
Hot! Time to start running much earlier in the day! Yes, a return to morning running could be the next step in my efforts to regain some healthy discipline.
Earlier today I found another song to add to my “Remember to Forget” playlist — Forget Me Nots / Patrice Rushen, so I decided to listen to it while I ran for 9 minutes, then walked one. Midway through the playlist, “Forget Me Nots” came on and as I listened to it, I thought about Emily Dickinson’s “If recollecting were forgetting”. Listening to Elvis Costello’s “Veronica” about a woman with dementia, I thought about how the new name Scott came up with for present Sara, Sara this second, has a much different meaning when applied to someone who has no memory beyond the now.
10 Things
flashes of bright green in my periphery as I ran by trees with new buds
hot sun
music coming from the grassy boulevard: people sitting in chairs, listening to music
squirrels squawking at each other
a loud thumping noise at the skate park
someone in white sitting on the ledge looking over the river
a biker in an orange shirt, biking very slowly over the ford bridge
the voices of kids laughing and yelling on the playground
a biker in a winter coat with a stocking cap and gloves on
the desire path on the grassy boulevard is a mix of packed dirt, mud, roots, and greening grass
holes and grids and threads
The saga continues. I said to Scott earlier, after pushing my eyes to the limit with measuring 9/16th of an inch and attempting to cut straight slits and placing 84 pins 1/2 inch apart to create a grid, why I am so stubbornly committed to this project when it is to fiddly and challenging for my limited vision? I am not sure, but something in me won’t quit. I want to make a series of visual poems that use grids made out of thread and string and yarn and that require skills far beyond my ability (at least my ability right now) and that are exhausting and frustrating and take a lot of time. And, I WILL make it, dammit! I could use graph paper for the grid, but I want to use thread/string and have the lines be 3-dimensional. The thread/yard is partly as a connection to my fiber artist mom and my fiber artist daughter. The 3D is for the shadows and for what the floatinggrid boxes do to how we see/don’t see the words within them. I just finished my first attempt on placing the grid over Holes 3. I measured a 10×10 square over the words and then placed 21 pins on each of the 4 sides. Then I wound the thread around the pins to create the grid.
a 10×10 grid made of black thread and pins, placed over a NYer book review of Helen Oyeyemi’s new booka closer look at the grid and the first word of the poem, fall
I really like this grid overlay, even as I recognize that I need to do more to it to make it make sense to a reader/viewer. The pins are difficult to work with on the thin cork board. They twist and bend out of place. What will I use for a different/the final version of this poem? I showed it to Scott and he suggested a frosted plexiglass layer with only the words of the poem visible. At least, I think that’s how he described it; I’m not quite understanding what he means. I’m wondering if encasing the words in a small dot (both a reference to the center dot of an Amsler grid AND xy coordinates on a graph) might work. One problem: I don’t want to remove the pins and draw the dot in, then have to re-string/pin the grid. I need a better solution for that!
I do like the elevated grid and the way you have to look through and around it to find the right word. I also like the thin thread that you almost can’t see. That’s how my vision often works: it’s not a solid wall of black, but the faint trace of something, sometimes feeling like a net or a screen that makes it harder to focus on anything. One more thing: when I ‘m reading, it does feel like each word or phrase is encase in a grid, with nothing outside of the grid in focus.
note: I’m warming to Scott’s plexiglass idea, even as I’m still not totally understanding what Scott means. What does the plexiglass do to the effect of the grid-thread? The focus on this poem is the graph-grid and the x = blur, y = almost coordinates.
It’s 5:38 and the sun is streaming in my front room studio. I’m waiting for it to hit my grid poem, and hoping it leads to cool grid shadows!
It’s 6:38 pm and some shadows have finally arrived! I asked Scott to take the picture because I wasn’t sure I could capture it effectively.
pin shadows
At first I didn’t notice the pin shadows, I just thought the pins had become twisted out of shape. But no — the pins are fine; it’s their shadows that are all askew. Nice!
Delighted by the result, I decided to take my own picture:
Only 56 degrees? It felt much warmer than that! My hair is soaked with sweat, my face feels flushed still, minutes after finishing. Spring is here! I listened to a piece we’re playing for community band concert in a week, Bookmarks as I ran south, and my “Doin’ Time” playlist running north.
I waved and smiled at as many people I encountered as I could. Did I ever speak? I think I did, once. Even with my music playing, I could hear the kids having fun on the playground and the roar of the falls at the park. At least a dozen people were walking around the park, 4 of them were standing at my usual spot. As I stopped to take off my sweatshirt, I heard a thump thump thump behind me: a young kid running over to the steps. They were fast! A few minutes later, I heard several people calling out, woooooo or weeeeee, close to those steps. It sounded like someone was being swung in the air, or lifted up and down.
Anything else? Several of the benches were occupied, but not the one above the edge of the world. I stopped there to admire the river. I don’t remember what it looked like, just that it was open and wide and peaceful.
at the clinic (earlier this morning)
Today I had to go to the clinic to get two cervical polyps removed. No big deal — an easy procedure with only a 1% chance that the polyps would be cancerous. I was hardly anxious at all, even when they took my blood pressure, which is huge improvement from my last visit in early February. Hooray!
A few observations: Passing by a door, hearing a kid on the other side losing their shit. Hearing them a minute later while in the bathroom at the lab. This was never verified, but I think they were also at the lab, getting blood drawn. Yikes for the drawer of that blood and for the one getting it drawn!
Heading towards the lobby, passing an older woman (with all gray hair) about to be weighed, taking off her shoes and jacket, saying, hold on, I want to take off as much as possible to weigh as little asI can! I’m kidding. Was she, though? Hearing this, I though about my mom and how, when she was on chemo for stage 4 pancreatic cancer, she desperately didn’t want to lose weight because she was already too thin, and I thought about the doctor on a Facebook post who specializes in peri/menopausal discussing how being strong is so much more important than being skinny, especially for older women. With these thoughts, I wasn’t giving shade to the woman getting weighed; I was reflecting on the discord with older women’s bodies and the impact of oppressive beauty standards on their bodies.
Anything else? Oh — on my back on the table, feet in the stirrups, I looked up at the ceiling and noticed a dot. I stared at it, trying to imagine the Amsler Grid and to see my blind spot. Did I? I can’t remember now.
Driving home, I struggled to find a fun/pleasing/alliterative way to describe Sara in the present moment. I mentioned to Scott how well it worked with our daughter’s name: RJP right now. Scott suggested two awesome versions for me:
Sara this second Sara since Saturday
I love both of these so much. How much? Enough to try and write a poem about them! I’ll try to think about them on my run1. One reason I like Sara this second is because I love the idea that I have so many present Saras that they can’t be contained in minutes; I need seconds! And Sara since Saturday? I said to Scott, this is an example of alliteration helping you to find more meaning. Sara last Saturday isn’t nearly as awesome as Sara since Saturday!
grids holes thread
I was planning to work on the grid for Holes 3 this afternoon — current options: drawing a grid directly on the text OR creating a loom frame and making a grid out of thread to place over the text — but I’m not sure I have enough energy or vision for it. Maybe I need some more food?! The snack has happened, some water too. A recharge! I want to start with a loom frame for my 2 panel poem. I’ve cut out the frame and figured out the measurements for the grid, but now I’ve run out of time!
Well, I tried to think about them, but I forgot before I reached the river. I recall a flash of Sara since Saturday and then wondering why he chose Saturday, with 3 syllables, instead of Sunday, with two. Is it because Sunday doesn’t sound quite right? ↩︎
60 minutes Minnehaha Falls Off Leash Dog Park 62 degrees
Another great hike beside the river and through the sand flats of the dog park. Much warmer than last time. Humid too. Not quite still, but quiet, calm, overcast. At the end of the walk, as we ascended a hill I described what I saw to FWA: the sky was bluer at the bottom of the sky near the fence; it faded to white as your eyes traveled higher. Was it just my strange vision? No, FWA saw it that way too.
We talked about one of FWA’s favorite teachers from High School. We agreed that she was one of the few teachers who really saw FWA and his neurodivergence. This led to discussing roommates and how hard it is to be understood by them when your brain is not neurotypical. We talked about our senior years of college and our desire to be done. And, like always, we talked about One Piece and other dogs and strange looking trees.
10 Things
brackish water at the beach on the edge of the park
soft sand that seemed deeper — had Minneapolis Parks dumped some dredged sand down since we were here last?
a motor boat traveling slowly up river, making waves
Delia doing my favorite thing: jumping over a log while running, her front and back paws stretched straing out like Superdog
the water looked soft and brown and flat
the faintest flashes of green all around — new buds on the trees!
a woodpecker knocking on dead wood
dots of green on the ground — moss, new grass — everywhere
rolling over several rocks on the ground — not falling or twisting anything
a woman walking a dog on a leash, calling out to them: no, you can’t! you lost your privileges when you ran away from me!
Grids
a summary: I’ve been playing around with Holes 4. I put it on my new corkboard wall and tried different thread/yarn/string. Then I played around with how to have the thread (which represents the lines of an Amsler Grid and being mapped in space/time) emerge from my blind spot in the center of the panels. Then I added red yarn and connected the words of the poem to each other.
more experiments with Holes 4 / 13 april 2026
I discussed it with RJP, which was fun, and we both decided that this black thread/red line effect was didn’t fit with the words of Holes 4. They were better suited to Holes 5 — maybe 5b? I want to print out the poems for each of these holes and post them on my board; this might help me keep track of all of them. The text from Holes 4 describes not seeing the hole or any lines, but everything as seltzer fizz and nothing that is something not sharing its secrets. That poem should have lots of little circles (seltzer bubbles/fizz) and create an optical illusion — you stare at the dark dots and then you see them everywhere else, almost like an after image. This poem might also have the words as enlarged?
note: I love my new board and being able to discuss my ideas with my kids; they have some very interesting ideas. Also, I think returning to a study of grids and learning how other people — artists and scientists — have used them could help guide my next steps.
what’s next:
I want to continue studying grids; I’ll start by reading (or trying to read) the book for the Charles Gaines exhibit.
I also want to keep pushing at my poems, so I’ll continue working on Holes 6, which is Lines 1.
And, I want to think more about lines, which means it is time for a lines/strings/thread playlist!
Charles Gaines and Gridwork
In the intoduction to the book, summary descriptions are offered for his works:
1 — Regression
28 drawing / 4 sets of 7
An arbitrary shape was chosen, and numbers were assigned to different squares of the graph according to their position. The numbers were then employed in simple arithmetic calculaitons to generate the form used in the next drawing in the sires. As the numbers threatened to overflow the parameters of the drawing, Gaines used what he calls a “radical divider” to contain teh propagation of his system. The final drawing in each set determined the starting point for the next, and so from any arbitrary starting point an infinitely expanding number of drawings could result.
Gridwork: An Introduction
Gaines was “interested in where systems fail or regress, revealing the innate contradiction of the objective or scientific enterprise. In other words, his work reveals the limations of systems.
2 — Walnut Tree Orchard
Each, a triptych — a photograph of a tree, a drawing in which the photograph is transcribed into numbers plotted onto a grid, and a second drawing that overlays all the previous grid drawings in the set onto the image from the second drawing.
This line, this series “makes visible the limits of photography, highlighting its single-point perspective, its flattening of space, gave me an idea: should I read/think about how reading happens and/or how we believe it happens, and play with that in my series?
3 — Incomplete Texts
used literary texts, picked ones that appear to supply information in a straightforward, truthful manner and submit them to processes of abstraction that complicate meaning
based on a page from Roy Nickerson’s Brother Whale he systematically removed letters from copies of they typeset page and transferred them to a grid this transformed the text into a series of fragments recalling whistles/clicks of whale song
note: It is difficult for me to actually see his grid images, so I’m struggling to understand what Gaines is doing in his different series. I want to dig deeper into his interview and other discussions of his grid system so I can understand how/why he’s using it1. This understanding might help me clarify how/why I’m using it — or, will it take me too deep into academic Sara territory?
Decided to google, “artists who use grids” and found this awesome exhibit that was at the High: Off the Grid. Very cool! I lived in Atlanta for almost 4 years and I never once went to this museum. Why not?
a flash of an idea: what if I turned Holes 3 into a “straight” grid, where the x-axis is blur, and the y-axis is almost. I could number the grid boxes with x and y coordinates and then have those coordinates next to the corresponding words in a poem key? I could either print out graph paper OR create a grid on the paper with string and a loom?
the poem for Holes 3:
Fall through the hole your reading eyes find and land in a logic of blur and almost.
Yes! The new experiment to try: the two pages from the New Yorker essay on a cardboard loom/grid, under a grid made out of black embroidery thread. I might add the shadow (a faint trace) of my blind spot drawn on the essay. The grid is also a graph with x-axis and y-axis named, blur (x) and almost (y). Each of the grid boxes has numbered x and y coordinates. Next to the graph/grid is a key/map with the xy coordinates. You look up the xy coordinates to find the words of the poem. Will this work? Consulting with Scott, he had some additional ideas: put the words in alphabetical order + put a pin and a number (signaling the order of words) next to the word — Scott compared it to dots on a map).
I like this idea and how it forces the reader to slow down and read the poem one word at a time. This isn’t quite how I read, but it gives a sense of how much slower I read, how many less words I can read. I also like the idea of a map, because part of why I am drawn to the grid is because of the way it enables me to locate and visualize my blind spot and vision loss.
Reading the interview will have to wait for tomorrow. My eyes are tired from what I’ve already read, which was only about a dozen pages. ↩︎
Strange weather. Yesterday it was in the 40s and raining, today it could get up to 80 degrees. Then 70s all week and high of 40 next Saturday. I wore shorts and a tank top today and felt fine — not too hot or cold. For the first time this year, I ran with Scott. Hooray for old traditions returning! We did 9 minutes of running and 1 minute of walking, which helped keep us steady. We both agreed that we’ve been very undisciplined with the steadiness of our runs. Yes, I’ve continued to run about 20 miles per week, but I haven’t had much of a plan and I’ve usually made it for 2 miles without stopping, then running and walking the rest. Time to get more serious and work of my mental toughness.
Scott talked about his latest musical composition — a suite inspired by Artemis and its voyage to the dark side of the moon. It’s in 26/81. I talked about the YouTuber, Ms Space Cadet, her struggle running, and how she was running faster than her fitness because of her new shoes. I also mentioned the podcast I’m listening to: an interview with Robert Macfarlane about his recent book, Is a River Alive? So good! I was listening to it this morning as I colored in my holes/circles for a redo of Holes 4 (more on that below).
We passed a race in progress on the river road. I think it was the Gopher 10 mile, but I’m not positive. At one spot, where the spectators and volunteers were thick, I heard someone call out, you can do it! you’re stronger than you think! (is that what they said, or am I remembering it wrong?)
The air was thick, the trail still damp from last night’s rain. Noting green yet, everything still brown. No rowers on the river. No roller skiers. No memorable birds.
grids and threads
I’ve put Holes 4 on my new corkboard (which doesn’t seem to want to stay stuck to the wall in this humid weather) and experimented with black thread and gray yarn. FWA likes the thread, and Scott thinks I need something in-between both. Dark string? We don’t have dark string, but we do have white string? Should I try that?
experimenting with lines / 12 april
I did try the white string and didn’t like it. More experiments with thinner yarn and embroidery thread tomorrow!
I had to double-check with Scott on that strange time signature. He also sent me the breakdown to the movements: I. Launch [5/8 + 5/8 + 5/8 + 5/8 + 6/8] II. Journey Through the Void [4/4 + 4/4 + 5/4] III. Mare Orientale [6/8 + 6/8 + 6/8 + 4/4] IV. The Terminator [6/8 + 7/8 + 6/8 + 7/8] V. L.O.S. [3/4 + 2/4 + 3/4 + 3/4 + 2/4] VI. Eclipse [7/8 + 7/8 + 7/8 + 5/8] VII. The Return [6/4 + 7/4] VIII. Splashdown [5/8 + 5/8 + 5/8 + 5/8 + 6/8] ↩︎
Sun and shadows and spring air. Also: chirping birds, bare earth, buds. A beautiful afternoon for a run, after a morning having fun making a grid and reading an essay backwards and thinking about threads and strings and scotomas.
The river was a blueish-gray, the sky was empty of clouds. Now, sitting at my dining room table, I hear cardinals, but out near the gorge I think it was wrens, or could it have been sparrows? Oh — at least one pileated woodpecker and the feebee of a chickadee.
tmi note for marathon-training Sara: the run was made difficult by unfinished business. I need to do more work on figuring this problem out!
My favorite image: Walking and running back through the neighborhood, I noticed (and not for the first time) a delightful maple tree. A straight and solid trunk then 2 thick branches rising out of it. One of them slanted only slightly to the side, the other bent midway up, looking almost like a knee. Yes! This tree offers a classic example of the tree looking like an upside down person, their head, shoulders buried in the dirt, only their torso and crotch and legs sticking out of the ground. Oh, why didn’t I bring my phone today so I could take a picture of it?! I’ll have to go back. It’s on 35th street between 46th and 45th avenue. I wonder, will anyone else be able to see what I see in a picture of it? when standing beside the tree?
grids and lines and strings and threads
note: I’m starting this in the morning just after a big breakfast. I’m listening to early The Kinks, “Arthur or the Decline and Fall of the British Empire” from 1969 and “The Kinks Are the Village Green Preservation Society” from 1968. I love early The Kinks!
Continuing a discussion I began yesterday but wasn’t able to continue:
I found this quote from Chuck Close about why he used the grid method:
Almost every decision I’ve made as an artist is an outcome of my particular learning disorders. I’m overwhelmed by the whole. How do you make a big head? How do you make a nose? I’m not sure! But by breaking the image down into small units, I make each decision into a bite-size decision. I don’t have to reinvent the wheel every day. It’s an on- going process. The system liberates and allows for intuition.
Breaking the image down into small units. Working in small units and seeing fine detail — those are functions of central vision. Peripheral vision is the big picture, that big head, those whole noses. Most of what I see these days is big picture — whole, fuzzy forms. The central vision I have is very small and seems to be very near the center of my central vision. How big is the one grid — that tiny island surrounded by gray water — that allows me to see anything as more than an almost form? The only detail I can really see (I think?) is a word in small print.
Just gave about an hour to creating the grid for the bigger version of my scotoma. In the “normal” sized one, each grid is .25 x .25. In this grid, it’s .8 x .8. I’m listening to a 1970 album by The Kinks, “Lola Versus Powerman and the Moneygoround, Part One.”
The grid is fiddly and involves a lot of measuring. It is slow, repetitive work. As I measured and drew line after line, I thought about how this work might open me up to new ideas and that this process by me, Sara-barely-not-blind, is part of the work I am creating. It is not only the finished product of a visual poem, but all of the labor that went into it that makes the meaning. Much of that work is invisible (although I’m documenting it), but it colors and haunts and shapes what I am trying to communicate.
2 grids and a blind spot
Now, it’s time to use the grid to create a super-sized scotoma, and then, to play around with different materials for laying the scotoma over the words of Holes 5b! Possible materials: trace the scotoma directly onto the paper and then color it in. Cut out different types of plastic — ziploc? a grocery bag? cling wrap? What about a very, very small grid made out of black thread? Fiddly, but fun!
Before I return to that, I need a break, so I’ll return to my close reading of a book review on memoirs by daughters about their fraught relationships with their mothers. I picked this selection from the NYer because: it’s a book review, and I love book reviews!; it uses a lot of language about connections and separations; and it uses hole, thread, and line.
My close reading = start with the last paragraph of the essay, then the second to last, then the third to last, etc. So, backwards. It’s a strange way of reading, being thrown into ideas that are presented as familiar, but haven’t been introduced yet. Slowly, the more I read, the more sense it makes.
Misfits / The Kinks (1978)
I started my close reading of the NYer book review, What to Make of the Mother Who Made You/Rebecca Mead, yesterday afternoon while drinking a surprisingly good NA beer at Arbeiter. Here’s a list of words/phrases I found during that reading, along with my additional words from today’s reading:
when the facts are unbearable, it’s natural to escape into
coordinates
accomodate
(to) make sense to myself
disorientation
knowledge
ghost
humbled
should be
to write one’s way out of
shedding
knotted
threads
familiar
searching
hunt it down like prey
in the other room
readers
almost blind
estranged
against
reframing
obedience
en chant ment
elsewhere
world made whole again
inheritances
family
moves
opens
traces
artificially formed
origins
sober
square
closed
door
discomfort
feelings
slither
seize d
character
disembowel eat
spotted
rupture
alone
defiance
entanglements
kinship
matriarch
loom
shadows and absences
ordinariness tempo
lens
locating
mess ily
tending
cancer
seen
naked
con found ing
pro CLAIM
think about
offspring
runs through
nothing, subdued
account
assumes command
between
emerge
maintain ed distance
light
center
entwined
depend
reckon
Again, these words speak to a strained relationship between daughter and mother. I’m thinking that my mother here is written language and the words on a page to be read with failing/failed eyes. A distant mother, a daughter uncertain as to how to reconnect (or to keep the connection), or even if she wants to stay connected.
In the midst of all of this, I’m also wanting to get more inspiration from a collection of erasure poems that I discovered last fall and have been hugely influenced by: a wonderful catastrophe / Colette Love Hilliard. Here’s one of her found poems that uses lines:
a poem from a wonderful catastrophe/ colette love hilliard
I like how the lines are slanted and all coming out of one source which resembles the sun. I might try having lines of black thread emerging from a center hole in a 4 panel poem. The threads just barely covering all of the words, the words of the poem printed on circles attached (pinned?, sewn?) on top of the strings. I want to try that now! Can I do that AND make my super-sized scotoma?
a few minutes later: I will do the scotoma tomorrow; the sun is too bright in the room for me to see the grid! And, before I can try out the black threads, I need to remap Holes 4. So, tomorrow for both of these.
RJP just stopped by and when I showed her what I was working on, she reminded me about Coraline and her other mother who lives on the other side of the door (here, instead of Alice’s hole, there is Coraline’s door). The other mother has buttons for eyes which reminded RJP of the holes I traced on my Holes 5. So cool! I could try adding buttons to my Holes 6, which is using a text about mothers and daughters!
summary of the day: A lot of great ideas, a few plans, a little making.
David Bowie Essentials — the last song heard, “Suffragette City”
60 minutes Minnehaha Falls Off Leash Dog Park 40 degrees
With the sun, it felt warmer down in the floodplain forest, although my hands are still cold many minutes later even though I wore gloves. I don’t like the cold hands, but I didn’t mind the cold air. So many wonderful deep breaths — in and out, in and out.
The trees are still bare, so FWA and I could see far in any direction. For the entire time, FWA was telling me the story of the latest video game he’s been playing, Clair Obscura. So good — both the game (at least as I understand it from FWA’s description) and FWA’s describing of it. His excellent way of describing the games to me reminds me of how I enjoy New Yorker book reviews as something about and entirely separate from the acutal book they are reviewing. Often the review is better than the book. I’m not saying that’s true of the video game, although I guess it is for me because I don’t play video games (partly because I miss a lot details that I can’t see).1
I love hearing FWA’s accounts; he’s so good at them. They require my full attention and engagement — which is a good thing, and a hard thing (hard because it is hard to stay focused and not get distracted for that long with so many interesting ideas, and because FWA gets frustrated and can tell when I’m not fully listening). Even as I listened to and engaged with FWA’s story, was I able to give attention to the river and the trees and the bluffs? Yes! Here are 10 things I noticed:
10 Dog Park Things
at the top of a small rise: a HUGE tree with a girth wider than 2 of me could hug. Wow!
tree tableau: one tree bent over in an arch across the path, another tree leaning in and onto its trunk, the next tree in the middle of the sandy path just on the other side of the arcj
talking with some dog walkers, feeling one of the dog’s behind me, putting its snout under my coat and sniffing my butt
bright blue sky with a few fluffy clouds
a thin white foam near the shore
the sharp, foul smell of Delia’s poop as I tied up a poop bag
greeting another walker — good morning, what a beautiful day!
a pileated woodpecker, laughing
a thick wall of bare trees on the other side of the chainlink fence
a guy with 2 dogs, talking — I think into a bluetooth, but maybe just to himself?
Returning to #2 and the tree tableau: I wanted to stop and take a picture of this beautiful image but I knew that would upset and derail FWA and I’ve learned the hard way to respect that and to recognize that it is part of his ADHD/(possibly) autistic brain. I was planning to write all of this in a footnote, but then a song came on, “People Take Pictures of Each Other” from The Kinks, and I had to put it on stage, here in the text. It opens with these lines:
People take pictures of the Summer Just in case someone thought they had missed it And to prove that it really existed
Was Ray Davies reaching through time to sing this to me? Improbable as that is, wouldn’t it be cool? I guess, from one perspective, he is!
grids — lines — strings — threads — yarn
note: I began writing this after coffee and a substantial breakfast of blueberries and yogurt and granola. Lots of thoughts from here to here to here that I think was influenced by that coffee and food!
There are many ways to think about grids, and many ways that I like them. Today I am thinking about the lines and how they connect and locate and tether us to worlds, to people, to logics, to meaning and language and words. I’m thinking about this metaphorically and literally. The Amsler Grid is made up of ink lines. Can I represent it in my visual poem as string and thread and yarn?
A few minutes ago, yarn as telling a story popped into my head and I wondered what the origins of that expression were. It’s nautical:
“story, tale,” often implying “marvelous, incredible, untrue,” colloquial, by 1812 in the figurative verbal phrase spinning a yarn (also yarning).
It is said (by 1823) to be originally nautical, a sailors’ expression, from the custom of telling stories while engaged in sedentary work such as yarn-twisting
So many directions I could go with these ideas. I love this idea of thinking about the grid and the material/meaning of its lines. In a New Yorker article that I’ve already used for at least 2 (maybe 3) sections of Holes 5, the phrase, pull the strings, appears. I noticed last week and put it aside. Now I’m thinking of shifting my poems from Holes to Threads (or strings or lines). Whereas the rule with Holes poems is that “hole” had to be in the text, I’m thinking of being more flexible with this new direction: maybe, for each new essay/article that I use, I find a different name/word for connecting lines. I already have strings (from “Mystery Man”) to work with. And, I found another article, about Arundhati Roy’s new memoir that has “hole” AND “thread.”
Another related thought: Lines, especially on a rigid grid, don’t always connect us in welcomed ways. They can tie and bind and trap us too. There’s a tension with lines and strings and threads: we want to be connected, and we want to break free from the connections that do harm to us. Entangle2 and unravel. Entangle and unravel.
Okay, I started this thought in footnote 1, but I’m bringing it back up here. I’m thinking about evidence boards (or murder boards or red string boards) and how they map out a crime. I don’t see my vision loss as a crime, but I do see it as a mystery — not to be solved, but to be mapped and located and witnessed — yes, witnessed!
And now, after hiking at the dog park and eating lunch and doing the dishes, I’m attempting to return to these ideas and dig deeper into them. But, it’s hard to get back i that flow.
Maybe creating a list of tasks?
think/read/experiment more with murder boards: redo the second holes and put it on a (card)board back with yarn and pins
begin a new playlist: grids, lines, strings, threads
make a poem with strings in it out of the “Mystery Man” article
give some time to Holes 6 and its hole and thread found in the New Yorker book review, “What to Make of the Mother Who Made You?”
create the proportionately bigger scotoma template for Holes 5b, experiment with placing it or tracing it over the words of the article
revisit the erasure collection, a splendid catastrophe for inspiration
Okay, lots of ideas. Let’s return to the one we started yesterday — 5b and the two holes and figuring out how to represent those 2 holes on the page (1 hole — the very small amount of central vision I still have left, 1 hole — the fuzzy, filmy, fading/faded central vision graveyard that surrounds/encircles what’s left — hole 1 = the word / hole 2 = the void or wall or circle that encases/entombs the word and is always waiting to consume it.
A visual inspiration for the dark/light contrast in this poem and in my experience of the holes as I read words on a page:
bright eyes in the dark
In my memory, Alice’s eyes were much brighter than I can see in this image. Something to think about: my version/vision of the dark due to my blind spot is never like this; I mean, it’s not all black. When looking at faces in can be a dark, smoky/smudged gray. When looking at words, I might see a faint dark ring. Sometimes it’s fuzzy or static — it’s not Nothing; it is something that is always moving. And here’s where I can get into Alice nonsense speak: It is not that I see Nothing; I don’t know that the something that is there is missing for me. I see no thing, without knowing that I’m seeing nothing. I think I need to work on that explanation.
But, back to the inspirational image. I like the contrast and the white eyes against the background. Do I want to make my word holes look more like eyes in this one? If I can do it without looking cheesy, yes!
I hope all of this makes sense to future Sara. Now, time to create my supersized scotoma!
update, a few minutes later: I started to think about how I might create the bigger version. There are probably many ways that are obvious to people who make things, but I have not been a maker and it’s all new to me. I like the idea of re-creating the grid, just bigger. Suddenly a thought: doesn’t the artist Chuck Close do (or, didn’t he do) something like this to create his portraits? Yes! He’s one of the most famous artist-users of a grid. Minneapolis Institute of Arts (MIA) has several of his works, but none can be viewed right now. The Walker has some too — I can’t readily see if they’re available for viewing. Some deeper digging is needed.
Almost every decision I’ve made as an artist is an outcome of my particular learning disorders. I’m overwhelmed by the whole. How do you make a big head? How do you make a nose? I’m not sure! But by breaking the image down into small units, I make each decision into a bite-size decision. I don’t have to reinvent the wheel every day. It’s an on- going process. The system liberates and allows for intuition.
file this with my Holes/Grid discussion: in thinking about all the ways I’m expressing something about myself through this series, I’ll add the significance of using the New Yorker and some book reviews. I love these book reviews and the access they give me to words/worlds that would otherwise be inaccessible (also thinking of the fun section on NY events and the restaurant reviews). Using New Yorker articles in these found poems is a way to reference that; it’s also a way to be able to still read them: slow, repeatedly, in strange order, and one word at a time. ↩︎
I looked up, opposite of unravel, and found twist, knot, tangle, entangle. I love the idea of entanglement! Reading more of the Merriam-Webster entry, I read about unraveling a mystery/solving something, lessening the confusion. Yes! These ideas return to something else showing up in my visual poem: the image of a crime board — what is it called — where you put pictures of the suspects on a board and then use string or yarn to link them. I should read up on that concept some more, maybe watch some movies or shows that use it?! Is this linking used in other things that don’t involve solving a crime? How do I google that? ↩︎
3.75 miles wabun hill 60 degrees wind: 25 mph gusts
Windy and warm this afternoon. Shorts and a short-sleeved shirt. Hooray! My feet feel strange in my new shoes. Hopefully I’ll get used to them soon. Sometimes it felt easy, sometimes it didn’t. I stopped several times to admire the view. There is new, brightly colored graffiti under the ford bridge. I noticed it when I stopped to look at the hill of dirt (some of it looks like loose dirt to me — is it?) that the pilings for the bridge push up against.
The favorite thing I experienced this afternoon: At the bottom of the hill near the locks and dam no. 1, I stopped to admire the river. The surface was undulating in the wind. It was only slightly moving, creating a strange feeling — not of dizziness, but of everything shimmering or flickering.
holes 5b
Here’s a draft of another poem made from words in “Mystery Man”:
two holes one — the only place where reading is still possible a small island surround by the other and its not even firelit free fall into nothing
I’d like to make the New Yorker text for this poem white on a black background. Is that possible? Can I achieve the effect of being in the dark in some other way? Maybe I’ll try shading text with pencil first? I’m still not sure. I’ll need to look for some more inspiration.
an hour or so later: Here’s something I’d like to try tomorrow that I thought of earlier — for my 2 holes poem I want to trace my scotoma/blind spoi on the 4 panels. I want one that covers a substantial amount of the text/pages. I’m thinking a 16 x 16 inch grid, which I already have. I’m not thinking that I’ll use the grid on the poem, but I’ll use it to measure the proportions of the bigger scotoma. Fun! I’m sure there are much more efficient ways to do what I’m trying to do, but I like the DIY nature of this approach. I also like how it’s not overwhelming for me, with my very limited crafting/making skills. If I spend too much time on crafting something that is trying to look polished and fancy, I might lose all of my creative energy. I should find a class to take in which I can learn some of these skills!
4.1 miles river road, north/south 39 degrees wind: 10mph / gusts: 15 mph
Boo to the cold, although it only really felt cold during my walk warm-up. Maybe the boo should be reserved for the wind which was directly in my face running south. But, even with the wind and the cold, there was sun and clear paths and birds and open water. Spring! My legs and back felt strong, and my feet were locked into a steady rhythm. I encountered at least one large-ish group of runners, many groups of walkers, dogs. No roller skiers. Any bikers? I can’t remember. At least one stroller.
Running north, I listened to my feet striking the ground and birds chirping. Running south, I put in my “I’m Shadowing You” playlist. Song I remember most: “Shadow Stabbing” by Cake.
My anxiety has returned, which is a bummer, but not unexpected. There are so many reasons it could be back (I mean, looking at the news for today — Drump’s deadline for Iran is tonight — JFC). My latest theory: I am experiencing another vision shift (more cones lost?) that sometimes makes me feel dizzy. Dizziness triggers (mostly) mild physical panic. Combine that with hormonal changes, thanks to perimenopause. Nothing too overwhelming, but still draining and uncomfortable. I understand the anxiety better now than a few years ago, but that doesn’t mean I can anticipate it. Before my run, I felt a little dizzy. That dizziness (or imagined dizziness?) lingered a little during the run then returned right after. Sigh.
added later in the day: Finishing this entry up at my desk, I saw the shadow of a bird fly by which reminded me of the bird shadows this morning as I ran. It happened more than once, a dark something flying over my head as I ran: a bird’s shadow!
grids and holes and reading
My Holes series has several elements: the hole, the grid, reading. All of them are important in these visual poems. Also important: these are visual poems. The words in them matter as much (or more? or on the same level?) as the visuals.
What am I trying to express with this series? The strange and strained and magical way in which I can still read words even with most of my central vision gone. The progression of my declining ability to see words and its untethering effects.
a couple hours later: Playing around with my first Holes, this morning, I focused on figuring out how to connect the sections of the poem, to map the path from word to word to word on the page. That process of reading is key to this series1. After ruminating, which frequently meant standing and staring at the poem on cardboard, trying to figure out how to make this rectangular 4-panel poem fit into the square of an Amsler Grid, I came up with something to try. Fasten the poem panels to cardboard by placing pins next to the words of the poem, then connect/map the words with black thread. When I tried that, the thread was more fiddly to work with than my eyes and hands liked, and it didn’t show up that well:
black thread map / Can you see the thread? Just barely, for me.
So I tried dark gray thread, which was easier to work with and showed up much better. Maybe as the series progresses and my tether to the world through words weakens, I’ll use thinner, less visible thread?
gray yarn
One thing to fix for a different version: adjust the pin so that the thread line between with and word doesn’t cross the center — to do this, possibly switch to another “the” lower on the panel.
I like the yarn better! I realized that one of the key elements of this poem is to show the process of reading, the act of jumping from word to word to word, how the connections between words are increasingly complicated and convoluted. As I was thinking about that mapping, I remembered some images that I’ve seen several times and that Scott mentioned the other day: a spider’s web after taking various drugs . Here, lines = grids = webs!
The next experiment = putting the 4 paneled poem on cork board, using gray yarn and push pins. Another thing to add: draw more holes (circles), color them in with pencil, then erase them to leave a ghost (afterimage-ish).
during the run: holes
During the run, I thought about printing the New Yorker article on graph paper and adding an x and y axis for plotting the words. I might do that for a few of the Holes — as my vision gets stranger, so do the names of x and y. Maybe Holes 1 is x = time and y = space. Another Holes could be x = real and y = imagined. I should look through the other poems and determine their x and y axis.
questions: Are the lines from the Amsler grid (that is, the lines that make up the grid) and the lines that connect the words and map them on the visual poem the same? Can they sometimes be the same in one poem, and different in another? (note from 16 april: I’m not sure what I mean here with the same and different lines.)
A thought as I wrote this sentence: part of the process of moving from word to word is running into words on a line that I didn’t see. In my Plague Notebook, I have countless examples of visual errors in which I write words on top of each other. This works differently in reading — in reading, I only see the word I am reading — but it connects. This not seeing + words on top of each other could be represented by the increasing jumbled way my lines from word to word are mapped. ↩︎
4.35 miles minnehaha falls and back 32 degrees / feels like 17
Cold again. Because of the low feels like temp, I overdressed: 2 pairs of tights, long-sleeved shirt, sweatshirt, pullover. Halfway through I ditched the pullover, which was awkward as I struggled to take it off without removing the outer layer.
Tried to stay steady and slow. Chanted in triple berries in my head. Took several walk breaks — not because I was tired, but to take pictures or to record my thoughts or to take off my second layer.
Thought about grids and nets (more on this below) as I ran. Recorded some thoughts on my phone:
recording 1: I’m thinking about grids and the lines and why it matters to me. And I’m thinking about the xy axis and a map and the visual field. And mapping and locating yourself within the known world and how reading is so important to that locating and figuring out how to navigate without that.
recording 2: Thinking more about why nets or grids or that particular way of being located is to be held, to be connected, to be located, to be seen or recognized or have others aware (of you). So not in this free fall. To orient yourself in some way. To not be entirely unmoored. Because as fun as it sounds in theory to be untethered and unlimited by these restrictions, physically it does not feel good. Dizzy, disoriented, nauseated (sometimes). A slow, growing anxiety.
This last bit about the ill effects of being unmoored was inspired by how I felt as I started my run. It wasn’t entirely unpleasant, but I did feel a little dizzy and disconnected from the path, unable to clearly see what was ahead of me. I wasn’t blind to the trail or anyone on it. I was disoriented and anything I saw was vague and barely formed. This way of seeing unsettled me; it also made everything feel dreamy and not real or unreal or surreal. By the end of the first mile, it had dissipated somewhat.
So, why the Amsler grid? First, the obvious: it’s a vision test and I am writing around (and through) vision tests in much of my vision/visual poetry. Another explanation: it represents a mapping, a locating, a connecting to the known world (where known partly = “normal”/medical understandings and models of seeing). Also, it is a reference point from and a starting point that readers can understand (a place of common ground, a concrete and easily expressed and understandable model and map for blind spots in central vision/visual field).
grids / nets
I was planning to study worms and bugs for my April challenge, but that will have to wait. This month is about grids and nets and matrices. I chose this topic because I want to dig deeper into the grid and what role it plays in my Holes series, and also because of a series of pieces that AMP pointed out to me at MIA (Minneapolis Institute of Arts):
Charles Gaines / Numbers and Trees
I found a book from one of his exhibits and requested it from the local library. When I get it, I’ll discuss the grids more. (I also plan to return to MIA soon to study the pieces more closely). Here’s one photo of them that I particularly like of me, FWA, and RJP, who is talking with her hands in a way that I love.
3 people looking at art, 2 of them talking about it, one with her hands
. Heading out for my run this morning, I wanted to notice grids. A few minutes later, all I could think about was the twisted/bent fence at the falls that I noticed last Thursday. I regretted not stopping to take a picture of it then, so I took several today. Here are 2:
1
Remembering this crooked fence and then taking pictures of it, inspired me to expand my grid/net/matrix month to fences too — this fence + chainlink fences. Things that contain, orient, map, frame.
To start this grid exploration, some research on the Amsler Grid. Have I done any research about it in past years? Not that I can find!
Amsler Grid
The Amsler grid, used since 1945, is a grid of horizontal and vertical lines used to monitor a person’s central visual field. The grid was developed by Marc Amsler, a Swiss ophthalmologist. It is a diagnostic tool that aids in the detection of visual disturbances caused by changes in the retina, particularly the macula (e.g. macular degeneration, Epiretinal membrane), as well as the optic nerve and the visual pathway to the brain. An Amsler grid can show defects in the central 20 degrees of the visual field.
In the test, the person looks with each eye separately at the small dot in the center of the grid. Patients with macular disease may see wavy lines or some lines may be missing. . . .
Although originally intended for use in clinical settings, the Amsler grid has proven highly adaptable for home monitoring. Its portability and ease of use enable patients to participate actively in the management of their ocular health, allowing earlier detection of disease progression and more timely medical intervention.
This idea of it being for use at home connects to my desire to use whatever materials and words I can find around me for this Holes series. There’s more there, I think.
I’d like to spend a few minutes (maybe later today or tomorrow morning) writing more about lines and grids and mapping and why it’s important to me, both in this series and in my understanding/description of my vision loss.
While looking for more on Amsler and the grid, I found out about Edward Munch and his vision loss at 60. As he was experiencing it, he drew a series of sketches/paintings, some with grid lines, some annotating the strange ways he saw. Very cool. Here’s more about it from a exhibit at the Tate. Is there a book for the exhibit and could it be at my local library? Yes! I just requested it.
60 minutes Minnehaha Off Leash Dog Park 40 degrees / sun
note: writing this entry on monday (6 april) morning because I was busy yesterday talking non-stop with my wonderful older sister who was visiting.
A wonderful hike through the dog park with FWA, AMP, and Delia. It was cool but felt much warmer with all the sun. More than once, I took a deep breath, sighed, and said, this feels so good — to be outside here, now! Delia was in her element, and so was I: hiking on a wide and open trail with people I love, having great conversations about storytelling and trees and other things I can’t remember.
overheard: a tween protesting to an older sister or mother or some adult — I really didn’t MEAN to reference 6 7! The older sister’s response — oh yes you did!
10 Things
a pileated woodpecker calling out several times and in several different spots
a few stretches of goopy mud with footprints
a dalmatian — long and lean with bright white fur and dark spots
a distant knocking of a woodpecker on some dead wood
a woman, frazzled, calling out for her dog — Tubby or Toby or Trouble? (I couldn’t quite hear the name, even though she called it at least a half a dozen times)
another dog’s name: Lola
a tree graveyard — barren: mud/dirt, a few tall trunks with no branches or bark, half-sheared
trying (and just barely succeeding) to locate Delia’s poop so I could pick it up
a contrast in textures: first firm mud then hard dirt studded with rocks then loose, soft sand
a full parking lot on Easter Sunday
Dalmatian: I mentioned to AMP that the concentration of melanin in a dalmatian’s spots can often cause hearing loss. I looked it up on a past log entry and discovered that I was approximately/almost right but also wrong:
Interesting fact from Scott and Mental Floss: 30% of all Dalmatians are deaf:
Around 30 percent of all Dalmatians are inflicted with deafness as a result of their spotted markings. Breeding dogs with this coat can lead to a lack of mature melanocytes (melanin producing cells) in the inner ear. Without these, dogs can become hard of hearing. Dogs with larger patches of black are less likely to be deaf.
It was a wonderful sister visit. I was able to show my Holes series to AMP, who is an amazing visual artist, and get some helpful and exciting feedback. So many new experiments to try with layers and different types of paper. We talked a lot about the Amsler Grid. She suggested trying out graph paper or making my own graph paper by copying and enlarging my handmade grid, made on a loom with thread. Also: plastic sheeting — I like plastic sheeting because I have often described feeling like I’m seeing/experiencing the world through a plastic bag or bubble. And: stencils for the circles, which would make the tracing part easier. Oh — and she mentioned using something other than canvas for the backing because pins would not be stable. Wood was one of her suggestions — I could learn to cut my own wood (I know I could do it even with my bad vision, but would I want to?) and drill into it.
A thought: there is something significant about my reliance on found materials for this project. I’m taking the words from old New Yorker articles. I’m using my kids’ old craft materials — markers, pencils, glue sticks, yarn — and various things around the house for circles — a penny, dime, nickel, quarter, candle cap, 2 pill bottle caps (including the cap from my lexapro). My grid is made from old cardboard (a shoebox from my running shoes). I like the idea of making these found materials as part of the form/limits.
Crayons! I just remembered another thing my sister said. Crayons are fun to work with. She said a lot of stuff that I wish I could remember; here’s one thing I did: you can create thick layers with crayons that you can scrap off with a knife or a sharp edge or something. I would love to find a use for the ridiculously big bin of crayons we have in the basement.
A reminder: AMP reminded me that not all of the ideas might work in this series, but I can save them for other projects. A refrain to apply to any new idea/experiment: does it serve the message I am trying to convey? What is that message? More on that in the next post and after my Monday run!
4.45 miles minnehaha falls and back 35 degrees / steady drizzle
The forecast, rain all day, but when I looked out my window it didn’t seem too bad. No ice, above freezing, so I decided to go for a run, which was an excellent decision. I was bundled up and barely felt the rain — well, I guess I felt my soaked socks and cold legs (through my running tights), but I didn’t care. It was wonderful to be outside, mostly alone, only a few other walkers and runners joining me.
Because of the rain, I was wearing an old pair of Saucony’s (3 or more years old?) and didn’t run too fast. That helped me stay relaxed and able to keep going for longer. Maybe I should train some more in these shoes and save my new ones for faster runs, races, and until I’m trained up to run longer?Everything was wet. My favorite wet thing was the slick mirror Godfrey Boulevard made from the rain and new asphalt. Very cool! I saw my running self, trees, and sky and I thought about the upside down world where they all lived.
10 Things
the creek water falling fast over the limestone ledge on the bridge at the top of the falls
the deep puddle I stepped in that I thought was only a reflection of light on the trail
drip drip drip of water off the brim of my cap
taking off my hood, folding the flaps of my hat, and hearing the steady patter of rain
in through the nose 2 3 / out through the mouth 2 — 123/12
a steady, almost invisible rain with the occasional big drop — plain rain or freezing rain?
the lid of the toilet in the porta potty was wedged behind a bar and couldn’t be closed
empty benches / mostly empty parking lots
bright headlights cutting through the trees on the other side of the ravine
running by the Horace Cleveland Overlook parking lot and seeing an animal care truck (another name for animal control?) — is there a wolf or a coyote or a bear in the gorge — it’s always possible; they’ve all been spotted before
worms after the rain
It’s raining now, but sometime later today or tomorrow or the next day, it will stop and the worms will appear on the sidewalk. Here’s a poem I found about those worms:
You know how, after it rains, my father told me one August afternoon when I struggled with something hurtful my best friend had said, how worms come out and crawl all over the sidewalk and it stays a big mess a long time after it’s over if you step on them?
Leave them alone, he went on to say, after clearing his throat, and when the rain stops, they crawl back into the ground.
It would have been nice to run today because it is supposed to rain and snow for the next few days, but my IT band hurt in the middle of the night, making sleeping more difficult, so I’m taking a break today.
A new monthly challenge: Worms / Bugs
After a month of only experimenting with Holes, I’d like to add in a monthly challenge: worms/bugs. This challenge is inspired by a few things:
1
Last week, standing on the deck and enjoying the warming weather while Delia did her final pee of the night (what we call the “final hurrah”) I started hearing this strange noise. It sounded like rain, but it wasn’t raining. Lots of somethings crawling, all over the yard. Could it be mice? I tried staring, but couldn’t see anything but dead leaves. Whatever it was, it sounded like it was right by me. I felt like Harry Potter spotting Peter Petigrew’s moving footsteps on the Marauder’s Map but not seeing him — except I wasn’t seeing anything, just hearing it. The next week, I heard it again and managed to convince Scott to come out and listen too. And, he heard it, and was as freaked out about it as I was! If it had only been me who heard it, Scott and the kids might have dismissed it as “Sara doing Sara things” (where doing Sara things = seeing things very strangely/fantastically/improbably or impossibly).1 But he heard it and did what he does when he can’t explain it: he asked Facebook. The answer: earthworms. Of course! We didn’t rake up any of our leaves last fall (on the advice of Minneapolis Parks or Friends of the Mississippi River) and the earthworms were making those leaves rustle as they moved through them. Instead of being grossed out, I find this realization delightful and delightfully freaky. Such a strange experience to hear the dirt/leaves/grass alive all around us!
2
I might not have thought to devote a month to worms if I hadn’t also picked up a book at the library 2 days ago that has an entire chapter on Bugs. In Sea of Grass, two environmental reporters write about the prairie — land that looks barren but is teeming with life. The book has a LOT of words (too many for my bad vision?), but it looks interesting. Without a way to focus, like a particular challenge to study bugs/worms, attempting to take on this book would be too overwhelming for me. So, I’ll start this month with bugs and Sea of Grass.
3
I didn’t think of this third inspiration until I started writing this entry: what living things do you often find in holes? Rabbits, of course, but also Bugs! and Worms!2
Bugs Bunny — writing this last sentence and putting rabbits and bugs together reminded me of Bugs Bunny. Why is he named Bugs? I looked it up: he’s named for the character’s initial director: Ben “Bugs” Hardaway (wikipedia).
In addition to reading the bugs chapter, I can imagine studying: some great worm and bug poems; the idea of light as an insect; Socrates philosopher as gadfly/pest; rereading Kafka’s Metamorphosis; more on monarchs.
holes
Oh, the fiddle and faddle of it all! Almost too much for me, I think. The stringing of the loom with thread, I mean. RJP and I went to Michaels and got a few supplies: more thread, a sharper box cutter, pins, and (RJP’s suggestion) some canvases to put the poems on so I can use pins to connect the words of the poem with thread.
This afternoon, I measured and cut out a 4.5 x 4.5 loom and glued a 4 x 4 grid on it. Then I threaded the loom — very tiring! I think I need a bigger square, ideally more hefty than card stock, but less bulky than regular cardboard — a shoe box. And, I need to make the slats for the thread deeper and more consistently cut. My cuts weren’t the greatest because I struggled to work with the box cutter on the cardboard. More practiced, I hope, will make it easier. Maybe I should also try practicing differently: not threading an entire loom, but experimenting with a few cuts first?
I’ve been hearing this phrase, “X doing X things” a lot in reference to superstar endurance athletes being awesome — like when Taylor Knibb dominates a middle distance triathlon by ripping on the bike course and the announcer says, that’s just Taylor doing Taylor things, and I’ve been wondering how I might apply it to myself. I think it works here. I don’t see my Sara-way-of-seeing as bad; I like being strange and improbable! Could that be the title of a chapbook or full collection: Sara Doing Sara Things? Another phrase I’ve been hearing a lot on podcasts and race commentary in running and triathlon is: give her her flowers or he hasn’t gotten his flowers or they deserve their flowers. It’s a reference to the practice of giving a bouquet of flowers to someone after their concert or play or some sort of performance — they also give flowers to the winners of track races in the Diamond League ↩︎
Hearing Scott’s um, actually in my head, I’ll add that I understand that bugs/insects and worms are not the same thing and that worms are not bugs. Maybe a better way to name this challenge is “creepy crawling things below the ground or near the ground”? ↩︎
Overdressed. When I checked the temp, it read 45 but feels like 34 so I added a layer, which was a mistake. Lots of dripping sweat and a flushed face. My goal today was to try and take it easy with a steady 10 minute pace. I was mostly steady, but ran faster than that. I need to figure out how to slow down again; my new shoes make me want to run faster than I can sustain for long runs.
I chanted in triple berries to keep steady and to lose track of words and ideas: strawberry/blueberry/raspberry. It worked. I don’t remember what I thought about.
For some of the run, it felt hard to keep going and for some of it, it was easy. I think it’s time to experiment more with ways to distract myself — or to lead my mind in directions other than, this is hard, I can’t keep going, when can I stop?
overheard: I think I heard something at the beginning of the run that I wanted to remember but I lost it when I started chanting in triples. I do remember hearing something at the end: Two women walking, one to the other — it feels so good to have the sun on my face!
10 Things
a speedy runner in white down below, on the winchell trail — beside me, then ahead of me, then gone
soft, shimmering shadows
a LOUD siren coming from behind, then an ambulance speeding by on the river road
empty benches
the view from the sliding bench: uncluttered, the sands gleaming so white that it looked like snow
soft, dry dirt — no more mud
one car then another then another passing by on the river road
dried flowers hanging from the pink sign reading, Someone was taken by ICE here
a slower biker riding on the grass between the river road and seabury
the chain is still strung across the top step of the old stone steps, blocking the way down to the river
holes
Arts and crafts fun. This morning I did a test run of a yarn grid for Holes 1. A 9 x 9 square of cardboard with 1/2 inch slits all around. A long piece of blue yarn1 which I wound through the slits. A poem under the yarn grid: circles/dark holes encasing the words: off center era.
Assessment:
I need an exact-o knife for more precise cuts
the blue yarn is too thick and makes it impossible to read; try dark thread instead
make sure that the thread is long enough before starting to wrap it around the notches
follow this order: cut notches, place/attach (glue?) poem to cardboard, make sure the thread is long enough then wind it around
question: if I’m using thread, can I use a thinner frame, like cardstock instead of cardboard?
Here’s a picture of my test poem — should I call it, “(i’m in my)”?
(in my) off center era
Okay, I tried it with thread and it works better, I think, but I need to be neater with it. Although, I do like the color of the blue. . . . For the larger Holes series, I need the black thread. In Holes 1, the Amsler Grid is straight, but by Holes 3, the lines will be much more crooked and warped. Black thread is much more effective for this warping.
(in my) off center era
A few more thoughts: It looks like I’ll need to take the circle-encased words and place them over the grid to be legible — the easiest way to do that is with the words as cut-outs, although I could also try weaving the thread under them (but that sounds difficult and beyond my limited skill and ability as “barely not blind.” Also, more thread is needed for back-up. And, should I create a frame around the holes poem that covers the ends? It could be a basic frame, either purchased or made, but I like the idea of creating some texture and/or a collage — maybe the black mesh fabric I bought, or ___? It needs to be something related to the holes poems and the act of reading? I’ll keep thinking about it. Would it work to have the words of the found poem on the frame?
update from yesterday’s post
First, yesterday I mentioned a discussion of three types of freedom that I was having with FWA at the dog park: I was looking for my PhD advisor’s book that discusses it. I can’t find my copy yet, but I found it online:
Second, yesterday I also mentioned that I was picking up 2 books from the library: Sea of Grass: the Conquest, Ruin, and Redemption of the American Prairie and a found poem collection by Annie Dillard, Morning Like This. More on both of these tomorrow.
Finding a long enough strand of yarn took at least 3 tries. I thought I had a long enough strand then it would run out half way through and I would have to unravel what I had already done. Something important to remember for the official grid: make sure the yarn/string/thread is long enough before you begin! ↩︎
A walk with Delia and FWA at the dog park. So wonderful! At some point during the walk I thought about how I’m going to remember these walks. I used to love walking and talking with my mom in the woods. Now I get to do it with Delia and FWA. Today we talked more about One Piece, both the anime and live-action version. FWA convinced Scott and I to watch it and we’re both really enjoying it. We’ve swapped out Love Boat and Little House on the Prairie for One Piece and the survival show, Alone.
The floodplain forest in early spring looks like a tree graveyard. There are dead trees in varying levels of decay everywhere. Dead trees leaning on living trees. Branchless trunks. Giant trees on their sides, some with their nest of roots exposed, others with most of their bark stripped, gleaming white. FWA and I talked about what it will look and feel like once the living trees have leaves again. We agreed that we will like it less because it will feel too hemmed in.
This feeling of being hemmed in, and less free, led to a discussion of freedom. FWA mentioned freedom from and freedom to and I tried (not quite successfully) to recall my PhD advisor’s class on different types of freedom: negative freedom (freedom from), positive freedom (freedom to) and a freedom related to social welfare — what is this third freedom called? I’ll have to look it up in her book tomorrow.
walk: 2+ miles to Arbeiter 73 degrees
I had to pick up 2 books at the library (more on that tomorrow), so Scott and I decided to walk to the library and then over to Arbeiter. Since I’m taking a break from alcohol, I tried their NA beer, which was really good. In my 20s, I was incredulous that anyone would drink a non-alcoholic beer — why bother? But now, in my 50s, I’m more open-minded. I suppose the NA beers have gotten better since then, so it’s easier to be open-minded.
holes
I have decided that my Holes series has reached the status of obsession, which is exciting and fun and uncomfortable as I wonder if it’s all too much. I think the discomfort is good for me; I’ve been trying to not be too much for too long.
This morning, I finished drawing the Amsler grid over the mapped poem in Holes 1. I don’t like it drawn on; with my bad vision, it is too sloppy. A new thought, which is really an old thought that keeps returning: create a grid with string or thin yarn and put it over the mapped poem. Make a frame out of cardboard with notches for the string, like I did in elementary art class — what are those called? In addition to that grid, add string lines linking the words and making the poem. Use the string grid to attach these extra strings, or pins or __ ?
The center of an Amsler Grid has a dot; it’s the dot you focus on you look at the lines. As I was drawing my grid’s dot onto the poem, I realized that it (the dot) could be the reason why I’m using circles to encase my words. Of course, I am also using them because they are easy for me to trace. I like the idea of that center dot, which I can sometimes see and sometimes can’t, as haunting my reading and the words.
Yesterday, talking to Scott about this project I said, with my bad vision and lack of drawing/design skills, I have no business trying to make these poems and yet, I can’t stop myself. When I first started writing poetry, I had no business doing that either, and I kept going because I loved it.
Put that last thought beside another conversation I had with Scott a few days earlier. I was asking him what he thought about some lines I had drawn — do they look okay? do they make sense? He said something like, why aren’t you trusting yourself? You don’t need me to tell you whether they work or not.
There are some things I do with confidence and without consulting others — swimming, my running/writing practice. And there are many other things I don’t. Perhaps the ratio between not consulting/consulting is out of balance. I need to trust/rely on myself a bit more. A flash: it seems important to figure out this Hole project on my own. To create it without the help of others. If, because of my bad vision, I can’t execute some part of my plan with these Holes, then I need to figure out a new way to do whatever I’m trying to do.
A cardboard loom?! I searched, “weaving elementary craft weaving cardboard” and I found this YouTube video, Basic Weaving on a cardboard loom. I think that is what I was thinking about!
a return to art class in elementary school!
I hadn’t thought of it was a loom, although it makes sense — the lines on the amsler grid are the warp and the weft. I love this idea of connecting it to weaving and looms and my mom, the fiber artist! In the video, the instructor uses a full piece of cardboard, but I’m thinking of using just a frame instead.
Not the easiest run: stomach cramps from gas, perhaps the result of my increased fiber and iron. Miles 1 and 2 were mostly okay, but mile 3 was difficult and included several walk breaks. Other than that, a beautiful afternoon for a run. I wore shorts and a short sleeved shirt. Spring! It will get cold again this week, and it might even snow1 a little, but the warm weather will return and melt everything quickly. Hooray!
10 Things
voices rising up from deep in the gorge
empty benches — even in this beautiful weather?
a runner behind me — the voice from their running app calling out, you have completed 13 kilometers. I almost turned around and called out, nice word!
several bikers passing by FAST!
loud noise — music, voices — near the ford bridge. was it nearby or were the noises travel far on the wind?
the soft shadows of branches, the rounded shadow of the streetlamp light
bikers biking down the wabun hill then turning to go down the locks and dam hill — a minute later, they slowly climbed both hills — it looked like they might not have known where they were going and made a mistake as opposed to using the hills for training
fee bee fee bee
every bit of the snow, even the little mounds that were piled in the corners has melted
running a short stretch of the winchell trail, covered in leaves and shadows
holes
Today I’m redoing Holes 1. Orginally, each of the holes encasing the words of the poem were in the shape of my blind spot. I’ve decided to make them circles instead, with one big blind spot in the center. I briefly thought about making each of them the shape of the inner hole of my blind spot — which is currently a blind doughnut, with a small, still functioning center — but that doesn’t seem to work visually. Plus, when I stare at the wall for a moment I might see the blind spot in a form that I can trace, but my experience of the blind spot isn’t that straightforward. Sometimes I see the hint of dark loops encircling the words. Sometimes everything is just fuzzy or unfocused. I’m wondering if I can represent that by making the shaded in circles look softer and less defined, and messy, rough. Or maybe I should try a series of dark rings on some of them?
When I wrote this sentence, in the mid-afternoon, there was a chance of 1/2 inch of snow. Now, finishing this entry the next morning, the forecast (on Apple weather) is predicting 1-2 inches on Wednesday, 5-6 on thursday and 2-4 on sunday, ↩︎
4 miles river road, south/wabun/bottom of locks/river road, north 38 degrees / feels like 22 wind: 15 mph / gusts: 32 mph
Another windy run. Cold-ish, too. Wore running tights, shorts, 2 long-sleeved shirts, a pull-over, a hat, a hood, gloves. I didn’t feel overheated until the end. Lots of cars on the road, not that many people on the trail. Are they all going to the No Kings March at the capitol? I (kind of) wanted to go, but big crowds are not the easiest for me and Scott, RJP, and FWA struggle in them too, so I’m skipping it.
According to my watch, I slept for 7 hours and 21 minutes last night. That is a lot for me! And, my sleep score1 was 77. I think it helped me to feel stronger on the run.
10 Things
reaching the top of the wabun hill, I heard the clanging of the bell — is there a bell up here? no — it was a kid banging on something at the playground
wild turkeys — 4 or 5 of them, under the ford bridge! I passed close by them as I ran up the wabun hill. By the time I return back down the hill, they were gone
goose honks near the bottom of the locks and dam no. 1
swirling leaves
the round shadow of the light on the street lamp
more scales on the gray water
chanting in triple berries to keep a steady pace
running on the rim of the bluff, looking down at the winchell trail which was empty and farther down than I usually remember
at the top of the wabun hill, stopping to look through the chain link fence at the river
a boot, stuck on a stalk on the boulevard of matt the cat’s house
serve and a boot / the pink sign near the far house says, “someone was abducted by ICE here.”
The abduction by ICE happened early on, between the murders of Renee Good and Alex Pretti. Two people were pulled from their car and taken; the car was left by the side of the road.
In addition to this boot picture, I also took some pictures of the view through the chainlink fence.
1234
I like this series of pictures. It reminds me a little of how I see. I can see better through my peripheral vision than my central — even when and if I don’t want to. It’s distracting to focus on the edge details sometimes, and it makes what’s in the center look even fuzzier to me. In thinking about my Holes series, does this happen at all when I’m reading? Is there a way to connect this fence with the lines in an Amsler Grid? An idea: what if I drew a giant Amsler Grid over the top of the entire, 4 panel, Holes 1 poem?
What does the sleep score mean? I’m less interested in the specifics of it at this point, and more interested in tracking which direction that number is headed. 77, which is only “OK” according to Apple health info, is the highest number I’ve had in the past almost 2 weeks. A goal by May: a number in the 80s. ↩︎
5.5 miles ford loop 35 degrees / feels like 18 wind: 18 mph / gusts: 29 mph
Brr. I was underdressed this morning in only one long-sleeved shirt, a vest, tights, shorts, stocking cap, gloves. It was the wind that made it feel cold. Running north and east it blew into me. It was especially bad on the ford bridge. Even with the wind, a great run. Sun! Shadows! The feeling of spring!
Some of the run was hard, some of it wasn’t. A little bit of unfinished business, legs that were sometimes sore and heavy. Does it have to do with the iron pill I’m taking? I am not anemic, but on the very low end of ferritin stores — and have been for 4 or more years now — so I’m getting serious with trying to increase my iron. A pill everyday, first thing in the morning with a grapefruit. No coffee or other food for at least an hour. Hopefully my ferritin will increase a lot so I don’t have to get an expensive iron infusion. And hopefully that increased ferritin will make it easier for me to run longer because Scott and I signed up for the marathon in October again!
10 Things
a siren — off in the distance, then closer, closer, then almost right behind me, then stopped — the closer it got, the more distorted the siren became — I wonder who/what needed this emergency truck?
a dirt trail behind a bench and railing at the bottom of the summit hill that led to a delightfully open view of the river and the west bank
running over the lake street bridge, wind on water, a scaled surface, gray
bright blue sky with a few puffy clouds
an almost full parking lot at the monument, only 2 spots open
several groups of walkers with dogs, some emerging from the trails below the bluff, some entering them
the wind on the ford bridge! slow and steady, squaring my shoulders and leaning into it
goose honks under the ford bridge
empty benches
an interesting image of vine on the neighbor’s fence
fence / 27 march
holes
Yesterday I watched the clip with the caterpillar from Disney’s Alice in Wonderland and I started thinking more about language and letters and our relationship with words and meaning through reading.
O u e i o A
The scene begins with Alice peering through the leaves at a caterpillar smoking a pipe and singing the vowels. The vowels — the building blocks of language — is this cellular level of the english language? Taken on their own, apart from words and sentences and paragraphs, the vowels aren’t non-sense, but they offer very little sense. I found an old stencil of the alphabet that I inherited from my mom in a drawer yesterday. Could I stencil in the vowels in a way that didn’t look cheesy or ridiculous? I’m not sure.
A thought while I was running: I’m in the process of editing my poems, which involves erasing holes that contain words that I’m no longer using. What if those erased words, those ghosts, remained as traces, haunting the page? Almost like an after image? I’ve noticed that after staring at these dark holes on the page, they start to move around and appear in places they aren’t. (writing that last sentence, I’m reminded of Alice’s nonsense speech to her cat: nothing would be what it is because everything would be what it isn’t
A deconstructed amsler grid: an Amsler grid has 38 lines, not including the frame. I decided to use pieces of dried spaghetti and scatter 38 of them on top of 4 panel poem. I’m not sure what I will use in the final version. Sticks? Lines at strange angles drawn on the paper, over the holes and text? Here’s a picture of it.
holes 5 / wip
I had no plan for where the lines would go, I just dropped the spaghetti wherever — should there be a plan, or is haphazard better? Maybe I scatter the dried spaghetti haphazardly first, then replicate that with thick black lines on the actual poem? The only rules: 38 lines, all the same length.
Ok, I scattered the spaghetti and drew in the lines. Here’s what it looks like:
holes 5 wip 2
I just realized I only added 32 lines. I need to add 6 more. Are the lines dark enough? Does it make sense that they are a deconstructed amsler, or do I need to add in a more explicit reference to that somewhere on the poem?
5 miles highland bridge (old ford plant) 58 degrees
58 degrees?! 58 degrees. Spring is back. Today I wore shorts, a short-sleeved shirt and a pullover that I took off before the end of the second mile. Ran south on the river road, down towards the locks and dam no. 1, up the wabun hill, over the ford bridge, to the edge of highland bridge park and across to the river where it is above the old hydroelectric power plant. As I neared it, I could hear the water rushing over the concrete apron at the locks and dam. The river is low; the sandy island in the middle was exposed.
The birds! Sounding like spring. The river! Sparkling in the sun. The shadows! Both sharp (distinct) and soft (the bare branches almost feathery on the path).
overheard: one biker to another — he’s between jobs right now. No contracts and no money coming in.
Is it because it’s warm, or because I started just a little too fast, but the second half of the run was hard(er). Took some breaks to admire the view. On the St. Paul side, I noticed a sticker on the fence that looked like the head of the “Hanker for a Hunka Cheese” guy:
“Time for Timer”
holes
Worked on Holes 5 today, mostly mapping the words on the page. Here’s a draft of the text:
A hole perspective life on the way to Disney’s wonder land
I fall through the center of a book
everything on the page at strange angles separated from each other in the firelit room*
a “what is this?” feeling starts while watching text bloom into nonsense
O the beauty of vision gone mad.
*not sure about this line — I’m thinking of, like in a firelit room, but low light from a fire doesn’t separate words, it softens them, makes them dim so they almost become ghosts of the text they were
Went to the dog park with FWA and Delia this morning. Chilly but sunny and still down in the floodplain. Beautiful. No snow, hardly any mud, lots of felled trees. Halfway in we encountered an awesome dog carrying a stick that was 3 times as wide as his head. His owner said, the governor is about 200 feet ahead. Last summer, I recalled watching a video of Gov. Walz being interviewed at the dog park, so I knew he came here. About 5 minutes later, there he was! Alone and friendly. Hello! Hi! Of course, I couldn’t see well enough to recognize him, but FWA could. I wish I could have seen that it was him. I would have told him thank you.
5 Dog Park Things / 5 Winchell Trail Things
a section of the river, sparkling in the sun
the bark of the giant felled tree that FWA and I have walked around all this year had been stripped recently — a huge section of the trunk was barkless and gleaming white
faint footprints through the small stretches of mud
a motorboat rumbling by, making waves that rushed onto the shore near Delia
a woodpecker knocking on some dead wood, another (or the same one?) laughing
shadows everywhere — trees, the fence, lamp posts
the winchell trail path was covered in dry leaves that made a delightful crunch as I ran over them
a steady stream of cars (at 3:30 pm)
empty benches
no snow, no puddles
2.8 miles river road / winchell / lena smith 46 degrees
A quick run — in time and distance and speed. I should have slowed it down; it would have been easier. It’s hard to slow down in my new shoes! I was tired and felt the beginnings of a side stitch a mile in — I ate a protein bar too soon.
Today has been an off day — not terrible, there were many good moments in the hike and the run. But I woke earlier than I should have and felt, for lack of better word, weird. Untethered, fuzzy, maybe a little woozy, tired.
holes
As I continue to work on my holes poems, it has emerged that a few things are present in all of five of them: a hole, that hole’s impact on how I read, my blind spot, and the Amsler grid.
Why the Amsler Grid?
it connects these hole poems with my last round of visual vision poems, mood rings, which take the shape of an amsler grid
it ties in with the larger theme of all of my visual vision poems: vision tests — first, the snellen charts, then the amsler grid
it gives a context for my vision loss and grounds it in within a scientific/medical model of seeing/not seeing
it offers another way to visualize my untethering from that model/logic of test/diagnosis
This 4th one is especially interesting to me. I’m imagining fun ways to play with the implosion or destruction or destabilizing of the sharp, stable, rigid lines of a grid. The lines coming loose, or the lines a ladder without rungs — no way out of the hole, the lines collapsing and being sucked into the black hole, the lines forming a new path, a break in the lines — a gap, a dash, a slash, a breaking out of the lines — an opening, an exit, a room a door unlocked. What could that look like as part of my erasure poem? I mean, what, with my very limited skills in visual art, could I make possible?
I think I need to watch Alice in Wonderland again — should I read it, too? The hole in my vision as Alice’s rabbit hole. A passing through to wonderland. One difference: for Alice, Wonderland is the opposite of sense or nonsense.
everything would be what it wasn’t
I’d like to take this idea of non-sense out of the binary, Sense/Nonsense, to imagine non-sense as being more than just not sense. What if non-sense was its own kind of sense, just like Nothing is not nothing but something outside of our logic or language or ability to name it. Or, like I say in Holes 4, “a nothing that is something not sharing its secrets.
a flash: as I was working on the above list, I suddenly thought about the debate over whether or not listening to an audio book was reading. Does reading only happen with eyes? I like to distinguish it this way: reading with my eyes and reading with my ears. After this thought, a further thought: what if I created a holes poem that wasn’t visual, but aural? I could pick one of the New Yorker stories/articles that you can listen to, and figure out a poem from that. How might that work?
I had intended to work on all of this today, but I was busy all day: a birthday week coffee run with RJP, the dog park with FWA, weekly shopping with Scott, a run + cooking and laundry and a nap.
sleep
I decided to use my Apple watch this week to monitor my sleep. I’m averaging 6 1/2 hours a night, which I think is good for me, but only “okay” for my sleep score. Maybe that’s because I’m waking up every 2 hours. I have to get out of bed and stretch or go to the bathroom or walk around for 10 or 20 or more minutes before falling back asleep again. A thought occurred to me: could my low vision be contributing to my sleep problems? I googled it and yes, it might:
Visual impairment can lead to disturbances in the circadian rhythm20 and exacerbate neuropsychiatric conditions such as anxiety and depression, ultimately impairing central nervous system functionality and contributing to the development of insomnia21. Existing research underscores the negative impact of visual impairment on sleep patterns. Studies conducted in Russia found that individuals with visual impairment had more than twice the odds of reporting insomnia symptoms compared to those without, with this association remaining significant even after adjusting for factors such as age and gender21. This finding further confirms the link between visual dysfunction and sleep disturbances. Community research in the U.S. suggested that older adults with visual impairment are more likely to experience various sleep issues, such as difficulty falling asleep, trouble staying asleep, early morning awakenings, and daytime sleepiness22. Additionally, such individuals often report increased disrupted sleep patterns and a higher prevalence of sleep/wake disturbances23.
But, this study studied different visual impairments than I have. What about cone dystrophy or macular degeneration, which has similar effects? I looked it up and found some articles that link it, but it’s mostly about anxiety over vision loss that cause the sleep disturbances. I know I have some anxiety about the final break, when none of my cone cells work and all of my central vision is gone, but I think the connection between sleeping and not seeing or seeing differently is more complicated for me. I’ll have to ask the ophthalmologist at my appointment next month.
Yesterday it was 76 degrees, today 36. I didn’t mind; everything was dry and clear and I was able to run on all the walking trails in my new blue shoes! Today it’s overcast and both bright — a white sky — and gloomy — everything dull and bare. Did I see any shadows? I don’t think so.
I felt strong, not quite like I could run for several hours without stopping, but at least believing that it is possible. I also felt untethered from the world, everything fuzzy and me, floating above it or outside of it.
10 Things
early on, another running passing me, their feet slap slap slaping the ground
several geese honking below the ford bridge
empty benches
two women stopped on the edge of the trail near the 42nd street parking lot, talking — I couldn’t hear what they were saying
heading up the wabun hill — no one else around, just me and the dirt and the dead leaves
running through wabun: several people playing frisbee golf, two little kids running around the course, giggling
lots of traffic on ford and the river road — cars moving fast, no sunday drivers today!
a man in a bright orange jacket, sitting on the edge, above a ravine, looking out at the river
the bright headlights of a car, giving off a purple glow
a sound across the river road and the grassy boulevard — a gobbling turkey or a yelling kid? Undetermined
holes
I’m working on another holes poem — Holes 5. I’m using an essay about Rian Johnson, “Mystery Man” in the November 17, 2025 issue. My only requirement for an essay is that it contains the word hole, either as the word itself, or as part of/within another word. When I searched in “Mystery Man” for hole I found 4 instances of it including, “my wHOLE perspective,” “wHOLE time,” and “the wHOLE process.” I’m thinking these will be frame of my poem, especially Hole Time and Hole Perspective. What is my perspective (how do I see) with and from within my vision hole?
another part of my method: In addition to requiring a chosen essay has at least instance of “hole,” I read the essay from back to front. I started with the last paragraph, jotting down any words that stood out to me, then I read the second to last paragraph, then the third to last, and so on. It was a strange experience. I kept finding myself wondering, when I read a name I didn’t recognize, if I had missed the introduction/description of the name, then I remembered that I was reading back to front, from an assumption of familiarity to a not-knowingness (or not knowing yet-ness).
Here is a selection of words and phrases I jotted down:
bookshelf
stone
let me
still
strings
filters
window
flash
beauty
gathered
convivial
ends
spectrum
unexplainable
gesture
earthiness
underside
gnarled roots of a tree
feel
loop er
limitations / limit s
making diagrams with straws
an older version
flock
singular
(un) locked room
mind / mind’s eye / eye
tidy solution
make sense of it all
some measure of control over an uncontrollable world
the world has gone mad
center
puzzle
watch ed
the satisfaction of seeing
firelit
delight
smug
cringe
between
it seemed dusty
hypothetical
enters
throuhout
leap
a ghost
nobody
flock
vision
get in the way
framework
scam
everything
(r) ambling
story
distance
slanted
attention
made
backward
moving around
wonder
read
what is this?
slip away
lept
feeling trapped
peculiar
sunshine
looming
house
couldn’t see
covered in string
over
This essay is five pages long, so I’ll have to figure that out — all 5 pages, or 4 to make it fit more evenly? Or even less?
walk: 120 minutes with Scott and Delia deep in the gorge + the winchell trail 76 degrees
I’m writing this the next morning because I took a break (mostly) from my computer and writing. So warm! I wore shorts and a short-sleeved shirt on our walk/hike! We walked through the neighborhood to the river and when we crossed the road to throw away Delia’s poop bag, we decided to take the old stone steps down to the river. The floodplain forest was filled with fallen trees and dead leaves: winter’s aftermath. The river was open and flowing. People everywhere — it wasn’t crowded, just a person walking a dog here, two people talking on a blanket there. Everyone enjoying the sun and the warm wind and the lack of ice.
I loudly misidentified a person as a wild turkey. Oh look, a wild TURKEY! Why is it that only when I am mis-seing something do I bother to say it out loud, and with such volume? It’s funny, and Scott and I laughed about it, but it is also frustrating. I sound like an idiot or mad. I said to Scott it’s funny as comedy and irony (the irony because I only declare these things when I’m very wrong).
holes
A return: the hole in Holes 1, which was the start of all of these holes — Another name for barely not blind is a hole in your vision that makes for an easy fellowship with the word. Now I’m thinking that I should tighten these poems up and make them only about reading. So, the hole in Holes 2 would be: a hole through the bottom of / the / wor / d / here / it is / unprofitable / to / have / faith / in / the / visible. And Holes 4 would be only: you look at sky, || you look at || words || you || don’t || see || the || gaping hole / and || its / graveyard / for / failed / cone / cell / s / you see / snow flake marble dust / seltzer / fizz|| a / nothing / that / is / something / not / shar/ ing / its / secrets
Get Out ICE
ICE agents are still here, but not at the levels they were a month ago. Two of the leaders that caused the most damage — Noem and Bovino — have been removed (Bovino announced his retirement the other day). Even so, the effects — psychological, physical, economic — still linger for many Minnesotas. Food is still being delivered to families afraid to leave their homes, organizations are still raising money to help people pay their rent. The stop signs around my house still declare, “STOP ICE.” The latest threat: Trump threatens to send ICE agents to airports to take over TSA jobs abandoned by workers not paid because of the partial government shutdown.
Since just after an ICE agent murdered Renee Good on 7 jan, I’ve been adding “Get Out ICE” to my log entries, both in the title and as a tag. I think it’s time to stop. A better thing to add now might be: What about the Epstein files? or Stop the war!
Mary Oliver Doc on PBS this summer!
I’m looking forward to this documentary!
“I was save by poetry. I was saved by the beauty of the world.”
I want to put MO’s idea of being saved by the beauty of the world beside the banner that Hanif Abdurraqib has above and between two door frames in this Instagram picture: “LIFE’S NOT OUT TO GET YOU” Yes! Always a good reminder.
Happy first day of Spring! Many years it still feels like winter, but today it was SPRING! If I didn’t have to jump over a lumps of snow I wouldn’t have remembered it snowed almost a foot less than a week ago. Wonderful weather for a run — sun and not too much wind. I wore shorts, a short sleeved shirt and a lightweight pullover which I took off right before I turned around. For half the run, bare arms and bare legs!
a regular:Daddy Long Legs! As I ran back south, he greeted me, Hello again! Does he remember me from past years, or did he think he’d already seen me once today? (he’s done that before.) I’m choosing the believe he remembers me. I wonder if he has a name for me, like I do for him?
The ice on the surface of the river has melted. Down in the flats I was able to get close — only feet away — from the surface: some foam floating on the water moving slowly south.
holes
As I told RJP, I’ve hit the point in the process of these poems where I’m beginning to doubt myself and what I’m doing. Part of it, I explained to her, is because I dwell in the almost and struggle to find how to execute the final bit and/or give it the “polish” it needs. I’m not giving up. Instead, I’m trying a different approach: cut-outs. Would ths work better if the words were cut-out — a way to isolate them — instead of encased in holes? Can I do both? What if I had some of the words encased in the holes and some cut-out? Would that make it a little less complicated and less messy + easier to execute?
The question to return to again and again: what will serve the message/meaning/intentions of the poem?
4.3 miles minnehaha falls and back 44 degrees 10% puddles
Spring! Sun! Sharp shadows! Clear paths with far less puddles! I felt strong and satisifed and at ease in my body. Well, mostly at ease. Because it’s messy out by the gorge, I wore an old pair of shoes — the ones that don’t quite work. Sometimes my gait felt awkward, my feet not hitting the ground in the right spot or in the right way.
Marveled at the river’s surface as I ran above it. So beautiful with its frozen surface. In the past, I’ve described the surface as vast or barren or eerie, surreal or otherworldly, but today other words came to mind: still, frozen, fixed, unmoving, deadened, paused, suspended. Yes! I think these words better describe its strange beauty for me. Looking at it is like looking at a film still. Looking at it feels like everything is paused, suspended in time.
10 Things
gushing falls — I could hear their loud descent and see their white foam
looking down at the oak savanna, tall, slender, bare branches mixed with their shadows to make a mess of lines on the snow — how much of it was actual trees, how much shadow? I couldn’t tell
water dripping fast and strong over the limestone edges in the ravine at 42nd street
empty benches
a guy walking with a small dog and looking at his phone
someone biking near the falls playing some mellow music out of speakers
taking off my sweatshirt, running with bare arms, seeing a walker with bare arms too
sirens in the distance, a loud, sustained whistle
the walking trails are still covered in snow
the gutter that was gushing water yesterday now only has trickles
Off and on throughout the run, I recited Alice Oswald’s “The Story of Falling,” sometimes reciting it in my head, sometimes out loud.
Holes
I’ve mapped some more of Holes 4 and . . . it’s a lot. Will this just look like an ugly, jumbled mess? Yesterday, talking through this with Scott, he said something like, do what serves the poem and the meaning you are trying to convey (or the effect you are trying to achieve). In terms of meaning, the words of the first section of the poem are about what I see instead of a gaping hole: shimmering, fizzy, ephemeral or elusive (hard to see, fleeting) things: snow flake marble dust, seltzer fizz, a nothing that is something not sharing its secrets. Perhaps these ephemeral things have come loose from what bound them to “normal” sight and its monitoring through tests like the amsler grid; it’s where you dwell when normal sight is not longer possible. So maybe the unraveling occurs prior to this hole? Yes, the unraveling (and vision of amsler grid as broken strings happens in 2 and 3, Does that mean that Holes 4 is all disconnected free-floating words/phrases? If so, how to make it possible for others to read it? I could place the poem near the center, around the gaping hole. I could also number the pages/sections and mark each word with a page number? Yes, I like this!
And hours later, I’m thinking more of using a distorted Amsler Grid at the center of Holes 4, and the black hole that the grid is collapsing into is the shape of blind spot.
Another mini project: can I learn how to draw decent-enough eyeballs — pupil and iris only?
amsler ideavery rough eyepoem text
Get Out ICE
This flyer about the next No Kings march came up on Facebook from Minnesota’s Lt. Gov Peggy Flanagan (and hopefully our next senator?!):
“In Minnesota, we’ve seen the federal government at its worst — and showed the world how to fight back.
Now, I’m honored that the flagship No Kings protest will be held here in the Twin Cities. Together, we’ll show Donald Trump that we don’t do kings.”
NO KINGS TWIN CITIES VOL. 3. Joan Baex Jane Fonda Maggie Rogers. March 28, 12 pm. March then rally at the State Capital.
4.3 miles minnehaha park and back 43 degrees 25% puddles
Yesterday it was very cold. Today it is warmer, the sun is out, and everything is melting! Drip drip drips everywhere, very LOUD whooshing car wheels, puddles. At the start of the run, I wondered how long it would take before at least one of my socks would get soaked. Not long! I only made it a quarter of a mile before stepping in a big puddle. Oh well, it dried out pretty fast.
overheard: one runner to another as they encountered each other on puddly double bridge — take it easy my brother
Kids laughing and yelling on the playground; a pack of runners; the falls, gushing, a few sirens; the river with a thin sheet of gray ice looking wide and barren. Can you see it through the trees?
river view from the 38th street steps / 18 march
On my walk back home, I stopped to take some video of water dripping out of gutter. Unfortunately because of the bright light I accidentally hit slow mo so you can’t hear the wonderful dripping sound. Here’s a brief clip of it anyway:
water dripping in accidental slow mo
HOLES
Yesterday afternoon, after finishing mapping all of my word (drawing boxes around them, encasing them in circles or the shape of my blind spot) and feeling like something was missing, I had an idea: I should place the Amsler grid somewhere on the pages. I didn’t want to simply cut out a printed version of the grid and completely cover the words. What about drawing the grid on top of the words? Too difficult with my terrible vision! Then, a new idea: cut out a hole the size/form of Amsler grid’s shape (4 x 4 in) and use string as the lines for the grid. After some playing around with it, another idea: not string, but thread or wire, and make the grid broken, distorted, emerging from the hole, looking somewhat like broken guitar strings. Three of the strings will extend out across the pages, offering the path of the three sentences of the poem. A variation: create three grids, with each one corresponding to a different sentence. This idea, which I hope I can execute because I really like it, led me to think about adding an Amsler grid to all of the holes. On Holes 1 it would be the “normal” grid with my blind spot on it. I have to think more about how it would look in Holes 2 and 3. By Holes 4, it’s broken.
If you google “distorted Amsler grid” you can find some great images of warped lines and black holes caving in upon themselves. Due to risk of copyright infringement, I won’t post any, but here’s a link to one that I particularly like:
Amsler grid distorted image: the image is at the bottom of the page. It is of the grid with the outer lines appearing normal. Near the center the lines are wavy, collapsing into a big black spot in the very middle.
Some things to think about today (I’m writing this paragraph just before 10 am):
how do I map the words in Holes 1, 2, and 3?
where do I place the Amsler grids in Holes 2 and 3, and what will that look like?
will there only be 4 Holes, or should there be more? If more, should I place them before or after Holes 4 in terms of the progression of the grid’s distortion?
Another thing that happened yesterday: I remembered that I had a large amount of oil pastels, leftovers from RJP’s obsession with them more than 10 years ago. Could I use them to color/fill in my holes? How do you use oil pastels?1
It is now 5:20 pm and I’ve spent part of the day trying something new with Holes 4. I’m using uncooked spaghetti to connect/map the words of the poem. It’s a complicated challenge, but the spaghetti is helping to visualize it more effectively.
more thoughts/questions:
should I split this poem into 4 instead of 3 segments?
should there be separate amsler grids for each section, or one grid from which different colored threads emerge and travel to the three or four different sections? if there is only one grid, should it be in the very center of the piece?
should the grid be just an open hole, with no evidence of a grid, just black netting and threads or wires or yarn emerging from the hole (I like wire, but is it too difficult to work with?) OR should part of the grid still remain — some white, some “normal” lines, then a hole?
a further thought with that last question: what if the holes (1, 2,3, and 4) documented the unraveling of the amsler grid, with it intact in Holes 1, then less intact in Holes 2 and 3, until it is gone and with broken wires in Holes 4? I love this idea; can I figure out a way to execute it?
returning to the thread/wire — will it work to have it stitched into the paper, where sometimes it is on the front, sometimes emerging from the back side through another hole? is this too messy and complicated? do I need to cut back on the poem, to reduce its number of words?2
I don’t want to cut any words, but it would make this easier — do I want it to be easier? Not really! ↩︎
Get Out ICE: It’s never too late to do the right thing. . . .
is something people were chanting and singing at hotels where ICE agents were staying this winter. I think it also fits as a way to describe this:
A reporter for NBC interviewed people at a gas station in a previously very pro-Trump county in Pennsylvania. Three people still support Trump, one does not. Responding to the reporter’s question, “If you could say something to President Trump and he could hear you right now, what would it be?”
“3 times! That was my bad, apparently I’m an idiot”
2.3 river road, south / lena smith boulevard, north 15 degrees / feels like 0 50% snow-covered
Many of the sidewalks were completely bare and dry, almost all of the trail was covered in slick snow. In some stretches, the trail was covered with chunks of snow from the snow plows that had just passed by. Running south, with the sun and the wind at my back, and on the short strips of bare pavement, it felt good. Then I ran through a puddle. I didn’t notice that my foot was soaked for several minutes, but when I did I decided I should head home; it was cold enough that I was (mildly) concerned for my wet toes. Good call, past Sara! When I got home, one of my toes was burning.
10 Things
bright BLUE sky
the sounds of shoveling and scraping and snow-blowing all around
at the end of each block, I encountered an almost knee-high wall of snow where the plow had come through
the surface of the river looked eerie and strange, pale and spotted with chunks of ice
no kids’ voices from the school playground: for preK – 5th graders, school was closed, for 6th – 12th graders e-learning — that would suck! give the big kids a snow day too, I say!
the rumble of two plows approaching, first a small one, then BIG one — I moved to the far side to avoid the spray of snow
I encountered a few other runners but no skiers or bikers
head north, I ran into a wall of wind — ugh! howling and biting
I bet it was pretty and looked very winter wonderland-y — I couldn’t tell you because I was too busy trying not to slip!
if it hadn’t been for the terrible wind, my wet toes, and the slick and uneven path, it would have been a great run — even with the bad conditions, I had some wonderful moments outside
mind-body connection
On last week’s episode of the podcast Nobody Asked Us, Kara Goucher talked about how she started taking a low dose of some (unnamed) anti-anxiety medication and it’s helping with her dystonia (“a movement disorder that causes the muscles to contract. This can cause twisting motions or other movements that happen repeatedly and that aren’t under the person’s control” — Mayo Clinic). She has discussed many times on the podcast how dystonia has made it very difficult for her to run, especially on pavement.
mind body connection — watch until 15:58
This mind-body connection is fascinating to me. Does her anti-anxiety med just make her more relaxed, or does it do something more to the brain — and maybe the neural mapping of her movements?
HOLES 4
Today I’m mapping my words on a copy of the “Still Life” article. I”m trying something different. In Holes 1, 2, and 3, I taped the paper together first and then found the words and drew the holes over and around the words. Today, with such a long article, I’m finding the words and drawing holes around them first, before I tape the pieces together. Will that make a difference? Not sure, but I might switch around the order of the pages to shape how the holes look together.
I drew and colored in holes on 3 out of the 8 pages, and tried adding some color to a few. I’m wondering if some of the holes should messier, with less defined borders or jagged, rough. I have limited ability in drawing; can I push myself some more? Here’s an image of one of the pages:
Bring Me the News is saying we got 8.5 inches, but that reading was from 10:30 this morning, and it has continued to snow all day, so I’m not sure how much is on the ground. I’m guessing a foot. It felt like a foot as I tried to shovel it. So heavy! I joked with a neighbor that it’s heart attack snow, which is funny until it’s not.
I wonder if it the paths will be clear enough to run above the river tomorrow? Future Sara, let us know!
holes 4
This one, which takes words from “Still Life” is my biggest one yet: 6 pages! Here’s a draft of the poem (the || represent when the words are taken from different places in the article)
you look at sky, || you look at || words || and || don’t || see || the || gaping hole || and || its || graveyard || for || failed || cone || cell || s || you see || snow flake marble dust || seltzer || fizz|| a || nothing|| that || is || something || not || shar|| ing|| its || secrets
you || can’t || exhume || the || bodies|| but || you can || make || room || for || life || in this place || where || the dead || are || interred
crack || open a grave|| with || a || new || way || of || seeing
One last run on clear paths before it snows tonight. The forecast predicts more than a foot of snow tonight. It will probably melt fast, which will be as much as more of a nightmare than the actual snow. Walls of snow, then mush, then jagged ice, then little lakes and puddles. Oh well, I bet it will be pretty and I might get to see someone skiing down the street!
Today’s run was good. My left knee was a bit stiff and grumbly, but otherwise I felt good. In the last mile I started to feel relaxed, with my legs and arms and the space around me in sync. I was moving through the air, hardly noticing when my feet touched down — the space between beats! I love when I run like this!
10 Things
honk honk honk honking geese all around the gorge, 1: down the hill, under the ford bridge, a lone geese floating in the middle of the river
geese, 2: I heard their honks first, behind me, then beside me, then in front of me — finally saw them: 2 geese flying low
overheard: one runner to another: it didn’t even taste like salmon!
the bells of st. thomas
someone in an bright orange jacket down below, on the stretch of the winchell trail that I call the edge of the world
the river surface below the ford bridge was dotted with bright white slabs of ice — a strange sight; I wish I would have brought my phone today to take a picture!
an empty parking lot at the locks and dam
empty benches
traces of snow in the grass
a laughing pileated woodpecker
HOLES
Flipping through my past New Yorkers, I found an article from the 9 june 2025 issue that looks promising. It’s called “Still Life” in the print issue and “Greenwood Cemetery’s Living Dead” in the online version. The only test for whether I can use it or not: it must have at least one use of the word hole, or of a word that contains hole. This is a long article, so I’d hope there’s at least one hole, but is there? Yes, 4!
Medina extended a tape measure into the hole and said, “Six-ten.”
Usmanov and I stared down into the gaping hole, its walls marbled with grass roots.
went to Green-Wood almost every day for weeks this spring, and the most unnerving thing I saw was an enormous hunched figure, wearing a cloak, with a gaping hole for a face.
Scientists were only starting to piece together that contaminated water, not flawed character, caused cholera; that smallpox probably originated in rodents;
I’m surprised that an article about a cemetery only has 4 mentions of holes. Isn’t a cemetery more than half holes?!
some notes as I read through the article:
One, I am reading it backwards, section by section. Two, one rule in the cemetery: no skylarking. I looked it up, skylarking is frolicking and playing jokes on others. It’s also the name of one of my favorite XTC albums. Three, reading the text, which I’ve put in a pages document, I’m noticing a few things about the text: the text surrounding the word or phrase that I can see sometimes looks like it is scribbled out. Sometimes it looks like it has sparkles around it that are moving — not quite flashing. The text always seems to be vibrating. How can I translate that into a texture on my blind spot Four, as I read through the sections, I jotted down words or phrases that stood out to me:
entrance flaming torch welcoming appears mirror ink you’re never alone you’re never disconnected love full of little secrets inhabit center recreate experience remaining time offer everyone gently between seeing moment you look at space, you look at background, you look at sky hope visit already thinking I don’t know why there was room about to open up turn and follow her gaze staring hands waste bigger picture across threshold neglect and care art cone cell
heart needed landscape fizz snow flake marble dust seltzer balance fills up keeps the grass space enough out of the water upkeep grounds public spaces essentail failed possible efficiency requires can stand on a sidewalk people who never look up out of room true mapping crevice easy circular elipses inside walls outside dark happen here nothing pale-blue cluttered wasn’t a place searched
certainunmarked is now used other-siders skylarking exhume make when you see in place of a road the word down through the plywood a plank settling glacial till earth inches from a layer of turf dirt unstratified jumble of sands, cobbles, and clays caves in on itself all-weather like a bird bench what do you want stone slabs a door uncut grave terrain geologically life this is a place to inter the dead no good place to put all the boies walked around faces believing piece together rotting disease inspired crowded
By the way, as I write, the snow has started. We officially have a blizzard warning that begins around 10 pm and lasts until Monday morning.
One of the reasons I picked this article is because I wanted more land language, like grass and dirt and dust and terrain and stone slabs and sands, cobblestones, clays, caves and glacial till. I want to connect the hole in my vision with the gorge — as a landscape, and a very big hole. I think of it as a powerful metaphor for my vision loss and what comes during and after. Of course, the gorge is also the actual place I go to for my writing practice.
The word plank stood out to me because of ED’s “I felt a funeral in my Brain” — and then a plank in reason broke/and I dropped down and down — I think of ED also with the stone slabs and the dark.
And, I like crevice and opened up, inside, outside, this is a place to inter the dead, room — a gaping hole, a threshold between,
I also like fizz and snow flake marble dust, which is what the words (and what I) sometimes feel like — fly, like a bird, sky — the words, cluttered, crowded and between walls
my eyes: a graveyard for dead cone cells
you look at space you look at sky you look at words and don’t see the gaping hole and its graveyard for dead cone cells you see snow flake marble dust seltzer fizz a nothing that is something
I’d like to keep going, but it’s time to get ready for Scott’s birthday dinner!
Wasn’t planning to run this late afternoon, but snow is coming and Scott was going out for a run and I got my new pair of shoes, so I decided to go for it (or get after it as Carrie Tollefson would say). Scott and I didn’t run together, just at the same time (5:45 pm) and in the same place (near the gorge). What a great run! Was it the sun and the crisp, early spring cold? The healthy food I ate for breakfast and lunch? The new shoes? I’m not sure, but I felt strong and fast and free. On my way back, I encountered a HUGE group of runners running north, all much faster than me. At some point, I heard someone call out, good job Mill City Runners! Of course, Mill City. That’s one of the biggest running groups in the twin cities. Wow, I knew they were big, but I had no idea they were that big!
I liked running in the early evening. Other than the huge group of runners, there weren’t that many people out on the trails. I noticed the light was lower, but it was too early to see any evidence of a sun about to set. The favorite thing I noticed: wild turkeys! Half a dozen grazing in the grass just north of turkey hollow, another one of them grazing in the grass between the trail and the road.
I stopped briefly at Rachel Dow Memorial Bench and took a picture of the blue water and the thin branches softening my view:
blue / 13 march
Friday the 13th! Tonight Scott and I will do our annual tradition of watching Friday the 13th. It’s not as good as Halloween, but it has its moments.
update, 14 saturday 2026: We watched it and Scott figured noticed something neither of us had in our previous viewings of the movie (5 or 6 or more?): each of the deaths is foreshadowed by something that happened earlier in the movie: the character who is murdered on the archery field is almost hit with an arrow a few hours earlier; another character recounts a dream she had where the rain turns into a river of blood which she calls her shower dream, only a few scenes before an axe splits her skull in a shower stall; Alice (the final girl) is surprised by the town weirdo or town prophet, depending on your perspective, when she opens the door to the pantry and he emerges, calling out, you’re doomed. you’re all DOOMED!, and then hides in that same pantry later that nightonly to be found by the killer
Crazy Ralph warning the kids
Later, Scott also realized that there were connections with the murder weapon. For example: the arrow through Jack’s throat ends up at the archery range where Brenda is killed; the axe that splits Marcy’s skull is later found, bloodied, of course, by Alice in Brenda’s bed
a few memorable lines: Jack (Kevin Bacon), about a coming storm: the wind just shifted a good 180 degrees and it’s going to tear down the valley like a son of a gun Brenda (can’t remember the actor’s name, but Scott looked her up and she died at the age of 49 in 2007 from pancreatic cancer — my mom died at 67 from pancreatic cancer in 2009), reacting to Bill fixing the generator: what hath God wrought
HOLES
Reworking Holes 3 to allow for better spacing of the holes. Here’s the new version of the poem:
read sentences sliced in half with strangeness each one glitch ing just enough to scramble the senses OR scramble the meaning
fall through the hole your reading eyes find and land in a logic of blur and almost on the border between real and imagined
And here’s a photo of it:
holes 3
RJP and I went to the Textile Center and it was fun and helpful to think about translating my ideas about holes into actual fabric and textures. I found some black netting that will be helpful and another wildly color thin fabric that might work. The question now is: how to use the fabric. I’m not sure it’s can be as simple as cutting the fabric in the shape of my blind spot — that just seems like bad decoration. What I want to do is use texture to convey how I see/read and what it feels like to do these things with my blind spot. My blind spot is rarely actually visible, and when it is, it’s not a black, opaque spot.
A few new ideas: cover the words where the blind spot is in plastic that you can see through, but that makes words too fuzzy to read.
A lattice of twigs, gathered at the gorge, covering the blind spot — when I see these twigs, it often reminds of my scrambled central vision.
Some sort of fuzzy, fluffy texture that evokes softness, which is one thing that happens to my central vision with less working cones: everything is softer, less detailed, not sharp or harsh
The key, I think, is to use texture to communicate different aspects of my new ways of seeing with hardly any cone cells: it’s fuzzy and soft; it’s vague; it seems like there’s a film over it and that I can almost see it but not quite
Get out ICE
Read about Minnesota lawyers quietly organizing to help immigrant families:
Lawyers Built a Network: MPR also reported Thursday that hundreds of Minnesota attorneys volunteered during the surge to challenge immigration detentions in federal court, creating a rapid pro bono legal network across the state. Lawyers from a wide range of practice areas stepped in, and the article describes a system that turned scattered cases into coordinated courtroom action. It is one more reminder that some of the most important resistance in this story has happened quietly, inside petitions, filings, and courtrooms.
Sean Snow on Facebook / 13 march 2026
and from the article Sean Snow is referencing:
Since the beginning of so-called “Operation Metro Surge” in December, attorneys in Minnesota have filed more than 1,000 cases challenging the legality of immigration arrests and detentions.
Many of those filings came from lawyers who don’t normally practice immigration law.
Ran over the lake street bridge and to the monument today. When was the last time I ran this route? Just checked, it was 5 nov 2025. Wow! Of course, part of the reason why I haven’t run over there is because of the winter; they don’t plow the sidewalk on the bridge, and St. Paul, where the monument is, doesn’t plow their trails as well as Minneapolis. But another reason is definitely ICE; I’ve been staying closer to home with my runs because it feels safer.
Today’s run was good; I felt (mostly) strong, although my legs/feet are sore from wearing the shoes that make them hurt. It was windy and cold on the bridge, but it was beautiful. Steel gray water, open and high enough to hide the sandbars. Scattered stretches of the east and west banks were glowing with white snow. The sun was dulled by a thin layer of clouds.
10 Things
drip drip drip drip — the steady drip of water falling off the bridge near the east steps
graffiti — pink and orange and black block letters under the bridge
I only encountered 1 or 2 people over the bridge, both walking
the bells of st. thomas chiming at noon! 15 minutes later, at 12:15
running above shadow falls I glimpsed a dark flash of something — a tree? no, a person
with several more glances I realized the person was not hiking but running
they were nearing the worn dirt trail that climbs up and out of the ravine
St. Paul has replaced the port-a-potty at the edge of the monument parking lot — there is much less graffiti on this new one, and the door closes all the way — hooray!
near the edge of an overlook on the east bank, staring out at the other bluff and down at the water — a hiker emerges
a plaque on the bench for, “what a woman” Sharon. She was born 2 weeks after my dad was in 1941 and died in 2002 — so young!
Holes
Currently, I have 3 Holes erasure poems. Holes 1 is about my uneasy fellowship with the word. Holes 2 is about how the hole (my blind spot) makes it unprofitable to have faith in the visible. And Holes 3 is about falling through the hole into “who knows where”, on the border between the real and surreal. I need to do at least one more hole about the small holdout-of-a-hole in the very center of my vision that enables me to still read (even if that reading is slow and sometimes unreliable).
Tomorrow, RJP and I go shopping for textiles and textures at the Stashery, so today I’m working on mapping out Holes 3. I’m using “Me, Myself, and I: Helen Oyeyemi’s Novel of Cognitive Dissonance” from The New Yorker, August 25, 2025. Here is the version I just drafted:
swap the dead-eyed liturgy of doomed vision with shadowed acts that leap for the light (OR flee from the light?)
read sentences sliced in half with strangeness each one glitch ing enough to let in the improbable
fall through the hole your reading eyes find / or your reading finds / or your eyes find and land in a logic of blur and almost
Is this too many words to easily/cleanly map out? Let’s find out! And if not, let’s shift the form to make it work! — several minutes pass — Okay, I mapped it, and it seems like too many words. I think I’ll save my “darling” — the line that started it all about swapping the dead-eyed liturgy for another project — a liturgy of shadowed acts and the periphery! Anyway, I’ll try to keep the rest of the poem, and figure out the rest of holes is a project tomorrow morning.
Get Out ICE and Ice
The other day I wondered when the ice would be gone from Lake Nokomis. This morning, Minneapolis Parks and Recreation Board offered a prediction!
Minneapolis Parks Water Quality staff have tracked “ice off” dates on city lakes for decades. Ice off is declared when a lake is substantially free of ice after being fully frozen.
We’re probably not setting any records like 2018 or 2024, which dominate the record books. Staff estimate we could see ice off on small lakes like Powderhorn and Loring as soon as this weekend. It will probably be a few more weeks for larger lakes.
Will the HUGE winter storm we’re expecting on Saturday night and all day Sunday impact the ice off date? BTW, I’m pretty sure that they used to refer to this as the ice out date; I think they’ve changed it because of the very negative association with ICE. I checked past entries on my log, and yes, that was what it was called. Negative association aside, I like ice out better than ice off.
Snow. A dusting last night, then a little more in the morning. An inch? Enough to make everything white. I was happy to be done with winter, but I don’t mind the snow. Since past snow has already melted and the ground has already warmed up, the snow didn’t stick around. By the time I went out for my run in the afternoon, almost everything was clear. The run didn’t feel easy, but I pushed through several difficult moments and kept going. Hooray for mental victories!
I listened to the dripping and gushing and the wheel whooshing as I ran south, 2 playlists — “Bunnies and Rabbits” and “the Wheelin’ Life” — as I ran back north.
10 Things
sh sh sh — the shifting grit under my feet
the wet pavement was shining and sparkling in the sun — so bright sometimes that I thought it was slick ice
entering minnehaha park, the parking lot was empty
exiting the park 10 or more minutes later, there was one car at the far end of the parking lot
the creek was rushing
the sidewalk on the bridge just above the falls was wet and clear — last week someone had chalked a long message on it, which I couldn’t read because of my bad vision
on the walk just before I started, I noticed a small black bird skittering along the grass — it had a small circle of white feathers below its eye
a runner in a bright red jacket stopped at the Rachel Dow Memorial Bench, a minute later they ran down a hill on the winchell trail
only 1 or 2 small patches of ice, a few puddles
I almost didn’t remember this one! — three people on the bridge over the falls, looking over the creek side. One, to the others, pointing down at the creek: look, there’s 75 cents! One of the others, joked (I hope): better go down there and get it!
Rabbit Recap
Slowly but surely, I’m getting to the end of my rabbit recap, but not today! See past rabbit recaps here: 9 march, 6 march, 5 march, and 4 march.
14 — 25 march 2026
Here’s a useful explanation of some reasons why I do monthly challenges about new topics, like rabbits (or wind or dirt, etc.):
And what’s the point of all of this? Following the rabbit down the rabbit hole is a wonderful distraction. It is also an excellent opportunity to learn. And to learn more about rabbits, which leads to caring about them as living things and as symbols. This caring might (is) enabling me to open up a closed part of myself (closed = strong dislike of rabbits). And it is helping me to think more broadly and specifically about the impacts of humans and human encroachment on environments and the consequences of that encroachment for humans and non-humans. Plus, all (or any) of it could inspire new poems.
A quick summary of some rabbits references and reveries: the killer bunny in Monty Python; Bunny Lebowski; Rabbit in Red matchbook from Halloween; Jimmy Stewart’s invisible bunny in Harvey; Max and Ruby; the PBS doc The Pill; Rabbit in Winnie-the-Pooh; the Cadbury Creme Egg Bunny; The Runaway Bunny; fix me hausenpffefer right away!
Rabbits in Diane Seuss:
excerpt from backyard song / Diane Seuss — I LOVE this whole poem. I’d like to use it as inspiration for a hole poem and a bunny poem!
Uncorked, I had a thought: I want the want I dreamed of wanting once, a quarter cup of sneak-peek at what prowls in the back, at what sings in the wet rag space behind the garage, back where the rabbits nest
excerpt from Her first poem had a rabbit / Diane Seuss — I want to bring in the optical illusion of the bunny and duck + the idea of what seems mild but is really wild
She tended toward rabbits back then. Toward the theoretically mild
that are really wild. Like ducks on a pond that is really a moon
New Yorker Experiment: A hole through the bottom of the known world
Today I worked on the template for my hole poem that erases the “Whisker Wars.” It has some of my blind spot, some big circles (from a iron pill cap), some medium sized-circles (lexipro cap), small (a quarter), and extra small (a penny). I want to create texture for the blind spots but leave the circles alone as pencil/gray.
a hole through the bottom of the known world
My choice of blind spots vs. circles, and the size of the circles, was mostly decided by what would fit where, but there might be some room to play around with some of it. I’ll think about it some more.
The words: nothing still / details drift like snow / cut off heads with pewter-colored faces float / a hole through the bottom of the known world / here it’s unprofitable to have faith in the visible — should it be what is visible?
added an hour later: I realized a further clarification on the idea of the hole and holes. The blind spot creates a hole in my vision, an absence that has created an uneasy fellowship with the world and made it unprofitable to have faith in the visible. But, there is also the small hole that remains in the otherwise dark blind spot that enables me to still read — it’s a small hole, and it’s getting smaller, but it’s still there. I’m noticing that my whisker wars poem offers many different sizes of holes depending on how many words I’m trying to fit in it. I need to have a poem that highlights that tiny hole holdout — ooo, holdout is a word in the whiskey wars article. Should I do a completely different poem using the same text?
Get out ICE
Each morning a local journalist, Sean Snow, offers updates on what’s happening in Minnesota, both what ICE and those in state and federal government that support ICE are doing, and how people and their communities are fighting back. I read them on Facebook, but he also posts them on Threads, Instagram, Tiktok, and YouTube. Today one of his examples
— sitting at the dining room table, drinking my coffee while I write this, I just heard a long goose fly by — honk honk —
was about “a real act of public memory” n St. Paul:
Testimony Builds The Record: Minnesota residents, advocates, and families testified Tuesday in St. Paul before the chair of the U.S. Commission on Civil Rights about what they experienced during Operation Metro Surge. Star Tribune reported that people described racial discrimination, abusive detention conditions, treatment of protesters, and the deaths of two citizens, all in hopes of pushing the commission toward a formal investigation. This was not a final ruling or a courtroom win. But it was a real act of public memory and accountability on a day when it would have been easy for the country to start looking away.
Today I had a blood test to re-check my iron and my thyroid in the morning. No coffee or food until it was done at 11, so also no running. Just sitting and writing and witnessing the world outside my windows: walkers, one runner, some dogs, the little girl at the daycare next door named Mabel stopping a walker and forcing a conversation, elementary boys — so LOUD — running down the street.
New Yorker Experiment / Holes
A slight shift in my first hole poem. Instead of, another name for barely not blind is a hole in your vision that makes for an uneasy fellowship with the world, it is, another name for barely not blind is a hole in your vision that makes for an uneasy fellowship with the word. So, word not world. Since this poem is about how I read, word makes more sense to me. Part of me would like to keep both world and word, but most of me thinks I should keep it simple with word.
In my draft version, I’ve hastily shaded in the circles/my blind spot with pencil, so they are all gray blobs and dots. The only times I recall seeing gray blobs are: looking at a backlit face and staring at the wall for several seconds. When I look at text, like on this screen, I see a few words in the center and then . . . what? Difficult to put into words. Everything is buzzing, shifting, textured. I want to experiment with the blind spot blob in my poem by adding texture — I mentioned adding gauze or glitter on 8 march. RJP and I are planning to visit the Stashery at the Textile Center this week to see if I can find some cool materials.
While I let that simmer, I’ll return to the last page of experiment #5 (continued from 9 march):
words that stand out from Whisker Wars, page 3
face / faced
self-mastery
the Lord knows who
hold outs persist ed
who was as devoted as
you might think
emerged
embraced
writing
float /ed
only
unprofitable
propaganda
a sideshow staple / enfreakment
mishaps
cannot fully explains
died
few of us see
express rapture at seeing
poem reads
endures
Here’s what I have so far:
nothing still details drift like snow cut off heads with pewter-colored faces float
a hole through the bottom of the known world.
here it is unprofitable to have faith / to put faith / to believe in the visible / what is visible
an uneasy fellowship with the world
As of now, I’ve decided to use the line uneasy fellowship with the word, but I also do have an uneasy fellowship with the world because I am barely not blind. Here’s an example of that uneasy fellowship from today’s visit to the clinic for a blood test:
I walk into the clinic with Scott and he points out the line for me to stand in as I wait to be checked in. It’s happened so fast that I have not had a chance to read the sign that tells me what this line is, I just know I’m supposed to stand in it. So I stand and wait with the person behind the counter directly in front of me, several feet away. There is another line with people in it, waiting, with a person behind the counter directly in front of them. I wait, looking vaguely in front of me at the person behind the counter and the person they are helping, trying not to stare or look as if I’m impatient (even though I am). To the side, I notice the person being helped at the other counter is done and hear the woman behind that counter tell the person in her line, wait. Then I hear her call out sharply, Scheduled! And then, Scheduled! I wonder what she means; it sounds strange. And then, Scheduled! I feel several quick, sharp pokes in my back. The person behind me is trying to get my attention. I realize that the woman behind the opposite counter is calling out to me. I am “Scheduled” because I have a scheduled appointment.1Oh, I’m sorry! I approach the counter and she barks at me, name and date of birth! She softens a little after I answer promptly.
For a flash, I wanted to cry, but didn’t. It is such a small thing that doesn’t really matter. For a brief moment, I was that person, the irritating one in the line that wasn’t paying attention, holding everything up. Yet, it is a reminder of what I can’t do, or what I can barely do, or what I can only do with a lot of effort — and patience from those around me. It is a reminder that I am nearly (legally) blind.
I suppose these moments might matter less the more I experience them — both because I’ll get better at accounting for them and better at not being bothered by them. And I suppose I should experience them more. I just told FWA and RJP and they disagreed. FWA said “Choosing to be in those situations is like selling your soul!” Yes! Repeated this conversation to Scott and he said, but you do need to learn how to deal with these situations. I suppose. Maybe I can find some middle ground?
It helped to talk with FWA and RJP and have them not only validate but bolster my assessment of the situation as not my fault. A thought: did the woman say more than Scheduled!, but all i heard was that part? I don’t think so.
Get Out Ice
The ice at Lake Nokomis is fraying at the edges. Will the lake ice be completely gone by the end of the month?!
Not to long after this happened I wondered: why didn’t she call out, person in the scheduled line or something with a bit more of an explanation.↩︎
With the sun and the bare ground it felt warmer than 50 degrees, so I wore shorts! I started with long-sleeves, but by 2 miles, I shed that skin and ran the rest of the way with bare arms too. Ah, spring! Not the easiest run. It might have been because I didn’t wait long enough after my second breakfast/early lunch.
1
One of the best things about the run was heading south and admiring the river. Waves on the surface reflecting the light. A shimmer scene. Dazzling. I haven’t seen sun on open water like this for many months.
2
Since I’m thinking about holes and spots, which also means circles and loops, I thought about a playlist I made a year ago (25 march 2025), and decided to listen to it. Much of it is about seasons and cycles, but as I ran I thought about the hole inside the wheel and falling through it — into another dimension? another way of being? a space not consumed by the expected (normal) life? Then I thought about my growing blind spot and how it has cracked open “normal” life — this cracking can be painful and difficult, but it has offered new possibilities and an entrance to another way of being.
3
After stopping to put in my playlist, as I ran down the hill and away from the park, by right foot felt strange. Was there a rock in my tread? I finally stopped and looked. Not a rock, a hole in my shoe where my middle toes strikes down. I guess that proves it: I’m not a heel or mid-foot but a toe striker! Unlike the hole in my vision, I don’t really see an upside to this hole in my shoe — well, I guess it means I have get to buy new shoes, and, if any are still available, in a bright color!
minutes later: Done! My new Brooks Ghost 17s are dark blue, turquoise, and green!
a hole in my running shoe
I have never had a hole in the bottom of my running shoe. I’ve had holes on the side where my bunion/wide foot has pushed through, but never a hole on the bottom. I think it’s funny that this hole happened just as I’m thinking and writing about holes. I feel like I need to incorporate this hole into my project!
A Return to my Rabbit Recap
11 continued — 20 march 2026
sources of bunny inspiration: 1. rabbits who eat buckthorn bark may pee smurf blue; 2. identifying the dark forms in the backyard as rabbits; 3. origins of “bold as brass”; 4. optical illusion — duck or bunny; 5. a cup full of 3 rabbit breaths (poem); 6. jackrabbit trapped in a wildfire (poem); 7. the rock that is not a rabbit (poem); 8. little girls deciding who will have their bunny when they die (poem); 9. a rabbit offering themselves to quell a woman warrior’s hunger (book)
12 — 24 march 2026
Bunny as muse? nudge? pest? ghost?
What am I doing as I keep putting the two bunnies in my backyard into my poems? And why do I insistent on calling these wild and mature eastern cottonwood rabbits bunnies? I’m not sure these rabbits are indifferent to me, but I think they notice me in terms of whether or not I am a threat to their main activity: grazing in the grass.
A title for a poem? Crepuscular. Why don’t rabbits flee when I approach? Do they see me as non-threatening? Has human encroachment screwed up their sense of friend and foe? My mom, a pesky bunny, and a drive out the country. Peter Rabbit: the horror movie.
the rabbit hole:
“Down the rabbit hole” is an English-language idiom or trope which refers to getting deep into something, or ending up somewhere strange. Lewis Carroll introduced the phrase as the title for chapter one of his 1865 novel Alice’s Adventures in Wonderland, after which the term slowly entered the English vernacular. The term is usually used as a metaphor for distraction.[1] In the 21st century, the term has come to describe a person who gets lost in research or loses track of time while using the internet.wikipedia
Out-of-control curiosity. Distraction. Losing track of time. Getting lost in strange worlds. These are presented as bad things. Are they? Many of them are embraced within poetry. And they are great tools of refusal and resistance against late-capitalism and wannabe fascist governments — you’re not working for/perpetuating the system while you’re following the rabbit hole.
The rabbit hole online.
13 — 27 feb 2026
The rabbit hole. “Back to hole-less cottontails. A new metaphor is needed — not falling down and through to other worlds, but something about edges and shadows and the fringes — the periphery! Dwelling on the edges, in the corners, not traveling to new worlds, but noticing the other worlds that are already there, have always existed in the midst of my world.”
I want to think more about this shifting metaphor in my understanding and use of hole in my erasure poem (or poems?)
New Yorker Experiment #5
First, an update on Holes. There’s an empty space without text in the lower left corner. I’m thinking of putting a definition or a quote or a line there. Or, I could put my poem written out in a straightforward way in the space. Would that undercut of enhance the experience of reading the poem? The text could also be an explanation of my version of reading; peripheral — big picture / central — one word or small phrase at a time, often experienced in isolation.
I’ve started (just barely) working on experiment #5. I’m using an article from July 28, 2025 titled “The Whisker Wars.” All I’ve done so far is write down words that stood out to me on two out of the three pages. I want to try experimenting directly on the New Yorker pages so I have a decision to make: two of the pages are back to back, so I need to pick either the first or second page. I’ll read through both of them and see which one I like better.
Hmmm….there’s a cartoon on the second page with the caption, “That’s an area for creativity and unstructured play.” I might want to use a few of those words.
words/phrases the stand out, page 1:
portrait
a game of Now You See It, Now You Don’t
in the beginning, not a whisper
otherwise
drift like snow
wonder
notice
russet-and-gray
pewter-colored
abrupt shift
who left
entanglements
weirdness
yellow
bore a hole through the bottom (of my coffin)
still
page 2
traces
people saw it as separate (from the body)
replaced by a view
faith
framed
revealed
meanwhile
from
however
trends
norms
world all know / known
waves
an area for creativity and unstructured play
lies details
natural
rather
nothing
believe (rs)
teach you
visible
cut
choice
Get Out ICE
On 5 march 2026, NPR posted a story about how doctors and nurses in Minnesota have created an underground network of medical care for people who are too scared to leave their homes. “There are now about 150 doctors — a volunteer “rapid response” team that has made more than 135 home visits” (When ICE came, Minneapolis created underground health networks).
These members of the care network have helped women in labor, babies with the flu, “At the Faribault clinic where Carroll works, staff members deliver medicine, food and other necessities to patients. A staffer drives 12 middle and high school kids to and from school every day in a clinic van.”
