4.6 miles
veterans home
74 degrees / drizzle?
humidity: 89%
dew point: 69
Woke up at 6 am to get in a run before it rained, then heard thunder. Bummer. Had to wait until 9. When I left, the sun was coming out but a mile in, the wind picked up. Did it start drizzling or was that just dripping trees? I think it was a little of both.
It was hot and difficult and I wasn’t sure how much I’d be able to do when I started — 2 miles? 3? — but then I just kept going and it kept feeling a little more doable. Just make it to southern entrance to the Winchell Trail. And, just make it to the locks and dam parking lot. And, just make it to the top of the Wabun hill. Once I got to the top and kept going through Wabun park, there was no turning back, just through the grounds of the Veterans home and over to the falls then north on the river road to home.
10 Wet Things
- big puddles on the sidewalk
- smaller puddles on the path
- muddy ruts
- dripping trees
- dripping ponytail
- soaked shirt
- roaring falls
- gushing sewer pipe
- whooshing wheels
- damp face
Early this morning, while making breakfast, I listened to a podcast interview with Moheb Soliman whose book, Homes, I’ve just started reading. Love it! I think I’ll buy this book as a birthday present to myself!
In the interview, the interviewer mentions another poet who I’d also like to check out: Cecily Nicholson. Cecily Nicholson: interview + book, Crowd Source
Also in the interview, Soliman reads several of his poems, including this one:
Great Lake Swamp come heavy-use wetlands:
powers of Toledo origin song
Who let this wetland wet / Who cut this little inlet / Laid the hill for golden
hours / Fit the logs with the salamanders / Foretold the lichen and the mosses
/ Who offered the wildlife crossing
Along this promenade I sing / about how the world’s made / my behorned
serenade to nobody but
Who wet this aggregate / Who raised this bamboo deck / Who had these
grasses mown / Who made the birches grow in groves / Who made this prairie
seric1 / Carved out a space for heron
This is my behorned little dirge / I sing along this little bridge / about how this
little world’s birthed by no body but
Who left this river wet / Sowed the embankment / Set the grade for the slope
of the island / Spawned the minnows to feed the walleye / Who knows the
ripples till flood / Who reads teh dried-out flats of mud
About how the world’s mocked up / I sing along this ply boardwalk / This is
where the trombones stop
for nobody / By no body but / you local / No melody but vocals / As is / La la /
La li / La las / La lis / As is
Who let this wetland wet? I love all of these question about the creating of a place. I frequently think (and ask) about how the paths I run on, the lakes I swim in, were made what they are by people, particularly the city of Minneapolis and Minneapolis Parks. For years, I’ve been studying the documents and the places to find evidence of this creating and shaping.
Before reading the poem, Soliman says this:
And this is a big part of our discourse right now that, you know, humans aren’t separate. I mean, I have a really hard time kind of following that to the end, because I do feel that there’s a profound difference in how much we are able to control and shape that world to the point where we’re not really a part of it in the same organic way that so many other parts of it are, you know, and a lot of the poems like sometimes absurdly, you know, and I mean, I could even read some of those like, but absurdly play with that idea that, you know, we created this place, you know, the hiking trail, like it is actually, it’s not just some natural path.
You know, there’s a lot that has gone into making you feel that you are here at one in a harmonious, quiet moment in the woods or on the lake. And, you know, so our hand is like so strong in those places, and it would be really, like, naive to just write a poem about being out in the woods without also being aware about, of how we came to that place, and how humans are really, uh, yeah, sort of different and yet a part of.
Commonplace interview with Moheb Soliman
I was prompted to find this interview because I wanted to hear Soliman read his own poems; I hoped that might help me understand the strange spacing of the lines. He addresses this desire directly in the interview:
A lot of these poems are these justified text blocks with like, internal line breaks. And a lot of them started as lineated poems. Uh, and I just liked the ones that weren’t like that more because I felt like line breaks were too precious sometimes.
Just in poetry, not just mine, but sometimes I just kind of bristle at line breaks, you know? Um, they make, yeah, sometimes they make poems feel too precious. And I wanted this to have a bit more of a, like, robustness, you know? That they’re, they kind of just sit there on the page, you know, like a paragraph, you know?
Yet, I still love, like, the wordplay of, like, enjambment, and, uh, so, I came to a point where I thought, well, either all of these have to be these text blocks, or they just all need to go to lineated. And I spent a lot of time, like, reworking so many of them into these text blocks. And at one point I was really terrified that, like, I’ve made the reading experience really hard for people.
I don’t know, because to me, I’m just so familiar with them. They’re really, I see them in my head and I understand how they move, like, you know, orally, you know. So, it’s part of the reason I, like, really appreciate the chance to read them, because I feel like if I can just get my voice into someone’s head about the book, it’ll just make the rest of the experience, you know, easier.
Very helpful to read this, and to hear him read his own poems. The next thing he says is also helpful, and is sparking some new thoughts on (my) forms:
A friend of mine kind of made this interesting point where they sort of, like lakes, like on the page. They just kind of pool there with some like, gaps. And I think she was kind of first saying how the poems have a real flow. And then we were talking about how poems sometimes really feel like rivers, you know, and without really meaning to, I kind of forced these to have a bit more of like a lake, like, you know, here they are, in one place, and there, there’s the pooling, you know, that’s happening.
Oh — I want to think about this some more! How do rivering words look different from laked ones? What else do lakes do, besides pooling? They settle, shimmy in place . . . . This question is an excellent one to think about and to go back into my log to find some answers!
a few minutes later: they sink and sour and are stuck, still, stagnant, unstirred. Could it be that lakes, more than oceans or seas or rivers, are about what’s at the bottom, what sinks down, unmoved by currents? Stale and stymied. Layered and sedimented, cyclical – circular
plastic project
Since March, or was it April?, I’ve been collecting the plastic that we use for some unspecified future project. It started with old freezer bags, but expanded to include grapefruit, zucchini, and mini cucumber bags. Now I have sandwich and pita bread bags and the plastic bags that covered the new fan I recently bought. My favorite one: the plastic shell my new googles came in, which looks like another pair of clear goggles.
Definitely in April, I began deconstructing the freezer bags — cutting off the bright blue (zip) locking part, cutting open the clear plastic, then cutting out the white label. Last week, I decided I wanted to use the blue zip lock parts for some sort of visualizing of the lake. Maybe a big map of a lake nokomis loop? My first thought was to connect the strips together with thread or tape, but that didn’t really work. This week, another idea: shred the plastic! I tried to do it in the paper shredder, which would have shredded it almost instantly, but that wasn’t working. So, instead, I’m using my mother-in-law’s old silver scissors and snip snip snipping the strips. This snipping labor is reminding me of the satisfaction I got in the winter from drawing and shading in circle after circle on my New Yorker essays. There is something therapeutic about using my hands in this repetitive task, but also something that encouraged deep, creative thinking. These blue plastic strips are also satisfying to scoop up and sift through my fingers. Will these plastic blue shards become part of my map, or just the process that leads me to that map? Time will tell.
- seric = silk ↩︎
A few other thoughts:
As I cut up these little shards, I thought about all the plastic that ends up in the lake and an ocean and my organs and tissues and bodily fluids. Yikes!
As I accumulate more and more plastic I wonder: how can I stop using so much plastic? First step: stop using ziploc bags for storing my half used produce! Make my own bread? What else?
Telling Scott about my shards last night, he suggested trying to (just barely) melt them. In one of my bouts of insomnia I looked it up and found some suggestions, but not for what I wanted. In the various sources, toxic fumes was brought up more than once. Also: homemade shrinky dinks.
They are not the same texture, but I have some great green plastic — from zucchini and cucumber bags, and from the plastic wrap on two olive oil bottles. I’d like to mix some bits of them with the blue and see how that affects the color. Could I melt these together?
swim: 3 loops (6 mini)
cedar lake open swim
84 degrees
A calm and warm lake! Wonderful for swimming. I did 6 cedar loops without stopping. or only stopping mid-lake to adjust my nose plug. I noticed orange and pink buoys. Was mine the only yellow one? A few vines wrapped around my head and shoulders as I returned to the first buoy. The water was green-ish. The only fish I encountered were little minnows near shore. My bubble friends trailed below and in front of me.
overheard, one lifeguard to another — I told him he needed to head over to lake nokomis to pick up his swim cap.
A uncapped swimmer was out in the middle of the lake, some more uncapped swimmers were lurking at the far orange buoy.
Anything else? I felt strong and smooth, and often the swimming seemed effortless. Even so, I was glad to be done at the end of the 6th loop.
