AQI (2:00am): 500
anything above 125 is hazardous
AQI (7:30am): 301
No running this morning. Too dangerous for my lungs to breathe in this smoke. I haven’t heard yet, but I can’t imagine that open swim will happen this afternoon. Even if it isn’t cancelled, if the AQI stays this high, I won’t be going.
the plastic art of finding the words
Returning to my “On this Day” practice, I found an intriguing quote from A Oswald:
She and her husband, playwright Peter Oswald, divide their day in two – walking their sons to and from school through fields. But she doesn’t take a notebook with her. She believes in the subconscious, in what is brewing on a ‘non-verbal level’. She thinks ‘a flavour or feeling builds up, almost a sculptural shape that could be a living creature, or a dance or a painting’. Only later comes the ‘plastic art of finding the words’.
into the woods
What does she mean by plastic here? Reading the quotation again, plastic seems to mean artificial, imitation, not the real or living thing but a replica. Also, plastic as moldable, easily shaped and reshaped, pliable. Molded, modeled, “capable of being deformed continuously and permanently in any direction without rupture.” Formative, creative; (source).
just announced: Open Swim is cancelled for today.
A rotted swan
is hurrying away from the plane-crash mess of her wings
one here
one theregetting panicky up out of her clothes and mid-splash
looking down again at what a horrible plastic
mould of herself split-second
climbing out of her own cockpitand lifting away again and bending back for another look thinking
from “The Swan” / Alice Oswlad cited in The New Yorker
strange
strange
AQI (11:15am): 295
And, the way I (mostly) think about plastic in relation to my vision and connection to the world: a film, a veil, an obstruction, the barrier between me and what is real. A distorted or approximate, not quite, reality.
I looked up “plastic” on Poetry Daily and found this fabulous poem (with an ecopoetry essay, too!):
I Want Biodegradable Sex/ Oliver Baez Bendorf
polypropylene, moss, human hair, pine needles, cardboard, sheepskin condoms, coffee grounds
This sculpture reveals the demand my transition has created for the plastics industry over time. By melting plastic syringes into a compressed form, I hope to create an anticlimax by showing all at once the slow accumulation of material. When you observe me and then the sculpture, is the volume of plastic more or less than what you would expect? Do you agree strongly, agree, neither agree nor disagree, disagree, or strongly disagree that certain plastics should remain single-use? By incorporating an assortment of organic elements, I wanted to create a sense of grief out of the cognitive dissonance. Plastikos, to form or mold, an art long before plastics were invented. Trans is a way of arranging the world through change, but plastic is durable, meaning it never goes away. Very light, gets blown along in gentle winds. It gets washed by rain into sewers, streams, rivers, and finally oceans. It burns forever in landfills, a sickening campfire around which we tell scary stories. It is pleasurable at times when a container fulfills the functions for which it has been designed. I hope to return to earth a little bit more every day, until I’m finally you again.
Bendorf begins their essay with one of my favorite quotations from Lorine Niedecker in one of my favorite poems, “Lake Superior”:
“In every living thing is stuff that once was rock
In blood the minerals
of the rock.”
Reading these lines I wondered, how much have plastics transformed what is in every living thing? How much of us is plastic? Found a podcast to listen to: Science Vs. Microplastics — here’s the transcript.
Also in the essay, Bendorf mentions a term I don’t remembernencountering before: “we each have a “terroir”— a particular flavor made up of the unique places and vocabularies that we have absorbed. Those registers that, in a unique combination, make us distinct.” Terroir is a matter of style and substance.
Returning to our “age of plastics,” I’m wondering about its history — here’s a brief overview from the BBC.
When I think of the “plastics” industry, I recall the scene from It’s a Wonderful Life, which was one of my favorite Christmas movies as a kid, and this scene from The Graduate:
Back to Bendorf, in conversation with Oswald’s idea of sculptural shapes and the plastic art, and my own thoughts about my vision creating a plastic film that separates and distorts:
When you observe me and then the sculpture, is the volume of plastic more or less than what you would expect?
And, one more plastic poem:
Plastic: A Personal History/ Elizabeth Bradfield
How can I find a way to praise
it? Do the early inventors & embracers
churn with regret? I don’t think my parents
—born in the swing toward ubiquity—chew
& chew & chew on plastic. But of course they
do. Bits in water, food-flesh, air.
And their parents? I remember Dad
mocking his mother’s drawer of saved
rubber bands and his father-in-law’s red,
corroded jerry can, patched and patched,
never replaced for new, for never-
rusting.
Cash or plastic? Plastic. Even
for gum. We hate the $5 minimum.
Bills paperless, automatic, almost
unreal.
My toys were plastic, castle
and circus train and yo-yo. Did my lunches
ever get wrapped in waxed paper or
was it all Saran, Saran, Saran?
Sarah’s mom
was given, in Girl Scouts, a blue sheet
of plastic to cut, sew, and trim with white piping
into pouches for camping. Sarah has it still,
brittle but useful. Merit badge for waterproofing.
For everlasting.
You, too, must have heard stories,
now quaint as carriages, of first plastic, pre-plastic.
Eras of glass, waxed cloth, and tin.
Of shared syringes.
All our grocery bags, growing up,
were paper. Bottom hefted on forearm, top
crunched into grab. We used them
to line the kitchen garbage pail.
Not that long
ago, maybe a decade, I made purses for my sisters
out of putty-colored, red-lettered plastic Safeway
bags. I’d snag a stack each time I went, then fold
and sew, quilt with bright thread, line with thrift store
blouses. They were sturdy and beautiful. Rainproof
and light. Clever. So clever.
I regret them.
And the plastic toothpicks, folders, shoes that seemed
so cheap, so easy, so use-again and thus
less wasteful, then. What did we do before
to-go lids? Things must have just spilled
and spilled.
Do you know
what I mean? I mean, what pearl forms
around a grain of plastic in an oyster?
Is it as beautiful? Would you wear it?
Would you buy it for your daughter
so she in turn could pass it down and
pass it down and pass it down?
AQI (4:30pm): 247
AQI (6:30pm): 190



























