Tag: poem

jan 31/RUN

3.5 miles
under the ford bridge and back
0 degrees / feels like -9
75% ice and snow-covered

Brrr. This isn’t the coldest run I’ve done this year, but it felt like it! Well, most of me was fine, just not my feet or my forehead. Running into the frigid wind, I got a brain freeze. A mile in, I had mostly warmed up. The path was in terrible shape. All uneven with long sheets of slick ice. I never worried about falling, but I got tired of moving all around the path trying to find bare patches.

I thought about Bernadette Mayer and her list of experiments, especially this one: “attempt writing in a state of mind that seems less congenial” (Please Add to This List, 12). Extreme cold + uneven, icy paths + lots of layers = less congenial. I wondered how these conditions affected what and how I noticed the gorge.

10+ Things I Noticed

  1. crunching snow, loud and brittle
  2. the smell of smoke from the usual chimney (the one on edmund that I always smell every winter)
  3. the river, half frozen, half open, all cold-looking
  4. the path, 1: almost completely covered in snow and ice
  5. the path, 2: the ice is flat and smooth and light brown
  6. the path, 3: an occasional bare strip, sometimes what I thought was bare was actually brownish grayish ice
  7. at least 2 other runners — we held up our hands in greeting
  8. 2 or 3 walkers — all bundled up, faces covered up to the eyes
  9. the buzzing of a chainsaw, laboring in the cold — workers trimming dead branches at Minnehaha Academy
  10. looking across the ravine from the double bridge, noticing someone dressed in dark colors walking along the retaining wall at the top of the overlook
  11. haunting wind chimes
  12. the sizzling of dead leaves on a neighbor’s tree
  13. the sharp scratch of another dead leaf as the wind blew it across the sidewalk

At the end of my run, walking back home, I marveled at the chattering birds, sounding like spring. I saw them, not their details, just their movements, fluttering, swooping, soaring, flashing. Then I heard the distinctive knocking of a woodpecker on some dead wood. Before I had a chance to enjoy the sound, the beep beep beep of truck backing up silenced the bird.

layers:

  • 2 pairs of black running tights
  • 2 pairs of socks
  • a green long-sleeved shirt
  • a pink jacket with hood
  • a thicker gray jacket
  • a gray buff
  • 1 pair of black gloves
  • 1 pair of pink/red/orange mittens, wool and fleece combo
  • a fleece-lined cap with brim
  • sunglasses

Lots of layers!

Oh, I needed this run! What a difference it makes for my mental health to get outside and move.

This morning, I happened upon this beautiful prose poem:

The Year We Fell in Love with Moss/ Sally Baker

We made our bed in its mounds and all our furniture was covered in mossy baize. We swam through velvet-lined tunnels, swagged ourselves in greenness all winter. It was the green of pond algae, the painted shed at the bottom of the old garden, kale, tourmaline, the needlecord skater’s dress I wore in 1979. It was the emerald brilliance of moray eels, of tree snails; pea soup green. We were moss creatures, felted deep in woods. It was the first plant on earth, at least four hundred and fifty million years old, its rhizoids like a forest of stars, rootless, absorbing moisture and minerals from rain, surviving in the harshest of climates. We became bryophyliacs, singing hymns in the sunken moss cathedrals, while light through the leaves flickered over us in waves, like signals, as if we’d been blessed. I believed moss could live forever. You told me about the Barghest who haunted the valley, could turn you to stone with a look.

I need to add this to my growing list of green poems!

jan 30/BIKERUN

bike: 15 min warm-up
run: 3.2 miles
outside temp: 2 degrees / feels like -15

Because of the cold air, the icy paths, and the 10 mph wind, I decided to move in the basement today. Finished the episode of Dickinson I had started a few days ago while I biked, listened to the latest episode of If Books Could Kill (Men are from Mars, Women are from Venus) while I ran. Running on the treadmill in the basement is very different from running outside. A dark, unfinished basement with windows mostly blocked by a shelf with old lamps on it. Staring straight ahead, I can see a blank tv screen and then behind that, a dark window and the old coal chute. To the side, shelves with old paint cans (left) and a long work bench (right). Not much to notice, except spiders and dust. Difficult to run for that long and to remember any of my thoughts. I don’t mind running down here on occasion, but I couldn’t do it all the time. I’m so glad that I have the gorge.

a moment of sound

On days when it’s too cold for me to move outside, I record a moment of sound. Today’s moment was on my short walk back from the alley, where I had brought out some trash. It features my favorite, crunching snow, and another irritating delight: the cold, shrill creak of our iron gate. I walked through the snow in my small backyard and stopped briefly by the crab apple tree:

jan 30 / 3:00 pm

Here’s a poem I found on twitter today by Dana Levin about walking and thinking and wandering/wondering and being in and out of a body:

A Walk in the Park/ Dana Levin

To be born again, you need
an incarnation specialist—a team
from the Bureau of Needles
to thread you through—
Your next life
turns
on an axle of light—which Plato likens
to a turning
spindle—what was that?
I mean I knew

what a spindle was
from fairytales—how it could
draw blood
from a testing finger, put a kingdom
to sleep—
but what
did it actually do, how
did a spindle look
in real life?
I didn’t know. As with
so many things:
there was fact and there was

a believed-in dream . . .

Everyone had one back
in the ancient day,
spindles.
When we had to weave
our living-shrouds
by hand.
“A slender rounded rod
with tapered ends,” Google said. Plato’s,
so heavy with thread,
when viewed from the side,
looked like a top—
though most diagrams assumed

the hawk-lord view . . .

Moon thread, threads of the planets, earth thread.
Your thread.
Everyone else’s.
Nested one
inside the other, a roulette
machine—
If a thread could be spun from liquid light was what
I kept thinking—
imagining a sluice
of electric souls
between the earth wheel’s rims—
there “I”

was a piece of water, Necessity
wheeled it around―Necessity,
who was married to Time,
according to the Greeks—
Mother of the Fates.
Who would measure and cut your

paradise/shithole extra life . . .

Well we all have ways of thinking about
why,
metaphysically-speaking,
anyone’s born—
though the answer’s always Life’s
I AM THAT I AM
—how it hurls and breaks!
on Death’s No there
there . . .

—which sounded kind of Buddhist.

According to the teachings we were all
each other’s dream . . .

And soon able to vanish—

out of the real
without having to die, whoever’s
got the cash—to pay
the brainier ones
to perfect
a Heaven upload—to cut
the flesh-tether
and merge

with the Cloud . . .

Well we all have ways of constructing
Paradise.
To walk alone deep in thought
in a city park
was mine
for several minutes,
thinking about spindles.
Before the vigilance
of my genderdoom

kicked in—

And there it was, the fact
of my body—
all the nerves in my scalp
and the back of my neck,
alive—
How it moved through space, how close
it had strayed
toward concealing trees, my
female body—
Jewish body—inside my
White body—dreaming
it was bodiless

and free . . . 

to decide:

how and when and if to fill the body’s hungers—
how and when and if to walk in thought
through the wilderness . . .

before Death comes with its Fascist hat.

Its Park Murder Misogyny hat.

Its Year Ten in a Nursing Home stink
    hat—    

However spun
    my thread . . .

Anyway,
it’s peaceful here
in the park, at midday,
if a little deserted. I’ve moved to the path that winds
closer to the street.
Thinking again, as I always do,
about body and soul. How they
infuse each other. How they
hate each other.
How most people pledge allegiance
to one or the other.
How painful it was! To be
such a split

creature—

jan 27/RUN

4.5 miles
minnehaha falls and back
24 degrees / feels like 9
wind: 16 mph / path: 99% snow-covered

This run was both hard and easy, and I loved it. Hard because of the wind, often in my face, and the soft, slippery snow. Easy because it felt so good to be outside and moving through the wintery world.

Even with yak trax, the soft snow makes it harder for me to lift my legs. Today I felt it in my right knee — what I call the “OG” knee because it’s the one that first started giving me problems (my kneecap was slipping out of the groove) and that led to never doing the marathon. Every so often, a short sharp pang. Nothing too alarming, just enough to remind me that my body is still here, tethering me to the world. I started thinking about Thomas Gardner and something I wrote almost exactly (one day off) 6 years ago, right after I started writing in this blog:

My right calf is still a little stiff from where I strained it last week doing mile repeats in the cold. Just enough to not let me out of my body.

Poverty Creek Journal/ Thomas Gardner

I wrote: “Even as we try to transcend our bodies while running, we are constantly reminded of our limits. We are bodies. We need that reminder to ground us and to keep us from getting too lost in the dreamlike state that running creates (jan 26, 2017).

As I ran this morning, I thought about how I like that running outside in the winter tethers/connects me to my body. It’s impossible for me to get too lost in any dreamlike state, or any one thought or series of thoughts. The path, the wind, the cold always brings me back to my body. Sometimes, bringing me back to my body involves suffering and complaining, but more often it is about grounding me and helping me to stop overthinking things. Of course, these reflections only came in flashes that lasted less than a minute or two. When I’m running, I can’t hold onto thoughts for longer than that. Now, as I write this, I’m sure that I’m missing something else I was thinking while moving. It all made so much sense as flashes and feelings. Much harder to remember it and put it into words later!

10 Things I Noticed: Wind

  1. running south, the wind was in my face
  2. cold, but not brain-freeze cold
  3. strong, but not strong enough to shove me off the path
  4. I could hear it rushing through the dead leaves on the trees in the oak savanna — sizzling
  5. it stirred up an occasional dead leaf from the ground
  6. at one point, I felt the spray of water on my cheek — was that the wind blowing the snow? probably
  7. ahead of me on the trail, I could see something big-gish — was it a chunk of hard snow or ice? no, it was a branch with a few orange leaves on it. As I ran past it I was startled when the wind picked up and made it move slightly
  8. near the falls, I felt the wind from several directions — was it swirling, or was I winding, or both?
  9. no sledders enjoying the hill — is this because of the strong wind?
  10. the wind was not loud enough to roar, but it seemed to grumble non-stop for most of my run

Found this poem the other day when it showed up in my instagram feed. It’s from episode #799 for The Slowdown Show:

Fragment (Stone)/ Ann Lauterbach

                         What has a soul, or pain, to do with a stone? 
                                                                                               –Ludwig Wittgenstein

You could walk not far through the grass to the shed barefoot
restless eye landing on distance there not far you could walk
looking down at various grasses weeds clover along the way
your toes in the green the undersides of your feet the cool damp
where is significance you think as you imagine walking across
grass to the shed barefoot what counts here does anything count
on the short walk while looking down and then over then up
at the catbird in the lilac where there are now dry brown sprays
at the robin hopping in the grass over there what counts you ask
incredulous at the pace not your pace the pace of time as if
rolling downhill gathering speed wound around
itself like giant twine but invisible so not present
in the sense of seen the way you assign to the visible presence
even as what is on your mind as you walk across the grass toward
the shed is invisible names their persons hunger mistakes
the lost and the recently slaughtered because of words
believed by the hopeless lost from view tossed
into the past like a weed a rind a stone found in grass
so find solace in the particular single crow high in the dead ash
its one-note cry sky pale blue low light sliding across wires.

I was drawn to this poem because it reminded me of how I think and how I notice as I’m walking. Lots of wandering and words running together without a break. One thought into the next. From here to here to here.

jan 25/RUN

5.4 miles
bottom of the franklin hill and back
30 degrees / snowing
100% soft snow-covered

What a wonderful run! Even the soft, slippery snow couldn’t bother me. So difficult to move through, nothing solid or stable. Who cares? I got to run outside by the gorge when it was snowing! A soft, steady snow. A winter wonderland. The sky was a light gray, almost white. The river was a grayish brownish blue. I liked watching the headlights from the cars as they approached. The bright lights cutting through the gray — not gloomy, but monotonous.

At the start of my run, I smelled smoke from someone’s chimney.
I heard the birds chattering.
I felt my feet slipping on the soft, uneven ground.
I saw a walker up ahead on the road, waving their arms in an awkward rhythm.
Did I taste anything — a snowflake, maybe?

No fat tires or cross country skiers. A few sets of runners — or was it the same set seen twice? No honking horns from cars. Although I did hear some geese honking under the trestle. And I also heard the steady rush of cars moving across the 1-94 bridge.

At the end of my run, I heard the irritating screech of a blue jay. I wondered (and hope) that once I passed and the danger was over, I might hear the sharp, tin-whistle sound of a blue jay’s song. Nope.

In the middle of my run, after turning around at the bottom of the franklin hill and then running until I reached the bridge, I stopped to pull out my phone and record some thoughts and sounds:

jan 25 / halfway point

It’s difficult to pick up, but in the middle, when I stop talking and stop walking, you can hear the soft tinkle-tinkle of the snow hitting my jacket. In the moment, standing there, the sound was much louder and so delightful! Hearing it, then looking down at the still river and up at quiet gray sky and the bare branches, was magical.

I found this poem on twitter this morning. I decided to add it to my collection of dirt/dust/earth poems that I started during my monthly challenge last April. I also decided to add it here:

Return to Sender/ Matthew Olzman

To the topsoil and subsoil: returned.
To hums and blistered rock: returned.

To the kingdom of the masked chafer beetle,
the nematode and the root maggot: returned.

To the darkness were a solitary star-nosed mole
arranger her possessions and pulses

through a slow hallway, and to the vastness
where twenty-thousand garden ants compose

a tangled metropolis: returned.
it was summer, and they lowered

a body into the ground. I did not say
they lowered you into the ground.

It seemed like you were elsewhere, but the preacher
insisted: And now, he returns to the One who made him.

Most likely, he meant: God. But I thought
he meant the Earth, that immensity

where everything changes, buzzes, is alive again and —
Amen.

The poetry person who tweeted about this poem especially liked the twenty-thousand garden ants and the italics from the preacher. I like the possessions and pulses, the tangled metropolis, the separation between body and You, and the idea that the maker we return to (and are reborn in) is the Earth.

jan 23/RUN

4.1 miles
river road path, north/south
24 degrees
90% snow and ice-covered

More of the same very poor path conditions. Hard, rutted, uneven ice and snow. So hard to move through! My legs are sore again. Sore like I worked them, not like I injured them.Two days ago, it was one of the muscles in my right quads — looked it up and I think it was the rectus femoris. Today it’s my calves. I looked at the river — open, brown, cold. Ran north with no headphones, listening to the crunching of my yak trax on the crusty snow. Listened to Beyoncé’s Renaissance on the way back. Smelled fried food wafting down from Longfellow Grill. Ran past the port-a-potty under the lake street bridge, the door was wide open. Noticed a walker hiking up the road that leads down to the rowing club. Encountered 2 different runners with their dogs. One of the runners was extra cautious, stopping and holding their dog as I ran by. Anything else? Smelled some cigarette smoke.

Almost forget: it was snowing at the beginning of my run. I remember thinking the falling flakes looked like something flashing — what? I can’t remember now. All I remember was that the sky was falling and it was beautiful.

This morning, I found an amazing poetry project by Anna Swanson called “The Garbage Poems.” It’s a series of found poems composed of words taken from the trash she found at swimming holes. She has an interactive site for the poems where you can create your own garbage poems. You can also read her poems and click on each word to find which garbage it came from. How amazing! I’m very excited to have encountered her work. Not only are these poems amazing, but she has also written many others about wild swimming!

The Garbage Poems

jan 20/RUN

4.35 miles
river road trail, north/south
27 degrees
99% ice and snow-covered path, slick

Very slick outside today. A lot of ice covered with an inch or two of snow. That part of it wasn’t fun, but the rest of it — the cold air, the open river, the gray sky — was wonderful. Greeted Dave the Daily Walker. Passed Daddy Long Legs. Noticed all of the rusty orange leaves still on the trees near the tunnel of trees. Heard goose honks under the lake street bridge. Later, also heard some runner coughing as he crossed the bridge then turned down to enter the river road. No! Every few seconds, a deep cough, full of gunk. I sped up to try and stay ahead of him and his germs. It worked. For a few minutes, I kept hearing the jagged coughs, then it stopped.

Anything else? The river was brownish-gray, the sky sunless.
No headphones for most of the run. During the last mile, I put in an old coming-back-from-injury playlist: I heard “Upside Down” and “Fantastic Voyage.”

FWA is on band tour in Spain and France right now. 29 years ago, Scott and I were on our European band tour. 29 years ago? Wow. Very excited for FWA.

Sitting at my desk, writing this, I’m also looking outside my window at the robins running around on the snow and rooting in the hydrangea bushes for twigs? seeds? Quietly, they scamper then fly low right in front of me. What are they looking for?

Encountered a beautiful poem on twitter this morning that I thought I had already posted on my log but hadn’t.

A Stranger/ Saeed Jones

I wonder if my dead mother still thinks of me.
I know I don’t know her new name. I don’t know  

her, not now. I don’t know if “her” is the word
burning in a stranger’s mind when he sees my dead  

mother walking down the street in her bright black dress.
I wonder if he inhales the cigarette smoke  

that will eventually kill him and thinks “I wish I knew
a woman who was both the light and every shadow  

the light pierces.” I wonder if a passing glance at my dead
mother is enough to make a poet out of anyone. I wonder  

if I’m the song she hums as she waits for the light to change
or if I’m just the traffic signal holding her up.

This poem was posted as part of a thread. I want to post the next one, which is by Todd Dillard (one of my favorite poetry people). I like his introduction of the poem in a tweet:

I have so many poems also grieving my dead mother by giving her a kind of life after life.

Mom Hires a Stunt Double/ Todd Dillard

Sick of all the impossible I ask of her
in these my griefiest poems,

Mom hires a stunt double: same white hair,
same laugh, same false teeth, same dead.

Now when I write “Mom curls like rinds in a bowl”
it’s her stunt double twisting herself into pithy canoes.

When I write “At night my mother sheds
the skin of my mother revealing more mother”

it’s her stunt double that unzips her body,
stands there all shiver and muscle and tendon,

waiting for the next line. “What’s in it for you?”
I ask, and Mom’s stunt double shrugs,

lighting one of those familiar Turkish Silvers
as behind her my mother mounts a Harley

and barrels into the margins. “You’re a good kid,”
the double says. But she doesn’t touch my hair.

This close to her, her eyes are all pupil,
all ink. Her smell: paper and snow.

When she exhales smoke spills from her lips
and unfolds into horses.

Oh, I love both of these poems!

jan 16/RUN

4.5 miles
river road trail and edmund, north/seabury and river road path, south
35 degrees / steady rain
path conditions: a cold lake

Decided that I would go out for a run even though it was raining. It didn’t seem too slippery, so why not? I don’t regret the run, it was mostly fun and felt good, but the trail was almost completely lake, with a side strip of sheer ice. My shoes and socks were soaked after a mile. At first I didn’t care, but I started worrying (because as I get older, I do that more — sigh) that my toes/feet might go numb or worse. Nothing to do but just keep sludging through it. After I was done, my left ring toe seemed a little numb, but otherwise I was okay.

What a mess out there! The build-up of snow means there’s nowhere for the water to go. Lots of flooding in the streets and on the trail. Will this freeze overnight? I hope not.

In addition to soaking my socks and shoes, the water splashed up on my running tights. A gross grit. Because it was raining, my jacket was wet too.

It might sound like I didn’t like this run. Mostly, I did. My legs felt strong, so did my back. My arm swing was even and synced up with my feet. The rain helped me to not overheat. There was hardly anyone else out there. One other runner, 2 bikes — I noticed that at least one of them was a fat tire. Were there any walkers? I can’t remember.

I noticed the river! Almost completely open. Black, with one or two ice floes.

Anything else? Lots of cars. It was gloomy enough that most of them had their headlights on. Heard some splashing as they drove by, but never felt it.

I don’t remember hearing any birds or seeing any dogs. No skiers or sirens. No big groups of people.

As I’m writing this, I suddenly remembered that as I ran north on Edmund, down a hill, I could tell where the cracks and uneven parts of the pavement were by where the puddles were. Looking at this same road when it’s dry, I don’t think I would have been able to see. The puddles were very good pointer-outers. Look! Watch out! Here’s a bump, there’s a crack!

Wanted to find a puddle poem to add here. It took a while but I found “The Puddle” by Wisława Szymborska. As a kid, I never feared being swallowed up by a puddle. I imagine if I had any fears about puddles, it would have been that Jaws or a pirhana would have leaped out of the puddle to eat me. Okay, I don’t think I was actually afraid of that, but I could have been. Having watched Jaws and Piranha too much as a kid they were always appearing in my anxieties in the strangest ways.

The Puddle/ Wisława Szymborska 

Translated from the Polish by Joanna Trzeciak

I remember well this childhood fear of mine. 
I’d step around puddles,
especially the fresh ones, just after it rained. 
For one of them might be bottomless,
even if it looked like all the rest.

One step and it would swallow me whole,
I would start ascending downward 
and even deeper down,
toward the reflected clouds 
and maybe even farther.

Then the puddle would dry, 
closing over me,
trapping me forever—but where—
and with a scream that cannot reach the surface.

Only later did I come to understand: 
not all misadventures
fit within the rules of nature 
and even if they wanted to, 
they could not happen.



jan 14/RUN

4.75 miles
edmund, north/river road trail, north/seabury, south/river road trail, south
26 degrees
snow/ice-covered 75% (path) 25% (road)

For the first time since Monday, I was able to run outside. Hooray! What a difference it makes — for how the run feels, how I feel after the run — to run outside above the gorge. I ran on the road for part of it to avoid the worst stretches of the trail. Lots of loosely packed, slippery snow. I wasn’t as worried about falling as I was about having all my energy drained from the effort of running through the snow. Because of the bad conditions, I stopped to walk a few times.

Ran north to the Franklin bridge with no headphones. Turned around and put in a playlist.

10 Things I Noticed

  1. some of the roads were bare, others were still covered in soft, slippery snow
  2. a walker ahead of me on edmund was wearing a bright orange jacket
  3. running north, the wind was at my back. Returning south, in my face — cold and stubborn
  4. the river road was thick with cars, a steady stream
  5. a few bikers, more walkers, some runners
  6. a runner in a blue jacket, carefully making his way down the icy path near franklin
  7. an orange sign, a porta potty, a few barricades off to the side: there must have been a race earlier today
  8. a congress of crows cawing furiously, the sound echoing through the alley
  9. the scrape of a shovel on a sidewalk somewhere
  10. heading up from below the lake street bridge, hearing the wind shaking the dead leaves on the oak trees, sounding almost like water dripping — or was it water dripping?

Things I Forgot to Notice, or Didn’t Notice

  1. the river — don’t remember looking at it even once
  2. no regulars — no Dave the Daily Walker or Mr. Morning! or Daddy Long Legs or Mr. Holiday
  3. no geese
  4. no woodpeckers
  5. no black-capped chickadees
  6. no fat tires
  7. no kids laughing and sledding
  8. no overheard conversations
  9. no darting squirrels
  10. no music blasting from cars or smart phone speakers

Scrolling through twitter, I happened upon this poem:

Letter from the Catskills/ David Eye

Cousin–When a dozen robins blew into the yard yesterday–
I’d never seen so many–I watched them hop, cock their heads,
grab the thaw’s first worms. Such a pleasure, those yam-
colored breast feathers. Then snow las night, enough
for a fine white pelt, mostly gone by midday. (You’re better
off doing your play in the City, till it warms up for good.)
I wonder if the snow melted or–what’s that word?–
sublimed. To go from solid to gas, skipping liquid altogether.
The way I’d like to die. Grocery-shopping last night, I swear
I felt like such a loser. Not a fully set of teeth in the house,
yet I’m the freak: 45, alone at the Liberty Shop-Rite. And a snob:
can you believe it took four people to help me find capers?
So many breakups. My sister got the only keeper. God, I love
those kids. I dream of children almost every night. Awake,
I’m a eunuch. New vocal warmup, repeat before you go on
tonight: “unique New York eunuch unique New York
eunuch….” Give your boy a squeeze. The robins are back.

Lately I’ve been reading a lot about how poetry makes the familiar strange, but I think poetry can also make the strange familiar. Give us a door into the unfamiliar so we can get to know someone else and their experiences. The door in for me with this poem was all the robins. This past week, I saw so many fat robins on my crab apple tree, swaying and bobbing and getting drunk off the shriveled up apples.

a note about editing: I have a lot of typos in my writing. I didn’t used to. For years, that was a super power, being able to catch all the errors and to write a draft with hardly any mistakes. Now, I make lots of spelling errors (before I fixed it, I had spelled crab apple, CRAP apple), leave out articles and other secondary words, and for some reason, use an excessive amount of commas. I feel like I over-comma everything. Why? I think these errors and excessive commas are happening because I’m getting older, I’m writing more, the way spellcheck is set up with autocorrect is fucked up, and my declining vision. I think my declining vision is probably the biggest culprit. It’s frustrating and irritating and humbling to confront a decline like this, but I’m working on reframing it. Less of a decline, more of a shift to new practices and less worrying about stupid typos that don’t really matter. Maybe I’ll write a poem about it?


jan 13/BIKERUN

bike: 25 minutes
run: 2.4 miles
basement
outside: an ice rink

Ugh. Hopefully it will warm up enough in the next few days so that the ice on the sidewalks will finally melt. I can run in snow and in the cold, but when the sidewalks and most of the road are one sheet of bumpy, uneven, super slick ice, I have to stay inside. Before I went down to the basement, I took Delia the dog for a walk for some recon. Almost fell at least twice on the short 2 block walk. Something interesting: even though it was very slippery and I almost fell, I never had that anxious, I’m-going-to-fall-feeling. No tensing up of my legs or shoulders.

Watched a comedian my sister told me about, Rhys Niccholson, on Netflix while I biked. I laughed a lot. Listened to the book, An Elderly Lady Must Not Be Crossed, while I ran. I loved An Elderly Lady is Up to No Good, so I was excited for another book, more time to spend with Maud. Thought I might run a 5k, but I felt ready to stop a bit sooner. All I remember from my run, other than listening to Maud pretend to be senile and feeble in order to not be found out as a murderer, was thinking that treadmill runs feel longer and are much less fun than outdoor runs. Oh — I also remember noticing my stride and trying to focus on the rise and fall of my feet and relaxing my shoulders as I swung my arms.

A few days ago, I bookmarked a wonderful essay by the Diné poet Jake Skeets: My Name is Beauty. I just started reading it and found so many wonderful passages, including this one:

Viola Cordova defines the concept of cultural relativity in her essay “Language as Window” as the way Western constructs constrict worldview to one single thing and dismiss differing worldviews. However, Cordova, through an analysis of the work of linguist Benjamin Whorf, states that language is the key to interpreting the world in different ways. Using an egg paradigm, Cordova asks us to imagine the Earth not as a physical rock in space but as the yolk of an egg. She asks us to imagine ourselves swimming through air rather than walking, and to consider ourselves within something, not on something.6 Seen this way, the Earth becomes a womb, a nest, an embrace.

The swimming through air reminded me of studying fungi this past April. Here’s something I wrote on April 21, 2022:

Thought about nets and this passage from The Mushroom at the End of the World:

Mushrooms are the fruiting bodies of fungi. Fungi are diverse and often flexible, and they live in many places, ranging from ocean currents to toenails. But many fungi live in the soil, where their thread-like filaments, called hyphae, spread into fans and tangle into cords through the dirt. If you could make the soil liquid and transparent and walk into the ground, you would find yourself surrounded by nets of fungal hyphae (137).

Thought about imagining the soil was liquid and transparent and then entering it, surrounded by nets of fungal hyphae. What if I could swim in the soil? Swim through these nets of fungal hyphae?

I must return to this essay later and work through it slowly. So many amazing ideas! In the meantime, here is one of Skeets’ poems:

Soft Thunder/ Jake Skeets

narrowmouth toads dapple pink sandstone
knee-deep in a brown bowl of brown water

before the croon of limb and wind on weeds
puddles from the pour gather for a morning song

the sun rises from a flatbed load of open palms
                : each crease a ripple a leg a half smile

the sun knows best when it rises
                : each tide and oak and uplift sung the same

each killdeer and mare and desert bighorn
each I I gorge each I I ravine each I I—

and each part of me is hung out to dry marooned

and wrung of rain, wrung of every I until no I is left
                        :      soft thunder
                                        ponds in a clearing

jan 12/SWIM

1.5 miles
ywca pool

Another swim this week! Noticed in the locker room that a few more people were wearing masks. Should I wear one? Before my swim, a strange sound: a woman walking into the shower area fully clothed, including sneakers that were clicking and clopping like she had yaktrax on. Did she? She went into a shower stall to find the stuff she’d left behind.

A nice swim. My googles leaked a few times, so did my nose plug. Did continuous 200s with my hypoxic breathing (3/4/5/6). Near the end, I turned it into 2 400s and changed my breathing every 100 instead of 50.

Three things I noticed:

1 — looking up at the flip turns

During one flip turn at the far wall, I looked up from underwater as I turned. In a flip turn, as you head into the wall you flip on your back underwater, then twist back on your stomach as you push off the wall (at least I do). I looked up while I was on my back, just before I pushed off. I noticed a yellowish-orangish glow. The lights from above water. It looked so cool that I made sure to look up several more times as I flipped. I couldn’t see anything but bright lights, which was a nice contrast to the pale blue of being underwater.

2 — gurgle, slosh, squeak

In a few of my recent log entries about pool swimming, I’ve mentioned that I didn’t hear anything but an occasional squeak from my nose plug. For a few laps today, I decided to listen. I heard some gurgling, a lot of sloshing as the water washed over my head, and a few squeaks from my nose plug. Nothing too exciting, but sound, always there. I guess I usually tune it out.

3 — crud on the pool floor

In addition to the usual specks of junk on the tiles, there was another chunk of white something on one tile, and some fuzzy brown things floating near the bottom of the lane next to me. Sometimes when I’m swimming, I think I see a thing floating off to the side. I check: it seems like nothing. Maybe it is nothing, or the trick of the light, and maybe it is something, some small bit of visual data sent to my brain that my eyes barely saw.

This week, I’ve been working on the class I’m teaching this winter about developing a practice of noticing and wonder and turning it into better words. Yesterday and today, I’ve focused on wonder as delight and curiosity. In the midst of this, my sister sent me a link to an article about the value of being in awe. Excellent. I enjoyed the article and I’m always excited when ideas about wonder, being open, and practicing awe are spread, and yet there’s something about the discussion that bothered me, something that seemed to be missing. Instead of dissecting the article and cutting down the things I didn’t like about it, which I used to do in my past life as an academic, I’d like to offer an expansion to one of the recommendations for how to learn to be in awe:

Practice mindfulness.

Distraction, Dr. Keltner said, is an enemy of awe. It impedes focus‌, which is essential for achieving awe‌.

“We cultivate awe through interest and curiosity,” Ms. Salzberg said. “And if we’re distracted too much, we’re not really paying attention.”

Mindfulness helps us focus‌ and lessens the power of distractions. “If you work on mindfulness, awe will come.” And ‌some studies show‌ that people who are meditating and praying also experience more awe.

“Awe has a lot of the same neurophysiology of deep contemplation,” Dr. Keltner said. “Meditating, reflecting, going on a pilgrimage.”

So spending time slowing down, breathing ‌deeply and reflecting — on top of their own benefits — have the added advantage of priming us for awe.

In this section, mindfulness seems to be loosely defined as focusing attention on something, being curious about it — the key here is IT. What you’re paying attention to is the object for you (the subject) and your focused gaze. What if this idea of paying attention (and being present to the world, which is another slogan for mindfulness) was reciprocal with the world? What if the world wasn’t the object, but subject or subjects? What if the value of being in awe was not only about confronting the vastness of the world beyond each of us as individuals, but about opening us up to experience how we are connected to/entangled with the world? I am pretty sure that what I’m trying to say doesn’t make sense to anyone else but me right now. That’s fine. Instead of spending the rest of the afternoon trying to make it intelligible (which is something else I would have done in my former academic life), I’ll offer up a poem that I found by searching, “mindfulness” on the Poetry Foundation site. I think this poem speaks to an expansion of what mindfulness could/can be as a creative, imaginative, reciprocal practice — a practice of not just focusing, but looking, seeing, beholding (see Ross Gay here). It’s that eye at the end — not only expanding what noticing is, but (I think, at least) speaking to the eye in Elizabeth Bishop’s poem about the fish. See my jul 7, 2021 entry for more of a discussion of fish eyes and beholding.

Pot of Gold/ Ingrid Wendt

For Elizabeth Bishop, 1911–1979, with gratitude

We talk, you and  I, of  mindfulness, here in the world above
          water, but what’s below is watchfulness,
                     pure and simple: creatures trying not to be eaten,
          creatures relentlessly prowling or simply waiting for meals to
 
cruise on by. Except maybe parrotfish.
          Ever industrious, ever in motion, it’s hard to find one not
                     chomping on Yucatán limestone reefs. What we see as
          dead, bleached coral or crusted limestone shelves, for them

is re-embodied Fish Delight. Which means I find them by
          eavesdropping. Ah, those castanet choruses clicking, clacking,
                     a coven of  promises leading me on until there:
          below my mask and snorkel, a dozen or more upside-down

Princesses sway as one, in their pink and blue checkerboard
          gowns, their long, long dorsal crowns
                     cobalt-striped, and turquoise, and fuchsia—useless—
          no Prince to be found, not even in fish identification books,

just me and my ardor. Bewitched, each day I hang, transfixed,
          above them in a slightly different
                     place in that once-pristine, once-undiscovered Yal-Ku lagoon,
          its cradling mix of salt and fresh water

letting me hold myself, and time, and the rest of the world
          stock still. Sometimes I’m even luckier: out of the deepest
                     shadows (as out of my book) ventures
          the shy Midnight Parrot, a constellation of neon blue

mosaic scrawled on its head, its body—two feet long—
          as dark as blue can get and still
                     not be black, its parrot beak (that family
          trait) munching rocks and shitting sand. Puffs of it,

great big clouds of  it, murking the water until
          finally settling down
                     (it’s how, some scientists
          say, sandy floors of  tropical reefs are born).

But had I dared the slightest move, my Midnight
          would have, just like that, become Dawn.
                     And so it could have been, as well, with that one
          tremendous fish, secretive, off at the edge, among

the maze of  boulders piled on boulders, broken sandstone
          columns, deep channels between them, there—
                     in a shaft of  sun, the end of all my seeking
          and what I hadn’t known I’d sought—three feet long, at least

and all alone, clown-sized lips and eyelids the brightest possible aqua
          blue in an orange-gold face,
                     the way a child might rub its mother’s most dramatic
          eye shadow onto the most unlikely places:

forehead, cheeks, even the outermost edges of  every single
          emerald-green fin, even the edge of  the deep red tail, its tips
                     turned up at the corners—that tremendous fish was eating
          nothing, that fish wasn’t moving at all, except it turned its head

and one tremendous eye caught mine. And held it. Taut.
          Oh, I almost stopped
                     breathing. And the fish stopped
          everything, too, except for slowly pulsing gills—opening,

closing, opening, closing—in sync with my own
          pounding heart. Was I
                     the watcher or the watched? How long did we stay
          like that, hooked to one another, held in water’s palm,

as through my every cell, over and over, rang Rainbow, unstoppable
          Rainbow, until I had no beginning, I had no end,
                     Rainbow I was and happily would
          be still, had not a wayward cloud blundered in.