walk: 30 minutes with Delia neighborhood 35 degrees! morning
Sun! Above freezing! Shadows!
10 Walking Things
the sharp clang of something metal dropping on hard concrete
low-note wind chimes, bing-bonging in the breeze
standing tall, lifting out of my lower back and hips, feeling my legs ground themselves on the sidewalk
soft snow
the contrast between bare black pavement and white sidewalks
drip drip drip
bare branches 1: the welcoming oaks, the shape of their thick, sprawling branches making silhouettes
bare branches 2: a maple’s small twigs at the bottom looking like hair
a sizzling sound in the trees: wind on dead leaves
a beautiful blue sky peeking through fluffy, fast moving clouds
run: 3.5 miles godfrey and back 33 degrees afternoon
Less layers this afternoon: running tights, shorts, tank top, long shirt, pull-over with hood, headband, gloves, sunglasses. My face was a little cool, especially the ears which weren’t quite covered by the headband. The sidewalks were sloppy and so was the trail. No ice, but some slushy snow. Encountered a few fat tires, walkers, at least one other runner. Stopped at the bench and remembered looking out at the river, but I can’t remember what I saw other than white. Oh — I saw a person climbing up and out of the winchell trail
Before the run I was listening to an interview with Jenny Odell that I first heard last May. I started thinking about different notions of time and then how memories rarely follow linear time. They don’t move forward in a row, confidently attached to years. They’re all over the place and in the wrong place and on top of each other. I tried to think about that as I was running. I imagined a mess of memories filling up the gorge, but not taking up any space. Then I imagined myself running through and beside them. These memories barely left a trace and I couldn’t feel them.
yesterday’s delights
Driving us on the river road, RJP pointed out two delightful things to me: one — a biker on a fat tire doing a wheelie for at least a minute and for dozens of feet. They were pedaling forward on one wheel, the other wheel was hanging in the air. That seems hard! added 17 jan: I looked it up and found this video. And two — turkeys! one flying!! and dozens more spread out all around turkey hollow.
4.1 miles trestle+ turn around 15 degrees / feels like 1 75% snow-covered
Hooray for getting back outside! I never felt cold. Hands and feet were fine, torso too. About halfway in, I overheated. Off with the mittens, down with the hood. The run didn’t feel easy; my legs were sore. But I bargained with myself — make it to the trestle, keep going until the sliding bench, don’t stop until after the hill! And I was able to shift gears, settling into something different with my legs (hard to explain). I lifted out of my hips, relaxed my shoulders and kept going for longer than I thought I would. Greeted Dave, the Daily Walker. Stopped running to witness a wedge of geese flying overhead. Heard the rattling jawbone of some bird. Noticed that the river was open and dark under the trestle. Everywhere else it was white.
10 Things
a honk cutting through the quiet then less than a dozen geese flying in a loose formation — I think I heard the swish of their wings as they passed directly above me
the smell of tobacco beside me — did it come from the open window of a passing car?
the smell of weed below me
3 stones stacked on the ancient boulder, half covered with snow
a runner approaching from behind with a dog on a leash tethered to their waist, running faster than me through the snow
the constant view beside me: slender bare brown slanted branches white river a white brown bluff on the other side of the river
a flash of BRIGHT orange to my left — someone in an orange jacket walking below near the old stone steps
a big dog — golden retriever? — squatting and pooping on the side of the path, their owner waiting with a bag
a light brown cobblestone carriage walk in front of a fancy house on edmund
the sharp crunch of one foot striking the crusty snow in my alley, the soft grind of the other foot leaving the snow
shades, shadows, memories
Before the run, I was reviewing May 2024 entries. This bit about the children’s book, The Shades, inspired some thoughts:
. . .they live in the garden. All of their food comes from the shadow’s cast by real food, their house cast from the shadow of the old summer house that “broke Emily’s heart” when it was torn down. Most of the time they do what they want, but when a human enters the garden, whichever of them best fits that human’s form must shadow them around the garden. Sometimes this shadowing is fun, other times it’s tedious, and occasionally it’s dangerous: if a human climbs over the garden wall, the shadow must follow and be lost to the outside world forever.
log entry 20 may 2024
Thinking about the shadow’s independence from the object that cast them and their attaching forms that approximately fit, I started thinking about memories and the gorge. I imagined countless memories (as shadows?) living there, made and left behind by everyone that has spent time at the gorge. Then I imagined running through/with/beside them and some of them attaching to me (in some way). The memories weren’t mine exactly; they were independent of me with their own experiences and histories and feelings. But, beside the gorge, we become entangled. Maybe I can add this to the poem I started about shadows. I’d also like to add this idea: the silhouette as “a radical condensation of faith in shadows” from 17 may 2024.
bike: 30 minutes run: 2.7 miles basement outside: 7 degrees / feels like -9
Tomorrow it’s supposed to be slightly warmer, so I decided to wait until then to run outside. While I biked, I watched the 2017 5000m men’s world championships with Mo Farrah. While I ran, I turned on an Apple Music made “Energy” playlist. It was great. I don’t really remember the environment — oh, except for that I was cold at first, in our unfinished basement, but then warmed up fast — but I remember my body during the bike. I was working on keeping my back straight and long over the handlebars. During the run, I remember the music and the stretches when I only noticed my legs when they were off the ground. Listening to the music and getting lost in my thoughts about vision and faces and names, I forgot chunks of time.
before the run — remember/forget: names and faces
Last night, I drifted off to sleep thinking about names and nobodies and how I wanted to gather past accounts about them today in this entry. During my “on this day” practice, while revisiting 14 jan 2020, I came across the documentary,Notes on Blindness, and John Hull’s description of losing all of his sight and the ability to remember faces. Hull asks,
To what extent is the loss of the image of the face tied up with the loss of the image of the self and with the consequent feeling of being a ghost or a mere spirit?
So now I’m expanding my thinking to names and faces.
First, a question, prompted by a bit of the Hull that I listened to/watched just now: What senses produce the strongest memories? answer: smell
a short from the longer documentary
I watched the part after Hull’s quote about the face and the self, and it helped clarify the quote more. First, his wife says:
I can’t look into his eyes and be seen. There’s no beholding in that sense of being held in somebody’s look.
To be seen is to exist. This is what lies behind the thought my older daughter has expressed, Oh Daddy, I wish you could see me!
It is not the person who cannot see the face that is the ghost, but the person who cannot be seen. Even as I often feel like a ghost moving through the world, I also feel like everyone else is a ghost or a specter, that I’m the only real and living thing. It’s complicated because I feel both: haunting and haunted.
Of course, sometimes I can see faces, or at least parts of faces, and I can still see gestures and bodies, so my feeling of loss and disconnection is much different from Hull.
And there’s more messiness about my understanding of all of this. To be sure, there has been a tremendous feeling of loss over not being able to see faces clearly, or to hold someone with a look; to behold and witness others seems to be part of what makes us feel human. But (or and?), some of this is illusion and cultural construct. Sight and seeing someone is not the only way we connect with them, or see them as a self. In fact, it’s not the most reliable. For me, there is something exciting (is that the right word?) about gaining a new perspective on vision and its limits, and about being motivated to care about the process of seeing, which I used to ignore.
Wow — how far am I wandering from remembering and forgetting here?
Now I’m thinking about names and faces and phrases like, put a name to the face. For a little less than a year, Scott and I have been regularly going to a pub near our house, The Blue Door. Much of the time, we’ve had the same waitress. I always recognize her — less by her face than her gestures — but I haven’t known her name. A few days ago, Scott finally realized he could check the bill for her name so now we know it. I wonder, what difference does it make? (How) do I feel more connected to her now that I know her name?
after the run: music
All of the songs I heard were good for energy and distraction, but a few of them felt especially connected to what I had been thinking about prior to my workout.
Reputation/ Joan Jett and the Blackhearts An’ I don’t give a damn ’bout my reputation Never said I wanted to improve my station An’ I’m only doin’ good when I’m havin’ fun An’ I don’t have to please no one I don’t give a damn ’bout my reputation I’ve never been afraid of any deviation An’ I don’t really care if you think I’m strange I ain’t gonna change
I think it was around the time she sang about not wanting to improve her station, I started thinking about names and “being somebody” and notoreity/notoriousness and when wanting to be known is desirable and when it’s not. Usually it’s not for me. I like to be left alone to do what I want to do. I also thought Alice Oswa
Poker Face/ Lady Gaga Can’t read my, can’t read my No, he can’t read my poker face (She’s got me like nobody) Can’t read my, can’t read my No, he can’t read my poker face (She’s got me like nobody)
Wow, these lyrics! Yikes. Anyway, I’m interested in the idea of an unreadable, stone face. That’s how most faces are to me all of the time. I can’t see small gestures or tells that help you to make sense of what’s being said. Now I’m wondering about non-facial poker tells. Here are two that I found: how they handle the chips/cards and table talk.
Rhythm Nation/ Janet Jackson With music by our side to break the color lines Let’s work together to improve our way of life Join voices in protest to social injustice A generation full of courage, come forth with me
As I heard these words, I thought about my discussion below about seeing, looking, beholding each other as the primary way to recognize each other’s humanity/selfhood. What about hearing and listening and playing music?
Bonus: It’s Raining Men/ The Weather Girls
Not directly related to faces and names, but hearing this song reminded me of one of my favorite sections in the blindness documentary. It is nine and a half minutes in and it’s about rain and how its different sounds on a tree or a roof or a garbage can help us to “see” a place with our ears.
Cold and icy and windy outside, so inside in the basement for me. Watched an old track race while I biked, listened to my remember to forget playlist as I ran. Happy to move my legs and work up a sweat. What did I notice? I don’t remember.
remember — inheritance
gestures, ways of speaking, expressions, eye diseases, anxiety disorders, curiosity, persistence, restlessness, strong legs, a love of water, a need for being outside, the impulse to run away, an edge dweller, conflict avoider, a storyteller
I remember a lecture I read by Mary Ruefle in Madness, Rack, and Honey.
Thinking about “I Remember” and remembering, origins and when things began. I thought about how there is a sort of origin point to all of this (my writing poetry) and it’s my eye doctor diagnosing me with a rare eye disease then saying, you should write about it which prompted me to want to work on my writing so I could better explain what I was experiencing. But, I had already been writing and already had those desires, so it was really more of a slight shift, a stutter step or a quick stumble off the path, just briefly, which changed the trajectory, slightly, incrementally. Difficult to pinpoint what all changes your path.
The first song that came up on my playlist was Fame. As I listened to the lyrics — Fame! I’m gonna live forever / Baby remember my name — I started thinking about being remembered forever and fame and names and immortality and Emily Dickinson and JJJJJerome Ellis and their “Liturgy of the Name” in Asters of Ceremonies.
from Liturgy of the Name/ JJJJJerome Ellis
My name, in the time when I cannot utter it, maps the space within me. In an instant the Stutter shuttles me from the present–the barber just asked me my name, my voice fluttering in my throat, struggling not to tremble as the razor presses on my temples–to an ancient place of breath, name, silence, time, creation.
. . .
When the door of my vocal cords closes, another opens. And through that open door I escape into a region I do not know what to call but which is vaster than the space of my body. You could say: my name is the door to my being, and in that interval when I’m stuttering, the door is left wide open and my being rushes out. What rushes in?
A short run because it snowed last night and they haven’t plowed the trail yet. I wore my yaktrax but the soft, uneven snow seemed too much for already sore muscles.
Interruption: as I sit at my desk writing this, after my run, a dog zipped by my window. Ace — the dog two doors down who likes to break out his backyard and roam the neighborhood. I used to worry about him, but I know he’ll return….just after finishing that last sentence, I saw a blur of movement — Ace again, across the street.)
It was a nice, relaxed run through a wonderfully wintery world! Snow covering everything — path, trees, river. Occasionally I heard a crunch when my foot hit some icy snow, but mostly the snow was soft and silent. I descended to the Winchell trail at 42nd and ran closer to the river. The path was a mix of snow and dead leaves. I continued past the 38th street steps and down into the oak savanna. Then beside the ravine and over the icy slats — that part was slippery! No running, barely even walking, at this part.
10 Things
river hidden under snow
a pack of runners approaching — the movement of their thin, muscular legs made them look like galloping horses
a fat tire up ahead — at first, all I could see was a dark figure and I thought it might be a dog or a bear or the territorial turkey
hi! — hello! greeting an approaching walker
the heavy breathing of a fast runner passing by me
a flash of orange — was it a snow fence?
the wind heading north on the upper trail was cold and harsh
the slow trickling of water below the ravine
a tree bent over the trail so low I almost had to duck to get under it
all the benches were empty
Happy 8th Anniversary to this log! On January 12th, 2017 I posted my first entry for this RUN! project. I had no idea where it would lead. What a life it has given me! It seems fitting for my love of the approximate that I started on the 12th instead of the 1st. It also seems fitting that the post began with no fanfare or introduction to some big project and that it was about restlessness. 9 years and 7660.2 miles of running (and around 500 miles of swimming) later, I’m just as or more restless. Wanting to move, to be outside, to connect with the world. To read, to write, to experiment with new ways to be. My restlessness drives my creativity and curiosity and also my unease and discomfort (and anxiety and suffering).
They fuck you up, your mum and dad. They may not mean to, but they do. They fill you with the faults they had And add some extra, just for you.
But they were fucked up in their turn By fools in old-style hats and coats, Who half the time were soppy-stern And half at one another’s throats.
Man hands on misery to man. It deepens like a coastal shelf. Get out as early as you can, And don’t have any kids yourself.
I first encountered this poem after . . .
Interruption. Sitting here at my desk in front of the window before my run, someone just walked by pushing a shovel. I think they decided to walk and shovel everyone’s sidewalk at the same time. That’s feeding two birds with one scone. Nice!)
. . . reading then memorizing Philip Larkin’s The Trees. I didn’t like it. That last verse — so harsh and unforgiving. But this morning my study of remembering and forgetting led me to the idea of passing down/inheriting trauma from past generations, and I came across this poem again. I continue to struggle with the conclusion, but I’m reading the rest of it differently — as a daughter who is beginning to understand the trauma she inherited from her mother and how she responded to abusive parents, and as a mother confronting the impact of her parenting choices on her kids. I had planned to write more about this now, but I don’t have time; FWA is returning to college today!
When I have time, I want to read/summarize this article: How Parents’ Trauma Leaves Biological Traces in Children. And I want to think about epigenetics and slavery and how inheritance works on a broader, more systemic level, within communities. Whew — that’s a lot!
Winter white. White sky, white grass, white sidewalks — at least some of the sidewalks are still white. Warmer. Still, quiet, calm. Deep breaths — ahhh! cold air! A happy dog. Walked past 7 Oaks and thought about how it’s a sinkhole. then wondered how long it’s been this way. “Thousands of years” was as specific as I could get. While looking for its age, I also found a Sinkhole Study from a few years ago. I’ll have to look through it when I have more time.
yoga – 30 minutes
Two days ago, I promised to try out a low vision yoga video. Loved it!
The slow and careful way that the instructor described the movements was very helpful. Similar to audio descriptions on shows and movies, I didn’t realize how much I needed a description of the moves until I had one and could feel the difference — easier, less stressful.
grass
This morning, during my “On This Day” practice, I re-encountered these lines from Victoria Chang in her poem, “Left Behind”:
We are carriers of grass yet to be grown. We aren’t made of cells, but of fields.
Then, while reading JJJJJerome Ellis’ “Benediction” in Asters of Ceremony, I encountered these beautiful lines,
The more I live with my stutter, with the Stutter that I steward in my body, the more I feel and know, or unknow, that this stutter is no less a part of the earth than the rest of my body. This stutter has come from the land and the water. It knows the Plant Elders, and there is much I can learn, and have learned, about my stutter by spending time with these Elders. Names run through the Grasses, and when I stutter on my name, I am brought into the field.
Benediction from Asters of Ceremony/ JJJJJerome Ellis
Both Chang and Ellis, but especially Chang, reminded me of Mary Oliver’s mention of grass in The Leaf and the Cloud:
Listen, I don’t think we’re going to rise in gauze and halos. Maybe as grass, and slowly, Maybe as the long-leaved, beautiful grass.
4.5 miles minnehaha falls and back 21 degrees 100% snow-covered
Today the winter I want: big flurries, everything covered in a thin layer of snow, not too much wind, warmer, not slick — especially with my with Yaktrax on. Nothing was quite easy, but everything wasn’t as hard as my last run on Wednesday.
10 Things
a white sky
the contrast between shoveled and un-shoveled sidewalks — both still white, but the shovelled ones had a tint of gray or brown peeking through
the clacking jawbone of a bird’s beak — a blue jay?
the river was all white — if you didn’t know better, you could believe it was a field or a meadow
approaching from above, hearing the falls rushing over the limestone
kids yelling and laughing at the playground, one loud, high-pitched sound — was it a kid screaming or a whistle?
amongst the kid voices, a deeper, more knowing laugh — was that from a teacher?
the contrast on the creek surface: white snow with blackish-gray water
every so often, a flash of orange — not always sure what it was, just a voice whispering, orange — a snow fence? a construction cone? a sign?
bright headlights cutting through the sky, which was both bright — everything white! — and heavy
Listened to my “Remember to Forget” playlist on the way back. The first song up, Do You Remember Walter? by The Kinks. Two different bits stuck with me:
one: Walter, you are just an echo of a world I knew so long ago. two: Yes, people often change./ But memories of people can remain.
This second bit got me thinking about how I can’t always (can I ever?) see faces clearly. When the face is too dark and shadowed, I just ignore it altogether. But when there’s some light and I can sort of see them, I often re-construct the features I can’t see with memories of their face from before I lost most of my cone cells. I’m not remembering their face, but creating it. After thinking that the idea of remembering as re-memembering — putting a body back together — popped into my head. Yes! I take my image of face, only as fragments — the curve of a nose or a chin, a bit of eye — and turn it into something whole.
As I kept running, I thought more about remembering and memories and my vision and how I rely on past experience and habits to navigate. And now as I write this, I’m thinking about how everyone’s vision — not just mine — relies on a building up of past experiences (memories?) with things to be able to see them. Here I’m remembering something that I read in Robin Wall Kimmerer’s Gathering Moss:
the sensation of sudden visual awareness is produced in part by the formation of a “search image” in the brain. In a complex visual landscape, the brain initially registers all the incoming data, without critical evaluation. Five orange arms in a starlike pattern, smooth black rock, light and shadow. All this is input, but the brain does not immediately interpret the data and convey their meaning to the conscious mind. Not until the pattern is repeated, with feedback from the conscious mind, do we know what we are seeing.
Learning to See in Gathering Moss/ Robin Wall Kimmerer
I’m continuing to read JJJJJerome Ellis’ Aster of Ceremonies. Wow!
Prayer to My Stutter #2/ JJJJJerome Ellis
You restore a living shoreline between word and silence
This beautiful prayer moves right into the next offering, Octagon of Water, Movement 3, which was titled by its first line when it was published in Poetry:
The name of that silence is these grasses in this wind, and the name of these grasses in this wind is that other place on the other side of this instant. This instant is divided by curtains of water and the sound of shuddering time. A sunflower reeling with sun, six hands stretched in offering. This unsearchable, uncancellable instant wraps the shoulders of the grasses like a shawl stilled by the stoppage.
How is/isn’t the instant similar to Marie Howe’s moment? If you listen to the recording on Poetry, you can hear the stretched silence as Ellis’ voice stops before pronouncing certain words.
2
This morning come shyly or boldly into the fertile field, however you are, come, come and stay in the rearrangement, the pressure of thumb on fescue blade, a year wheeling within a day, two round moments of warm mouth, finally at peace. The psalm is a key if only we can find the door. Do not swallow your dysfluent voice. Let it erupt in its volcanic flowering. Stoppage thence passage, aporia, poppy bursting with fragrant seed.
What a beautiful description and reclaiming of a stuttering voice on the other side of the stoppage! The erupting bursting flowering dysfluent voice.
I’m inspired by how Ellis takes his stutter and turns it into this beautiful instant between silence and word. For them, the stoppage is a/the key aspect of the stuttering. What are the most important elements of my strange vision?
I tried out a new yoga routine this morning for hips and lower back release. I liked it (mostly), but it was difficult to follow; I couldn’t see the movements she was making very easily. I’m sure some of it was because I wasn’t familiar with the movements, but I also think it was her (visually) busy set-up. Of, maybe it’s the dark floor? Yes, there’s not enough contrast with the floor and I couldn’t see what her body is doing.
yoga / difficult to see
The yoga routine I usually do has a light/white floor so I can the yoga instructor’s arms and legs more easily — at least where her arms and back are bare:
yoga / easier to see
It’s possible that I could see the second yoga instructor more easily because I’ve watched this video hundred of times and I started watching ir when my vision was better than it is now.
I decided to look up “low vision accessible yoga” on YouTube. I found, Yoga For People with Low Vision, which I think I’ll try tomorrow. There’s not enough contrast (for me) between the instructor and the mat, but I imagine the emphasis on describing the movements might help. Thinking more about why it was more difficult for me to follow in the first video, I’m remembering how chatty the instructor was about random stuff. Some moments she offered great descriptions of the movements, but other moments she went too fast or spent more time talking about something else. In my favorite yoga video, there’s no chatting. Just a clear, straight-forward, rehearsed voice-over.
I found a video with advice on how to instruct blind or low vision yoga students, and I found this part about intentionality particularly important:
Yes! Intentionality, mind-body connections, listening — and not just for the students with low vision.
walk with Delia – 20 minutes neighborhood 20 degrees
Scott and I took Delia on a walk around 2 blocks. Brrr!! It felt colder than 20 degrees. Was it sunny? Now I can’t remember. Wait, it was, I wore my sunglasses. The thing I remember most about the walk were the talkative birds in a neighbor’s bush. I think they were sparrows? I didn’t see them, but I sure heard them! Another thing I remembered were the bare branches of the trees — gnarled and sprawled and looking straight out of a dark fairy tale.
Another sunny, sharp shadow day. Ran south to the falls and listened to cars, birds, kids on the playground, and some guy coughing too loudly. Stopped at my favorite spot to admire the falls, then put in my “Remember to Forget” playlist. Sometimes I felt strong, and sometimes I felt tired. My legs wanted us to stop. I did a few times, including at the bench above “the edge of the world.” I took two pictures. One had a clearer view of the ice on the river, but I picked the other one, with its branches and shadows and white sun:
above the edge of the world / 8 jan 2024
10 Things
chirping birds
my shadow, clear and strong
shadows of trees in the park, soft and fuzzy
a shadow of the lamp post, sharp and menacing
someone who looked like Dave the Daily Walker from behind — a tucked shirt and not jacket, tucked into dark track pants — but wasn’t
the creek — bright white snowy surface mixed with fast, flowing water
the falls were gushing through the ice columns
a man with a bad cough near the overlook
a cold wind on my ears when I put my hood down
the shadow of a tree sprawled across the trail that dips below the road, looking like an actual branch that might hit me as I ran by
For a moment, I thought I had completely forgot running the stretch down to, then over, the bridge that crosses above the falls, but then I remembered it: what the creek looked like, seeing some people (one of them, the man with the cough) as I crossed, but then not seeing them, and then seeing them again near the closed gate.
before the run
Last night, I started reading JJJJJerome’s Aster of Ceremonies, which I bought in october of 2023 and hadn’t read yet. Wow! Here’s a bit I’d like to take with me on my run:
What is the wound reopening during the stutter? How does it relate to Morrison’s flooding? When the Mississippi returns to its former contours, does the suture we created by straightening it open? (Octagon of Water, Movement 2/JJJJJerome Ellis)
Last week, I was just writing about how the natural shape of the Mississippi River in the gorge is long gone, reshaped by the city and the Army Corps. After my run, I’ll read Toni Morrison’s essay to which Ellis refers.
added a few hours later: I tracked down the quotation that Ellis puts in a footnote for this poem from Toni Morrison in The Site of Memory (1995, 99):
You know, they straightened out the Mississippi River in places, to make room for houses and livable acreage. Occasionally the river floods these places. “Floods” is the word they use, but in fact it is not flooding; it is remembering. Remembering where it used to be. All water has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were, what valley we ran through, what the banks were like, the light that was there and the route back to our original place. It is emotional memory – what the nerves and the skin remember as well as how it appeared. And a rush of imagination is our “flooding.” Along with personal recollection, the matrix of the work I do is the wish to extend, fill in and complement slave autobiographical narratives. But only the matrix. What comes of all that is dictated by other concerns, not least among them the novel’s own integrity. Still, like water, I remember where I was before I was “straightened out.”
The Site of Memory/ Toni Morrison
So good! I’m excited to think about these ideas some more and figure out my relationship to flooding and being straightened out and rivers before and after Minneapolis and the Army Corps of Engineers “fixed” them.
Thinking about Ellis’ stutter in relation to my vision problems. In some ways, I have a visual stutter — there’s a long pause between looking at something and actually seeing it. I need time for things to make sense. Also, images stutter, shake, fizz, are always moving, never still or sharp or clear.
remember/forget
1— will
the differences between what we notice and try to remember and what we ignore or try to forget (16 april 2024)
2— memory
When I heard the line, Seems like we’re livin’ in a memory, I thought about how I mostly can’t see people’s faces clearly and that I’ve either learned to tune it out and speak/look into the void, or I just fill in the smudge with the memory of their face. I’m used to it, and often forget I’m doing it until suddenly I wonder as I stare at the blob, am I looking in the right place, into their eyes, or am I staring at their chin? I don’t care, but I imagine the other person might, so I try to find their eyes again (9 may 2024).
In jan of 2024, I’m thinking about the daily, mundane bodily functions that we forget we’re doing, or don’t notice — what’s the difference between not noticing and forgetting here? I’m also thinking about this idea of memory and its relationship to the real. When is remembering “only a memory” and when can the act of remembering keep something real? Can we understand remembering as more than thinking about things from the past? What about remembering what is present, here still, real, connected to us?
3 — pay attention, be astonished, tell about it
Thinking more about the difference between noticing and remembering, I’m thinking about the different acts involved here. Yes, it is inspired by Mary Oliver’s instructions for living a life! First, we notice, then we are open to feeling something about what we noticed, then we put that noticing and our feelings into words. For my practice, I don’t try to remember to notice or to be astonished, they just happen — at least, that’s the goal. Remembering comes in when I try to put my attention and astonishment into words. So, the connection between writing and remembering.
4 — writing to remember
I’m not writing it down to remember it later, I’m writing it down to remember it now.
Field Notes slogan
Many different directions I could go with this idea of remembering and writing, but I like this idea of the act of writing about something as the remembering. I rarely look back at my (Field Notes brand) Plague Notebooks when I’m finished with them; it’s the act of writing in them that helps me remember what I noticed or was thinking about. This method is approximate and doesn’t work all of the time. In my practice, I use the act of making a list on my log of 10 things I noticed as the moment of remembering what I didn’t even realize I noticed. But, unlike my plague notebooks, I do return to my log to read past entries and remember what I wrote before — in at least 3 ways: my monthly challenge pages in which I review and summarize what I did in relation to my theme each month; my “on this day” morning reviews, in which I reread past entries from that day in different years; and my annual summary, month-by-month of my log entries.
5 — forget the body
I like my body when I’m in the woods and I forget my body. I forget that arms, that legs, that nose. I forget that waist,
that nerve, that skin. And I aspen. I mountain. I river. I stone. I leaf. I path. I flower. (Yes, That’s When/Rosemerry Wahtola Trommer)
The same 30 minute yoga for flexibility routine I’ve been doing for 5 years. I like it, but I should try something else this month. Later, a short walk outside with Delia the dog. Brisk.
10 Things
faint shadows, mine, tall, beside Delia’s, short
the metallic buzz of a table saw
a ridge of snow, refusing to melt on a neighbor’s narrow boulevard
the fast flash of Delia’s tail when she’s excited or relieved or happy to be heading back
cold air seeping through my hood and hat, into my ears
bare grass
the 6 inch gap under the gate of a yard a block away
the smooth asphalt of a nearby driveway
the sculpture of a turtle — bigger than an ancient tortoise — in a front yard — it looks heavy, is it made out of bronze?
the buzz of workers all around the neighborhood — brrr!
forgetting/remembering
1 — the body
On jan 7, 2019, I wrote this about forgetting and remembering my body as I ran:
I found myself worrying constantly about my back or my IT band or my knee. At one point I wondered, what would it feel like to not notice my body? To simply run? Of course, this did happen many times during the run, but I remember more the times when I was too aware of my body.
Scrolling through facebook this morning, I encountered several “never forget” posts about the pro-Trump terrorist attack on congress on Jan 6, 2021. Then I read my On this Day post from jan 7, 2021 which begins with a brief description of the attack. I thought about how I use this log and my “on this day” practice to not forget things (typing this, I started wondering about the differences between not forgetting and remembering). Not forgetting is an important act of resistance.
I also read my jan 7, 2020 entry about the dogs in our neighborhood. Most of those dogs are gone now. Or, if they’re not gone, I don’t ever see them anymore. But, I remember them often as we walk past their houses. Delia does too. Not forgetting is an important ritual of staying connected to a place.
Simply looking. A car goes over a rise and there are birches snow Twisted into cabalistic shapes: The Devil’s Notch; or Smuggler’s Gap. At the time you could not have imagined the time when you Would forget the name, as apparent and there as your own. (from Hymn to Life/James Schuyler)
As I travel around my neighborhood, by foot or car, I speak about things that are no longer there — the tree with teeth, the big branch that sprawled above the road, the mustache on the mustache bridge, Bridgemans restaurant — and reflect on how easy it is to forget things that are no longer there. Without memories, it’s as if it was always like it is now, like the gone things never existed. Speaking of the mustache bridge, FWA mentioned it the other day. He referred to it (the bridge that crosses Hiawatha on the parkway) as the mustache bridge even though it only had a spray-painted mustache on it for a few months 10 years ago. I thought it was fascinating that this name has stuck. Will there be a time when we forget why we call it that?
3 — losing
I watch other bodies slip through the blue, how fast the young are & how old they become, floating, floating, forgetting the weight of years (Romance/Susan Browne)
Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn’t hard to master.
Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. (One Art/Elizabeth Bishop)
5.5 miles bottom of franklin hill 11 degrees / feels like 5
Another sunny, snowless day. A little wind, some cold air. Wasn’t planning to run 5 miles, but I wanted to get to the bottom of the hill so I could see the surface up close. Iced over — not smooth, but with seams and cracks.
ice on mississippi river / 6 jan 2025
I’m glad I took a picture because I did not remember it looking like this! I was visually a surface that was more gray and uniform with cracks creating big and flat sheets of ice. I didn’t remember the shadows or the blue or how uneven it all looked.
As I ran, I listened to my “Remember to Forget” playlist. It started with “I Remember it Well,” from Gigi. I heard the opening lines:
We met at 9 We met at 8 I was on time No, you were late Ah yes I remember it well
I thought — wait, if he thought they were meeting at 9, he wouldn’t have thought he was late if he got there after 8 — yes, these are they thoughts I have as I run. I thought about how subjective memory can be and wondered how certain we could be that she remembered correctly. Then I heard these lyrics:
Ah yes I remember it well You wore a gown of gold I was all in blue
I remembered that meme 4 or 5 years ago with the dress — is it gold or blue? — and thought again about how we can remember things differently. When is it lack of memory, and when did we always just remember it wrong, or unusually, or with a focus on different details, or in a different light?
10 Things
the hollow knocking of a woodpecker
the thumping of wheels over something on the road on the bridge above
4 stones tightly stacked on the ancient boulder
a section of the fence above a steep part of the bluff, missing, marked off with an orange barricade
the icy river through the trees — blue and white and lonely
daddy long legs at his favorite bench
shadows, 1: mine, off to the side, in the brush next to the trail
shadows, 2: a tree trunk, tall, stretched, looking like a dinosaur
stopping at the edge to put in my headphones, seeing a flare of movement below: someone walking on the winchell trail
the limestones still stacked under the bridge, still looking like a person sitting up and leaning against the bridge
Said a blade of grass to an autumn leaf, “You make such a noise falling! You scatter all my winter dreams.”
Said the leaf indignant, “Low-born and low-dwelling! Songless, peevish thing! You live not in the upper air and you cannot tell the sound of singing.”
Then the autumn leaf lay down upon the earth and slept. And when spring came she waked again—and she was a blade of grass.
And when it was autumn and her winter sleep was upon her, and above her through all the air the leaves were falling, she muttered to herself, “O these autumn leaves! They make such noise! They scatter all my winter dreams.”
more forget lines
1
like the moment just before you forgot what it was you were about to say, it was like that, and after that, it was still like that, only all the time. (Part of Eve’s Discussion/Marie Howe)
2
It’s almost romantic as we adjust the waxy blue recycling bin until you say, Man, we should really learn some new constellations.
And it’s true. We keep forgetting about Antlia, Centaurus, Draco, Lacerta, Hydra, Lyra, Lynx.
But mostly we’re forgetting we’re dead stars too (Dead Stars/Ada Limón)
3
See whatever you want to see. Even at the moment of death forget the door
opening on darkness. See instead the familiar faces you thought were lost. (Squint/Linda Pastan)
4
According to Howe, most (all?) of the critical studies of ED as a poet (up to 1985, when this book was written), read ED’s decision to stay isolated in her bedroom for the rest of her life as tragedy and a failure to celebrate herself as a poet (Whitman) or declare herself confidently as the Poet, the Sayer, the Namer (Emerson). Howe argues that she made another choice and writes the following:
She said something subtler. ‘Nature is a Haunted House–but Art–a House that tries to be haunted.’ (L459a)
Yes, gender difference does affect our use of language, and we constantly confront issues of difference, distance, and absence when we write. That doesn’t mean I can relegate women to what we ‘should’ or ‘must’ be doing. Orders suggest hierarchy and category. Categories and hierarchies suggest property. My voice formed from my life belongs to no one else. What I put into words is no longer my possession. Possibility has opened. The future will forget, erase, or recollect and deconstruct every poem. There is a mystic separation between poetic vision and ordinary living. The conditions for poetry rest outside each life at a miraculous reach indifferent to worldly chronology.
5.3 miles va bridge and back 9 degrees / feels like -3
A little colder today, so more layers: 2 pairs of running tights; one long-sleeved shirt, two sweatshirts, one with a hood; a jacket; gloves; mittens; buff; 2 pairs of socks; sunglasses; cap.
My IT band was sore again. Time to play around with i and t! — in too deep; into gorge; intonation; in today’s economy?; intoxicating; intolerable; in top form; into the woods
10 Things
bright blue sky
sharp, solid shadows, 1: mine, running right in front of me
shadows, 2: slender, twisted branches on the asphalt
birds!, 1: rooting around in the dry brush, making a loud noise
birds!, 2: fluttering, flickering, flashing in and out of the bare branches on the edge of the trail
the falls!, 1: nearing them from above I could hear that they were more frozen as water fell over ice columns and made a sharp, tinkling sound
the falls!, 2: from my favorite spot, thick ice columns with water gushing through
the river! — everywhere I looked, swaths of white placed over the surface — not everything was white, but what was looked extra white, almost like frosting
the faint and fleeting scent of smoke
the view from the bench above the edge of the world was enormous and open and bright desolation
After turning around at the entrance of the VA bridge, I thought about the veterans across the bridge and I wondered who lived there and for long and whether or not they get the resources they needed. With all of the other layers of life — past and present — here, I don’t often think of them, and I don’t know much about the history of this place. Not too far down the river is Fort Snelling and the big cemetery. My Uncle Tim who died in Vietnam before I was born is buried there, and my grandfather’s ashes, too. My mother was devastated by her brother’s death, and she rarely ever talked about him to me. Too painful for her to remember? Strange to think about how close I am in proximity to my family on my mom’s side and how little I know about them.
1
As I continue to tag past entries with “remember/forget,” I came across these lovely lines from Carl Phillips:
just the rings that form then disappear around where some latest desire — lost, or abandoned — dropped once, and disturbed the water. To forget — then remember . . . What if, between this one and the one we hoped for, there’s a third life, taking its own slow, dreamlike hold, even now — blooming in spite of us? (Sky Coming Forward/Carl Phillips)
2
And if my father says haunt
he doesn’t mean the way rooms forget him once he’s gone; he’s saying his leather chair now in his coworker’s office, his locker in the back room newly purged of its clutter, or his usual table in the break room where he sits at 10:30 each night eating the same steak club and chips (Haunt/Maya Phillips)
3
Crossing between gain and loss: learning new words for the world and the things in it. Forgetting old words for the heart and the things in it. And collecting words in a different language for those three primary colors: staying, leaving, and returning. (Big Clock/Li-Young Lee)
4
And here’s a quotation from Alice Oswald in an interview for Falling Awake:
It’s good to remember how to forget. I’m interested in the oral tradition: what keeps the poems alive is a little forgetting. In Homer you get the sense that anything could happen because the poet might not remember.
Re-reading this idea, I’m reminded of AO’s discussion of her method for her book-length poem, Dart:
I decided to take along a tape-recorder. At the moment, my method is to tape a conversation with someone who works on the Dart, then go home and write it down from memory. I then work with these two kinds of record – one precise, one distorted by the mind – to generate the poem’s language. It’s experimental and very against my grain, this mixture of journalism and imagination, but the results are exciting. Above all, it preserves the idea of the poem’s voice being everyone’s, not just the poet’s.source
I’d like to try doing this with the documenting of my runs: experimenting with combining recordings with my memory/imagination of what happened (from log entry 14 march 2022).
I’m not interested, at least at this point, in interviewing people by the river, but I wonder if I could play around with recordings and memory — how what I remember strays from what actually happened? Maybe not with words but images? Or, I could play around with recordings of sounds, using this Steve Healey poem which I reread this morning during my “on this day” practice:
The other day, as I mentioned the “edge of the world” in a post, I thought about how I’d like to add a map to this log. This map would include all of my landmarks, with the names I use for them in my entries: the old stone steps, the double bridge, the edge of the world, the tunnel of trees, the ancient boulder with the stacked stones, the sliding bench. Ideally, this map would be hand-drawn, but I don’t think that’s possible with my bad vision. Maybe Scott could help me and we could get it printed and framed for the wall?
20 minutes with Delia neighborhood 7 degrees / feels like 4
Winter! Heading north, an arctic wind, but otherwise, not bad. Warm sun, no snow. I love being outside and moving. A thought: I should commit to doing one or two long-ish walks each week to somewhere. The library? A coffee place?
10 Things
dead, brown leaves on top of a pile of crusty snow
a high-pitched, quiet whine from a truck on the next block
the bare, gnarled, tall branches of the oak tree on the corner
2 green dumpsters on the sidewalk outside of Turtle Bread
almost stumbling as I stepped on a small rock or hard chunk of snow
a neighbor on the next block having an animated conversation with the mailman
bark! — Delia the dog unexpectedly barking at them from across the street
bark! bark! bark! — a dog in a backyard calling out to Delia
the tree on the corner across from the Blue Door — dead, most of it trimmed away, more than a stump with a few dead branches still remaining
the sun! heading south, warming my face and making it difficult to see if anyone was approaching
While tagging old entries with “remember/forget,” I came across Emily Dickinson’s poem about forget-me-nots on 2 march 2021, which helped me to remember that I was thinking about it — vaguely — as I ran yesterday!
There are spaces for living and spaces for forgetting. Sometimes they’re the same. (Voiceover/ Rita Dove)
3.5 miles trestle turn around 12 degrees / feels like -3
With the sun, it didn’t feel like -3 to me. No brain freeze from the wind, or numb fingers, or frozen snot in my nose. Well, as I’m write this I’m remembering that my legs felt slightly disconnected from my body, like logs or stumps, which is because of the cold.
My shadow ran in front of me as I headed north. She never wandered from the trail. I was just about to write that I forgot to look at the river, or forgot what I saw when I looked at the river, but then I remembered: sheets of white spread across, from east to west, between lake street bridge and the trestle. The ice looked like white waves and very cold. I stopped at the sliding bench for a moment and admired the river, then stopped a few minutes later to admire it again. Quiet, calm, a soft blueish-gray.
I listened to my new playlist (see below), so I don’t remember noticing much else. I was re-energized when Taylor Swift’s “I Forgot that You Existed” came on, and had some interesting ideas during “Veronica” about memories and the mind and thoughts and when and where they do and don’t travel and how and when we can’t access them anymore. Then I thought of an image for thoughts scattering and one’s mind being blown that I read on twitter several years ago: a mind being blown as not being blown up, but as being scattered like someone blowing on a dandelion — each thought or idea or memory is one of the dandelion seeds being spread. Now I’m thinking about each memory or thought as a bee swarming from a hive . . .
remember and forget
It’s looking more and more like remembering and forgetting might be my theme for january. It seems fitting for the first month of the year, when I’m trying to remember some things and forget others from 2024. I’m excited about this topic, and have thought about it before. There are so many ways I could approach it: the moment of remembering, the softness of forgetting, memorizing poems, memory loss . . .
Here’s my tentative remember to forget playlist:
Remember the Time/ Michael Jackson
I Don’t Remember/ Peter Gabriel
I Keep Forgettin’/ Michael McDonald
Try to Remember/ The Fantasticks
Don’t You (Forget About Me)/ Simple Minds
I Remember/Molly Drake I
Forget to Remember to Forget/ Johnny Cash
September/ Earth, Wind, and Fire
I Forgot that you Existed/ Taylor Swift
Veronica/ Elvis Costello
I Love You and Don’t You Forget It/ Sarah Vaughn
Do You Remember Rock n Roll Radio/Ramones
Do You Remember Walter?/ The Kinks
Remember/ A Little Night Music
I Remember it Well/ Gigi
Forget You/ Cee Lo Green
(Love Will) Turn Back the Hand of Time/ Grease 2
Memory/ Barbara Streisand
and here are a pair of lines from two different poems, one about forgetting, one about remembering:
the snow has forgotten how to stop (Blizzard/ Linda Pastan)
As we walk into words that have waited for us to enter them, so the meadow, muddy with dreams, is gathering itself together
and trying, with difficulty, to remember how to make wildflowers. (The Meadow/Marie Howe)
5 miles bottom franklin hill and back 18 degrees / feels like 10
A beautiful, sunny morning. Cold enough to make my eyes water but not my feet numb. Birds, sharp shadows, a clear path. Only a few small chunks of hard snow on the walking path. From the distance, the river looked completely open and ice-free. When I stopped at the bottom of the hill to check, I noticed a few lumps scattered around the surface. If I hadn’t stopped, I never would have seen them — there were so few of them, and they were so small!
I remembered to look at the river. I forgot the sudden and unexpected surge of anxiety I experienced before the run, while I was sitting at my desk — not panic, but a rush of something then shaking hands, chattering teeth — then remembered it, and then forgot it again. This happened throughout the run. I remembered to breathe and to stay relaxed. I forgot to check my watch. I remembered to zip up my jacket pocket so one of my black gloves wouldn’t fall out. I forgot to check and see if June’s ghost bike was still hanging on the trestle. I remembered the time I ran up the franklin hill and recorded myself describing it. I forgot to look for fat tires.
Halfway up the franklin hill, I stopped to walk and put in my “Slappin’ Shadows” playlist, since the shadows were wonderful today. The fourth song to come on was Cream’s “White Room.” I thought about the second verse and these lyrics:
You said no strings could secure you at the station Platform ticket, restless diesels, goodbye windows
First, I was struck by the strings. I thought about invisible threads or tugs, then Taylor Swift’s invisible strings. Then, I was struck by nouns in the second line, especially the restless diesels and goodbye windows. I’m not sure if I thought about it while I was running, but now I’m thinking about one of RJP’s favorite books as a kid, The Hello Goodbye Window.
Before the run, and before my surge of anxiety, I edited and added to some lines about descending into the gorge that I had started last week. I was partly inspired by a discussion with FWA yesterday about his walk down the old stone steps to the beach. The lines aren’t quite finished, but here’s what I have. I’m hoping to have FWA read them to see if they capture any of his experience:
From the bottom, she looks up to behold a steep set of stone steps wedged in loam by grandfathers. At the top, the edge, and beyond, the trail, then the road, wind-bent trees, worn grass, a neighborhood. Down here feels different — wild, untouched, real, above only distant dream. The girl follows a break in the trees to a white sand beach and the river. She shuts her eyes and listens for the bells that chime four times an hour. Once or twice, instead, she’s heard a bagpipe’s mournful skirl float down from the cenotaph on the other bluff. A moment, a breath — she opens her eyes returns through the trees ascends the steps and breaks the spell.
And, speaking of remembering and forgetting, here’s another fragment I’m working on:
One day the girl sees the river and re- members what she saw. One day she sees the river and does not. And one day she for- gets to look. How strange it is to not notice what is right there, looming so large it has shaped this whole world.
4.5 miles minnehaha falls and back 15 degrees / feels like 3 / flurries
2025, I’m not sure how I feel about you. Not dread, but not exuberant hope either. I guess I’m trying not to think about you and what you might bring that much. Running beside the gorge helps. Very few, what ifs, many more now and now and nows. Today’s run was great. I was surprised to see that the feels like temp was 3. It didn’t feel that cold. I guess I picked the right layers: 2 pairs of black running tights, a black fleece-lined cap with ear flaps, a gray buff, a faded green long-sleeved shirt, a bright orange sweatshirt, a purple jacket, gray long socks, black short socks, black gloves, pink and white striped gloves. At the halfway point, one pair of gloves came off.
While I ran, I thought about remembering and forgetting and decided when I returned home, my 10 things list would be of things remembered and things forgotten.
10 Things Remembered or Forgotten
I remembered to look down at the river
I remembered what it looked like: steel blue, a few thin sheets of ice
I remembered to stop at the bench above the edge of the world to take in the openness — soft, almost still except for a single leaf fluttering and several leaves sizzling, and was the water moving very slowly or was that just the staticky buzz of my glitching cone cells?
I forgot about my headache
I forgot about my IT band
In mile 3, I remembered my IT band and thought about how it’s impossible to fully forget your body, which is good, because why would I want to do that?
I forgot the election
I remembered to look carefully, and more than once, before crossing from the trail to the grassy boulevard
I remembered to stop at my favorite view of the falls — the water was gushing over the side
I remembered what I overheard above the falls: a dad — no hiking today, a mom: we can take a walk instead!
I suppose it’s easier to remember what you remembered, than to remember what you forgot!
Reading through a past entry from 1 jan 2019, I was reminded of how I used to gather favorite lines at the end of the year and turn them into a new poem. I’d like to do that again this year!
The poems that I’ve been writing this fall about the gorge, are mostly about water and stone, but the open space of the gorge is important too. I’d like to devote some time to it as air, as openness, as possibility, as room to breathe, as Nothingness, as mystery, as inexplicable, as . . . . Here are two different fragments that may or may not turn into something:
When water cut through rock, sandstone wore away, limestone broke up, and an abundance of air arrived.
*
When water cut through sandstone and limestone, it made of the rock still standing a frame to loosely hold the newly formed space. And what a space! Such an abundance of air! Such room to breathe and to be! Big enough to hold more than is seen or imagined or witnessed with words.
1.5 mile walk with Delia the gorge, from 36th to 34th 32 degrees / fog
Good job, Sara. You resisted the urge to run. A walk with Delia was wonderful. So quiet and calm and relaxed! Moist, too. I loved breathing in the cool air and almost floating through the fog. All of it, a soft dream. Occasionally I encountered others — some walkers and runners — but mostly it was just us. At one point, descending through the tunnel of trees, which isn’t really a tunnel anymore because they cut it back at some point, the only thing I could hear was a hammer pounding across the road. No cars or voices or striking feet. Wow! Several times, I felt a warm buzz.
10 Things
a white sky
open water
wet asphalt
grass covered in brown leaves
a dark form descending into the ravine — silent, featureless
a brown view of the floodplain forest — all slender trunks and bare branches, no river or sky poking through
a runner in the neighborhood emerging from an alley in a sprint, then returning to the alley, then appearing again, then disappearing around the corner
thump thump thump the striking feet of a runner across the street — the same one? I’m not sure
the silvery sparkle of the sign at the 35th street overlook — is this sign new?
overheard: a woman running alongside a kid on a bike, talking to the kid — you had your pink backpack and your droopy dog stuffed animal — did she say droopy, or some other word?
I wanted to think about my Ars Poetica poem as I walked, and I did, but I’m still stuck. Something about letting things breathe and be exposed to the air to see what happens and erosion and ruins. I’ll give it until the end of the year, and if I’m still stuck, I’ll put it away for a bit.
forget what you are
While reading poet’s Cynthia Cruz’s explanation of how her poem, “Dark Register” is shaped by Hegel’s Philosophy of Spirit, I encountered these lines about habit:
“Habit,” in the third stanza refers to Hegel’s concept of habit: the act of repeating an action that, through this repetition, becomes second nature. For Hegel, habit implies forgetting: we forget what we are doing once the action becomes habit.
we forget what we are . . . . I immediately thought of Marie Howe’s beautiful poem, “The Meadow” and her lines about her dying brother:
I want to add my cry to those who would speak for the sound alone.
But in this world, where something is always listening, even murmuring has meaning, as in the next room you moan
in your sleep, turning into late morning. My love, this might be all we know of forgiveness, this small time when you can forget
what you are.
This forgetting also reminds me of Mary Rueffle’s reference to Levi-Strauss’ “unhitching, which I wrote about on may 31, 2023. First, my rough paraphrasing:
unhitching happens in brief moments when we can step outside of or beside or just beyond — below the threshold of thought, over and above society — to contemplate/experience/behold the this, the what it is, the essence of everything, Mary Oliver’s eternity.
Second, a quote from Levi-Strauss in Mary Ruefle:
The possibility, vital for life, of unhitching, which consists … in grasping, during the brief intervals in which our species can bring itself to interrupt its hive-like activity, the essence of what it was and continues to be, below the threshold of thought and over and above society; in the contemplating of a mineral more beautiful than all our creations; in the scent that can be smelt at the heart of a lily and is more imbued with learning than all our books; or in the brief glance, heavy with patience, serenity and mutual forgiveness, that, through some involuntary understanding, one can sometimes exchange with a cat.
Lévi-Strauss quoted MRH page 52
Wow, all of this is making me think of something I wrote, referencing Mary Oliver, about the gorge. Initially I added it on the end of my geologic time poem, and maybe it should stay there and be extended, or maybe it should be another poem? Here are the lines:
Every day this place erodes the belief that rock will stand still, is here forever, unmoved, unmoving. And yet, with its slow slight shifts on a scale almost beyond her comprehension, these rocks might be as close as the girl can get to eternity.
So many more connections I could make with forgiveness and forgetting and remembering and now and now and now!
5 miles minnehaha park and back 34 degrees / fog / humidity: 94%
Almost all of the snow, which wasn’t much to begin with, is gone. The ice, too. Hardly any wind, but plenty of moisture — the trail, the air, my face. Ran past the falls and John Stevens’ house to the VA bridge, then turned around and ran beside the falls. Stopped at my favorite spot to admire the falls, which were gushing. Put in “Billie Eilish” playlist and ran home.
10 Things
mostly bare grass — the only snow were little mounds where the walking path split off from the biking path
the creek water was fast and steel gray
heard the train bells from across the road, then the horn tapping twice — beep beep
car lights cutting through the mist/fog
an older man pushing an empty wheelchair on the path
glancing down at the Winchell trail north of 38th street, seeing two people walking on a part near the edge, high above the water
I just wrote gray sky, no sun or shadows, but then I remembered there were a few patches of blue sky
overheard: one woman walker to another — ptsd, trump, spend time with family
smiling and waving to people I encountered — one good morning to another runner
a man and a woman stopped at the edge of the walkway down to the bridge over the falls looking at something on a phone — I finally got it! Its back at my apartment
For the past 3 days, Scott, FWA, RJP, and I were up in Duluth. Very mild — no snow, no wind, no waves, some drizzle. Lake Superior was beautiful, especially the first night. While we were gone, I didn’t run. Today was my first day back since Thursday. My left hip is sore after the run. I should take more of a break.
I’m returning to my “Ars Poetica” poem and wanting to use this bit from Kafka for inspiration:
According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.
Not becoming one with the gorge, but striving to press deeper and deeper into it, to leave a trace/mark on it, and be marked by it.
Yesterday I said I wasn’t planning to run again this week, but the paths were clear, the weather was above freezing, and I couldn’t resist. I nice morning for a run! Not sure how much of it was my vision and how much was moist, gray air , but everything looked extra blurry today. I didn’t even recognize Dave the Daily Walker until he greeted me by name.
10 Things
happy, shouting kids somewhere on the hill between edmund and the parkway — were they sledding? I couldn’t see them, but that’s what it sounded like
open water — dark gray
fee bee fee bee
a runner passing me from behind wearing a bright yellowish-green shirt that looked like the same one I had on under my vest and sweatshirt — was it for the 10 mile race from 5 years ago, like mine?
stopped at my new favorite bench and looked down the slope at the white sands beach far below
some voices down in the gorge — sounding far enough away to be on the other side
the bells of St. Thomas chiming!
one loud, deep bark up ahead — heard, not seen — I wonder how bit the dog was that made that sound?
the walking trail is completely covered with snow — no bare walking trail until spring?
more than once, the distant knocking of a woodpecker up in a tree
2 miles river road trail, south/42nd west/edmund, north 33 degrees
Okay, I didn’t make it a week without running, but I did take off 3 days, and I only ran 2 miles and only because I wanted to run on Christmas with Scott. I’ll go back to taking a break again for the rest of the week. It was mild out there, with only a little bit of ice on the edges of the road and the trail. Heading south, the wind was cold, but north you didn’t even notice it. We encountered some people running or walking and waved at them. The sky was gray and heavy and made it feel like there was a thin veil of moist air over everything. How much of that was my vision, how much the illusion created by the heavy grayness of everything?
This year, we’re having a “no expectations” Christmas. A few nice meals/desserts, some small presents, a 3 day trip to Duluth. I don’t mind it. I used to love Christmas and all of its rituals, but with so many people gone or far away, it’s not much fun these days. I’m sure I’ll enjoy it again in a few years. Right now, I’m grateful that RJP and FWA took some time this semester to figure some things out, and that they’re both doing better.
It seemed colder than 28 degrees as Scott and I took Delia on a walk this morning. Damp. It looks like snow, but hours later as I write this, it still hasn’t started. The sky is a heavy white. There was some ice on the sidewalk — thin, almost invisible patches. Conscious of my vision, Scott pointed them out. It’s strange how my vision works; I was able to see all of them. I think it’s because of the texture — the icy patches make the concrete just a little bit shinier.
10 Things
good morning! greeted a neighbor on the next block — the one with the cat (matt) who rules the sidewalk and the very cool poetry station. I thought about asking his about it, but didn’t — next time!
most of the ice was in the usual spots — the places where ice always forms because of the slope of the ground or the way a drain pipe is positioned
a dog’s sudden appearance on the other side of a fence startled, then delighted me
the soft tinkling of a collar, almost sounding like a bell
Dave the Daily Walker in the distance
the decorations in the trees of a house on the corner of 28th — over-sized ornaments in soft colors
noticing the contrast colors of a house, wondering to Scott, didn’t that house used to be all one dark color? He couldn’t remember, but I do, now. I’ve written about this house before and its once purple door
I’m not sure what we were talking about but I have no memory of what I saw or smelled or heard for the next couple blocks
oh! one thing I remember now: the beautiful frosty pattern of icy leaves etched on the sidewalk — the leaves were gone, but had let their prints
Delia’s wagging tail as we neared our garage — are we almost home? (wag wag wag)
A few hours ago, before our walk, I did my standard 30 minutes for flexibility yoga. Wow! It felt so good and made me very relaxed. As I stretched, I had a thought about my series of Haunts poems: break up the long 5 syllable sections with some short lines from other writers (mostly poets) that I fit into my 3/2 patter. I call them for fitters. I’m thinking of these kind of like Jane Hirshfield’s pebbles or Mary Oliver’s sand dabs or Victoria Chang’s tankas in Obit. I’m also thinking of them because of the poet Sparrow, who I just learned about in Lydia Davis’ essay on form. Sparrow wrote an entire series of “translated” New Yorker poems.
I thought I had written about the sand dabs and pebbles on here before, but I can’t find anything:
A Year with Mary Oliver posted all 9 of MO’s sand dabs on instagram! Here’s an explanation of the form:
(Sand Dabs 1/9) Over the next nine days, we’ll be sharing each of Mary’s nine “Sand Dabs.”
As Mary wrote in the footnote of Long Life: “The sand dab is a small, bony, not very significant but well-put-together fish.”
The incomparable @mariapopovadescribed “Sand Dabs, One” as “just a few lines, largehearted and limber, each saturated with meaning and illustrating the principle it espouses in a clever meta-manifestation of that principle embedded in the language itself.”
The remaining eight also fit that description.
They read like many of the excerpts from Mary’s notebook (which she shared in the essay “Pen and Paper and a Breath of Air,” found in Blue Pastures)—free form noticing and thoughts, in list form.
All nine Sand Dabs are scattered throughout four of Mary’s less frequently visited books: Blue Pastures, West Wind, Winter Hours, and Long Life. She wrote them over the span of nine years. Just adding more as she went along.
We weren’t able to find any place where all nine lived together. It was fun to collect them from their disparate pages, put them together, and read them all in a row.
No photograph or painting can hold it— the stillness of water just before it starts being ice.
The mention of ice reminded me of a wonderful description I found in the novel I just started reading, A Little Stranger/ Sarah Waters:
I recall most vividly the house itself, which struck me as an absolute mansion. I remember its lovely ageing details: the worn red brick, the cockled window glass, the weathered sandstone edgings. They make it look blurred and slightly uncertain–like an ice, I thought, just beginning to melt in the sun.
1 mile, with Delia the dog neighborhood 32 degrees
Another day off from running, another walk with Delia the dog. This time, Scott joined us. Very bright from the white snow and sky. No sun or shadows. Damp, chilled air. We made our way over to edmund and walked above the parkway. I don’t remember hearing any birds or dripping gutters or crunching snow. No smelling smoke or burnt coffee. I do remember feeling the cold air get under my hat and into my ears.
Later, around 7pm, RJP and I were coming back from Christmas shopping. She was driving us along the river road. I saw at least 3 different groups of runners on the path and in the dark. At least one of the runners in each group had a head lamp on. It was strange and delightful to see these lights bobbing in the air, higher than it seemed they should. It was only as we got closer that I could see the runner attached to the light.
30 minutes, with Delia the dog neighborhood 30 degrees
I’m surprised at how good I feel after running the most I ever have in a year, and running a marathon and not taking more than a few days break after it. But, even so, I think I should take a little break from running. At the end of my run yesterday, my left leg and hip felt sore and tight, and I don’t want it to get worse. Also, I think it would be nice to walk a little more for the end of the year. So, I’m hoping to take at least a week without running. Can I do it? I’m not sure.
Today’s walk was great. Warm sun! Half-dry sidewalks. Blue sky. Happy dog. Cold, refreshing air. Walking slowly outside in the cold makes me feel calm and a little euphoric, especially when I breathe in deeply through my nose, out through my mouth.
overheard, 3 things, at different times/places:
(not seen, only heard) a man to someone else — that was an excellent church service
(seen and heard) a man parking and getting out of the car in front of a house, someone from the house calling out jokingly — wrong house!
(seen and third) a man running, wheezing or vigorously coughing, then stopping to walk then sounding like he might be heaving
I though briefly about the section of my poem I’m working on. I’ve tentatively titled it, “Ars Poetica,” which is a type of poem about writing poetry. Right now I’m thinking about entanglements and things growing in the aftermath of ruins and erosion and . . . just as I was typing this up, I had more thoughts — mushrooms as the fruit of fungi bursting through asphalt and cracks and as the words that erupt from my practice, but are only part of the making/writing/living of poetry. Below ground, nets/networks, not as firm as roots but creating deep connections just the same to a place. I’ve already written a little about this — I need to find it . . . Found it! 25 april 2022.
Maybe like mushrooms, we rise. A brief burst from below, a flare, then a return to swim in the dirt
Am I getting too lost with these ideas? I follow them a little further.
3.3 miles trestle turn around 11 degrees 75% snow-covered
Okay winter! Enough layers to keep me warm, a path that wasn’t crowded or icy, Yak trax to help me stay upright. The run wasn’t the easiest, but it might be the slowest. I’m stopped to walk more than I used to. Partly to admire the view, but also because I’m tired after a 1000+ miles of running this year. Time for a break, I think.
10 Things
fee bee fee bee — a black-capped chickadee!
the tight crunch of my feet striking and lifting off of the ground
in several places, big mounds of snow off to the side, pushed their by a parks’ plow
open water
where the path is plowed, only on the bike trail, the snow is packed down or gone. Narrow strips of almost bare pavement have appeared on the edges
where the path is not plowed, on the walking trail. the snow is loose and high enough to be difficult to run through
2 city plows on the street, rumbling down edmund
I stopped slightly short of the trestle because someone was there fiddling with a bike, standing just where I wanted to stop to admire the view
the sky was a bright white, not from sun, but from snow
stopped at my new favorite bench — the view below was all white with thin brown lines and looked cold and alone
I made some progress on my latest section of Haunts this morning! Slowly, it’s turning into something. As I ran, I wanted to think about feral forms and forms that resist complete domestication and nets as forms. Did I? I’m not sure. Now that I’m back home, I plan to read a chapter in Lydia Davis’ collection, Essays One, about the unusual forms she uses in her writing. I happened upon this chapter by accident. Taking a brief break to think through what I was writing, I looked over at my bookshelf and noticed its awesomely green cover. So I picked it up and found “Forms and Influences.” Nice!
The poem of the day at Poetry Foundation was from Jenny Xie’s Eye Level. I’m pretty sure I checked this collection out several years ago, but I don’t remember this poem. One short section from it helped open a door for me into my poem:
If there is a partition between the outer and inner worlds, how is it that some water in me churns between the mountain ranges?
How is it we are absorbed so easily by the ground— (from Long Nights/Jenny Xie)
3.35 miles locks and dam no. 1 12 degrees 99.9% snow-covered
It snowed yesterday. 5.5 inches of soft, powdery stuff. Today it’s colder and the snow has compacted. With my yak-trax it wasn’t too difficult to run on. No slipping. Tiring, though. And beautiful! For the first mile, the river was open and then it was covered — one half had ice and snow, the other sparkles.
10 Things
sharp, dark shadows — mine, behind me for the first half, in front for the second
the only bare stretch of pavement was on the biking side of the bridge, up against the wall, where it is sheltered and covered in dead leaves
encountered at least 3 runners
the loud voices of some construction workers, joking with each other
a deep cough by one of the workers
everywhere, small ledges and wedges of snow
some dirt sprinkled on the path to make it less slippery
the bones of fallen trees, covered with snow in the ravine
a bench on the hill above the edge of the world, at just the right angle to face the sun
a screeching bluejay high in a tree
I’m working on a section of my poem about form. At some point during the run, I thought about searching for forms that can hold my words — but not too tightly — and my messy, layered thoughts and feelings. Earlier this morning, I was thinking about partial forms and illusory forms and unreliable forms — the fuzzy forms my brain creates, the unnatural form of the river. I haven’t quite figured out how to tie them all together.
As part of my focus on forms that seem natural but aren’t, I’ve been thinking about and trying to find an article about the Apostle Islands and re-wilding. This morning I finally found it again! The Riddle of the Apostle Islands
Ran in the afternoon. Sometimes sunny, sometimes cloudy, streaks of a brilliant blue mixed with fluffy clouds. The river was mostly open with a few stretches of ice. The shore glowed white. The gorge slopes were different versions of brown. The creek was flowing fast and the falls were rushing over the edge. When I looked at them from my favorite spot all I could see was movement — the fast falling water looked like wavy vertical lines on an old tv. For the first mile, I was the only one out on the trail, then I passed a walker. Far ahead I could see lights flickering — headlights passing by trees on the other side of the ravine. Just past the double bridge, I heard a hammer hitting some wood then some other construction noises — men talking, some song coming out of the radio, a saw buzzing.
Yesterday, one version of my Girl Ghost Gorge poem was published in Last Syllable Literary Journal!
Ah, this poem, featuring windows and shadows and birds!
These windows, these panes, at the beginning of light looking where they look, eyeing the east and the rust and here they are, protected by shade and shadows: branches and birds strike them, fly into them and out. You can see nothing through them, you can only see what bounces off: back at the world and then you return, to the lemon, that is the self, squeezing drop after drop— there’s nothing left of you now, no juice! Can you go on lubricating the mind, musing on you as disaster, and the rest of you as the elements? Here, they go one by one into a flame set down, beneath all the steps, at the very bottom of it all … and God! The eyes wish you didn’t! They look away from the blank space remaining—oh these birds in the mornings are funny and the little tricks they repeat and repeat, like these sounds they make, in order: they fly off together or one by one, puffing up their small bodies, extending a peak that opens up a view, that finds space in whatever looks shut and closed—a wall has some hole, a tree trunk can manage a crack, and under the ledge, a window knows something of the hidden world.
Warmer today! And clear, ice-free paths! Not looking like December at all. I decided to run to the flats so I could see if the water seeping out of the rock wall was still frozen now that it had warmed up. It looked like it was, at least to me, but I could hear some trickling water too. What will it look like this afternoon? I heard a few geese, admired the form of a few other runners after they passed me, noticed my shadow and a few streaks of blue sky when the sun came out from behind the clouds briefly. It wasn’t the easiest run, but it wasn’t the hardest either.
Heading north, I listened to a train — or was it a light rail? — horn honking repeatedly. Not sure what was happening; too many honks, and too insistent, for business as usual. Was there an accident? Returning south, I put in my “It’s Windy” playlist, but then switched to “Slappin’ Shadows.”
Here’s a wonderful poem I discovered this morning. That last line!
What aren’t you willing to believe. A heart graffitied fuchsia on the street, a missive from another life. Remember the stem of lavender you found in a used copy of Bishop’s poems, a verse underlined: The world is a mist. And then the world is minute and vast and clear. Suddenly, across the aisle a woman with your mother’s bracelets, her left wrist all shimmer and gold, you almost winced. Coincidence is the great mystery of the human mind but so is the trans-oceanic reach of Shah Rukh Khan’s slow blink. Each of us wants a hint, a song that dares us to look inside. True, it takes whimsy and ego to believe the universe will tap your shoulder in the middle of a random afternoon. That t-shirt on a stranger’s chest, a bumper sticker on the highway upstate. Truth isn’t going anywhere. It’s your eyes passing by.
Today I’m working on a section of Haunts about forms and shadows and seeing things slant, off to the side, in order to grasp (some of) their truth. I’m thinking I will mention how the mississippi is one of the more trained/shaped/managed rivers — with locks, dams, dredging.
a lone black glove
Almost always, when I see a discarded glove on the ground on my run it is black. Okay, today, I saw a gray one draped on a branch. As I walked home after my run, I encountered a lone black glove on the ground and decided to take a picture of it.
a lone black glove
added, 17 dec 2024: As I was working on a section of Haunts about form, I remembered something else I witnessed yesterday during my run. Somewhere between the trestle and lake street bridge, I noticed a form on the ground, just through the trees. I think it was a sleeping bag with someone (possibly) in it. I’ve seen it here before, but only as a quick flash while I run by. Am I seeing it correctly, or is it like the stacked limestone under the franklin bridge that I always think is a person sitting up against one of the pilings?
4.3 miles minnehaha falls and back 36 degrees 70% ice-covered
A great temperature — mild — but not great surface conditions. Neighborhood sidewalks and the trail had a thin layer of ice with only a few clear patches. The worst stretch was at the falls. I stopped and walked in the snowy grass for a few minutes. But, I didn’t fall. If the conditions had been better, I would have gone for a few more miles. Oh well, at least I got out there. It felt good to be outside, above the gorge. Fresh, cool air, a moving body, the river.
10 Things
a laughing kid somewhere across the road — not seen, only heard
the river, some of it open water, some ice, all of it gray
a runner in BRIGHT yellow shoes
a lot of the snow that fell last week is gone, now there’s grass and brown leaves all over the ground
a slick path near the falls parking lot — I didn’t feel nervous that I’d fall, but my feet weren’t getting any traction
near the overlook by the falls, dirt or grit of something had been used to make it less slippery
the falls were gushing
the dirt trail in the small wood near the ford bridge was visible and inviting and cleared of snow
stopped at a bench above “the edge of the world” — admired the clear, colorless view of the river
can’t remember where, but I encountered a faint smell — tangy, sour — of the sewer
Finished another section of my poem yesterday. It’s very exciting to have found a way to put all these words together. How many more section do I have in me before january? Yesterday’s section is titled, Geologic time, and it’s about experiencing time at the gorge on a longer, deeper, slower scale.
Here’s discussion of ekphrasis that I’d like to remember and return to when I finally get to my ekphrasis, how I see, project:
Some of the “paintings” and “photographs” are purely ekphrastic, in the sense that the images, associations, and overall tone were conceived in the moment of looking at a certain artwork hung in a museum or in my memory. Others are more of a collapsing between that moment of looking and earlier or later situationally unrelated impressions; some poems contain a dueling ekphrasis in which impressions of multiple artworks blend. So, yes, most refer to a specific artwork(s), but then the question becomes: What is ekphrasis in the pure sense? And what does pure even mean—another something that Heti can weigh in on. Doesn’t all ekphrasis—the act of looking, and reading, and possibly “interpreting” a text—include a necessary degree of subjectivity and, therefore, can’t it help but become saturated with personal associations and allusions?
random note for future Sara: Scott and I are rewatching all of The Brady Bunch. It’s been 10 years and I still think Mike and Carol are the worst parents in the world. Also, my least favorite character is Bobby, and my favorite is Alice. I was going to write that Jan was my favorite but then I remember the season 2 episode when she plays practical jokes on everyone. She’s obnoxious.
how I don’t see yellow
Yesterday on Instagram, I looked at a block of text and couldn’t see that part of it was circled in bright yellow until I shifted my eyes to the left or right. Straight on, no circle. Look slightly to the left, yellow circle. I took a screen shot of it so I could post it here as an example of how I don’t see yellow.
The run was hard, my hands were almost numb by the end of the first mile, and my left hip was sore by the end, and still it was a wonderful morning out there above the gorge. Greeted Dave, the Daily Walker who didn’t recognize me at first because my buff was covering half of my face. The river was completely covered in ice and snow, all white, except for below the trestle where there were a few patches of exposed ice and open water. Near the part of the path above the rowing club, I saw a flash of movement — a big bird! That wing span! Was it an eagle? A hawk? Not sure, but it landed in a nearby tree. I briefly wondered if it might be a turkey. Later, I heard a woodpecker knocking on a branch somewhere above me. I stopped to try and locate it, and the knocking stopped too. Near the end of my run, down in the tunnel of trees, I heard another knocking and saw the bird flying away. I stopped at my new usual spot: the bench on the edge, getting ready to slide into the slope — how long will it take? Will the parks leave the bench alone long enough for it to happen, or will they replace it before that?
25 minute bike ride 1.5 mile run basement outside: 2 degrees / feels like -8 dew point: -6
No running outside for me today. Earlier this morning, when I would have gone out for a run, it felt like -21. Brrrr. I did a short bike and a run in the basement. I don’t remember noticing or thinking about much. One thought: I wonder where the mouse who lives down here is right now? This morning, Scott discovered evidence that it had made its way upstairs: 3 pebbles of poop on the cutting board. Gross!
Watched a T 100 triathlon race while I biked and Taylor Swift’s “Reputation” as I ran.
Here’s a poem I found about Emily Dickinson yesterday:
I will tell you why she rarely ventured from her house. It happened like this:
One day she took the train to Boston, made her way to the darkened room, put her name down in cursive script and waited her turn.
When they read her name aloud she made her way to the stage straightened the papers in her hands — pages and envelopes, the backs of grocery bills, she closed her eyes for a minute, took a breath, and began.
From her mouth perfect words exploded, intact formulas of light and darkness. She dared to rhyme with words like cochineal and described the skies like diadem. Obscurely worded incantations filled the room with an alchemy that made the very molecules quake.
The solitary words she handled in her upstairs room with keen precision came rumbling out to make the electric lights flicker.
40 members of the audience were treated for hypertension. 20 year old dark haired beauties found their heads had turned a Moses White.
Her second poem erased the memory of every cellphone in the nightclub, and by the fourth line of the sixth verse the grandmother in the upstairs apartment had been cured of her rheumatism.
The papers reported the power outages. The area hospitals taxed their emergency generators and sirens were heard to wail through the night.
Quietly she made her way to the exit, walked to the terminal and rode back to Amherst.
She never left her room again and never read such syllables aloud.
4.5 miles minnehaha falls and back 11 degrees / feels like -7 100% snow-covered
The coldest run of the year so far. It didn’t feel like 7 below to me with all of my layers: 2 pairs of running tights, long-sleeved shirt, sweatshirt, my warmest winter jacket, a buff, a hat, a pair of gloves, my thickest pair of mittens. The thing I’d like to remember most about the run was the river, burning white in one spot. Wow! As I ran south, I could see it sparkling through the trees.
10 Other Things to Remember
the banks on the east side of the river were glowing white with snow
crunch! creak! my foot stepping down in the snow — the crunch for the foot striking, the creak for it lifting off
other peoples’ foot prints in the snow, all over the trail
running on stretches of the falls path where no one else had been, looking down at the untouched white, like a blank page ready to be written on
my shadow when the sun was out: sharp, in front of me
my shadow when the sun was behind clouds: soft, faint, only the hint of contrast
the falls were rushing over the limestone edge — all water, no ice today
the sound of a plow on the path somewhere across the park. later, its aftermath: a cleared path
an empty parking lot at the falls
a big tree, felled in the ravine below the double bridge — was it my favorite fall tree — the one that turns a bright orange? no — whew!
Yesterday I finished a draft of another haunts section and I was wondering if I was done (for now) with writing about girls and ghosts and the gorge. Then this morning, re-reading my post from dec 11, 2023, I came across this line:
At one point on my run back, I suddenly felt a beautiful ache of emotion and thought: tender. Yes, I need to include a few lines in my haunts poem about feeling tender as I run — maybe in contrast with tough and the callouses I mentioned last week (6 dec 2023)?
The poem I finished yesterday was about being tender and, although callouses are not in the poem, they inspired it. I started thinking about how time works on this blog, how it took a whole year to take up that suggestion, and how that is often the case here. Things move slower, and not always forward but looping back and returning again and again to ideas. Then I thought about gorge time and Lorine Niedecker’s geologic time. A new section of my poem to write — on my practice and time and looping back to ideas and experiences!
A quick run with Scott. It felt colder than 39 because of the wind. Scott talked about an annoying problem with moving a client to a different server and I talked about my current poem and where to go with it. Then Scott mentioned a small monitor he wants to get and how, of the four options, 3 cost $`100 with $25 shipping and one cost $110 with $15 shipping. I wondered which option people respond to more, and this thinking about how people chose reminded me of the latest If Books Could Kill podcast about the book, What’s the Matter with Kansas?, and why people vote the way the do. Of course this led to a discussion about the current state of politics and how we’re both doing (surprisingly okay and trying to protect our mental health).
10 Things
the river is more open today but still different versions of gray
the wrought iron fence is bent in the middle and at the top — what happened? we noticed a thick tree branch on the other side of the fence
a somewhat subdued din of laughing and yelling at the playground
a man on a bike unwilling to move over and give us runners and walkers the chance to pass each other
a steady line of cars at the 3-way stop suddenly eased up as we approached — clear sailing across!
a dog with their human turning down the steep-ish dirt path on the far end of the 35th street parking lot
at the end of the run, walking home: the sound of woodpecker high in a tree (heard, never seen, although we both tried to find the bird)
knowing that the wind was at our backs when I saw leaves flying towards us
running by the green water fountain in the parking lot and wondering if there was any way that it was still on — not because I wanted any water, but just because I was curious
sometimes the sun was out, and sometimes it was behind the clouds — what did the clouds look like? Did I even check?
where to take my poem
Where it ends now:
Wind, sun, frigid air, the effort it takes to keep moving, a slow wearing down of cone cells, soften her hard shell and cause cracks that start small then spread then split her open and able to feel more of everything and everyone here, now and before.
Talking to Scott while we ran, I wondered if I wanted to end here or write about a section of the trail just north of the trestle that was repaved a few years ago, but cracked open again in less than a year, and then was patched/resealed earlier this year but is now cracked again. I keep thinking about this section. Why? Maybe it’s something about the endless cycle of crack and reseal and the belief that eventually no seal will stop the slope from sliding down into the gorge. Here, at this spot, is evidence of eroding ground and the opportunity to witness time passing on a different scale. Or, maybe it’s a particularly interesting (at least to me) example of how a cracked surface looks and acts. Is there any connection to my small cracks that spread and split? I don’t know.
As I continued talking with Scott, I mentioned Wittgenstein and his need to get off of smooth ice, where it’s difficult to walk, and back on rough ground where friction helps us move. Then I talked about how I don’t like running over cracks and appreciate when they’re repaired, but I don’t often notice smooth pavement. I orient myself on the path by the cracks. The cracks are where the stories are.
And now I’m thinking about how you can’t leave a trace on smooth, sealed asphalt — as opposed to footprints in mud or tamped grass or rutted dirt. Also cracks are where the ground/earth/flowers can poke through. And, I’m reminded of daylighting and how some people/groups are advocating for freeing water from being buried under cement:
the exhumation of streams from underground and reintroduction of them to the surface. There is ample research-based evidence for what seems intuitively true: natural waterways—meaning, those that flow through the topography of a landscape and not through a sewer—support healthier ecosystems than those encased in concrete darkness. Daylighting brings benefits to water quality that include nutrient retention, prevention of algal blooms, and overall more supportive environments for a diversity of species. It also keeps clean water out of the sewer system, where, currently, huge volumes of it unnecessarily go through the sewage treatment process, a waste of resources that can also cause sewers to overflow.
Now I’m thinking about management and maintaining and conservation and how this cracked path and its perpetual repair is where many different elements are entangled: park workers trying to maintain safe paths, a shifting and eroding ground — due to the “natural” instability of the area and chemicals from local lawns in the groundwater and seeping into the soil, overuse or misuse by visitors, the impact of heavy traffic on the parkway from commuters.
Where to go with all of this? Unsure, I returned to the part of my poem that’s inspiring this wander and I was struck by this bit:
able to feel more of everything and everyone here, now and before.
A reminder: the cracked path doesn’t have to be an exact metaphor for my cracking open. It doesn’t have to be a metaphor at all. It can be another layer to this idea of this land as a work of art, as crafted/made/shaped into something beautiful (which does not = pretty) that enable us to feel things deeply. I’d like to bring in 2 things I mentioned in my rambling: 1. smooth asphalt doesn’t leave a trace, doesn’t tell a story but cracked asphalt can/does and 2. the process of cracking and sealing and cracking again enables us to witness time passing on a different scale; it makes visible what was invisible — too slow and slight to notice.
Now, time to try and fit these ideas into a few 5 syllable lines!
Wow, what a great morning for a run! All the snow has melted so the paths were clear and I don’t remember much wind. I felt strong and relaxed and grateful to be outside when everything is bare and brown and open. And that river! Half frozen with a thin layer of ice, half open with shiny, dark water. I stopped at the overlook on the ford bridge and stared down at it, admiring the variations of gray and the feeling of air and nothingness — barren, vast, other-worldly.
10 Things
the sound of a kid either laughing when his voice bounced as he went over something bumpy or crying so hard that his voice was breaking — heard, not seen
several runners in bright yellow shirts
two runners in white jackets
some kids laughing and yelling near the skate park just past the ford bridge, again heard, not seen
the view of the valley between ford and hidden falls — bare tree branches, then endless air, then the other side
a blue port-a-potty with the door ajar
the sound of water rushing over concrete at the locks and dam no. 1
a lone goose honking somewhere near the oak savanna
the contrast of wispy, dark branches against the light gray sky
the river — no color, some shiny, some dulled by ice
an attempt to track my train of thought
I’m working on another section of my Haunts poem (which might need a different name as I stray away from ghosts). Before my run, I was thinking about being tender and erosion and H.W.S Cleveland (Horace William Shaler) as envisioning the grand rounds and the gorge as art. Before I headed out, I gave myself a task for during the run: to think about and look for examples of erosion and how it fits in with my idea that art is about making us feel things deeply (feeling tender). This task was inspired by this section in my poem:
his pitch for parkways was about making space for beauty and for feeling things deeply — he wanted to turn this place into art. Grass and benches and trees to frame open sky and the stone that holds a river and all who seek it. But up here exposed on the bluff, it is not only the view that makes the girl tender. Wind, sun, frigid air, the effort it takes to keep moving, a slow wearing down of cone cells, smooth out her edges, peel away her layers, create cracks that start small then spread.
During my run, I stopped to record three ideas into my phone:
One: I thought about the cracks and the idea of being split open and how this splitting open was not a wound that needed to be patched but something else.
Two: I can’t quite remember how I continued to think about this idea of the wound and breaking open but I do remember suddenly thinking about eroding shorelines and bluffs and how cracks and a wearing away can be harmful. At first I wanted to make a clear distinction between the erosion I was writing about, and the tenderness it allowed for, but then I realized, just before reaching the ford bridge on my way back from hidden falls, that tenderness and feeling things deeply and art as inspiring this is both wound and that something else I can’t quite name. I spoke into my phone:
Beauty as not always pretty, sometimes ugly. Art as wonder and amazement, terror and pain.
I think I was remembering some lines from a podcast episode for Off the Shelf with Dorothy Lasky, as I mentioned terror.
I don’t think beautiful things are innocent, I guess, sadly. I mean, I don’t know what “innocent” means also, but yeah, I think beautiful things are holy, and I think that those things can be awful. I guess it’s like the sublime, and those things which we have awe about is what beauty is. And I don’t think it’s always kind, sadly. You know, I wish it were. It can be, but I don’t think that’s what is really there. It overwhelms. So, it is terrifying by its nature. Like, real beauty should make you terrified.
Three: By the time I had crossed the ford bridge, I had another thought about erosion and my diseased eyes:
My cone cells eroding is this slow softening, but at some point, most likely, there’s going to be a break — an abrupt break [when the few remaining cone cells in my central vision die, when I won’t be able to read or rely on my central vision at all]. And that is how the gorge works. It’s the slow softening of sandstone until limestone breaks off.
Yes! This is a helpful way for me to connect the gorge with my vision. I’m not sure that this third thing fits into this section of the poem, but I will use it somewhere!
posted an hour later: I can’t believe it, but after searching through the archive of this log, I realized that I have never posted this beautiful, tender poem by Mary Oliver:
Lead/ Mary Oliver
Here is a story to break your heart. Are you willing? This winter the loons came to our harbor and died, one by one, of nothing we could see. A friend told me of one on the shore that lifted its head and opened the elegant beak and cried out in the long, sweet savoring of its life which, if you have heard it, you know is a sacred thing., and for which, if you have not heard it, you had better hurry to where they still sing. And, believe me, tell no one just where that is. The next morning this loon, speckled and iridescent and with a plan to fly home to some hidden lake, was dead on the shore. I tell you this to break your heart, by which I mean only that it break open and never close again to the rest of the world.
Ran in the afternoon today. It’s warmer and darker and looks like it might snow. Everything was heavy and grayish-white. I wore less layers and wasn’t overheated: 1 green long-sleeved shirt, black vest, 1 pair of black running tights, a black headband for my ears, gloves. The trail wasn’t crowded, but the road was — a steady stream of cars. Did any of them have their headlights on? I can’t remember.
I remember noticing the river, but not what it looked like. Was it completely iced over?
Stopped at my usual bench and took a picture of it and the view below it:
the new ritual: visiting this bench and inspecting its slow progress of sliding into the gorge.
I wonder, can someone who is not familiar with the gorge tell that this bench is perched at the edge of a steep slope or that the tree line in the distance is across a great river?
More great winter running! Sometimes sun and sharp shadows, sometimes clouds. When the sun was behind a cloud everything looked sepia-toned. And when some blue sky peeked through it looked like it had been added in, like a photograph touched-up with color. I felt good and relaxed, except for when my left knee suddenly started to hurt — a quick, sharp pain that went away after a minute.
10 Things
the dull thud of a tool hitting something at a construction site — I can’t decide if is was dull like dead wood or something rusted and metallic
another thud, this one more rhythmic, from across the river
the water pooling below the falls was a faint green, like aged copper — patina?
the walking path was speckled or mottled with thin splotches of snow — where bare pavement peeked through it was brown and reminded me — and probably no one else — of a cow’s hide
there was ice on the river, but not thick — it looked like a slushy without the flavor
birds! I don’t remember hearing them, but I saw them flitting around from tree to tree
ran on the bike side of the double bridge — dead leaves were piled on the edge, and next to that was a strip of bare pavement that seemed to be narrowing near the top
at least one fat tire
a patch of open water, shining like glass, on the river — I stopped to admire it through a net of slender branches
the sharp and menacing shadow of the street lamp on the paved path
Rereading an article on the development of the Grand Rounds, I came across this line:
“I would have the City itself a work of art,” Cleveland explained.
A work of art. Yes! I’ve been thinking about the park space of the gorge as a work of art, created by Minneapolis Parks and the city, for some time. I’m envisioning it as part of a series of ekphrastic poems about how I see the gorge through/with my diseased eyes. Could these poems be part of the Haunts project, or is that too much?
5.2 miles bottom of franklin hill 21 degrees / feels like 12 75% snow-covered
What a wonderful winter morning for a run! With the sun and my effort, it felt much warmer than it was. The snow wasn’t slippery or deep and made a delightful crunching noise as I stepped down. The river was open again and dark brown. And the birds were so loud — not seen only heard. Mostly I ran on the bike path. Encountered some runners, walkers, dogs, at least 2 bikers, and at least one person smoking on a bench.
a new ritual
Like most of my rituals, this one began with little intention. I decided last week to stop at an inviting bench to check out the view for a moment and now I’m doing it every time I’m returning south from the trestle or beyond. The bench is facing the river and above the white sands beach. At one time I’m sure it was farther from the slope, but not it’s right on the edge. How long before it falls in? Today, while I was looking down at the river, I felt a blur of movement. What was it? Did I imagine it? I waited for a moment and then I saw a dog and their human through the bare trees, walking at the beach. They looked so far away and alone.
10 Things
elementary school kids yelling and laughing out on the school field — such energy unleashed — wow
small prints in the snow
a truck speeding by, revving its engine on a bend in the road
2 or 3 stones stacked on the boulder, covered in snow
a thin ribbon of bare pavement on the edge of the trail
the feel of my feet sliding slightly as I ran down the snow-covered hill
my faint shadow, just ahead of me, only visible occasionally
the slabs of stone still stacked up under the franklin bridge, looking like a person
all the steps down into the gorge are blocked off with chains
a clump of dead leaves at the top of a tree looking like a monster nest
5 miles minnehaha falls and back 15 degrees / feels like 6 light snow
Brrr. I’m pretty sure that this is the coldest run of the season. I wore almost all of the layers: double tights, double gloves, double socks, a buff, a fleece cap, long-sleeved shirt, sweatshirt, jacket. No frozen toes or fingers, only a few frozen eyelashes.
It was snowing lightly. I barely felt the flakes but I could see them collecting in the cracks of the path and on the road. Not slippery. When I reached the park I noticed faint paw prints on the path.
Passing the parking lot, 2 adults were trying unsuccessfully to calm down a kid losing it — did the kid not want to be at the falls, or did they not want to leave it?
By the gorge, the ground is a rich brown carpet of dead leaves and dirt. A few bushes — buckthorn? — seem to have new, bright green leaves. A runner passed me in a bright yellow vest, almost as bright as the crosswalk sign at 38th.
I noticed dark forms moving below me, on the winchell trail. A coyote or turkey or . . . ? Looking longer I finally saw 2 runners.
The river! Mostly white with wide slashes of exposed, dark water. The falls! Still gushing but covered in thick columns of ice. Winter is here.
All the steps at the falls and on the trails are still open. Will they close them this week?
Running south, between 42nd and 44th, I noticed a bench with an open view of the river and the other side. Decided I would stop on my way back north. I did. Beautiful. And right above the edge of the world.
10 Things
a distracted squirrel in the middle of the trail — gathering a nut?
a smoke smell on edmund, probably from a chimney
a gently sloping hill leading down to the river just past the double bridge, filled with tree trunks and dead leaves
mostly the river was white — ice covered with a thin layer of snow, but there were random patches of dark water. Some of them were thick slashes, others looked like geometric shapes — trapezoids, rectangles, triangles, but not a circle in sight
voices below me — who is there? some hikers, deep in and beyond the winchell trail
the small wood between the 44th street parking lot and the winchell trail, usually hidden, was exposed to reveal a short dirt path
birds! not seen, but heard — sweet tweets and chirps, sounding like spring
a fat tire with a faint, flickering headlight
the fake bells from the light rail train, followed by some quick horn taps
a woman reaching the falls overlook and exclaiming in delight and wonder — wow!
the start of another haunts section?
Before I went out for my run, I did a little research on the bike/walking trails along the river. Deeper digging is required. Maybe a trip to the central library, or an email? Anyway, I learned that they created paved trails above the gorge and beside the river parkway in the fall of 1973. The main trail I use is only 6 months older than me! That seems like it would make a good line for a section that features the trails, either just the paved ones above, or the ones below too.
Mostly the girl stays above on a trail as old as she is. Paved in seventy three, when gas prices and an interest in conservation were high.
Here’s a wonderful poem from Carl Phillips:
Speak Low/ Carl Phillips (from Speak Low)
The wind stirred–the water beneath it stirred accordingly … The wind’s pattern was its own, and the water’s also. The water in that sense was the wind’s reflection. The wind was, to the water, what the water was to the light that fell there, or appeared to fall, spilling as if the light were a liquid, or as if the light and the water it spilled across
were now the same
It is true that the light, like the water, assumed the pattern of what acted upon it. But the water assumed also the shape of what contained it, while the light did not. The light seemed fugitive, a restiveness, the less-than-clear distance between everything we know we should do, and all the rest–all the rest that we do stirring, as the wind stirred it, the water was water–was a form of clarity itself, a window we’ve no sooner looked through than we’ve abandoned it for what lies past that: a view, and then what comes
into view, or might,
if we watch patiently enough, steadily–so we believe, wishing for what, by now, even we can’t put a name to, but feel certain we’ll recognize, having done so before. It olled, didn’t it, just like harmlessness. A small wind. Some light on water.
Today I hit my yearly goal of 1000 miles! It was cold, but not too cold. No frozen fingers or numb toes. I ran at 2:30 in the long, afternoon light. Wow — I love the light at this time in the season and the day. Why? Longer shadows, a feeling of everything slowing down, settling in, preparing to rest. I stayed up above as I ran south, then turned down to the entrance of the Winchell Trail on the way back north. The river was a wonderful purplish-blue and scaly from the wind. My legs felt sluggish, and my feet were sore on the uneven asphalt. I stopped briefly near the edge of the world to make note of the moment — the sun, lowering, purple-blue river, a steep slope, water falling from the sewer pipe. Not a slow drip, but a shimmering shower. Yes — I thought about a section of my poem and how my description of water as dripping from the pipe wasn’t the only way to describe it. Often, it’s more than drips.
10 Things
a graceful roller skier. I don’t remember hearing their poles, just watching the way the relaxed and flowing rhythm of their arms and legs
the river through the trees at the Horace Cleveland Overlook — purple, slight agitated from wind
encountering a walker climbing the hill near Winchell, bundled up in a winter coat with his hood up
my shadow — so tall! — in front of me, once she left the path and went into the woods
the top railing of one section of iron fence which should be straight was curved in — what caused that to happen?
the jingle-jangle of a dog collar somewhere
dry leaves rustling in the brush beyond the trail
the smell of smoke at the usual spot on edmund
a tall person in a coat swinging up against the iron fence near the 38th street stairs
someone on a hoverboard or a strange skateboard with a bright light on the front, moving fast along the trail — I thought skateboard because they seemed to moving like a skateboard across the path in gentle arcs
An Entrance/ Malena Mörling
For Max
If you want to give thanks but this time not to the labyrinth of cause and effect- Give thanks to the plain sweetness of a day when it’s as if everywhere you turn there is an entrance- When it’s as if even the air is a door-
And your child is a door afloat on invisible hinges. “The world is a house,” he says, over lunch as if to give you a clue- And before the words dissolve above his plate of eggs and rice you suddenly see how we are in it- How everywhere the air is holding hands with the air- How everyone is connected to everyone else by breathing.
The air as a door, breathing as a way we are connected.
3.1 miles locks and dam no. 1 23 degrees / snow flurries
A 5k run with Scott in the snow! Flurries collecting on the edge of path and in the cracks of the asphalt. Flurries in the air making my already pixelated view — due to dead cone cells — even more pixelated. Strange, dreamy, disconnected. It was cold, but not too cold. I was overdressed: double gloves, double tights, a buff, a hood, a cap. Before the end of the first mile I was losing layers: 1 pair of gloves, then a hood.
We talked about last year’s marathon, and doing it again next year, and how it wasn’t as cold as we thought it would be. I mentioned that one of my favorite views is blocked because of too many branches. Scott liked how I described it, thick with thin branches.
10 Things
brown leaves on the edge of the path, mixing with the snow
a white-gray sky
the flurries with big and clumpy, one flew in Scott’s throat and he freaked out a little
the ravine below the double bridge was open and brown and bare
a steady stream of cars, distanced from each other, flowing south on the river road
all the benches were empty
as we ran on edmund, a car behind us gently revved to alert us to their presence
bright green leaves on a tree near the savanna
a biker biking by in bright yellow shoes
after the run, FWA driving us, we counted 6 wild turkeys crossing the road
That was hard to come up with 10 things today!
1
In January of 2024, I devoted a month to windows. This morning, on poets.org, I found this beautiful window poem, Wooden Window Frames / Luci Tapahonso. Here are the opening lines:
The morning sun streams through the little kitchen’s wooden panes; its luminescence tempts me to forego coffee. But I don’t. The dark coffee scent melds with the birds’ chirping along the hidden acacia. Then, a small bird alights on the cross of the wooden clothesline. Its tiny head turns from side to side, then as if sensing me, it gazes at me through a window square. We ponder each other, then remember our manners, and it flies off into the clean, cold air.
Colder. A double tights day. Sunny, not much wind, clear. I love running in this weather, even if it was harder during the first mile because of lingering congestion. I wasn’t sure how much I could manage, but once I warmed up, I was fine.
Greeted Dave, the Daily Walker — hi dave! — and looked down at the floodplain forest — almost all bare branches. Heard some geese. Noticed the pink graffiti under the I-94 bridge. Passed another lone black glove on the ground, and a black jacket draped over a tree, making the tree look like a person. Was tricked again by the stone slabs under franklin that look like someone sitting. Avoided the uneven asphalt halfway up and out of the tunnel of trees. Saw that there were stones stacked on the boulder, but forgot to count them. I know I looked down at the river many times, but the only thing I can remember about it was the thin line of icy foam at the edge of longfellow flats.
Thought about breathing and whether or not running in this cold was good for the crud in my throat. Tried to keep my shoulders relaxed and my left arm swinging forward more, my right swinging backward.
Found this quotation yesterday. So much of my writing centers on counting syllables and using syllables to guide my lines. And not just any syllables, but syllables that mimic my breathing pattern while swimming (5) or running (3/2).
The most important thing I find is to live by the syllable. When I’m writing, I don’t think about sentences, lines or words, I’m totally living by the syllable.
The poem of the day on poems.com had a line that made me smile because it’s almost one of my favorites from Anne Sexton’s “The Nude Swim” — the real fish did not mind.
That gray hut is where I first learned to swim. They pushed us through a gap in the floorboards. Dropped down a rope to hold. It took us several panicked kicks to find
that we knew how to do it. Once under, our eyes adjusted to the salt’s burn and gleam. The fish did not care. They turned their long bodies and became something’s dinner.
At home, toweled off, we ate from plates of tasteless crackers bought from the only supermarket with sides salt-faded to white. The woman who owns it still lives inside.
She has no sons; the fish she sells comes frozen in boxes from the mainland. I once saw her crouch on the jetty at dawn and place a basket into the water,
raise it again full of leathery fish flopping against her arms. She gutted them. They were so small. I watched her toss what was left of them back to the ocean.
Another run with Scott. We were planning to go for coffee after a short run, but both places we tried were too crowded. Another gray morning with difficult light. Everything felt hazy, dreamy. Also, it was harder to breathe. For the past week, I have had a sore throat off and on and some congestion. I’ll take another covid test today, but it could be a reaction to flonase or allergies. Whatever it is, I wish it could go away. Because of my difficulty breathing, Scott did most of the talking. He talked about his upcoming gig and what would be on the set list. I remember looking down at the floodplain forest and pointing it out to Scott. The tree branches were bare enough that you could see the forest floor. Beautiful. Scott pointed out a roller skier to me.
I don’t remember looking at the river or hearing any geese or black-capped chickadees or rowers in the river. No regulars to greet. I didn’t count the stacked stones.
At the end of the run, I commented on how the sun looked like it wanted to pierce through the thick clouds. Behind the grayish-white was light. Now, writing this at my desk, the sun is trying even harder and everything — sky, grass, ground — is brighter.
Another wonderful almost winter morning! Sunny, hardly any wind, clear paths. In January, a day like this would feel tropical and offer hope for a coming spring. Ran with Scott to the trestle and back. We talked about the Love Supreme arrangement he’s doing for the jazz combo he’s in and how he’s learning a lot about the form of its 4 movements. I talked about my “And” poem and wondered if there was a 3 syllable word that might convey sudden understanding. Scott answered, Eureka! Nice, but not quite the right feel for my poem. I could use clarity, but I don’t want to — clarity is more the mood of the moment that the reader feels without it being spelled out for them, I think.
A mile later, Scott described how you code and in css (where and means both this and that must exist to make a statement true) and how you code or (where or means either this or that can exist to make a statement true). I was fascinated by how and was restrictive and narrowing in the code while or was expansive. In my poem, I’m understanding and as generous and open and allowing for more possibilities not less. I told Scott that I might need to write an or poem now. And is accumulation, more layers while or is a stripping down.
And = all these things can be true, and more Or = at any give time, any one of these things could be true
Am I getting too far into theory here, trying to be too clever?
Speaking of or in poetry, here’s a great or poem I just found:
Or Oreo, or worse. Or ordinary. Or your choice of category
or
Color
or any color other than Colored or Colored Only. Or “Of Color”
or
Other
or theory or discourse or oral territory. Oregon or Georgia or Florida Zora
or
Opportunity
or born poor or Corporate. Or Moor. Or a Noir Orpheus or Senghor
or
Diaspora
or a horrendous and tore-up journey. Or performance. Or allegory’s armor of ignorant comfort
or
Worship
or reform or a sore chorus. Or Electoral Corruption or important ports of Yoruba or worry
or
Neighbor
or fear of . . . of terror or border. Or all organized minorities.
And here’s what Robyn Creswell writes about the poem:
There is no doubt that Thomas Sayers Ellis’s “Or,” is a poem, but it is one of the few that feels to me like a rap—an especially good one. This is because of the way it establishes a pattern and then continually breaks away from it. The poem is based on the repetition of or, but as we read through it, what seemed like a formal constraint becomes a principle of transformation, a hinge that keeps flexing. The poem begins, as I read it, by riffing on the either/or logic of identity questionnaires (“You could get with this, or you could get with that,” as Black Sheep once put it, in a different context). But it quickly ramifies into geography, history, poetics.
Perfect running weather. Cold, but not too cold, calm, overcast. Clear paths, a dreamy, detached feeling. As I ran, I thought of a goal for this winter: continue working on running with a slower heart rate. I started this during the summer/fall with marathon training, and I think it helped me avoid injuries. This winter I’m thinking I should target 155-160. I wonder what fun experiments I can do while trying to keep my heart rate low?
10 Things
as I ran, I gave attention to my arms — when my form was good, I felt like my arms were blades scissoring the air
the river was half bronze, half pewter
2 walkers who were not together were both
wearing bright RED jackets
3 stones were stacked on the boulder — the one on top was barely balanced
the yellow leaves were thick on the part of the path that descends into the tunnel of trees
a roller skier bombing down the hill
a noisy squirrel rooting through the dry brush
the slabs of stone stacked under the franklin bridge always look like a person to me — they did again today, looking like a sitting person as I passed them on my way down, just stones on my way back up — I imagined someone playing a trick on me, first sitting there, but then after I passed, putting the stones down
some regulars I haven’t named yet, but that I’ve encountered for years: 3 older white men, walking, stretched across the whole walking path — is it the same guys every time, or different ones, all of them man spreading? That’s what I could call them: the man spreaders
rotting sewer smell in the tunnel of trees, close to where the city is doing some work
More work this morning (and afternoon), on my “And” poem. So far, I’ve written about the formation of the gorge (wanting to be somewhere else) and the designing of the Mississippi River Gorge park (to protect from overdevelopment and sell the gorge as a symbol of the water city). Now I’m getting into my love of the view, which is about what I see — softened, elemental forms, like tree line or water or white sand beach — but also what I feel — open, a veil lifted, a little clarity, freer and more able to breathe and move, to the other side (which stands in for many things, including St. Paul where my mom lived until she was 18, the place where people who died dwell, the normal-sighted and real world that I feel distanced from. I think the view is also about how standing above the gorge enables me to witness how it holds all of these things together, that it doesn’t divide but connects. There is not a gap between girl and world, but a space that can hold them together, along with water and stone, mothers and daughters, hear and there, now and then. These are all references to past sections of the poem.
4.15 miles minnehaha falls and back 37 degrees wind: 30 mph gusts
Windy and colder. I wore my full winter uniform: black running tights, long-sleeved green shirt, purple jacket, black fleece-lined cap, black gloves, buff. I overdressed — or did I? I can’t decide. It snowed yesterday, but by the time I went out for my run (noon), it had all melted. All that was left were a few puddles.
10 Things
at first I thought the river was blue, but then I decided it was pewter
gushing falls
(almost?) empty park
dark rocks sticking out of the creek — why don’t I remember seeing them before?
the hollow sounding recording of bells from the light rail train across the road
all of the walkers were bundled up like it was winter, which it almost is — winter coats, hats, scarves
a red car in the parking lot, loud talking — a phone call? — coming out of the rolled up windows
a faint smell of smoke from a fire in the gorge
the sound of kids playing on the school playground — a soft din of laughing, talking, shrieking
the stretch of brown wooden fence between folwell and 38th is in rough shape. Today I noticed one section with a broken slat and leaning out into the open air
This afternoon, I decided to do my first indoor bike ride of the season. Not because it’s too cold or because it’s snowing, but because I’ve run 3 days in a row and I wanted to bike instead. Cross-training in the winter isn’t nearly as fun as it is in the summer. Maybe this year, I’ll actually try some winter-specific activities, like snow-shoeing or ice-skating. I re-watched part of the women’s triathlon from the 2016 Rio Olympics. Love that race. I’ve already written about it back in 2017.
Another reason I didn’t run this morning was because, Scott and I took RJP to the post office to renew her passport. Between the lack of music, the surly workers, the flickering light, and the clueless customers, it was a vibe. (am I using that right?) At first, I thought the woman behind the counter was just rude, but when she was nice to us because we had our shit together, I realized that it was more that she didn’t suffer fools — like the woman who didn’t make an appointment, or the woman who could have but didn’t fill out her paperwork ahead of time and didn’t have her old passport or remember the number for it.
Another random thing for future Sara to remember: Pointing at some stamps, I thought Scott said, I like these Leonard Nimoy ones, but what he actually said was, I like these Lunar New Year ones.
Today, I’ve been trying to work on the “and’ section of my Haunts poem, but I’ve been a little stuck. This section is about open space and possibility and the place between beats and breaths and foot strikes. It’s about the gorge as a container holding everything and holding Nothing (air, the void, mystery). It’s about thresholds and room to move/breathe/be and the space created from absence (of land, words, functional cone cells, mothers). Wow, just typing up this summary has given me some ideas!
4 miles minnehaha falls 49 degrees wind gusts: 25 mph
Wet. Windy. Slick leaves. Squeaks. A light gray sky. Singing pines. The usual puddles. White foam falls. Gushing sewer pipes. Brisk air. Mud.
Greeted Santa Claus (the regular runner whose long white beard reminds me of Santa Claus). Passed a man walking with one leg up in a boot on a scooter. Gave directions to 2 walkers — which way to the falls? follow the path, it’s over there.
The creek was a steel blue and rushing to reach the limestone ledge. A kid at the main overlook was jumping in a puddle. The green gate at the top of the steps leading down to the falls was still open.
Wore shorts and a pink hooded jacket. My legs were only cold for a few minutes. Too warm for mid-November. Today is the last day of warmer air. Tomorrow, below freezing.
I started working on the section of Haunts poem that I’m titling, And. Came up with a few lines while running north. Recited them in my head until I stopped near the Folwell bench and spoke them into my phone:
Before a Victor- ian’s great love for ventilation, there was water wanting to be something and somewhere else.
The ventilation bit is taken from an article about the origins of the Grand Rounds, and the Victorian is Horace W.S. Cleveland:
The concept of The Grand Rounds was born from Cleveland’s “preference of an extended system of boulevards, or ornamental avenues, rather than a series of detached open areas or public squares.” This was not only an aesthetic consideration: Cleveland had lost many possessions in the 1871 Chicago fire, and saw parkways as an effective firebreak in built-up urban areas. In addition, Cleveland stressed the sanitary benefits derived from parkways. Cholera, typhus, and other diseases plagued cities in the late nineteenth century. Parkways could save land from unhealthy uses and, reflecting the Victorians’ great love for ventilation, carry “winds . . . to the heart of the city, purified by their passage over a long stretch of living water, and through the foliage of miles of forest.”
Another beautiful, late fall morning! Sun, blue skies, hardly a breeze. Running north, my shadow leading me, occasionally drifting to the side and off into the woods. Running south, hiding behind me. I saw her only once when I turned around to check. Everything calm, quiet. Everyone enjoying being alone together. An open view of air and the bare-branched tree line on the other side. Blue river. An inviting bench perched on the edge of the bluff. I saw it as I ran toward the trestle. When I turned around, I stopped at it. Right on the edge, a steep brown slope down to the white sands beach and the river. How many more seasons before this bench, already on the edge, tumbles down? The sour-sweet smell of the sewer — a hint of sharp spice. Pounding hammers–not in a fast, steady rhythm, but in bursts and trading off. A great run.
As I ran, I couldn’t imagine how it could rain this afternoon. So much sun and blue skies! But already, less than an hour later, clouds. Rain is coming.
I’m still working on a section of my poem about progress and time and conservation. The ending turns to a vague reference to conversation of matter, where nothing is lost or gained, just transformed. Somewhere after the tunnel of trees, I suddenly thought, exchanged, and imagined oxygen being traded between lungs and leaves.
Made-up Walking Tours
Here’s an article that I found the other day about the poet, Mathias Svalina’s, surreal walking tours in Richmond: Surrealistic Zillow. Here’s how the tours work:
You show up at the appropriate time and place and look for a man with a bullhorn. “Because I’m a man who owns a bullhorn now,” Svalina says. “[Then] I’ll point to buildings and lie about them for 90 minutes.”
and part of its purpose:
“I’m particularly interested in civic history because of the ways that cities use, rewrite, and often weaponize their histories as promotional agents, or as ways of ignoring populations,” he explains. “So, I like the idea of inventing histories that could not have ever existed.”
Sun! Sharp shadows. Blue sky. The river burning white — wow! Rushing falls. A leaf-littered slope down to the river. A clear view across. Crowded trails, mostly walkers. At least one roller skier. People emerging from the oak savanna near the big rock shaped like an armchair. A little kid on a bike in the parking lot. The usual smell of smoke coming from some house on edmund or from the gorge; every fall/winter I can’t quite tell. My ponytail forcefully swinging in the wind. I don’t remember hearing any birds or dodging any squirrels. Where are the geese?
I also don’t remember what I thought about. I wanted to work through a part of my poem about progress and conservation of matter and the entanglement of decay/rusting/softening of the gorge and my shifting eyesight. But, if I did, I can’t remember.
This Kay Ryan poem was the poem of the day on Poetry Foundation:
Surfaces serve their own purposes, strive to remain constant (all lives want that). There is a skin, not just on peaches but on oceans (note the telltale slough of foam on beaches). Sometimes it’s loose, as in the case of cats: you feel how a second life slides under it. Sometimes it fits. Take glass. Sometimes it outlasts its underside. Take reefs.
The private lives of surfaces are innocent, not devious. Take the one-dimensional belief of enamel in itself, the furious autonomy of luster (crush a pearl— it’s powder), the whole curious seamlessness of how we’re each surrounded and what it doesn’t teach.
3.1 miles trestle turn around 52 degrees wind gusts: 36 mph
Ran with Scott in the afternoon. Windy but warm. Wore shorts and a sweatshirt that I took off a mile in. Sunny. We talked about progressive things: insurance (Scott), glasses and degenerative diseases like progressive cone dystrophy (me).
a twin mattress with a ripped cover next to a trash can
another runner in dark tights (purple?) with a green shirt
in the tunnel of trees the path was covered with leaves
adjusting my cap, worried the wind would knock it off
a navy blue glove propped on a branch
the water-logged black stocking cap still on the post above the steps
I’m working on a section of my Haunts poem that plays with the idea of progress and challenges the belief that progress is always better and that our lives move in strictly linear ways. I’ve written about progress before, on 7 feb 2022.
Moist this morning. Wet sidewalk, wet leaves, wet air. Something was squeaking — my shoes on the leaves or the leaves on my shoes? Only one stone on the boulder, looking lonely and flat. The black stocking cap I mentioned yesterday was still there on the pole. Today I remembered that it was above the old stone steps. Greeted Dave, the Daily Walker with a good morning Dave!, greeted Daddy Long Legs with a wave. He was with his walking partner again. Smiled and gave a head nod to another walker who I think I’ve mentioned before. They always wear a long skirt with tights, and most of the year, a blue puffer jacket. They have gray hair in a long braid. I looked it up, and when I wrote about them before (26 jan 2024), I described them as wearing a dress and tentatively named them, All Dressed Up.
Anything else? I’m pretty sure I looked at the river, but I don’t remember what I saw. No fat tires or roller skiers or geese — where are all the geese? — or turkeys. More YELLOW leaves, falling fast. Some sour sewer smells, puddles, empty benches.
I listened to squeaking leaves and thudding feet as I ran north, then my Color playlist returning south: “Not Easy Bein’ Green,” “Roxanne,” “Mellow Yellow,” and “Let’s Go Crazy.” Speakig of color, I discovered this excellent color poem yesterday afternoon:
There’s a rumor of light that any dark starts off as. Plato speaks here and there of colors, but only once, I think, does he break them down into black and white, red, and a fourth color. By then they’d reached for California high country where, knowing none of the names for all the things that grew there, they
began to make names up. But to have trained an animal to come just a bit closer because here, here’s blood, doesn’t mean you’ve tamed it. Trans- lations vary for what Plato calls his fourth color: what comes closest to a combination of (since they aren’t the same) radiant and bright–what shifting water does,
with light? Violence burnishes the body, sometimes, though we call it damage, not burnishing, more its opposite, a kind of darkness, as if to hide the body, so that what’s been
done to it might, too, stay hidden, the way meaning can, for years, until some pattern by which to trace it at last emerges. There’s a rumor of light.
I need to give more time to this poem; there’s so much I don’t quite get. But I love the discussion of Plato and color and what shifting water does to light.
