Tag: poem

jan 21/RUN

2.5 miles
river road, south/north
15 degrees/ feels like 0
50% snow-covered

14 mph wind straight in my face, running south. Wasn’t expecting it to feel so cold today, so I underdressed. No hat, only a bright pink headband that covered my ears. Felt sore and a little tired, but better after having spent some time outside by the gorge. The river was open and flowing. The path was mostly clear. Noticed at least 2 dogs and their humans walking the lower path–the one that I like to run in the summer. Encountered a few other runners, no skiers or bikers. No geese. One frantic squirrel.

I love this poem. I love how listing what you love makes you want to love harder and more expansively, and so does reading someone else’s love list.

Love/ Alex Dimitrov

I love you early in the morning and it’s difficult to love you.

I love the January sky and knowing it will change although unlike us.

I love watching people read.

I love photo booths.

I love midnight.

I love writing letters and this is my letter. To the world that never wrote to me.

I love snow and briefly.

I love the first minutes in a warm room after stepping out of the cold.

I love my twenties and want them back every day.

I love time.

I love people.

I love people and my time away from them the most.

I love the part of my desk that’s darkened by my elbows.

I love feeling nothing but relief during the chorus of a song.

I love space.

I love every planet.

I love the big unknowns but need to know who called or wrote, who’s coming—if they want the same things I do, if they want much less.

I love not loving Valentine’s Day.

I love how February is the shortest month.

I love that Barack Obama was president.

I love the quick, charged time between two people smoking a cigarette outside a bar.

I love everyone on Friday night.

I love New York City.

I love New York City a lot.

I love that day in childhood when I thought I was someone else.

I love wondering how animals perceive our daily failures.

I love the lines in Cat on a Hot Tin Roof when Brick’s father says “Life is important. There’s nothing else to hold onto.”

I love Brick.

I love that we can fail at love and continue to live.

I love writing this and not knowing what I’ll love next.

I love looking at paintings and being reminded I am alive.

I love Turner’s paintings and the sublime.

I love the coming of spring even in the most withholding March.

I love skipping anything casual—“hi, how are you, it’s been forever”—and getting straight to the center of pain. Or happiness.

I love opening a window in a room.

I love the feeling of possibility by the end of the first cup of coffee.

I love hearing anyone listen to Nina Simone.

I love Nina Simone.

I love how we can choose our own families.

I love when no one knows where I am but feel terrified to be forgotten.

I love Saturdays.

I love that despite our mistakes this will end.

I love how people get on planes to New York and California.

I love the hour after rain and the beginning of the cruelest month.

I love imagining Weldon Kees on a secret island.

I love the beach on a cloudy day.

I love never being disappointed by chocolate.

I love that morning when I was twenty and had just met someone very important (though I didn’t know it) and I walked down an almost empty State Street because it was still early and not at all late—and of course I could change everything (though I also didn’t know it)—I could find anyone, go anywhere, I wasn’t sorry for who I was.

I love the impulse to change.

I love seeing what we do with what we can’t change.

I love the moon’s independent indifference.

I love walking the same streets as Warhol.

I love what losing something does but I don’t love losing it.

I love how the past shifts when there’s more.

I love kissing.

I love hailing a cab and going home alone.

I love being surprised by May although it happens every year.

I love closing down anything—a bar, restaurant, party—and that time between late night and dawn when one lamp goes on wherever you are and you know. You know what you know even if it’s hard to know it.

I love being a poet.

I love all poets.

I love Jim Morrison for saying, “I’d like to do a song or a piece of music that’s just a pure expression of joy, like a celebration of existence, like the coming of spring or the sun rising, just pure unbounded joy. I don’t think we’ve really done that yet.”

I love everything I haven’t done.

I love looking at someone without need or panic.

I love the quiet of the trees in a new city.

I love how the sky is connected to a part of us that understands something big and knows nothing about it too.

I love the minutes before you’re about to see someone you love.

I love any film that delays resolution.

I love being in a cemetery because judgment can’t live there.

I love being on a highway in June or anytime at all.

I love magic.

I love the zodiac.

I love all of my past lives.

I love that hour of the party when everyone’s settled into their discomfort and someone tells you something really important—in passing—because it’s too painful any other way.

I love the last moments before sleep.

I love the promise of summer.

I love going to the theater and seeing who we are.

I love glamour—shamelessly—and all glamour. Which is not needed to live but shows people love life. What else is it there for? Why not ask for more?

I love red shoes.

I love black leather.

I love the grotesque ways in which people eat ice cream—on sidewalks, alone—however they need it, whenever they feel free enough.

I love being in the middle of a novel.

I love how mostly everyone in Jane Austen is looking for love.

I love July and its slowness.

I love the idea of liberation and think about it all the time.

I love imagining a world without money.

I love imagining a life with enough money to write when I want.

I love standing in front of the ocean.

I love that sooner or later we forget even “the important things.”

I love how people write in the sand, on buildings, on paper. Their own bodies. Fogged mirrors. Texts they’ll draft but never send.

I love silence.

I love owning a velvet cape and not knowing how to cook.

I love that instant when an arc of light passes through a room and I’m reminded that everything really is moving.

I love August and its sadness.

I love Sunday for that too.

I love jumping in a pool and how somewhere on the way up your body relaxes and accepts the shock of the water.

I love Paris for being Paris.

I love Godard’s films.

I love anyplace that makes room for loneliness.

I love how the Universe is 95% dark matter and energy and somewhere in the rest of it there is us.

I love bookstores and the autonomy when I’m in one.

I love that despite my distrust in politics I am able to vote.

I love wherever my friends are.

I love voting though know art and not power is what changes human character.

I love what seems to me the discerning indifference of cats.

I love the often uncomplicated joy of dogs.

I love Robert Lax for living alone.

I love the extra glass of wine happening somewhere, right now.

I love schools and teachers.

I love September and how we see it as a way to begin.

I love knowledge. Even the fatal kind. Even the one without “use value.”

I love getting dressed more than getting undressed.

I love mystery.

I love lighting candles.

I love religious spaces though I’m sometimes lost there.

I love the sun for worshipping no one.

I love the sun for showing up every day.

I love the felt order after a morning of errands.

I love walking toward nowhere in particular and the short-lived chance of finding something new.

I love people who smile only when moved to.

I love that a day on Venus lasts longer than a year.

I love Whitman for writing, “the fever of doubtful news, the fitful events; / These come to me days and nights and go from me again, / But they are not the Me myself.”

I love October when the veil between worlds is thinnest.

I love how at any moment I could forgive someone from the past.

I love the wind and how we never see it.

I love the performed sincerity in pornography and wonder if its embarrassing transparency is worth adopting in other parts of life.

I love how magnified emotions are at airports.

I love dreams. Conscious and unconscious. Lived and not yet.

I love anyone who risks their life for their ideal one.

I love Marsha P. Johnson and Sylvia Rivera.

I love how people make art even in times of impossible pain.

I love all animals.

I love ghosts.

I love that we continue to invent meaning.

I love the blue hours between three and five when Plath wrote Ariel.

I love that despite having one body there are many ways to live.

I love November because I was born there.

I love people who teach children that most holidays are a product of capitalism and have little to do with love—which would never celebrate massacre—which would never care about money or greed.

I love people who’ve quit their jobs to be artists.

I love you for reading this as opposed to anything else.

I love the nostalgia of the future.

I love that the tallest mountain in our solar system is safe and on Mars.

I love dancing.

I love being in love with the wrong people.

I love that on November 23, 1920, Virginia Woolf wrote, “We have bitten off a large piece of life—but why not? Did I not make out a philosophy some time ago which comes to this—that one must always be on the move?”

I love how athletes believe in the body and know it will fail them.

I love dessert for breakfast.

I love all of the dead.

I love gardens.

I love holding my breath under water.

I love whoever it is untying our shoes.

I love that December is summer in Australia.

I love statues in a downpour.

I love how no matter where on the island, at any hour, there’s at least one lit square at the top or bottom of a building in Manhattan.

I love diners.

I love that the stars can’t be touched.

I love getting in a car and turning the keys just to hear music.

I love ritual.

I love chance too.

I love people who have quietly survived being misunderstood yet remain kids.

And yes, I love that Marilyn Monroe requested Judy Garland’s “Over the Rainbow” to be played at her funeral. And her casket was lined in champagne satin. And Lee Strasberg ended his eulogy by saying, “I cannot say goodbye. Marilyn never liked goodbyes, but in the peculiar way she had of turning things around so that they faced reality, I will say au revoir.”

I love the different ways we have of saying the same thing.

I love anyone who cannot say goodbye.

jan 19/RUN

4 miles
trestle turn around + extra
5 degrees/feels like -8
100% snow-covered

A winter wonderland. Cold, but not too cold–at least not for me. Fluffy flurries in the air. The path was covered with snow but it was packed and not too slippery. Just before starting my run, I listened to the snow, grinding as my foot stepped down and shushing as it lifted off of the ground. Not too long after I started, I saw 2–yes 2!–cross country skiers about to head down into the tunnel of trees. Nice. Had a few brief glances at the river but was focused more on avoiding big snow clumps/ice chunks on the path. Encountered some walkers, dogs, at least one fat tire, a few other runners. Was able to greet the Daily Walker twice, once heading north, and again heading south. Didn’t hear any geese today. Saw lots of cars. While running the cold didn’t bother me after the first mile. When I stopped my skin started to burn. Not sure why, but the part of me that gets the coldest after a run is my stomach. Not my arms or fingers or toes. It burns and for several minutes it’s bright red. Why?

Looked it up, and here’s what I found:

When you exercise, the working muscles call for an increase in blood flow. Oxygen is essential to energy production and blood supplies it. … During running your body is not focusing on digestion, urination or reproduction, so blood is diverted from the stomach area, which may be cause for a cold stomach while running.

Interesting and nothing to worry about. Later in the article it states, “This is no cause for concern. If your stomach is cold, your body is doing it’s job.” Good job body!

Right now I’m reading the awesome book, Why Poetry by Matthew Zapruder. Love this description of poetry:

Poems exist to create a space for the possibilities of language as material. That is what distinguishes them from all other forms of writing. Poems allow language its inherent provisionality, uncertainty, and slippages. They also give space for its physicality–the way it sounds, looks, feels in the mouth–to itself make meaning (12).

Wow, this poem! I love Marie Howe.

Singularity/ Marie Howe

   (after Stephen Hawking)

Do you sometimes want to wake up to the singularity
we once were?

so compact nobody
needed a bed, or food or money—

nobody hiding in the school bathroom
or home alone

pulling open the drawer
where the pills are kept.

For every atom belonging to me as good
Belongs to you.   Remember?
There was no   Nature.    No
 them.   No tests
to determine if the elephant
grieves her calf    or if

the coral reef feels pain.    Trashed
oceans don’t speak English or Farsi or French;

would that we could wake up   to what we were
— when we were ocean    and before that
to when sky was earth, and animal was energy, and rock was
liquid and stars were space and space was not

at all — nothing

before we came to believe humans were so important
before this awful loneliness.

Can molecules recall it?
what once was?    before anything happened?

No I, no We, no one. No was
No verb      no noun
only a tiny tiny dot brimming with

is is is is is

All   everything   home

jan 18/SHOVELBIKE

Shovel: 30 minutes
Bike: 25 minutes

Winter cross training often involves shoveling. No big storm this time. Maybe 5 or 6 inches? Tried to use my legs a lot instead of arms and back. Heavy snow with a icy crust. I’m hoping that they’ve already cleared the path by the river. Usually they do. I’ll see tomorrow morning if it isn’t too cold. Just heard the weather forecast as I was writing this: a high of 5 tomorrow. Watched part of the second episode of Cheer in the basement while I biked. The time went by really fast. Don’t remember much except for how much better I felt after I exercised.

What a poem! I want to spend some time with it to decipher all the uses of pine. So cool. This might be a good form for another running route Unigrid brochure? I’ll have to think about that some more.

Pine
Susan Stewart – 1952-

a homely word:
a plosive, a long cry, a quiet stop, a silent letter
like a storm and the end of a storm,
the kind brewing
at the top of a pine,
(torn hair, bowed spirits, and,
later, straightened shoulders)
who’s who of the stirred and stirred up:
musicians, revolutionaries, pines.

A coniferous tree with needle-shaped leaves.
Suffering or trouble; there’s a pin inside.

The aphoristic seamstress was putting up a hem, a shelf of pins at her
pursed mouth.
“needles and pins / needles and pins / when a man marries / his trouble begins.”
A red pincushion with a twisted string, and a little pinecone tassel, at the
ready.

That particular smell, bracing,
exact as a sharpened point.

The Christmas tree, nude and fragrant,
propped as pure potential in
the corner with no nostalgia for
ornament or angels.

“Pine-Sol,” nauseating, earnest, imitation—
one means of knowing the real thing is the fake you find in school.
Pent up inside on a winter day, the steaming closeness from the radiators.

At the bell, running down the hillside. You wore a pinafore.
The air had a nip: pine
was traveling in the opposite direction.

Sunlight streaming through a stand of pines,
dancing backward through the A’s and T’s.

Is it fern or willow that’s the opposite of pine?

An alphabet made of trees.

In the clearing vanished hunters
left their arrowheads
and deep cuts in the boulder wall:
petroglyphs, repeating triangles.

Grandmothers wearing pinnies trimmed in rickrack.
One family branch lived in a square of oak forest, the other in a circle of
pines;
the oak line: solid, reliable, comic; the piney one capable of pain
and surprise.

W-H-I-T-E: the white pine’s five-frond sets spell its name. (Orthography of
other pines I don’t yet know.)

The weight of snow on boughs, lethargic, then rocked by the thump of a
settling crow.

Pinecones at the Villa Borghese: Fibonacci increments,
heart-shaped veins, shadowing the inner
edges of the petals.
Like variations at the margins of a bird feather.
Graffiti tattooing the broken
water clock, a handful
of pine nuts, pried out, for lunch.

Pining away like Respighi with your pencil.

For a coffin, you’d pick a plain
pine box suspended in a weedy sea.

No undergrowth, though, in a pine forest.

Unlike the noisy wash
of dry deciduous leaves,
the needles blanket the earth

pliant beneath a bare foot,
stealthy,
floating,
a walk through the pines.

Silence in the forest comes from books.

jan 16/RUN

bike: 24 minutes
bike stand, basement

run: 1.25 miles
treadmill, basement

Didn’t want to run too much today, so decided to go down to the basement. Of course, the -10/ feels like -25 also influenced my decision. But if I hadn’t already run twice yesterday, I might have tried going outside because I’m crazy that way. Finished the first episode of Cheer! that I started last week. From the teacher who was very committed to her right to bear arms, “hell yeah! I’m packing right now!”, to the 2 concussions suffered in one pyramid rehearsal–those sounds of loud smacks on the floor as the girls fell!–to the male cheerleader who was kneed in the face and had to put a tampon up his nose to stop the bleeding, this was an intense 20 minutes. Wow.

TEN YEARS LATER MY HUSBAND WALKS OUT OF THE WOODS/ Emily Pérez

after “Hans My Hedgehog”

In one version you remove your coat
of quills at dusk, drape it by the hearthside.

My father’s bravest men then burst
into our room and net the carapace, fling

it in the waiting blaze, burn the thorns
that stippled you. The hollow spires

in the fire sing like copper smelted,
the slag amassing on the flagstones

cooling to a twisted fist of all that had you
hinged. Unmasked at last you stand

before me, born anew: not a monster, not
a man, but a fledgling flayed. Oh husband,

what soulbrave bargain have you made
that leaves you so tender, and how

am I to salvage you?— just wife, not
witch, not doctor.

Author’s Note

I’ve been obsessed with the Grimm’s fairy tale “Hans My Hedgehog” for years. In addition to featuring a hedgehog who plays bagpipes and rides a rooster, it provides some crazy inroads for thinking about parenting and marriage. As in many fairy tales, a father promises his daughter to the hero, who, in this case is a hedgehog. Later, the hedgehog decides to permanently take on human form for his wife’s sake, which involves shedding his coat of quills and having it burned by his wife’s father’s men. The rebirth chars him. In the years that I tinkered with this story as a source for poems, my husband made a major life change that felt both morally brave and (perhaps) personally foolish. As his partner, I felt compelled to be supportive but also inadequate to the task. This poem gets at my ambivalence.

I loved reading the explanation of this poem and then reading the poem again. Powerful. I also like the idea of taking a favorite fairytale and re-imaging it.

jan 15/RUN

run 1: 2.5 miles
river road, south/north
21 degrees
50% snow-covered

Such a beautiful morning for a run! Not too cold or too windy. A few flurries in the air. I’m planning to go to stadium running tonight with Scott, but I couldn’t resist getting out by the gorge this morning. It’s supposed to be ridiculously cold tomorrow morning and then lots of snow on Friday. I need to enjoy the clear path while I can. Running south today, I was able to admire the oak savanna from above. Don’t remember the trees, just the bare white stretching out. Oh–and the sound of a kid laughing and an empty stroller parked at the top of the trail that leads down into the savanna. Looked down at the river and noticed the variation in color–a pale blue then brown. Realized the blue was a thin layer of ice, the brown open water. Is that right? I’m pretty sure, but I debated it for a minute in my head. I was too far away and moving too fast to be sure. Admired the beautiful curve of the retaining wall above the ravine near the 44th street parking lot. Thought about trying out a bit of the Winchell Trail but wimped out. Too much snow. Heard groups of kids out on the playgrounds of the 2 schools I passed, out for recess.

run 2: 3.25 miles
us bank stadium

Ran at the stadium with Scott. Again, not together, but at the same time and in the same place. Encountered a wonderful human in the elevator on the way upstairs. Long white hair, a ice skating/ roller skating skirt, cool rollerblades, a mustache maybe? Scott said he’s seen them roller blading by the river a lot in green tights. Not sure if I have. They got off the elevator before us, planning to roller blade instead of run. My younger self would have loved to roller blade (or roller skate) there. In 4th grade, way back in 1984, I was the roller skating queen of Salem, VA (at least in my own head). Went to the rink as many Saturdays as I could.

They were playing much better music today–“rock and roll ain’t noise pollution” RUSH, the Police–but I still ran with my headphones. Made sure to look down at the field, which was being prepared for an upcoming monster truck rally, and out the window at downtown. Realized why I hadn’t looked out these windows on Monday. It’s at the narrowest part of the route and I was too busy paying attention to not running into carts or other runners.

Not sure what the floor of the concourse is made of–concrete?–but it’s harder on the legs. The first mile felt awkward as I tried to adjust to the increased pounding my calves were experiencing.

Yesterday, I was skimming through Theodore Roethke’s book on poetry and craft and found these:

To day there’s no time for the
mistakes of a long and slow
development: dazzle or die.

Dazzle or die.

Are there dangers? Of course.
There are dangers every time I
open my mouth, hence at
times when I keep it shut, I try
to teach by grunts, sighs,
shrugs.

jan 12/RUN

4.2 miles
to the falls and back
17 degrees/ feels like 5
25% ice and snow covered

Reached the river and turned right instead of left and headed to the falls. Today the river was blue. Grayish blue. Steel blue. Maybe Copenhagen blue? I can’t trust my color sense these days. Sometimes bright pink looks yellow or green looks gold. Regardless of what color you would call it, I’ll stick with steel blue. Beautiful. A few less ice floes down here, south of the lake street bridge. The path was stained a chalky white, the hard frozen snow brown. Sometimes it was difficult to see what was clear and what was not.

The falls were wonderful. Reaching the far end of the park, by the benches and fountain with Longfellow’s “Song of Hiawatha” etched on them, I heard the dim roar of the falls still flowing. Rounding the corner, the roar suddenly became louder. I stopped at the stone edge for a minute and marveled at the frozen columns of ice and the water falling beside them. Put it my headphones, turned around, and ran home. Felt strong and happy to be outside on a clear path.

Did Rise/ Jessica Rae Bergamino

Did tear along. 
Did carry the sour heave 
of memory. Did fold my body 
upon the pillow’s curve, 
did teach myself to pray. 
Did pray. Did sleep. Did choir 
an echo to swell through time. 
Did pocket watch, did compass. 
Did whisper a girl from the silence 
of ghost. Did travel on the folded map 
to the roaring inside. Did see myself 
smaller, at least, stranger, 
where the hinge of losing had not yet 
become loss. Did vein, did hollow 
in light, did hold my own chapped hand. 
Did hair, did makeup, did press 
the pigment on my broken lip. 
Did stutter. Did slur. Did shush 
my open mouth, the empty glove. 
Did grace, did dare, did learn the way 
forgiveness is the heaviest thing to bare. 
Did grieve. Did grief. Did check the weather, 
choose the sweater, did patch the jeans 
worn out along the seam. Did purchase, 
did pressure, did put the safety on the scissors. 
Did shuttle myself away, did haunt, did swallow 
a tongue of sweat formed on the belly 
of a day-old glass. Did ice, did block, 
did measure the doing. Did carry. 
Did return. Did slumber, did speak. 
Did wash blood from the bitten nail, 
the thumb that bruised. Did wash 
the dirt-stained face, the dirt-stained 
sheets. Did take the pills. Did not 
take the pills. Cut the knots 
from my own matted hair.

Love the repetition of this poem and the relentless “did” only stopped on the second to last line. Love the telling of a story and the expressing of feelings through the mundane listing of what she did.

jan 11/ RUN

4 miles
trestle turn around + extra
10 degrees/ feels like 0
40% ice-covered

Brr. Colder today than it has been for a while. I was fine with lots of layers. For most of the run, there were big strips of bare pavement. They were stained white from the salt or sand of whatever it was that they put down a few days ago and I kept thinking it was snow or ice instead of bare pavement. Greeted Dave the Daily Walker and a few other runners. Noticed the river and loved how arctic it looked. Bigger ice floes and thick water that seemed stuck.

The thing I remember most about the run was near the end, heading south, when the wind was not quite gently rushing through the trees and I heard a shimmering sound as the wind rustled the dead leaves. This felt strange and out of season, more like a noise I would hear in the summer or fall, and I imagined that it was much warmer outside. Almost tricked myself.

HIPPOPOTOMONSTROSESQUIPPEDALIOPHOBIA/ Aimee Nezhukumatathil

—The fear of long words

On the first day of classes, I secretly beg

my students Don’t be afraid of me. I know

my last name on your semester schedule

is chopped off or probably misspelled—

or both. I can’t help it. I know the panic

of too many consonants rubbed up

against each other, no room for vowels

to fan some air into the room of a box

marked Instructor. You want something

to startle you? Try tapping the ball

of roots of a potted tomato plant

into your cupped hand one spring, only

to find a small black toad who kicks

and blinks his cold eye at you,

the sun, a gnat. Be afraid of the x-rays

for your teeth or lung. Pray for no

dark spots. You may have

pneumonoultramicroscopicsilicovolcanoconiosis:

coal lung. Be afraid of money spiders tiptoeing

across your face while you sleep on a sweet, fat couch.

But don’t be afraid of me, my last name, what language

I speak or what accent dulls itself on my molars.

I will tell jokes, help you see the gleam

of the beak of a mohawked cockatiel. I will

lecture on luminescent sweeps of ocean, full of tiny

dinoflagellates oozing green light when disturbed.

I promise dark gatherings of toadfish and comical shrimp

just when you think you are alone, hoping to stay somehow afloat.

I love Aimee Nezhukumatathil. She is one of my favorite poets. And I love this poem and how it enabled me to learn a new word: hippopotomonstrosesquippedaliophobia. Very useful. But how cruel to make the term for a fear of big words such a monstrous, imposing word!

jan 10/ BIKERUNBIKE

bike: 30 minutes
bike stand, basement
run: 1.25 miles
treadmill, basement

The weather isn’t too cold (at least for me) this morning or too blustery, but I decided to stay inside and do more biking, less running to rest my sore legs. Now as I write this I feel a little regret. Winter runs in the cold are the best. Why didn’t I run outside?

While biking, I watched part of the first episode of the netflix doc series: Cheer. It’s fascinating and freaking me out. They take so many risks with their bodies. I wonder what the long term effects of these risks and the injuries they get are? Will the series address this at some point?

When I was younger, I never thought about my body. But after I had 2 kids, my mom died too young, and I started running and open water swimming, I became more aware of its fragility and developed a need to protect it and be careful with it.

Living in the Body/ Joyce Sutphen

Body is something you need in order to stay
on this planet and you only get one.
And no matter which one you get, it will not
be satisfactory. It will not be beautiful
enough, it will not be fast enough, it will
not keep on for days at a time, but will
pull you down into a sleepy swamp and
demand apples and coffee and chocolate cake.

Body is a thing you have to carry
from one day into the next. Always the
same eyebrows over the same eyes in the same
skin when you look in the mirror, and the
same creaky knee when you get up from the
floor and the same wrist under the watchband.
The changes you can make are small and
costly—better to leave it as it is.

Body is a thing that you have to leave
eventually. You know that because you have
seen others do it, others who were once like you,
living inside their pile of bones and
flesh, smiling at you, loving you,
leaning in the doorway, talking to you
for hours and then one day they
are gone. No forwarding address.

I’m mostly okay with my body. Together we’ve done some great things. I guess sometimes I wish my kneecaps would stay in their grooves and not temporarily displace or my central vision wasn’t almost completely destroyed or my legs didn’t get unbearably restless when I wake up in the middle of the night, which happens a lot. But I think I feel less like Joyce Sutphen and her body as (treasured) burden, and more like Linda Hogan in Rapture: “Oh for the pleasure of living in a body.”

jan 6/RUN

3.25 miles
trestle turn around
27 degrees
50% slick ice-covered

Ugh! The temperature was great, so was the wind, but the path was terrible. So slippery–not all of it, but enough to make it very difficult to run on. I’ve been wondering why the paths are so awful this year and I think it is because they must not be treating the asphalt at all. Not sure what they used to put on it, but nothing this year. This is a bummer, but I’m sure whatever they were treating it with was not good for the river so I’m glad they’ve stopped.

Paused at the trestle to put in my headphones and admire the beautiful, brown river. Very peaceful today. Don’t remember much else except for the walk before the run: I heard lots of birds, an airplane, the hum of far off traffic, a chainsaw trimming a tree. Oh–and how the slick ice on the path was shining in the sun.

The Spider/ Heather Christle

The spider he is confused
b/c I am not killing him
only moving him outdoors
When I die I do not want
to feel confused
No I would rather feel clarity
like I am a pool
and death a chlorine tablet
I want it to feel
not like I am dying
but am being transferred
to the outside
And I hope I do not drown
as I have seen happen
to hundreds of spiders
b/c I love to swim
and to drown would
wreck swimming
for a long time
But death is like none of this
I know that death is a tower
standing in the middle of the town
And the tower receives
many visits
And there’s no one
but spiders inside

Heather Christle is wonderful. Favorite line: “I hope I do not drown/as I have seen happen/ to hundreds of spiders/ b/c I love to swim/and to drown would/wreck swimming/ for a long time”

This poem is part of a series called Back Draft in which poets show two versions of a poem and then discuss their revision process. Very interesting.

on revision

With me, I can pretty quickly hear whether there is a thing that is alive inside the poem. But for me, if that thing that’s alive in some poems isn’t there, there’s nothing I can do to make it come forward, you know? Some poems have life, and some just don’t. Sometimes it’s an ostrich, and sometimes it’s a cinder block, and no matter what I do I can’t make a cinder block be an ostrich (Heather Christle)

the process of writing poetry

an enormous part of what I’m doing is listening, that I’m listening to the strangeness that is within us, and within our world, and within our ways of speaking to one another. And I’m listening to the energies and desires of the words themselves, which isn’t to say that I think that I’m actually listening to Martians, to borrow Jack Spicer’s metaphor, you know? I don’t think that I’m catching the voices of ghosts or something. I don’t know what is on the other side of what I’m listening to, but I do know that it, for me, has to be heard right away, that I can’t slowly revise my way towards it. If I missed it the first time, it’s not going to become present.

jan 5/BIKERUNBIKE

bike: 25 minutes
bike stand, basement
run: 2 miles
treadmill, basement
outside: wind advisory, icy paths

The combination of too many days running on uneven paths and a wind advisory meant I ran and biked in the basement today. I’m fine with it. I still don’t like the treadmill for long distances, but it’s okay for a mile or two. Watched a super league triathlon race while I biked, listened to a playlist while I ran. The coolest thing I remember: running, staring straight ahead and just above the blank tv screen, I noticed the reflection of the single lightbulb in the dark window. A small bright circular light. I imagined it was the moon, hovering above Lake Superior, which I remember seeing a few years ago when I was at a resort on the North Shore. Very cool. I was so mesmerized by the image that I almost ran into the front of the treadmill. Who knew the basement could be so beautiful and inspiring?

Yesterday, wandering around the internet, I discovered Steve Healey’s 10 Mississippi–a book of poetry about the Mississippi River. He’s based in Minneapolis, which is really cool. I need to buy this collection from 2010.

2 Mississippi/ Steve Healey

Standing next to the river, I recorded the sound
of the river in an attempt to represent that sound
more accurately than my earlier description of it,
which compared the river sound to someone
saying “shhhh.” I rewound the tape and played it back,
and the recording also sounded like someone saying
“shhhh,” but then I remembered that I was listening
to both the recording of the river and the river itself,
and I could not with absolute certainty distinguish
one from the other. It sounded like the two sounds
synchronized into one “shhhh,” but at times they
seemed to separate, as if telling each other to be quiet,
like accomplices committing a crime. Or they may
have both been telling me to be quiet, despite the fact
that I was producing no sound, or so I thought.
Retreating swiftly and quietly to the privacy
of my own home, a safe distance from the river itself,
I listened again to the recording of the river sound.
This time it sounded like a perfectly preserved memory
of the river, a solitary “shhhh” moving inexorably
toward the Gulf of Mexico, and just as I felt liberated
from the burden of having to remember the river
through my own mental activity, the recording stopped,
precisely at the moment when I had turned off
the tape recorder. Then I remembered that the river
itself was elsewhere, continuing its perfect sound
forever, and that I would never be able to represent
that continuousness accurately. I remembered,
however, that I could take a length of magnetic tape
on which that river was recorded and splice the ends
together to form a loop which I could then play
continuously. The sound could keep going “shhhh”
all the way to the Gulf of Mexico, telling all the cars
and condos to be quiet. It’s worth remembering,
however, that a river is not a person, and that a person
saying “shhhh” eventually needs to stop making
that sound, either to inhale or die. There would be no
other choice, unless of course I recorded myself
saying “shhhh” and played a loop of that recording
continuously, in which case I’d no longer need
to remember myself. I’d be immortal
in the privacy of my own sound.