june 10/RUN

3.6 miles
marshall loop
70 degrees

Another run with sore legs. I ran all the way up the marshall hill without stopping to walk. Didn’t stop to walk until I got back to the bridge. Then I put in a playlist.

10 Things I Noticed

  1. 2 tiny dogs in a fenced-in yard a few blocks from my house barking tiny, yippy, delightful barks
  2. waveless water — no ripples or sparkles, flat and blue
  3. heading east: no rowers
  4. returning west: at least one rowing shell, far off to the south
  5. equal numbers of runners, bikers, and walkers (last week it was mostly bikers)
  6. the soft trickling of water at shadow falls
  7. voices below in the gorge, voices behind slowly approaching
  8. rounding a corner near minnehaha academy: a refreshing sprinkler/mister!
  9. at the top of the hill, near summit, a graduation party already in full swing at 8:45 am
  10. lots of birds making noise — can’t remember any one bird, just birds

No roller skiers or radios. No brightly colored running shirts (but several runners without a shirt). No honking geese or drumming woodpeckers or floating cottonwood fuzz or gnats.

Yesterday I forgot to mention that I saw someone on a unicycle! At first I thought the biker was just really tall. Nope, he was on a unicycle. Nice.

wordle challenge

5 tries — mouth/ready/blank/gnaws/again

empty, again

your mouth may be
ready but your mind
is blank. A hunger
for words gnaws at your throat.


june 7/RUN

4.3 miles
minnehaha falls and back
68 degrees

A few degrees cooler this morning, but still warm.

I’m listening to a very (too?) long audio book right now and I’m trying to finish it before it’s due back at the library in 7 days — The Covenant of Water, 31 hours. I decided to listen to it for the first half of my run. Sometimes I like listening to audio books while I run, not so much today. My mind kept wandering and I had trouble paying attention to the story. Plus, because I had headphones on, I felt disconnected from the gorge and the trail.

Even in my distracted state I still managed to notice a few things:

10 Things I Noticed

  1. Mr. Walker Sitter was perched on his walker just above 42nd street ravine
  2. the falls roaring gushing rushing down the limestone
  3. more bikers than walkers or runners on the trail
  4. the surreys lined up, ready to take over the trails
  5. an older woman, biking, calling back to some other bikers, did I miss the turn-off? Oh, here it is!
  6. a sprinkler watering the flowers near the fountain which no longer works and the low limestone wall with “Song of Hiawatha” etched on its top
  7. the dirt trail leading into the small wood on the hill up to ford parkway, looking both inviting and buggy
  8. approaching a guy who had been running when I saw him far ahead of me, but now was walking. Right before I reached him, he started running again
  9. a big black something on the ground — an oversized glove? a hat? a knee brace? I couldn’t tell
  10. most of the dirt on the trail between edmund and the river road was tightly packed, but a few stretches where loose and sandy

Wordle Challenge

5 tries: tough/wheat/haste/hated/hater

Nap-Hater

Middle-aged, it’s tough to watch
wheat gently waving in the wind
without haste and not want to slow down yourself
but as a kid I hated anything slow —
snails, sermons, that quiet time right after lunch
when you were supposed to be still on your cot.
Wedged between other writhing bodies
all of us desperate to be done with this dark room
we felt the dripping of each second
and despised it.

Today’s Water: Water Sign :: Cancer

In comes and goes in waves, but today I’m not worried that I have cancer. This irrational and rational fear took hold of me a few years ago and it’s been hard to shake, especially as I witness family and friends struggle with and die from it. Yesterday I read about a friend’s ovarian cancer and the terrible life-extending drugs she has to keep taking post-chemo to prevent the cancer from coming back. They cost $24,000 a month. Her insurance covers it, but what if it didn’t? What would she do? Would my shitty insurance cover these costs, if I had cancer?

Ode to Money, or Patient Appealing Health Insurance for Denial of Coverage/ Katie Farris

I don’t know what money is. Moss? The mink’s crescent
teeth? Or maybe money is
the morning I woke
at dawn to wander
past the orange
blossoms, a smell with four
dimensions, touching me through
time. Is that

                    currency? 

My uncle, Christopher Marlowe,
mad, drank the visions until he died.
You bury
treasure.

To determine a family’s net
value, make a list of assets, then subtract
liabilities. Asset: Geraldine Fox’s 1948 degree in
chemistry. Liability: William Marlowe’s propensity
for hurting his daughter. Am I doing this right? Is this

       the gold standard? 

Asset: seeing light that isn’t there,
like a ship passing through the narrow harbors
of my eyes, scraping—
is burying treasure a cash
transaction?

I once buried a half-
decayed skunk I fished from my Uncle Christopher’s
garbage can, covered in bees. X marks the spot.

In sum: perhaps the moon’s an insurance adjuster.

America’s optimistic to dye its money
green. Leaves are green
because of chlorophyll, which is the machine
that turns sunlight, water, and carbon dioxide into leaf, stem, and root. All
the little blades of grass left behind by the lawn mower like Civil
War soldiers. Same as cash.

                      A heavy-bodied moth

caught between glass and screen casts its shadow down
into the palm of my hand: one dark coin.

I’ve been thinking about buying and reading Katie Farris’s collection about her breast cancer, Standing in the Forest of Being Alive, even before it came out in April. Maybe I should get it and read it this summer?

june 5/RUN

3.1 miles
2 trails
79 degrees
dew point: 62

Hot, thick, very poor air quality. There’s a warning about the bad air until midnight: “fine particle pollution” from wild fires in Quebec. I don’t think it really bothered me as I ran.

I ran south on the dirt trail in the grass between edmund and the river road, crossed over to the trail, then headed down to the southern entrance of the Winchell Trail. Ran north until 38th, took the steps up, returned to trail past the ravine, through the tunnel of trees, then crossed over the edmund at 33rd.

Listened to cars whooshing by, kids heading to school, water sprinkling out of the sewer pipe for the first 2 miles. Listened to a Bruno Mars playlist for the last mile.

Before the run, I was thinking about water and The Odyssey — I was reading it all weekend — and how much Odysseus and his men ache for home. And I was imagining how restless they’ll be if and when they get home and stay for too long. Restlessness and staying reminded me of a few things:

Mary Oliver’s restless water and her satisfied stones in The Leaf and the Cloud:

It is the nature of stone
to be satisfied.
It is the nature of water
to want to be somewhere else.

Faith Shearin and the ones who stay, including Penelope:

Odysseus spent years trying to come home
but Penelope never left. He was seduced

by women with islands and sung to by sirens;
he held the wind in a bottle. But Penelope
slept differently in the same bed, weaving

and unweaving the daily details while men
she did not love gathered in her kitchen.
Her face grew thinner, her son grew taller.

And my own thoughts and words about restlessness in the wordle experiment for today:

details: 5 tries, trend/plane/neigh/skein/ENNUI, 2 poems

Ennui
The latest trend
among those trapped in a post-pandemic plane
is to neigh with horsey impatience
softly scream into a skein of restlessness

The Horse Girls
trending:
on the plane between child and young adult
wild neigh and reserved whinny
they skein obsessions
out of their edgy ennui OR out of their ennui

So, I started the run with all of these thoughts still lingering. Within a mile, I started thinking more about restlessness and water. At the end of the run, I pulled out my smart phone and recorded some of those thoughts:

june 5, 2023

transcript: June 5. Just finished my 2 trails run, a 5K. Today I was thinking about restlessness and water and the idea that usually water is restless, constantly moving. But today, in this thick humid morning with haze and poor air quality, it is everything else that is restless, and the water that refuses to move. The river stills. The sweat hovers on my chin, refusing to fall, to bring relief. We are restless: the cars, impatient, as they move past me on the road. Even my legs, as I try to run down hills, refuse to move with any speed. Contrast between the restless and the still.

I remember looking at the river and seeing haze. The only water that was moving at all was the water steadily dripping out of the sewer pipe.

Another thing I just remembered from before my run: I briefly thought about a vision poem I encountered last week and have wanted to post here. Today’s the day!

Motion/ Jessica Goodfellow

Because my husband is going slowly
blind, the lights in our house have motion
sensors. As I walk through the rooms
I am the star of the show, lit one-by-one by
spotlights as I go. Desiring the dark,
I must sit motionless. One itch, one twitch,
and up come the houselights, rendering
me suddenly—again—audience of me.

Tonight we are sitting in the dark
beside the Christmas tree. Its strands
of blinking lights remind my husband
of his childhood, when he could see.
I find it funny they don’t remind him of
the blinking lights that ring the edges of
his eye field, proof of his rods and cones
one-by-one dying. Not ha-ha funny, the other kind.

There are things ha-ha funny about going
blind though. Like that time he walked
wearing a three-piece wool suit into the deep
end of a swimming pool in a hotel in Italy.
I wasn’t there—he told me later.
I was at home, turning lights on and off
through only my anxious pacing.

Sitting by the Christmas tree, I squeeze
my husband’s hand—squeeze and release,
squeeze and release—my hand blinking
in his. It’s such a tiny motion the sensors
don’t detect it. Someday my husband will
sit in the dark and wave his arms wildly
and still be in the dark. One-by-one every-
thing happens, every disappearance appears.

june 3/RUN

3.75 miles
marshall loop
70 degrees
humidity: 78%

Hot and sticky. Sprinklers everywhere. Ran through one just before I reached the lake street bridge. Crossing, I glanced down at the rowers on the river. Rowers! I couldn’t hear them, and I could barely see them over the bridge railing, but they were there. Was it a nice day to row, or too hot and windless? The trails were crowded with groups of runners taking over the paths.

Listened to the sprinklers, water falling over the limestone at Shadow Falls, birds for the first 2/3 of the run. Put in my headphones as I walked up the steps of the lake street bridge and listened to Billie Eilish and Dolly Parton and Elton John as I ran (with a few walk breaks) home.

Now, after the run, I’m wiped and can’t think of much to write about the run or water or anything, really.

Just one more thing. Before I ran, I read through this Carl Phillips poem — not a slow, close reading, but a quick one. As I ran, I occasionally thought about rivers and what kind of subjects/selves they are and how loving them is different than loving lakes (which is something I focused on 2 years ago).

Sunlight in Fog/ Carl Phillips

Maybe what a river loves most

about the banks that hold it—that appear to hold it—

is their willingness or resignation to being

      mere context for the river’s progress

or retreat, depending. And maybe how the cattails

and reeds flourish there means they prefer

      a river-love—how the river, running always away

the way rivers tend to, stands as proof that reliability

doesn’t have to mean steadfast, how the river

itself would say so, if a river could say…I’ve forgotten

entirely what it felt like to enter his body

      or to be entered by his. But not how he’d spend

long afternoons—as if to look away had become

impossible—just watching his face get routinely

      blurred by the river’s motion, like an

inside-out version, psychologically, of a painting

where the model sleeps beneath a portrait

      of himself not sleeping, if that makes

any sense…Not, I mean, that he wasn’t capable

of love, but that—like history already mistaking itself

      for myth again—he loved a river.

june 2/RUN

6 miles
bottom franklin hill and back
76 degrees / dew point: 64

Hot! I much prefer running in the cold to running in the heat. Still, today is my 12 year anniversary — my runniversary — and I had to get out there to celebrate it. 12 years ago today I went out for my first couch to 5K run.

Was able to say good morning to Mr. Morning! Noticed the river. Higher above, it burned white through the trees. Down below in the flats, it looked stagnant and brown and not refreshing at all. Heard some birds and a woman saying to her friend, during times of war they…, as I ran past. Smiled and waved at many walkers and runners. Thought I heard the rowers but I was wrong. Wondered if the roller skier I passed as I ran down the hill and she skated up it was using poles — I couldn’t tell because we were both moving too fast. Watched the red flash flash flash of a bike’s back light disappear into the distance. Felt the sweat dripping and trickling and seeping out of my skin.

Listened to the birds and the cars as I ran north. Recorded some thoughts into my phone as I walked up the hill. Put in a playlist — bday 2018 — as I ran back south.

Be Water My Friend

It’s the beginning of the month; time for a new challenge. For June 2023, more on water. I’d like to read Alice Oswald’s Nobody, but I need to read The Odyssey first. I started yesterday. I love Emily Wilson’s recent translation. Very fun. Anyway, I’ll finish The Odyssey, then read Oswald’s take on it in Nobody. At the same time, I’m thinking of reviewing some water poems I’ve already collected — maybe memorizing a few, then using them for inspiration. Maybe I’ll even do another cento? Today I started with Oswald’s Evaporations, partly because it came up as a poem I posted on june 2, 2021. I also watched a clip of Bruce Lee’s Be Water My Friend.

Empty your mind. Be
formless shapeless like
water now you
put water into a cup
it becomes the cup
you put water into a bottle
it becomes the bottle
you put it into a tea pot
it becomes the tea pot
now water can flow or
it can craaaaasshh
be water my friend

before the run

As I ran I hoped to think about water subjectivities and what it is to be water . I think this was also inspired by a quote from Oswald that I re-read yesterday:

I sometimes wonder whether I’m a very keen swimmer, and whether for me, poetry is equivalent to swimming. I’ve often noticed when I swim, the strangeness of the way the body literally turns into a fish, but the head remains human and rather cold, and looking around at this strange flat reflective surface. I’m often very piercingly aware of the difference between my head and my body when I’m swimming because I’m not necessarily someone who goes underwater, I love swimming along the surface of rivers. Perhaps, my poems do feel a need to convey that continued separation of the head remaining human and the body becoming animal, or plant, or mineral, or whatever it can be. In some way, I suppose I’m trying to find rhythms that will heal that divide.

*

I think that’s exactly it, that we seem to exist as bodies and minds. That’s always slightly troubled me that I can’t quite make them be the same thing. I always have two narratives going on and it’s extraordinary the way the mind is floating around seemingly quite untethered and yet the body has all these laws like gravity, and limit, and size, and hunger, that it’s obeying. How those two interact and how they come to define what it is to be human is again—I’m wary of using the verb think because I don’t think poetry is necessarily about thinking—but it gets hold of questions, and reveals them as questions, and then reveals what’s underneath them, and then what’s underneath that. I suppose each book tries to peel away a layer of that problem and present it again.

Between the Covers interview with Alice Oswald

during the run

Halfway through the run, I stopped to record my thoughts by speaking into my smart phone: Almost 3.5 miles in, just walking back up the franklin hill on a super hot, humid day. Before I started running, I was thinking about water and I read and then listened to Alice Oswald’s “Evaporations” and Bruce Lee’s “Be Water My Friend.” So I was thinking about how there’s a line in the Alice Oswald about how water prefers to be disorderly and slapdash —

 I notice
The Water doesn’t like it so orderly
What Water admires
Is the slapstick rush of things melting

I was thinking of this dog bark I heard across the road on Seabury and my thought was that this bark was slapdash. Then I was thinking of Bruce Lee’s “Be Water” and how I feel even more like water right now because I’m not just damp, I’m dripping sweat in this humidity. And I’m not sure why this happened but I started to think about — oh, I was thinking about how I had locked into this rhythm and I could really feel it in my glutes, which is great because I think that’s what you ideally want, and I was feeling that I was in a steady rhythm, not really thinking, more animal, and then I thought about how it feels more like a machine to me (than an animal). Then I was thinking about how when machines are being designed/engineered, they look to the bio-mechanics of various animals. Machines are really animals with a very strict routine. Animals and machines and Donna Haraway and cyborgs — the idea of us being both machines and animals. What part of us is the I, the animal, the machine, the — ?

[a few minutes later] I almost forgot, when I turned around at the 3 mile point and went on the lower trail right by the river, the river looked very still and un-refreshing. I looked at it, and because it was so still, the clouds were reflected in it, and I thought about Huidobro’s line, 8 glances to turn the sea into sky. I thought what I was doing was turning the river into sky….And now I’m thinking about these different subjectivities we inhabit — the I, the animal, the machine — when you recognize that you’re all of those things, that doesn’t mean you are free from subjectivity and your specific historical, material location; it just means that you’ve eliminated division, you’re immersed in the water where it’s all together. It all is entangled — a better word? [thinking of Ross Gay here]

after my run

A lot of thoughts on water and subjectivity and the I/animal/machine are reoccurring ideas that I’ve been writing about/wrestling with for years. I think it was last year that I started to imagine myself as less of a fish in the water, more of a boat. What does it look like, how might it feel to be all of these things — water, boat, fish, human/brain?

note: I added the second part of Evaporations to my list of poems to memorize.

A few days ago, I found some summer heat poems on the NYTimes Book Review. I thought I saved the link, but now I can’t find it. My favorite was this one:

Summer Studies/ Tony Hoagland

When Ellen told Mary about the secret lake
she swore her to silence

but Mary invited Jerome
who couldn’t even swim and Luanne

came with him and it was funny that summer
the way that scarce resources

collided with the whole system
of who was cool, or not

the old rule being that who was cool
would get to stay that way

by jumping into the lake
and who was not would have to stay

hot and dirty
by simple omission of information.

But that dry summer the rumors spread:
someone was giving out maps, someone

was giving tutorials in every twist and
bobby-pin turn

you had to take in the red dirt road
that got you there.

When you got near you could hear
through the trees

splashes and cries of people who
might not even be friends.

And the clear water, like the social milieu that summer
was quite frankly stirred up, confused

thanks to the leaky lips, Ellen said,
of certain persons

who would let anyone in.

may 30/RUN

5 miles
franklin hill turn around
65 degrees
humidity: 76%

When I woke up this morning, I could smell the rain. Waited until it stopped, around 8 am, to go out for my run. Already hotting up, humid, bright sun. But a cool breeze that felt like air conditioning when it hit my sweaty skin. Ran north through the Welcoming Oaks, past the ancient boulder — no stacked stones, instead a woman standing nearby dressed in the same color combo as me, black on bottom and orange on top. I remember running above the old stone steps, but have absolutely no memory of running on the double bridge. I spent a minute trying to remember anything but couldn’t. I do remember running below the lake street bridge and noticing someone sleeping behind a post. Caught a brief glance of the river, almost sparkling, between the trees but forgot to look at it when I had a clearer and closer view at the bottom of the hill. Heard a drumming woodpecker, saw the brightest, glowiest outfit I’ve seen in a while: pink pants and a red jacket. As I ran by, I could feel the pink yelling excitedly at me, PINK!!!!

Listened to the cars whooshing by as I ran north, then put in “Dear Evan Hansen” as I ran back south.

No bugs, no roller skiers, no chill beats booming out of a scooter’s stereo (heard that yesterday on my walk with Scott and Delia). I did see a scooter zoom by. I think they were on the road, pretending to be a car. No eagles, no squirrels, no big groups of walkers or runners. No rowers, no honking geese. And, hardly any yellow.

Before my run, I found a poem, “Butter,” that made me want to focus on yellow as I ran. I kept returning to the task — look for yellow — but all I could see was blue, green, gray. The only yellow I remember was: the dotted lines on the bike path and the neon crosswalk sign. No yellow shirts or yellow bikes or yellow shorts or yellow cars. No yellow thoughts or yellow voices or yellow light or yellow smells.

The butter poem is the poem of the day on Poetry Foundation. As I read it, I thought about my past love of butter and the story, often told about me, that I liked to melt butter in the microwave and eat it like soup. How many times did I actually do that? It also makes me think of my quote from Audre Lorde about the yellow pellet put in the white butter that spreads, adding the Yes! to our no lives. And it makes me think about Mary Ruefle and her yellow happiness.

Thinking about butter, here are a few images that immediately pop into my head from my childhood:

How uncomfortably scratchy and ticklish my throat felt after drinking the butter soup. Even now 40 years later when I eat butter, I sometimes feel a phantom scratch. Yuck!

Our old popcorn machine had a small metal tray that you put butter in then shoved in a slot so it could melt while the corn popped. I remember pouring the liquid butter over the popcorn, always drenching a few kernels until they were soggy. Even more than using it to melt butter, I remember using the little metal tray to try and catch snowflakes with my sister Marji on a rare snow day in North Carolina.

another butter story about me which I have the thinnest. vaguest memory of: at some restaurants, they would put scoops/balls of butter in a dish on the table. Apparently I ate it like ice cream, either because I thought it was ice cream, or because I liked butter that much.

Butter/ Elizabeth Alexander

My mother loves butter more than I do,
more than anyone. She pulls chunks off
the stick and eats it plain, explaining
cream spun around into butter! Growing up
we ate turkey cutlets sauteed in lemon
and butter, butter and cheese on green noodles,
butter melting in small pools in the hearts
of Yorkshire puddings, butter better
than gravy staining white rice yellow,
butter glazing corn in slipping squares,
butter the lava in white volcanoes
of hominy grits, butter softening
in a white bowl to be creamed with white
sugar, butter disappearing into
whipped sweet potatoes, with pineapple,
butter melted and curdy to pour
over pancakes, butter licked off the plate
with warm Alaga syrup. When I picture
the good old days I am grinning greasy
with my brother, having watched the tiger
chase his tail and turn to butter. We are
Mumbo and Jumbo’s children despite
historical revision, despite
our parent’s efforts, glowing from the inside
out, one hundred megawatts of butter.

Had to look up “tiger Mumbo Jumbo” to find the reference: the story of Little Black Sambo. When we lived in North Carolina, we would often eat at Sambos for breakfast.

may 27/RUN

4.5 miles
marshall loop (cleveland)
69 degrees

Another wonderful morning! Maybe a little too warm and sunny for me. I started my run late — almost 10:00 am. Ran through the neighborhood to the lake street bridge. Rowers! 2 or 3 shells with 8 rowers each. I don’t remember what color the water was — probably blue? — but I noticed a few little waves. I hit the lights right and ran all the way up the Marshall hill to Cleveland without stopping. Didn’t stop until I reached the river road a mile later. Walked for a minute and recorded some thoughts about black and darkness into my phone.

Mostly felt strong, but my legs were sore and tired for the last mile. I think I should get my iron levels checked again. Anything else? Didn’t hear the bells at St. Thomas, but heard the roar of a bunch of motorcycles. Encountered 2 kids in a little motorized car on the sidewalk; they were good drivers, giving me lots of space to pass them. I don’t remember hearing birds — I must have? — or seeing roller skiers. Noticed my shadow, sharp and strong next to me at one point.

For the first 3 miles I listened to my breathing or my feet hitting the asphalt or motorcycles. For the last mile and a half, a playlist: “Back in Black,” “Upside Down,” and “I’ll Be There.”

Mary Ruefle and Black Sadness

from My Private Property/ Mary Ruefle

Black sadness is the ashling, its remains are scattered over
several provinces, it is the sadness of takes and hypen-
ated names, of clouds who think they are grapes, it is the
sadness of brooches, which may be worn on the breast or
at the neck but how sad none see the sadness of detail
there, the woman playing a guitar without strings, the
hare leaping from the fox in vain, it is sadness torn and
sadness rent, it is the hold in sadness from which no words
escape and no soul can spring, it is the calorific sadness
of bombs. Many of us used to own a black velvet skirt. It
is like Angie Moss on her way to the fair, it is there she
will have first adventure.

before the run

Today I will do the Marshall loop which goes by Black, the coffee and waffle place, and I will think about black and the dark and things that don’t echo but absorb, swallow, consume. I’d like to think about the comfort of black/the dark — the shade — in face of too much white/light.

during the run

I did it! I ran past Black and thought about black and darkness a lot. Some of the thoughts are gone, but some managed to stay.

10 Black/Dark Thoughts or Ideas or Images

  1. no Black smells — that is, I don’t recall smelling coffee or the wonderful smells-better-than-it-tastes waffle smell from the coffee and waffle bar
  2. today, with the bright, warm sun, I wanted the cooling darkness of shadows. My run was always felt better out of the bright light. Half the run was in shadows, half in bright light
  3. so many pleasing shadows! Mine, sprawling trees, lamp posts, buildings
  4. I didn’t hear the St. Thomas bells and, as I was nearing campus, I wondered if it was because something — the wind? — was absorbing their sound. Black bells ringing with a black, echo-less sound?
  5. the dark/black mystery of deep trails down into the gorge
  6. I saw a few waves on the river, but no sparkles. Thought about Homer’s wine dark and the idea of water as deep and dark and endless
  7. my running shorts are at least 10 years old and were, at one time, black. Now, faded by the sun, they’re still black but barely, almost a very dark gray
  8. running down the summit hill to the river road trail, thought about light as knowledge, liberated from Plato’s dark cave of shadows, then the dark womb and women’s ways of knowing and how light (and scrutiny and classifying — dissecting) are masculine, patriarchal and privileged over other ways of knowing, which are often read as feminine and less than, or to be overcome
  9. if light = certainty (but does it?) and knowing for sure, what happens when we are finally certain? What ends when the darkness is over?
  10. thought about the idea of black hearts and then what a literal black heart might look like or why someone might have it and then wondered if a literal white heart might not be just as disturbing*

*looking up black heart, I found this interesting discussion of its recent usage:

In the late 20th century, many black scholars, writers, artists, activists, and everyday people began variously using black heart to express pride in and love of their black identity and experience, reclaiming the long, historical racism against blackness. On social media, they may use the black heart emoji, released in 2016, for emphasis.

black heart Meaning & Origin

Much of my thinking about black and darkness during the run was from the perspective of understanding black and dark as good, or not the bad/evil to white’s/light’s good. When I stopped to walk 2.5 miles in, I recorded some of my thoughts:

Thinking about black and dark and how important that (dark) is to poets and to mystery. There’s a difference between pure black that absorbs everything and a dark gray so I’m kind of conflating those, but it’s the idea of dark as essential and how light can be too bright. The idea of certainty, where you can see everything in its sharp lines and finally know it, is a conclusion, an ending to the mystery. To life. So, that’s not to say that light and certainty aren’t important but they are not the good to dark’s bad.

I think these ideas made more sense in my head. I should say that much of my thinking about black and dark was particularly inspired by a quote I encountered yesterday about hope being a language that dark voices cannot understand — it was the title of a student’s musical composition at FWA’s concert. When I first heard the quote, I was bothered by the idea of dark voices, which could (and has — I’ve taken entire grad classes on it) be connected to actual dark voices, that is, the voices of Black people, so it literally means we don’t need the dark voices of Black people. I also thought about how light gets connected with seeing, which then becomes the dominant way to access truth. So, if you can’t see well — you’re blind, or going blind like me — it’s understood that there’s something wrong with you.

note: I feel like I have too much to say about all of this, which is causing me to struggle to say anything coherent. Maybe I’m not ready to express it yet?

Anyway, all of that was happening in my head as I ran. None if it stayed too long, only flaring then flying away. One of the last thoughts I remember having was, dark voices absolutely understand the language of hope and they are my primary resources for finding and holding onto it! This thought is true for me literally and figuratively. In both my master’s thesis and dissertation, I studied the deeply rich and messy and complicated tragic hope of critical race theorists (especially Cornell West) and black feminists and womanists (Audre Lorde, Patricia Hill Collins, Alice Walker). And now, ever since 2016, I’ve been looking to poetry and poets, for their safeguarding of bewilderment and mystery and their understandings of hope that come from a sharing of joy that is both grief and delight.

after the run

At the end of the run, and now almost 2 hours after it, I’ve arrived here, thinking that not only is the belief that darkness is bad or that there’s no room for dark voices in the light of hope is problematic, it is ridiculous. How can you have hope without grappling with the dark thoughts of mystery, uncertainty, unknowingness? And how can you have a hope that’s strong enough to help us build better futures for everyone if dark voices aren’t at the center of it?

Wow, this topic really got me going! In the past, I might have taken all of this out, but I’ll keep it for future Sara.

One more random note about black. Ruefle’s idea of black sadness as the hold from which no words can spring, no soul can escape,” reminded me of a favorite line from Rainer Maria Rilke’s “Black Cat“:

A ghost, though invisible, still is like a place
your sight can knock on, echoing; but here
within this thick black pelt, your strongest gaze
will be absorbed and utterly disappear:

may 19/RUN

4.75 miles
veterans’ home loop
50 degrees

Wore my orange sweatshirt today. Partly cloudy, cooler, some wind. My legs felt like logs until I warmed up, about a mile into the run. Listened to some blue jays screeching, kids laughing, old guys talking. Forgot to look at the river or listen for the falls. Avoided a BIG school group above the falls — 4 or 5 full-sized school buses in the parking lot. Didn’t stop to walk up the small hill at the veterans’ home. Kept running until I reached 4 miles then walked while I put in my headphones. I listened to Lizzo for the last minutes of the run — Hi motherfuckers, did you miss me? I’ve been home since 2020. I’ve been twerkin’ and making smoothies. It’s called healing and I feel better. I love Lizzo.

Mary Ruefle and the madness of wasting time

continuing my discussion of her lecture, “Madness, Rack, and Honey.”

before the run

A few of the poets/writers Ruefle cites talk about nothing — the Great Nothing (Tess Gallagher), doing nothing (Gertrude Stein). I’m thinking about Auden and Ross Gay and the idea of making nothing happen, which I recently wrote about on march 29, 2023.

during the run

Every so often during the run, I thought about nothing and being useless — at least if usefulness is measured by capitalism and its values. At one point I thought about my running and writing practice — how much time I’ve put into it, or how much time I’ve wasted on it. Here I’m thinking about wasting time as something a poet (or someone who writes poetry) needs, desires.

after the run

I’m revising a few of my mood ring poems in order to submit all of them for a chapbook contest, so I don’t ave a lot of time to spend on reading Ruefle. For now, here’s a little bit on madness:

madness

The madness of poetry is that it creates sweetness, so that the flies might come and eat till it is gone. “To endlessly make an end of things,” says Paul Celan in a poem, and that’s it, inexplicably and exactly. ”

*

If the flies keep feasting, the honey will be gone. Then the flies will go away. And there will be nothing sweet. The poet has to either begin again–poor Creature!–or write a poem that goes on forever, and what a torment that would be! Even the long poem ends.

140

may 17/RUN

6 miles
annie young meadow and back
55 degrees

The perfect temperature for a spring run. The light looked strange. Filtered through trees, clouds, haze? it looked almost pink or light orangish-pink. I liked it. Everything, everywhere thick with green.

note, 19 may, 2023: talked with Scott and RJP about the strange light, which has continued: forest fires

I greeted the Welcoming Oaks and good morninged Mr. Morning! and another regular — did I ever name him? Maybe it was Mr. Holiday?

I chanted in triple berries to keep a steady rhythm — strawberry blueberry raspberry — and tried to stop thinking or noticing anything, to just be on the path, moving and breathing. What did I notice anyway?

10 Things I Noticed When I Wasn’t Noticing

  1. 2 stones stacked on the ancient boulder
  2. down in the flats, the river was moving fast. I tried to race it
  3. white foam on the river, under the I-94 bridge I thought (or hoped?) it was a rowing shell
  4. a fat tire bike sped down the franklin hill, abruptly turned at annie young meadow and almost ran into a parked car, then called out to the guy in the car — his friend — Hey!
  5. the bucket of a big crane curled under the franklin bridge with a worker in it, studying the underside of the bridge
  6. a guy walking on edmund in a bright yellow vest, no other vest wearers or official vehicles in sight
  7. a runner coming down the other franklin hill — the one near the dog park — then entering the river road trail 25 yards? ahead of me
  8. smell: pot, down in the flats
  9. a woman stopped at the edge of the trail, looking through a camera lens at a tree on the other side of the road. I thought about calling out, what’s in the tree?, but didn’t
  10. the weeds on the edge of the trail, poking out of cracks in the asphalt looked monstrous — now I can’t remember what I thought they were at first, just not weeds
  11. bonus: a turkey! chilling in the grassy boulevard between edmund and the river road

I don’t really remember what I heard as I ran without headphones toward franklin. After stopping 3/4 of the way up the hill to walk, I put in music. I thought I put in Lizzo’s Special but I must have forgot to tap something because when I hit the play button it was Dear Evan Hansen again. Oh well.

Mary Ruefle, “Madness, Rack, and Honey”

Last night during Scott’s community jazz band rehearsal, after our regular community band rehearsal, when I sit for an hour and try to read or write or think about my poetry, I started Ruefle’s titular lecture (is that the correct way to use titular?). Now, after my run, I’m back at it again. This lecture is a chewy bagel and I’m determined to not spend too much time on it.

The title is strange — what does she mean by madness, rack, and honey? — and I was pleased to discover that she devotes the lecture to explaining the title. She begins with a Persian poem:

I shall not finish my poem.
What I have written is so sweet
The flies are beginning to torment me.

honey:

It is so simple and clear: the “figurative” sweetness of the author’s verse has become honey, causing “literal” flies to swarm on the page or in around the autor’s ead. This is truly the Word made flesh, the fictive made real, water into wine. That is the honey of poetry: the miracle of its transformation, which is that of creation: once there was a blank page–scary!–now there is something in its place that is attracting flies. Anyone who has not experienced the joy, pleasure, transport, and who has not experienced the joy, pleasure, transport, and sweetness of writing poems has not written poems.

pages 130-131

rack:

Enter the flies who feast. For the poem clearly reminds us that honey has complications–those flies are beginning to torment the poet. Torment, pain, torture, is what I mean by the rack.

page 134

It is what poetry does to the world, what poets do with words, and what words will do to a poet. And that’s the rack of it. And if you have never experienced the rack while working on a poem then you have have never worked on a poem. Have you never put language in an extenuating circumstance with dangerous limits until an acute physical sensation results?

page 135

And, if I have time, I’ll return for madness later today.

One more thing to post before I go eat lunch. Instead of posting the poem, which I also like, I’m only posting the poet’s explanation of it.

About This Poem (Evening)

“Sometimes you hear a word as if for the first time, a word you’ve been saying your whole life. I don’t know what in the brain allows the word, in that moment, to reveal itself, but it always makes me feel very smart and very foolish at once. This poem was written during the period when I had just gotten into gardening and was gaining a new appreciation for everything—food, nature, and time. I wonder what else is waiting to reveal itself to me in such a way, and whether I’ll be distracted enough to receive it.”
Jeremy Radin

Now I’m thinking of the opening lines from Marie Howe’s “The Meadow”: As we walk into words that have waited for us to enter them…is this idea of walking into words similar to words (and new meanings) revealing themselves to us? As I write this question, I’m reminded of a Mary Ruefle piece in My Private Property: “In the Forest”

When I wander in the forest I am drawn towards language, I see meaning is quaintly hidden, shooting up in dark wet woods, by roots of trees, old walls, among dead leaves…

page 74

And these lines helped me to remember a thought I had as I ran this morning on the part of the pedestrian path that dips below the bike path, the two separated by a slight rise and some bushes. When I first started to run this trail, almost 10 years ago, I was a little afraid of taking this lower trail. It was hidden from the road and other people and I wondered if someone might be lurking, waiting for me. Today I thought, how could I have been afraid of this short part of the path, only hidden from view for a few seconds? It does seem ridiculous.

may 15/RUN

3.45 miles
locks and dam #1 hill
57 degrees

Wow! A beautiful spring morning. Sunny, low wind, birds. Favorite part of the run was hearing, then seeing, the geese under the ford bridge. Honking as they flew low then landing in the river, their feet skimming the water — what a beautiful sound that is — not sure how to describe the sound of a bird coming in for a landing.

Listened to the birds, no specific bird, just BIRDS!, as I ran south, then put in “Dear Evan Hansen” at the top of the hill and listened to that as I ran north.

Mostly my body felt strong and sore, especially the big toe on my right foot.

Mary Ruefle, “On Fear”

before the run

The second form of dread is the anticipatory dread of pain, either physical, emotional, spiritual, or psychological, and that, folks, covers nine-tenths of the world’s surface.

Ruefle lists Julian of Norwich’s 4 forms of dread:
dread form 1 = emotion fear — your very first response to smell of smoke
dread form 3 = doubt or despair
dread form 4 = hold dread with which we face that we which we love the most

Dread. I like it better than the word fear because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are are also there.

For some reason, this word play reminded me of a delightful poem I read by Kelli Agodon Russell a few months ago:

Believing Anagrams/ Kelli Agodon Russell

—after being asked why I write so many poems about death and poetry

there’s real fun in funeral,
and in the pearly gates—the pages relate.

You know, i fall prey to poetry,

have hated death.

all my life,
literature has been my ritual tree—

Shakespeare with his hearse speak, Pablo Neruda, my adorable pun.

So when i write about death and poetry, it’s donated therapy

where i converse with
Emily Dickinson, my inky, misled icon.

and when my dream songs are demon’s rags,
i dust my manuscript in a manic spurt

hoping the reader will reread because i want the world

to pray for poets as we are only a story of paper. 

This poem is from her collection, Letters from the Emily Dickinson Room. It seems fitting to read and post this poem on Emily Dickinsons death date — May 15, 1886. I love her anagram for Emily Dickinson: inky, misled icon

during the run

I thought about reciting Dickinson poems as I started running, but forgot about it before I even reached the river. Near the end of the run, while I listened to “Dear Evan Hansen,” I thought about fear and dread and wondered where worry fit in.

after the run

I’m slowly reading more of Ruefle’s “On Fear”:

She talks about the difference between emotions (instinct) and feelings (cognitive), and emergencies of feeling. She lists what other poets have said about fear, then lists her fears. And she returns to Julian of Norwich:

“Fear and dread are brothers,” says Julian of Norwich. As desire is wanting and fear is not-wanting.

After this mention of Norwich, Ruefle devotes several pages to Keats and his idea of negative capabilities. I’ll leave a discussion of that for another day, when I have time.

She ends with a reference to Emily Dickinson, which, like Russell’s poem seems fitting to include:

What has life taught me? I am much less afraid than I ever was in my youth–of everything. That is a fact. At the same time, I feel more afraid than ever. And the two, I can assure you, are not opposed but inextricably linked. I am more or less the same age Emily Dickinson was when she died. Here is what she thought: “Had we the first intimation of the Definition of Life, the calmest of us would be Lunatics!” The calm lunatic–now that is something to aspire to.

The passage from ED comes from a letter and also includes these wonderful lines:

There is a Dove in the Street and I own beautiful Mud – so I know Summer is coming. I was always attached to Mud, because of what it typifies – also, perhaps, a Child’s tie to primeval Pies.

Letter from Emily Dickinson to Mrs. JG Holland (about March 1877)

Two more things I found from an early (1862) letter from Dickinson to Higginson. The first fits with Ruefle’s discussion of fear and poets:

I had a terror-since September-I could tell to none-and so I sing, as the Boy does by the Burying Ground-because I am afraid-

The second I’m including because I find it delightful:

You ask of my Companions Hills- Sir-and the Sundown-and a Dog-large as myself, that my Father bought me-They are better than Beings-because they know-but do not tell-and the noise in the Pool, at Noon – excels my Piano.