run: 3.1 miles dogwood coffee run 66 degrees 6:45 am
An early run with Scott to beat the heat. We ran north on the river road trail, then over to Brackett Park, then to Dogwood Coffee. We stopped to admire my stacked stones at the ancient boulder. Heard some bluejays. Noticed the sun sparkling on the water, and cutting through the thick, humid air. Heard the loud whooshing? thrashing? of an eliptigo as it sped past us on the bike trail. Scott said he thought it sounded like two lumberjacks were sawing down a tree, with one of those big saws that you hold on either end and push back and forth. I remember thinking Scott’s acting out of this saw was entertaining.
swim: 3 loops lake nokomis open swim 80 degrees 5:30 pm
Another great swim, even though it was very choppy on the way back from the little beach. Managed to stay on course with barely any sighting of the orange buoys. I write about this so much, but it’s always strange and amazing to be able to swim straight and keep going when I can’t really see where I am.
Half the sky was blue and clear, the other half looked like a storm was moving in. Later, after we left the lake, it poured. I wondered how much it would have to be raining for them to cancel open swim. Usually they only cancel it when there’s thunder or lightening.
Saw more silver flashes below me. Also, a dark shadow as I swam around one of the buoys. At some point, I heard a squeak. Someone else’s wetsuit? I got to punch the water a few times, when I swam straight into it. Fun! Breathed every 5, then when it got choppier, every 4, or 3 then 4 then 3 again. I don’t remember seeing any swan boats or sail boats or paddle boarders. No music or yelling, laughing kids.
Back in April, I collected poems about dirt — soil, humus, fungi, and dust. Here’s another poem to add to the dust pile. It’s by Ted Kooser. He is such a wonderful poet!
“There’s never an end to dust and dusting,” my aunt would say as her rag, like a thunderhead, scudded across the yellow oak of her little house. There she lived seventy years with a ball of compulsion closed in her fist, and an elbow that creaked and popped like a branch in a storm. Now dust is her hands and dust her heart. There’s never an end to it.
I love his line breaks and his beautiful first sentences. I should check out his collected works and study him more.
5k river road trail, north/south 69 degrees 9:00 am
A birthday run with Scott. Beautiful out by the gorge. Greeted Dave, the daily walker as we ran through the Welcoming Oaks. Too busy talking about something to remember to notice running through the tunnel of trees or past the old stone steps or even under the lake street bridge. Running with Scott was great, but it was hard to notice much. Can I remember 10 things I noticed? I’ll try:
10 Things I Noticed
a roller skier and their poles singing, click click click click
a man talking on a bluetooth phone with his arm extended across the path pointing — at what?
some blue jays whispering their screeches
a few narrow streaks of blue river through the thick thatch of green
faint voices of rowers talking below near the boathouse
a runner on the path, accompanied by a young girl on a bike
no memorial flowers at the trestle today
the sweet rot of the sewer near the ravine
the cracks in the asphalt just past the trestle bridge, remembering the peace sign spraypainted at this spot last summer
the satisfying crunch of the sandy gravel under my feet as I ran on the side of the trail up to the greenway
Whew! I did it. The last 3 took some time to remember.
Ran with Scott. North on the river road to the trestle, then left and up to the greenwood trail, through Brackett Park, and over to Dogwood Coffee on lake street for an iced latte. Overcast. It was supposed to rain all day, but something shifted and it’s missing Minneapolis. Nice. Without the sun, everything was a deep, dark green. I remember noticing how green and mysterious and calm it was in the tunnel of trees. I think I heard some rowers down below, or maybe it was a few hikers? I don’t recall ever seeing the river, or much of what Scott and I talked about, other than complaining about some changes to apple pay that make it impossible to transfer money to our 16 year old. Heard some blue jays and thought, again, about how I used to think “crow” everytime I heard their screeching.
Sitting here, trying to remember things that happened, or that I thought about, on the run, I’m…not amazed or suprised…struck by how much I don’t remember, how lost I was for those minutes. I don’t mind getting lost. Sometimes I wish it would happen more.
Things I Don’t Remember
the river
if there were any stones stacked on the ancient boulder
the welcoming oaks
above the rowing club
if anyone was sitting on a bench
Writing the list above, I suddenly remembered something, which might explain why I don’t remember noticing the welcoming oaks because I think it was near them that this happened: a chipmunk darted in front of both of us and we had to jump to avoid stepping on it. Dumb chipmunk! I’m glad that neither of us injured our feet or ankles or knees trying to avoid it. Of course, the chipmunk was fine. I recounted the story to Scott of when RJP and I had been biking to Fort Snelling and a chipmunk darted across the trail and ran right into my wheel. It was stunned or dead, I’m not sure which one.
Thinking about Simone Weil for my class this morning. I like this paraphrasing of her in a lithub article:
To attend means not to seek, but to wait; not to concentrate, but instead to dilate our minds. We do not gain insights, Weil claims, by going in search of them, but instead by waiting for them.
Thinking about being open, patient, willing to wait, letting go, trying to relax.
Last run in Austin before Scott’s parents move. I will miss running through the town, past the SPAM museum, then getting coffee from Kyle at the Coffee Place. Scott was feeling nostalgic and told me stories about many of the places we passed as we walked back home after the run. A good and necessary move for aging parents with health problems. A little sadness, but mostly relief.
3 miles marshall loop in reverse 66! degrees wind: 20 mph
Ran with Scott after the rain stopped on a (finally) warm spring morning. It was so windy I had to hold my hat then take it off while running on the lake street bridge. It was warm and sunny and wonderful. We talked about Debussy (Scott) and mycelium (me) and tried to avoid loud-talking-only-slighter-faster-than-us runners. Didn’t hear any rowers or roller skiers or radios blasting from bikes. Did hear some geese honking and some crows cawing and wind howling.
Spent the morning reviewing my notes and re-reading descriptions of fungi and mushrooms and mycelium. Here are a few notes I took:
a different sort of We, not a me or an I, but a we, an us
a different way of looking/sensing/becoming aware: not seeing straight on, but feeling, looking across and to the side, down, beneath and below
stop looking up to the heavens, start feeling/sensing what’s below
a hope that is not predicated on evidence, when evidence = seeing and Knowing and fully understanding (seeing things as parts or discrete categories or individual things)
entangled is not separate or pure but messy and enmeshed
this is why we are all here — from my haibun and what I heard coming out of the little old lady’s phone
this why we all here
why = curiosity, wonder
The why is not an explanation — this is why/this is THE reason — but an invitation to imagine differently, expansively, wildly.
we all = ecosystems, organisms, networks, asemblages
Organisms are ecosystems. I find myself surrounded by patchiness, that is, a mosaic of open-ended assemblages of entangled ways of life, with each further opening into a mosaic of temporal rhythms and spatial arcs (Tsing, 4) .
here = a place, located in history, a specific place, not transferable or easily translatable, can’t be scaled up or turned into assets
1.5 miles winchell trail, south/42nd st east/edmund, north 41 degrees
Headed to the gorge with Scott this morning — a quick run above the river. I know I looked at the river, but I can’t remember much about it. Most likely, with this gloomy sky, it was a brownish-gray or grayish-brown with no sparkle. We talked a lot about Lizzo and what a great job she did on SNL last night, both as the host and the musical guest. The only other thing I remember right now is running the opposite way on the Winchell Trail (usually I run north on it) and noticing how much longer the Folwell hill was this way. The other way it’s steep but short, this way it’s slightly less steep, but winding (or wind-y?) and long.
before the run
Yesterday I suggested that my next dirt topic should be gardens/gardening. Here are a few ideas:
1 — tune my body and my brain
My exploration of dirt began when I started thinking about the phrase from a kids’ song, or a song often sung to or by kids: “the worms crawl in, the worms crawl out.” Here’s another kids’ song that doesn’t have the word dirt in it, but is about dirt and death and life and gardens. Both my kids sang it in elementary school concerts:
Here are a few verses:
Inch by inch, row by row Gonna make this garden grow All it takes is a rake and a hoe And a piece of fertile ground
Inch by inch, row by row Someone bless these seeds I sow Someone warm them from below Till the rain comes tumblin’ down
Pullin’ weeds and pickin’ stones Man is made of dreams and bones Feel the need to grow my own ‘Cause the time is close at hand
Rainful rain, sun and rain Find my way in nature’s chain Tune my body and my brain To the music from the land
2 — Alice Oswald and “echo-poetics”
It is perhaps this blending of the ecological sensibilities learned through gardening with those of the poet that makes reading Oswald’s editorial and poetic work so compelling, and not only for the many pleasures it brings. It also offers an acoustically informed aesthetic, a way of re-tuning how we think about and make beauty and meaning in verbal forms, especially those inspired by the earth’s processes, things, places. Principled with the desire to bring living things unmediated into text, Oswald’s writings illustrate a heightened and recursive sensitivity to the acoustics of environment, with the ear, of course, in its critical role as converter of signals. They recognize sound as summons, access, and mode. They value gardening (and other physical work) for the ways it creates possibilities for encounter by situating the body in motion and out-of-doors. They invite and invent expressive forms that are organic to these encounters, or that modify existing forms so they are apt and up to the task. They reveal a rootedness in rhythm, syncopation, harmony, or some other musicality within the external world. They practice acute hearing and engage in humble, patient, and empathie listening. They gesture toward the sonic rounding out of envi-ronments and their many natural, social and cultural complexities. And they practice accretion as a writer’s technique inspired by a natural process. Thus Oswald begins to define what I might term an “echo-poetics.”
Voice(s) of the Poet-Gardener: Alice Oswald and the Poetry of Acoustic Encounter/ Mary Pinard
3 — digging work
It’s certainly true that when you’re digging you become bodily implicated in the ground’s world, thought and earth continually passing through each other. You smell it, you feel its strength under your boot, you move alongside it for maybe eight hours and your spade’s language (it speaks in short lines of trochees and dactyls: sscrunch turn slot slot, sscrunch turn slot slot) creeps and changes at the same pace as the soil. You can’t help being critical of any account of mud that is based on mere glimpsing.
“The Universe in time of rain makes the world alive with noise” / Alice Oswald
Between my finger and my thumb The squat pen rests; snug as a gun.
Under my window, a clean rasping sound When the spade sinks into gravelly ground: My father, digging. I look down
Till his straining rump among the flowerbeds Bends low, comes up twenty years away Stooping in rhythm through potato drills Where he was digging.
The coarse boot nestled on the lug, the shaft Against the inside knee was levered firmly. He rooted out tall tops, buried the bright edge deep To scatter new potatoes that we picked, Loving their cool hardness in our hands.
By God, the old man could handle a spade. Just like his old man.
My grandfather cut more turf in a day Than any other man on Toner’s bog. Once I carried him milk in a bottle Corked sloppily with paper. He straightened up To drink it, then fell to right away Nicking and slicing neatly, heaving sods Over his shoulder, going down and down For the good turf. Digging.
The cold smell of potato mould, the squelch and slap Of soggy peat, the curt cuts of an edge Through living roots awaken in my head. But I’ve no spade to follow men like them.
Between my finger and my thumb The squat pen rests. I’ll dig with it.
4 — listening work
People often ask me what I like best about gardening. . . . The truth is it’s the sound. I don’t know anything lovelier than those free shocks of sound happening against the backsound of your heartbeat. Machinery, spade-scrapes, birdsong, gravel, rain on polythene, macks moving, aeroplanes, seeds kept in paper, potatoes coming out of boxes, high small leaves or large head-height leaves being shaken, frost on grass, strimmers, hoses . . .
“The Universe in time of rain makes the world alive with noise”/ Alice Oswald
Poems are written in the sound house of a whole body, not just with the hands. So before writing, I always spend a certain amount of time pre- paring my listening. I might take a day or sometimes as much as a month picking up the rhythms I find, either in other poems or in the world around me. I map them into myself by tapping my feet or punch- ing the air and when my whole being feels like a musical score, I see what glimpses, noises, smells, I see if any creature or feeling comes to live there. Then, before putting pen to paper, I ask myself, “Am I lis- tening? Am I listening with a soft, slow listening that will not obliter- ate the speaker?” And if, for example, I want to write a poem about water, I try to listen so hard that my voice disappears and I speak water.
“Poetry for Beginners” for the BBC’s Get Writing/ Alice Oswald
5 — In Search of our Mother’s Gardens*
*a reference to the powerful essay by Alice Walker, “In Search of Our Mother’s Gardens,” that I often taught in my Fem Theory classes.
things to think about while running:
How can I “tune my body and brain to the music of the land”?
What is digging work? Where can/do we do digging work?
What are the sounds of my backyard garden?
What can I plant in my garden this year?
Why do I love doing physical, outdoor work? How is digging/gardening/weeding work different from listening/noticing/caring/writing work? How is it similar?
during the run
Ran with Scott, and we didn’t talk about gardens or digging until the end, when I mentioned gardening, digging, and the digital story about my mom. He suggested that I look up the lyrics for Peter Gabriel’s “Digging in the Dirt.”
after the run
Here are a few lyrics from Gabriel’s “Digging in the Dirt”:
Digging in the dirt Stay with me, I need support I’m digging in the dirt To find the places I got hurt Open up the places I got hurt
The more I look, the more I find As I close on in, I get so blind I feel it in my head, I feel it in my toes I feel it in my sex, that’s the place it goes
This time you’ve gone too far This time you’ve gone too far This time you’ve gone too far I told you, I told you, I told you, I told you This time you’ve gone too far This time you’ve gone too far This time you’ve gone too far I told you, I told you, I told you, I told you
And the refrain at the end, repeated several times:
Digging in the dirt To find the places we got hurt
And here’s the video, which I can’t embed). Wow, the imagery in this fits with so many things I’ve been discussing! Worms, digging as excavating deeper truths (I think I’ve mentioned this before), death, dust, grass, pebbles, sand, rocks, mushrooms speaking! (in the video they spell out “help”).
addendum, 18 april 2022: almost forgot to add this image from my notes for my memoir (still in progress) about my student and teaching life”
Instead of cropping out the key part — the picture of a plant growing inside a head in the lower right with the text, “planting a seed” — I decided to post the entire image. When I taught feminist and queer classes a decade ago, my aim was to plant seeds. Not to force ideas on students or to expect instant results — where they could immediately “get” something or be transformed, but to introduce ideas and offer up invitations that might, in the future, lead to transformation and deeper understandings.
Ran/walked the ford loop with Scott. Sunny and warm with a bright blue sky. Wonderful. Stopped at the 2 overlooks on the St. Paul side. Heard and saw rowers on the river! The first time this spring, I think. Also heard someone playing guitar on a rock below the Monument that juts out over the river. Heard lots of birds, encountered lots of walkers, some runners, a biker or two.
Right after we finished our run, as we walked by Becketwood, I saw something flash in the trees. At first I thought it was a squirrel jumping, but Scott said it was an owl! Excellent. It took me about a minute to see it, but when it flapped its wing, I did. My favorite part: the owl was facing the other way, but they turned their head to check if we were still there. What an awesome head swivel!
before the run
Although Entangled Life never lapses into polemics or preaching, the book has an evangelical message all the same: humanity is neither innately special nor truly dominant; rather, we emerge and are sustained by a web of interspecies interdependence and diverse kinship; and our human notion of individuality is chimeric. The book is a call to engage with fungi on their level. “Is it possible for humans, with our animal brains and bodies and language, to learn to understand such different organisms? How might we find ourselves changed in the process?” Like fungi, “‘[w]e are ecosystems that span boundaries and transgress categories. Our selves emerge from a complex tangle of relationships.”
The underlying questions of Entangled Life, and other mycophilic media today, are: How can we be more like fungi? How are we already like fungi? How can we, as Paul Stamets puts it, ally ourselves with the fungal kingdom? How can we mycologize ourselves and our world? How can we break down our waste for fuel and sustenance, rather than let it accumulate in garbage dumps, oceans, and bloodstreams? How can we organize ourselves flexibly and responsibly so each part of the social web gets what it needs? If we fail and our own species does not survive the next few centuries, we can at least trust that a resilient species of fungi will evolve to consume the copious remains of our civilization and renew the planet again.
The need for new understanding, metaphors for working together (and living together) — and NOT as individuals. Beyond Darwinism and survival of the fittest and competition. Survival of the fittest/dog-eat-dog world are dead metaphors.
Plague Notebook, Vol 11/ Sara Lynne Puotinen
Found this video from the BBC about the “wood wide web”:
Near the end, the voice-over says: “scientists are still debating why plants seem to behave in such an altruistic way.” Why are these collaborations and symbiotic relationships and networks understood as altruism? Looking up altruism, I found these definitions:
1: unselfish regard for or devotion to the welfare of otherscharitable acts motivated purely by altruism 2: behavior by an animal that is not beneficial to or may be harmful to itself but that benefits others of its species
Plants and fungi are not being selfless, if selfless means doing things for others that don’t benefit, or maybe even harm, you. I dislike the term altruism, btw. This is not sacrifice of individuals, or individual groups, for the good of the whole. The idea of altruism is tied up with the old, outdated understanding of us as individuals who either act selfishly or purely selflessly.
during the run
Tried to explain some of this stuff about mycelium to Scott. Also ranted about altruism. Mentioned how the discussion about the wood wide web focuses more on marveling at trees and how they communicate, and much less on the amazing fungi network and the cool stuff fungi do. Trees are the actors, with fungi only the medium. But, fungi are actors too, just in a way that we don’t see or understand as easily. Also ranted against TED talks and how formulaic and forced they seemed. Scott got distracted when I asked him what scientists who study trees are called. He couldn’t think of it. The particular type I was trying to remember was: forest ecologist.
after the run
Mushroom Hunting in the Jemez Mountains/ Arthur Sze
from The Glass Constellation
Walking in a mountain meadow toward the north slope, I see red-cap amanitas with white warts and know they signal cèpes. I see a few colonies of puffballs, red russulas with chalk-white stipes, brown-gilled Poison Pie. In the shade under the spruce are two red-pored boletes: slice them in half and the flesh turns blue in seconds. Under fir is a single amanita with basal cup, flarinannulus, white cap: is it the Rocky Mountain form of Amanita pantherina? I am aware of danger in naming, in misidentification, in imposing the distinctions of a taxonomic language onto the things themselves. I know I have only a few hours to hunt mushrooms before early afternoon rain. I know it is a mistake to think I am moving and that argarics are still: they are more transient than we acknowledge, more susceptible to full moon, to a single rain, to night air, to a moment of sunshine. I know in this meadow my passions are mycorrhizal with nature. I may shout our ecstasies, aches, griefs, and hear them vanish in the white-pored silence.
4.05* miles minnehaha creek path, between lake nokomis and lake harriet 40 degrees
*Scott’s watch said 4 miles, mine 4.1, so I’m splitting the difference here. Also did the .05 because my total miles was at a .45 and needed the .05 to round it out.
Ran with Scott along the Minnehaha Creek trail between lake nokomis and lake harriet. Nice. Not too cold or windy, relaxed. An easy pace with several walk breaks. I haven’t run this route in many years. Crossed over the creek several times, noticing the water: blueish gray, gently flowing, almost whispering its splashes.
before the run
At the end of my post from 2 days ago I decided on my project and, of course, I am already abandoning it, or maybe just wandering with it a little? This wandering is one joy of my undisciplined approach to writing/engaging/being in the world. The project/challenge: do a different B Mayer “Please Add to this List” experiment each day. Yesterday, I picked my first one: “Compose a list of familiar phrases, or phrases that have stayed in your mind for a long time–from songs, from poems, from conversation.”
I began a list:
You’ll get no commercials
There’s a new girl in town
As long as it’s gum and that’s for me
Life is life, and death but death, Bliss but bliss, and breath but breath
I am the wind and the wind is invisible
Think of a sheep knitting a sweater, think of your life getting better and better
Like sands through the hourglass, these are the days of our lives
Wake up in the morning, feeling sad and lonely. Gee, I got to go to school
What a world, what a world!
Heaven, I’m in heaven, and my heart beats so that I can hardly speak
Raindrops on roses and whiskers on kittens
What do you do when your kid is a brat?
Pious glory
The buzz saw snarled and rattled in the yard
I’m a wheel watcher
Remember I love you, I won’t be far away. I’ll just close my eyes and think of yesterday
I’ll be yours in springtime when the flowers are in bloom. We’ll wander through the meadows in all their sweet perfume
Of course you do
Eastbound and down, loaded up and trucking’
Hey y’all
trouble is inevitable, and the task, how best to make it, what best way to be in it
You were not there
All will be revealed
And you never will be
Tell all the truth but tell it slant
Try to remember the days of september
the boobie hatch
the worms crawl in, the worms crawl out, the worms play pinnacle on your snout
Miss Suzy had a steamboat, the steamboat had a bell. Miss Suzy went to heaven, the steamboat went to…
Then I stopped. I started thinking about “the worms crawl in, the worms crawl out” and remembered my sister Marji singing that to me when we were kids, then us gleefully singing it together. Something clicked. I thought about worms and dirt and death and graves and really gross things about bodies and being delighted in singing about those gross things and Diane Seuss’s commencement address and her invoking of these lines by Walt Whitman:
I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles.
I decided what I really want to do this month is study dirt. It’s fitting for April as I begin to notice dirt again as it emerges from under the snow. It also follows nicely from Oswald and her emphasis on physical labor — working in the dirt and gardening, getting your hands dirty — and minerals all the way down. And, it returns me to my extended exploration of both ghosts and haunting and earth/rock/stone/erosion. So many different ways to wander and wonder with this word!
I’ll start today with a little more on “the worms crawl in” song. Here’s how I remember singing it when I was a kid:
Did you ever think when the hearse went by that you would be the next to die? They wrap you up in thick white sheets bury you down 6 feet deep.
All goes well for about a week then your coffin begins to leak. The worms crawl in, the worms crawl out the worms play pinnacle on your snout.
Your stomach turns a slimy green. Pus runs out like thick whipped cream.
It starts getting fuzzy at this point in the song. It would end with something like, “And that’s where you go when you die.” I can’t quite remember. I decided to look it up. Found some interesting things about it. Here’s a brief summary from Wikipedia:
“The Hearse Song” is a song about burial and human decomposition, of unknown origin. It was popular as a World War I song, and was popular in the 20th century as an American and British children’s song, continuing to the present. It has many variant titles, lyrics, and melodies, but generally features the line “the worms crawl in, the worms crawl out”, and thus is also known as “The Worms Crawl In“.
And here’s a cover that adds many more lyrics than I remember and sounds like the Violent Femmes:
There are LOTS of variations of this song. Check out the comments on this post for some of them. I’m fascinated by this song as part of an oral tradition of poetry — the poem/words aren’t owned by any one poet, they travel and transform. The best (most compelling, memorable) are kept as people recite/sing it, the others discarded. What holds it all together is: “the worms crawl in, the worms crawl out.” If I’m getting it right, those lines are iambic dimeter — 2 feet of unstressed/unstressed.
This focus on the worms reminds me of Cornel West and how, in lectures and the film, The Examined Life, he liked to say:
For me, philosophy is fundamentally about our finite situation. You can define that in terms of being towards death, featherless two legged linguistically conscious creatures born between urine and faeces whose body will one day be the culinary delight of terrestrial worms. That’s us. Beings towards death. At the same time we have desire, why we are organisms in space and time, and so desire in the face of death.
When I was a kid, I loved singing this song, took delight in the grossness. It didn’t scare or haunt me with it’s reminder that I would die one day. Now, as a middle-aged adult, it doesn’t either, even as I encounter more death and reminders of death. I actually find it comforting (is that the right word?) or helpful to think about the relationship between bodies and dirt and worm food.
during the run
Because Scott and I were talking about many different things (most of which I can remember now), we didn’t talk about “the worms crawl in…”. Possibly we didn’t talk about it because he never sang the song as a kid and doesn’t find it fun now. Boo. I do remember remarking on all the brown and noticing the mulched leaves on the ground. Thinking about things that decompose or have decomposed.
after the run
Not much to add here, except this poem I found when searching, “worms and poetry”:
Ever since I found out that earth worms have taste buds all over the delicate pink strings of their bodies, I pause dropping apple peels into the compost bin, imagine the dark, writhing ecstasy, the sweetness of apples permeating their pores. I offer beets and parsley, avocado, and melon, the feathery tops of carrots.
I’d always thought theirs a menial life, eyeless and hidden, almost vulgar—though now, it seems, they bear a pleasure so sublime, so decadent, I want to contribute however I can, forgetting, a moment, my place on the menu.
Ran with Scott in Austin. Forgot to bring my running tights. This might have been the coldest temp I’ve run in with bare legs. It wasn’t too bad. Don’t remember much about my run except for discussing how to help aging parents.
Anything else? Gloomy, windy, some mist. Spring decided not to stay; winter’s back.
Slowly the fog did what fog does, eventually: it lifted, the way veils tend to at some point in epic verse so that the hero can see the divinity at work constantly behind all things mortal, or that’s the idea, anyway, I’m not saying I do or don’t believe that, I’m not even sure that belief can change any of it, at least in terms of the facts of how, moment by moment, any life unfurls, we can call it fate or call it just what happened, what happens, while we’re busy trying to describe or explain what happens, how a mimosa tree caught growing close beside a house gets described as “hugging the house,” for example, as if an impulse to find affection everywhere made us have to put it there, a spell against indifference, as if that were the worst thing— is it? Isn’t it? The fog lifted. It was early spring, still. The dogwood brandished those pollen-laden buds that precede a flowering. History. What survives, or doesn’t. How the healthiest huddled, as much at least as was possible, more closely together, to give the sick more room. How they mostly all died, all the same. I was nowhere I’d ever been before. Nothing mattered. I practiced standing as still as I could, for as long as I could.
The lifting of the veil reminds me of a quote from Alice Oswald that I read the other day on twitter:
“The Greeks thought of language as a veil which protects us from the brightness of things, I think poetry is a tear in that veil.” —Alice Oswald
After picking up FWA from college for spring break, drove back to Minneapolis and ran the Marshall Loop with STA. It feels like spring. Most of the snow has melted. The river was open and rippling in the wind. As we crossed the lake street bridge, I looked for the eagle that used to perch on the dead tree many years ago. I’m not sure I’ve seen eagles anywhere for some time now. Are they gone, or am just not seeing them?
Read some more of Dart, including this great part voiced by “the swimmer”. I love so much about this, but right now, I’ll just point out the third line as a stand alone poem: “into the fish dimension. Everybody swims here”
from Dart / Alice Oswald
(the swimmer)
Menyahari — we scream in mid-air. We jump from a tree into a pool, we change ourselves into the fish dimension. Everybody swims here under Still Pool Copse, on a saturday, slapping the water with bare hands, it’s fine once you’re in.
Is it cold? Is it sharp?
I stood looking down through beech trees. When I threw a stone I could count five before the splash.
Then I jumped in a rush of gold to the head, thought black and cold, red and cold, brown and warm, giving water the weight and size of myself in order to imagine it, water with my bones, water with my mouth and my understanding
when my body was in some way a wave to swim in, one continuous fin from head to tail I steered through rapids like a cone, digging my hands in, keeping just ahead of the pace of the river, thinking God I’m going fast enough already, what am I, spelling the shapes of the letters with legs and arms?
S SSS
Slooshing the Water open and
MMM
for it Meeting shut behind me
He dives, he shuts himself in a deep soft-bottomed silence which underwater is all nectarine, nacreous. He lifts the lid and shuts and lifts the lid and shuts and the sky jumps in and out of the world he loafs in. Far off and orange in the glow of it he drifts all down the Deer Park, into the dished and dangerous stones of old walls before the weirs were built, when the sea came wallowing wide right over these flooded buttercups.