Tag: shadows

5.25 miles
franklin bridge loop
52 degrees!

Spring! Shorts, sun, Shadow, sparkling water, slight soft breeze. A wonderful run, even though it felt hard at times. Saw the Daily Walker but couldn’t greet him because we were running the same way. Encountered 2 separate groups of kids on bikes–one on the east side, one on the west. Heard some birds. Saw lots of brown. Noticed the white beach in the gorge, midway between the lake street bridge and the greenway. Watched my shadow for a while. Mostly she was friendly but she irritated me on the franklin bridge right before I turned and she fell behind. Did a lot of counting: 1 2 3 45 1 2 345 then 1 2 3 4 5 6 7 8…thought about how 7 is the only number with 2 syllables. Why is that? Convinced my self to not stop to walk until at least mile 4 and managed to do it. I think I saw the man in black in shorts and not all black! Looked for the eagle on the dead tree under the marshall side of the bridge.

Above all else, tried to stay focused on the river. Glad I could still see it–the leaves haven’t returned yet. At first it seemed still, not moving. But by the Franklin bridge I noticed its slow descent to the falls. I stopped on the lake street bridge to watch it more closely. Decided to talk into my smart phone. Maybe I can shape some of this into a poem? I’d like to try recording more of these moments this spring. A good way to force myself to slow down my runs.

transcript from recording:

standing here
on the lake street bridge
watching the river water
as it slowly moves
at certain spots it’s shimmering
at other spots
it almost looks like a pale ghost
ghostly ice just under the surface
or muddy swirls near the bottom
the dirt just being loosened
and brought up to the surface
the river is mostly brown and then blue
and everything’s brown
and the water just slowly moves
earlier it seemed
almost dead lifeless so still
and now I can see it’s just slowly
moving closer to the falls

With practice, I’m hoping to get better at these brief recordings. It was hard to capture with words the strange beauty of the river’s slow movement in many different forms. Part of the surface was sparkling, shimmering, undulating. Some was smooth, flat. A few vees were visible–was something in the water disrupting it? And then, the ghostly swirls. Speaking of vees, right after I finished recording, a skein of geese flew overhead, not too far above the bridge.

Here’s a poem I just found about the river (and Heraclitus!):

SAME SUN, SAME MOON, SAME RIVER
BY NEIL CARPATHIOS

It is easy to imagine Heraclitus
walking stone streets witnessing
life in Athens with no permanence,
stopping strangers to explain about the river,
being laughed at as they moved
from point A to point B fearing Apollo
and Hades then at dusk drinking wine,
waiting for the happy obliteration alcohol brings,
not realizing how lucky they were
to be stupid and so deep
in their bodies even the sun
and moon trading places over and over
meant nothing.

3.5 miles
mississippi river road path, north/south
51 degrees

What a day! Sunny. Light breeze. Warm. So long snow. Passed a woman early on, breathing heavily. Her loud gasps, almost echoing above the gorge, followed me for a few minutes. Celebrated with my shadow, both of us so happy to be outside this morning. Wondered what the workers in yellow vests were waiting for near the lake street bridge. Heard that same barking dog–the one I heard a couple of times a few months ago–pass by me in that same white truck. Weird. Stopped at the railroad trestle and took the steps down, below the trestle, still above the river. Hiked for a few minutes, climbing a few small hills–more like mounds. Heard a few woodpeckers. Turned around and had a wonderful view of the underbelly of the railroad bridge. Then started running again. When I was almost done, a squirrel decided to race me, not darting out in front of me but running beside me through the dead leaves. Was able to say good morning to the Daily Walker.

Here’s one other poem that I marked to remember from The Collected Works of James Laughlin:

THE LONGEST YEAR/james laughlin

Began with snowstorms, one after another.
In March a frantic night of wind took down
The huge sugar maple that showed a hundred
Rings when it was cut up for firewood.
Spring was dubious and too short, a hot
Summer too long. A child drowned in Tobey
Pond, it was horrible. Only in October
Were there a few perfect days with the leaves
Ablaze. Again before its time, baleful winter
Set in. Cars skidded on the icy roads.
At Christmas a false thaw deceived us
For a week before a deadly ice storm had
The branches of the trees cracking like
Rifle shots as they broke off all night.
It was a battlefield in the woodlot
Next morning. I didn’t count the days
Of that malevolent year, I only wished
Never to see such another. . . until,
Blessed miracles, it was true spring,
the lilacs blooming, the daffodils
Nodding, and you, Persephone, came up
From the world below to seek me out.

4.25 miles
mississippi river road path, north/south
39 balmy degrees
1% super slick barely frozen slippery spots, 5% puddles

Officially, spring starts this week. And, unlike many past Minnesota Marches, it feels like spring is starting too. Still barely reaching the 40s. Still snow on the ground. But birds and bright sun, more melting snow and a vague sense of warmth/warmish air is all around. A good run but one tinged with some worry. Scott has arthritis and unless he’s able to change the way he runs, he might have to stop running altogether. Most likely he won’t be able to run the marathon. I am sad for him and for the possibility of not running with him. And worried, wondering if the marathon might be too much for my body too. Before my run, I felt every ache–in my lower back, my right calf and knee, my left foot–more acutely.

What do I remember from the run? Slip-sliding over barely visibly shiny slick spots. Hearing the birds. Marveling at the river’s surface shimmering in the sun. Watching my shadow run ahead of me. Getting passed by someone running much faster than me and watching their graceful gait. Thinking about my form, trying to keep my feet straight and my arms even. Listening to the dripping and melting. Feeling too warm. Encountering a runner in shorts. Tried to think about what I had been pondering pre-run after finding a fun poem by Sharon Bryan: the body and the soul. What is their relationship and what is a soul? Walt Whitman says the body is the soul and Michel Foucault claims the soul is the prison of the body. And here’s how Bryan imagines it:

Body and Soul
BY SHARON BRYAN

They grow up together
but they aren’t even fraternal

twins, they quarrel a lot
about where to go and what

to do, the body complains
about having to carry

the soul everywhere as if
it were some helpless cripple,

and the soul snipes that it can go
places the body never dreamed of,

then they quarrel over which one of them
does the dreaming, but the truth is,

they can’t live without each other and
they both know it, anima, animosity,

the diaphragm pumps like a bellows
and the soul pulls out all the stops—

sings at the top of its lungs, laughs
at its little jokes, it would like

to think it has the upper hand
and can leave whenever it wants—

but only as long as it knows
the door will be unlocked

when it sneaks back home before
the sun comes up, and when the body

says where have you been, the soul
says, with a smirk, I was at the end

of my tether, and it was, like a diver
on the ocean floor or an astronaut

admiring the view from outside
the mother ship, and like them

it would be lost without its air
supply and protective clothing,

the body knows that and begins
to hum, I get along without you

very well, and the soul says, Listen
to that, you can’t sing worth a lick

without me, they’ll go on bickering
like this until death do them part—

and then, even if the soul seems to float
above the body for a moment,

like a flame above a candle, pinch
the wick and it disappears.

Love these lines: the diaphragm pumps like a bellows/
and the soul pulls out all the stops— /sings at the top of its lungs, laughs/at its little jokes

I tried to think about the body and the soul while I ran, but I mostly thought about my body only: my knees, back, shoulders, toes, feet. Were they sore? Was I landing on my foot correctly? How’s my right knee? Are my shoulders too tense?

The other day, I wrote about running in the fog. Here’s a poem someone posted on twitter this morning. It’s from The New Yorker, May 2012.

Confessions of a Nature Lover
By Bob Hicok

Back then I was going steady
with fog, who could dance
like no one’s business, I threw her over
for a leaf that one day fluttered
first her shadow then her whole life
into my hand, that’s a lot
of responsibility and a lot
of relatives, this leaf
and that leaf and all the other leaves
hung around, I told her
I needed space, which was true,
without it I’d only be a soul,
and no one’s sure that wisp
is real, that’s why we say
of real estate, location, location,
location, and of speech,
locution, locution, locution,
and of live, yes, yes, yes,
I am on my knees, will you have me,
world?

So much to think about in this poem. For now, I’m just thinking about his reference to fog. After running in the fog last Thursday, I did some free writing around fog and my log entry. Here’s a draft of a poem:

march 14/4 miles/heavy fog/43 degrees

Liquid-y layers
drip drop drape

the Forest’s floor. Fog
reaches Road’s ribbon,

the river’s edge.
Everything is enveloped.

Shrouded. Cocooned. Consumed.
Light, devoured.

Only a single bike lamp carves out
a bright circle in the thick air

while several sirens sing
an invisible song.

5.1 miles
Franklin hill turn around
10 degrees/feels like -1
100% snow-covered

feels like: an ice rink then loose sand on the beach then too hard concrete; spring if you close your eyes so you can’t see the snow and you just feel the bright sun, hear all the birds warbling and cooing and chirping

Scott and I signed up this morning for the Twin Cities Marathon next October. It’s happening!

Even though the path was difficult–slippery, loose, hard–I had a good run. Ran 5 miles. I haven’t done that much since Jan 12th, when I ran a 10k. Very bright. Saw my shadow, her tassels fluttering in the wind. Looked down at the river: open water. Listened to my feet snapping on the path. Greeted the Daily Walker. Ran up the Franklin hill for the first time in a few weeks. Noticed how blue the sky was. So bright! Wore my sunglasses the entire time, wondering how much bluer the sky and the snow looked through these lenses. Was passed by a runner after the turn around. Such a beautiful gait. So relaxed and rhythmic. Gracefully bobbing up and down. I love watching a good runner’s feet as they rise and fall, up down, up down, up down. Started chanting my numbers again. First, 123/45 then 123/45 It’s interesting how much easier it was to get the rhythm straight when I was moving. Sitting here now at my computer, I’m struggling. After chanting numbers I added some words: mystery is solved/suspects are captured/Shaggy & Scooby/Velma too

On the final day of February, here are 2 poems entitled February:

February
BY JACK COLLOM

It is all kind of lovely that I know
what I attend here now the maturity of snow
has settled around forming a sort of time
pushing that other over either horizon and all is mine

in any colors to be chosen and
everything is cold and nothing is totally frozen

soon enough
the primary rough
erosion of what white fat it will occur
     stiff yellows O
beautiful beautifully austere
     be gotten down to, that much rash and achievement that
             would promote to, but

now I know my own red
network electrifying this welcome annual hush.

I must admit, after reading this poem–both out loud and in my head–many times, I still don’t understand these lines: “what white fat it will occur/stiff yellows O/beautiful beautifully austere/be gotten down to/that much each and achievement that would promote to” Guess I’ll have to read it a couple dozen more times–I like that he’s making me work for it. The confusion is a nice contrast to the pleasing/easy/comfortable/welcoming rhymes: know/snow, chosen/frozen/erosion

February
BY BILL CHRISTOPHERSEN

The cold grows colder, even as the days
grow longer, February’s mercury vapor light
buffing but not defrosting the bone-white
ground, crusty and treacherous underfoot.
This is the time of year that’s apt to put
a hammerlock on a healthy appetite,
old anxieties back into the night,
insomnia and nightmares into play;
when things in need of doing go undone
and things that can’t be undone come to call,
muttering recriminations at the door,
and buried ambitions rise up through the floor
and pin your wriggling shoulders to the wall;
and hope’s a reptile waiting for the sun.

Many February poems focused on signs of spring. I read one that featured the green tips (or leaves or something) of a crocus on Feb 28! Where is this magical land of flowers in February? Certainly not in Minnesota. I like my February poems bleak, bemoaning the endless winter, with barely any hope of spring ever coming.

4.3 miles
mississippi river road path, north/south
19 degrees/feels like 19 degrees
100% snow-covered

feels like: this snow is here to stay forever, the white is too bright, a strange dream, slick, soft, sibilant

layers: (too much) green shirt, orange shirt, black jacket, black vest, buff, hood, visor, 2 pairs of tights, 1 pair of socks. gloves. 2 miles in, the gloves came off.

Not much sun but the snow was very bright. So white. White path, white walls, white sky. No snow on the river though. Walking, right before I started running, I heard the birds. Determined to make spring come soon. They started chirping a few weeks ago. The run was fun. I like running on snow, even if it is uneven in spots. Encountered a few other runners, the Daily Walker!, the man in black (the one I mentioned yesterday)–we greeted each other and he seems very nice so I’m not freaked out by how tall he is now, 2 fat tires, a few dogs. Thought about the marathon again as I neared the franklin bridge. Also thought about a poem I read this morning: Robert Duncan’s “Often I am Permitted to Return to a Meadow.” I was trying to think about the made place in my mind that I return to. I struggled to hold onto any thought about the poem or places I imagine. I kept thinking about my breathing and not slipping on a slick spot or twisting my ankle on an ice chunk.

Often I Am Permitted to Return to a Meadow
Robert Duncan

as if it were a scene made-up by the mind,
that is not mine, but is a made place,

that is mine, it is so near to the heart,
an eternal pasture folded in all thought
so that there is a hall therein

that is a made place, created by light
wherefrom the shadows that are forms fall.

Wherefrom fall all architectures I am
I say are likenesses of the First Beloved
whose flowers are flames lit to the Lady.

She it is Queen Under The Hill
whose hosts are a disturbance of words within words
that is a field folded.

It is only a dream of the grass blowing
east against the source of the sun
in an hour before the sun’s going down

whose secret we see in a children’s game
of ring a round of roses told.

Often I am permitted to return to a meadow
as if it were a given property of the mind
that certain bounds hold against chaos,

that is a place of first permission,
everlasting omen of what is.

This poem is the first poem in Duncan’s 1960 book, The Opening of the Field. He was part of the Black Mountain Poets. Charles Olson was another member of the Black Mountain Poets. In doing some research on Duncan and this poem, I encountered Olson’s idea of projective verse: poetry shaped by rhythms of poet’s breath. So cool–I want to explore this more, thinking about breathing when I run vs. walk vs. sit.

Olson argues that the breath should be a poet’s central concern, rather than rhyme, meter, and sense. To listen closely to the breath, Olson states, “is to engage speech where it is least careless—and least logical.” The syllable and the line are the two units led by, respectively, the ear and the breath:

“the HEAD, by way of the EAR, to the SYLLABLE
the HEART, by way of the BREATH, to the LINE”

poetry foundation introduction to “Projective Verse”