Tag: swim

jan 12/SWIM

1.5 miles
ywca pool

Another swim this week! Noticed in the locker room that a few more people were wearing masks. Should I wear one? Before my swim, a strange sound: a woman walking into the shower area fully clothed, including sneakers that were clicking and clopping like she had yaktrax on. Did she? She went into a shower stall to find the stuff she’d left behind.

A nice swim. My googles leaked a few times, so did my nose plug. Did continuous 200s with my hypoxic breathing (3/4/5/6). Near the end, I turned it into 2 400s and changed my breathing every 100 instead of 50.

Three things I noticed:

1 — looking up at the flip turns

During one flip turn at the far wall, I looked up from underwater as I turned. In a flip turn, as you head into the wall you flip on your back underwater, then twist back on your stomach as you push off the wall (at least I do). I looked up while I was on my back, just before I pushed off. I noticed a yellowish-orangish glow. The lights from above water. It looked so cool that I made sure to look up several more times as I flipped. I couldn’t see anything but bright lights, which was a nice contrast to the pale blue of being underwater.

2 — gurgle, slosh, squeak

In a few of my recent log entries about pool swimming, I’ve mentioned that I didn’t hear anything but an occasional squeak from my nose plug. For a few laps today, I decided to listen. I heard some gurgling, a lot of sloshing as the water washed over my head, and a few squeaks from my nose plug. Nothing too exciting, but sound, always there. I guess I usually tune it out.

3 — crud on the pool floor

In addition to the usual specks of junk on the tiles, there was another chunk of white something on one tile, and some fuzzy brown things floating near the bottom of the lane next to me. Sometimes when I’m swimming, I think I see a thing floating off to the side. I check: it seems like nothing. Maybe it is nothing, or the trick of the light, and maybe it is something, some small bit of visual data sent to my brain that my eyes barely saw.

This week, I’ve been working on the class I’m teaching this winter about developing a practice of noticing and wonder and turning it into better words. Yesterday and today, I’ve focused on wonder as delight and curiosity. In the midst of this, my sister sent me a link to an article about the value of being in awe. Excellent. I enjoyed the article and I’m always excited when ideas about wonder, being open, and practicing awe are spread, and yet there’s something about the discussion that bothered me, something that seemed to be missing. Instead of dissecting the article and cutting down the things I didn’t like about it, which I used to do in my past life as an academic, I’d like to offer an expansion to one of the recommendations for how to learn to be in awe:

Practice mindfulness.

Distraction, Dr. Keltner said, is an enemy of awe. It impedes focus‌, which is essential for achieving awe‌.

“We cultivate awe through interest and curiosity,” Ms. Salzberg said. “And if we’re distracted too much, we’re not really paying attention.”

Mindfulness helps us focus‌ and lessens the power of distractions. “If you work on mindfulness, awe will come.” And ‌some studies show‌ that people who are meditating and praying also experience more awe.

“Awe has a lot of the same neurophysiology of deep contemplation,” Dr. Keltner said. “Meditating, reflecting, going on a pilgrimage.”

So spending time slowing down, breathing ‌deeply and reflecting — on top of their own benefits — have the added advantage of priming us for awe.

In this section, mindfulness seems to be loosely defined as focusing attention on something, being curious about it — the key here is IT. What you’re paying attention to is the object for you (the subject) and your focused gaze. What if this idea of paying attention (and being present to the world, which is another slogan for mindfulness) was reciprocal with the world? What if the world wasn’t the object, but subject or subjects? What if the value of being in awe was not only about confronting the vastness of the world beyond each of us as individuals, but about opening us up to experience how we are connected to/entangled with the world? I am pretty sure that what I’m trying to say doesn’t make sense to anyone else but me right now. That’s fine. Instead of spending the rest of the afternoon trying to make it intelligible (which is something else I would have done in my former academic life), I’ll offer up a poem that I found by searching, “mindfulness” on the Poetry Foundation site. I think this poem speaks to an expansion of what mindfulness could/can be as a creative, imaginative, reciprocal practice — a practice of not just focusing, but looking, seeing, beholding (see Ross Gay here). It’s that eye at the end — not only expanding what noticing is, but (I think, at least) speaking to the eye in Elizabeth Bishop’s poem about the fish. See my jul 7, 2021 entry for more of a discussion of fish eyes and beholding.

Pot of Gold/ Ingrid Wendt

For Elizabeth Bishop, 1911–1979, with gratitude

We talk, you and  I, of  mindfulness, here in the world above
          water, but what’s below is watchfulness,
                     pure and simple: creatures trying not to be eaten,
          creatures relentlessly prowling or simply waiting for meals to
 
cruise on by. Except maybe parrotfish.
          Ever industrious, ever in motion, it’s hard to find one not
                     chomping on Yucatán limestone reefs. What we see as
          dead, bleached coral or crusted limestone shelves, for them

is re-embodied Fish Delight. Which means I find them by
          eavesdropping. Ah, those castanet choruses clicking, clacking,
                     a coven of  promises leading me on until there:
          below my mask and snorkel, a dozen or more upside-down

Princesses sway as one, in their pink and blue checkerboard
          gowns, their long, long dorsal crowns
                     cobalt-striped, and turquoise, and fuchsia—useless—
          no Prince to be found, not even in fish identification books,

just me and my ardor. Bewitched, each day I hang, transfixed,
          above them in a slightly different
                     place in that once-pristine, once-undiscovered Yal-Ku lagoon,
          its cradling mix of salt and fresh water

letting me hold myself, and time, and the rest of the world
          stock still. Sometimes I’m even luckier: out of the deepest
                     shadows (as out of my book) ventures
          the shy Midnight Parrot, a constellation of neon blue

mosaic scrawled on its head, its body—two feet long—
          as dark as blue can get and still
                     not be black, its parrot beak (that family
          trait) munching rocks and shitting sand. Puffs of it,

great big clouds of  it, murking the water until
          finally settling down
                     (it’s how, some scientists
          say, sandy floors of  tropical reefs are born).

But had I dared the slightest move, my Midnight
          would have, just like that, become Dawn.
                     And so it could have been, as well, with that one
          tremendous fish, secretive, off at the edge, among

the maze of  boulders piled on boulders, broken sandstone
          columns, deep channels between them, there—
                     in a shaft of  sun, the end of all my seeking
          and what I hadn’t known I’d sought—three feet long, at least

and all alone, clown-sized lips and eyelids the brightest possible aqua
          blue in an orange-gold face,
                     the way a child might rub its mother’s most dramatic
          eye shadow onto the most unlikely places:

forehead, cheeks, even the outermost edges of  every single
          emerald-green fin, even the edge of  the deep red tail, its tips
                     turned up at the corners—that tremendous fish was eating
          nothing, that fish wasn’t moving at all, except it turned its head

and one tremendous eye caught mine. And held it. Taut.
          Oh, I almost stopped
                     breathing. And the fish stopped
          everything, too, except for slowly pulsing gills—opening,

closing, opening, closing—in sync with my own
          pounding heart. Was I
                     the watcher or the watched? How long did we stay
          like that, hooked to one another, held in water’s palm,

as through my every cell, over and over, rang Rainbow, unstoppable
          Rainbow, until I had no beginning, I had no end,
                     Rainbow I was and happily would
          be still, had not a wayward cloud blundered in.

jan 9/SWIM

1.6 miles
ywca pool

Finally able to get back to the pool! It felt good to swim, and tiring. My goggles kept leaking and I had trouble not stopping to fix them. Now my eyes are sore. Still, always grateful to be able to swim.

Tried a new set: 6 x 200s, continuous / even 200s breathe every 3/4/5/6 by 50, working on kicking out of the flip turn / odd 200s breathe every 3/4/3/4 by 50s, working on taking at least one stroke out of the flip turn before breathing. The odd 200s were difficult; I like to breathe right away after a flip turn. In the summer, there are no flip turns, which I prefer, so I don’t have to worry about when I breathe.

Split a lane with a woman I’ve swam next to before. I think she has the same green and black TYR suit I wore a few years ago. She’s a strong swimmer, but not that fast. Today she swam freestyle, backstroke, and breaststroke. Sometimes she had booties on her feet. Other times she walked/marched/ran the part of the lap in the shallower end.

A man in a black shirt and black swim trunks swam on the other side of me. He was doing underwater running drills in the shallow end with a lot of running backwards. I wonder if we was coming back from an injury or just cross-training. When he got to the deep end, he swam freestyle and breaststroke. At one point I stopped to drink some water and I realized that he was having a loud, animated conversation with the aqua jogger in the next lane. I had not heard it all as I was swimming. When I started swimming again, I could see he was talking — something about how he was moving underwater, his legs, how his body was positioned — but I still couldn’t hear he was talking. Strange, but not strange.

As always, I noticed the orange of the signs on the pool deck, the orange of Scott’s swim trunks.

Noticed a few cracks or bits of crud stuck to the tiles at the bottom of the pool as I swam above them. Thought about the wonderful book, The Swimmers, and the story in it about the mysterious cracks that began appearing in the basement pool.

Did I think about anything else? This is tiring. My feet/legs feel like rudders. Is Scott standing at the end of my lane? Is this swimmer/runner next to me trying to race? How can I balance supporting my daughter when she’s anxious and needs to stop doing things, with holding her accountable and not letting her stop doing everything? Why are my goggles leaking? That’s all I remember.

Found this delightful poem by Paige Lewis this morning:

I’m not Faking My Astonishment, Honest/ Paige Lewis

Looking out over the cliff, we’re overwhelmed 
by a sky that seems to heap danger upon us. We 
end up staring at a single white fluff in the air— 
feather, fur, dandelion puff—we don’t care 
to define it. The relief of having something 
to focus our attention. At home, our patio furniture 
unscrews itself under the usual sun. On this trip— 
well, I’m not any sadder, I just have more space 
for my sadness to fill. I don’t want to give 
particulars. A woman huffing up the trail behind 
us says to her hiking partner, It wasn’t my size,
but it was only 9 dollars. And now all I want 
is to see what it is. The future refuses 
to happen, so where else should I turn?

I love the line breaks in this poem and what they do to the meaning– we don’t care/to define it and The future refuses/to happen. I love the line, I don’t want to give/particulars, and And now all I want/is to see what it is. I enjoy overhearing conversations and trying to make sense of them, although I’m not sure I’d like to know what it is; I’d rather imagine what it might be.

dec 30/SWIM

1 mile
ywca pool

Another fun swim with RJP! Today, instead of continuous 200s, I mixed it up with a few faster 50s, 3 100 IMs, and a bunch of 200s. I stopped several times to talk with RJP. At one point, we were swimming together. I kept looking at her underwater, trying to catch her eye. She never noticed.

Anything else? The water was clear. The chlorine didn’t burn my nose. My googles only leaked a little. I don’t remember hearing many sounds — no squeaks from my nose plug. As usual, it was all about orange. Every time I turned my head, I saw orange (the orange signs on the pool deck) or looked for orange (the orange of Scott’s swim trunks).

a new form: the minison

Found a new poetic form that I’d never heard of before: minison. A mini sonnet. The only “rule” is that the poem is 14 letters long. Wow. Discovered The Minison Project and went down a rabbit hole.

rabbit hole trip (14 letters):

begin here: Issue 0 of the zine
go deeper here: The Minison Zine
get your bearings here: The Minison Project
find other examples here: corkwood blossom and the fourteen ghosts
fall further here: Seymour Mayne – Hail: 14 word Sonnets

a few favorite minisons:

fourteen ghosts
between the snow
nonstop farting
about aboutness

a favorite 14 word sonnet:

DECEMBER FLIGHT/ Seymour Maynes

These
starlings
swerve
in
flocks,
turning
their
frantic
wings
towards
the
sun’s
slanting
light.

So much fun! I could see these as being great for playing around with words, experimenting, and finding better words for describing a run or a swim. What could I say about my swim today?

  • butterfly hurts
  • winter swimming
  • flip turn fiasco
  • leaking goggles
  • staring at Rosie
  • I only see orange

When I have more time, I’d like to try these out more. Maybe suggest them in my class?!

dec 28/SWIM

1 mile
ywca pool

Just RJP and me today. We swam for about 1/2 hour. Crowded. We still managed to find a lane to split. At some point, I noticed a line of kids walking the pool deck. Otters swim team. RJP and FWA were on the team for 4 or 5 year. I wonder if it was strange for RJP to see all of them out of the corner of her eye as she kept swimming? I forgot to ask.

update (later that day): I asked RJP and she said that the kids weren’t Otters. They were just learning to swim and had on swimming vests. I asked, were the vests orange? Yes, she said. Of course, orange. Every time I swim at the y, I see orange, always orange. Will that make it into my orange poem? Possibly.

There were 2 women swimming next to us. One of them pushed off the wall for her first lap in a sprint. At least it looked like a sprint. The other woman was a little slower, more measured. 3 lanes across, a guy was swimming fast, doing a hard set. Another woman was walking underwater and stretching her legs.

There was a low buzz from the leisure pool as kids burned off holiday energy.

A good swim. I’d like to figure out how to swim for longer. It’s hard because RJP and Scott don’t want to stay quite as long as me, and they’re the ones who can drive. I’ll figure something out. For now, I’m just happy to be swimming in the winter!

Later, in the car, RJP told me about some older women she overheard in the locker room. They seemed like old friends, she said, and were happily chatting away. I love this about locker rooms. So many people are happy, having just worked out. I’m glad RJP noticed it too.

Here’s a color poem I discovered yesterday. I want to study it to see how it can help me with my color poems.

Against Pink / Dara Yen Elerath

Pink is an unhappy hue, not soothing like cerulean, nor calming like lavender or gray. It is the color of fingernails shorn away, blood dripping from the waxen quick. It is the color of a sunburned arm. The color of harm that lingers on cut shins for days. Pink is not the shade of buttercups or daisies. It is the color of poisonous brugmansia blooms, of poppies that bring on sleep. Pink saturates the face in anger. It is the cast left on a cutting board by a hunk of uncooked meat. Pink, too, is the bittersweet shade of passion subdued, passion that has slipped from burgundy to rose. It is only a tincture of desire and so carries the least conviction. It is the tint that drifts away unnoticed in the night. Be frightened of pink. Do not think it the innocent color of dresses or barrettes, the blush of areolas, strawberry snow cones, or grenadine martinis. Try, for once, to see it rightly. It is frightening. It is the hue of a person’s insides, the color of a womb. That room where life arises. That room where babies are made. Where arms, legs, and heads are created. Eyes, blood, and tiny teeth.

dec 26/RUNSWIM

run: 2.5 miles
ywca track

Went to the Y with Scott and RJP this morning, so I ran there. First time running on the track in 4 or 5 years. Wasn’t too bad — not that crowded. Very quiet. I forgot to count laps so my distance is approximate — my watch never seems to be accurate indoors. Listened to “swim meet motivation” playlist and observed people as I passed them.

10 People I Noticed on the track

  1. a man, sometimes running (slowly), sometimes walking, wearing black gloves — not boxing gloves but also not winter gloves
  2. another guy, pulling a sled at the far corner
  3. a woman running, the key to her locker jangling in her pocket with every step
  4. an older white woman with white hair — was she wearing a pink sweatshirt, or was it blue? I can’t remember now. She walked pretty fast on the track, but was slow on the stairs when I was behind her earlier
  5. RJP, walking — I waved at her every time I passed by. Was it annoying?
  6. someone using rattle ropes, off to the side, furiously lifting them up and down
  7. a woman on an eliptical machine in front of one of the windows
  8. an older white guy with white hair in jeans and a maroon shirt walking around the track
  9. Scott, running
  10. another older white man wearing gray shorts, walking

I don’t remember thinking about much, or noticing anything that interesting, or overhearing some strange conversation.

swim: .25 miles
ywca pool

Only needed a quarter of mile to reach my year goal of 120 miles. Not a very ambitious goal for an entire year of swimming; this goal was mostly for the open swim season. I’m thinking this year, since I’m swimming in the pool, I need to make it a lot bigger. 200 or 300? Not sure. Split a lane with RJP. Crowded today because of the break. All I remember was swimming next to a bunch of swim team kids, feeling sluggish in my first lap underwater, and noticing how the water was clearer than it had been last week.

Found this hybrid journal online. A call for submissions from jan 1-2. I want to submit something — either a mood ring or a colorblind plate, but which? One note: some of the site is almost unreadable for my bad vision. Not nearly enough contrast! Thankfully the journal pdf is easier to read.

I love lists, so I was excited to see this poem in the first issue:

List of Things to Make a List of/ Beth Mulcahy

Make a list of
things that sound like thunder but are not conversations to have
hard conversations to have
what makes conversations hard what makes conversations easy
things to do to get through a hard day
songs that helps with getting through a hard day
people to tell about it what to tell them
people not to tell
ways to prevent it
how to describe it
how to tell people the truth when to tell people the truth things you have said
things you should not have said things you should have said things you should say
to someone specific to anyone
to no one
how to let go of retroactive anxieties
things you used to care about that you don’t anymore things you wish you cared more about
things that used to be different
examples of passive aggressive statements examples of things that are too direct (harsh)
ways of beating around the bush
ways of cutting to the chase
how to calm yourself down
apologies you owe
things you can’t forgive
things you can’t forget
things you should forget
things that are your fault
things that are not your fault
the hardest things you’ve had to do
how to make things easier
for self
for others things you can explain
things that you cannot explain things you can’t describe things to write through
things that are private
people who love you
people who love you and also like you
things you have to offer
things to say to people you love things to say about the weather people you talk to every single day people you don’t know anymore people you loved who are dead ways to let things go
how to keep from having to let go ways to pay attention
things to pay attention to
things to ignore
places to fly away to
ways to be where you are

dec 21/SWIM

2 miles
ywca pool
winter storm warning — snow, wind, cold

Got to the Y with RJP and Scott just as the big winter storm was beginning. Swam for an hour, which is the most I’ve done since open swim ended in August. Mostly, I felt strong. A little tired, a little sore. It was fun to share a lane with RJP. It makes me very happy that she’s swimming again.

10 Things I Noticed

  1. there was a lifeguard today
  2. the leisure pool was open with lots of happy kids, at least one screaming, not in anger but delight
  3. one woman next to me did some side lunges as she walked in her lane
  4. another woman did a strange butterfly stroke — was it butterfly? She was doing the arm motions but not much else, and barely that
  5. as usual, orange everywhere. I looked up and the only color I could see was the orange from the 2 signs on the pool deck
  6. the water seemed a little less cloudy, clearer
  7. some new things (or things I haven’t noticed before) on the pool floor: 2 white somethings — what were they?
  8. after one of the women left, another swimmer came, a man wearing a blue speedo
  9. my nose squeaked as my noseplug shifted, my googles leaked a few times
  10. noticed what a great job RJP does with her streamline off the walls

Before heading over to the y, as I was drinking my coffee, I read some more of Maggie Nelson’s Bluets. Here’s an excerpt that I was thinking about:

40. When I talk about color and hope, or color and despair, I am not taking about the red of a stoplight, a periwinkle line on the white felt oval of a pregnancy test, a black sail strung from a ship’s mast. I am trying to talk about what blue means, or what it means to me, apart from meaning.

Bluets/ Maggie Nelson

I’m interested in how this distinction between meaning and what it means to me works in understandings of color. Also, what meaning means here. Not truth, or what color something actually is, but how it comes to mean something to us. How we’ve collectively decided that a stop sign is red, for example. Not sure if this makes sense, but I’m also thinking about the collective decision we’ve made to understand the line on a pregnancy test as blue and not green or gray or some other color that some of us might be seeing instead. With this last sentence, I’m thinking about more than my vision issues, but the idea that how we see color can be at least partly determined by how we’ve named it. See: Crayola-fication of the world

dec 18/SWIM

.75 miles
ywca pool

Swam with my 16 year old daughter this morning! She used to be on the swim team and was really good. Then she stopped for years. I hope she starts again. She’s a great swimmer and it was fun to swim next to her. Because I was swimming with her, and it was her first time back, and we have to leave to pick up her brother from college in the late morning, I only had time to swim 1325 yards. Felt good. Noticed that the man next to me was missing part of his leg, from the kneecap down. Wondered how it felt to be moving through the water — more freeing? awkward? hard? easy?

Noticed more people wearing masks as they moved around the locker room and near the track. Was there more masks, or was I just noticing them more? Should I be wearing a mask in the locker room? Will masks be required again sometime this winter?

dec 16/SWIM

1.5 miles
ywca pool

Another swim! Felt good. A little sluggish at the beginning, but strong. Mostly steady splits and only stopped a few times. Didn’t count laps at all and had no idea how long I had been swimming until Scott showed up at the end of my lane. Unintentionally raced the guy swimming on one side of me. Well, more like, he tried to race me. Admired the stroke of the older swimmer on the other side. Could tell he was a good swimmer. After I was done, Scott and I talked with him for a few minutes in the hot tub. He’s in his mid to late 60s and was a distance swimmer 45 years ago. Wow — I bet he was good in college.

10 Things I Noticed

  1. the water was a little cloudy
  2. the guy next to me (the one who raced me) started by walking down his lane to the edge of the deep end
  3. this same guy hardly kicked at all, as far as I could see. Was he using a pull buoy?
  4. during my start ritual — pushing off and swimming underwater until I reach the blue line right before the deep end — I swam just above the bottom. I watched the blue tiles, 6 across, as I kicked my legs and tried to squeeze my outstretched arms to my ears
  5. lifting my head out of the water and seeing orange
  6. the red racing suit of a woman in the hot tub — not lifeguard red, darker and deeper than that
  7. my nose squeaking because my nose plug had shifted
  8. the water being churned up by a woman next to me as she did a fast 50
  9. almost every time I raised my eyes out of the water to see if Scott was there, or someone else who wanted to split a lane, I mistook my blue towel for a woman in a blue bathing suit
  10. the flip turn of the woman next to me, especially the phase of it when she was on her back, before the pushed off and twisted around

Earlier this morning, I shoveled the deck and the sidewalk. Heavy, wet snow that stuck to my bright orange plastic shovel. I could hear the whirr and the buzz of several snow blowers. Felt my forearm and elbow ache after I was done. Mostly, I don’t mind shoveling. It’s satisfying and a chance to be outside, breathing in the air, giving attention to the snow.

Looking for poems about shoveling snow and snowblowers (which is difficult), I came across a mention of “The Snowblower Ballet.” Here’s a description from a funding request for a snowblower ballet in the twin cities from 2016. Wow!

The Snowblower Ballet is a project that would involve dancers, wielding snowblowers and shovels, clearing a snow-covered surface in a dance set to music. In addition to performing a dance, they’ll create a pattern, an image in the snow, captured by a drone flying above, transforming the familiar but dreary toil of snow removal into unexpected joyful art. We want to stage a large scale Busby Berkeley version of the project on Harriet Island in St. Paul in January 2018, as well as a smaller scale pas de deux between two snowblowers on White Bear Lake in February 2017 as part of the Art Shanty Project. The Harriet Island version will be funded with a Knight Foundation grant, but only if we get matching funds. Art Shanty will pay us $200 for the White Bear Lake performance, but that’s not enough to hire dancers and a choreographer. That’s where we hope an Awesome grant will come in. We hope that a grant from Awesome will make the Art Shanty dance possible, which we can then turn into a video to generate excitement to raise money to make the expanded Harriet Island version a reality. Won’t you help us turn snow shoveling into art and bring joy to Minnesotans in the depth of winter.

The Snowblower Ballet

It doesn’t look like they ever got the funding they needed for it. Or did they?

dec 12/SWIM

1.5 miles
ywca pool

After a week and a half off because of COVID quarantining (daughter RJP had it, not me), I was able to go back to the pool. Crowded. Did my usual swim — continuous 200s, breathing every 3/4/5/6 by 50s, not stopping until I saw Scott at the end of the lane. I felt strong and steady and happy to be using my muscles differently. My kneecap (or was it just above my knee?) felt weird once, but otherwise was fine.

10 Things I Noticed

  1. Miss Luna came about 20 minutes into my swim
  2. my nose plug kept shifting and I had to stop a few times to adjust it. I didn’t feel any water coming in my nose, but I could feel my air coming out
  3. after the first few flip turns, my nose burned from the chlorine
  4. looking straight ahead underwater, I watched as my hands made bubbles as they entered the water
  5. the woman one lane over was swimming breaststroke, her frog kick looked extra froggy
  6. a man in black swim trunks was walking the length of the pool by the far wall. Why?
  7. looking up, I noticed someone at the end of my lane. She asked to share a lane. Sure! I think I might have said yep too.
  8. the woman sharing my lane kicked a lot as she swam freestyle. I saw, but didn’t feel, the water churning as I swam past
  9. turning on the wall, pushing off, looking ahead and noticing the bubbles of my lane partner, and thinking about how I was gaining on her*
  10. orange: my orange bag, the orange sign saying No lifeguard on duty, Scott’s orange swimming trunks

*I’m not really that competitive (am I?), but I do get some pleasure in being faster and passing people. I don’t want to race them, just pass them. It makes me feel like I’m going faster.

In the middle of my swim I started thinking about the Ishihara plate I’m working on, the one about the test and why it, and the Ishihara plate as form, is important to me. I thought about how the draft I worked on this morning seems to offer a redemptive conclusion — I will choose to see my changing vision not as losing it, but it being made strange. Then I thought about how I don’t want to do that, to resolve it, to make it a moment of redemption. As I circled around the pool, I wondered how to make this Ishihara poem more messy and uncertain. Even as I do prefer to understand my vision as strange and not lost, I don’t want to conclude the poem with this idea. As I was thinking this — and in far less words than I’m writing now! — I thought of something else, how I find the Ishihara plate pleasing with its many circles and dots — I love polka dots! — and colors, but I also find it a little gross and upsetting. It looks like disease or cancer cells under a microscope. I’m thinking about cancer a lot right now. Scott’s mom just died of lung cancer, and we’re watching Walter White deal with lung cancer on Breaking Bad — FWA finally convinced us to watch it and wow, what a show! What to do with this idea in the poem? Not sure, but I’m also thinking about cancer cells as uncontrolled growth and the uncontrolled growth of the market as progress in capitalism, and then how the version of cone dystrophy I have is progressive — it gradually worsens, so here progress is not about getting better, but getting worse. Whew — that’s a lot! Not sure how, if it all, I’ll use this in the poem, but it was helpful to think about it in flashes as I moved through the water.

dec 1/SWIM

1.5 miles
ywca pool

Back to the pool. Hooray! Swam a lot of loops — 99 laps — while breathing every 3, then 4, 5, then 6. Worked on breathing on my weaker side (left) when breathing every 4. Decided not to count, just swam until Scott entered the pool area and stood at the top of my lane. Not very crowded today. A guy in swim trunks to my right, swimming a lot of side stroke. It was fun to watch the wide sweep of his hands as he moved through the water on his side. Empty to my left, then Miss Luna arrived. Almost positive it was Miss Luna — the regular swimmer who swims with fins and paddles and does butterfly, and wears a pale green suit, with pale blue too, that makes me think vaguely of a luna moth. She wasn’t in pale green with blue today, but a similar suit. Same strong stroke, same fins.

They must have added chlorine since my last swim. Much clearer, sharper too. The blue of the tiles on the bottom that make the lines dividing the sides of the lane were a vivid blue instead of almost looking navy or black. Speaking of color, kept seeing yellow and orange when I lifted my head.

Felt strong and happy and buoyant, riding the surface, smoothly powering through the water. At some point, I started thinking about my color poems. I’ve written one about yellow, another about color in general. Before swimming, I started one about gray. Almost everything is gray or seems gray or leads to gray. Other colors are only pops, flashes, suggestions. I thought about making the poem mostly variations on the phrase, a gray day, or singing a song of gray, or gray area, or grayed out. Then I thought about having the poem visually mimic how I often see color. It’s frequently a flat or hazy gray until suddenly, to the side, a slash or pop of color appears, like orange or red. So, most of the words are gray, gray day, gray dreams, sing a song of gray, then off to the side, “orange” appears. Could this work? I’ll give it a try!

december challenge

I’m not sure what my challenge for this month will be. I’m in the thick of working on these color poems and prepping for my finding wonder in the winter writing class in late January (so excited to teach this one!). Should it be about orange? Or the poet that just wrote a collection partly about her degenerative eye disease — Julia B. Levine — titled, Ordinary Psalms? Or joy, inspired by recently purchasing Ross Gay’s Inciting Joy and my desire to explore what gray joy could be? I’ll give it another day, but I’m leaning towards Gay and joy. In the meantime, here’s one of Levine’s psalms from Ordinary Psalms:

Psalm with Near Blindness/ Julia B. Levine

i. 
The world mostly gone, I make it what I want: 
from the balcony, the morning a silver robe of mist.

I make a reckless blessing of it—the flaming, 
flowering spurge of the world, the wind 

the birds stir up as they flock and sing. 
Edges yes, the green lift and fall of live oaks,

something metal wheeling past, 
and yet for every detail alive and embodied— 

the horses with their tails switching back and forth, 
daylilies parting their lobes to heat— 

I cannot stop asking, Sparrow or wren? Oak
or elm? Because it matters 

if the gray fox curled in sleep 
is a patch of dark along the fence line,

or if the bush hung with fish kites 
is actually a wisteria in flower. Though 

even before my retinas bled and scarred 
and bled again, I wanted everything 

different, better. And then this afternoon, 
out walking the meadow together,

my husband bent to pick a bleeding heart.
Held it close as I needed 

to see its delicate lanterns, 
the shaken light. 

ii. 
Deer, he says, our car stopped in traffic. 
And since I can’t see them, I ask, Where?

Between the oaks, he answers,
and since I can’t see the between,
                                                                I ask, In the dappling?                        
He takes my hand and points 
to the darkest stutter in the branches 
                                                                and I see a shadow 

in the sight line of his hand, his arm, 
his blue shirt with its clean scent of laundry, 

my hand shading my eyes from glare. 
There! he says, and I can see 
                                                              the dark flash of them 
                                                              leaping over a fence (or is it reeds?), 

                                                              one a buck with his bony crown, 
                                                         and one a doe, and one smaller, a fawn,

but by then it seems they’ve disappeared 
and so I ask, Gone?
and he nods. 

We’re moving again,

                                                               and so I let the inner become outer 

                                                               become pasture and Douglas firs 
                                                               with large herds of deer, elk, even bison, 

                                                               and just beyond view, a mountain lion 

auburn red, like the one we saw years before, 
hidden behind a grove of live oaks, 

                                                                                        listening.

Oh, I am so excited to find this poem and the brilliant work of this poet! I can relate to so many of her words! The silver mist of the morning, the edges mostly gone, the emphasis on movement, her husband helping her to see, the inner becoming outer. Some differences too (probably partly because I imagine my vision isn’t quite as bad as hers): I don’t think the world is gone, more shifted, italicized, transformed. And I don’t need to know exactly what type of tree I’m seeing. I’d like to be able to tell the difference between a deer or a bush — sometimes I can’t — but the fine details matter less.

My thoughts on this last bit, about seeing exactly what’s there, are partly inspired by Levine’s response in an interview about the psalm. She says:

As I worked on it, this poem felt to me like a meditation on one particular dilemma of near blindness: that is, in the absence of a clear visual image, how the mind fills in, and what relationship this kind of seeing” has to spiritual notions of “vision” as opposed to a medical/anatomical definition of “sight.”

To explain further, there are some absences of visual perception that I actually like: I don’t see how dirty my house is, or whether or not my clothes are covered in blonde dog hair, and my friends and family all look very beautiful to me since I cannot see their wrinkles or whatever else might be considered “flaws.”

But I have loved the natural world since I was a small child and it is my inability to see it accurately that pains me. So, in the poem, I am interested in both how tounderstand what I do “see” as a amalgam of my own mind and memory, plus the relational construction that primarily my husband lends to me, and finally, what I can actually perceive. The result of this perceptual construction can sometimes feel like an important “truth” as opposed to visual fact.

I have loved the natural world since I was a small child and it is my inability to see it accurately that pains me.

Interview with Julia B. Levine

I love the natural world, but I’ve never needed to see it accurately in the ways that Levine seems to be invoking. I’m not interested in critiquing her perspective, but in positioning mine in relation to it. Also, I’d like to understand more of what she means by accurate. The more I (attempt to) study how vision and sight work, the more I’m fascinated by how much guesswork it involves for everyone, even “normally” sighted people. The brain filters, guesses, fills in. What does it mean to see nature accurately? Also, what about other senses? Can they enable us to access parts of nature that our limited/biased vision can’t? Losing some sight and the ability to easily, and more quickly, with much more detail, sucks, and I struggle with it. But I’m also interested in ways of knowing/understanding/recognizing/becoming familiar with beyond central vision and fine detail. I have a different project than Levine, but I deeply appreciate her words.