nov 4/RUN

4 miles
river road, north/south
49 degrees

We were planning to go to the Y, but when we stepped outside and felt how beautiful it was, we changed our plans. Instead of swimming, I would go running. I’m glad I did; it was beautiful out there! Saw on the forecast that rain turning into snow is possible on Saturday. It’s coming: winter! Felt strong again and bouncy, able to pop off the asphalt with my powerful leg swings and foot strikes. Nice!

I’m writing this 3 hours late because we had a mini kid crisis with parking tickets and passes. Had to help figure that out. Can I remember 10 things?

10 Things

  1. Good morning Dave! / Good morning Sara
  2. running in shorts with bare legs, warmed by the sun
  3. a tall oak, 2 of its branches stretched, looking almost like shrugging shoulders
  4. a lime bike below me in the bushes
  5. stopping before the trestle, walking through dead leaves, standing on the edge of the bluff, looking down to the below the trestle and at the blue river
  6. the warning tape and cones around the big crack north of the trestle have been removed — has the crack cracked more? Possibly
  7. standing by an empty bench nearing franklin, walking past it to another bluff edge and another open view of the river and the other side
  8. sliding bench: empty
  9. my shadow: sturdy, strong, moving fast
  10. after the run, walking back through the grass, kicking up dead leaves and delighting in their crunchiness

Listened to the last part of the Invisibilia episode that I mentioned yesterday. According to the neuroscientists, there is no thing in our body that doesn’t change over the course of our lifetime, even our brain cells are transformed. I need to listen to it again; I was distracted.

3 hours later:

“Neurons don’t die and get replaced, but the atoms that make them up are constantly turning over.”

memory: “each time we think about a memory, we corrupt it”

“we have this illusion of continuity”

Looked up “cell” on poems.com and found this great poem:

Always and Only from Material/ H.L Hix

A drop of water changes shape if it falls through an electric field
(the thunderstorm, say, that gave God material form
in Job, then in Lear trued troposphere to terror).
The drop takes the shape of a spindle (the same that turns,
in the myth of Er, on the knees of Necessity)
and sends out from tl1e positively-charged spindle-point
a slender filament of electrical force.
Or take your red blood cells, which in the blood itself
retain the shape of a dimpled disc, a spongy
rubber ball squeezed lightly between finger and thumb.
A little water, though, to thin that blood, and the cell
turns spherical; a little salt, and the entire
cell shrinks and puckers, grape into raisin.
Mysteries attend even membrane formation.
No pure liquid ever froths or foams. Something
must be dissolved or suspended, to sustain
the additional surface area, the passage
from smooth and taut to bubbled and subdivided.
feel subdivided, denatured, quasi-solid.
I often fall through electrical fields. I can speak
only as I do: in fragments, of a continuum.

This last bit: I feel subdivided, denatured, quasi-solid./ I often fall through electrical fields. I can speak/ only as I do: in fragments, of a continuum.

Hix’s mention of the spindle reminds me of A.R. Ammons and garbage. I remember that he writes about the spindle early on — in relation to presocratic philosophers, I think? I’ll have to find the reference.

I always forget what denatured means: take away or alter the natural qualities of.

Do I feel subdivided, denatured? No, I don’t feel fragmented or altered, just unstable and never quite finished.,

This poem comes from a book that I might like to find: BORED IN ARCANE CURSIVE UNDER LODGEPOLE BARK

“H. L. Hix demonstrates a Thoreauvian burrowing of the mind—a burrowing of fifty poems—into fifty “seed sentences” from fifty “soil texts” from natural history. The poems burrow, too, into common yet rarified encounters with “the carcass of an elk,” or the sun which “contains all direction,” or the “breathing of Breathing” of a “fresh-brushed red-brown ribcage-rounded coat” of a horse. We readers are invited to burrow along with Hix, not unlike “generations of a beetle species” who can “migrate /deeper into a cave than any individual / could travel to get out.” The exploration yields glimpses of the mystic part and the elusive, mythic whole as well as a profound and sobering reflection of the human experience upon planet Earth.”         

nov 3/RUN

4.5 miles
minnehaha falls, new variation
45 degrees

Late fall fabulousness! More of a view, sparkling water, crisper air, brightly colored leaves. Had fun trying out a variation on the minnehaha falls loop: the regular version until I reached the steps near the falls. I took them down, then ran beside the creek until I reached the last bridge before the path is closed. Crossed over the creek, turned back up towards the river road. Climbed up a hill that led me to the bottom of wabun park. Ran up some easy steps — a stretch of slanted sidewalk, a set of 5 or 6 steps, sidewalk, steps, sidewalk, steps. Ran past the splash pad that I used to take the kids to 12 or so years ago, then down the steep hill to the locks and dam.

I’m feeling stronger, physically and mentally. Scott and I are thinking about doing the marathon again in fall of 2026.

10 Things

  1. the tree that is usually red 2 doors down is yellow-orange this year
  2. the view to the other side is opening up — less leaves on the trees
  3. river surface — bright white and burning
  4. a thinner falls
  5. a subdued creek down below — not rushing or gushing but also not still
  6. honking geese near the splash pad in Wabun
  7. the gate down to the falls is still open
  8. empty benches above the edge of the world and at Rachel Dow Memorial bench — I decided to stop at the edge bench, which is not right on the edge but several dozen feet in — walked over to the edge and admired the water and sun and openness of it all
  9. bright pink graffiti under the ford bridge
  10. good morning/morning! greeting a woman in a puffer jacket that I think I saw in the same spot yesterday

after the run

I am officially ready for winter running. Scott and I went to Costco and they had some great winter stuff set up in the front. New gloves, 2 new pairs of running tights and base layer shirts, and all the hand and foot warmers that I could possibly need! Guess that means I’ll have to run outside in the arctic cold so I can use them!

cells cells cells cells cells

Today I’m returning to EAP and “The Bells,” which I my using as a template for my own “The Cells” poem. Three versions of cells that I’ve been working with so far: dying/dead photoreceptor cone cells; the uncontrolled growth of cancer cells and late capitalism; and the narrowing of a world out of anxiety and necessity —

writing this, now I’m wondering about cells as individual building blocks of living things and the phrase, on the cellular level. What exactly does that mean? basic functional and structural unit of an organism.

And now, I’m looking up cellular level and “cell small room” and reading about “understanding health at the cellular level” and having a wonderful thought: why not devote a month to the cell and some of its different meanings? Fun! In the past 2 months, I haven’t posted monthly challenges; I’ve been too busy working on a draft of Girl Ghost Gorge. As I finish that (because I want to be finished for a while and submit it for a first book contest), I’d like to return to the delightfully wandering work of picking a topic and finding as many different ways to imagine and understand it as I can.

a lingering thought: I am enjoying using EA Poe’s “The Bells” as a starting point for a poem, but I’m not sure I’m a good enough poet (yet? ever?) to wrangle rhyme and meter the way he does in his poem. So tricky and easy to overdo it.

and now a random thought bursting in my brain: what is poetry, at the cellular level? the basic unit, the building block of poetry? Rhyme, meter, sound, pulse, something else?

from definitions of cell on Merriam Webster: a single room, usually for one person

cellular, celluloid, cell phones cell towers, the creepy movie The Cell

Looked up cell on poets.org. Found this Sara poem!

Sara in Her Father’s Arms/ George Oppen

Cell by cell the baby made herself, the cells

Made cells. That is to say

The baby is made largely of milk. Lying in her father’s arms, the little seed eyes

Moving, trying to see, smiling for us

To see, she will make a household

To her need of these rooms—Sara, little seed,

Little violent, diligent seed. Come let us look at the world

Glittering: this seed will speak,

Max, words! There will be no other words in the world

But those our children speak. What will she make of a world

Do you suppose, Max, of which she is made.

Sara, little seed! Love it. And, Come let us look at the world/glittering and What will she make/of a world of which she is made

WHAT? Whoa!

So, reading this poem and the opening lines, Cell by cell, the baby made herself, the cells/made cells, prompted me to ask and then investigate: How often are our cells replaced? And do all of them get replaced every 7 years? I found information about the time span of different types of cells, an explanation of why the 7 years thing is a myth, and then this from NPR: Does Your Body Really Refresh Itself Every 7 Years?

I watcher their video and got to the part, which is almost at the end, when they say this:

And there’s one more part of you that lasts your whole life

2:14Months before you were born,

2:16a little cluster of cells stretched and filled themselves with transparent protein

2:21As you grew, even after birth, more and more fibers were added, but that center endured

2:28This is your lens the window through which you are watching this video right now2:34and its core has remained the same since the moment you first opened your eyes

generated transcript on YouTube

Sara’s little seed eyes?! I had no idea that the lens lasts!

Video (can’t embed it)
A tumblr post with more info

And found out this about the lens:

What is the eye lens made of?

The lens of your eye is made up of structural proteins called crystallins. This is why it’s sometimes called the “crystalline lens.” It has the highest concentration of proteins of almost any tissue in your body. These specialized proteins give the lens its transparency and focusing power. Mature crystallins have no nucleus or organelles — they lose them as they mature. This adds to their clarity and transparency.

But having no nucleus or organelles also prevents the cells from reproducing. This means they don’t “turn over,” as most of your body’s cells do. The cells arrange themselves in concentric layers, like tree rings. Throughout your life, new cells continue to grow at the outer edges of the circle, while the older cells compress toward the center. Eventually, the older cells at the center begin to show wear and tear.

source

Like little tree rings?! You better believe that that is making it into a poem at some point!

future explorations and ideas to play with: If (most) of our cells are being replaced, what makes us us? And, are they really “our” cells? Or, do we all just live together (Oppen’s household)? Is a body one thing?

Listen to Lulu Miller on an Invisibilia episode, especially the last story:

Finally Lulu talks to a scientist to come up with a complete catalogue of all the things about us that actually do stay stable over the course of our lives. They look at everything from cells to memories until ultimately they come up with a list — but it’s a really short list.

a final note: Questions about cells and bodies and what makes us us are ones I’ve been asking for a long time, but I was especially preoccupied with them after my mention of M. Hemingway and her retreat for reclaiming the “sovereign self” in yesterday’s post.

nov 2/RUNSWIM

4 miles
locks and dam no. 1
39 degrees

Okaaay 39 degrees! As I said to Scott, this is my weather! Love it. Black running tights, long-sleeve green shirt, black vest, black gloves, buff. I felt relaxed and strong and not in need of a port-a-potty. Windy. Lots of leaves on the trail, some of them wet and slick, especially thick on the part of the path south of the double bridge that dips below the road and on the hill climbing up to Wabun park. Some BRIGHT yellow, an occasional slash of red. Any orange? I don’t think so. The river under the ford bridge was darker gray with scales. The gate was closed so I couldn’t run all the way to the locks and dam door. Heard some geese honking, on the ground, not in the sky. Someone was sitting at the Rachel Dow Memorial bench, no one was sitting at the one above the edge of the world. Encountered several other runners — all older men? — and lots of walkers. One woman, climbing up and out of the locks and dam behind me, suddenly blew her nose, which startled me enough to prompt her to apologize.

At the halfway point, I stopped to walk up the hill and put in “The Life of a Showgirl” on shuffle.

favorite image: After the run, walking home, the wind picked up and a swirl of leaves, like confetti, flying through the air. Yellow leaves, I think. Wow!

before the run

Encountered some interesting language on instagram this morning:

You can’t think your way into a new life, you have to train for it.
Consistency creates safety.
Repetition rewires truth.
Embodiment is built, one breath at a time.

Whether it’s your healing, your art, or your leadership
you don’t need to perform change, you need to practice it.
That’s why our rituals matter: breath, movement, stillness.
They turn insight into muscle memory.

Don’t chase becoming. Train remembering…

source

train / not in your head, but your body / repetition / habit / ritual / rewire / don’t perform, practice / breath movement stillness / greater understanding deep in the muscles / don’t become, remember

My first reaction: on a surface level, many of these words resonate for me — embodiment, training, habits and repetitions and rituals, remembering

This is an ad for a 3 hour retreat led by Mariel Hemingway. I was curious (and skeptical), so I went to her site to learn more. At the bottom of the page, I found this:

Disclaimer: The Return of the Queen™ is a sacred space rooted in personal experience, spiritual reflection, and embodied remembrance.

Mariel Hemingway offers guidance based on her own lived journey — not as a therapist, medical professional, or licensed counselor, but as a woman who has walked the path of deep inner healing and returned with wisdom to share. The content and practices shared throughout this experience are designed to support emotional exploration, self-inquiry, and spiritual growth. They are not a substitute for professional mental health, medical, or therapeutic care. Every woman’s path is unique. Results will vary depending on your personal history, readiness, and the depth of your participation. Please honor your own inner and outer needs. If you require clinical or medical support, we lovingly encourage you to seek care from a licensed provider. This is not about fixing or diagnosing. This is about remembering. Thank you for honoring the sacredness of this space and taking full responsibility for your own wellbeing..

source

At the top of the page, it describes the retreat as a “3-hour journey back to your Sovereign Self.”

Sovereign Power

Sovereign has everything to do with power. It often describes a person who has supreme power or authority, such as a king or queen. God is described as “sovereign” in a number of Bible translations. In addition to describing ones who have power, the word sovereign also often describes power: to have sovereign power is to have absolute power—that is, power that cannot be checked by anyone or anything. Nations and states are also sometimes described as “sovereign.” This means that they have power over themselves; their government is under their own control, rather than under the control of an outside authority.

Merriam-Webster dictionary entry for sovereign

The language of sovereignty doesn’t work for me, even as I recognize the need to claim your own life. And I don’t like “queen” and the understandings of power it evokes.

Past Sara, the feminist academic, could have spent the entire day dissecting these words and the foundation that undergirds them, but Sara-right-now isn’t interested in wasting time in that way. Although, I am interested in giving some attention to other models that are about embodiment, training, practice, remembering but not Power and control and Sovereignty. Robin Wall Kimmerer discusses memory and remembering; she links it to deeper traditions and human and non-human communities.

The idea of distinguishing between practice and performance is interesting to me. Just yesterday, I submitted a poem to be considered for a journal issue with the theme of performance. Here’s what they wrote about performance:

Theme Description: The theme for this issue is performance. To perform is to, for some audience, create the illusion that reality is this, rather than that. We do this everywhere–our social (and social media) lives, our dress, our relationships, our feelings, our genders, all performed in their ways; all around us there is the low hum of wishful artifice imparting an intended impression onto seen and unseen—perhaps even imaginary–spectators. Taken to its logical conclusion, a reasonable, if cynical, truth emerges: performance, in our day-to-day, is so essential, so inextricable from our quote-unquote “authentic selves,” that perhaps the authentic self is simply the sum of a lifetime of performances–that the show has somehow become its own type of truth. In professional wrestling, the word for this is “kayfabe”–the unspoken agreement that not only is the show inextricable from reality, but that, in essence, the performance is the reality. Or is it? How do we perform, and for whom? Send us your work!

What is the relationship between performance and reality? My submission to this call was about my running/training/performing beside the gorge. Here’s what I wrote to explain how it fits with the theme:

“When I learned that I was losing all of my central vision, I started giving more attention to the world and my favorite place in it, the Mississippi River Gorge in Minneapolis and St. Paul. Regularly, I return to it, run around it, and write about what I’ve noticed there. This habit is a ritual is a ceremony, happening almost daily, that when performed brings a new world in which I am still able to see, but strangely, into existence.”

The title of my poem: How to Be When You See Strangely, Performances Daily

swim: 1.4 miles / 1.5 loops
ywca pool

We rejoined the Y and I was able to swim!! I’m excited to swim inside this winter, to reunite with my pool “friends”: the shadow on the pool floor, the fuzzy things floating near the bottom, the pale torsos and froggy legs, the friendly people. Today it was the nice guy who, when I asked him if I could share a lane with him, said Of course!