poem – Page 79

march 4/RUN

5.5 miles
franklin loop
36 degrees

Felt warmer than 36 degrees this morning. So warm that I was surprised to encounter ice on the path near the Welcoming Oaks. Sunny. Not too windy, but windier than I thought it would be.

I yelled at a biker as I crossed 46th, a block from the river. They didn’t stop at the stop sign and weaved around barely missing running into me. I thought I heard them yell something but realized too late it was a voice from the radio they were blasting. I yelled, “you have a stop sign!” I stewed over my outburst for a few minutes, feeling hostile towards everyone I encountered–the other runners approaching me, not wanting to move over and make room for me until the last minute, the clueless walker who didn’t move at all. I worked hard to remember how wonderful it is to be outside by the river with a clear path. Then I encountered another runner, who was thoughtfully on the other side, and smiled.

Every time I started to think about my irritation and regret over yelling, I forced the thoughts out of my head. I looked at the river, open and flowing. I listened to the shuffling grit under my feet. I felt the strength in my legs. Then I saw the shadow of a bird above me and I thought about how I love shadows and the strange feeling of something being there but only in shadow form–like a ghost or a trace or something else. And, as I was finding delight in this I realized that this quick flash was it, my moment for the day. Such a small moment, but enough for me. Why? Not sure if I can put it into words yet.

Some other things I remember:

Slowly catching up to and passing a runner just before the franklin bridge. Their gait was slow and relaxed.
Thinking about the january joy poem I’m working on and how wonderful poetry is for giving me a reason to spend more time with the river.
Dodging and hurtling over slabs of frozen earth on the walking path, probably unearthed by the plows last month.
Wondering if any of the cars would drive through a puddle and soak me (they didn’t).
Noticing that the Meeker Island dog park was open.
Seeing a few people standing at the top of the stairs leading up to the marshall/lake street bridge and wondering why they were there.
Hearing water rushing through the sewer on the street.
Thinking about how much taller the trestle is on the east side of the river.
Running on the bridge and hearing someone approaching from behind. It took them forever to pass! Is that how the runner I passed earlier in the run felt?
Hearing my zipper pull banging against my chest, sometimes thinking the sound was another runner approaching (it wasn’t).

As I made the above list, I suddenly remembered another moment of delight, equally as mundane and strange as my bird shadow. Running near Meeker Island on the St. Paul side, everything became brown. No snow, no green grass, no leaves. Just a rich brown, made deeper by the sun. Mostly mulched leaves and bare tree trunks, a little ground. It made me think of my childhood and exploring wooded trails in Virginia. It made me think of driving through the Keweenaw Peninsula in late fall. It made me think of spring coming. It made me feel a deep, warm, glowing joy.

Before I started my run, I recorded myself reciting Heather Christle’s poem, The Spider (posted on jan 6), and Susan Stewart’s, Pine (posted on jan 18). Then I listened to them in my headphones just before I started my run. I didn’t think about Christle’s poem but I do think Stewart and the different ways she played with the word pine, inspired my thoughts about loving poetry and its invitation to spend time experimenting with words and ideas and images .

march 3/RUN

3.25 miles
trestle turn around
39 degrees
clear path

Windy. Sunny. Not too cold. Ran in the early afternoon, since I voted in the morning. I loved running on the edge of the path, my feet landing on the grit, making a satisfying scratching sound. I think I looked at the river–did I? Now I can’t remember. I do remember noticing how the snow on the walking path that winds down through the tunnel of trees was melting. With all the warm weather this week–and 61! predicted for Sunday–maybe it will be cleared of snow soon. I also remember lifting my knees as I ran up from under the lake street bridge and noticing how the walking path at the top, which follows the rim of the gorge while the biking path follows the road, was clearing up too. Hooray! Anything else? I heard then saw a small wedge of geese flying north. Encountered a few runners, many walkers, at least one dog. It was a good run. I didn’t think about the coronavirus and the fear and worry and hassle it’s causing for so many people even once!

Before starting the run while I was still walking, I listened to a recording of myself reading 2 poems: 1. a draft of my latest poem, which I’m calling January Joy, and 2. a fabulous poem by Marie Howe, Singularity–I posted it on this log on Jan 19. I liked listening to both of them. I also liked recording myself reciting them. Maybe this will be a new thing I do with poems in 2020? Yesterday I recorded myself reading Love by Alex Dimtrov (posted on this log on jan 21)–over 11 minutes of lines starting with “I love…”! One of the I loves reminded me of Howe’s poem:

I love how the Universe is 95% dark matter and energy and somewhere in the rest of it there is us.

I read this line as loving the idea that we are such a small fraction of what makes up the Universe. I love this idea too–it’s comforting and liberating to me to matter so little. Most of Howe’s poem and the idea of singularity is a little different. It’s lamenting the loss of a time when we were not separate from the Universe, when there was no universe or we or I or us or anything to fuck up (which we have, as we trash the ocean and each other). She has one line that reminds me of Dimitrov’s and that resonates:

before we came to believe humans were so important

I find it’s easier to remember this–that I am not so important, or the most important–when I’m running outside by the gorge, above the Mississippi River, under the oak trees. I like remembering this. Here’s another line this discussion of not being important reminds me of:

You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind (Frédéric Gros/Philosophy of Walking, 84).

And, of course, the minute I write nobody, I think of my introduction to Emily Dickinson:

I’m Nobody! Who are you? (260)/ Emily Dickinson – 1830-1886

I’m Nobody! Who are you?
Are you – Nobody – too?
Then there’s a pair of us!
Don’t tell! they’d advertise – you know!

How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog!

Wow, that was fun to wander around all of those words! As I was scrolling back through my January entries, I saw a lot of wonderful poems and ideas. More wandering around them is necessary.

Speaking of January, here’s a first draft of my January Joy poem. It’s a collection of things I enjoyed during the month of January for the past 4 years. I’m not quite satisfied with it. I want to find a better way to describe/express how thick slushy viscous water moves–how?

January Joy/ Sara Lynne Puotinen

Oh to see the river!
The river, open
The river, brown
The river, thinly veiled
The river, pale blue
The river, empty
The river, white
The river, a big black hole of deep, cold nothingness
The river, a thick slow slush traveling to the falls
The falls, flowing between frozen columns of ice
The ice, cleared from the path
The path, no big crowd
The crowd, 2 cross country skiers
3 men in red jackets gliding
1 woman floating–confident bodies moving through space
The space between sky and tree top, illuminated by sun
The sun glowing up the gray gloom
The sun warming my face
The sun flashing through tall, thin tree trunks
My trunk, straight strong steady more machine than gangly human

How wonderful it is to move!

Oh great runs!
Oh clearer paths!
Oh strong legs and adequate knees and functioning feet!
How wonderful it is to move and breathe and feel free
on this winter-perfect day, white and woodsy and blueish gray!

feb 29/RUN

5 miles
to stone arch bridge
27 degrees
90% clear path

Was able to do a one way run to the Stone Arch bridge today. Felt warm and relaxed and strong. Walked for about 30 seconds on the final big hill. Did a lot of counting to four. Greeted Dave the Daily Walker at the beginning. Encountered several runners, some walkers, and three bikers biking up the franklin hill as I was running down it. Saw my shadow in front of me. Heard some honking geese flying overhead; tried to spot them but couldn’t. Saw some big bird flying high up in the sky and then the shadow of a bird fly over me–was it the same bird? An eagle? A turkey vulture? The river was open–was it brown or blue? I can’t remember. Noticed the ice on the limestone cliffs in the flats. Heard the gushing of the water at the bottom, between Annie Young Meadows and the turnoff for the U. Just before I reached the Washington bridge, the light rail rumbled overhead. Anything else I remember? I was overdressed and very warm. One too many shirts. I’m sure I thought about something but I left it on the trail, probably on the last hill. Ended on the bridge–so breezy. Glad I wasn’t running into that wind the whole time!

What a beautiful poem! I found it through Ours Poetica and Ashley C. Ford’s reading of it.

Unwished For/ Shira Erlichman

I’m standing in my town’s ice cream shop when I notice them: the white couple smiling at me. Blonde woman standing beside a mailbox, waiting patiently for news, husband reassuringly placing a hand on her shoulder. The flyer they’re on is pink: international color of positivity in the face of infertility. They are having a hard time, my couple. That’s why they’re here in my ice cream shop. But they have faith, they’re trying, haven’t quit wanting what they want, in spite of it all.

Could you be the one?

I lick the crest of my cone slowly, examine their bullet-pointed criteria.

21 to 42 years

It’s not conscious, but somewhere inside a voice says: “Check.”

No criminal record. “Check.”

No history of mental illness.

I say, out loud to the paper, not caring if the teenager behind me churning into an icy chunk with a steady fist hears, I say: “I know this is different, Susan, Jim, but I would never wish Frida to not have been hit by that trolley. I would never look her in the face and say, ‘I choose to unmake you and your paintings and your horroring heart. I rob the woods of your little deer.’”

“It’s different,” Susan says, “you’re not Frida.”

“Plus,” adds Jim, “that was physical. A freak accident. Try another argument.”

What they don’t want of me lives. It sees through my eyes that they would prefer it dead. It knows better than to whimper, or show defeat. What they don’t want of me breathes.

“Eugenicists,” it says

The woman gasps, hand to chest.

It continues: “You want to spare yourselves. That’s not love.”

“We don’t want her to suffer,” they chime in unison. Oh—her? It was decided: A girl. Claire. Or, Vanessa. Or, Claire. She’d have red curls, love olives, sing in her sleep.

“She doesn’t want to suffer either,” I peel the words open slowly, “but she’d rather be alive, than not suffer.”

I am not talking to a piece of paper in Herrell’s Ice Cream Shop. I am not invoking Frida. I am not naming an unloved ghost Claire. I’m licking my wrist of a smudge of strawberry cream, listening to the terrible Top 40 hit blaring overhead. I’m staring at the words No history of mental illness, trying to move my feet, and leave the world where this is taped up, natural as the moon.

Will the Normal Rockwell of our time paint me standing here before it? In my jean cutoffs, finishing what’s left of a soggy cone, drugs in my blood, unwished for by strangers.

Oh this poem and Ford’s reading of it! I love how she imagines and then makes real with her words this painful encounter between the wishers and the unwished for in such a mundane, every day setting. And I love how she conjures up Claire with red curls, who sings herself to sleep and loves olives. Wow.

feb 28/BIKERUN

bike: 25 minutes
bike stand, basement
run: 1.5 miles
treadmill, basement

Wanted to watch more of The Ring and to not run too much so I worked out in the basement today. The Ring was still creepy–and fun to watch. Only a few scenes were too dark to see and it didn’t matter that I couldn’t read the words that were probably important; I’ve already seen this movie. Listened to my playlist while I ran. Got into a rhythm and felt like I was barely touching the belt. I’m getting used to running on the treadmill.

I was okay running inside because I had already gone for a walk earlier with Delia the dog. Brr. It felt cold outside. Walked around the neighborhood and finished the podcast I started yesterday with Victoria Chang. I’m looking forward to reading her book Obit. As I listened to her and the host Rachel Zucker discuss their grief over the loss of their mothers, my mind started wandering and I started thinking about my current project. I decided to record my thoughts:

So I’m thinking as I was walking–I’m thinking about how I’d like this workbook to kind of be some of the exercises I’ve already done and practiced (or am practicing) but also the ideas that I’ve put in that I’d like to try. Just make a list of all of those things and not worry so much about whether or not it can be done but whether I’d like to try it. The other thing I was thinking about was with listening to Victoria Chang about Obit and grief and thinking about how my mom’s death has changed me and how this project really comes out of that. Or does it come out of that? Where does it come from? Does it have a clear origin? Wanting to discuss what it’s origins are.

Speaking of Obit, here’s one of Chang’s poems from it. The book is a series of obituaries for all the things that died after her mom died. Such a powerful idea!

OBIT [Memory]/ Victoria Chang

Memory—died August 3, 2015. The
death was not sudden but slowly over a
decade. I wonder if, when people die,
they hear a bell. Or if they taste
something sweet, or if they feel a knife
cutting them in half, dragging through
the flesh like sheet cake. The caretaker
who witnessed my mother’s death quit.
She holds the memory and images and
now they are gone. For the rest of her
life, the memories are hers. She said
my mother couldn’t breathe, then took
her last breath 20 seconds later. The
way I have imagined a kiss with many
men I have never kissed. My memory
of my mother’s death can’t be a
memory but is an imagination, each
time the wind blows, leaves unfurl
a little differently.

I woke up this morning thinking of the line about the knife dragging through flesh like sheet cake. Intense.

feb 27/RUN

3.2 miles
trestle turn around
26 degrees
100% clear!

Windy today. Not too crowded. Sunny. My legs felt weird for a mile or so–like they weren’t quite working. Heavy, plodding. Listened to a New Yorker poetry podcast with a poet I just discovered (Craig Morgan Teicher) and felt like I was in a dream. Barely on the path, floating, cocooned in layers, unable to hear birds or trickling water or striking feet. The river was open. Stopped and admired it by the trestle. Then turned on my new playlist. No Daily Walker but a few others walkers, at least one biker. Felt fast in the second half as I flew down the hill by the lake street bridge. Sprinted up the final hill. Don’t remember much from the run. What a wonderful thing it is to lose myself for 30 minutes!

Before I ran, I had a great morning. Started by listening to part of an episode with Victoria Change on Commonplace. At one point, they discuss their shifts in writing in first and third person which got me thinking about my own choice, in my latest project, to write in second person. Why am I using you? Who is you? Found some very interesting essays on second person online: Stuck on You: an ode the second person and the intimacy of writing in the second person in a bar. Then I started thinking about how Mary Oliver uses you, like in Wild Geese (You do not have to be good/you do not have to walk on your knees…). Finally I thought about who the I and the You are in my project. One answer: I = Teacher self and You = Student Self.

After all of that excellent thinking, I checked out twitter and found these lines from the poem Tomorrow and Tomorrow Again/Craig Morgan Teicher:

One cannot lock eyes with a bird,
its eyes vacant as ball bearings, but
mustn’t there be some recognition
in everything?

eyes vacant as black ball bearings? What a great line that reminds me of my own about not being able to see people’s pupils: “soul less black balls”. I looked Teicher up and found his poem, “Eye Contact”. I wondered, does he have macular degeneration or some other vision problem? Couldn’t find anything, but he sure does like referencing blindness. His poetry collection from 2012 is titled, To Keep Love Blurry and check out the titles he gave his NPR end of the year poetry reviews: “Keeping the Dark at Bay” and “In the Dark, The Eye Begins to See.” Hmm…I need to study his writing more. At this point, early on, I can’t decide what he’s doing with these references to blindness–is it signaling his own experiences/preoccupations with blindness or is it serving as metaphor, where blind = dark = bad = shame = grief = loss = death?

Tomorrow and Tomorrow Again/ Craig Morgan Teicher

Of course I don’t know what
happens to us: if we survive in the
hands of love; if Cal, if Simone
and all the trembling answers
those questions entail; whether
by time or by disease or by
an atom bomb right in the eye. Is it
possible death could be thrilling
and fun? And after could there be
something somewhere and what
will we do if we see each other
there? Will the same songs stay stuck
in our heads? Will medicine
succeed in making life so long
we will beg for medicine to end it?
One cannot lock eyes with a bird,
its eyes vacant as ball bearings, but
mustn’t there be some recognition
in everything? Some fury, some
questioning? If one phrase could echo
throughout eternity, would the ear
on the other side return
a word? But what am I asking?
Will I ever see a whale, and will his size
compared to mine be a true
form of knowledge? Loneliness
has depths writing fails to fathom.
I could be clearer, say more, but
it wouldn’t mean as much. Mother
will I ever find you again? Is fear
of spiders fair? Is a power
above minding the scales, be it
science or gods or the weather,
and can they be tipped toward
balance from here? Is beauty more
than another form of pleasure?
What, which, when, how is better?

Eye Contact/ Craig Morgan Teicher

As if bees are known for their pride.
But what’s so great about horses? They’re stuck
on the earth except when they jump,

but even then they’re not bees.
But is there anything we value so highly
as streetlights, which, unlike bees,

watch over us with their swan-like
necks and open their eyes at the right time
every night? The answer is lonely

and whoever among us is brave enough
to find it will come home to a family
that won’t even look us in the eyes.

But what’s so great about eye contact?
As if a horse knows a newspaper
when he sees it. Streetlights don’t live

in hives; they’re not more afraid
of us than we are, fortified by stingers and swarms.
Bees don’t brighten the alleyways

in which we commit our most heinous crimes
to keep things moving and fill
the papers with news. Why don’t we have

a holiday to recognize the alleyways?
The answer is lonely and whoever
among us is brave will have nowhere to jump.

Why don’t we sing a song that makes
the bees proud? What’s so great
about desolate meadows? The answer

is lonely. Why don’t we come home
and look at our family? Why don’t we
designate an hour to brag about news?

What’s so great about the way the papers
blow through alleyways in the evening
like deflated rats? As if pride could

brighten the meadows at night. Whoever
among us is brave enough to forgive
a family gets to make eyes with a lonely horse.

As if the answer is flowers. As if
we could gather streetlights
in a bouquet from the alleyways

and brighten family after
beekeeping family. But what’s so
great about seeing the truth?

Beneath every meadow is the earth’s
molten core, red and hot as an evil eye.
Why don’t we blow through the streets

at night? The answer is lonely, even
if a horse knows the way home.
What’s so great about being brave?

freeze-thaw, a different perspective

added in a few hours after I first posted this entry: Scrolling through my twitter feed, I encountered this very helpful, perspective-shifting idea from Paul Huttner on MPR Weather:

Temperatures over the next week look perfect for gradually reducing snowpack across the Upper Midwest. Days above the thawing point will melt snow. Nights below freezing mean that snowmelt will gradually be released into area rivers.

This gradual release helps mitigate the early-spring threat of flooding. Wow! All this time, I’ve been cranking about how much I hate these freeze-thaw cycles. I’m glad to read that they’re helpful. I still might not like how dangerous they make the path, but now I can get over myself and think about how they help the river. What a nice opportunity to shift my perspective. And, as a bonus: it will be warmer during the day next week!

feb 25/RUN

3.3 miles
ford bridge turn around
40 degrees

(Not sure about my dictation project. I don’t like doing the dictation inside and I’m already home. Maybe I should try it when it’s warmer outside?)

Another cycle of melting in the afternoon, re-freezing at night, frozen in the morning, melting in the afternoon. This sort of ice, just barely frozen, is the slickest and most dangerous. So I waited to run until after noon, when it had melted–12:13, to be exact (according to my apple watch). Had the wind at my back heading south, giving me a nice push. Kept thinking about how the wind would be in my face when I turned around. And it was, which made it harder. Noticed several new dips and cracks and holes in the path near 38th street. All the freezing and melting and re-freezing is hard on the asphalt. There was a deep puddle on the double-bridge, right where it bottoms out. Luckily I could climb on some snow to avoid it. Encountered a few walkers on the path. Saw an adult and a kid sitting on a bench, surrounded by snow. Heard, and briefly saw (I think) a runner below me on the Winchell trail. Noticed the river, open and flowing. The path right by the Ford bridge was terrible, almost completely covered in a thin, slick sheet of ice. When I turned around, I put in some headphones and listened to a new playlist. Heard, “Eye of the Tiger,” “Bad Guy,” “Juice,” “Rock and Roll Ain’t Noise Pollution,” and “Let’s Go Crazy.”

Anything else I remember? I don’t remember hearing water gushing out of the sewer or kids at the school playground or music coming from a car or people talking loudly or geese honking or dogs barking. And I don’t remember having any deep thoughts or revelations. Did I?

Oh my god, this poem!

I want to read this book, and had requested it from the library, but I was unable to pick it up in time. I should request it again. I’m very glad that Our Poetica did a video of the text revealing itself as Diana Khoi Nguyen read it. So powerful!

Here’s another poem I found and copied into my green notebook on May 1st, 2019:

A Skull/ Dana Levin

is like a house
          with a brain inside. Another place
where eating
          and thinking
                     tango and spar—

At night
           you lean out, releasing
thought balloons.
           On the roof
                      someone stands ready

with a pin—

I’d like to put this poem and the idea of the skull as a house beside the two other poems with houses that I posted on feb 22.

feb 24/RUN

5.5 miles
franklin hill turn around
39 degrees
5% slick ice covered

Waited a little longer to go out running this morning. Needed to let the thin sheets of ice covering the puddles melt. A nice day for a run! Not too much wind, not too many people. Sun. Clear paths. I got my layers right today: 1 shirt, 1 vest, 1 pair of running tights, 1 headband, 1 pair of gloves, 1 pair of socks. It was warm enough today to smell the earth thawing–why does it smell like dog poop? I think I like the smell of death in the fall–the musty, mulching leaves–over the smell of life in the almost spring.

David Lee Roth is in town with KISS for a concert tonight. Scott read somewhere that he always brings his bike to Minneapolis and loves biking along the river. Today, I kept looking for him, hoping he’d bike by. No luck. Bummer.

Glanced down at the river a few times. Enjoyed hearing the sibilant sounds of my striking feet on the grit covered path. Ran hard up the hill, then stopped to a walk for a few minutes when I reached the bridge. Thought about the body that was found just north of this bridge early yesterday morning. Managed to mostly avoid the secret slippery spots where the water on the path was still frozen. Also managed to avoid getting soaked by cars rushing through big puddles on the road.

With less than a mile left, I had an idea about my current project and decided, even though I was running well, enjoying going faster, to stop and record my thoughts.

Uh oh.

Just tried to find and transcribe my voice memo, but it wasn’t there. I must have hit the wrong button when I was trying to record it. Here’s what I remember. For a few minutes before stopping, I was chanting. How to be/periphery, How to be/periphery. Then I realized: I need a (big) project to focus on, a project that involves structure and daily practice. A concrete project. This is the project I think I’m working on–and in many ways, it is what I’m working on–but, I’m also working on something else, off to the side, at the periphery, which is the real work I need/want to do. What a bummer. I feel like I can’t remember a key to my thought that helped it make sense. It connects with the article I read about how to be a procrastinator a few years ago, and with the idea of not approaching projects/thoughts/goals head on, but slant or sideways or sneakily (tricking your brain). Argh! I wish I hadn’t screwed up the recording.

My Weather/ Jane Hirshfield

Wakeful, sleepy, hungry, anxious,
restless, stunned, relieved.

Does a tree also?
A mountain?

A cup holds
sugar, flour, three large rabbit-breaths of air.

I hold these.

What do I hold? Ever since I encountered the phrase, “inner and outer weather” (from a Frost poem about a tree at the window, via Edward Hirsch), I have been thinking about weather as metaphor for one’s mood/emotions/feelings. Love this poem and how it plays with this idea. And I love imagining how much air is 3 large rabbit-breaths worth. How big is this rabbit? And, in general, how big are rabbit breaths?

feb 23/RUN

3.1 miles
locks and dam #1 turn around
45 degrees
50% ice and puddle covered

note: no dictation today. Just as I started, Delia the dog ran in, barking and making lots of noise, which was fine because I wasn’t really feeling it anyway.

Today it was sunny and warm and sloppy and not as much fun. I do not regret going out for this run–well maybe my wet socks and shoes do!–but I would rank these conditions as some of the worst. Overcrowded paths, narrow strips of dry pavement in-between little lakes of cold, sometimes icy water. Very slick. Instead of feeling open and joyful and generous to everyone I encountered, I felt hostile and threatened–would they push me off into a puddle or a slick spot? I do not like feeling this way and I do not want to give too much space to my grumpy thoughts. So I won’t. Instead, here’s something very cool that I saw on my run today:

The river was still mostly white but at one spot, I think it was between 38th and 42nd somewhere, I noticed a path of open water winding across from the minneapolis to the st. paul side. It reminded me of a slithering snake. I love the strange patterns that open water makes when the ice cracks open. And I love the contrast between the frozen white and the darker water–black on cloudy days, brown on sunny ones.

Another thing I saw today that I liked: my shadow! She ran in front of me on my way back from the locks and dam.

I liked wearing less layers: only one pair of running tights, one neon yellow shirt, one vest.

I liked the squish squish squish my shoes made after I ran straight through the deep puddle on the double bridge.

I liked talking to the couple after my run who asked me how I could run on the ice. I’ve been asked this several times and I always say: “It’s easier to run on it then to walk on it. It’s when I stop running that I slip!”

Yesterday, I posted May Sarton’s poem, The Work of Happiness. In her first stanza, she writes:

But is creation itself like the growth of a tree.
No one has seen it happen, but inside the bark
Another circle is growing in the expanding ring.

Here are a few things that her tree ring/circle made me think about:

1

Reflecting on how she always feels like she’s 11, even though she’s 64, Sandra Cisneros tells Krista Tippett:

You know how you look at a tree, and there are some rings that had a lot of rain, and it gets really bigger, and they shrink? Well, we can think about our own years and what defined us or what happened to us in those years.

2

In her poem, “Can You Imagine?”, Mary Oliver imagines a tree’s irritation with the slow, soundless, boring passing of time represented in the thickening of the rings:

Can You Imagine?/ Mary Oliver

For example, what the trees do
Not only in lightening storms
or in the watery dark of a summer night
or the white nets of winter
but now, and now, and now–whenever
we’re not looking. Surely you can’t imagine
they just stand there, looking like they look
when we’re looking; surely you can’t imagine
they don’t dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade—surely you can’t imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in it’s own mood, comes
to visit, surely you can’t imagine
patience, and happiness, like that.

3

Did you know the modern science of tree-ring study is called dendrochronology? I didn’t, until I read this essay, Shared Dendrochronologies: Andrew Schelling on poetry, translation, & the aliveness of wor(l)ds.

4

And that the original dendrochronologist, William E. Douglass, created it to track how trees record climate change through their rings?

What a wonderful log entry this is! Through the process of writing it, I feel better–joyful and delighted with my run today.

feb 22/RUN

5 miles
franklin hill turn around
32 degrees
20% snow and ice covered

Recorded my self on the voice memo app today a few hours after my run.

Log, 2/22/20

Here is the transcript:

Today I ran 5 miles. It was sunny and above freezing. It felt warm and there were puddles and barely ice patches on the path. I saw my shadow in front of me as I was running towards Franklin. I ran down the Franklin hill and then turned around and ran up until I got to the bridge. Then I stopped and walked for a couple of minutes. I encountered a lot of runners. I was able to greet Dave the Daily Walker. He was in short sleeves and no coat–of course. I saw some fat tires and a vee of geese at some point. The sky was blue. I didn’t notice any clouds. Around the time I started, the river all looked white to me but by the time I got to the Franklin bridge it was brown and open. I heard some kids down by the ravine, probably playing in the ice cave. I slipped several times on the ice but didn’t fall. I heard some crunching. I saw some salt stains on the path. I didn’t think about much. I remember counting to four. I remember feeling strong and relaxed and thinking I wasn’t going that fast, which was good, I was trying to go slow. And I don’t remember that much else about the run. I sprinted up the final hill and it was hard. But I thought that if I sprinted up this hill and I could do this and keep going when it was hard, that when I’m in a race, when I’m getting to the very end, if I can keep going and even pick it up and know that I will survive. Did I think about anything else? I don’t remember smelling much. I think there were a lot of cars. There were groups of walkers, usually in pairs, and sometimes that was frustrating to try and navigate that. I didn’t hear a train. I didn’t do any triple berry chants. I think I heard a woodpecker and I think I saw a bird up in the sky but I’m not sure. I don’t remember looking down to my favorite part of the path, looking down to the floodplain forest. I think that’s all I remember. It was a good run.

It is definitely harder to speak than to write. It feels like my details are a bit boring and I’m having trouble remembering quickly as I try to speak without out umms or ands. Will this get better, or is this a bad approach to remembering the details of my run? I’ll try it a few more times before I decide.

One other think I forgot to mention in my recording was all the runners I encountered running the Franklin hill. At least 5 or 6 seemed to doing hill work–running up it until reaching the bridge, then turning around and running back down it again. I would like to try this sometime. Maybe a slow, easy run to the hill, then a few times running up and down it–a goal for spring.

The Work of Happiness/ May Sarton

I thought of happiness, how it is woven
Out of the silence in the empty house each day
And how it is not sudden and it is not given
But is creation itself like the growth of a tree.
No one has seen it happen, but inside the bark
Another circle is growing in the expanding ring.
No one has heard the root go deeper in the dark,
But the tree is lifted by this inward work
And its plumes shine, and its leaves are glittering.

So happiness is woven out of the peace of hours
And strikes its roots deep in the house alone:
The old chest in the corner, cool waxed floors,
White curtains softly and continually blown
As the free air moves quietly about the room;
A shelf of books, a table, and the white-washed wall—
These are the dear familiar gods of home,
And here the work of faith can best be done,
The growing tree is green and musical.

For what is happiness but growth in peace,
The timeless sense of time when furniture
Has stood a life’s span in a single place,
And as the air moves, so the old dreams stir
The shining leaves of present happiness?
No one has heard thought or listened to a mind,
But where people have lived in inwardness
The air is charged with blessing and does bless;
Windows look out on mountains and the walls are kind.

Something about the idea of inwardness and the stable, single place of the thinking/deepening self as a house reminded me of another poem (Ash/ Tracy K. Smith) I heard last year on a podcast. These are very different poems, but I’d like to put them beside each other and think about them for a while.

Ash/ Tracy K. Smith

Strange house we must keep and fill.

House that eats and pleads and kills.

House on legs. House on fire. House infested

With desire. Haunted house. Lonely house.

House of trick and suck and shrug.

Give-it-to-me house. I-need-you-baby house.

House whose rooms are pooled with blood.

House with hands. House of guilt. House

That other houses built. House of lies

And pride and bone. House afraid to be alone.

House like an engine that churns and stalls.

House with skin and hair for walls.

House the seasons singe and douse.

House that believes it is not a house.

I found the podcast with Smith’s poem–On Being with Krista Tippett–and read the transcript where Smith talks about the poem and how her understanding of it has been transformed by how others have read it:

I wrote that poem thinking about the body, thinking about what it means to be alive in this human form and how strange it is that it’s temporary, that we are not just the body, but something else. That’s the way I’ve read it the first many times that I read it, or, at least, what I heard myself saying. But there’s a lot of ambiguity in the poem, and so people have questions about it. Someone has told me it feels like a poem that, more than just being in the body, is about being a woman and that sense of vulnerability and also sheltering something. Then, because a lot of these poems in this book are thinking about nationhood and American history, I was really excited to hear it described as a poem that is about the country as a house, and taking us back even to Abraham Lincoln in the sense of “a house divided against itself.” I love that active readers can give you a good enough argument to re-hear and see what you’ve made yourself.

So many ways to think about the inner, inwardness, the self, the body.

feb 19/RUN

4.2 miles
trestle turn around plus extra
5° feels like 4 below
50% snow and ice covered

A only slightly edited transcript of my notes about the run, dictated into my notes app on my phone.

A lot of slippery spots. Very sunny this morning. It felt really cold. About a mile in greeted Dave the daily walker. Almost yelled out to him, “it’s cold today!” He is hard-core–no coat again but some gloves. Running right before I got to the trestle I heard a beep beep beep beep beep beep beep sound. I wondered if it was the train and then after I crossed under the trestle and was still heading towards downtown, I heard the rumbling of a train. It lasted a long time. I thought about turning around and running back so I could see the train but I decided against it because I wanted to keep going north. I listened to the rumble and I couldn’t quite tell if it was coming from Saint Paul over to Minneapolis or from Minneapolis over to Saint Paul. I experimented with chanting in threes when I turned around and headed south again. Uppercut/ bowling ball/ sweaty brow Then I started chanting in triple berries: raspberry/ blueberry/ red berry/ green berry pink berry/ orange berry/ blueberry/ raspberry/ gooseberry/ mulberry I chanted them over and over again to try and keep a steady rhythm. I saw a couple other runners, a few walkers. I thought I heard some kids yelling in the gorge but then I realized it was geese honking.

thoughts about dictating running notes

Not sure if I like the notes app for this. It was a bit awkward and I think (at least I hope) it added in some random words.
I write much better than I speak.
I need to stop feeling so self conscious doing this. I also need to be more deliberate and thoughtful in what I say.
I still have to add in periods and capitals, which is irritating.
This is a good exercise for me. I need to get used to doing something that someday might be necessary.

The Blink Reflex/ Rick Barot

I have this notion that if you live long enough,
there are three or four great stories that you will have in your life.

A story of a journey or a transformation.
A story of love, which will likely mean the loss of love, a story

of loss. And a story of spiritual illumination,
which, for many, will probably be the moment of death itself,

the story untellable, its beginning and middle
and end collapsing with its teller into a disappearing conclusion.

I have believed long enough in my notion
to know that it is a romantic notion, that it erodes each time

I realize that the shard and not the whole
comprises a life, the image and not the narrative. Otherwise,

there’s no reason why all I remember of the airplane
I took as a child from one country to another

is the moist towelette packet we were given with our meal,
the wonder and absurdity of it. Or that, in love,

high in a tree in the dark, and high, he and I sat in the rain-damp
branches and ate 7-Eleven donuts. Or this, this piece

of a story that isn’t even mine, that isn’t even a story
but a glance of an experience, of the friend who held the stray

dog after it was struck by a car. Not knowing whether the dog
was dead, my friend called a friend

who worked for a vet. Poke the dog in the eye, this friend said.
Because if the animal no longer has a blink reflex,

it probably means the animal is dead. Decades after
college, when you could do such a thing, I typed his name

into a search engine to find out what became of the 18-year-old
boy from the tree. Like dozens of old keys

in a drawer, so many of the wrong people with the right name.
The child dead from leukemia, with a school gym

named for him. The wrestler who had a perfectly square jaw,
like a cartoon police detective in a fedora.

When I arrived at a page that was certainly
about him, I no longer knew the face, but I recognized the life

that he had had. He had transferred to
another college, gone to film school, and become a producer

of TV documentaries. A film about fishermen, the harsh fishing
season in Alaska. A film about Abraham Lincoln

and a film about the last days of Adolf Hitler.
A film about the Sherpas who go up and down the Himalayas.

What a beautiful poem. I love the title and the way the stories/fragments are woven together and the sweet, soft rhyme of “and high, he and I” and the playing with the romantic notion that we each only have 3 or 4 great stories.

5.5 milesfranklin loop36 degrees