may 8/REST

Today on my rest day, I updated my original training plan because it had a lot of errors. How had I not seen until yesterday that I had extra weeks in May and had added in two weeks of May 12? I also worked on two versions of a description of one of my classic running routes. One is a pithy and “straight” version, the other a creative story/set of directions for running the route:

FORD LOOP/5 MILES, 2 Versions

Version One:

Mississippi River road path south, Minneapolis side /Ford Parkway Bridge/Mississippi River road path north, St Paul side
/Lake Street bridge/
Mississippi River road path south

Version Two:

  1. Go south on the west mississippi river road for almost a mile and a half.
  2. Look for the shared path that travels up through the trees, just past Lock and Dam No. 1 and take it. Don’t worry it’s only a short hill and no one is waiting to jump out from the trees at you.
  3. Run on the bridge, over the mississippi and towards Highland Park in St. Paul.
  4. Either count the 101 concrete posts on the bridge as you run, like Scott does, or check the trees lining the river bank to see if they’ve reached their full color yet, like I do.
  5. At the end of the bridge, make a wide left and turn down the hill towards the east mississippi river road.
  6. Before crossing the river road to the path, check for cars. Don’t trust that car that has it’s signal on, it’s not actually turning left.
  7. Travel up the river, on the shared and sometimes precariously sloping path.
  8. Think happy thoughts as you hope your left knee doesn’t start hurting from the uneven grade.
  9. Watch out for the spazzy dog that lunges at you near the parking lot for the overlook. It looks like it could bite.
  10. Think about stopping to walk, but don’t, as you approach Stanford Avenue.
  11. Take the dirt path up above, instead of following the paved path as it dips down and slants precariously to the right. Just barely avoid tripping over the stone right before the dirt path converges with the paved path again even though you know it’s there and you’ve tripped over it before and reminded yourself repeatedly NOT to trip over it and hurt your foot like the olympic marathoner Deena Castor did in the documentary about marathons that you watched, when she stepped wrong on a pine cone in her backyard and had to run in the water for months and do tons of physical therapy.
  12. Brace yourself for the short but super steep hill near summit that you’re about to run up. Remind myself that “you can do this!!” But don’t get too distracted by pumping yourself up or you’ll step down wrong and hard on your right foot when you forget to veer to the left as the path slopes down by the entrance to the parking lot.
  13. At first, try to forget that you’re running up a steep hill. When that doesn’t work, tell yourself that it will all be over soon. And, when that doesn’t work, just grit your teeth, suck it up and focus on your breathing.
  14. Curve around the top of the hill on the weird part of the path where it follows the sharp bend in the river and triumphantly make your way down the other side, glancing at the faces of the runners struggling up on this side. Watch out for that nasty pothole and the point, at the bottom of the hill, when there’s a 3-4 inch drop-off, which doesn’t sound like much, but it’s enough to fuck up your ankle for weeks.
  15. Even though you used to cross over the river road and take the sidewalk up to the Lake Street bridge because it’s easier, run up the steps at the bottom of the bridge because you don’t want to get hit and killed by a distracted driver that doesn’t see you crossing in the pedestrian crosswalk, like the runner who was killed a few months ago.
  16. Reach the top of the steps and check to see if the eagle is perched on the top branch of the dead tree by the river again, like it used to be last year. It’s not. Will it ever come back?
  17. Head across the bridge, spending several minutes debating how you will handle the pedestrians you are slowly approaching who are cluelessly taking up the entire path: should you yell loudly “EXCUSE ME!” or, a little less forcefully, “on your left” or just clear your throat repeatedly?
  18. Opt for “EXCUSE ME!” and chuckle to yourself as the most clueless pedestrian jumps and awkwardly moves out of the way as you run by.
  19. Turn down towards the west river road, narrowly avoiding the large group of bikers biking up the sidewalk.
  20. Cross over and run on the path, towards home. The final stretch!
  21. Listen for the disembodied voices of those below you. Where are they? On the river, rowing? Hidden somewhere in the woods? Laughing on the river bank? You’ll never know.
  22. As the walking path nears one of your favorite parts of the path, by the old stone steps that take you down to the sandy beach on the river, check the progress of the leaves: how many are orange? are yellow? are red? are left on the trees?
  23. End at the 36th street parking lot.

may 7/5.15 MILES

51 degrees
franklin loop

Great run! Listened to headphones and my running playlist. Put it on shuffle:

Furr/Blitzen Trapper
Cheap Thrills/Sia
I’m Going to Go Back There Some Day/Gonzo
Skyfall/Adele
Hey Ladies/Beastie Boys
Another One Bites the Dust/Queen
Uptown Funk/Bruno Mars
The Best of Times/Styx
Don’t Dream It’s Over/Crowded House
Hot for Teacher/Van Halen
Baby/Justin Bieber
Learn to Fly/Foo Fighters
Pinball Number Count: 4/The Pointer Sisters

Running with a playlist can feel isolating; I can’t hear or interact as much with the world around me. But sometimes that isolation is necessary and liberating. Today, running with my playlist was great. It put me in this weird, dreamy state. And, when “Baby” by Justin Bieber came on around mile 4, I felt a huge smile spread through me, settling in the top of my head. As I ran, my head tingled, partly from my sweat mixing with the wind and partly from a euphoric feeling of openness and love. A runner’s high, of sorts, complements of Justin Bieber!

After my run, I had fun taking some of the lyrics from the songs on the list and turning them into poems. These are erasure poems, but I’m just posting them straight. For now.

1. Furr

wandered aimlessly
howling in song
listenin’ for the leaves
gently ushered in To a dream of running
through 
And
 Across ancient water

2. Cheap Thrills

Come on, come on,
dance
dance
have fun
high on the beat
love
love
love
feel
don’t need

3. I’m Going to Go Back There Someday

familiar,
Almost unreal,
far away
someday.

Sun calls.
I belong
I know the way.
someday.

midair. flyin’ invisible
not a word
space, place?
just someday.

someday.

4. Another One Bites the Dust

the sound of feet,
To the sound of the beat
I’m ready, yes, I’m ready
two feet Repeat

5. Baby

whoa
my heart
I believe
And I wanna play anything
dream always
amazing
my heart
Yeah Yeah Yeah

UPDATE:I turned the poems with hidden lyrics. When you hover over the poem, you can see the lyrics. Read them here.

may 6/8 MILES

51 degrees
mississippi river road path south/lake nokomis/mississippi river road path north

Another great morning. Sunny. Not too much wind. Great air quality. Wish I could say the same about my run. Most of it just seemed hard. I couldn’t really focus on anything but how I didn’t feel the greatest. But I did it. There was a moment on the “moustache bridge” (called that because someone, at some point, spray painted a hipster handlebar moustache on it. It’s no longer there, but the name stuck with us–me, Scott and the kids) when I really wanted to stop. I could almost feel myself stopping, but I didn’t. I made it through the moment and kept running. Eventually, around 7.25 miles,  I did stop to walk for a minute. I’m fine with that. Hopefully tomorrow’s 5 mile ran will be better.

Part of my route today was on the Minnehaha Creek trail, from Minnehaha Falls to Lake Nokomis. When I lived in that neighborhood, I used to walk with my kids on that trail a lot. We named all the bridges: the duck bridge, the echo bridge, the step bridge, the hole bridge, the stinky bridge. A few years ago, I made a video about walking on that path:

may 5/4 MILES

59 degrees
mississippi river road path north

Yet another beautiful day. Sunny. Hardly any wind. Everything seemed to be moving gently, without hurry. Even the cars on the river road approached as if they were on a leisurely Sunday drive. Tried out my new running shoes for the first time. Excellent. Dependable. Cheap. Since I started running almost 6 years ago, I’ve worn Saucony Grid Cohesion shoes. $39.99. I think my first pair were version 4. Now I’m on version 10. An intense blue with coral stripes. Great for someone with a “neutral” (as opposed to pronate or supine) foot strike and a super wide (thanks, freakish bunions!) foot. I used to be envious of Scott and his fancy and brightly colored $100+ Nike shoes. Why can’t I find cool, high-tech shoes like that to fit my foot? But for the past several versions, my bottom-of-the-line basic Saucony’s have been available in more than boring white or gray. I’ve worn bright orange, teal and now a deep blue.

In yesterday’s post, I wrote about slow time and gave myself a task: write a poem using “syncing” unexpectedly. This morning, I started the poem; I finished it just after my run. It’s inspired by bits and pieces from Gros’ book and my experiences running.

how do you slow down time?

stop thinking
about things you must do!
right now!
before the day ends!
and the sun starts sinking
below the trees
and behind the garage.

start drinking
your coffee earlier
so that you can wake up
and get outside
before that cooing bird starts syncing
up with the rest of the chorus:
the barking dogs,
the rumbling cars,
the humming city.

move your legs.
first one, then the other.
head to a field or the woods or a path,
anywhere on the edge
of civilization.
maybe above a gorge or under a bridge?
walk or run,
both will work,
as long as you move
 without haste or urgency.

use your lungs:
breathe in deeply
through your nose,
with your diaphragm.
as your abdomen extends,
so does your invitation to the world
to enter and fill you
with wonder and gratitude.

feel your skin
as it absorb the trees,
the blue sky
the freshly cut grass
and releases toxic worries
through its pores.

Attend to the beauty of being
not doing anything but moving
,
listening,
looking,
feeling
time
slowly
drip.

may 4/REST

Last night, after his run, Scott said, “I think it’s time I get back to following my training plan.” I suppose I should too. I’ve been straying from my “official” plan for weeks. Adding extra miles, running on the days I’m supposed to be resting. So today my plan says I’m supposed to rest and I’m resting!

This morning, while searching for some other running-related topic–I think it was “writing a poem while running a marathon”, has anyone ever done that?— I encountered a poem by Rachel Zucker: Wish You Were Here You Are

wish you were here you are by Rachel Zucker

time isn’t the same for everyone there is
science behind this when you fly into space
you’re not experiencing time at the same rate
as someone tethered to Earth & someone
moving quickly experiences time at a slower rate
even on Earth so as I run through Central Park
at a speed not much faster than walking but slightly
I am shattering fields of time around me
& experiencing time differently from those I pass
last night I saw my son’s adult self &
in the same moment toddler self this really
happened he was playing “Wish You Were Here”
by Pink Floyd on his electric guitar & feeling it
he’s 11 & in between 2 kinds of time on the verge
of worlds I think we are too you & I who are old
young women it’s not all ‘downhill from here’ we are
here you are & I am & this beautiful moment our sons

There’s a lot that I’d like to think and write about this poem, but today I’m struck by her discussion of time while running. Recently, I’ve been thinking about running as almost timeless, when you’re able to access a space where “regular/linear” time doesn’t exist. You’re not experiencing or tracking time; you’re just moving through space. But that doesn’t seem accurate, partly because I’m rarely really not tracking time. Even though I’ve been trying to de-emphasize my pace, I still check it on my watch every mile or so (or more). And also because I’m giving a lot of attention to slowing down. Maybe timelessness is not what I’m aiming for, but a slowing down of time. A slower pace for a more relaxed space?

It’s interesting to contrast Zucker’s pithy portrayal of quick time with Frédérick Gros’ dismissal of speedy time in A Philosophy of Walking:

But haste and speed accelerate time, which passes more quickly, and two hours of hurry shorten a day. Every minute is torn apart by being segmented, stuffed to bursting. You can pile a mountain of things into an hour. Days of slow walking are very long: they make you live longer, because you have allowed every hour, every minute, every second to breathe, to deepen, instead of filling them up by straining the joints (37).

Slow time is different, Gros adds. “Slowness means cleaving perfectly to time, so closely that the seconds fall one by one, drop by drop like the steady dripping of a tap on stone (37)”.

I want to do some more experimental writing about slow time. Maybe a list of things that are slow? or a poem that involves using syncing when you expect sinking, like the sun was syncing?

may 3/3.15 MILES

54 degrees
mississippi river road path south

What a beautiful morning for a run! I reminded myself, before leaving the house, to listen today. Birds. Cars, Crunching feet. The most unusual sound was a group of kids singing…what were they singing? Some popular song that I almost, but can’t quite, remember. They were on the other side of the river road, near Minnehaha Academy. I’m not sure what they were doing, other than being loud and joyful. Oh…I also heard water emptying out of the sewer pipe, just below the path. It wasn’t quite gushing, but was doing more than trickling as it traveled down the slope of the gorge. The water probably didn’t look too pretty–sometimes it’s a ghoulish green–but it sure sounded pretty. Like a waterfall. (note: several hours after writing this, I happened to walk by this pipe. I was much closer and slower than when I was running, so I got a better look. It was very pretty and the water was clear.) Tried running faster for 9 minutes and then stopping and walking for a minute. It was somewhat successful, but my hamstring was still getting tight. I better start doing some core exercises today.

After returning from my run, I sat on my deck and read a few chapters of A Philosophy of Walking by Frédéric Gros. I just picked it up from the library on Monday. I can’t remember where I found out about it. One of the many sources on walking that I looked at last week, I guess. I’m really digging it. I love walking almost as much as I love running, but for different reasons. I’m interested in pushing at what those reasons are and how running and walking are beneficial and harmful to me.

In Gros’ first chapter, “Walking is Not a Sport,” he defines sport, mostly negatively, and contrasts it with walking. I feel inspired to play with his prose. In the first part of the following experiment, I’m using his actual text, but replacing “sport” with running. In the second part, I’m offering my own response.

Walking is not Running/Running is not Walking

Walking is not running.

Running is a matter of techniques and rules, scores and competition, necessitating lengthy training: knowing the postures, learning the right movements. Then, a long time later, come improvisation and talent.

Running also obviously means cultivation of endurance, of a taste for effort, for discipline. An ethic. A labor.

Walking is not running.

Walking is the best way to go more slowly than any other method that has ever been found. To walk, you need to start with two legs. The rest is optional. If you want to go faster, then don’t walk, do something else: drive, slide or fly.

Running is not walking.

Walking is a matter of moving without a useful purpose. Meandering. Wandering. Getting lost.

Walking, especially when done at the glacial pace best suited for paying close attention, doesn’t demand endurance or require too much effort. It’s undisciplined and prone to unruly wandering off the path, dawdling.

Running is not walking.

Running is the best way to deplete excessive energy and restlessness that I have ever tried. Run for only 30 minutes, not even that speedily, and your body feels grateful for having been used.

To run, you need to start with two legs and a urge to fly, not fast, but free. The rest is optional. If you don’t want to fly, then don’t run, do something else: sit, watch or sleep.

may 2/5 MILES

46 degrees
mississippi river road path north

As I ran, I tried to keep thinking about poets, intense feelings, whether or not living “like an engine with the governor off” is a good thing and how this relates to running. I couldn’t. Not because I don’t have any thoughts about these issues, but because I was distracted by an impulse to monitor my pace, heart rate and running form. And preoccupied with thoughts of leg injuries and how I probably need to strengthen my core.

What else do I remember? There was wind in my face as I ran north and at my back, helpfully pushing me along, as I turned around and went south. The Franklin hill wasn’t too bad. My pulse seemed to go slower as I went faster. The trees at my favorite part of the gorge are covered in leaves, making it hard to see the floor of the gorge. I think I encountered 4 or 5 dogs and about 15 humans, some walking the dogs, some walking alone, some running and some biking. I smiled at several of them, but didn’t speak. Neither did they. I don’t remember hearing a single bird or the wind rustling or the gravel crunching or traffic moving.

Even if I don’t remember thinking about poetry and intense feelings, I’m sure I did, at least fleetingly. And, even if I didn’t think about it consciously, the ideas were there, hovering around me as I ran, inspired by the discussion I started about George Sheehan in my log entry yesterday.

Sheehan argues that we should try to be poets, “responding to everything around us and inside us as well,” like engines with the governor off. Then he adds: “The best most of us can do is be a poet an hour a day.” And laments: “There are times, more often than the good times, when I fail. I never do pierce the shield. I return with a shopping list of things to do tomorrow. The miraculous has gone unseen. The message has gone unheard.” His words got me thinking and inspired me to create:

A 60-minute Poet

George Sheehan claims that,
for an hour a day,
while we’re running,
we can try to be poets.
Feeling everything intensely and without restrictions.
Like an engine with its governor off.
We can try.
But we’ll frequently fail
A thick smog of obligations, worries and regrets
makes it harder to breathe.
And to see.
And to feel.
And to remember to let go and let in
more air,
more ideas,
more of the world.

A Deep Core Workout for 60-minute-a-day Poets?

60 minutes a day of intense feelings seems like a lot.
How can we train ourselves to feel deeply for that long?
What sort of strength and stretching exercises do we need to build up our “deep core” feelings?
To prevent hyper-awareness related injuries brought on by overuse or improper form?
To help us stretch our imagination?
Limber up our ideas, so we can bend, twist, contort them?
Strengthen our resolve against the worries and regrets that distract us?
Lengthen our vision to extend farther, beyond our myopic preoccupations?
Quicken our reflexes for faster responsiveness?
Attune our senses to the too-often invisible or ignored encounters?

I’m thinking about “core” workouts lately because so many things that I’ve been reading recommend core exercises for preventing injuries. A strong core stabilizes your bones, joints, muscles and internal organs. I’m terrible with scientific/medical terminology–I can’t seem to retain the information that I read or hear–but I’m fascinated by the names and some the descriptions of the “deep core” muscles, especially the multifidus.

The Multifidus

The multifidus
pronounced: mull tiff a dus
The muscle consisting of a number of fleshy
not flashy or flesh-eating or flesh-colored or thin, but plump and succulent
 and tendinous
sounds like tenderness or tendon-less, even though it means “consisting of tendons”
fasciculi,
pronounced: fa sick you lee or fa sick you lie, depending on if you want to rhyme it with an old oak tree or a key lime pie
which fill up the groove
the groove in the dirt trail, winding through the gorge? the groove of a Funkadelic album? what you’re in when it’s going well?
on either side of the spinous processes of the vertebrae,
not a process but a bony protrusion where the muscle attaches to the vertebrae
from the sacrum
pronounced: say crum, as in, “say crumb, why don’t you hop into my mouth?”
to the axis
aka C-2, aka epistropheus. Contains a bony protuberance, another fun word to say, on which the C-1 vertebrae rotates.  

may 1/REST

Another day of rest, partly because of the cold/rainy/windy weather and partly because I want to give my legs some more time off after the race. Thinking about what I read last week: an excerpt from George Sheehan’s Running and Being that I first encountered in late January.

Sheehan writes about what he tries to do when he’s running: “I must listen and discover forgotten knowledge. Must respond to everything around me and inside me as well. Poets do this naturally. A really good poet, wrote James Dickey, is like an engine with the governor off. And it’s no good for people to say that life should not mean that much to a poet. The really good poet, said Dickey, has no choice; that’s the way he is (3)”.

I was curious about his reference to Dickey and the “engine with the governor off” because I don’t see feeling life this intensely as healthy. At least not for me. I become too lost, too overwhelmed and too much for myself and the people I love. I looked up the phrase, and found two instances of Dickey using it. In the first, found in Sorties, Dickey reflects on his writing process. In the second, found in Self-Interviews, he discusses James Agee. Hover over the quotes to reveal the erasure poem.

“…working like an engine with the governor off it, not only during the conscious portions of the day, but during sleep as well…Twenty-four hours a day the mind is associating so quickly, ideas are occurring and recurring so frequently, things are cross-fertilizing each other in such an amazing variety of ways, that the human body cannot really bear up under the associations and the thought processes of a “normal” mind. But there is nothing more exhilarating or exciting. It is the thing that makes middle age worth it all, for, as the result of long discipline, I know what I am doing, and I know, pretty well, what to do with what my mind gives me. Not with absolute certainty; that is of course impossible. But with a fair degree of predictability. And who on earth ever has that, besides artists?”

“he did have this quality of complete participation, of commitment of the self to whatever it was he contemplated. I think this commitment is tremendously important to a writer. It’s because of that writers are so unstable. Emotionally at least, a really good poet is like an engine with the governor off. It’s no good for people to say that life shouldn’t mean that much to a poet. By god, it does mean that much, and people will just have to accept it. The really good poet has no choice; that’s the way he is.”