Tag: purple

june 23/SWIM

3 loops
lake nokomis open swim
67 degrees

Yes! A wonderful morning swim. As usual, always a mix of excited and nervous before the swim, but once I entered the water, all of it went away. Not always easy — sometimes my back hurts or a shoulder or a foot — but almost always wonderful. I love the dream I enter below the surface and the confidence I feel slicing through the water and the warmth of muscles worked after. Nothing feels as natural as swimming across this lake.

10 Things

  1. the crooked line of orange buoys — the one closest to the big beach much further north
  2. the faint outline of vegetation reaching up from the bottom of the lake, just below me
  3. swimming through a net of green milfoil near the white buoy
  4. only the occasional flash of other swimmers — a bent, bare elbow, a black wetsuit, a yellow safety buoy
  5. the brief flash of “buoy” or “orange” or “triangle” in my head, then nothing — I listened and believed and swam towards it
  6. one menacing sailboat — an orange and red sail
  7. open, empty water with vague trees in the distance
  8. above the surface, vivid blue, below the surface, green with hints of blue and the faintest idea of yellow
  9. my hands stretched out in front of me in the water — pale, glowing, a sharp contrast with the dark water
  10. shafts of light illuminating the particles in the water, everything constantly moving

the best moment: Rounding the final orange buoy for the third and final time, heading back to the big beach, the sun came out from behind the clouds. Suddenly the water was a vivid blue when I looked up to sight or turned my head to breathe. When I went back under, everything a beautiful, rich green: blue, green green green green green, blue, green green green green. At some point a cloud came and the blue grew darker, not quite purple. I thought about Alice Oswald and Odysseus and purple robes and being purpled.

Alice Oswald and Nobody

Was thinking about this before my swim:

Well, as you know, I’m quite fascinated, even obsessed, you might say with Homer. And one of the things that really tantalizes me in Homer is what is the Homeric mind? Because I think it’s very different from a literary mind. And it seems not to be inside the skull, but to be out in the world. So, there is a particular simile in the Iliad, which actually that first bit of the poem is based on, where it talks about two goddesses coming from heaven to the earth. And they’re very physically described. They kind of fall down from heaven to the earth. And then when they land, they take little pigeon steps, steps like doves or pigeons. So you can really picture them. But the way their flight moves from heaven to earth is as a man, you know, as the mind flutters in a man who has traveled widely, so you can turn it the other way around and say the way a man thinks is like this incredibly physical flight of two goddesses coming down to earth a bit like pigeons. And that’s always really interested me, that for Homer, the mind has the limitations of a pigeon, if you like. It is this kind of … this physical thing that moves. So, if you imagine a place over the sea, your mind actually has to get there. So, even though it may be as fast as the light, it is physical movement.

A Conversation with Kit Fan and Alice Oswald

I’m still looking for where in the Iliad these goddesses/pigeons are. And I’m still figuring out what AO might mean here. But it is helpful to read it beside these two parts of Nobody:

1/ page 1

As the mind flutters in a man who has travelled widely
and his quick-winged eyes land everywhere
I wish I was there or there he thinks and his mind

immediately

as if passing its beam through cables

flashes through all that water and lands
less than a second later on the horizon
and someone with a telescope can see his tiny thought-form
floating on the sea-surface wondering what next

2 / page 30

When trees take over an island and say so all at once
some in pigeon some in pollen with a coniferous hiss
and run to the shore shouting for more light
and the sun drops its soft coverlet over their heads
and owls and hawks and long-beaked sea-crows
flash to and fro
like spirits of sight whose work is on the water
shading it blue and thinking

I wish I was there

or there

Is the Homeric mind restless? I wish AO would say more about what she means by the literary mind and its lack of movement. I agree, but I’d like it spelled out. Does my mind work this way when I’m out moving by the gorge, or swimming across the lake? Does it move through or above the water? Maybe it became a fish.

Here’s one more line from the interview that I want to respond to:

. . . feeling of characters who have been eroded by the weather and by the sea is really what I’m feeling in this poem. It’s a poem that just opens itself to the elements and gets kind of washed, it gets its features washed off. . . . I think that’s all part of the erosion, really, it’s like even the forms of visible things have been almost worn down to their abstract shapes.

A Conversation with Kit Fan and Alice Oswald

Visible forms almost worn down to their abstract shapes — that’s how much of the gorge looks to me. Soft forms: trees, trash cans, big boulders.

june 19/RUNSWIM

2.5 miles
2 trails
64 degrees

A quick run before meeting my college friends for lunch. Cooler today. Heard the rowers. Spotted: at least 2 bright yellow shirts, one bright pink. City (or county or park?) workers were out re-tarring a few more spots on the trail. Hooray for less craters! Last week, they finally filled in the big crack that had white spray-paint around it, making it look like a tube sock or Florida (I’ve written about it before). I wonder if they’ll finally fill in the hole that’s been getting deeper every year? The one that would definitely twist your ankle if you stepped in it. I hope so.

I don’t remember hearing any birds or roller skiers or laughing kids, but I do remember the squishy mud on the winchell trail and the bug bite I got as I walked home.

color in/on/under water

Listening to Alice Oswald’s lecture, Interview with Water, I came across this great passage about color. First she’s mentions that poets performing The Odyssey always wore blue robes, then she mentions a line from book 8:

Odysseus
with his strong hands picked up his heavy cloak
of purple, and he covered up his face.
He was ashamed to let them see him cry.
Each time the singer paused, Odysseus
wiped tears, drew down the cloak (8:84-89)

Then she references something she said a few minutes earlier —

I keep a bucket of rainwater under my window and it delights me that green leaves reflected in a black bucket are not quite green. I don’t know what color they are. At certain moments, early in the day, they might be called pre-green, but then the clouds change or the wind moves the surface mark and all at once they seem bright dark and blind silvery then foggy emerald.

— and says this:

To go back to that bucket of water — to wave a blue gown above it and ask, What is that color which Homer calls porfurium? It is not blue exactly; it gets translated as purple but purple is a settled color whereas Homer’s word is agitated. It derives from the sea verb porfurion which means to roll without breaking, so it is already a fluid word, a heaped up word, a word with underswell, not a pigment but an emanation from the nature of water. To get a true sense of porphyrion you need to see the sea in it and for Homer the sea is unhuman full of strange creatures missed colored unplowable and this is my favorite word it is a peritone meaning unfenced. If you want to imagine the colour of Odysseus’ gown you will have to swim out into the unfenced place, the place not of definitions but of affirmations. Yes I’m afraid you will have to find your way to the p volume of Johnson’s unwritten dictionary. There you will discover a dark light word an adjective for edgelessness — a sea word used also of death smoke cloth mist blood between bluish purple and cobalt mauve. It appears mid-ocean when the wind perhaps makes a network of backblowing glitters that the underswell moves sideways as when a big sea swells with noiseless waves. It is used of the heart meaning his heart was a heaving not quite broken wave. It indicates a surface but suggests a depth a mutation of flatness or noiseless sheen, a sea creature, a quality of caves, any inlet or iodine or shaded stone, a type of algae or rockfish, anything excessive or out of focus or subliminal — for example: a swimmer seen from underneath, a rotting smell, a list of low sounds, an evening shadow or sea god, a whole catalogue of simmering grudges storms waves and solitudes or deep water including everyone who has drowned in it. To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light. to be either sleepless or weightless and cut off by dreams — find yourself in the silence underneath an overhanging way that or thereabouts is the color of a bluish violet ultramarine gown so the great poet sang.

Interview with Water

Wow! So many wonderful things to do with this passage! For now, I want to think about how color works underwater. In an hour, I’m heading over to deep (at least, deeper than Lake Nokomis) Cedar Lake to swim across it. How will color work as I swim? Below water? Above? Is this agitated, moving purple similar to how I see all the time? (Yes, I think.)

swim: 4 cedar loops (= 2 nokomis loops)
cedar lake
72 degrees

The first swim at Cedar Lake! As I’ve mentioned here before, Cedar has a very different vibe than Nokomis. Hidden away, at the end of a gravel road. A small beach. No buildings, the only bathroom a port-a-potty. Chill lifeguards. Today the water was cold but (mostly) calm. Not too many swimmers. 2 lifeguards on kayaks, 2 orange buoys, too much vegetation growing up from the bottom of the lake. I overheard another swimmer mentioning the vines too.

color: Inspired by Alice Oswald, I tried to think about the color of the water. Cloudy, not clear. I could see the vines and the bubbles from my breathing and my hands entering the water but not much else. Not purple or blue but green — not dark green but pale green. Maybe some pale blue — yes — and light gray. Occasionally a shaft of light from above, a dark vine below. Textured bubbles. Not much to see, but not nothing there. Instead, everything small, packed, too dense to decipher. No color and too many colors. Impossible to pin down with “green” or “gray” or “blue.” Not grief, but uncertainty.