Tag: Ross Gay

oct 18/RUN

3 miles
river road trail, south/42nd st/edmund, north/33rd st, west/43rd ave, south
31 degrees

Below freezing this morning. Sunny. Clear, uncrowded paths. A delightful view of the gorge. The wind has done a wonderful job of taking down most of the leaves so I could see the sparkling river and the bluff on the other side. I don’t think I will ever tire of that view, especially when the sun is shining through the few remaining leaves, making everything glow yellowish-orange. Running on Edmund, I admired an amazing, almost fully leaved tree. At first glance, it looked light orange to me, but gradually it looked more yellow. What color was it actually? Since I don’t have many cone cells left–the photoreceptor cells in the macula that enable us to see color–my colors are sometimes strange. Duller, off. You might see yellow when I see pink, gold when I see green. Recited a few Emily Dickinson poems as I moved. I need to start reciting poems again. How many of the poems I memorized this summer do I still remember?

The Precision of Pain and the Blurriness of Joy/ Yehuda Amichai

16
The precision of pain and the blurriness of joy. I’m thinking
how precise people are when they describe their pain in a doctor’s office.
Even those who haven’t learned to read and write are precise:
“This one’s a throbbing pain, that one’s a wrenching pain,
this one gnaws, that one burns, this is a sharp pain
and that––a dull one. Right here. Precisely here,
yes, yes.” Joy blurs everything, I’ve heard people say
after night of love and feasting, “It was great,
I was in seventh heaven.” Even the spaceman who floated
in outer space, tethered to a spaceship, could say only, “Great,
wonderful, I have no words.”
The blurriness of joy and the precision of pain––
I want to describe, with a sharp pain’s precision, happiness
and blurry joy. I learned to speak among the pains.

Oh, I love this poem and the idea of finding more precise ways to describe/catalog joy. Makes me think of how I want to describe, in more specific words, the joy I feel when looking out at the gorge (and why). It also makes me think of Ross Gay and his book of delights and Eula Biss and her essay on the pain scale.

Even as I like this poem and the idea of precision, particularly in terms of giving attention to joy in the same way we do pain, I’m also thinking about precision as cutting, sharp, violent. Blurriness as soft, less harsh, spreading wider, gentle.

(a few hours later)

Wow, the poetry people on twitter are really delivering today. Here’s another great poem that I don’t (yet) understand, but I love the topic of the other side of the river:

Wrong Side of the River/ Stanley Plumly

I watched you on the wrong side
of the river, waving. You were trying
to tell me something. You used both hands
and sort of ran back and forth.
as if to say look behind you, look out
behind you. I wanted to wave back.
But you began shouting and I didn’t
want you to think I understood.
So I did nothing but stand still,
thinking that’s what to do on the wrong side
of the river. After a while you did too.
We stood like that for a long time. Then
I raised a hand, as if to be called on,
and you raised a hand, as if to the same question. 

august 18/RUN

3.1 miles
turkey hollow loop
62 degrees

Another nice morning for a run. Low 60s, not too much wind, sunny. Ran on the trail and spent a lot of time focused on avoiding other people. I remember looking down at the river near the steps at 38th st, but I don’t remember anything about it. With all the sun, it must have been sparkling. Didn’t hear any rowers on the river but I bet there were some somewhere. Maybe closer to the bridge? No turkeys in turkey hollow again today. No geese or ducks or woodpeckers. At some point, I heard a crow.

Most distinctive sound I remember hearing while running: the plink–or was it plunk?–of small acorns bouncing on the road.

Most distinctive sound I remember hearing while walking: the loud, uncovered sneeze of a woman inside a house somewhere on my block.

Recited the first part of Shirley Geok-lin Lim’s “Writing a Poem” as I ran. Thought about trying to write a poem while unable to block out an annoying noise as Bernadette Mayer’s exercise in “Please Add to this List”: Attempt writing in a state of mind that seems least congenial. There weren’t any annoying noises that I remember today. No leaf blowers or roaring planes or honking cars or zooming motorcycles or walkers whose voices cut through everything or slowly approaching runners or dog collars clanging or kids with high-pitched whistles that blow them over and over and over again.

Right after finishing my run, I took out my phone and recorded myself reciting it. Too many errors–heavy instead of giant machine, mixing up helpless and hopeless. Need more practice memorizing. Probably the most interesting thing about this recording is the cicada’s buzzing in the background. So loud! I don’t remember hearing them.

Writing a Poem, August 18

Let the Wonder Always Win

Last night, I attended a virtual book launch for Aimee Nezhukumatathil’s “World of Wonders.” I think she’s my favorite poet. Ross Gay (who is also amazing) was interviewing her. He asked about how she balances a love of wonder with sadness, grief, and rage. She said something about how she’s not happy or joyful all the time; she feels a lot of sadness and rage, but she always lets the wonder win. I love that line. It might be my new mantra.

Earlier in the talk, she also discussed how, as young kids, we are always exclaiming, excitedly calling out, Look! Look at the flower! or look at that cloud, shaped like a horse! Later on in life, we forget or are too self-conscious of that enthusiasm for wondering. We need to reclaim our love of exclaiming. Yes!

This makes me think of this poem (one of my favorites) by Maggie Smith:

Poem Beginning with a Retweet/ Maggie Smith

If you drive past horses and don’t say horses
you’re a psychopath. If you see an airplane
but don’t point it out. A rainbow,
a cardinal, a butterfly. If you don’t
whisper-shout albino squirrel! Deer!
Red fox! If you hear a woodpecker
and don’t shush everyone around you
into silence. If you find an unbroken
sand dollar in a tide pool. If you see
a dorsal fin breaking the water.
If you see the moon and don’t say
oh my god look at that moon. If you don’t smell
smoke and don’t search for fire.
If you feel yourself receding, receding,
and don’t tell anyone until you’re gone.

july 18/RUN

2.5 miles
43rd ave, south/42nd st, west/edmund, north
74 degrees
humidity: 87%/ dew point: 71

Hot this morning! Very crowded too. Started out running with Scott but after avoiding too many people together, we decided to split up. Some clueless walkers, but mostly just lots of people. Encountered several cars on Edmund too. Don’t remember any roller skiers or runners. No rowers or river views. Any birds? Not that I heard. Finished by running around the block. Discovered it was .5 miles. Good to know.

Discovered Copper Canyons wonderful collection of poems about connection during COVID yesterday via twitter. So good! Scrolling through them, I found two that connect with the poems I’m reading/thinking about right now:

joy and suffering beside each other (Ross Gay, Book of Delights)

What Issa Heard/ David Budbill

Two hundred years ago Issa heard the morning birds
singing sutras to this suffering world.

I heard them too, this morning, which must mean,

since we will always have a suffering world,
we must also always have a song.

“This is what you’ve been waiting for” (Marie Howe/ “The Gate”)

Goshen/ Ruth Stone

For fifteen years I have lived in a house
without running water or furnace.
In and out the front door
with my buckets and armloads of wood.
This is the mountain.
This is the fortress of ice.
This is the stray cat skulking in the barn.
This is the barn with vacant windows
that lifts like a thin balsa kite
in the northeasters.
These are the winter birds
that wait in the bushes.
This is my measuring rod.
This is why I get up in the morning.
This is how I know where I am going.

july 17/RUN

2.5 miles
river road, south/north
75 degrees
humidity: 77%

Warmer this morning. Sunny. Decided to listen to a playlist this morning–Van Halen’s “Hot for Teacher,” Crowded House’s “Don’t Dream It’s Over”, Bruno Mars’ “Uptown Funk” and Sia’s “Cheap Thrills”. A relaxed first mile, a much faster second mile mostly because I was behind a roller skier at the start of the second mile that was going about the same pace that I was. I imagined staying in her COVID slipstream for the rest of the run–no thanks! So I sped up a lot to pass her and then kept the pace so she wouldn’t pass me again. First mile: 9:26; Second mile: 8:11.

Because I was listening to music, I didn’t recite the poem I memorized yesterday afternoon, Marie Howe’s “The Gate.” I’ve decided to memorize 5 different poems by her:

  • The Meadow from The Good Thief (1988)
  • The Gate from What the Living Do (1999)
  • What the Living Do from What the Living Do (1999)
  • Magdalene: Seven Devils from Magdalene: Poems (2017)
  • Singularity (2019)

The Gate/ Marie Howe

I had no idea that the gate I would step through
to finally enter this world

would be the space my brother’s body made. He was
a little taller than me: a young man,

but grown, himself by then,
done at twenty-eight, having folded every sheet,

rinsed every glass he would ever rinse under the cold
and running water.

This is what you’ve been waiting for, he used to say to me.
And I’d say, What?

And he’d say, This, holding up my cheese and mustard sandwich.
And I’d say, What?

This, he’d say, sort of looking around.

The first line of this poem, about the space her brother’s body made as the gate she would step through to finally enter this world, was confusing to me at first but it has something to do with grief and how his death helped her to remember and value living — but I think there’s more to it than that. I love the way she describes that he’s dead, “done at twenty-eight, having folded every sheet, rinsed every glass he would ever rinse under the cold and running water.” And I love the use of “This” here — the this, encompassing everything and not one thing in particular.

Spending a little more time googling Howe and thinking about her work, I found a very helpful essay from 2008 on oprah.com: Not to Look Away. In it, she talks about her friend Jason who’s funeral she was attending and the gate:

I’m looking for the gate, Jason used to say when he was in pain. I can’t find the gate, but I’m looking. What was this gate my friend Jason was looking for? Maybe he wanted to find the door in the room of suffering, so that he might walk through it into another story. 

and here’s how she describes what story can do:

Is this what a story can do? Emerge from the most painful event and transform it into something else, too? So sad. So funny. Both. And life is there, for a moment, almost adequately represented. 

the story as window?

The days and nights of my life walk by, arm in arm with time, and the gate to the new story stands just outside the circle of my attention. Sometimes I lie here, Jason said, and walk through the old house of my childhood, through all the rooms, and look out all the windows. 

This might be the most difficult task for us in postmodern life: not to look away from what is actually happening. To put down the iPod and the e-mail and the phone. To look long enough so that we can look through it—like a window.

To be present, not to look away, and to transform suffering into something else also–still suffering but more too. Wow, this makes me think so much about Ross Gay and his idea of joy and suffering in the Book of Delights (I checked it out of the library a year ago, and just ordered my own copy arriving today)!

dec 16/ RUN

4 miles
top of Franklin hill turn around
22 degrees/ feels like 15
99% snow covered

Warmer air. Great temperature for a run. The path was almost completely covered with soft, loose snow. So difficult! A great workout for my legs. Hopefully the path will be more packed or clear soon. Can that be my Christmas present? Greeted Dave the Daily Walker. Was passed–actually briefly swallowed up–by a trot of male runners–a cross country team? Looked at the river a lot. Completely snow covered. If you didn’t know, you might not think it was a river, just a big white field. When I started I wondered how I could keep going–so slick, not slippery but difficult to move in–but by the end, I felt much better. Still happy to stop at 4 miles.

Love this beautiful poem and the final line! I copied it down in my notebook last March and rediscovered it this morning when I was reviewing my notes.

Rapture/ Linda Hogan

Who knows the mysteries of the poppies
when you look across the red fields,
or hear the sound of long thunder,
then the saving rain.
Everything beautiful,
the solitude of the single body
or sometimes, too, when the body is kissed
on the lips or hands or eyelids tender.
Oh for the pleasure of living in a body.
It may be, it may one day be
this is a world haunted by happiness,
where people finally are loved
in the light of leaves,
the feel of bird wings passing by.
Here it might be that no one wants power.
They don’t want more.
And so they are in the forest,
old trees,
or those small but grand.
And when you sleep, rapture, beauty,
may seek you out.
Listen. There is
secret joy,
sweet dreams you may never forget.
How worthy the being
in the human body. If,
when you are there, you see women
wading on the water
and clouds in the valley,
the smell of rain,
or a lotus blossom rises out of round green leaves,
remember there is always something
besides our own misery.

remember there is always something
besides our own misery

What if this final line was changed to beside our own misery? Reminds me of Ross Gay and his book of delights. He talks about how our experiences of joy are always in tandem with suffering and can be linked with others to create beautiful communities.

sept 9/RUN

1.5 miles
river road, north/south
60 degrees

Did a short run today in-between rain drops. It’s starting to look like fall. A few trees are losing leaves or turning red and yellow. Will there be bright orange this fall too? I hope so. In my 20s and 30s, I didn’t appreciate orange. Too bright or earthy or… orange. Green–darker, more muted–was my favorite. I still love green but I love orange now too. Is it because it was my mom’s favorite color? Maybe. I love bright oranges that glow unnaturally. And earthy, rusty oranges. It’s funny that I like orange now, when I can’t always see it because of my cone dystrophy. I’m thinking of getting some orange sneakers to wear this fall–not to run in, but just to wear and admire.

Right now I’m reading Ross Gay’s The Book of Delights and listening to podcast interviews with him and thinking about his ethics/politics/pedagogy of delight. So wonderful! Here’s one of his poems from a few years back:

Sorrow Is Not My Name
BY ROSS GAY

—after Gwendolyn Brooks
No matter the pull toward brink. No
matter the florid, deep sleep awaits.
There is a time for everything. Look,
just this morning a vulture
nodded his red, grizzled head at me,
and I looked at him, admiring
the sickle of his beak.
Then the wind kicked up, and,
after arranging that good suit of feathers
he up and took off.
Just like that. And to boot,
there are, on this planet alone, something like two
million naturally occurring sweet things,
some with names so generous as to kick
the steel from my knees: agave, persimmon,
stick ball, the purple okra I bought for two bucks
at the market. Think of that. The long night,
the skeleton in the mirror, the man behind me
on the bus taking notes, yeah, yeah.
But look; my niece is running through a field
calling my name. My neighbor sings like an angel
and at the end of my block is a basketball court.
I remember. My color’s green. I’m spring.
—for Walter Aikens

“there are, on this planet alone, something like two/million naturally occurring sweet things,/some with names so generous as to kick/the steel from my knees…”

april 4/BIKE

basement, bike stand
30 minutes

I wanted to run today but decided to rest my back and bike in the basement. I suppose I could have biked outside but its only 42 and windy and I’m not ready to take my bike off of its stand yet. I was planning to write about how I’m struggling today, worrying about my back and what might be wrong with it, but then I remembered: Taking a walk with Delia, I heard a wedge of geese (more on wedge in a moment) flying above me. Dozens or more. So high in the overcast sky. Then I heard another, smaller, group. So cool to watch. So exciting to see because they signal warmer weather.

About wedge: I was wondering what to call the group of geese so I googled it and found this wonderful answer:

If you come upon geese on land, you would refer to them as a gaggle. Gaggle, as we learned last time, was also recorded by Juliana Berners in the Book of Saint Albans to describe a group of swans. This is much the same as we would use ‘herd’ for a group of cows or deer. We can also refer to a group of geese on the ground as a herd and a corps.

If the geese are on water, they are a plump.

If in flight, geese are referred to as a skein. The online resource Dictionary.com defines skein as: a flock of geese, ducks, or the like, in flight.

A skein of geese would be a random in pattern in the sky – perhaps small clusters. If geese are in flight, and flying in a V formation, you would refer to them as a wedge, probably inspired by the shape.

Collective Nouns for Birds Near and Far

This small moment of beauty/joy/distraction/wonder reminds me of one of my favorite Robert Frost poems:

Dust of Snow
BY ROBERT FROST

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.

And, this idea of small delights, reminds me of Ross Gay’s new book of essays (which I just requested from the library): The Book of Delights. Thinking about of all of this has made me feel so much better–less anxious, energized–and I have decided that finding ways to avoid darker thoughts by marking and meditating on the joys is what works for me. Maybe I should buy the Ross Gay book so I don’t have to wait a month or two for it to be returned? While I try to decide, I’ll read his essay in the The Paris Review, Loitering is Delightful.

feb 25/RUN

3.3 miles
mississippi river road path, north/south
0 degrees/feels like -11
100% snow-covered, 40% ice-covered

Cold today. Not much wind, but lots of ice on the sidewalk and the trail. Reached the river road and encountered something strange: the path, right at the entrance, was covered in black, smoky snow and jagged black ice–like something had made the snow quickly melt then reform. Must have been some sort of fire–what happened? Heard lots of birds while walking to the river. Greeted the Daily Walker and a few other runners. Tried not to worry about my right knee which grumbled with short, sharp pains a few times. Didn’t look at the river even once. Did I look at the floodplain forest? (at least once, I remember now). I did look down at the Minneapolis Rowing club building. Spent most of my time watching the path, making sure I wasn’t running on extra slick spots or over chunks of snow. With less than a mile left to run, I started chanting a rhythm in my head: 123/45, 123/45, 123/45, 321 then 54/321, 54/321, 54/321, 321. How would these beats work in a poem? I’ll have to play around with them…

It is almost the end of February–the snowiest February in recorded snowfall history and the 6th snowiest month since they started keeping track in 1872. We started the day with a feels like temp of -23 and are facing a week of cold cold cold. Another snow emergency has been declared and then, after that, cars will only be able to park on the right side of any street until April. In light of this bleakness, I want some darkly hopeful poems. Here are two:

Catalog of Unabashed Gratitude
BY ROSS GAY
an excerpt

Friends, will you bear with me today,
for I have awakened
from a dream in which a robin
made with its shabby wings a kind of veil
behind which it shimmied and stomped something from the south
of Spain, its breast aflare,
looking me dead in the eye
from the branch that grew into my window,
coochie-cooing my chin,
the bird shuffling its little talons left, then right,
while the leaves bristled
against the plaster wall, two of them drifting
onto my blanket while the bird
opened and closed its wings like a matador
giving up on murder,
jutting its beak, turning a circle,
and flashing, again,
the ruddy bombast of its breast
by which I knew upon waking
it was telling me
in no uncertain terms
to bellow forth the tubas and sousaphones,
the whole rusty brass band of gratitude
not quite dormant in my belly—
it said so in a human voice,
“Bellow forth”—
and who among us could ignore such odd
and precise counsel?

I want to have this dream, although I imagine my bellowing would be more woodwinds than brass–deep throat-toned clarinets, trilling piccolos, a jaunty bassoon.

Instructions on Not Giving Up
Ada Limón, 1976

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

I love how she reads it on the poets.org site. Click on the link in the title to hear it. Spring isn’t here for a while. But, it’s coming. The greening of the trees and the green skin growing–so much green soon!–will come in a few months.