june 18/RUN

4.2 miles
minnehaha falls and back
72 degrees
dew point: 63

Went to bed early (before 10!) with the hopes of getting up early and running before it was too warm. Woke up at 7:30 and didn’t start running until almost 9. It was hot! Still, I did my 9/1, with only one extra break. A small victory: I didn’t fall apart after the extra break, even though I thought I might. I got right back on track and ran the rest until I reached 9 minutes. Wore my compression socks again today — they make a big difference.

10 Things

  1. a broken fence rail — I have been calling the wooden fence a split rail, but is it? It’s not a picket fence. It is 2 horizontal wooden slats, painted brown. Looked it up — ranch?*
  2. yellow caution tape blocking off the new trail-in-progress just past the double bridge
  3. someone at the playground, pushing their bike through the mulch or pebbles or whatever’s in the playground pit, making a scraping noise
  4. 2 people on the bridge overlooking the falls, holding a giant selfie stick
  5. the dirt trail leading into the woods near ford bridge, looking dark and mysterious and inviting
  6. the rush of the creek and the falls
  7. someone sitting at the bench above the edge of the world
  8. a voice below, on the winchell trail, commanding (or scolding) a dog
  9. a dozen roller skiers on the trail
  10. the coxswain’s voice below — rowers!

*Looked up what type of fencing Minneapolis Parks uses and found this in their latest planning proposal:

Fencing and Guardrails

  • Locate fencing and guardrails to protect park users from injury near steep bluffs, drop-offs along trails, overlooks, boardwalks, and bridges. They can also be used to protect pedestrians and bicyclists from conflicts with motor vehicles in certain situations.
  • Fencing and guardrail design and materials should be consistent throughout the park to convey a strong sense of park identity and character.
  • Fencing materials and design in high use areas such as along the parkways, urban parks, and other highly visible areas should be more formal. The existing black metal picket fencing along many portions of the park is a good example of this type of character.
  • Fencing in less formal and natural areas, such as along the Winchell
  • Trail, should use less formal fencing and guardrail materials and design character. Here, timber and chain link fencing may be more appropriate.
  • All proposed fencing and guardrails shall meet MPRB standards.

converting notes into poetry

Yesterday, during my On This Day practice, I came across a line from Dan Beachy-Quick that led me from his poem, This Nest, Swift Passerine, to Dorothy Wordsworth’s journal, which her brother, William Wadsworth, used in his poetry. I recall encountering D Wordsworth’s journal then, in 2023, and thinking I’d like to read more of it, but I was busy with some other project. Maybe I put it on my epic “To Do” list that I rarely return to.

I wanted to read more of DW’s journal because I’m fascinated by how writers might use their journals and observing-while-moving notes in their poetry.

I’m also thinking about how poets incorporate research into their poetry. Read this morning, in an interview with Kristin Dykstra, about her new poetry collection, Dissonance:

I’ve been interested in contemporary works that explore the use of research, which takes us outside our own individual points of view on the world. In creative works encompassing research, there’s a fundamental tension between one’s own perspectives and what we learn to see through other people.

Lines that Linger

In the amazing poem, “Lake Superior,” Lorine Niedecker condenses her 100+ pages of typed notes into a few dozen stanzas.

A few days ago, I read Kaveh Akbar’s “Love Poem with Tumor and Petrified Dog” and was delighted by how he incorporated “facts” about Pompeii into his poem.

I’d like to experiment with different ways to take my notes and research on the cultural and geological history of the gorge and put them into poems/creative writing. The wilder, stranger experiment, the better!

a few hours later: Rereading this last paragraph, I suddenly thought of Mathias Svalina’s Surreal Zillow tours, which I read about last November.

Here’s how the tours work (from my log entry, 18 nov 2024):

You show up at the appropriate time and place and look for a man with a bullhorn. “Because I’m a man who owns a bullhorn now,” Svalina says. “[Then] I’ll point to buildings and lie about them for 90 minutes.”

and part of its purpose:

“I’m particularly interested in civic history because of the ways that cities use, rewrite, and often weaponize their histories as promotional agents, or as ways of ignoring populations,” he explains. “So, I like the idea of inventing histories that could not have ever existed.”

I’m not interested in making up or twisting my research, but this popped into my head, and I wanted to remember it here.

soft vision

Just started listening to the novel, Havoc, which I’m really enjoying. The main character is an octogenarian living in a grand hotel during the pandemic in Cairo and causing chaos with her desire to “help” others. Early on, she describes the faded beauty of a grand hotel:

A bit of advice: if you fear mice, don’t peer too closely into the corners. I suggest walking around the hotel in a happy, glaucomal squint.

Havoc/ Christopher Bollen

june 17/RUNBIKESWIMBIKE

4 miles
river road, north/river road, south
67 degrees / dew point: 63

Started my run at 8:30, which was too late for how warm and humid it is. Even so, I felt strong and relaxed and confident that I could stick to my 9/1 plan and I did. As the runs get longer, I’m going to need to get up earlier. Chanted in triple berries — strawberry/blueberry/raspberry — then in other favorite triples — mystery history — then in triples that describe the world around me — worn dirt trail / old oak tree / cloaked green view / rushing cars

10 Things

  1. at least 2 roller skiers standing at the top of the franklin hill
  2. voices below — rowers!
  3. 2 minneapolis park trucks on the path, both hauling riding lawn mowers
  4. Mr. Morning!
  5. a big branch loaded with green leaves on the ground near the welcoming oaks, blocking a small section of the path
  6. 2 or 3 stones stacked on the ancient boulder
  7. the sliding bench was empty
  8. encountering Max, a big and gentle German Shepherd
  9. a mini-peloton on the road — a dozen or so bikes
  10. an older runner in bright orange compression socks standing in the middle of the walking path, gathering himself

I don’t remember thinking about much as I ran, other than that it was hot and that I knew I could keep going.

Yesterday, during my vision assessment, I mentioned reading about a way of training the eyes so that they could see outside of your blind spots. It was in a book by a famous author, but I couldn’t recall who. I knew they were from the 1900s and that they were male and I thought they were a philosopher, but I was drawing a blank on the name. At some point during the appointment, I was convinced it was Henry James. I was wrong. I looked it up today: Aldous Huxley and his book, The Art of Seeing. I wrote about it in this long on 13 sept 2020, including this quote from Huxley in the introduction:

Ever since ophthalmology became a science, its practitioners have been obsessively preoccupied with only one aspect of the total, complex process of seeing—the physiological. They have paid attention exclusively to eyes, not at all to the mind which makes use of the eyes to see with.

The Art of Seeing/ Aldous Huxley

How true is this assessment in 2025? Well, the study I am hopefully participating in is a collaboration between Ophthalmology and psychology at the U of M.

In the process of searching for the Huxley reference, I came across an article about low vision and reading. The specific ways that reading is difficult for me are different than this author, but the strange, and sometimes frustrating, sometimes delightful ways it (doesn’t) work resonate:

I try to figure out how apples connect to the topic, and how a noun just there might fit into the sentence, then give up and go back, to see the “i” that I missed when I first read “applies.” All those mistakes don’t happen at once. When my splotchy vision is not making me fail to grasp the point of an essay or fail to see the word “salt” in a recipe, it keeps me amused, keeps me aware of language itself. Who knew that “apples” is only one letter different from “applies”? Who could regret noticing that? 

As My Vision Deteriorates, Every Word Counts/ Alice Mattison

Reading more of the article, I find that her perspective on audiobooks resonates less:

Listening to an audiobook, I wouldn’t hear punctuation. True, an actor could produce the pauses, hesitations, and buildup that punctuation merely signals. But I like punctuation. I wouldn’t know whether the author had chosen a period or a semi-colon for the end of that main clause, wouldn’t know about em dashes, colons, parentheses, ellipses. Audiobooks are mediated. Another person would be present as I read. Worse, that person would have interpretive power, power over speed. Audiobooks happen in time, not space, like music or dance. Performance is indispensable but it isn’t the same as reading. 

My first reaction was to disagree with this assessment, but it has thinking more about the idea of an audiobook as performance. I like listening to a good audiobook actor. And I love listening to an author who can read their own book well, like Zadie Smith. So what? Does that mean I’m not reading, and do we need to gatekeeper what reading is? Now I’m wondering: what is reading?

Some thoughts about punctuation:

  • As I memorize poetry, I often struggle to write it down again later; I often mess up the punctuation. I memorize words, but rarely semi-colons or em dashes.
  • In Lucille Clifton’s rules for writing poetry, she suggests that a poet should write their lines in such a way that punctuation is never necessary — not sure where I stand on this
  • Isn’t the writer’s choice of punctuation a sort of mediation between reader and word?

bike: 8.7 miles
lake nokomis and back
78 degrees

Hooray for no problems on the bike! I could see well enough and I didn’t have to do any awkward passing. My left knee was a little stiff at the end, like it was 2 summers ago, but otherwise it was good. I liked biking to the lake before my swim, and biking back home after. Some things I remember: a line-up of traffic near the falls; kids playing in the creek; the pleasing curve of the new bike trail at lake hiawatha; the rush of water gushing out of the sewer pipe and into the ravine at 42nd; a surrey slightly off course; the bouncy stride of a runner.

swim: 2 loops
lake nokomis open swim
79 degrees

Open swim! A wonderful night for a swim. Not much wind, hardly any waves. I would have liked to do more than 2 loops but I didn’t want to push it and have a sore shoulder again. No problems going off course even though I could barely see the buoys. So little data, so much trust and belief in my ability to swim straight!

10 Things

  1. put my bag down under the lifeguard stand, next to some kid’s swim trunks that were swarming with gnats (gross!)
  2. milfoil reaching up from the bottom, thick and pale orange until it faded into the dark blue-green water
  3. cold water with pockets of warmer water
  4. baby bros (15 or 16? year-olds) playing football in the shallow water, cheering every time someone caught a pass or missed a pass
  5. the legs of another swimmer doing breaststroke, looking pale underwater
  6. bubbles! the translucent, almost white ones, that remind me of the bubbles in scooby doo
  7. my sparkle friends! the small glittering particles floating in the water
  8. open swim was set up a full 15 minutes early! the lifeguards have their shit together again this year
  9. the familiar form of the beach house dome, viewed mid-lake
  10. calling out to another swimmer — have fun! / you too!

A great swim. No deep thoughts or reciting water poems or noticing sounds or clouds or planes. As I get more fit, and spend more time in the water, these things will happen.

june 16/VISION TEST

This evening, I’ll do my first open swim at Cedar Lake. Now (10:45 am), I’m doing a close reading of a poem before I go for a vision test to see if I qualify for a study on new goggles that help people with central vision loss read (if I’m remembering this correctly; I was originally scheduled to do this test in mid-March, but they’ve had to reschedule it twice now). The goggles sound cool, and I appreciate their approach to vision loss — create tools to help instead of trying to “cure” someone, but I especially interested in having my eyes checked out. Will I find out anything new?

Back to reading my poem. It’s by Kaveh Akbar and is the poem of the day on poets.org.

Love Poem with Tumor and Petrified Dog/ Kaveh Akbar

There is a tumor in my sacroiliac joint  
and snowflakes in my coffee.  

I’m in Iowa with the cats 
and you’re in Pompeii. 

You send a video: lizards rushing into limestone 
which remind you of being a kid in Florida.  

In Florida we memorized sonnets 
while leaping around green anoles.  

I’ve forgotten the poems.  
Your black tights, even in that heat.  

Mostly that’s what I remember. 
It’s okay to say it straight.  

Like: I’m scared, still, 
that I might be dying.  

Pomegranates growing from Pompeiian ash,  
scandalizing propriety— 

you send a picture and I do not say, 
It just looks like a tree

or Another of God’s secrets 
wasted on me.  

Which part of the mind  
gets you to the soul? 

I am reading St. John of the Cross, 
a character you might’ve put in a poem: 

In the evening of life,
we will be judged on love alone. 

Some petrified dog. Table bread, 
a painted doorway.  

You’ve been with me forever. 
You know all my angels. 

How could I say no to you, 
taking off your earrings to kiss me? 

This first couplet! Starting with the tumor, and then the snowflakes in coffee. So many questions — snowflakes? is it winter? is he outside? are the actual snowflakes?

each couplet its own thing yet together they make a story

I love the brevity and the space — room to breathe and to think

anole: a type of green lizard

still: as in, motionless? frozen? and as in, I continue to be? I love playing with the different meanings of still. I could try doing a Jane Hirshfield assay about “still” or a poem like, Pine or To Cast

pomegranates in ash scandalizing propriety? Looked it up, and my best guess, thanks to AI, is that the scandal is over dating the eruption. People thought it was August, but the presence of pomegranates suggests later in the fall. Is that the reference?

“Which part of the mind gets you to the soul?” I love the inclusion of this question amidst the descriptions of their fear and what they’re reading and their recollections of their beloved

petrified dog? Had to look that one up too: Victim 8 — a dog chained to a pillar, trapped, suffocated, preserved

Searching for clues to some of these lines, I encountered a reference to a early version of pizza preserved in the ash, referred to as a Still Life, and it clicked: Akbar’s “still” — scared stiff? — is made metaphor in the preserving ash of Pompei. Wow! I love how what poets do with myths/facts/(his)story!

Just got back from my vision test to see if I’m a good fit for the study. I passed the first round and am a “very interesting candidate.” Nice. Apparently my vision is unusual in its fixation on the center. At one point I said, I’ve trained myself to not look away from the Void. Ha ha — what a poet-y thing to say. At the end, I asked if he thought I might be close to legally blind. He thought so and encouraged me to meet with my ophthalmologist to be tested and to fill out paperwork for disability benefits. This news doesn’t make me sad: strangely, I see it as validation or verification, and the tax breaks are significant.

A few other things: To determine if I was a good candidate, I had to take a cognitive test, which I’ve never done. What is the year? The season? Repeat these words after me: book pencil wristwatch. Take this piece of paper from me with your right hand and fold it in half, then put it on the floor. Spell world backwards. The last one: write a sentence on this piece of paper. My sentence: Tests make me nervous.

The main test I took was a Vision Field Test. The last time I took this test was in 2019. You put your chin on a chin rest, your forehead up against a bar, and look into a camera at a red circle in the center. With a clicker in your hand, click every time you see a light. Not too many clicks. At one point, my purple spinn-y friend — the floater in my eye that is neon violet and looks like a small ball with a feather attached that spins around — appeared. Hi friend! This test isn’t hard, just long: about 8 minutes per eye, and tiring — having to sit still, and stare at the same spot. Sitting there, I thought, I should write a poem about this: the sound of the clicking, the dark room, the red circle that was there, then wasn’t, then was again, my spinn-y friend, after the test seeing the image with so much black. Last time I took this test, I felt some anxiety about vision loss. This time: none. More curiosity and fascination.

Open swim cancelled.

Threat of severe weather. Bummer. Already, open swim has been cancelled 3 times. Oh well, the weather looks great for tomorrow night and not swimming tonight gives my shoulder one more day to rest up.

june 15/RUN

2.5 miles
2 trails
63 degrees
humidity: 87%

Sticky this morning, but no rain. Thought very briefly about stopping to walk after the first mile, but didn’t. Another mental victory. Ran south to the entrance of the winchell trail, then entered it. There are 2 sets of 3 or 4 steps but I never take them when I’m running. Instead, I run down the dirt beside them. Everything was dark green, except for the slits of the pale blue river through the trees. I heard some honking up ahead (geese) and voices down below (rowers?). In the opening stretch of the trail, the asphalt is cracked and sloped and on a steep, unfenced edge. Past the “edge of the world” it is in better condition. More level with less cracks and a black, wrought-iron fence to hold back the vines and trees.

Found this poem the other day. Great inspiration for my Haunts poems:

Possessed/ John Berryman

This afternoon, discomfortable dead
Drift into doorways, lounge, across the bridge, 
Whittling memory at the water’s edge, 
And watch. This is what you inherited. 

Random they are, but hairy, for they chafe
All in their eye, enlarging like a slide;
Spectral as men once met or crucified, 
And kind. Until the sun sets you are safe. 

A prey to your most awkward reflection, 
Loose-limbed before the fire you sit appalled. 
And think that by your error you have called
These to you. Look! the light will soon be gone. 

Excited see from the window the men fade 
In the twilight; reappear two doors down. 
Suppose them well acquainted with the town
Who built it. Do you fumble in the shade? 

The key was lost, remember, yesterday, 
Or stolen—undergraduates perhaps;
But all men are their colleagues, and eclipse
Very like dusk. It is too late to pray. 

There was a time crepuscular was mild, 
The hour for tea, acquaintances, and fall 
Away of all day’s difficulties, all 
Discouragement. Weep, you are not a child. 

The equine hour rears, no further friend, 
Intolerant, foam-lathered, pregnant with 
Mysterious grave watchers in their wrath
Let into tired Troy. You are near the end. 

Midsummer Common loses its last gold, 
And grey is there. The sun slants down behind 
A certain cinema, and the world is blind
But more dangerous. It is growing cold. 

Light all the lights, heap wood upon the fire
To banish shadow. Draw the curtains tight. 
But sightless eyes will lean through and wide night 
Darken this room of yours. As you desire. 

Think on your sins with all intensity. 
The men are on the stair, they will not wait. 
There is a paper-knife to penetrate
Heart & guilt together. Do it quickly.

june 14/RUN

6.1 miles
flats and back
55 degrees
drizzle

10 Things

  1. boom! crash! construction noises above me as I ran under the I-94 bridge
  2. voices cheering below, near the rowing club
  3. a soft mist
  4. beep beep beep — far ahead of me
  5. a chair set up behind a column at the base of the lake street bridge
  6. 2 people fishing in the flats
  7. the limestone slabs that were stacked in a way that looked like a person have been removed
  8. a pink and white kid’s bike propped up against the bottom of the franklin bridge
  9. an orange cone tucked into the bushes, mostly hidden from view
  10. water gushing out of the limestone in the flats

A great run! A steady 9/1, even up the franklin hill. A big mental victory! An average heart rate of 157. A big physical victory, too!

Returned from the run to get shocking news from Scott. Somebody impersonated a police officer then shot and killed the head of the Minnesota DFL and her husband in the early morning in their home. He shot another senator too and has not yet been caught. There’s a manhunt and a shelter in place for Brooklyn Park. Police are asking that people don’t attend the No Kings protest today or open their doors to any police officers.

june 13/RUN

3.1 miles
ford bridge turn around
58 degrees / damp, post-rain

Pre-run Sara

Friday the 13th! Tonight, Scott and I will watch the original movie. Today, I run between rain drops. No open swim last night or this morning because of rain. Ordinarily I’d be upset, but I overdid it on Tuesday’s first open swim and my left shoulder hurts. If there was open swim, I’d be tempted to do it, which might further injure my shoulder. Now I don’t have a choice. That’s good. Speaking of injuries, my left knee is a bit stiff and it feels like there’s some sort of swelling on the back. It doesn’t hurt too much, just feels tight and stiff. I don’t think it’s a big deal, so I’ll do a short run this afternoon. Post-run Sara, let me know how it goes!

Mid-run Sara

a spasm of sirens ringing across the river
the usual puddles to leap over
a chorus of hammers
dark green
rich brown
rusted red leaves
a new trail descending deeper into the gorge
empty benches
no walk breaks
a triple chant: history / mystery / first story / my story / her story

Post-run Sara

I’m happy to report that the run felt great and because I wore compression socks, my left knee and calf don’t hurt. Hooray! I also wore a different pair of shoes — did that help, too? The run seemed to also loosen up my left shoulder.

On my walk home, after the run, I recited Wallace Steven’s excellent vision poem, “Tattoo.” The light is like a spider. . . This led to more thoughts about light as an insect, or a spider, or a fish, or a tiny robot. Then I remembered the song in my new favorite musical, Maybe Happy Ending about dragonflies as little robots. Never fly away/little robot. I started imaging little robots of light helping me to see, and what that technology might look like.

june 11/RUN

5.3 miles
ford loop
65 degrees / steady drizzle

Thought the rain wasn’t coming until later today so I got ready for my run — changed into my running clothes, stretched, put on my running shoes — then opened the door to drizzle. Decided to go anyway. At first, it was intermittent drizzle, but halfway through it became a steady, soft rain. Not enough to soak my shorts but enough to cool me off and to inspire a chant:

drip drip drop
drop
drip drip drip
drop

drop drip
drop drip
drop drip
drip drop

drip drip drip
drop drop drop

drop drop drip
drop drop drip
drop drop drip
drip

I continued my 9 minutes of running, 1 minute of walking plan and was successful. In the last mile, my left started to hurt a little, then my left calf, and my foot. It’s fine, but to be safe, I stopped at 5.3 miles. The run was never easy, but it also wasn’t hard to keep going, knowing that I had a walk break coming.

10 Things

  1. a soft green everywhere
  2. an empty river
  3. new trees wrapped in plastic looking like wild turkeys
  4. a dark tunnel of green with a bright circle of white at the end
  5. on your left / thank you!
  6. front yard tree with a giant boulder just in front of it
  7. empty benches except for the one near folwell: 2 people not sitting, but standing behind it
  8. the rumble of planes sounding like thunder
  9. the sharp clang of a mailbox lid falling shut
  10. chains from a trailer rattling and scraping on the rough road

green haze: Running on the east river road, quick glances over to the gorge — a soft green and silver view of trees and sky

I was delighted to discover halfway in that the poem-of-the-day on the Poetry Foundation is about rust! The entire poem is wonderful, but it’s long, so I’ll only post most of the rust part:

excerpt from “Que Sera Sera”/ A. Van Jordan

Like when a song gets so far out
on a solo you almost don’t recognize it,
but then you get back to the hook, you suddenly

recognize the tune and before you know it,
you’re putting your hands together; you’re on your feet—
because you recognize a sound, like a light,
leading you back home to a color:

rust. You must remember
rust—not too red, not too orange—not fire or overnight
change, but a simmering-summer
change in which children play till they tire

and grown folks sit till they grow edgy
or neighborhood dogs bite those not from your neigborhood
and someone with some sense says Down, Boy,
or you hope someone has some sense

who’s outside or who owns the dog and then the sky
turns rust and the streetlights buzz on
and someone’s mother, must be yours, says
You see those streetlights on don’t you,

and then everybody else’s mother comes out and says
the same thing and the sky is rust so you know
you got about ten minutes before she comes back out
and embarrasses you in front of your friends;

ten minutes to get home before you eat and watch
the Flip Wilson Show or Sanford and Son and it’s time for bed.
And it’s rust you need to remember
when the cop asks, What kind of work you do?

It’s rust you need to remember: the smell
of summer rain on the sidewalk
and the patina on wrought-iron railings on your front porch
with rust patches on them, and the smell

of fresh mowed grass and gasoline and sweat
of your childhood as he takes a step back
when you tell him you’re a poet teaching
English down the road at the college,

when he takes a step back—
to assure you, know, that this has nothing to do with race,
but the rust of a community he believes
he keeps safe, and he says Have a Good One,

meaning day as he swaggers back to his car,
and the color of the day and the face behind sunglasses
and the hands on his hips you’ll always remember
come back gunmetal gray

for the rest of this rusty afternoon.

Rust — I’ve been wanting to write a poem about rust for some time. Is this a sign that I should try today?

june 10/RUNSWIM

4.5 miles
veterans home
59 degrees
poor air quality

The smoke from Canadian wild fires didn’t bother me much, although the inside of my nose was coated with something which made breathing a little more difficult. Other than that, it was a nice morning for a run. More shade than sun, low wind. Another 9/1 success. I’m continuing to build up the mental strength — a belief that I can keep going. Chanting in triple berries helped: strawberry raspberry blueberry.

Yesterday I mentioned possibly focusing on benches as a monthly theme — or a 1 or 2 week theme? As I ran south, I made note of a few of the benches.

9 Benches

  1. near the worn wooden steps leading to the winchell trail — wooden slats — empty
  2. at the top of a mulched trail descending into the oak savanna — a worn boulder that looks and acts as a bench — someone was standing there today, writing something on a piece of paper
  3. above the 38th street steps — wooden slats — empty
  4. beside a boulder in a part of the walking path that splits from the bike path — wooden slats — empty
  5. in a patch of grass above the “edge of the world” — wooden slats — empty
  6. on the edge of the 44th street parking lot — wooden slats — occupied by a bike/biker
  7. near John Stevens house and a cluster of picnic tables — wooden slats — empty
  8. at the bus stop across from the veterans home — green metal back/wooden slat seat — empty
  9. above the locks and dam no. 1 — green metal back/wooden slat seat — empty

Other things noticed: 4 or 5 turkeys in the grassy boulevard, a group of 8-10 roller skiers, the roar of the falls through the trees, a human with 2 dogs trotting to the creek bank, the light rail horn blasting a warning, the sweet/sour smell of earth on the hill descending below the ford bridge, headlights from a bobcat below me in the woods — I think they’re building a new walking path that goes deeper into the gorge!

For the first 3 miles, I listened to voices and wheels and the echo of a dog’s bark. For the last 1.5 miles, my color playlist.

still life

In the middle of the night, during one of several bouts of restlessness, I started reading a book I got from the library: Still Life/ Jay Hopler. Why did I request this book? It must have been because of the title and my interest in the word, still, and still life paintings. Reading more about it, I discovered this:

When Jay Hopler was diagnosed with metastatic prostate cancer and told he only had two years left to live, he chose to spend his time writing this book: a rare gift to our world in all its ways. The book seems to be both a representation of all the moving parts of the dying, as well as an antithesis to how we usually converse about death, namely a dying person.

Still Life review

still life w/ wet gems/ Jay Hopler

lightnings bang their jaggeds on the cloud-glower
the cloud-glower is a broken necklace spilling its wet gems
its wet gems w/ facets cut uncountable
uncountable the reflections of the world in those gems
uncountable the version of the world into its dry self crashing
the shards of those worlds like shrapnel blasting skyward
slicing skyward or sidewise through the dune grass
the dune grass flattened by that splatter even as i write
the words

To My Wife on Our Anniversary/ Jay Hopler

In Castiglione del Lago, the pines are iron-spined. When the wind
blows, they stand still & the earth sways. If only God had forged me thus!
Forced into a stooped form & told to straighten up, that’s as far as His
blessings ever extended in my direction. You know what keeps me from
falling apart? Luck & duct tape. Even so, those trees have nothing on me.
Blessed as they are, all they get to hold today is a sick man’s attention &,
maybe, a few birds.

After reading still life w/ wet gems last night, I thought about my “how I see” project and the idea of writing around landscape and still life paintings — maybe portraits, too?

swim: 2 loops
lake nokomis open swim
81 degrees
water temp: 68 degrees

Open swim! Open swim! Open swim! There aren’t enough exclamation points to convey my joy over another summer of swimming across the lake. I swam 2 loops without stopping at the beach in-between. It felt good and then it didn’t and then it did again. Sore arms, the strange feeling of muscles not worked for a year waking up again. Now, a warm buzz. With no access to a pool, I haven’t swum since last august, so I’m impressed that I did as much as I did. I didn’t worry about not seeing the buoys, even when I couldn’t. Just kept swimming and reached them. Hooray for swimming without seeing (much)! Hooray for Minneapolis Parks for keeping open swim the same! Hooray for my muscles and tendons and lungs enabling me to do this thing I love!

The water was a deep green-blue. I could see the milfoil reaching up from the bottom, looking ghostly. Also saw pale legs kicking in front of me. No fish, no dragonflies, no menacing swans.

june 9/REST

I might have biked or swam today if it hadn’t been so breezy and cool. 57 degrees? No thanks. Tomorrow, no matter the temperature, I’ll be swimming in the lake! Open swim! Open swim!

Become/River/ Meridian Johnson

How does it feel
              to be
in that moment before we take the full-length of our flesh?
Lie still and breathe.
There are no mistakes here.
Stillness of mind.

The universe is a shawl to wrap about the shoulders
              dark     pervasive
                           ever-sensing.

                           By the river two ducks fly above the morning current.
On the opposite bank
              two black dogs rousing the bushes.
The naked tree shadows scratch the ground, shifting through wind.

To own the space deep in the cell
                           deeper
                                          deeper yet
                                                            cobalt blue.
                                                            The Beginning.

When we’re giving ourselves that much space
principle shimmering                                          intake.

                                                                              The river begins.

The naked tree shadows scratch the ground, shifting through wind. I love this description of tree shadows on the ground!

When we’re giving ourselves that much space . . . the river begins. I’m thinking about the idea of rivering — to river — that poets have discussed. who? I’ll search for it on this log. Found some!

from swims/ Elizabeth-Jane Burnett

The river is something that happens,
like exercise or illness, to the body
on any given day
I am rivering.

Not that the river is like the body
or the river is the body
but ooooooooooo both have gone
and what is left is something else.

a thought from 16 aug 2022: I wonder, is there such a thing as lake-ing? How does it differ from rivering? Also: what is the something else that is left? I like the idea of the water being a verb and not a noun.

opening line from Gave/ Cole Swensen

no river rivers 

What is to river? I can imagine rivering as the act of being beside and with the river — walking or running — or in it — swimming, rowing — witnessing the river.

a note for future Sara: Since we (the Saras) are interested in this sort of thing, here’s how I found this poem:

  1. reading past entries from 9 june, I clicked on a link to an essay about green poems that I mentioned in 2019 (good job past Sara!)
  2. read through the essay, and clicked on the link for a poem discussed in it: Reverent Green
  3. which is in a lit journal called, Wildness.
  4. checked out the submission guidelines — I’m going to submit here! — where it was recommended that I read through past issues to see what they’re looking for
  5. scrolled through the issue from 2017 that Reverent Green is in and found Become/River

Back to the river and rivering. Every summer, during open swim season, I devote myself to water, especially the lake. A perpetual question: how does a lake form of water differ from its river form or rain form (it’s raining right now) or sweat form or puddle form or glass of water form or creek form? Will this be the summer that I’m able to write a poem/poems about this? I hope so!

Before writing these last few sentences, I intended to give attention to green, and growing in green, and my ekphrasis project, and circumambulation, but now I’m thinking it’s time to return to water. It is time now, I said, for the deepening and quieting of the spirit among the flux of happenings.

I’m remembering last year’s attention given to the rules of water (Anne Carson) and liquid looking (Alice Oswald). Yes! Time for summer/swimming-Sara to emerge!

hardly creatures

Still reading and thinking about Rob Macaisa Colgate’s Hardly Creatures and how it’s inspiring me with its inventive form and powerful voice. A few things:

  1. the collection as a museum, organized around different wings of an imagined building (“a gallery of our own”), including: entryway, fine art, audiovisual room, gift shop/exit. What if I created a collection of poems about the gorge that was organized around a route, with different sections corresponding to different landmarks?
  2. places to rest or to gather strength or to be cared for: the “bench” sections, which are all about Eli, Colgate’s partner. Benches have become increasingly important in my gorge running practice. I have started regularly pausing at a few benches, and I have made note of the plaques on many of them. Ooo — maybe benches could be a theme for a month!
  3. “Hopescrolling” — labeled as ALT text and consisting of a series of brief descriptions of engagement with social media

Speaking of “Hopescrolling,” here’s RMColgate’s explanation of the poem:

JGJ: Can we talk about “Hopescrolling?” The poem felt very modern, how it referenced so many different virtual spaces, all these posts on social media, and captured tens of disparate experiences all at once. What inspired you to capture that?

RMC: I love to scroll, and I don’t really feel bad about it either. Like, I’m really on that phone! 

As we entered the later stages of the pandemic, and because of the challenge of the earlier stages, a lot of the reciprocal energy was clapping back at things like Zoom, virtual events, and people started talking about how much they loathed them. I don’t think it was totally because they loathed them. I think a lot of it was because it reminded them of a challenging time. Of course, the interpersonal connection is different digitally—I’m not necessarily going to say worse or better—but I also spent a lot of time thinking about how essential digital community is for so many disabled people. 

Like I said earlier, I’m a really sleepy person. I take these anti-psychotics, and they have a huge sedative effect. I have trouble getting out of bed a lot of the time. I rarely work at my desk more than I’m working on the couch, like I am right now. And sometimes I still want to be at my friend’s event, but I’m about to pass out, and so I want to do it from bed. With “Hopescrolling,” I was trying to have a poem that was like, “You know what, the internet is good and digital connection is actually meaningful. And I know we don’t want to say that because we love being together in person, but let me just make a case for it.” And so I just started literally bookmarking tweets, Tiktoks, and Instagram posts that had takes on disability. You could see people in the comments, expressing their authentic feelings on disability without feeling like they were in a conversation about ableism or something. 

Interview

june 8/RUN

3.1 miles
marshall loop
65 degrees

No walk breaks today. Slowly I’m building back confidence in my legs and lungs and brain. Ran through the neighborhood then over to the lake street bridge, up the marshall hill, down the summit hill past shadow falls, and back over the bridge again. On the northeast side of the bridge, 2 fire trucks and — was it an ambulance? I can’t remember. No sirens or anxious yelling. I wonder what was happening? No rowers or sparkles on the river. No pelotons or packs of runners.

Midway through the run I chanted triple berries: strawberry/blueberry/raspberry/blackberry/red berry/orange berry/green berry

Walking back, I observed a family of four on the opposite sidewalk. The voices of the two young kids were on the edge between losing their shit with joy and losing their shit with frustration over a puppy. Frustration prevailed. I could hear the little girl’s shrieks, I want to pet the puppy!, for more than a block. Passed by a house with several signs in the front yard, nestled between hostas and hydrangeas: Democracy dies when we are silent and Love is love and another one about hope. At the next house, a garage sale. A few blocks later, one kid swinging, another kid on a bike at the corner, sitting motionless and looking creepy, two dads talking about their wives and their upcoming girls’ weekend.

Hardly Creatures

I like the form Rob Macaisa Colgate creates and uses in Where Does Joy Live in the Body. It’s a series of three poem: 1. the original poem, 2. an erasure of that poem, 3. a condensed version of the erasure. Original, replica, souvenir

Where Does Joy Live in the Body/ Rob Macaisa Colgate

Original artwork: Feel free to look.

1. At the department dinner, I drink too much and spill
to Heather about my body dysmorphia. She nods, then
shrugs and laughs, carefree: It’s great to be blind.

2. I get indecisive trying to choose the most perfect avocado
while making lunch with Lorriane. When I ask for her help
she stares, gives ma wry smile. They all feel the same to my hands.

3. Alex witnesses my descentinto psychobabble as we walk
each other home from Lee’s Palace after teh Joy Division tribute concert.
The next day, they text: Lol, you make me doubt that I could read lips.

4. When I offer Leah one of my Oreos, she perks up, holds
the cookie to her nose, closes her eyes as she inhales. I can’t handle
the tast, but eventually I feel in love with the smell.

Multisensory replica: Feel free to touch, listen, taste, smell.

the art
the body
are
perfect
witnesses
to
each other’s Joy
yes
even you

Souvenir replica: Feel free to take home with you.

artbody perfect
witness each other
joy yes you

Reading the third part, I thought of my interest in condensing images and ideas to their barest form, partly because that’s how I see them and also because it makes them easier for my weak eyes to read and because it’s more possible to take them with me on a run. Cool — I want to play around with this form!