Tag: peripheral

feb 4/BIKERUN

bike: 25 minutes
bike stand
run: 2.2 miles
treadmill
7 degrees / feels like -8

Finished the final episode of season 2 of Dickinson and started the first episode of season 3 while I biked. This first episode of season 3 is titled, “Hope is the thing with feathers.” I memorized that poem last March. Didn’t think about it that much while I was finishing up my bike, but it, particularly the idea of hope, returned to me on my run.

I started my run feeling out of sorts, thinking about the possibility of a job I could apply for that sounds like a good/fun opportunity, but might require more vision than I have. As often is the case, I wondered: am I not pushing myself enough, using my vision loss as an excuse, or is this job just something too far beyond my abilities — too demanding, too much, too impractical for someone who can’t see fast enough? It took listening to several songs before I forgot these worries.

As I ran, I stared ahead at the blank tv screen, noticing how that empty black screen filled most of my central vision, while all around it, on the edge and outside of the frame were images — the light above, the wall to the side, parts of the treadmill and the floor below. All the things I can see in my periphery. Even when my central vision is all gone, if/when that happens, I don’t think I will see the world like this, with a black space surrounded by slightly fuzzy, but identifiable shapes. Everything in the center will be more like a smudge, or a fogged up window.

Thinking about my periphery and what I can see with it, I’m reminded of watching ice skating on the olympics last night. I can tell my vision is worse; it is very difficult to follow, or to see the skater — well, I could see the skater, but mostly just flashes of their movement, not as a whole, complete object. To actually see the skater, I tried looking off to my right so I could see them through my periphery. Much better. Not completely clear, but they became a discrete, stable object on the ice.

So, I was thinking all morning about my theme for the month, what you see is what you get. I discovered that it was the catch phrase of Flip Wilson, used by his character, Geraldine. One source I found suggested it meant: this is me, accept me for who (and what and how) I am. I also was reminded that this phrase turns into a computer acronym: WYSIWIG. I mostly use the WYSIWIG editor on wordpress. I forgot it was called that because now they refer to it as the visual editor (as opposed to the code editor). I kept thinking about how this idea that what you see on the screen is what appears on the printed page is an illusion, concealing all the code that is required to make it appear as you want it. About a decade ago, I started learning some of that code (html, css). I don’t know much, just enough to understand that everything about how words or images look online involves a ton of behind-the-scenes brackets and semi-colons and classes and ids (and more). I find a lot of value in understanding, or at least being familiar with, how this works. And, I find a lot of danger in believing that all of what appears on a screen just is the way it is, almost by magic. I’m not suggesting that everyone should learn to code — wasn’t that a trendy slogan a few years ago? — but that they should be aware of how it works, and that it exists.

This ignoring of the process, and the naive belief that “things just happen,” reminds me of how many (most?) people believe vision works: you see what’s there with your eyes. They don’t think about the complex processes of vision, from cornea to retina to visual cortex, and how the brain, to make things easier and/or efficient, or because it has limited data, distorts or alters or guesses. When we see, we are not seeing the world as it is, but how our brains have figured it out.

Human perception is patently imperfect, so even a normal brain must fabricate a fair amount of data to provide a complete sense of our surroundings. We humans are lucky that we have these fancy brains to chew up the fibrous chunks of reality and regurgitate it into a nice, mushy paste which our conscious minds can digest. But whenever one of us notices something that doesn’t exist, or fails to notice something that does exist, our personal version of the world is nudged a little bit further from reality. It makes one wonder how much of reality we all have in common, and how much is all in our minds.

Chuck Bonnet and the Hallucinations/ Alan Bellows

As I was running, I thought again about E Dickinson and her feathered hope, and then the idea of hope and faith, and why we need it, how we envision it. Then, I pulled out my phone and recorded myself, mid-run:

What you see is what you get is an illusion, a type of empty hope, false faith, that some need to survive.

Is this fair? I’m not sure, but it’s something to think about some more, the idea that people invest an uncritical faith (I’m resisting the impulse to write “blind faith” here) and superficial hope in the belief that what we see is what is there, and that what we see is what is real. This belief provides comfort, makes it easier, enables them to not have to question or challenge, just accept.

Also on my run, as I listened to the excellent-for-running song, TNT by AC/DC, I thought about alt-text, and alt-text poetry, and how I might use it for a poem that pushes against the idea that what you see is what you get. Maybe vivid text descriptions of some things I see in my strange, slightly off ways, paired with straight, clear/basic description of those same things? I really like this idea; I’ll keep going with it to see if it could work.

To remember:

“Hope” is the thing with feathers/ Emily Dickinson

“Hope” is the thing with feathers —
That perches in the soul —
And sings the tune without the words —
And never stops — at all –

And sweetest — in the gale — is heard —
And sore must be the storm —
That could abash the little Bird —
That kept so many warm —

I’ve heard it in the chillest land —
And on the strangest sea —
Yet, never in Extremity,
It asked a crumb — of Me.

“Faith” is a fine invention / Emily Dickinson

“Faith” is a fine invention
For Gentlemen who see!
But Microscopes are prudent
In an Emergency!

jan 9/BIKERUN

bike: 15 minutes
bike stand, basement
run: 2.4 miles
treadmill
2 degrees / feels like -11

For most of the day, the feels like temp was hovering around -20. I have decided that that is too cold for me. So, I stayed inside. Watched a race while I biked, listened to a playlist and part of the Aack Cast by Jamie Loftus while I ran. It’s about the comic strip Cathy and it’s really good.

Some Things I Noticed*

  1. my shadow, flashing, off to my left side, as I ran
  2. in addition to my shadow, some sort of silvery something flashing or streaking or appearing in my left peripheral
  3. the loud whir of the treadmill when I stepped off it to change my playlist (maybe it’s because of my vision, but I cannot pick new music on spotify when I’m in motion). The whirr almost sounded like a plane revving its engine before take off
  4. my fine hair, falling out of my ponytail, felt like a spider web
  5. before I warmed up, it was very cold in the basement
  6. the soft space between beats felt continuous
  7. sometimes my foot strikes were quiet, sometimes they were loud

*It’s difficult to notice things in a boring, dark, unfinished basement, especially when I’m listening to music. Maybe I should try to use my treadmill time for remembering thoughts or ideas?

Found this poem yesterday. Paige Lewis is wonderful, especially how they find delight in small things, and do such strange things with words!

THE MOMENT I SAW A PELICAN DEVOUR/ PAIGE LEWIS

a seagull—wings swallowing wings—I learned
that a miracle is anything that God forgot
to forbid. So when you tell me that saints

are splintered into bone bits smaller than
the freckles on your wrist and that each speck
is sold to the rich, I know to marvel at this

and not the fact that these same saints are still
wholly intact and fresh-faced in their Plexiglas
tomb displays. We holy our own fragments

when we can—trepanation patients wear their
skull spirals as amulets, mothers frame the dried
foreskin of their firstborn, and I’ve seen you

swirl my name on your tongue like a thirst pebble.
Still, I try to hold on to nothing for fear of being
crushed by what can be taken because sometimes

not even our mouths belong to us. Listen, in
the early 1920s, women were paid to paint radium
onto watch dials so that men wouldn’t have to ask

the time in dark alleys. They were told it was safe,
told to lick their brushes into sharp points. These
women painted their nails, their faces, and judged

whose skin shined brightest. They coated their
teeth so their boyfriends could see their bites
with the lights turned down. The miracle here

is not that these women swallowed light. It’s that,
when their skin dissolved and their jaws fell off,
the Radium Corporation claimed they all died

from syphilis. It’s that you’re telling me about
the dull slivers of dead saints, while these
women are glowing beneath our feet.

nov 8/RUN

6 miles
ford loop
50 degrees

Another nice, late fall run. My cold is almost gone. Sun, not too much wind, lower humidity. I have decided that the ford loop is my favorite fall loop for 2021.

10+ Things I Noticed

  1. Sibilant sounds coming up from the ravine where Shadow Falls is located — possibly wind, but most likely falling water
  2. On the lake street bridge: a trail and some sort of disruption of the water. In my periphery, it always looked like something was there, but when I turned to use my central vision, nothing. Dead cones or faulty peripheral vision?
  3. The memorial plastic flowers leaning on the railing on the st. paul side are slowly falling apart
  4. The view down into the ravine by shadow falls is much clearer than before: a veil lifted. Looking down from the trail above, the gorge isn’t deep but wide and strangely shaped
  5. Also from the view above the ravine: the direction of the sun cast my shadow down in the ravine. As I ran above, she ran below next to the trickling water
  6. A small plaque on a random rock that I didn’t stop to read
  7. The tangy smell of decomposing leaves. Sometimes this smell is sweet, or almost too sweet, but today it was sharp and not quite salty — sour?
  8. At the last parking lot before reaching the ford bridge: an information sign with the history of the forming of the gorge. Some accounts claim the river warren arrived to carve the gorge starting 10,000 years, some 12,000 years, this sign: 13,000 years
  9. My aching toe! The toe box of my new shoe is rubbing against my big toe. It hurt whenever I ran downhill
  10. Crossing the ford bridge: small ripples on the very dark blue water caused by the wind, making a pattern I could see, a texture I could almost feel
  11. The stretch of the sky covered with a ripped veil of clouds

Thinking more about #5, my shadow down in the ravine. As I watched it below me, I thought about ghosts and shadows and faint traces of things not quite here. I imagined the shadow as a different version of me, having the chance to run below in the ravine. And I thought (again, because I’m sure I’ve thought this before) about these quick moments or flashes of something else — shadows, faint trails, breaks in the trees, a disembodied sound coming from somewhere un-locatable — as opportunities, possibilities, evidence of other ways of being or doing. Are these things real? That’s not the point. They’re suggestions or indications, other options.

Before I went out for my run, I skimmed through Mary Oliver’s The Leaf and the Cloud. I was trying to get myself primed for thinking about veils and lifting them. I settled on this bit at the end of a section titled, “Work”:

I will sing for the veil that never lifts.
I will sing for the veil that begins, once in a lifetime,
maybe, to lift.
I will sing for the rent in the veil.
I will sing for what is in front of the veil, the
floating light.
I will sing for what is behind the veil—
light, light, and more light.

This is the world, and this is the work of the world.

These are the lines that I read on the window of neighbor’s house that inspired to find this book and to devote a month to Mary Oliver.

Rent: to rend, or tear, split violently, break apart, wrest, pierce

One of the reasons I love late fall, after the leaves have fallen and before the snow comes, is because it is when I have the best view of the river, the gorge, the other side. The veil of leaves and excessive greenery has temporarily lifted. For a few years, I’ve been trying to understand why I like it so much, especially when it seems to be a time of sadness and loss and dread for so many other people. I think this lifting of the veil is a useful way for me to think about it: a better view, more space, a chance to breathe and stretch and connect with things usually hidden, covered, concealed. I like the idea of lifting much better than renting/rending. This lifting is not violent or destructive.

One (boring?) thing I’ve been noticing that I never see when the trees are choked with leaves: cars parked at parking lots on the other side of the river. Today I noticed a white car, glimmering in the sunlight, positioned amongst a line of bare tree trunks. Why do I find this interesting? Maybe because it helps to orient me in relation to the other side or because it’s evidence that more than trees are over there (usually a view of the other side seems the same: tree after tree after tree, and nothing else).

oct 30/RUNHIKE

run: 3 miles
hike: 2 miles
franklin loop + extra trails
56 degrees

Scott and I decided to run part of the franklin loop, and hike the rest of it on a few of the extra trails near it. We started by running north on the river road trail, crossing the lake street bridge, then continuing north on the st. paul side. We stopped to walk when we reached the steep road that descends to the paved trail that winds through the flats right beside the east shore of the river. When we reached franklin, we climbed the steps — so many steps! — and crossed the bridge. We stopped to read the plaque for the Winchell Trail then searched for the northern start of the Winchell Trail. We hiked the trail, even the part that extends below the railroad trestle — a first for me — all the way to lake street and the Minneapolis Rowing Club. Very cool!

We talked about all of the vision stuff I’ve been skimming for the past 2 days and the differences between peripheral and central vision. There Plant Eyes (Godin) + Brainscapes (Schwarzlose) + Downcast Eyes (Jay Martin) + The Mind’s Eye (Sacks). And we talked about what Scott has been reading on extroverts and introverts (Quiet, Cain). We talked about the relationship between the senses (like touch and sight), how we navigate using senses other than sight, and “Batman” and echolocation.

10+ Things I Noticed

  1. A downy woodpecker. Heard it’s tap tap tapping first. I wondered if it was a squirrel pounding on a nut, then I saw it at the top of a dead tree. The tapping was rhythmic and persistent, reminding me of morse code or an old-fashioned typewriter
  2. Loud thumping and knocking and slapping — steady and rhythmic — oars from a 8 person rowing shell*
  3. Paths, dirt and asphalt, covered in yellow leaves
  4. Cheering coming from a football game at St. Thomas
  5. The coxswain instructing the rowers
  6. A man and a woman walking in the east river flats. Overhead the man say, “We are experiencing a drought” or something like that
  7. Scooters passing us on the trail, calling out, “on your left”
  8. Dead leaves floating on the surface of the river. From high above on the Franklin bridge, they made a strange mottling pattern on the water
  9. Smell: strong sewer gas coming out of a cluster of vents near the rowing club
  10. Many limestone ledges, exposed. At one of these ledges, the drip drip dripping of water, slowly seeping down
  11. Countless trails leading down to the river, created by seeping/draining water
  12. The white sands beach, just off the winchell trail and far below the paved trail above, is steep and broad and has trash and recycling cans
  13. From the shore at white sands beach: seeing the remains of the long-defunct meeker dam, which you can only see when the water is low

*Although I have written many times over the years about hearing the rowers below on the river, I have NEVER heard the sound of their oars slapping the water or the boat until today. What I was hearing before were their voices. It is very cool to hear the loud, awkward, unromantic, almost clumsy sound they make.

one more thing, added on 31 oct: I just remembered a moment during the hike/run that I don’t want to forget. Walking through the part of Winchell Trail that is wider, between the white sands beach and the minneapolis rowing club, I mentioned to Scott how, when I was a kid growing up in north carolina and virginia, I loved exploring the woods and semi-wilderness that existed at the edges of the many sub-divisions I lived in. I liked walking on trails that had already been made, not wandering through the thick woods, making my own path. I think I said something like, “I wanted to go where someone had already been.” Not sure if that quite captures the appeal of the already traveled path? Whenever I see a break in the trees, and a dirt trail winding somewhere, I long to take it. Or, if I don’t want to take it, I at least enjoy thinking about where it might lead. The path, created by countless feet tamping down the earth, or water descending to the river, is an invitation to imagine other worlds. Maybe also, I like it because it’s evidence that I am not alone, that others have been where I am, wanting to go deeper. To follow the trail they’ve made through their haunting (frequenting), is to connect and contribute to the reinforcing of that invitation. Will this make sense to future Sara? Does it make sense to present Sara? Almost.

oct 25/RUN

5.3 miles
franklin loop
37 degrees
humidity: 87%

Breezier and cooler today but humid, so no cold, fresh air. Sunny. Possibly more leaves on the ground than on the trees. Wore my winter running tights, a bright yellow shirt, black vest, black gloves, a baseball cap that used to be black but is now a dingy gray, a bright pink headband, and a not bright orange and pink and cream buff. No stacked stones. No view through the floodplain forest of the water. No geese in the sky.

10 Things I Noticed (about the river)

  1. Shimmering white heat through the small gap in the trees
  2. Running over the Franklin bridge, the light reflecting on the water was hitting my peripheral vision just right, or just wrong — painfully, irritatingly bright
  3. The surface was a smooth, flat, unmoving blue (above on the franklin bridge)
  4. No rowers
  5. Shadows from the trees on the east side darkened the river at its edges
  6. Reflections of the golden trees on the west side brightened the water, coloring it yellow
  7. A circle of light on the water’s surface followed me as I ran south, mostly staying ahead of me, occasionally beside
  8. Most of the trees along the shore have changed colors, many yellows, a few reds, hardly any oranges
  9. Running above the paved trail below on the east side, I couldn’t see it or the water until I reached the trestle
  10. Looking ahead of me at the path, everything looked fuzzy, barely formed. Looking below me on the bridge, the river looked intense, sharp, clear, solid

As I ran, I thought about echoes and rings, circles and cycles, shadows as evidence of something else t/here. I also thought about how the tracing of a paved trail/loop can’t happen on the surface — unless it’s raining or snowing, the hard asphalt leaves no evidence of my footfalls. Instead the evidence is found in my memory, my familiarity with the path in my mind and body:

Familiarity has begun. One has made a relationship with the landscape, and the form and the symbol and the enactment of the relationship is the path. These paths of mind are seldom worn on the ground. They are habits of mind, directions and turns. They are as personal as old shoes. My feet are comfortable in them. 

“A Native Hill”/ Wendell Berry

Returning to the rings:

A Ring/ W.S. Merwin

At this moment and through every moment
this planet which for all we know

is the only one in the vault of darkness
with life on it is wound in a fine veil

of whispered voices groping the frayed waves
of absence they keep flying up like flares

out of hope entwined with its opposite
to wander in ignorance as we do

when we are looking for what we have lost
one moment touching the earth and the next

straying far out past the orbits and webs
and the static of knowledge they go on

without being able to tell whether
they are addressing the past or the future

or where they are ever heard these currents
that are the living talking to the dead

oct 17/RUN

3.6 miles
minnehaha falls and back
41 degrees
humidity: 87%

Another cooler, wonderful morning. Wore running tights + running shorts + bright yellow long-sleeved shirt + bright orange sweatshirt + buff. It was humid, so even with the cool air, I was sweating. Starting my run, heading into the sun, I could see the moisture in the air. Hovering. Ran south on the path and noticed the river burning through the trees. Such a cool sight. The falls were falling, not quite a gush, but more water than the last time I was here. Encountered a roller skier, a few bikes, lots of walkers, a runner or two, dogs. Watched the back end of a squirrel darting back into the bushes as I approached.

As I ran back north, after the falls, I tried looking up higher so that more of peripheral vision was seeing the path. Last night, watching the 4th Harry Potter movie, I started looking at it through my periphery and was amazed at how much more I could see. I aimed my eyes off the side of the television and the images weren’t sharp and clear, but I could see more of them. Colors were more intense too. Strange–and a strange way to watch a movie, looking off at the wall.

Ending my run, crossing over to the grass between the river road and edmund, I watched my shadow ahead of me and thought about shadows and ghosts and how my shadow sometimes leads me, sometimes follows. Then I thought about the dirt trail I was walking on and wondered how long it had been there. And I thought about how it was formed where it was and not somewhere else on the wide expanse of grass. How many feet (or wheels) were needed to establish this trail as the unofficial path to take when walking or running on this grass? I also briefly thought about the Oregon Trail and how, when we were visiting Scott’s Bluff in Nebraska, you could still see and walk that trail, over 150 years later. Earlier this morning, I had also thought about trails, imagining them as a collaborative poem that walkers/runners offer to the gorge with their feet.

At some point on the path, I also thought about Robert Frost’s classic path poem—maybe it was right after I recited his, “Nothing Gold Can Stay”?

The Road Not Taken/ Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

I found an essay about this poem that I’d like to spend more time with, maybe later today or tomorrow?:

You’re Probably Misreading Robert Frost’s Most Famous Poem

oct 12/RUN

4 miles
minnehaha falls and back
59 degrees
humidity: 78%

Overcast today. No sun. I like how this makes the colors — the reds, golds, greens — glow more. Almost peak color in the trees. When I started my run, I felt awkward, almost like my limbs were working against instead of with each other. By the time I reached the river it was fine. Ran south to the falls on the trail, which I’ve been trying to avoid, and it was crowded. 4 roller skiers, skiing 2 x 2 were causing all sorts of problems for bikers and me as I encountered the bikers. Made it to the falls, stopped to check out the statue of Minnehaha and Hiawatha. Hardly any water in the creek. Ran north, heading home. Took the Winchell Trail and admired the leaves — their intense colors and the fact that many of them had already fallen. My view is coming back!

10 Things I Noticed

  1. The slow approaching clicking and clacking of ski poles. Click clack click clack
  2. A squirrel emerging from the trees then darting back in as I neared
  3. The lights from a bike coming closer, a sharp contrast with the gray gloom
  4. The trickle of the sewer pipe near 42nd. Drip drip drip
  5. Many leaves on the ground. In some spots erasing the trail
  6. 2 spindly, bare branches poking out from behind a golden tree, reaching up to the sky
  7. A clicking or rattling noise coming from some animal, probably a squirrel. Sounding a little like the rattle of a rattlesnake
  8. The falls barely falling. Hardly any water
  9. Kids laughing, yelling, talking at playgrounds — Minnehaha Academy and Minnehaha Falls. More kids playing tag around the fountain and the benches with parts of “Song of Hiawatha” etched on them
  10. Winchell Trail in full color — a perfect fall scene (can this perfection last for more than a day?)

As I ran, I was thinking more about the act of haunting (frequenting) a place, returning to it and then about trails and how I might want to write more route/trail/loop poems that play with ideas of haunting. At the end of my run, I recorded some of my thoughts. Here’s a transcript:

I’m thinking about trails and frequenting and haunting. And then I was thinking as I was running over the leaves, how the trails are hidden, can’t see the cracks or the trail at all. But then, when the leaves are gone and the snow starts to fall, when it’s just barely flurrying and there’s just a dusting on the ground, it illuminates the trails. You can only see that when the leaves are off and it’s just a dusting of snow. Thinking about how I want to play with that as part of this tracing. And also thinking about the different ways I can see — the visible and not visible. When is it a matter of seeing and when is it a matter of feeling? And thinking about the type of seeing I can do with the peripheral, which detects movement and gives you a larger sense of the terrain. What does that mean for these well-worn trails and how I experience them?

Voice Memo Notes / 12 Oct 2021
after run notes / 12 oct 2021

Here’s my ghost/haunt poem for today:

Seven Types of Shadow – an extract / U A Fanthorpe 

Part iii

This is a country of ghosts. Down the eastern shore
Lie the drowned villages, drowned luggers, drowned sailors.

After a hot summer, fields grow talkative.
Wheat speaks in crop marks, grasses in parch marks.

Wheat or grass, what they tell is the truth
Of things that lay underneath five thousand years ago,

The forts, the barrows, the barns, the shrines, the walls.
These are the native ghosts. After a hot summer.

No haunting. No rattle of chains. They just lie there
In their rigid truthfulness, the ghosts of things.

Part iv

We carry our human ghosts around with us.
As we grow we face the mirrors, and see

The spectre of a great-aunt, a vague look
Known only from sepia snapshots. The hands we’re used to –

Yes, these – their contours came by way of a long retinue
Of dust. We are photofits of the past,

And the future eyes us sideways as we eye ourselves.
We are the ghosts of great-aunts and grand-nephews.

We are ghosts of what is dead and not yet born.

Part vi

Ghosts of past, present, future.
But the ones the living would like to meet are the echoes
Of moments of small dead joys still quick in the streets,

Voices calling I’ve passed / We won / QED /
It didn’t hurt much, Mum / They’ve given me the job /
I have decided to name this apple Bramley;

And the women convicts singing their Holloway march,
While Ethel Smyth conducts from her cell with a toothbrush.

Part vii

These are the ghosts the living would prefer,
Ghosts who’d improve our ratings. Ghosts
Of the great innocent songs of freedom
That shoulder their way round the world like humpback whales,

Ghosts of the singers, the dancers, the liberated,
Holding hands and cheering in parks, while the tanks
Squat immobilized. Ghosts of the women on the fish quay
Hugging each other when at last the boats come in.

Ghosts of the last night of the Proms. And ghosts of lovers,
Wandering round London, so happy that they could
Have danced danced danced all night.

Like this bit: “And the future eyes us sideways as we eye ourselves.
We are the ghosts of great-aunts and grand-nephews./ We are ghosts of what is dead and not yet born.” Love this way of messing with linear time. On a smaller scale, I think about this with past, present, and future Saras.

oct 9/RUN

4 miles
wabun park + turkey hollow
65 degrees
humidity: 86% / dewpoint: 61

A little too sticky, but what a beautiful morning for a run! Sunny, calm, quiet. Before running felt uneasy about something I couldn’t name; running helped. I’m thinking about ghosts and haunting the path (frequenting it, floating above it, flashing through it) and trying to find a way into my next big project — my annual fall project. Something about the periphery and the approximate as not quite (human, able to see or connect, in this world, real). I need a door, or at least a window — anything that might let me enter this project.

10 Things I Noticed

  1. The trail, covered in leaves, a lot of them red — not bright red, but faded, almost pink
  2. A processional of walkers, bikers, big groups of runners on the trail between 36th and 42nd
  3. A clanging collar on the other side of the boulevard, following me as I ran south
  4. Someone playing frisbee golf at Wabun, throwing a frisbee from the path. Were they playing or working, picking up frisbees others had left behind? Why were they throwing from the path? Why did it look — in my quick, unreliable, glance — that they had a golf bag?
  5. For over a year and a half, every time I run up 47th, as part of the turkey hollow loop, there is a dumpster parked on the street, in front of a house. It was still there today. Have they been remodeling their house for that long?
  6. The ford bridge, from the top of the hill at wabun, then from below, at the bottom of the path
  7. My shadow in the grass as I walked across turkey hollow
  8. The too white, newly redone road between 42nd and folwell, one side of it covered in leaves
  9. Feeling someone running at my same pace–me on edmund, them on the river road. Not wanting to look over to check too closely, trying not to race them
  10. The dirt trail between Becketwood and Minneahaha Academy Lower Campus, dry, covered with leaves, much more worn and well-traveled (haunted) than the barely there mostly tamped down grass, partly dirt path in front of Minnehaha Academy Upper Campus

Haunt/ Maya Phillips

Because there are so few hobbies left
to the dead, my father gives himself this:
his usual route, the Queens-bound F
to Continental, where he walks with the living
to work. Every day he finds a new occupation—
picks trash off the tracks, changes a dirty lightbulb,
makes rounds on the platforms,
tries to make some small use of his hands,
though no one notices
or acknowledges. Yet still he returns
every day, in his tan shirt and brown slacks
ironed with the impatience
of the perpetually late,
his keys jingling carelessly
in his left front pocket.

Twenty-plus years with the MTA
but some other guy’s got the job now,
someone younger, maybe someone
my father knows, standing in the operating booth
at the end of the platform, watching
the miniature trains on the board
carry lights through a digital New York.
And maybe the young man knows nothing
of the dead man, has no words
for a ghost who builds a home
of his absence. And if my father says haunt

he doesn’t mean the way rooms forget him
once he’s gone; he’s saying his leather chair
now in his coworker’s office, his locker
in the back room newly purged
of its clutter, or his usual table
in the break room where he sits
at 10:30 each night eating
the same steak club and chips, counting
the 10, 20, 30 more years till retirement,
cuz he’s close, he’s in the final stretch—any day
now and he’ll finally go on that vacation.

september 4/RUN

4.1 miles
marshall loop
63 degrees
humidity: 89%

Cooler, but I could feel the humidity. Felt strong. I think all of the swimming this summer strengthened my legs and core, which is very helpful. I’d like to figure out how to keep it up this fall and winter. Heard the rowers as I ran down the east river road, then saw them lined up in the water, receiving instruction from the coxswain. Heard lots of other voices in the gorge, near the Monument and Shadow Falls. People hiking? exploring? checking out the falls, which only appear after it rains (which it did the past few days)? Encountered lots of runners and walkers. No roller skiers. I’m sure there were birds but I don’t remembering hearing them. I do remember looking at the river as I crossed the bridge–mostly, the rowers, but also that the river was calm and a blue gray. Not quite sunny yet, so no sparkling water. Anything else? No deep thoughts stayed with me, no fragments from a poem. I’m sure I thought about my son who Scott and I dropped off at college yesterday. Very excited for him.

As I write this entry a few hours after the run, I’m remembering that I thought briefly about the idea of approximate and a passage I read last night from Blind Man’s Bluff, a memoir by James Tate Hill about becoming legally blind at 16, and trying to hide it.

I can still see out of the corners of my eyes, but here’s the thing about peripheral vision: The quality of what you see isn’t the same as you see head-on. Imagine a movie filmed with only extras, a meal cooked using nothing but herbs and a dash of salt, a sentence constructed only of metaphors. To see something in your peripheral vision with any acuity, it has to be quite large.

Blind Man’s Bluff/ James Tate Hill

I thought about this passage when I was running because I’m bothered by his negative depiction of peripheral vision. Is the quality of vision solely based on clarity and sharpness? What value/quality of vision might we get from our side views and from images that are something less than 100% clear?

I find it helpful to read others’ descriptions of how and what they see. Hill’s vision is much worse than mine–even though the cones in my central vision are almost completely gone, my acuity in both eyes is surprisingly good and nowhere near legally blind. It seems as if the last few cones are doing all the work. Yet, even with my not-too-bad-yet vision, I struggle to see things like faces and eyes, read signs. Here’s an example from yesterday at the buffet lunch at my son’s college orientation: The food was put out on platters–watermelon, deli meat, cheese, bread, pasta salad–and you helped yourself. With my vision, I couldn’t tell what some of the food was–I had to ask Scott. I just couldn’t see it well enough. This often happens now when I’m eating a meal. I can’t quite (almost, but not enough) see what’s on the plate. I used to write about how I can’t tell if there’s mold on food, but now I can’t tell what the food is–unless I’ve prepared it myself. Not that big of a deal, but still frustrating.

Here’s another passage from the memoir that I appreciated:

The most frequent compliment heard by people with a disability is I could never do what you do, but everyone knows how to adapt. When it’s cold outside, we put on a coat. When it rains, we grab an umbrella. A road ends, so we turn left, turn right, turn around. We adapt because it’s all we can do when we cannot change our situation.

The other thing that I’ve already started to hear a lot as I lose my vision is: “you’re so brave!” I am not brave; I am good at adapting and learning to live with uncertainty. I am proud of how I’m handling my vision loss, but not because I’m being brave.

Returning to the theme of approximate, I’ve been trying to collect words, phrases that describe it: roughly, vague, almost, not quite, rough estimation, about, nearly, in the right zip or area code, in the ballpark, and the one that Scott mentioned the other day:

close enough for jazz

Had I ever heard this before Scott used it? He picked up the phrase from his jazz director in college, Dr. Steve Wright. Such a great phrase, one that I don’t see as criticizing jazz as sloppy, but celebrating it for its generosity.

sept 1/BIKESWIMBIKE

bike: 8.5 miles
lake nokomis and back
71 degrees

A great day for a bike ride. I haven’t rode my bike since August 3rd (wow), and it took a few minutes for my brain to get used to it again. Much harder to see at the beginning. No panic. Pretty soon, it was a little easier. I’m hoping to bike more during September and October before it gets too cold and I have to bring the bike inside to the basement. I never know if this will be the last season I can see well enough to bike.

swim: 2 miles / 10 loops
main beach
73 degrees

Windier and choppier today. Still a wonderful swim. Sunny, sparkling water, some sailboats, blue sky, fuzzy green trees. The first loop was harder than the rest. Difficult to get into a rhythm. Once I did, I was able to stop thinking about sighting or stroking and let my mind wander.

An idea occurred to me: when I think about how much I love swimming in the lake, it’s rarely (if ever) about being fully and completely immersed, deep under the water. It’s about being just below the surface, or at the surface but under the water, with an occasional raising of my eyes to see the air or a boat or the world beyond the water. I was thinking about this partly because I’ve become increasingly interested in surfaces and depths (sinking and floating), but mostly because I’m editing a poem I wrote a few years ago titled, “submerged.” Here’s my latest version of it:

submerged

Every 5 strokes a breath
twist left lift up mouth opens
twist right lift up air enters
quick intake above then
5 full beats below this
exhale a chance to dream
a little longer a
way to forget one thing
remember something else
a thought: could above be
the dream below what’s real?
Are hard surfaces the
Illusion fluid edges
the truth? Is belief in
a separate self false? Yes.
My body is not mine
but ours together — fish
water swimmers — all lake
all longing to stay submerged
5 strokes at a time I
am not I but we joined
freed from gravity’s pull
hungry lungs’ demands. Home.

After I finished my swim and was sitting on the sand, I recorded a voice memo with some thoughts:


after swim sept 1

According to the dictionary, submerged means under water–not necessarily deep under water or at the bottom, just fully under water. I want to think more about this word and if it is the right title for my poem. Do I want to be submerged, or something else?

Today is the first day of September. Time for a new theme. Approximate. I wrote about it on August 20:

not quite knowing or roughly/approximately knowing. Not exactly but mostly, almost but never completely. Part of the picture, but never the whole thing. I’ve been writing a lot about bewilderment and unknowingness. This not quite knowing is not bewilderment but something else. Not wild, not lost, but not found either. 

Here’s today poem on the theme:

Approximate Poem/ Paul Hall (1977)

The things that I habitually say
are obvious. Why repeat them? Besides,
they are never what I meant to say.
The things that I want to say are like the book
next to the book that you took from the library
shelf. Now you’re disappointed, aren’t you. Now you’re
dozing with that book sunk into your chest
like a gravemarker, and from now on, that book
keeps your place in death, wherever it is.
But that has nothing to do with what I
want say in this poem. And even if
you had picked the right book, what I would like to say
would be beneath your thumb as you turn the page,
(In the margin, actually, and would
that make me a marginal type? marginally
human?) What I want to say is always
peripheral. What I really have to say
limps. What I want to say causes people
to dial our number by mistake. Your
abruptness with them gags me. The man
across the street is idly swinging
a golf club. What I would really like to say
is disintegrating from wind divots.
What I’d like to say loses traction
along my larynx and comes out “uh.”

However, clearing my throat accordions
what I intend to say into an
unintelligible grunt. An important
oration that I had in mind was
sky written in sparrow farts. I suppose
you missed it. I have a sore throat. It is
the pass over of intended statements.
My dentist says that I eat too much sugar.
I say that my cavities are the
terrorist bombings of a frustrated
authority. Consequently, important
clues to what I have always wanted to say
are buried under my fillings. Much of
what I’d still like to say gets in the way
of breathing. I had to quit smoking. What I
meant to say was escaping under
a smoke screen. What I would like to say is
every word that you have ever regretted
saying. So the next time you think you’re about
to make a fool of yourself, don’t stop.
Say it. You can always defend yourself
by saying that you didn’t mean to say
that. You can even blame it on me.
And I will know what I had in mind
and everybody will be satisfied.
That is to say. . .