4 loops
lake nokomis open swim
66 degrees
Wow! A beautiful morning for a swim. Mostly smooth water, a little warmer, sun. I felt strong and relaxed. I avoided the milfoil again by swimming out from the middle of the swimming area, closer to the last green swim buoy. I had to pass over some ghostly vines, but they weren’t tall enough to bother me. I couldn’t see the 2nd orange buoy until it was almost right in front of me (as usual). I thought about how many years — and loops and strokes and kicks — it has taken me to get used to trusting myself and my shoulders and not worrying when I can only see water and sky and generic trees. Occasionally I encountered other swimmers and the lifeguards. I don’t remember seeing any birds or dragonflies or military planes.
What did I think about? 10 Things
- 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left
- through black then cold red then cold brown then warm, giving water the full size and weight of myself in order to imagine it (A Oswald, Dart)
- why is that orange buoy (tethered to a swimmer) swimming so far away from the next green buoy? are they off course, or is it my strange sense of the path in the water?
- when you can’t see the buoys, use the direction that your sparkle friends are floating as a guide (which is really the angle of the sun — I think — as it illuminates the particles and makes them sparkle
- he lifts the lid and shuts and lifts the lid and shuts and the sky jumps in and out of the world he loafs in (A Oswald, Dart)
- I should recite more water poems next time — but not, M Oliver’s “Swimming One Day in August” — that’s reserved for August
- out here, in the middle of the lake, I am not alone, but I feel alone, both singular and not — not human, but water or fish
- should I get out and go the bathroom? (yes, and I did, after loop 2)
- is that another swimmer or a wave? (a wave)
- (as I approached the last green buoy) I thought about being trapped under it by other swimmers as I rounded it — not in this lake, today, because they’re weren’t many swimmers, but if I were in a open swim race with serious swimmers
I saw my sparkle friends and some swan boats and sail bots on the edge of the lake. I felt the cold water on my fingers, a slimy vine on my shoulders. On the sand, near the lifeguard stand, the air smelled like a farm pasture — the faint scent of manure. And I heard a tinny chime several times on the back stretch of loop 2. I wondered if it was my watch — no, my watch doesn’t chime like that. Was it someone else’s watch? A far away boat? Water does strange things to sound.
I love morning swims at Lake Nokomis! Everything is a little quieter, calmer. Today, Scott came with me and ran his 10 miles. I finished before he did and was able to sit on the sand and take in the lake and the beach and beauty of late June afternoon.
encounters with others
As I exited the water to walk over the bathroom, a guy asked me about the quality of the water and how deep it was. It’s great / probably about 12-15 feet where we’re swimming.
Walking out of the bathroom, heading back toward the water, a man asked, excuse me, I signed up for open swim club. Where do I pick up cap?
Exiting the water after loop 4, a little kid called out to me, Isn’t this great? I love playing in the water!!
Bark bark — officially there are no dogs allowed on the beach, but there was one today, barking a greeting to swimmers as they exited the water — hello friend!
Here’s a photo Scott took of the final green buoy as we sat at Painted Turtle after my swim:

I wanted to add a new poem in this entry, so I searched, “aquatic plants” on poems.com and found this great prompt in Orchid Tierney’s EcoPoetry Now essay about her poem, “a field guide to future flora”:
Writing Prompt
this field guide began with a series of interviews with random plants—including artifical flowers—that I encountered on my daily movements—in my garden, on the street, in parks, at work, on the Amazon digital store. I read these interviews as an exploration into the breach of an alien consciousness. look, vegetal life may exceed our capacity to comprehend but these life forms still demand that we listen. perhaps their particular modes of communication travel at scales too slow for our species to register. but those unnamed flowers in your garden—perhaps the little ones, blue and purple in their faces that nudge into dirt—have demonstrated a special kind of intelligence to do so. if you sat down to interview these strange kin on your lawn, what would you say to them? what would they say in return? this is not a metaphor. go on. sit. listen. you have to watch them for a very long time.
Orchid Tierney’s EcoPoetry Now essay about her poem, “a field guide to future flora”
I’d like to try this with the Eurasian Milfoil at the edge of swimming area. My questions would be spoken in my head, not out into the water. Maybe I’ll bike over early one morning? What do I want to ask this milfoil? What might it want to tell me? An initial thought: Eurasian milfoil is an invasive species, brought to North American sometime in the late 1800s or early 1900s on the hull of some boat (I’ll double-check that — just checked. I had recalled reading somewhere that it was brought by a boat, but this helpful resource, There’s more to milfoil, offers another, equally vague explanation: “Eurasian watermilfoil was brought to the U.S. as an ornamental plant decades ago. The state first became aware of it as an invasive plant in the 1970s.”
Orchid Tierney’s entire essay is awesome, offering many ideas to ponder. They begin with this line, what if, as Maureen M. McLane suggests, we are already preplant?
Preplant?! I tried to find the source of this question, but couldn’t. I did find McLane’s collection, This Blue, and requested it from my local library. Maybe the question is in there? Regardless of where they ask it, I like this question. It makes me think of Lorine Niedecker’s and Alice Oswald’s discussions of us as being distilled to our animal -vegetable – mineral selves — or something like that; I’ll have to search for the lines later.
a mapping
I cleared off my bulletin board for the summer, wanting to come up with swim and water things to cover it. An idea: what if I create a map of the open swim circuit on it? I could include the orange and green buoys, the patches of milfoil, specific locations of inklings + other things I experience in that water. Yes! This sounds fun!
to remember and add to my How to Be project
Found this useful discussion of naming thing in an interview with Maureen McLane about This Blue. I wanted to archive it here, and find where I write about naming on my “How to Be” project.
HM: This Blue seems very interested in how language changes the way we inhabit a landscape. Its first poem contains those lines, “Take it up Old Adam—/every day the world exists/to be named,” and in later poems there are trees that are said to go unnamed, or wildflowers that have forgotten their names.
MM: I think it’s very interesting—what it means, say, to come across the name for a plant in French. Part of this question of naming and place aligns with my interest in English as a big and actually multilingual instrument. I guess I really do subscribe to the notion of language in general, and names in particular, as having a kind of spell-like or incantational or incarnational potentiality. That’s a pretty archaic and powerful trope. I was not a person who grew up knowing the names of almost anything. I often encountered things first verbally and only then in the world.
Actually, Jamaica Kincaid talks about this, in another key, in her book Lucy, where the heroine talks about having Wordsworth shoved down her throat—his poem about daffodils. Our heroine is from the West Indies and she’s in New York as a nanny, and her employer wants to take her to Central Park and show her all the daffodils. This is the first time Lucy’s seen actual daffodils, and Lucy’s incredibly annoyed with this bourgeois white woman who’s trying to have her say, “Isn’t that beautiful?” So I think that, (a) Kincaid is amazing, but (b), another way to think about it is that words are as palpable as things. A lot of my poems might be working through that: how we can feel that way, and how naming both honors things and lets them blossom, but how names may not be the only, or very efficient, way for talking about energy in the world.
Learning the name of a fungus could really anchor you in a region; certain words for trees could conjure something about the American Northeast. But somebody like Wordsworth, for all his yammering on about nature, apparently couldn’t tell one bird from another. So I sort of feel like my interest here both is and is not about being an actual naturalist. There are a lot of ways to anchor oneself in the world. For me, it tends to be a linguistic anchoring.
Talking with Maureen McLane, author of This Blue


