oct 15/RUN

3.3 miles
edmund, south/river road trail, north/edmund, south
35 degrees

It felt warmer than 35 degrees to me. Was it because I warmed up on my bike in the basement before I left? Maybe. Listened to Beyoncé and Renaissance as I ran. Favorite song today: “Plastic Off the Sofa.” My right kneecap, the one that’s been slipping out of the groove seems okay today. To be safe, I ran all the way home instead of walking the last bit. I’ve found that it’s mostly okay when I run, but starts to shift more when I’m walking after my run. Why? Bodies are strange and so hard to figure out.

My view to the other side is getting wider! More leaves leaving everyday. I don’t remember noticing the color of the river, just that it was bright and shiny and beckoning through the trees. Saw two roller skiers skiing side by side, the swinging of their poles in sync. I didn’t hear the poles clicking because I was listening to music. Also watched the graceful gait of a runner as they passed by me. Beautiful to watch their feet lift off — so high, so bouncy, so rhythmic!

Near the start of my run: one wild turkey in a neighbor’s front yard, looking a little frantic or wary of me running by. Did they hiss? If they did, I didn’t hear it.

As I neared the old oak tree that stands next to the ancient boulder at the top of the tunnel of trees, I noticed that it was golden — not a bright, vibrant yellow, which is sometimes what I call golden, but like gold leaf that’s slightly tarnished, past its prime, a glow that’s fading.

The Beginning of the Beginning/ Phuong T. Vuong

Who decides where a river starts? When are there enough
sources, strong currents and water wide enough for its name?

In Colorado, the Chama begins in smaller creeks and streams,
flows into New Mexico to form the Rio Grande, splitting Texas

and Mexico (who decided?) and moves deeper south. I think
a few of these thoughts by a creek on a beaming hot day,

as water rips by in rapids propelled, formed in mountains far above.
The water icy even in this summer heat. People grin

some false bravery. They sit in tubes and dip into the tide
and be carried away. I think of drowning. Of who sees water

as fun. Who gets to play in a heatwave. Who trusts
the flow. Migrants floating in the Rio Grande haunt me, so

I think of families tired of waiting, of mercy that never comes,
of taking back Destiny. The rivers must have claimed more

this year. Knows no metering but the rush of its mountain
source’s melt. A toddling child follows her father into water’s

pull. Think of gang’s demands, of where those come from. Trickles
of needs meeting form a flow of migrants. Think of where

it begins. Think of the current of history—long, windy, but
traceable and forceful in its early shapes.

This question of the first line, who decides when a river starts, makes me think about the origins of the mississippi and Lorine Niedecker’s discussion of Henry Schoolcraft’s naming of lake itasca in her poem “Lake Superior.” It also makes me think of Diane Setterfield’s discussion of rivers and springs and their origins in Once Upon a River.

I also like the lines:

Of who sees water

as fun. Who gets to play in a heatwave. Who trusts
the flow.

Not always, but often, when I’m swimming across lake nokomis in the summer, I think about the people who have drowned in this small, shallow lake. Water has always been something I love and trust and can move through easily. I try to remember how that’s not true for others.

oct 14/BIKERUN

indoor bike: 15 minutes
bike stand
treadmill run: 1 mile
outdoor run: 2 miles
34 degrees / icy drizzle

Woke up this morning before 6, opened the door to snow. What? Less than an inch, but all the trees were covered in white, the deck too. I had no idea. Oh well, I knew it would melt and that it wouldn’t be difficult to run in. A few hours later, having put on my early winter running attire — black running tights, black shorts, pink jacket with hood, black running vest, cap, headband, gloves — I opened the door to icy rain. Wtf? Again, I had no idea.

I will run in cold. I will run in snow. I will run in rain. I will not run in icy rain.

Decided to do a quick bike warm-up in the basement, then do a short run on the treadmill. Felt so good when I was done that I decided to believe that it wasn’t raining anymore. It was, but barely. Ran through the neighborhood, trying to avoid all the closed sidewalks and roads, and onto the river road trail at 32nd. Everything was dripping, but nothing was slippery. The main things I remember from the run are: puddles, the soft sounds of falling water — not sure how much of it was rain, and how much of it was just dripping trees, beeping trucks, and deep dark brown trunks.

As I write this entry, only minutes after I finished my run, the sun has come out and the sky is bright. I suppose if I had just been patient and waited a few more minutes, I could have avoided all the drips, but why would I have wanted to do that?

Something I learned this morning: I should do a 5-10 minute warm-up on the bike, or the treadmill, before I go out for a run, especially when it’s very cold outside. Why have I never thought of this before?

It’s October, so of course I’m thinking about ghosts. I also happen to be editing some poems about ghosts/haunts that I did last year. Here’s a poem I found yesterday:

Circle/Dana Knott

There are ghosts
and there are humans
in this house
ghosts who were once
humans, humans
who will become ghosts

The ghosts pace
from room to room
open cupboards 
and tap tap messages
looking, looking

Ghosts and humans 
live together apart
each a movement
a curtain, a drift
of snow, a whiteness
each his own fragment
trying to connect

to remember, to forget
lost loves, found keys 
human obits in the process
of being written
ghostly obits in the process
of being read

oct 13/BIKE

indoor bike: 30 minutes
basement, bike stand
43 degrees

Decided to give my slippy and slide-y kneecap another day to recover from yesterday’s run. It seems fine, but I’m being extra cautious. I want to reach my 1000 miles again this year. I biked and watched an old 10,000 meter race — Worlds, Beijing, 2015. Why does 2015 seem so long ago?

Next week (hopefully), we’re re-joining the YWCA so I can swim this winter and Scott can run. Hooray for less basements, more pools and pool poems, and a new batch of regulars! Don’t worry, I’m still planning to run outside. Winter running is my favorite.

Yesterday, I discovered a new journal on twitter: Tiny Wren Lit. They publish very small poems — up to 15 lines, with a max of 25 characters (including spaces) per line. On the 15th, they’re open for submissions for an issue with the theme, Self-Portrait As. I’ve started working on reshaping a few of my poems to fit this theme. Very cool. In the process of thinking about this, I have (I hope!) come up with my fall project: a series of small poems playing with the themes of water and stone. I’ve been thinking about water and stone for a long time; they are 2 of the constants in my writing/moving/life. Sometimes I feel like water, sometimes stone. I’m excited!

And, here’s a beautiful poem I found, also on twitter:

Forest of Beginnings/ Mai Der Vang

Even the sky knows not
to make promises of water,
 
and the air knows not to dream
the onset of rain.
 
Even the animal
who forgets the touch
 
of a distant liquid cold
waits without knowing.
 
Earth is picking up her bones.
 
Earth is tucking in her babies.
 
          Sleep well, little loves,
                 sleep as you’ve never slept
 
       so you may wake
                    as you’ve never woke.
 
This is the earth that chants.
 
This is the earth that grows
teeth in the storm.
 
               This is the earth voicing
  each twig and leaf,
 
every stem
and stone.
 
This is the earth that opens like a room.
 
The ground sleeps through another
season of drought.
 
The land burrows further into exile,
sinking upward,
                        heaven to the ground,
 
where bodies of hemlock and pine,
cedar and fir,
 
no longer cast old roots but
tiptoe their arms
 
around shrubs and metal stakes.
 
Still, the land gives, the field grows,
and the harvest enters
          when it is called.
 
Flora of these hills and meadows
 
are all but springing their desires
under the rising moon.
 
               Leaves tended
by hands that tended leaves
from another mountain
 
on another shore
                        in another war.
 
War made by hands of another
for ownership of
 
                     the mountain before
leaving to new shores.
 
I did not know when I birthed you
that flight had been etched
on our tongues.
 
I did not know the jungle would
take us
far from our home,
 
                           bring us to California with
visions of new dirt and
 
the brightest green in our blood.

oct 12/RUN

5.5 miles
ford loop
51 degrees

A wonderful fall morning. Sunny, glowing trees, not much wind. I felt great during my run. Easy, relaxed. The problem: when I was done, and walking back, my right kneecap started to act up. Small slides and shifts, not wanting to stay in place. Now, I’m icing it. Bummer. I’m not sure why my knee is having problems.

Lately, it’s a challenge making it to the river. There are redoing so many sidewalks in the neighborhood that it’s hard to know which street to take over to the river road. Today, I zigzagged until I reached edmund, then down the hill until I reached 32nd, then over to the trail.

On the path, a squirrel was running ahead of me. They couldn’t decide which way to go — away from me, or right towards me. They darted away, then back, then away, then back. Fuck, I muttered under my breath.

Running at my favorite spot on the east side, just above the lake street bridge, I was running too close to the railing and didn’t see a pigeon (was it a pigeon?) stopped on a post. Normally birds will fly away before you reach them; this one, just barely in time. I exclaimed, geeze, and held up my hands to my face as its wings flapped furiously. As usual, I wondered how ridiculous I looked to a passing driver.

Recited my favorite section from May Swenson’s “October” — the whole thing this time:

7.
Now and then, a red leaf riding
the slow flow of gray water.
From the bridge, see far into
the woods, now that limbs are bare,
ground thick-littered. See,
along the scarcely gliding stream,
the blanched, diminished, ragged
swamp and woods the sun still
spills into. Stand still, stare hard
into bramble and tangle, past
leaning, broken trunks,
sprawled roots exposed. Will
something move? A vision come
to outline? Yes, there—
deep in—a dark bird hangs
in the thicket, stretching a wing.
Reversing its perch, it says one
“chuck.” The patch
on his shoulder that
should be red looks gray.
This old redbird is planning to
stay, this year, not join in the
strenuous migration. Better here,
in the familiar, to fade.

another word repeated: still

I have loved the line, Stand still, stare hard, ever since I first read this poem a few years ago.

Ran past a big boulder with a plaque. I thought about stopping to read it, but I didn’t want to stop. One day, I’ll stop, I thought. But will I?

Thought about stopping to take off my orange sweatshirt. I didn’t. Thought about stopping to walk up the steep (but less steep now that they’ve rerouted it) sidewalk to ford bridge. I ran the entire 5.5 miles without stopping. Excellent.

Anything else? Running on the east side, past a ravine that’s not too far from the ford bridge, I had a memory of living in northern virginia when I was 10. Such beautiful falls! The leaves, the sun, the winding roads! A happy memory — not of one specific time, but the feeling of fall — crisp air, sun shining on orange leaves, trails to explore, fresh cider to drink. I don’t want to go back to that time, but I like feeling it again. Something about running on the east side of the river helps me to do that. Why the east side, but not the west? Not sure.

oct 10/RUN

6.05 miles
bottom of franklin hill and back
51 degrees

A beautiful morning, a good run. Now, minutes after it, I’m wiped out. Ran down the franklin hill, past annie young meadows, to the top of the south fourth st overlook. Stopped to admire the river: blue, with 2 rowers, one in a bright orange top (shirt? vest? jacket?). Started running again, walked up the franklin hill, then ran again, this time with a Taylor Swift playlist.

For the first few miles, I recited lines from May Swenson’s “October”:

Now and then, a red leaf riding
the slow flow of gray water.
From the bridge, see far into
the woods, now that limbs are bare,
ground thick-littered. See,
along the scarcely gliding stream,
the blanched, diminished, ragged
swamp and woods the sun still
spills into. Stand still, stare
hard into bramble and tangle,
past leaning, broken trunks,
sprawled roots exposed.

As I recited it, I wondered about the repetition of now (now and then; now that limbs are bare) and into (see far into; the sun still spills into). Why does she repeat these words?

10 People I Encountered

  1. Was mornied! by Mr. Morning! I had run past him — only seeing him from behind and not noticing it was him — and he called out. I turned back and called out good morning!
  2. Greeted Dave, the Daily Walker.
  3. Ran past Daddy Long Legs.
  4. a woman walking briskly, wearing a turquoise fleece, talking with
  5. another woman, together they approached me from behind as I walked up the franklin hill. Their voices hovered, growing louder as they neared
  6. a runner dressed in black — first far behind me, then closer, then past me, then far ahead
  7. a person sitting on a bench perched on the rim of the bluff
  8. an older man and woman walking — I think I regularly encounter them? Can’t remember what the woman looks like, but the man is tall, thin, and white with white hair
  9. a roller skier, roller skiing in the flats
  10. a biker blasting music — I couldn’t hear it because I had my headphones in

word of the day: bombinate

I follow Merriam-Webster on twitter. Had to make note of today’s word of the day. “To bombinate is to make a sustained, murmuring sound similar to a buzz or drone.” I strongly dislike anything that bombinates. That low-lying, ever-present rumble that unsettles. I do like saying the word, though.

Taylor Swift’s “Red” came on near the end of my fifth mile. As I listened to the lyrics, I was struck by the chorus:

Losing him was blue, like I’d never known
Missing him was dark gray, all alone
Forgetting him was like trying to know
Somebody you never met
But loving him was red
Oh, red
Burning red

Perhaps this isn’t fair, but I kept thinking about how predictable and unimaginative her color descriptions are. And then I started thinking about synesthesia, which I don’t have, and wondering if people with it see emotions as colors, and what colors they might see. And now, after quickly researching the link between blue and gray and depression, I’m thinking about color psychology and feeling skeptical.

oct 8/RUN

4.25 miles
cleveland loop
44 degrees

Sunny and clear. Did I see any clouds in the sky? The only thing I remember seeing is a plane — just a small smudge of white — that I originally thought was the moon.

some winter layers: black running tights; black shorts; long-sleeved green base layer (REI, this shirt might be 9 or 10 years old, worn for almost every winter run); bright orange pull-over; baseball cap — twins, black with white polka dots; bright pink headband to cover my ears.

My second favorite Halloween house (Longfellow’s Lament will always be the best), the one that I thought would never happen again, is happening! A few days ago, Scott, Delia, and I walked by it — rats eating fake fingers, tombstones, a few disembodied heads, ghosts. Nice! This morning, running by it, I saw (and heard) someone in the yard setting up some creepy music. Yes!

10 Things I Noticed

  1. 2 rowing shells on the river
  2. a woman on the bridge taking a picture of the view
  3. crowded paths near St. Thomas
  4. several bright red trees
  5. the click click clack of a roller skier’s poles
  6. red leaves on the sidewalk fading into pink
  7. the smell of breakfast near Black Coffee — hash browns, toast, bacon, grease
  8. the bells chiming — maybe it was 10? — at St. Thomas
  9. the coxswain’s voice drifting up from below
  10. waiting at Cretin (on Summit) for the light to change, when it did and I started running again, I heard the footsteps of another runner behind me. Would they pass me or fade away? They faded away

Read Glück’s “October” again before I went out for a run, and intended to think about these lines, but I forgot once I started moving:

The light has changed;
middle C is tuned darker now.
And the songs of morning sound over-rehearsed.

This is the light of autumn, not the light of spring.

I wanted to think about how the morning song is over-rehearsed and how the light has changed. Then I wanted to think about the differences between autumn and spring light, which always seem similar to me, but not quite the same. Why not? Is it mostly what’s coming next — abundance or scarcity?

oct 7/RUN

3.1 miles
trestle turn around
43 degrees / mist

Even though I had been sitting at my desk in front of 2 big windows this morning, I hadn’t noticed that it was raining. Oh well, by the time I was ready to run the rain was mostly done. Just a fine mist and dripping trees. I guess I wasn’t the only one who hadn’t realized it was raining/had rained: my neighbor had their sprinkler on and was watering their lawn!

Yesterday I mentioned that I should try doing a warm-up inside before going out for my run. I did, and it worked! I could feel my muscles activating and no kneecap slips. Excellent!

A beautiful, muted morning. Quiet, cooler, soft. Even the glowing oranges and reds seemed softer, more subtle in their show. I felt really good — strong, relaxed, making an effort but not working too hard. Flying or floating or bouncing off the trail in a steady rhythm.

To test how hard I was working, I tried (and mostly succeeded in) reciting Robert Frost’s “Nothing Gold Can Stay” and Gerard Manley Hopkins’ “Spring and Fall” out loud. In an easy run, you should be able to carry on a conversation without any problems, or in this case, be able to recite a poem without needing to take a breath every word. I stumbled over a few words, but that was my memory’s fault not my lungs’.

I think I saw Santa Claus at the beginning of my run. Good mornied! Mr. Morning! Heard the rowers down below and the geese up above. Glimpsed the river though the thinning leaves. Dodged some walkers. Squeaked on the wet leaves.

Thought about stopping at the halfway point and putting in my music; decided to keep listening to the gorge or my breathing or my thoughts.

Started reading Louise Glück’s Averno before my run. “October” is the second poem in the collection. I’m thinking about reading the entire collection. Should I?

Averno = a small crater lake in Italy, regarded by the ancient Romans as the entrance to the underworld.

Here’s the first poem of the collection:

The Night Migrations/ Louise Glück

This is the moment when you see again
the red berries of the mountain ash
and in the dark sky
the birds’ night migrations.

It grieves me to think
the dead won’t see them—
these things we depend on,
they disappear.

What will the soul do for solace then?
I tell myself maybe it won’t need
these pleasures anymore;
maybe just not being is simply enough,
hard as that is to imagine.

This poem makes me think of one of my favorite Emily Dickinson poems, “We Grow Accustomed to the Dark”:

We grow accustomed to the Dark –/ Emily Dickinson

We grow accustomed to the Dark –
When light is put away –
As when the Neighbor holds the Lamp
To witness her Goodbye –

A Moment – We uncertain step
For newness of the night –
Then – fit our Vision to the Dark –
And meet the Road – erect –

And so of larger – Darkness –
Those Evenings of the Brain –
When not a Moon disclose a sign –
Or Star – come out – within –

The Bravest – grope a little –
And sometimes hit a Tree
Directly in the Forehead –
But as they learn to see –

Either the Darkness alters –
Or something in the sight
Adjusts itself to Midnight –
And Life steps almost straight.

There are many different ways I think of these poems together, but right now, I’m thinking about Glück’s first line, This the moment when you see again, as the moment in ED’s poem when we fit our vision to the Dark and Life steps almost straight. This moment, for Glück, is the moment after a great loss and after you have been changed by it. This idea of being changed/altered comes up several times in “October,” especially in 4:

The light has changed.

The songs have changed.

So much has changed.

And yet the notes recur. They hover oddly
in anticipation of silence.
The ear gets used to them.
The eye gets used to disappearances.

You will not be spared, nor will what you love be spared.

oct 6/RUN

6.1 miles
minnehaha dog park and back*
53 degrees

*a new route: south on the river road trail, past the falls and John Stevens’ house, along the gorge with hidden falls on the other side until turning around just before the dog park

Cooler weather. A bit blustery. Most of the time, the wind was pushing me and the leaves. Every so often I chanted, I am the wind and the wind is invisible, all the leaves tremble but I am invisible (Richard Siken) and Who has seen the wind? Neither I nor you: but when the leaves hang trembling, the wind is passing through. Who has seen the wind? Neither you nor I: but when the trees bow down their heads, the wind is passing by (Christina Rossetti).

Felt strong and relaxed. My right kneecap did some tiny slips. I decided that I should start warming up more before I head out for a run. Hopefully this will help my knee stay in the groove? Also: worked on my posture, trying to keep my trunk tall and my head straight.

A rare occasion: Nearing the park building at the falls, I realized I needed to go the bathroom, so I stopped. Hooray for a real bathroom, and not just a port-a-potty or a bush!

10+ Things I Noticed

  1. the leaves on the edge of the gorge, down near the ground, look a bright glowing orange instead of their usual red. Not sure if that’s true, or just my bad vision
  2. a view is coming! the trees are thinning in a stretch somewhere between 38th and 42nd and I could see the blue of the river below
  3. between the double-bridge and the locks and dam no. 1: a row of bushes, still thick with leaves, blocking my view of the river. The light flashing through the small gaps disorients
  4. seeing these flashes, wondering if I should tilt my hat to shield my eyes, a peleton passes by on the road
  5. at the falls, several of the sidewalks are covered in fallen leaves
  6. the trail is peppered with bright reds, yellows, oranges
  7. many of the trees at the falls have changed from green to gold and red, but a cluster (a stand?) of 4 or 5 are still green
  8. running above the gorge, parallel to Hiawatha, sirens — what happened and where?
  9. a bright red tree, glowing with color, way over in the neighborhood on the other side of Hiawatha
  10. the sandy beach at Hidden Falls almost glowing white through the trees
  11. the falls, dry — not a drop of creek water falling down the limestone
  12. someone blasting music (rock? pop?) from their car on Hiawatha. So loud!
  13. bing bing the fake bells of the train ringing as it pulls out of the 50th street station

The Secret in the Mirror/ Alberto Ríos

The mirror is dirty from the detritus of dailiness—
I look in the mirror and am freckled.

A week out from being cleaned, maybe two, maybe more,
The Milky Way shows itself in the secret silver,

This star chart in my own bathroom,
Aglow not in darkness but with the lights on,

Everything suddenly so clear.
It is not smear I am looking at, but galaxies.

It is not toothpaste and water spots—
When I look in the mirror, it is writing and numbers,

Musical notes, 1s and 0s, Morse-like codes, runes.
I am looking over into the other side,

And over there, whoever they are, it turns out
They look a lot like me. Like me, but freckled.

I really appreciate Ríos’ description in “About this Poem”:

…this poem speaks to the everyday lives we also lead—not cleaning the bathroom sink quite as much as we perhaps should, not always controlling the floss strings of good intentions now turned wild, not vacuuming nearly enough. But even in the mundane, we have, always at hand, surprise, surprise at its most savory in that we have least expected to find it where it is not advertised.

Surprise. Yes! I’m struck by how my failing vision creates a lot of surprise as my brain attempts to guess what I’m looking at. My vision aside, I also like the idea of finding the magical in the moments when the mundane fails, like when we fail to clean our bathroom mirror.

oct 4/RUN

2.5 miles
2 trails
60 degrees

Another colorful fall morning. Noisy, too. So much construction on our block and around the neighborhood. beep beep beep beep brrrrrr brrrrrr. Ran south on the river road and encountered lots of bikes. Noticed how the river was burning a bright white. Got lost in some thoughts about a new form for my vision poems. Forgot to notice the bridge above the ravine in the stretch between 44th and 42nd on the winchell trail. Stopped near the top of the hill at 42nd to speak some ideas into my phone. Ran some more, then stopped again. Do I have some good ideas that can become something? I hope so. I’m interested in experimenting with the peripheral as where I see and the center as a flat landscape/background. Maybe have a flat, lifeless description of the landscape with flashes of more meaningful words sprinkled along the peripheral? I like the idea of making the center a flat, lifeless landscape/background because that’s what my brain does; it fills in a background, like wallpaper. It’s mostly what’s there, but my view doesn’t include any objects that my few cones or my peripheral rods didn’t register. Listening to my notes, I also mention being inspired by the vision tests at the DMV, which have both a mini snellen chart and flashes you have to notice. For years before I was diagnosed, I would have this seemingly irrational fear of the vision test at the DMV. I always wondered why. Now I know. Not sure how to translate these tests into a poetic form.

10 Things I Noticed*

*while not really paying attention to my surroundings

  1. a peleton of younger bikers on the road
  2. a string of older bikers on the trail
  3. a biker swinging wide to mount their bike just as I ran by
  4. a dog barking at me as I swung wide to avoid them and their owner
  5. bright yellow vests
  6. a tree leaning over the dirt trail, which used to be asphalt, just past the 38th street steps
  7. two voices behind me, getting closer when I stopped to speak into my phone
  8. a woman with a dog passing by me X 2
  9. dripping water at the 42nd street sewer pipe
  10. Santa Claus running fast!

I noticed more than I thought. I haven’t seen Santa Claus (the Regular runner who has a bushy white beard like Santa Claus) in a while.

Here’s a poem I discovered yesterday while previewing May Swenson’s Nature (which I ordered!). It fits with my theme for September, and how I’m feeling these days: tender.

Living Tenderly/ May Swenson

My body a rounded stone
with a pattern of smooth seams.
My head a short snake,
retractive, projective.
My legs out out of their sleeves
or shrink within,
and so does my chin.
My eyelids are quick clamps.

My back is my roof.
I am always at home.
I travel where my house walks.
It is a smooth stone.
It floats within the lake,
or rests in the dust.
My flesh lives tenderly
inside its bone.

oct 3/RUN

5.4 miles
ford loop
61 degrees

Full fall color! More orange than anything else. Beautiful. Running over the lake street bridge — river emptied of everything but ripples. Windy. Noticed the evidence of the marathon everywhere — port-a-potties and barricades waiting to be picked up. No trash or torn-up grass or anything else that might indicate lots of people gathered here. I’m always impressed with how quickly everything is picked up. Encountered an older woman on the lake street steps. Tried to think about May Swenson’s wonderful poem, “October,” but all my thoughts scattered. Felt good. My right knee (the OG), didn’t bother me until the very end, and barely. No shifting or rubbing kneecap today!

No headphones for the first 4.5 miles. Put in Bruno Mars playlist — “talking to the moon” — while I finished my run.

10 Things I Noticed

  1. Orange everywhere! Not the kind that’s almost red, but the soft neon, almost like orange sherbet
  2. No rowers on the river, no roller skiers on the path, one fast-moving rollerblader
  3. A single goose honking, somewhere in the sky
  4. mostly cloudy with the sun sometimes peeking through the clouds
  5. long shadows cast by the trees on the east river side, near the overlook closest to the ford bridge
  6. a stretch on the east side of the river with no trees — no shade, nothing to frame the wide open sky, strangely bare
  7. the sound of jack hammers
  8. 2 bikers at the top of Summit, just past the monument. One said to the other, “This is the only tricky (or did he tough?) part of the route”
  9. a bike darted past me on the ford bridge then turned into a small overlook. No! I wanted to stop there to admire the leaves! Then, before I reached the overlook, hopped on their bike and pedaled away. Hooray!
  10. the short path that you cut down after exiting the ford bridge to get to the river road was the ideal form of Fall — all oranges, a few yellows, a winding path, mysterious woods

A few weeks ago, I decided that in October I would study 2 poems titled October, one my May Swenson, the other by Louise Glück. This week, May Swenson’s version:

October/ May Swenson

1

A smudge for the horizon
that, on a clear day, shows
the hard edge of hills and
buildings on the other coast.
Anchored boats all head one way:
north, where the wind comes from.
You can see the storm inflating
out of the west. A dark hole
in gray cloud twirls, widens,
while white rips multiply
on the water far out.
Wet tousled yellow leaves,
thick on the slate terrace.
The jay’s hoarse cry. He’s
stumbling in the air,
too soaked to fly.

2

Knuckles of the rain
on the roof,
chuckles into the drain-
pipe, spatters on
the leaves that litter
the grass. Melancholy
morning, the tide full
in the bay, an overflowing
bowl. At least, no wind,
no roughness in the sky,
its gray face bedraggled
by its tears.

3

Peeling a pear, I remember
my daddy’s hand. His thumb
(the one that got nipped by the saw,
lacked a nail) fit into
the cored hollow of the slippery
half his knife skinned so neatly.
Dad would pare the fruit from our
orchard in the fall, while Mother
boiled the jars, prepared for
“putting up.” Dad used to darn
our socks when we were small,
and cut our hair and toenails.
Sunday mornings, in pajamas, we’d
take turns in his lap. He’d help
bathe us sometimes. Dad could do
anything. He built our dining table,
chairs, the buffet, the bay window
seat, my little desk of cherry wood
where I wrote my first poems. That
day at the shop, splitting panel
boards on the electric saw (oh, I
can hear the screech of it now,
the whirling blade that sliced
my daddy’s thumb), he received the mar
that, long after, in his coffin,
distinguished his skilled hand.

4

I sit with braided fingers
and closed eyes
in a span of late sunlight.
The spokes are closing.
It is fall: warm milk of light,
though from an aging breast.
I do not mean to pray.
The posture for thanks or
supplication is the same
as for weariness or relief.
But I am glad for the luck
of light. Surely it is godly,
that it makes all things
begin, and appear, and become
actual to each other.
Light that’s sucked into
the eye, warming the brain
with wires of color.
Light that hatched life
out of the cold egg of earth.

5

Dark wild honey, the lion’s
eye color, you brought home
from a country store.
Tastes of the work of shaggy
bees on strong weeds,
their midsummer bloom.
My brain’s electric circuit
glows, like the lion’s iris
that, concentrated, vibrates
while seeming not to move.
Thick transparent amber
you brought home,
the sweet that burns.

6

“The very hairs of your head
are numbered,” said the words
in my head, as the haircutter
snipped and cut, my round head
a newel poked out of the tent
top’s slippery sheet, while my
hairs’ straight rays rained
down, making pattern on the neat
vacant cosmos of my lap. And
maybe it was those tiny flies,
phantoms of my aging eyes, seen
out of the sides floating (that,
when you turn to find them
full face, always dissolve) but
I saw, I think, minuscule,
marked in clearest ink, Hairs
#9001 and #9002 fall, the cut-off
ends streaking little comets,
till they tumbled to confuse
with all the others in their
fizzled heaps, in canyons of my
lap. And what keeps asking
in my head now that, brushed off
and finished, I’m walking
in the street, is how can those
numbers remain all the way through,
and all along the length of every
hair, and even before each one
is grown, apparently, through
my scalp? For, if the hairs of my
head are numbered, it means
no more and no less of them
have ever, or will ever be.
In my head, now cool and light,
thoughts, phantom white flies,
take a fling: This discovery
can apply to everything.

7

Now and then, a red leaf riding
the slow flow of gray water.
From the bridge, see far into
the woods, now that limbs are bare,
ground thick-littered. See,
along the scarcely gliding stream,
the blanched, diminished, ragged
swamp and woods the sun still
spills into. Stand still, stare
hard into bramble and tangle,
past leaning broken trunks,
sprawled roots exposed. Will
something move?—some vision
come to outline? Yes, there—
deep in—a dark bird hangs
in the thicket, stretches a wing.
Reversing his perch, he says one
“Chuck.” His shoulder-patch
that should be red looks gray.
This old redwing has decided to
stay, this year, not join the
strenuous migration. Better here,
in the familiar, to fade.

After posting this, I decided to order Swenson’s collection Nature (and Glück’s Averno). So excited!

Back to Swenson. Today, before I went out for my run, I was struck by 4, 5, and 6, especially in terms of light, the eye, and vision.

from 4
But I am glad for the luck
of light. Surely it is godly,
that it makes all things
begin, and appear, and become
actual to each other.
Light that’s sucked into
the eye, warming the brain
with wires of color.
Light that hatched life
out of the cold egg of earth.

I like her description of light, the eye, and the brain, which is warmed with wires of color.

In the next section, 6, I’m struck by how, after praising light, she (seems to) praise darkness too:

Dark wild honey, the lion’s
eye color, you brought home
from a country store.

And offers a parallel description of dark, the eye, and the brain:

My brain’s electric circuit
glows, like the lion’s iris
that, concentrated, vibrates
while seeming not to move.

The eyes and light and vision come up again in section 6:

maybe it was those tiny flies,
phantoms of my aging eyes, seen
out of the sides floating (that,
when you turn to find them
full face, always dissolve)

then

In my head, now cool and light,
thoughts, phantom white flies,
take a fling

What to make of these references?