Feeling a little better on day 5 of my cold. Still difficult to breathe, but maybe that was more because of the humidity and not my congestion. It rained again last night so everything was wet, the dirt trail muddy, squeaky, soaked leaves. Heard some kids shrieking (with glee) near Dowling.
Listened to cars, my feet, kids yelling, water dripping as I ran south and on the Winchell Trail. Climbed the 38th street steps and put in Olivia Rodrigo. Also, took this picture at the bottom of the 38th street steps:
leaf trypthych
one: One of the trees that I watch out for every fall has turned a glorious orange. Wow! Not neon orange, but a warmer, pinky orange. This tree is on the edge of the 44th street parking lot, next to the bike rack, after the trail that winds down to the Winchell Trail, before the trail that crosses the double bridge. It’s a maple (I think).
two: Running on “the edge of the world” — the spot on the Winchell Trail that climbs and before it curves looks like you will fall off into empty air — everything suddenly became lighter. This was partly because the trees have less leaves here and there are less trees, but mostly because the leaves at the bottom of the hill were green, while the leaves at the top were a soft yellow.
three: After I finished my run, walking back, I passed under a tree and suddenly noticed it was snowing yellow leaves. Leaf after soft yellow leaf slowly drifting down to the ground, looking like snow if snow were a gentle, glowing yellow. I love snowing leaves.
I’m trying to practice noticing smells this week. Not sure I can ever find 10 smells, but here’s today’s list:
Smells I Noticed
wet earth — musty
the trace of sewer stench — sour, unpleasant, above the river on edmund
sewer stench, full blast, above the ravine near the 35th street parking lot — sour, like rotten eggs, or used diapers
smoke from a fire down in the gorge
I think that’s all I remember. I need more practice.
Found this poem the other day by Kelli Russell Agodon. It was posted on Verse Daily — a great resource for poems!
5.5 miles marshall loop to Fry 62 degrees humidity: 90% / dew point: 61
Cool, sticky, thick air. Lots of sweating. For our weekly Marshall loop. Scott and I ran several more blocks (past Cretin, Cleveland, Prior, and Fairview) to Fry, then over to Summit and back down to the river. We heard the bells at St. Thomas chiming 2 or 3 different times — or more? Scott talked about the Peter Gabriel tour video he watched last night. What did I talk about? I can’t remember. Oh — at one point, I pointed out the light passing through a tree above Shadow Falls, making it glow. The beauty of September light! I also talked about Glück’s line about the light being over-rehearsed and how the bushes and flowers and trees looked worn, past their prime, over-rehearsed.
10 Things
a line of dead leaves floating on the surface of the river, almost under the lake street bridge
slippery, squeaky leaves covering the sidewalks
between fairview and fry the sidewalk narrowed — Scott guessed that it might be as narrow as 4 ft (it’s supposed to be 6, but is often 5)
drops of water falling off some leaves, illuminated by the sun
ORANGE! several bright orange and burnt orange trees
lions, pineapples, bare-chested women with wings — lawn ornament on Summit
waffles, falafel, “mixed” popcorn, Thai, ice cream — restaurants/stores passed on the run
overheard: it’s hard to tell how well the Vikings will do — a biker to 2 other bikers
looking across from the east side to the west bank of the river, thinking I was seeing some sort of color — not BRIGHT color, but the idea of it: red instead of RED! Asked Scott and he said, Wow, that’s some RED! [how color works for me]
3 roller skiers on the bridge — no clicking and clacking because there wasn’t room for them to swing their poles
One of my favorite local poetry people (and one of my former teachers) posted this mushroom poem by Emily Dickinson. A nice contrast to another one of my favorite mushroom poems by Sylvia Plath:
The Mushroom is the Elf of Plants – At Evening, it is not At Morning, in a Truffled Hut It stop opon a Spot
As if it tarried always And yet it’s whole Career Is shorter than a Snake’s Delay – And fleeter than a Tare –
’Tis Vegetation’s Juggler – The Germ of Alibi – Doth like a Bubble antedate And like a Bubble, hie –
I feel as if the Grass was pleased To have it intermit – This surreptitious Scion Of Summer’s circumspect.
Had Nature any supple Face Or could she one contemn – Had Nature an Apostate – That Mushroom – it is Him!
Tarry is to delay or be tardy. The tareis the weight of a container when it’s empty. A scionis a young shoot or twig of a plant, especially one cut for grafting or rooting OR a descendent of a notable family.
Favorite lines today:
The Mushroom is the Elf of Plants – At Evening, it is not At Morning, in a Truffled Hut It stop opon a Spot
As if it tarried always And yet it’s whole Career Is shorter than a Snake’s Delay – And fleeter than a Tare –
a quick note before describing my run: For some reason, I felt compelled to rhyme things today. Most of it was unintentional, but a few times it was deliberate. Was I somehow inspired by a line from the song, “The 59th Street Bridge Song (Feelin’ Groovy)”? I watched a video of Gwen Verdon singing this song — and dancing too — last night. Here’s the line:
Hello, lamppost, what’cha knowin’? I’ve come to watch your flowers growin’ Ain’t’cha got no rhymes for me?
Sticky. Uncomfortable. Thick. Lots of sweating. Flushed face. Heavy legs. Dark with hazy, humid air. I had intended to cross over to the Winchell Trail, but it looked crowded near the river. So I just turned around and went back north on Edmund. A chance to check the house that posts poems in their front window. Was there a new one? Unfortunately, in this bad light and with my bad vision, I couldn’t tell. Oh well.
before the run
A few more stanzas from Forrest Gander’s “Circumambulation of Mt. Tamalpas”:
Cardiac Hill’s granite boulders appear freshly sheared Look, you say, I can see the Farallon Islands there to the south over those long-backed hills one behind another a crow honks
Running above the river on the paved trail it’s difficult, even in the winter, to see the terrain below — the limestone ledges, the steep slopes. Often, it’s all leaves (on the trees or the ground) and brambles and bushes.
Do crows honk?
the moon still up over Douglas firs on the climb to Rock Spring yellow jackets and Painted Lady butterflies settle on the path where some under- ground trickle moistens the soil
It doesn’t happen that often — because of my vision, pollution, the bright light during the day — but I like being able to see the faint outline of the moon in the morning or the middle of the day.
Throughout the gorge and on the Winchell Trail, there are springs and seeps. They are especially visible in the winter when they freeze over and turn into strangely shaped columns of ice.
A plan for the run? Not much of one: to take the Winchell Trail instead of the paved path.
during the run
Nope. I didn’t take the trail so no chance to get a view of the river or the bluff or any limestone ledges. Instead I listened to Taylor Swift and tried to keep my cadence steady and quick(er). Between 170 and 180.
10 Things I Noticed
kids laughter drifting over the fence of my neighbor’s yard — a birthday party for her 3 year-old
a big backhoe parked on the street — no digging today, hooray!
a plastic orange slide, spied through the slats of another neighbor’s fence
a dusty dirt trail, so dry it was slippery and uneven
yellow leaves all around
lots of red on the ground
a biker’s bright headlight over on the river road
a mountain bike — don’t think it had fat tires — on the dirt trail, approaching me
2 people in bright yellow construction vests, walking on Edmund
a biker stalking me — approaching from behind. Not really stalking, just unable to pass me before we crossed an intersection
Don’t remember any birds or swirling leaves or bugs or roller skiers or music being blasted from car radios or leaf blowers or falling acorns.
after the run
I’ll have to think about Forrest Gander’s words some other day. For now, I’ll post something else I’d like to remember because I’m always looking for poems about erosion:
Gloomy, everything looking dark and mysterious. I like these overcast mornings, especially when running beside the gorge. All the colors feel more intense — dark greens, yellows, reds, oranges. Today I saw at least 3 different versions of orange: orange leaves pale and almost pink; then orange leaves like a neon crayola; finally the classic orange — what I call orange orange — of construction cones and a sidewalk closed sign.
Greeted Dave, the Daily Walker. Smiled at a dozen walkers and runners. Forgot to try and see the river. Heard some birds (more about that below), the clicking and clacking of ski poles from a roller skier, the irritating squish of a walker’s slides. Smelled tar. Noticed that the path was covered in green leaves.
I felt relaxed and dreamy at the beginning, sweaty and a little sore at the end.
before the run
More with Forrest Gander and his circumambulation. Today, the next few stanzas of Circumambulation of Mt. Tamalpas:
as we hike upward mist holds the butterscotch taste of Jeffrey pine to the air until we reach a serpentine barren, redbud lilac and open sky, a crust of frost on low-lying clumps of manzanita
mist holds/the butterscotch taste of Jeffrey pine I rarely think about (or remember if it happened) tasting the air. What might the air taste like on my run today?
Serpentine — another word for winding or twisting? Are there any parts of my running route that are serpentine? I’ll try to pay attention.
at Redwood Creek, two tandem runners cross a wooden bridge over the stream ahead of us the raspy check check check of a scrub jay
Looked up scrub jays. Also called California scrub jays. Like the blue jays here, which are just called blue jays (at least, that’s what I found in my minimal research), they are LOUD. Here’s what the Cornell Lab writes about their sounds:
CALLS
California Scrub-Jays, like other jays, are extremely vocal. Behaviorists have described more than 20 separate types of calls for this and the closely related Woodhouse’s Scrub-Jay. Examples include a weep uttered during flight, while carrying nesting material, or while taking cover from a flying predator; a bell-like shlenk used antagonistically, a quiet kuk exchanged between mates, and loud, rasping scolds for mobbing predators.
OTHER SOUNDS
Scrub-jays often clack their bill mandibles together to make a sharp rapping. Their wings make a whooshing sound on takeoff, and they exaggerated this during altercations.
Gander’s rasping check check check must be the Cornell Lab’s rasping scolds. You can also hear the delightfully irritating clicking of the bill mandibles and the exaggerated flapping of their wings.
hewing to the Dipsea path while a plane’s slow groan diminishes bayward, my sweat-wet shirt going cool around my torso as another runner goes by, his cocked arms held too high
hew = adhere, conform…a plane’s slow groan — I’ve never heard a plane as groaning. Usually I write roar or buzz — a boom? I’ll have to listen for groaning planes today.
Yesterday when I was running, and it has too hot and sticky, I checked to see if my shirt was sticking to me. Nope. Not or long enough to have that happen. Does it ever happen? I sweat a lot, but rarely to the point where my shirt is soaked and stuck. With this brief description, I know that Gander’s circumambulation has been going on for a long time and that it is really HOT.
I like Gander’s last line about the cocked arms held too high. I often give attention to walkers’ and runners’ gaits and how they hold their arms. Some small part of it might be out of judgment, but primarily it’s about: admiring moving bodies, especially graceful ones; studying them to see what doesn’t feel right — this is a way to work through my vision limitations and to determine what I am actually seeing; and as a way to identify different movers out by the gorge. I can’t see faces clearly enough to recognize people (not even my husband or my kids), so I rely on other methods, like wide arm swings (that’s how I identify the Daily Walker) or gangly legs (the long- legged walker I call Daddy Long Legs).
Okay, so during my run today if I can, I’d like to think about/notice the following:
tasting the gorge
looking for serpentines
listening for blue jays and groaning planes
noticing how and where (and if) my sweat collects
making note of the different gaits of walkers and runners
during the run
I wasn’t sure how I would try to notice all of the things I wanted to — a taste, a twist, an irritating sound, where my sweat collects, and a distinctive gait — but as I ran, I just started collecting images. It became a game or a scavenger hunt. Here’s how I did it: First, I tried to be open to things on my list. Not searching too hard for them, but being ready if they appeared. Then I briefly stopped at the end of each mile (roughly), and recorded the images I collected — I described them on a voice memo app. I was able to collect all 5, with taste being the last to be found.
mile 1
serpentinetwist: looking up, noticing the trees winding through the air, almost like a river reversed.
irritating bird: Heard the clicking of a bird and I’ve been wondering (for some time) what bird makes those clicking sounds and I think it might be the clicking of the bill mandibles of a blue jay!
mile 2
My sweat is collecting on the side of my nose. I can sometimes see it through my peripheral vision. Now it’s dripping down my cheeks.
a gait: Passed a runner with very fast cadence — short, little steps. This inspired me to pick up my cadence.
right after recording these two images, I took a picture of my view, down on the Winchell Trail at a small overlook, perched above a sewer pipe:
mile 3
taste: Bitter burnt toast coming from the tar they were using to cover the cracks near the trestle.
Bonus: a blue umbrella
A bright blue umbrella on a bench, looking strange and out of place. I noticed someone sitting next to the umbrella. I found this umbrella wonderful for the pop of color it brought to the gloomy gorge, for how unexpected it was, and for how it made me wonder about its companion: a person who likes to be prepared? who loves walking by the gorge so much that they’ll go even if it’s about to rain? who loves the rain? And, why did they leave the umbrella open — to give us all a gift of bright blue? they despise closing umbrellas? the umbrella is broken? Maybe if I was standing still, some of these questions would have been answered, but I like the mystery that moving made!
after the run
This “game” was a lot of fun, and I’d like to try doing it again. Would it work as well the next time? I’ll have to see. It made the run go by faster and helped me notice and remember things I might not have otherwise.
Also: I don’t taste a lot of things while I’m running. I should try and work on that by practicing and maybe reading more of other peoples’ words about tasting the world.
Another warm morning. Sunny, too. Not much wind. Almost a mile into the run my back on the right side, just under the shoulder blade, started to hurt. Enough that I needed to stop and walk for a few steps. When I started again, and ran more upright, it felt better, and didn’t hurt for the rest of the run. I wondered what it was, then suddenly realized: yesterday Scott and I cleaned out a lot of crap in the garage, some of it heavy; I must have pulled something.
Running south, I listened to cars, construction, kids arriving for school at Dowling Elementary, screeching blue jays, trickling water out of the sewer pipe. For the last mile, I put in my headphones and listened to more Olivia Rodrigo.
before the run
Thinking about Gary Snyder and circumambulation and Forrest Gander’s poem, “Circumambulation of Mt. Tamalpas.” I listened to him reading the first stanza:
maculas of light fallen weightless from pores in the canopy our senses part of the wheeling life around us and through an undergrowth stoked with the unseen go the reverberations of our steps
my notes: I was immediately drawn in with his use of maculas. I think a lot about maculas because the macula (in the center of the retina in the back of our eyes) is where all the cones reside in your central vision and my cones are almost all dead. I looked up macula and it can also mean, more generally, spot or blotch. Here I like how his use of macula and pores reminds me that the canopy is a living thing, and living in ways that are similar to humans. “the undergrowth stoked with the unseen” — I’m thinking of how thick the trees are beside the path, how much goes unseen — but always felt — above the gorge.
During my run, I want to think about and notice the maculas of light falling weightless, the pores in the canopy, wheeling life (cars? bikes?), the undergrowth, the unseen, and the reverberations of our steps. That’s a lot!
during the run
I did it! I thought about most of these things and it made the run more interesting and meaningful. At the 38th street steps, before I ascend to the river road trail, I stopped to record what I thought about and noticed:
transcript: September 21st, 2 miles into my run, at 38th street steps. Thinking about the Forest Gander poem and first, the idea of the maculas weightless. Then I was thinking of dappling light but the light today is not weightless, but thick. It must be humid, feels warm, and it’s pouring through, which makes me think of pores and difficult breathing. My nose, hard to breathe through my nose, and my back behind the rib cage, it hurt. And then I was thinking of the wheeling life and taking that literally: the wheeling of cars, whooshing off to work. And then I saw 2 different sets of bicycles: an adult on one bicycle, a young kid on the other, biking to school at Dowling. And then I was thinking of the wheeling life and the changing of seasons and transformations and the idea of life continuing to move, not necessarily forward (although it does that too), but also just a constant motion, even when you might want it to stand still for a while. Then I was thinking of the wheeling life as the hamster wheel [I thought about the hamster because I heard the rustling of a squirrel or chipmunk in the dry brush] and repetitions and routines and continuing to do the same thing over and over again — the loops, the way it’s warm every year at this time in September: too hot, too humid, too sunny.
Wow, when I’m talking into the phone about my ideas mid-run, I have a lot of run-on sentences!
after the run
I love Forrest Gander’s poetry. And I love how packed with meaning his words are, like “wheeling life.”
the wheeling life: 10 things
car wheels, near the road — relentless, too fast, noisy
car wheels, below, on the winchell trail — a gentle hum, quiet, distant
bike wheels, approaching from behind very slowly — a little kid biking to school with his mom who had a carrier with another kid behind her seat
bike wheels, nearby, another kid and adult on the way to school
the wheel of life as a loop: a favorite route, running south, looping back north, first on edmund, then on the winchell trail
the wheel of life as transformation: red leaves decorate a tree halfway to the river
the wheel of life as cycles: not the end of the year, but the beginning — school time: kids at the elementary school
the wheel of life as constant motion: on the trail, below the road and above the river, everything is active: birds calling, squirrels rustling, wheels traveling, river flowing, feet moving, leaves and lungs breathing
the wheels of life as cycle: always in late september, hot and humid and too sunny
the wheels of life as transformation: thinning leaves, falling acorns, a small view of the river
Recorded the lecture for my class this morning, so I had to run in the afternoon, when it’s warmer. Hot! Sunny! Everything dry and dusty, thirsty — the dirt trail, the dead leaves, me.
Listened to a playlist until I reached the south entrance to the Winchell Trail, then to the gorge. Dripping pipes, striking feet, my breathing, falling acorns.
10 Peripheral Things — above, below, and beside
dirt flying up on my ankles as I ran on the dusty trail
brittle red leaves, crunching underfoot
the shadow of a bird flying overhead
frantic rustling in the bushes — I flinched in anticipation of a darting squirrel that never arrived
a walker moving over to the edge of the path for me to pass — thank you! / you’re welcome
a slash of red just below — a changing leaf
flashes of orange all around — construction signs
to my right and below: dribble dribble dribble — water falling down a limestone ledge in the ravine
shrill squeaking under the metal grate in the ravine as I crossed over it — a chipmunk?
is this peripheral? breaking through several spider webs on the winchell trail, about chest height
For the second week of my class, which starts this Wednesday!, I’m offering alliteration as one way into the words for describing/conjuring/communicating wonder (along with abecedarians and triple berry chants). This poem-of-the-day on poems.com (Poetry Daily), is a great example of what’s possible when you write only words starting with one letter — in this case, a:
Attempted avoiding abysses, assorted abrasions and apertures, abscesses.
At adolescence, acted absurd: acid, amphetamines. Amorously aching
after an arguably arbitrary Abigail, authored an awful aubade.
Am always arabesquing after Abigails. Am always afraid: an affliction?
Animals augur an avalanche. Animals apprehend abattoirs. Am, as an animal,
anxious. Appendages always aflutter, am an amazing accident: alive.
Attired as an apprentice aerialist, addressed acrophobic audiences.
Aspiring, as an adult, after applause, attracted an angelic acolyte.
After an affirming affair, an abortion. After an asinine affair, Avowed Agnostic approached, alone, an abbey’s altarpiece,
asking Alleged Almighty about afterlife. Ambled, adagio, around an arena. Admired an ancient aqueduct. Ate aspic. Adored and ate assorted animals. Ascended an alp. Affected an accent. Acquired an accountant, an abacus, assets. Attempted atonal arpeggios
There’s also an essay about how Dumanis wrote this poem, which I haven’t had time to read yet. Very excited to check it out! Okay, I just skimmed it. Here are some resources from the end that I might want to explore:
A few terrific examples of letter-constraint-based contemporary poems include Phillip B. Williams’s tour de force “Mush-mouf’s Maybe Crown,” where all the words begin with M (or, occasionally, “em” or “im”); Izzy Casey’s univocalic “I’m Piss Witch”; several terrific single-vowel lyrics in Cathy Park Hong’s collection Engine Empire including “Ballad in A”; Harryette Mullen’s linguistic experiments, such as “Any Lit,” in her collection Sleeping with the Dictionary, and, of course, Christian Bök’s virtuosic book-length project Eunoia, in which, among other idiosyncratic constraints, every chapter can only use a single vowel. All such projects derive at least some of their inspiration from the mid-20th century French avant-garde collective Oulipo, or Ouvroir de littérature potentielle, a “workshop of potential literature,” which encouraged systematic, sometimes arbitrary, language-based constraint in the composition of texts. For my Oulipian autobiography, it was especially important to me that every individual narrative moment made clear semantic sense despite the constraint, that the alliteration did not overly affect the speaker’s syntax or natural cadence, that taken together they told the story of a life.
1.5 loops lake nokomis main beach 79 degrees windy choppy
So glad I wore my wetsuit! Also glad that I’m an excellent swimmer who doesn’t panic easily. That was a tough swim. And that was some rough water. Normally in an open swim, even one where I’ve picked up the pace or am swimming for more than an hour, my heart rate stays between 120 and 130. In today’s swim, my heart rate was 158. Wow.
10 Things
seagulls, part 1: more than a dozen, floating in the water
seagulls, part 2: flying furiously, stirred up by a little kid chasing them from shore
before my swim: an almost empty beach, the sand had been tamped down by a park vehicle’s wheels
after my swim: 3 sunbathers and one guy in jammers (men’s swim shorts that look like bike shorts) about to swim
whitecaps
swam over a few ghost vines reaching up from the bottom
the giant swans are still in the water, tethered together by a dock
only one sailboat with a white sail out in the water
cloudy, murky water, impossible to even see my hand in front of me below the surface
before the swim: a motorcycle pulling into the parking lot, blasting “Love Shack” — you’re what? tin roof … rusted
an unexpected ramble about libraries and unfamiliar places and my vision struggles
Picked up my first physical (non ebook) at the library yesterday. Last time I’ve been inside the library was sometime in early 2020, before the pandemic, and before the library suffered heavy fire damage during the George Floyd uprising, when white supremacists tried to burn it down.
There are lots of reasons I haven’t made it back to the library since then — I mostly read ebooks which you check out online because the light from the screen is always bright enough for me, while I often have to read physical books outside in direct sun to see the words. During and after the pandemic, I’ve been less willing to go into public spaces. I can’t drive anymore and the library is too close for a bus, but too far for an easy/quick walk.
Maybe the biggest reason: I’ve been scared. Walking into a building, I can’t read the signs that tell me where to go or notify me of something, like a new policy. What if I can’t find where to go? What if they’ve changed how to pick up holds, where to check them out? Of course, I could ask and I have been willing to do so, but it’s hard. Even if I ask, first I have to endure that moment of unknowing and confusion, when I enter a building and can’t see people’s faces, read signs, orient myself quickly.* This is Emily Dickinson’s moment in “We Grow Accustomed to the Dark” — A Moment — We uncertain step/For newness of the night –. Also, even though I’ve been working on it, it’s still hard to ask for help — to take the time, to bother someone, to not know how to do something. I’m hoping asking will get easier and I’ll care less and less about having to do it. For now, I have a different solution: Scott (or my kids or a friend) can come with me to a new place the first time, to help with any confusion I might have. Once I know how it works, I can come back on my own.
* To add to this: it’s not just that I’m uncertain, confused. Sometimes, my brain makes very bad guesses — often the exact opposite of what is actually there — and I overconfidently act on them. The more wrong I am, the more likely I am to boldly act. This is embarrassing — I look stupid or sound crazy/ridiculous, but it is also dangerous. Scott has witnessed this enough times to verify my assessment. I believe this is related to my failing vision, but I don’t know how. So strange and frustrating because I don’t seem to have any control over it, and I like to have control.
Gary Snyder’s Riprap
The book I had requested and picked up is one I’ve wanted to read for several years now: Gary Snyder’s Riprap and Cold Mountain Poems. I read/skimmed through it yesterday afternoon, and there are several poems that I’d like to read closely and study. I think they might help me with my series of Haunts poems. I like his sparse, matter-of-fact approach. I also like his love for walking/hiking. I think that I’ll devote the second half of September to his work! I just requested a few more books from the library.
We finished clearing the last Section of trail by noon, High on the ridge-side Two thousand feet above the creek Reached the pass, went on Beyond the white pine groves, Granite shoulders, to a small Green meadow watered by the snow, Edged with Aspen—sun Straight high and blazing But the air was cool. Ate a cold fried trout in the Trembling shadows. I spied A glitter, and found a flake black volcanic glass—obsidian— By a flower. Hands and knees Pushing the Bear grass, thousands Of arrowhead leavings over a Hundred yards. Not one good Head, just razor flakes On a hill snowed all but summer deer, They came to camp. On their Own trails. I followed my own Trail here. Picked up the cold-drill, Pick, singlejack, and sack Of dynamite Ten thousand years.
I want to spend more time with this. After the 3rd or 4th reading: love the line breaks and how they keep it moving. Also how some of the lines have new meaning when read alone:
4.35 miles to longfellow garden and back 61 degrees
Beautiful! Sunny, not too warm, calm. Ran past the falls to Longfellow Gardens. Stopped to check out the beautiful flowers — wow! — then started running back, past the barely trickling falls and to the Winchell Trail. I listened to cars driving by, acorns falling, kids yelling at the playground, an accordion player at the falls.
My left leg felt fine on the way to the gardens, a little stiff and sore on the way back. I’ve decided that part of the problem might be that my left glute isn’t firing. Listening to so many podcasts with professional runners and their injuries I’ve learned that this can happen and that it’s important to make sure your glute is actually working. Time to google some “glute firing exercises.” Found something! How to Get the Glues to Fire in Running
before the run
This weekend I was looking through Julia B. Levine’s collection, Ordinary Psalms. Here’s another poem about losing your vision that resonates for me and that I read before heading out for my run:
Beneath our grapevines at dusk, I will tell him that the world is falling in on me,
a blurred unseaming of each from each into a great sameness.
My husband reaches into the trellis, cuts a cluster with his knife
and lays the red grapes on a plate before us. I already know science is a religion too,
with its pantheon of evidence steadying terror. Believe me, I’m grateful for any anchor.
Though here at the edge of autumn, doesn’t it seem that the mythic breaks down
into that battered couch we once saw in Rome floating down the Tiber
like a boat broken free of its mooring, except this time, one of the five white gulls
shining at rest on its pillows will not rise into the air again.
Please don’t try to make it better. For now, there is a hunger in my lips, my hands,
as if I’d been called late to wander, to feel by way of edges and texture
around lintels and doors, hallways of shadow broken open by stairs.
There are too many choices and ultimately none.
Don’t tell me a station of light will remain like a lit house at midnight
in the fields rumbled through and groaning under the evening train.
There’s a lot I could think/write about with this poem. This morning, the phrase “edge of autumn” stuck with me and I decided to try and think about what the edge of autumn looks/feels like outside, above the gorge.
during the run
This theme of the edge of autumn kept returning and leaving. I started thinking about the edge as on the brink of/nearing/almost here and then looking, listening, feeling for evidence of its impending arrival. Then my thoughts shifted and I thought about what it means to be on the edge and where the edges were on my route.
10 Edges
(edge = almost, nearing) a soft golden light from the changing trees
(edge = almost, nearing) over-rehearsed flowers — an excessive of past-their-prime blooms
(edge = almost, nearing) school starting again, running past Dowling Elementary, watching cars line-up in the drop-off zone
(edge = location) a garden worker kneeling at the edge of the flowerbeds, removing dead bulbs, weeds
(edge = location) walking around the outside of the garden path, staying out of the way of a photographer taking pictures of the vibrant yellows, reds, oranges, purples
(edge = location) running the stretch of the Winchell Trail that I’ve named “the edge of the world” because you’re running up a hill on the edge of the bluff that has a curve that if you miss taking would lead to falling off and into the river below. In late fall through early spring, when the leaves are all off and there’s nothing blocking your view of the empty air, it really looks the edge of the world
(edge = location) encountering a walker, I moved to the very edge of the trail. No problem for me to navigate, but one wrong step and you could fall down the very steep hill — no railings here!
off the edge: water trickling over minnehaha falls, through the sewer pipe at 42nd and down the limestone rocks to the river
edges dissolving: listening to someone playing the accordion near the steps down to the bottom of the falls mixed with my footsteps mixed with the fast, steady rhythm of sprinklers. Difficult to tell which sound was the accordion, which my feet, which the sprinklers
at the bottom of the steps, a choice: go up the stairs and run on the upper trail or go past the stairs and take the dirt trail through the oak savanna (I took the steps)
A few days I wrote about the kindness of 2 bikers on the bridge. Today it was a woman on the Winchell Trail:
As I approached a woman walking ahead of me on the narrow Winchell Trail, she moved over. me: Thank you! her: Have a great run! me: Thanks! Have a great walk!
Another woman walking with a dog, stopped and moved over to the side, keeping her dog close and calm as I ran by. Thank you!
A quick run just after noon. Warmer than I realized, harder to move my legs too. Ran past 7 Oaks to the dirt path next to Edmund, past Minnehaha Academy, around Cooper school then back home. Construction trucks everywhere. They’re still working on the sewers, busting up the pavement, digging deep hole. Started in late May. Can’t wait until they’re done!
Today, instead of listening to the gorge or the neighborhood birds, I put in Olivia Rodrigo’s new album, GUTS. I like it. At the end of the run, “Making the Bed” came on. I liked how the whole song was about her regrets and taking responsibility for them and that she referenced the idiom you made your bed, now you must lie in it without ever explicitly singing those words, instead only singing, Me whose been making the bed. I’d like to play around with some idioms in a poem, experimenting with how to point to them without ever using them. I’d also love to find some examples from other poets.
Even as I listened to GUTS, I couldn’t block out all of the construction noise. So many construction things forcing me to notice them!
10 Construction Things
the flash of bright yellow vests and hard hats
a low constant rumble a few blocks away
the loud roar of the big wheels of a dump truck rushing by
the only slightly quieter roar of the smaller wheels of a bobcat following behind
beep beep beep a truck backing up
loose gravel and sand piled up to cover the pipes spread across the street, crunching under car wheels
orange construction cones
temporary stop signs
big, city buses taking alternative routes on too narrow streets
dusty, smoky clouds low in the air, breathed in through lungs
Yesterday I mentioned my discovery of some wonderful poems by Luisa A. Igloria. Here’s another. Wow!
The sun dips beneath a horizon of barrier islands, marshes filled with traces of the winged and wild-footed.
Skimmers in spring, migrants wheeling toward the salt of other seasons.
On one side, the water; on the other, the land—acres that yielded corn, tobacco, barley, cotton. And where
are the quail that loved fields of castor bean, that thrashed
in the wake of rifle fire? This time of year, everything in the landscape tints to the color of bronze and rust, registry pages
inked in sepia with names and weights; the worth of indentured bodies. Palimpsest
means the canvas we see floats on a geology of other layers— sedimenting until the sea works loose
what it petrifies in salts and lye, what it preserves for an afterhistory with no guarantee.
added a few hours later: Catching up on old New Yorker issues, I read this delightfully gross and somewhat horrifying opening paragraph from a section in talk of the town titled, “In the Water A Staten Island Lap”:
A swimmer freestyling through a shipping lane is a bit like a snail crossing the freeway. The situation is just as glamorous, and there tend to be few spectators. But when Leslie Hamilton, a thirty-one-year-old accountant swam a record-breaking clockwise lap around Staten Island last month, the biggest challenge wasn’t dodging garbage barges or intractable tankers with staunch, Soviet names like Salacgriva and Yasa Madur. It was lice. And she was saved by her bikini.
Sea lice. And her skin was crawling with them the entire time. The lice, which come from thimble jellyfish, lay tiny stinging cells on swimming suits. So Hamilton switched out her one piece for a bikini bottom and swam topless through the night. Wow.
Why did she do this? Here’s one reason she gave, as paraphrased by Daniel Shailer: Being uncomfortable makes everyday comforts exceptional.
59 degrees! A great temperature for a run. Overcast, misting, low wind. Tried to relax and release the tension in my shoulders (cause: failing to get a girl to go to school) and keep a slow, steady pace for my left IT band. Mostly it worked. I had my headphones set up to put in but never did.
6 Things Heard, 1 Smelled, 3 Unseen
SCREECH! SCREECH! — bluejays
tat tat tat tat tat — a roofer’s nailgun
drip drip drip — the sewer at 42nd
there’ve been so many drownings there — a woman walking and talking on the phone
thump kerplunk — falling acorns
good boy! — a woman talking to her dog as she stopped to let me pass on the narrow trail
sickly sweet, slightly off, a hint of rotten egg — sewer smells near the ravine
the voices of kids playing above and across the road (unseen: only voices drifting down, heard but not seen)
a black shirt left on a bench (unseen: the shirt being left behind/the person who left it)
a bare rock (unseen: no stones stacked, yesterday’s wind that must have knocked the stacked stones off)
before the run
I just started a new thing in the morning with my wordle habit. I’m calling it birdle and the only rule is this: the first five letter guess must be a bird. So far I’ve used: finch, robin, goose, eagle, egret, and quail. Confession: I don’t know or couldn’t think of many bird names so I had to look it up after goose. I suppose that could be part of the point of this goofy game: to learn more bird names.
Some others 5 letter bird names I’ll try:
crane
heron
junco
owlet
raven
swift
stork
vireo
veery
Veery reminds me of a delightful little poem I posted on july 13, 2021 from Lorine Niedecker (I love her!):
We are what the seas have made us longing immense the very veery on the fence
Two things via Heather Christle on twitter this morning while drinking my coffee out on the deck: a poem and a concept
MORE SWANS AND MORE WOMEN/ Heather Christle
A swan makes a bad pet It is a murderer but very beautiful just like a woman If you see a woman moving in the water you must run away very fast to a mountain It happened to me once and there are no swans on a mountain This made it lonely and natural so I was very safe but I forgot how to talk and when I came home people could not see I was a woman although I made a lot of statues to explain and I live by myself in a cottage and the water is no longer working It won’t make me beautiful just wet and the same
As of 2 or 3 readings, I don’t yet understand what this poem means. I’m not sure I need to. I like it for the swans and the swimming woman and the idea of the water no longer working, although I hope I never get to a place where the water is no longer working for me. Also: water making you wet and the same (like everyone else — all bodies floating freely and free from ailments/injuries, all together, a congregation) is magical, isn’t it?
concept — via negativa
Taught child about concept of via negativa this morning and had SO much fun watching her looking all around the bus stop, making silent notes to herself of what was not there.
Heather Christle on twitter
I’m sure I encountered the idea of via negativa in one of my theology classes, but I’ve forgotten it. And now, after some very brief searches, I’m not sure I totally understand it, or that what I think it means is complex enough to capture what it really means. Regardless, for right now, I like thinking about via negativa in terms of the gorge and what’s present in its absence (does that make sense?).
Looking up “via negativity and poetry,” I found a great site, Via Negativa, which led me to many wonderful poems by Luisa A. Igloria, including this one:
Even now, at what we believe is near the end, my mother is what kids today might describe as #fighting, A month in the hospital and she’s rallied and flailed, flailed and rallied. Through intravenous feeding, oxygen delivery, antibiotics, everything short of TPN. Who is Patty? my cousin and the nurses ask. My mother has been calling the names of the dead, names of the living, names of all the remembered ghosts in her life. Perhaps more than death or dying, the ghost of our own approaching absence is the most difficult piece of the puzzle. She still knows the difference between the clothed and naked body, how the taste and texture of water on the tongue disappears like a stolen jewel. Once, she fashioned for me an ugly name in a second baptism meant to confuse and repel the gods. She embroidered it on towels and the inside of my collars as she mouthed it like a spell. Sometimes, I still start at my shadow on the wall, blue and sick from being shorn from light.
I’ve thought a lot about fighting death this last month as Scott’s dad was dying. I remembered how my mom fought it for almost a year and how difficult that was for everyone. I hoped that Scott’s dad wouldn’t fight it too, wouldn’t linger in an almost dead state for months. He didn’t.
during the run
Inspired by my brief exploration of via negativa, ideas of the gorge as an absence that is present and embracing — or centering? — the unknown kept flaring in my mind. Then I wandered with these ideas, moving beyond (or beside?) via negativa, thinking about the unknown as what we can never access (never see) but also what we might be able to see if we slowed down and opened ourselves to the world. I thought about Robin Wall Kimmerer and her chapter in Becoming Moss, “Learning to See,” how being patient and present in the world can enable us to see things that were previously invisible to us. And I thought about the periphery and what dwells there (both the unknown and the known-made-strange).