Tag: shadows

oct 17/BIKE

bike: 30 minutes
basement, bike stand

I’d like to run this morning, but I won’t. I’m trying to give my right knee a break. So instead, I did a short bike ride in the basement. Hopefully, later this week, I’ll swim at the Y. No deep thoughts while biking, just the chance to move and get my heart rate above 120 bpms. Thought about starting the second season of Cheer! — I watched the first during the winter of 2020 — but ended up watching another track race. Maybe next time I’ll start re-watching Dickinson? I’ve started listening to the awesome poetry podcast about the show, The Slave is Gone, and I’ve been wanting to return to ED’s poems, and read the book I bought earlier this year, My Emily Dickinson by Susan Howe. Too many projects, not enough time or energy. Oh well.

Marie Howe and the Moment

Yesterday, I posted 2 poems from Marie Howe, Part of Eve’s Discussion and The Meadow, and I mentioned a third that I had posted earlier in this year on July 19, “The Moment.” Here it is:

The Moment/ Marie Howe

Oh, the coming-out-of-nowhere moment

when, nothing

happens

no what-have-I-to-do-today-list

maybe half a moment

the rush of traffic stops.

The whir of I should be, I should be, I should be

slows to silence,

the white cotton curtains hanging still.

This last line about the white curtains hanging still reminds me of an interview with Howe that I posted an excerpt from 3 days later. When asked about caring for her dying brother, she mentions a green, flapping shade:

 being with John when he was alive in those hours and days in his room with the green, flapping shade. Sitting by Johnny and just talking in those ways for those hours and all the particulars: the glass, the sandwich, the shade, the bedclothes, the cat, the summer heat outside pressing against the windows, the coolness in the air, the dim room. The peacefulness. The sounds of kids on bikes outside. For once there was nothing else going on but that. That’s the freedom of it, right? What’s more important? Nothing. So you’re actually living in time again.

and also this:

That was really a big deal. I was given this place to be without any expectations really. And everything changed so that the particulars of life—this white dish, the shadow of the bottle on it—everything mattered so much more to me. And I saw what happened in these spaces. You can never even say what happened, because what happened is rarely said, but it occurs among the glasses with water and lemon in them. And so you can’t say what happened but you can talk about the glasses or the lemon. And that something is in between all that.

Reading her words here, and thinking about the death of her brother, has helped me to enhance/shift my understanding of a few lines from “The Meadow”:

But in this world, where something is always listening, even
murmuring has meaning, as in the next room you moan

in your sleep, turning into late morning. My love, this might be
all we know of forgiveness, this small time when you can forget

what you are. 

I first wrote about these lines on july 13 and 14, 2020. In those entries, I talked a lot about the value of forgetting. To forget what you are and just be, without judgment, giving attention to the light and the breeze and a flapping, green shade.

a few more thoughts about moments:

In “Logic” Richard Siken writes the moment before something happening and sleeping and possibility. I don’t completely understand his words, but they reminded me of Howe’s words:

A hammer is a hammer when it hits the nail. 
A hammer is not a hammer when it is sleeping. I woke 
up tired of being the hammer. There’s a dream in the 
space between the hammer and the nail: the dream of
about-to-be-hit, which is a bad dream, but the nail will
take the hit if it gets to sleep inside the wood forever. 

Also, I keep thinking about a moment as not being a unit of time, but a location, that in-between space. And I’m also thinking of time outside the clock, which is a theme I’ve return to a lot, and that comes up in the bit of the poem I re-memorized yesterday:

Our clock is blind, our clock is dumb.
Its hands are broken, its fingers numb.
No time for the martyr of our fair town
Who wasn’t a witch because she could drown.

It’s also in the a few lines I wrote in my long poem, which I was calling “Haunts,” but am now thinking of it as “Girl Ghost Gorge”:

I slip through time’s tight
ticks to moments so
brief they’re like shudders,
but so generous
they might fit every-
thing left behind by
progress.

oct 3/RUN

5.4 miles
ford loop
61 degrees

Full fall color! More orange than anything else. Beautiful. Running over the lake street bridge — river emptied of everything but ripples. Windy. Noticed the evidence of the marathon everywhere — port-a-potties and barricades waiting to be picked up. No trash or torn-up grass or anything else that might indicate lots of people gathered here. I’m always impressed with how quickly everything is picked up. Encountered an older woman on the lake street steps. Tried to think about May Swenson’s wonderful poem, “October,” but all my thoughts scattered. Felt good. My right knee (the OG), didn’t bother me until the very end, and barely. No shifting or rubbing kneecap today!

No headphones for the first 4.5 miles. Put in Bruno Mars playlist — “talking to the moon” — while I finished my run.

10 Things I Noticed

  1. Orange everywhere! Not the kind that’s almost red, but the soft neon, almost like orange sherbet
  2. No rowers on the river, no roller skiers on the path, one fast-moving rollerblader
  3. A single goose honking, somewhere in the sky
  4. mostly cloudy with the sun sometimes peeking through the clouds
  5. long shadows cast by the trees on the east river side, near the overlook closest to the ford bridge
  6. a stretch on the east side of the river with no trees — no shade, nothing to frame the wide open sky, strangely bare
  7. the sound of jack hammers
  8. 2 bikers at the top of Summit, just past the monument. One said to the other, “This is the only tricky (or did he tough?) part of the route”
  9. a bike darted past me on the ford bridge then turned into a small overlook. No! I wanted to stop there to admire the leaves! Then, before I reached the overlook, hopped on their bike and pedaled away. Hooray!
  10. the short path that you cut down after exiting the ford bridge to get to the river road was the ideal form of Fall — all oranges, a few yellows, a winding path, mysterious woods

A few weeks ago, I decided that in October I would study 2 poems titled October, one my May Swenson, the other by Louise Glück. This week, May Swenson’s version:

October/ May Swenson

1

A smudge for the horizon
that, on a clear day, shows
the hard edge of hills and
buildings on the other coast.
Anchored boats all head one way:
north, where the wind comes from.
You can see the storm inflating
out of the west. A dark hole
in gray cloud twirls, widens,
while white rips multiply
on the water far out.
Wet tousled yellow leaves,
thick on the slate terrace.
The jay’s hoarse cry. He’s
stumbling in the air,
too soaked to fly.

2

Knuckles of the rain
on the roof,
chuckles into the drain-
pipe, spatters on
the leaves that litter
the grass. Melancholy
morning, the tide full
in the bay, an overflowing
bowl. At least, no wind,
no roughness in the sky,
its gray face bedraggled
by its tears.

3

Peeling a pear, I remember
my daddy’s hand. His thumb
(the one that got nipped by the saw,
lacked a nail) fit into
the cored hollow of the slippery
half his knife skinned so neatly.
Dad would pare the fruit from our
orchard in the fall, while Mother
boiled the jars, prepared for
“putting up.” Dad used to darn
our socks when we were small,
and cut our hair and toenails.
Sunday mornings, in pajamas, we’d
take turns in his lap. He’d help
bathe us sometimes. Dad could do
anything. He built our dining table,
chairs, the buffet, the bay window
seat, my little desk of cherry wood
where I wrote my first poems. That
day at the shop, splitting panel
boards on the electric saw (oh, I
can hear the screech of it now,
the whirling blade that sliced
my daddy’s thumb), he received the mar
that, long after, in his coffin,
distinguished his skilled hand.

4

I sit with braided fingers
and closed eyes
in a span of late sunlight.
The spokes are closing.
It is fall: warm milk of light,
though from an aging breast.
I do not mean to pray.
The posture for thanks or
supplication is the same
as for weariness or relief.
But I am glad for the luck
of light. Surely it is godly,
that it makes all things
begin, and appear, and become
actual to each other.
Light that’s sucked into
the eye, warming the brain
with wires of color.
Light that hatched life
out of the cold egg of earth.

5

Dark wild honey, the lion’s
eye color, you brought home
from a country store.
Tastes of the work of shaggy
bees on strong weeds,
their midsummer bloom.
My brain’s electric circuit
glows, like the lion’s iris
that, concentrated, vibrates
while seeming not to move.
Thick transparent amber
you brought home,
the sweet that burns.

6

“The very hairs of your head
are numbered,” said the words
in my head, as the haircutter
snipped and cut, my round head
a newel poked out of the tent
top’s slippery sheet, while my
hairs’ straight rays rained
down, making pattern on the neat
vacant cosmos of my lap. And
maybe it was those tiny flies,
phantoms of my aging eyes, seen
out of the sides floating (that,
when you turn to find them
full face, always dissolve) but
I saw, I think, minuscule,
marked in clearest ink, Hairs
#9001 and #9002 fall, the cut-off
ends streaking little comets,
till they tumbled to confuse
with all the others in their
fizzled heaps, in canyons of my
lap. And what keeps asking
in my head now that, brushed off
and finished, I’m walking
in the street, is how can those
numbers remain all the way through,
and all along the length of every
hair, and even before each one
is grown, apparently, through
my scalp? For, if the hairs of my
head are numbered, it means
no more and no less of them
have ever, or will ever be.
In my head, now cool and light,
thoughts, phantom white flies,
take a fling: This discovery
can apply to everything.

7

Now and then, a red leaf riding
the slow flow of gray water.
From the bridge, see far into
the woods, now that limbs are bare,
ground thick-littered. See,
along the scarcely gliding stream,
the blanched, diminished, ragged
swamp and woods the sun still
spills into. Stand still, stare
hard into bramble and tangle,
past leaning broken trunks,
sprawled roots exposed. Will
something move?—some vision
come to outline? Yes, there—
deep in—a dark bird hangs
in the thicket, stretches a wing.
Reversing his perch, he says one
“Chuck.” His shoulder-patch
that should be red looks gray.
This old redwing has decided to
stay, this year, not join the
strenuous migration. Better here,
in the familiar, to fade.

After posting this, I decided to order Swenson’s collection Nature (and Glück’s Averno). So excited!

Back to Swenson. Today, before I went out for my run, I was struck by 4, 5, and 6, especially in terms of light, the eye, and vision.

from 4
But I am glad for the luck
of light. Surely it is godly,
that it makes all things
begin, and appear, and become
actual to each other.
Light that’s sucked into
the eye, warming the brain
with wires of color.
Light that hatched life
out of the cold egg of earth.

I like her description of light, the eye, and the brain, which is warmed with wires of color.

In the next section, 6, I’m struck by how, after praising light, she (seems to) praise darkness too:

Dark wild honey, the lion’s
eye color, you brought home
from a country store.

And offers a parallel description of dark, the eye, and the brain:

My brain’s electric circuit
glows, like the lion’s iris
that, concentrated, vibrates
while seeming not to move.

The eyes and light and vision come up again in section 6:

maybe it was those tiny flies,
phantoms of my aging eyes, seen
out of the sides floating (that,
when you turn to find them
full face, always dissolve)

then

In my head, now cool and light,
thoughts, phantom white flies,
take a fling

What to make of these references?

august 26/RUN

5.15 miles
franklin loop
64 degrees / humidity: 85%
8:40 am

Wow, what a wonderful late summer morning! Sunny, but cool. Noisy (with cicadas), but calm. I was hoping to run nice and slow, and I did, until I started creeping up on a runner ahead of me. I was running just faster than them and slowly gaining. As I neared, I noticed the runner slowed their pace to let me pass (I do that too — unlike some other runners who speed up as you near — very annoying). So, I picked up the pace to pass and never slowed down again. Oops. So much for a slow run!

In the first miles of the run, lots of people seemed to be getting in my way. Running too close, or walking on the wrong side. When I noticed it was almost everyone, I realized it probably wasn’t them, but me. I must be in a bad mood. So I let go, stopped feeling hostility towards everyone else, and within a few minutes no one was getting in my way. Funny how that works.

10 Things I Heard

  1. the electric buzz of cicadas*
  2. a few fragments of conversation that I can’t remember
  3. an old van, bouncing around on the road, sounding like broken springs on an old mattress
  4. the radio in that same van, playing some music I couldn’t recognize
  5. a chipmunk** chucking or clucking (I like chuck better than cluck)
  6. water sprinkling out of the seeps in the limestone on the eastern side of the gorge, sounding almost like wind through the trees
  7. the rumble of a garbage truck in the alley at the beginning of my run as I made my way to the river
  8. the rowers down below
  9. the quick foot strikes of a runner behind, then beside, then way in front of me
  10. walking back, nearing my block, a mailman speaking to someone in his mail truck: Open the door and then look out to check for cars. Was he training another mailman? That’s my guess

*Speaking of cicadas, I recorded their loud buzz right after I finished my run:

august cicadas / 9:30 am on 26 august 2022

**Found this Ogden Nash poem about the chipmunk:

The Chipmunk/ Ogden Nash

My friends all know that I am shy,
But the chipmunk is twice as shy as I.
He moves with flickering indecision
Like stripes across the television.
He’s like the shadow of a cloud,
Or Emily Dickinson read aloud.

Emily Dickinson read aloud? Reactions to this line: Huh? No. Maybe. The maybe came when I remembered Susan Howe’s description of ED’s poetics of humility and hesitation in her book, My Emily Dickinson (I bought this book earlier this summer. Is this a sign that I should read it now?).

Emily Dickinson took the scraps from the separate “higher” female education many bright women of her time were increasingly resenting, combined them with voracious and “unladylike” outside reading, and used the combination. She built a new poetic form from her fractured sense of being eternally on inteIlectual borders, where confident masculine voices buzzed an alluring and inaccessible discourse, backward through history into aboriginal anagogy. Pulling pieces of geometry, geology, alchemy, philosophy, politics, biography, biology, mythology, and philology from alien territory, a “sheltered” woman audaciously invented a new grammar grounded in humility and hesitation. HESITATE from the Latin, meaning to stick. Stammer. To hold back in doubt, have difficulty speaking. “He may pause but he must not hesitate”-Ruskin. Hesitation circled back and surrounded everyone in that confident age of aggressive industrial expansion and brutal Empire building. Hesitation and Separation. The Civil War had split American in two. He might pause, She hesitated. Sexual, racial, and geographical separation are at the heart of Definition.

My Emily Dickinson/ Susan Howe

One more thing about the chipmunk. I find them irritating and loud and their hesitations (when crossing my path) or frantic scurrying after confounding my dog by hiding in the gutter, are annoying. Scott and I refer to them as chippies, like when we yell in exasperation at their incessant chucking or scurrying or darting, Chippies!

august 13/RUN

1.8 miles
river road path, north/south
64 degrees
9:00 am

Overcast and cooler. Feeling more like fall is coming. Breezy. Heard lots of shivering leaves, some roller skiers’ poles clicking and clacking. Got a “good morning!” and “have a great day!” from Mr. Morning! and a “Say hi to my wife!” from Dave, the Daily Walker. No rowers or views of the lake. Lots of voices — from runners and walkers — hovering in the air.

Scrolling through my Safari Reading List, I found two poems I had saved, both featuring ants:

The Sunset and the Purple-Flowered Tree/ Joshua Jennifer Espinoza

I talk to a screen who assures me everything is fine.

I am not broken. I am not depressed. I am simply

in touch with the material conditions of my life. It is

the end of the world, and it’s fine. People laugh

about this, self-soothing engines sputtering

through a nosedive. Not me. I’ve gone and lost my

sense of humor when I need it most. This is why I

speak smoke into a scene. I dance against language

and abandon verse halfway through, like a broken-

throated singer. I wander around the front yard,

pathless as a little ant at the tip of a curled-up

cactus. Birds flit in and out of shining branches.

A garden blooms large in my throat. Color and life

conspire against my idea of the world. I have to

laugh until I am crying, make an ocean to land

upon in this sea of flames. Here I am.  

Another late-winter afternoon,

            the sunset and the purple-flowered tree

trying their best to keep me alive.

With Ant and Celan/ Eamon Grennan

This tiniest mite of an ant, no bigger
than a full stop, is making its careful
way across a poem by Celan and
stopping to inspect with its ant
feelers (can it smell or see? is all in
the idiom of touch?) each curve of
each letter, knowing nothing of the
mill of thinking that ground into it,
into each resonant syllable of each
word. The ant stops on Sprache and
sniffs at its ins and outs, its blank
whites and curlicues of black, then
moves on to the next word, Sprache,
and busies itself with its own ant-
brand of understanding; but finding
nothing of what it seeks it moves to
the blank margin of nothing more,
stumbles over the edge of the page
and I have to imagine it is saying (if
that’s the word) to itself something
that translated means No food.
Nothing here . . . And so now, gone
back into its own weird world of
stones and weeds and grass and sun-
shadows, it is lost to me as I go back
into the dark wood of Celan’s poem—
a world of words I feel my diligent
way through, sniffing at its tangle of
branches, its brief sun-flower flashes: 
Language, language, it will sing in
translation: Partner-Star . . . Earth-
Neighbor. Poorer. Open . . . Then: 
Homelike. Homely. Homelandlike.
Heimatlich. And so I take its final
word to heart, the way that most
minuscule creature might take back
to its own earth-burrow a seed, a
scrap of anything either edible or
useful, anything it could translate to
nourishment, and live a little with it.

I have posted several poems by Eamon Grennan before. Such beautiful poetry! Here’s a link to more poems, read by the author.

august 11/RUNBIKESWIM

run: 3.1 miles
turkey hollow loop
70 degrees
9:00 am

Overcast this morning. Listened to an old playlist and ran a route I did a lot during the early days of the pandemic. No turkey sightings. Bummer. Don’t remember much about the run, except for that it felt pretty good. No need to stop and walk.

Read more of Alice Oswald’s Nobody yesterday and decided that I need to reread The Odyssey to get her references. So I picked up FWA’s copy from his first year of college. I recall reading it my freshman year too. It’s great, especially this recent-ish translation by Emily Wilson. Very cool. How long will it take my slow eyes to finish? Unsure.

Found a great poem by Linda Pastan on twitter yesterday:

Imaginary Conversation/ Linda Pastan

You tell me to live each day
as if it were my last. This is in the kitchen
where before coffee I complain
of the day ahead—that obstacle race
of minutes and hours,
grocery stores and doctors.

But why the last? I ask. Why not
live each day as if it were the first—
all raw astonishment, Eve rubbing
her eyes awake that first morning,
the sun coming up
like an ingénue in the east?

You grind the coffee
with the small roar of a mind
trying to clear itself. I set
the table, glance out the window
where dew has baptized every
living surface.

Speaking of the sun coming up, this morning I woke up too early, around 5:45. I was going to try to fall back asleep then suddenly I thought: if I get up now, I’ll get to see the sunrise. Wow! What a sunrise. One half of the sky the color of a neon pink crayola with edges of bright blue. It lasted less than 5 minute. I sat out on the deck, wrapped in a blanket with my coffee and marveled at it. I remember thinking how ridiculously simple it seems to make a day worth it, and how difficult it is to remember to do it.

bike: 8.6 miles
lake nokomis and back
82 degrees
4:45 pm / 6:45 pm

Biked with Scott over to the lake. Perfect weather for biking and being outside!

swim: 3 loops
lake nokomis open swim
82 degrees
5:15 pm

Another wonderful swim! Why does open swim have to end in 2 weeks? Oh well, then it’s time for fabulous fall and winter running, and listening to crunching snow and breathing in the crisp, cold air.

Tonight it was crowded — at Sandcastle, on the beach, in the water. Lots of menancing sail boats and swan boats and kayaks. I kept seeing them at the edge of my vision and feeling wary.

Scott asked how the water was. I said there were waves, but they were gentle like a cradle, not rough like a spin cycle.

I felt strong and fast and amazing, cutting through the water. What a great feeling!

Looked down: opaque, almost greenish-yellow.

The water was warm. No pockets of cold, just warm.

Rounding the far orange buoy, a sudden shadow and coldness. Strange.

august 8/RUNSWIM

run: 5.5 miles
ford loop
57! degrees
8:15 am

What a wonderful morning for a run! I love when it’s cooler. So much easier. Ran the ford loop without stopping. Slow and steady. Only a few thoughts that I can remember, an overheard conversation, and foot strikes, breaths, a few things noticed.

thought: my desire for a view to the other side is not about seeing it, but feeling it, being aware of it.

overheard conversation: 1 male roller skier to another, while climbing a hill ahead of me: She’s only waterskiied once! I told her, you can’t say you almost died waterskiing when you’ve only tried it once!

10 Things I Noticed

  1. gushing water out of the sewer pipe below 42nd st
  2. the voices of kids playing on the playgrouds at the church daycare and Dowling Elementary
  3. dripping water from the bluff on the east side of the river
  4. rowers! the coxswain’s voice, 2 shells with 4 rowers each on the river + the boat with the coxswain
  5. climbing the hill near Summit Avenue, almost catching up to the biker ahead of me who seemed to be struggling
  6. beautiful flowers near the monument — can’t remember what kinds or what colors
  7. more views of the blue river on the east side (as opposed to the west side, where I regularly run)
  8. screeching blue jays and squirrels
  9. the small hill just off the ford bridge and down to the river road was dark green and looked mysterious
  10. at the top of the Summit hill on the east side, everything was darker, greener. So dark that the street lamps lining the path were on

Love this poem by Alice Oswald. It would be a great one to memorize — maybe as part of a group on listening?

Birdsong for Two Voices/ Alice Oswald

A spiral ascending the morning,
climbing by means of a song into the sun,
to be sung reciprocally by two birds at intervals
in the same tree but not quite in time.

A song that assembles the earth
out of nine notes and silence.
out of the unformed gloom before dawn
where every tree is a problem to be solved by birdsong.

Crex Crex Corcorovado,
letting their pieces fall where they may,
every dawn divides into the distinct
misgiving between alternate voices

sung repeatedly by two birds at intervals
out of nine notes and silence.
while the sun, with its fingers to the earth,
as the sun proceeds so it gathers instruments:

it gathers the yard with its echoes and scaffolding sounds,
it gathers the swerving away sound of the road,
it gathers the river shivering in a wet field,
it gathers the three small bones in the dark of the eardrum;

it gathers the big bass silence of clouds
and the mind whispering in its shell
and all trees, with their ears to the air,
seeking a steady state and singing it over till it settles.

swim: 5 little loops = 3 big loops
cedar lake open swim
73 degrees
5:30 pm

Wow, what an evening! Sunny, no wind, cooler. The water was clear (visibility at cedar lake = 15.5 feet vs. Nokomis at 1.5 feet). I didn’t worry about getting off course. Not a single swimmer routed me. I swam 4 loops without stopping, then took a quick 30 seconds break before doing the last loop.

Anything I remember? I knew where I was going so it didn’t matter, but I couldn’t see the orange buoy closest to the start until I was almost on top of it. The cause? My vision + a strange placement of the buoy + bright sun in my eyes

One other thing I remembered: as I swam toward hidden beach, I kept thinking someone was next to me, on the left. Almost like a black shadow. Whenever I looked, nothing. Later, swimming back to east point beach, I kept thinking there was a kayak or paddleboard or something off to my left (again, to the left). Nothing and no one. Strange.

august 4/RUN

3.1 miles
marshall loop (short)
62 degrees
8:00 am

Ran the marshall loop with Scott. The plan was to end at Dogwood and get some coffee, but Dogwood was too busy, so we skipped it (and saved $20 which makes the frugal me happy).

The river was a beautiful blue. Calm. On the way back over it, I heard the distant voice of the coxswain. The rowers! Also noticed the shadows of the trees on the water — on the far side, turning the water a dark green, on the near side, reflecting fuzzy outlines of the tops of the trees.

No sound of water trickling as we ran above shadow falls. It’s very dry here.

july 22/SWIMRUN

swim: 1 loop
lake nokomis open swim
75 degrees
9:30 am

FWA did it! Today, he swam across the lake and back again. 1200 yards. It was fun to stop at the little beach and talk with other swimmers, while we took a break. We met an older woman, who loves to swim around the lake, even when it’s not open swim. She said her kids told her she better stop because the fine is big if you are caught. (I think it might be $2500!) One of her responses, Technically I’m not swimming across the lake, but around it. I like her.

The water was great for the swim: smooth, and not choppy at all. Much easier than when it’s windy. It has been fun training with FWA. I’m hoping he’ll swim some in August. What a gift to spend this time with my wonderful son!

run: 3 miles
marshall loop, shortened
80 degrees
11 am

A little while later, I ran with Scott. It was hot. We walked a lot, which was fine with me. A memorable sighting: an eagle circling around, high above us, riding a thermal. It took a while for me to be able to see it in my central vision, but finally I could. What a wing span!

The other day, searching for something else, I found this beautiful interview with Marie Howe from 2013 for Tricycle. She’s talking about losing her beloved brother Johnny and the space she had for grieving. These words fit with other words of her that I’ve read and loved and just used in my class. Putting them in the context of her grief makes them glow even brighter for me:

MH: That was really a big deal. I was given this place to be without any expectations really. And everything changed so that the particulars of life—this white dish, the shadow of the bottle on it—everything mattered so much more to me. And I saw what happened in these spaces. You can never even say what happened, because what happened is rarely said, but it occurs among the glasses with water and lemon in them. And so you can’t say what happened but you can talk about the glasses or the lemon. And that something is in between all that.

KPE: It’s like the Japanese esthetic word of ma. It’s so wonderful. The space between….

MH: This is the space I love more than anything. And this became very important, but there’s no way to describe that, except to describe “you and me.” And there’s the space. I make my students write 10 observations a week—really simple. Like, this morning I saw. . . , this morning I saw. . . , this morning I saw. . . —and they hate it. They always say, “This morning I saw ten lucky people.” And I say, “No. You didn’t see ten lucky people. What did you see?” And then they try to find something spectacular to see. And I say, “No.” It’s just, “What did you see?” “I saw the white towel crumpled on the blue tiles of the bathroom.” That’s all. No big deal. And then, finally, they begin to do it. It takes weeks. And then the white towels pour in and the blue tiles on the bathroom, and it’s so thrilling. It’s like, “Ding-a-ling, da-ding!” And some people never really take to it. But I insist on it. What you saw. What you heard. Just the facts, ma’am. The world begins to clank in the room, drop and fall, and clutter it up, and it’s so thrilling.

KPE: Because it clanks and falls?

MH: Yes! It does. It’s like, “Did you see it? Did you see it?” Everybody goes “Whoa!”

Marie Howe: The Space Between

It is thrilling to notice the world! To hear it clank and drop, watch it create clutter. This reminds me of 2 other things I have recently encountered, one for the first time, one again, after a few years.

First, this poem was posted on twitter the other day:

Do Not Ask Your Children To Strive for Extraordinary Things/ William Martin

Do not ask your children
to strive for extraordinary lives.
Such striving may seem admirable,
but it is the way of foolishness.
Help them instead to find the wonder
and the marvel of an ordinary life.
Show them the joy of tasting
tomatoes, apples and pears.
Show them how to cry
when pets and people die.
Show them the infinite pleasure
in the touch of a hand.
And make the ordinary come alive for them.
The extraordinary will take care of itself.

The space between us, reminds me of Juliana Spahr’s amazing post 9-11 poem: This Connection of Everyone With Lungs

as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities and the space of the regions and the space of the nations and the space of the continents and islands and the space of the oceans and the space of the troposphere and the space of the stratosphere and the space of the mesosphere in and out.

july 14/RUNSWIM

run: 3.6 miles
marshall loop
67 degrees
8:40 am

Another beautiful day! After all the biking yesterday, feeling tired today. The run felt good, but now I lack motivation to write or remember my run. Still, I’ll try. This week in my class, we’re shifting gears to talk about rhythm, breathing, and translating wonder into words. I decided I’d try to think in triples as I ran: strawberry/blueberry/raspberry/blackberry. Now I’ll try to summarize my run in triples:

singing birds
serenade
neighborhood
daycare kids
playground yells
lake street bridge
up the hill
one lane closed
passing cars
feeling tired
sweating lots
stop to walk
cross the road
avoid bikes
yellow vest
trimming trees
shadow falls
up the steps
down a hill
music on
Taylor Swift
Paper Rings
lifting knees
quick fast feet
ending strong
check my stones
wipe my face
breathe in deep

That was fun! Writing out, “singing birds,” reminded me of the birds I first heard as I walked out my door and up the block. Their 2 note song (not the black-capped chickadee “feebee”) sounded like they kept telling me to Wake up! Wake up! No rowers on the river, which was a pretty shade of blue. Admired how the trees along the shore cast a gentle shadow on the water.

Last night, or was it very early this morning?, I woke up and went downstairs to get some water. Something bright was behind the curtain. The moon? The moon! So big, so bright, so perfect hanging half way up the sky over my backyard. I went out on the deck and marveled at it for a moment. The moon, never not astonishing! Here’s an acrostic poem (I love acrostic poems!) about the moon.


Moon/ AMY E. SKLANSKY

Marvelous
Opaque
Orb.
Night-light
for the world.

swim: 3 loops
lake nokomis open swim
85 degrees
5:30 pm

Writing this the morning after. Arrived at the beach: so windy! The water was choppy, but not too bad. Tried to think about rhythms and breathing as I swam. I remember thinking about how chanting words can help in many different ways: connect you with your breathing, keep you focused and on pace, open you up and make words strange which could lead to new (and better?) words, and is a way to hold onto/remember ideas that come to you while you’re moving (try to remember the idea through a few words or a phrase). I thought about that for just a few minutes. The rest of the time, I was preoccupied with breathing, staying on course, avoiding other swimmers, and worrying that my calf and feet might be tightening up. Can I remember 10 things?

10 Things I Noticed

  1. a silver flash below me — this has to be fish, right?
  2. one dark plane hovering in the air, hanging in the sky for a long time
  3. nearing an orange buoy, it shifted in the wind and the waves. Hard to get around it.
  4. the green buoy was closer than it often is to the big beach, so was the first orange buoy
  5. clouds, no sun
  6. far off to my right: steady, speedy swimmers, approaching the buoy at a sharp angle
  7. a lifeguard kayaking in just before the beginning of open swim, apologizing for the wait (even though it was just 5:30). My response, “no worries,” and I meant it. The lifeguards really have their shit together this year
  8. wiped out after the 3rd loop, I thought I tucked my cap under the strap of my suit. Nope, it must have fallen in the water. Bummer
  9. lots of muck and sand and a few little bits of vegetation under my suit when I got home and took a shower
  10. feeling both so much love for the lake, the lifeguards, and the other swimmers AND also feeling irritated by and competitive with any swimmers near me.

No ducks, or seagulls, or dragonflies, or swans (peddle boats)…not too many people at the beach — are they on vacation this week?

july 12/RUNSWIM

run: 3.1 miles
dogwood coffee run
66 degrees
6:45 am

An early run with Scott to beat the heat. We ran north on the river road trail, then over to Brackett Park, then to Dogwood Coffee. We stopped to admire my stacked stones at the ancient boulder. Heard some bluejays. Noticed the sun sparkling on the water, and cutting through the thick, humid air. Heard the loud whooshing? thrashing? of an eliptigo as it sped past us on the bike trail. Scott said he thought it sounded like two lumberjacks were sawing down a tree, with one of those big saws that you hold on either end and push back and forth. I remember thinking Scott’s acting out of this saw was entertaining.

swim: 3 loops
lake nokomis open swim
80 degrees
5:30 pm

Another great swim, even though it was very choppy on the way back from the little beach. Managed to stay on course with barely any sighting of the orange buoys. I write about this so much, but it’s always strange and amazing to be able to swim straight and keep going when I can’t really see where I am.

Half the sky was blue and clear, the other half looked like a storm was moving in. Later, after we left the lake, it poured. I wondered how much it would have to be raining for them to cancel open swim. Usually they only cancel it when there’s thunder or lightening.

Saw more silver flashes below me. Also, a dark shadow as I swam around one of the buoys. At some point, I heard a squeak. Someone else’s wetsuit? I got to punch the water a few times, when I swam straight into it. Fun! Breathed every 5, then when it got choppier, every 4, or 3 then 4 then 3 again. I don’t remember seeing any swan boats or sail boats or paddle boarders. No music or yelling, laughing kids.

Back in April, I collected poems about dirt — soil, humus, fungi, and dust. Here’s another poem to add to the dust pile. It’s by Ted Kooser. He is such a wonderful poet!

Carrie / Ted Kooser

“There’s never an end to dust
and dusting,” my aunt would say
as her rag, like a thunderhead,
scudded across the yellow oak
of her little house. There she lived
seventy years with a ball
of compulsion closed in her fist,
and an elbow that creaked and popped
like a branch in a storm. Now dust
is her hands and dust her heart.
There’s never an end to it.

I love his line breaks and his beautiful first sentences. I should check out his collected works and study him more.