Tag: shadows

july 22/SWIMRUN

swim: 1 loop
lake nokomis open swim
75 degrees
9:30 am

FWA did it! Today, he swam across the lake and back again. 1200 yards. It was fun to stop at the little beach and talk with other swimmers, while we took a break. We met an older woman, who loves to swim around the lake, even when it’s not open swim. She said her kids told her she better stop because the fine is big if you are caught. (I think it might be $2500!) One of her responses, Technically I’m not swimming across the lake, but around it. I like her.

The water was great for the swim: smooth, and not choppy at all. Much easier than when it’s windy. It has been fun training with FWA. I’m hoping he’ll swim some in August. What a gift to spend this time with my wonderful son!

run: 3 miles
marshall loop, shortened
80 degrees
11 am

A little while later, I ran with Scott. It was hot. We walked a lot, which was fine with me. A memorable sighting: an eagle circling around, high above us, riding a thermal. It took a while for me to be able to see it in my central vision, but finally I could. What a wing span!

The other day, searching for something else, I found this beautiful interview with Marie Howe from 2013 for Tricycle. She’s talking about losing her beloved brother Johnny and the space she had for grieving. These words fit with other words of her that I’ve read and loved and just used in my class. Putting them in the context of her grief makes them glow even brighter for me:

MH: That was really a big deal. I was given this place to be without any expectations really. And everything changed so that the particulars of life—this white dish, the shadow of the bottle on it—everything mattered so much more to me. And I saw what happened in these spaces. You can never even say what happened, because what happened is rarely said, but it occurs among the glasses with water and lemon in them. And so you can’t say what happened but you can talk about the glasses or the lemon. And that something is in between all that.

KPE: It’s like the Japanese esthetic word of ma. It’s so wonderful. The space between….

MH: This is the space I love more than anything. And this became very important, but there’s no way to describe that, except to describe “you and me.” And there’s the space. I make my students write 10 observations a week—really simple. Like, this morning I saw. . . , this morning I saw. . . , this morning I saw. . . —and they hate it. They always say, “This morning I saw ten lucky people.” And I say, “No. You didn’t see ten lucky people. What did you see?” And then they try to find something spectacular to see. And I say, “No.” It’s just, “What did you see?” “I saw the white towel crumpled on the blue tiles of the bathroom.” That’s all. No big deal. And then, finally, they begin to do it. It takes weeks. And then the white towels pour in and the blue tiles on the bathroom, and it’s so thrilling. It’s like, “Ding-a-ling, da-ding!” And some people never really take to it. But I insist on it. What you saw. What you heard. Just the facts, ma’am. The world begins to clank in the room, drop and fall, and clutter it up, and it’s so thrilling.

KPE: Because it clanks and falls?

MH: Yes! It does. It’s like, “Did you see it? Did you see it?” Everybody goes “Whoa!”

Marie Howe: The Space Between

It is thrilling to notice the world! To hear it clank and drop, watch it create clutter. This reminds me of 2 other things I have recently encountered, one for the first time, one again, after a few years.

First, this poem was posted on twitter the other day:

Do Not Ask Your Children To Strive for Extraordinary Things/ William Martin

Do not ask your children
to strive for extraordinary lives.
Such striving may seem admirable,
but it is the way of foolishness.
Help them instead to find the wonder
and the marvel of an ordinary life.
Show them the joy of tasting
tomatoes, apples and pears.
Show them how to cry
when pets and people die.
Show them the infinite pleasure
in the touch of a hand.
And make the ordinary come alive for them.
The extraordinary will take care of itself.

The space between us, reminds me of Juliana Spahr’s amazing post 9-11 poem: This Connection of Everyone With Lungs

as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities and the space of the regions and the space of the nations and the space of the continents and islands and the space of the oceans and the space of the troposphere and the space of the stratosphere and the space of the mesosphere in and out.

july 14/RUNSWIM

run: 3.6 miles
marshall loop
67 degrees
8:40 am

Another beautiful day! After all the biking yesterday, feeling tired today. The run felt good, but now I lack motivation to write or remember my run. Still, I’ll try. This week in my class, we’re shifting gears to talk about rhythm, breathing, and translating wonder into words. I decided I’d try to think in triples as I ran: strawberry/blueberry/raspberry/blackberry. Now I’ll try to summarize my run in triples:

singing birds
serenade
neighborhood
daycare kids
playground yells
lake street bridge
up the hill
one lane closed
passing cars
feeling tired
sweating lots
stop to walk
cross the road
avoid bikes
yellow vest
trimming trees
shadow falls
up the steps
down a hill
music on
Taylor Swift
Paper Rings
lifting knees
quick fast feet
ending strong
check my stones
wipe my face
breathe in deep

That was fun! Writing out, “singing birds,” reminded me of the birds I first heard as I walked out my door and up the block. Their 2 note song (not the black-capped chickadee “feebee”) sounded like they kept telling me to Wake up! Wake up! No rowers on the river, which was a pretty shade of blue. Admired how the trees along the shore cast a gentle shadow on the water.

Last night, or was it very early this morning?, I woke up and went downstairs to get some water. Something bright was behind the curtain. The moon? The moon! So big, so bright, so perfect hanging half way up the sky over my backyard. I went out on the deck and marveled at it for a moment. The moon, never not astonishing! Here’s an acrostic poem (I love acrostic poems!) about the moon.


Moon/ AMY E. SKLANSKY

Marvelous
Opaque
Orb.
Night-light
for the world.

swim: 3 loops
lake nokomis open swim
85 degrees
5:30 pm

Writing this the morning after. Arrived at the beach: so windy! The water was choppy, but not too bad. Tried to think about rhythms and breathing as I swam. I remember thinking about how chanting words can help in many different ways: connect you with your breathing, keep you focused and on pace, open you up and make words strange which could lead to new (and better?) words, and is a way to hold onto/remember ideas that come to you while you’re moving (try to remember the idea through a few words or a phrase). I thought about that for just a few minutes. The rest of the time, I was preoccupied with breathing, staying on course, avoiding other swimmers, and worrying that my calf and feet might be tightening up. Can I remember 10 things?

10 Things I Noticed

  1. a silver flash below me — this has to be fish, right?
  2. one dark plane hovering in the air, hanging in the sky for a long time
  3. nearing an orange buoy, it shifted in the wind and the waves. Hard to get around it.
  4. the green buoy was closer than it often is to the big beach, so was the first orange buoy
  5. clouds, no sun
  6. far off to my right: steady, speedy swimmers, approaching the buoy at a sharp angle
  7. a lifeguard kayaking in just before the beginning of open swim, apologizing for the wait (even though it was just 5:30). My response, “no worries,” and I meant it. The lifeguards really have their shit together this year
  8. wiped out after the 3rd loop, I thought I tucked my cap under the strap of my suit. Nope, it must have fallen in the water. Bummer
  9. lots of muck and sand and a few little bits of vegetation under my suit when I got home and took a shower
  10. feeling both so much love for the lake, the lifeguards, and the other swimmers AND also feeling irritated by and competitive with any swimmers near me.

No ducks, or seagulls, or dragonflies, or swans (peddle boats)…not too many people at the beach — are they on vacation this week?

july 12/RUNSWIM

run: 3.1 miles
dogwood coffee run
66 degrees
6:45 am

An early run with Scott to beat the heat. We ran north on the river road trail, then over to Brackett Park, then to Dogwood Coffee. We stopped to admire my stacked stones at the ancient boulder. Heard some bluejays. Noticed the sun sparkling on the water, and cutting through the thick, humid air. Heard the loud whooshing? thrashing? of an eliptigo as it sped past us on the bike trail. Scott said he thought it sounded like two lumberjacks were sawing down a tree, with one of those big saws that you hold on either end and push back and forth. I remember thinking Scott’s acting out of this saw was entertaining.

swim: 3 loops
lake nokomis open swim
80 degrees
5:30 pm

Another great swim, even though it was very choppy on the way back from the little beach. Managed to stay on course with barely any sighting of the orange buoys. I write about this so much, but it’s always strange and amazing to be able to swim straight and keep going when I can’t really see where I am.

Half the sky was blue and clear, the other half looked like a storm was moving in. Later, after we left the lake, it poured. I wondered how much it would have to be raining for them to cancel open swim. Usually they only cancel it when there’s thunder or lightening.

Saw more silver flashes below me. Also, a dark shadow as I swam around one of the buoys. At some point, I heard a squeak. Someone else’s wetsuit? I got to punch the water a few times, when I swam straight into it. Fun! Breathed every 5, then when it got choppier, every 4, or 3 then 4 then 3 again. I don’t remember seeing any swan boats or sail boats or paddle boarders. No music or yelling, laughing kids.

Back in April, I collected poems about dirt — soil, humus, fungi, and dust. Here’s another poem to add to the dust pile. It’s by Ted Kooser. He is such a wonderful poet!

Carrie / Ted Kooser

“There’s never an end to dust
and dusting,” my aunt would say
as her rag, like a thunderhead,
scudded across the yellow oak
of her little house. There she lived
seventy years with a ball
of compulsion closed in her fist,
and an elbow that creaked and popped
like a branch in a storm. Now dust
is her hands and dust her heart.
There’s never an end to it.

I love his line breaks and his beautiful first sentences. I should check out his collected works and study him more.

july 11/RUN

3.25 miles
2 trails (long)*
78 degrees
dew point: 67
10:30 am

Another hot morning. Couldn’t go out for my run until after 10. Would it have mattered if I went earlier? Already at 7, it felt uncomfortably humid and warm. For much of the run, I was thinking about the lecture I’m working on for next week and trying to work through a problem. A little over a mile and a half in, part of a solution came to me. I stopped and recorded my thoughts.

10 Things I Noticed

  1. overheard: a neighbor saying to someone else as she watched me run by, “I’m sweating just watching her run.”
  2. a bike behind me, very slowly approaching. First, a bell, the sound of bike wheels, a little kid talking. Then, a woman with a young kid in a bike trailer, and another little kid on a bike behind her passed by
  3. at least 2 women chatting far behind me — were they on bikes? on foot? how soon would they reach me? Never saw or heard them again
  4. the steady buzzing/thumping of a jack hammer
  5. the coxswain speaking through a bullhorn to her rowers
  6. the rush of wind through the trees sounding like water falling or rushing or being forced out of a hose
  7. the trickle of water out of the sewer pipe near 42nd street
  8. even through all of the clouds, the sun cast shadows of the trees on the sidewalk…a strange, slightly muted, image
  9. looked for my usual view of light and water piercing through the leaves near the tunnel of trees. It’s not there this year — why not? more vegetation? the angle from which I looking?
  10. the little stones I stacked on the ancient boulder yesterday were gone. Did the wind blow them off? Did someone/something knock them over? Were they there and I just didn’t see them?

july 7/RUNSWIM

3.25 miles
2 trails, the mostly dirt version*
76 degrees
humidity: 81% / dew point: 70
9:15 am

*I ran south on the dirt trail between Edmund and the river road. Crossed over at 42nd to the river road trail, then down to the Winchell Trail. Through the oak savanna, up the gravel by the ravine, down through the tunnel of trees, over to the dirt trail at 33rd and Edmund.

A dew point of 70? That’s pretty miserable. It didn’t bother me today. I was thinking about attention and listening to all of the sounds: birds, trucks, lawn mowers, cicadas, cars, roller skiers, singing bikers.

one thing I remembered, one I forgot

remembered: As I ran by the ancient boulder, I remembered to check if there were any stacked stones. Yes! 4 tiny stacked stones, hidden in the curve of the boulder. I saw these stones yesterday too, but forgot to write about them. Seeing these small stones, I wonder how many times I’ve glanced at the boulder and thought there were no stacked stones on it, when there were these tiny ones, hidden.

forgot: I forgot to look at the river even once. I even ran closer to it, down on the Winchell Trail, then forgot to turn right and look. Was it blue? brown?

Near the end of my run, I stopped for a few minutes to record my thoughts:

thought after run / july 7

letting attention flow through you, not holding onto it, letting it go
things remembered: the steady soundtrack of my striking feet and my labored lungs because of the humidity
people talking loudly in the background
trading off of lines between birds and cicadas, no constant soundtrack, in and out
cars zooming by, a loud truck, bikers singing
what were the bikers singing? ridiculously delightful
overheard: a biker listening to talk radio
more cars whooshing by
all the things I’m curious about: surfaces and how they’re made — who made them and through what process
birds chirping, the steady striking of my feet on the dirt

As I listen back to the recording, I’m struck by all the background sounds, some of which I notice and remark on, others which I don’t. It’s funny how much of our surroundings we tune out — like the cars or the birds or the people.

Here’s a poem I found on twitter this morning. Love Carl Phillips!

My Meadow, My Twilight/ Carl Phillips

Sure, there’s a spell the leaves can make, shuddering,
and in their lying suddenly still again — flat, and still,
like time itself when it seems unexpectedly more
available, more to lose therefore, more to love, or
try to…

          But to look up from the leaves, remember,

is a choice also, as if up from the shame of it all,
the promiscuity, the seeing-how-nothing-now-will-
save-you, up to the wind-stripped branches shadow-
signing the ground before you the way, lately, all
the branches seem to, or you like to say they do,
which is at least half of the way, isn’t it, toward
belief — whatever, in the end, belief
is… You can
look up, or you can close the eyes entirely, making
some of the world, for a moment, go away, but only
some of it, not the part about hurting others as the one
good answer to being hurt, and not the part that can
at first seem, understandably, a life in ruins, even if —
refusing ruin, because you
can refuse — you look
again, down the steep corridor of what’s just another
late winter afternoon, dark as night already, dark
the leaves and, darker still, the door that, each night,
you keep meaning to find again, having lost it, you had
only to touch it, just once, and it bloomed wide open…

swim: 3 loops
lake nokomis open swim
80 degrees
5:30 pm

A great night for a swim! Calm water, overcast, not too crowded. I swam without stopping for 45 minutes, and I swam straight to each buoy, even though I hardly saw them. As usual, just the smallest flash that something was there. Sometimes I could tell it was orange or green, but usually it was just the idea of a hulking shape way ahead of me, or the smallest smudge of something. So strange.

10 Things I Noticed

  1. no fish below me
  2. the orange buoys were in a straight line, the one closest to the little beach wasn’t that close
  3. most of the buoys tethered to torsos were yellow
  4. a flash of green, then a swimmer directly ahead of me, way off course — I had to swing wide to avoid them
  5. another swimmer, pushing me off to the side. I had to stop and swim behind, then around them (this happened at least twice)
  6. the far green buoy was in line with at least two white sailboats, which made it hard to sight
  7. a plane overhead, no blue sky, only clouds
  8. breathed every 5 strokes: 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left
  9. encountered a family of ducks out in the middle of the lake
  10. the water was slightly clearer than on Tuesday, but not as clear as at Cedar Lake. I could watch my hand stretch out in front of me, but only saw dark green below

june 6/RUN

5.75 miles
franklin hill + extra
67 degrees

Everything green. Not dark green, like yesterday, but glowing green. Greeted the Welcoming Oaks as I ran past them. Noticed again — and I’m remembering this time, finally, to mention it — the non-oak (what kind is it?) tree that looks like a tuning fork. A few months ago, looking at it, I thought, “time to tune my body to the gorge.” I think this came to my mind because I had just listened to John Denver’s version of “The Garden Song” and the lines, “Tune my body and my brain/ To the music from the land.”

Things the Flew in my Face, a list

  1. a small, but not too small, bird flying out of the leaves towards me, then veering quickly, making me stutter step and raise my hands to my eyes
  2. a gnat, into the liquid protein in my right eye — it might still be in there…yuck!
  3. cottonwood fuzz
  4. another bird, not as close this time
  5. the leafy branch of a tree on the side of the trail
  6. wind

Speaking of wind, there was a point early on in the run when I noticed the wind in several different versions, all at once: the sound of rushing air past my ears; a sound that was not roaring or howling but talking loudly in the trees; the dancing shadows of the leaves on the trail.

Heard the rowers; encountered some roller skiers; greeted Dave, the Daily Walker and Mr. Morning!; looked up at the fluffy white clouds; wondered if the big bird soaring high above me was an eagle or a hawk or a turkey vulture; noticed all the empty benches; tried to, but couldn’t, identify the song coming out of a biker’s speakers as they passed me; thought about how fast the river was going and whether or not that was faster than I was running up the hill; appreciated my shadow ahead of me; smelled too much lilac; successfully avoided lots of groups of walkers; ran way too fast down a hill.

Inspired by an interview I encountered this morning, here’s the first poem from Ada Limón’s latest collection, The Hurting Kind:

Give Me This/ Ada Limón

I thought it was the neighbor’s cat back
to clean the clock of the fledgling robins low
in their nest stuck in the dense hedge by the house
but what came was much stranger, a liquidity
moving all muscle and bristle. A groundhog
slippery and waddle thieving my tomatoes still
green in the morning’s shade. I watched her
munch and stand on her haunches taking such
pleasure in the watery bites. Why am I not allowed
delight? A stranger writes to request my thoughts
on suffering. Barbed wire pulled out of the mouth,
as if demanding that I kneel to the trap of coiled
spikes used in warfare and fencing. Instead,
I watch the groundhog closer and a sound escapes
me, a small spasm of joy I did not imagine
when I woke. She is a funny creature and earnest,
and she is doing what she can to survive.

Here’s the final question, and her answer, in the interview:

Question: What is the poet’s role in finding meaning in the world, and what is our duty in deciding to reject meaning? Talk to me about the work of meaning making. Talk to me about the work of surrender and release?

Answer: That’s the nature of life, isn’t it? To desire to make meaning and then surrender to the mystery and the repeat and repeat and repeat. Toni Morrison once said, during her Nobel Prize speech in 1993, “We die. That may be the meaning of life. But we do language. That may be the measure of our lives.” And to me that quote is all about surrendering to our mortality, accepting our end, and yet recognizing the ways in which we honor our time here. How we point out the beauty, the pain, the full spectrum of all of our experience, so that we can live wholly, completely, and not miss the living we’ve been granted. Sometimes the message is only, “Look, I am alive.” And it does not have to transcend that. Why would it? What could be bigger than that?

may 23/RUN

4.5 miles
veterans’ home loop
58 degrees

Sunny and calm. A beautiful spring day that feels like early April not late May. Tried to look at the river, but had trouble through so much green. Heard some cardinals the call of the pileated woodpecker, a crow. I think I looked at my shadow off the side at least once. Did I? Noticed the bench next to the big boulder: empty. Lots of people visiting the falls. Lots of “right behind yous” followed by “that’s okays.” I wasn’t bothered by the crowds. Ran up the short set of steps right before and after the falls.

The run felt good, but I was ready to be done. The last mile was difficult.

Someone posted an excerpt from Adrienne Rich’s essay Someone is Writing a Poem. Wow! Here are a few bits I’d like to remember:

The reading of a poem, a poetry reading, is not a spectacle, nor can it be passively received. It’s an exchange of electrical currents through language—that daily, mundane, abused, and ill-prized medium, that instrument of deception and revelation, that material thing, that knife, rag, boat, spoon/reed become pipe/tree trunk become drum/mud become clay flute/conch shell become summons to freedom/old trousers and petticoats become iconography in appliqué/rubber bands stretched around a box become lyre. 

Take that old, material utensil, language, found all about you, blank with familiarity, smeared with daily use, and make it into something that means more than it says. What poetry is made of is so old, so familiar, that it’s easy to forget that it’s not just the words, but polyrhythmic sounds, speech in its first endeavors (every poem breaks a silence that had to be overcome), prismatic meanings lit by each others’ light, stained by each others’ shadows. In the wash of poetry the old, beaten, worn stones of language take on colors that disappear when you sieve them up out of the streambed and try to sort them out.

And all this has to travel from the nervous system of the poet, preverbal, to the nervous system of the one who listens, who reads, the active participant without whom the poem is never finished.

We go to poetry because we believe it has something to do with us. We also go to poetry to receive the experience of the not me, enter a field of vision we could not otherwise apprehend.

But most often someone writing a poem believes in, depends on, a delicate, vibrating range of difference, that an “I” can become a “we” without extinguishing others, that a partly common language exists to which strangers can bring their own heartbeat, memories, images. A language that itself has learned from the heartbeat, memories, images of strangers.

Someone is writing a poem. Words are being set down in a force field. It’s as if the words themselves have magnetic charges; they veer together or in polarity, they swerve against each other. Part of the force field, the charge, is the working history of the words themselves, how someone has known them, used them, doubted and relied on them in a life. Part of the movement among the words belongs to sound—the guttural, the liquid, the choppy, the drawn-out, the breathy, the visceral, the downlight. The theater of any poem is a collection of decisions about space and time—how are these words to lie on the page, with what pauses, what headlong motion, what phrasing, how can they meet the breath of the someone who comes along to read them? And in part the field is charged by the way images swim into the brain through written language: swan, kettle, icicle, ashes, scab, tamarack, tractor, veil, slime, teeth, freckle.

may 22/RUN

4.25 miles
river road trail, north/south
50 degrees

In the 40s this morning. I had to turn the heat on. Boo. Still, it was nice weather for a run. Not too much wind, not too warm, sunny. I tried to remember to look at the river, and did at least once. I could barely see it through all of the green. Saw Mr. Morning! Today he waved at me. I think he could tell I was too busy navigating through all of the people to speak. Listend to the world running north, a playlist running south.

10 Things I Noticed

  1. No rowers
  2. a big group (10+) of roller skiers, with a coach on a bike in the back
  3. a biker calling out to his friend: “I love that show!” what show?
  4. a sliver of blue river through the leaves
  5. no stacked stones on the ancient rock
  6. the path felt like it was floating in the trees at the spot where it’s so thick with green above and below that you can tell where the ground or sky are
  7. passed Mr. Holiday and he said, “well, at least there’s sun”
  8. clouds in the sky, sometimes covering the sun
  9. a blue plastic tarp folded up on the ground under the lake street bridge, near the porta potty
  10. no squirrels or chipmunks or black-capped chickadees or woodpeckers or sewer smells or burnt toast smells or purple flowers but one irritating mosquito bite on the back of my leg

Naming the Heartbeats/ Aimee Nezhukumatathil

I’ve become the person who says Darling, who says Sugarpie,
Honeybunch, Snugglebear—and that’s just for my children.
What I call my husband is unprintable. You’re welcome. I am
his sweetheart, and finally, finally—I answer to his call and his
alone. Animals are named for people, places, or perhaps a little
Latin. Plants invite names for colors or plant-parts. When you
get a group of heartbeats together you get names that call out
into the evening’s first radiance of planets: a quiver of cobras,
a maelstrom of salamanders, an audience of squid, or an ostentation
of peacocks. But what is it called when creatures on this earth curl
and sleep, when shadows of moons we don’t yet know brush across
our faces? And what is the name for the movement we make when
we wake, swiping hand or claw or wing across our face, like trying
to remember a path or a river we’ve only visited in our dreams.

may 4/RUN

3.25 miles
trestle turn around
58 degrees

Ran in the early afternoon today. Warm enough for shorts and a short-sleeved shirt. Spring! Already feeling too warm. I remember where I was when I stopped to look at the river — just past the railroad trestle, down the recently replaced steps — but I don’t remember what it looked like, other than blue and calm. Heard lots of birds, my feet striking the ground in a dull thud, a funky baseline spilling out of a car window, a few fragments of conversation — one of them had something to do with the weather? — and a dog collar clanging.

After looking at the river, I kept walking on the dirt path below the paved one. I felt almost, but not quite, removed from everything, but still part of it too. Beside it. I thought again about how stepping only a few feet off of the main trail enables you to have some space, to feel left alone. This space beside below next to everything else is not outside, or even on the threshold. Is it on the front stoop, or the front yard? Not sure what it is exactly or even that it needs a fixed name. An image: a dirt trail beneath my feet, mostly dry with a few muddy spots, perched on a steep edge. To the right: a few tree branches, open air, the river down below. To my left: a small hill with wood railing at the top. An occasional voice traveling down, evidence of the paved path above.

This morning, I read a wonderful interview with Jorie Graham on Lithub. It’s from 2018 and about her book, Fast. This title made me think of its opposite. In her interview with David Naimon for Tinhouse, Graham said a few times, “Pay attention! Slow down!” I kept thinking about what slow might mean for me. Not just moving slower, but moving less efficiently or productively. Moving without purpose or a fixed goal. Moving with ease (and without haste) through open space, not crammed with appointments or tasks or destinations.

It is exciting to find great poets with amazing poems and wonderful advice and reflections on how to be. I really like Jorie Graham. Looking through another one of her collections, Erosion, I found this great poem:

Still Life with Window and Fish / Jorie Graham (recording)

Down here this morning in my white kitchen
along the slim body
of the light,
the narrow body that would otherwise
say forever the same thing,
the beautiful interruptions, the things of this world, twigs
and power lines, eaves and ranking
branches burn
all over my walls.
Even the windowpanes are rich.
The whole world outside
wants to come into here,
to angle into
the simpler shapes of rooms, to be broken and rebroken
against the sure co-ordinates
of walls.
The whole world outside….
I know it’s better, whole, outside, the world—whole
trees, whole groves–but I
love it in here where it blurs, and nothing starts or
ends, but all is
waving, and colorless,
and voiceless….
Here is a fish-spine on the sea of my bone china
plate. Here is a a fish-spine on the sea of my hand,
flickering, all its freight
fallen away,
here is the reason for motion washed
in kitchen light, fanning, gliding
upstream in the smoke of twigs, the rake
against the shed outside, the swaying birdcage
and its missing
tenant. If I should die
before you do,
you can find me anywhere
in this floral, featureless,
indelible
surf. We are too restless
to inherit
this earth.

I want to do something with that last line, I think. Something about my own restlessness.



april 27/RUN

3.85 miles
marshall loop
38 degrees

Still wearing running tights and winter vest, but it’s getting warmer and sunnier and spring feels almost here. I warmed up quickly and had a good run.

10 Things I Noticed

  1. a new neighbor has repositioned a drain pipe so that water from their basement dumps out on the sidewalk I take for almost every run, soaking it. A few weeks ago, when it was colder, this water quickly turned to ice, now it’s only an irritating puddle
  2. running west over the lake street bridge, the river was broad and blue and rippling
  3. running east, the river was brown and flat
  4. no smells from Black Coffee, at the top of the marshall hill
  5. the branches of the trees reaching up from below the trail on the east side looked silver and dead or dormant or nowhere close to sprouting leaves
  6. wind rustling through some dead leaves, but no sound of water above shadow falls
  7. don’t remember hearing any birds or seeing any squirrels
  8. they are doing some sewer work near 7 oaks — I heard the beep beep beep of a truck backing up, then saw a huge concrete cylinder waiting to be buried below the street — how long will all of this take?
  9. encountered at least 3 pairs of walkers — I think I heard some of their conversations, but I can’t remember any words now
  10. my zipper pull was banging against my shirt at the beginning of my run, making a dull thud that I couldn’t not hear. Did it stop, or was I able to tune it out?

Things I Didn’t Notice, either because I forgot or they weren’t there: geese, black-capped chickadees, crows, dogs, anything green, other runners, purple flowers, roller skiers, sewer smells, planes, the sky, clouds, my own breathing

Writing this list of things I didn’t notice, I suddenly remember something I almost forgot: bird shadows! At least twice, I noticed the shadows of incredibly fast moving birds, passing below me. Very cool and very fast! I wondered, were these birds being helped by the wind, or were they just that fast?

Yesterday I checked out Merlin Sheldrake’s Entangled Life from the library. I’ve read the introduction so far and I’m really enjoying it. A few things to remember:

Our bodies (we) are ecosystems, composed of — and decomposed by — an ecology of microbes.

Biology — the study of living organisms — has been transformed into ecology — the study of relationships between living organisms.

I came across many complicated relationships between field biologists and the organisms they studied. I joked with the bat scientists that in staying up all night and sleeping all day they were learning bat habits. They asked how the fungi were imprinting themselves on me. I’m still not sure. But I continue to wonder how, in our total dependence on fungi — as regenerators, recyclers, and networkers that stitch worlds together — we might dance to their tune more often than we realize. 

Scientists are — and have always been — emotional, creative, intuitive, whole human beings, asking questions about a world that was never made to be catalogued and systematized.