april 26/RUN

3.75 miles
47th ave loop, shorter
50 degrees
Deaths from COVID-19: 272 (MN)/ 54,001 (US)

I wore shorts this morning on my run. Shorts! Very exciting. Ran south on the trail, right above the river. It had a dull, un-sparkly surface but it was still beautiful. Soft, subdued. So many birds chattering away. A few runners and walkers and bikers. I had to weave around the path several times, from one end–on the edge of the bluff, above the water–to the other–across the walking and biking paths and the road, over to the grass between the parkway and the boulevard– but it didn’t bother me. As long as I can run and keep my distance, I’m fine.

Recited Emily Dickinson’s poem again, “it’s all I have to bring today.” Played around with the rhythm in the second line: “This, and my heart beside—” So awkward when running. (note: I can’t actually remember what beats I did with this line while running, so I’m experimenting after the fact. Now, I want to try running with each of these. Which works best?)

This and my heart beside/ 123 4 5 6/ ♪♪♪ ♩ ♩ ♩
This and my heart beside/ 123 4 56 7/ ♪♪♪ ♩ ♫ rest

This and my heart beside/ 12 34 5 6/ ♫ ♫ ♩ ♩

This and my heart/ 1 2 3 4/ ♩ ♩ ♩ ♩
beside/ 1 2 3 4/ ♩ ♩ rest rest

I’m really fascinated by these rhythms and what they do to the word beside, particularly what gets stressed. BEside or beSIDE or BESIDE. Trochee or Iamb or Spondee (I think that’s right. I’m trying to learn and then remember these terms. Maybe one day they will be second-nature to me?)

The other day, I read a beautiful thread about the poet Ted Kooser. I liked the poems that were mentioned in the thread, but decided to read some more of his work online. Because I find soaring turkey vultures to be beautiful, I was drawn to this poem:

TURKEY VULTURES/ Ted Kooser

Circling above us, their wingtips fanned
like fingers, it is as if they were smoothing

one of those tissue-paper sewing patterns
over the pale blue fabric of the air,

touching the heavens with leisurely pleasure,
just a word or two called back and forth,

taking all the time in the world, even though
the sun is low and red in the west, and they

have fallen behind with the making of shrouds.

I have decided that I really like the couplet form–with its simple grace and interesting line breaks adding more meaning and movement.

april 24/RUN

3.75 miles
47th ave loop
47 degrees
Deaths from COVID-19: 221 (MN)/ 50,031 (US)

Wow, what a glorious morning! Soft light, hardly any wind, singing birds, uncrowded paths. Everything felt calm, relaxed. I don’t remember looking at the river that often, but I do remember the sky over the gorge and the view on the bluff near Folwell. Beautiful.

Anything else I remember from my run? I’ve noticed–today and yesterday, at least–that the morning sun makes it hard for me to see people sometimes. It also makes it almost impossible for me to determine if people are coming towards me or are moving away from me–is that the cone dystrophy or my near-sightedness? Not sure.

I recited Emily Dickinson’s “It’s all I have to bring today” again and I’m liking it more. The second line with the anapest–“This, and my heart beside”–is still awkward, but I like running to “this, my heart, and all the fields/and all the meadows wide” and “this, and my heart, and all the bees, which in the clover dwell.”

When I got back from my run, I started thinking about changing the words of Dickinson’s poem to fit with my run:

It’s all I have to bring today—
This, and my knee beside—
This, my knee and all the trees—
And all the river wide
Be sure to count — should I forget
Some one the sum could tell —
This, and my knee, and all the Birds
whose songs can cast a Spell.

Not totally happy with my words, but I’ll work on it some more. I struggle to understand “some one the sum could tell.” It mostly makes sense, but it still trips me up.

more wild turkey sightings!

Yesterday on our walk, near the tree graveyard, we saw 2 more wild turkeys! Scott took some video and posted it on instagram:

https://www.instagram.com/p/B_WHkvilZON/?utm_source=ig_web_copy_link

Finally, looking back through my log posts from 2018, I found this beautiful poem. It will be the next one that I memorize. So many lines I am looking forward to learning and keeping.

Dear One Absent This Long While/ Lisa Olstein 

It has been so wet stones glaze in moss;
everything blooms coldly.

I expect you. I thought one night it was you
at the base of the drive, you at the foot of the stairs,

you in a shiver of light, but each time
leaves in wind revealed themselves,

the retreating shadow of a fox, daybreak.
We expect you, cat and I, bluebirds and I, the stove.

In May we dreamed of wreaths burning on bonfires
over which young men and women leapt.

June efforts quietly.
I’ve planted vegetables along each garden wall

so even if spring continues to disappoint
we can say at least the lettuce loved the rain.

I have new gloves and a new hoe.
I practice eulogies. He was a hawk

with white feathered legs. She had the quiet ribs
of a salamander crossing the old pony post road.

Yours is the name the leaves chatter
at the edge of the unrabbited woods.

april 23/RUN

4.2 miles
river road path, north/seabury, south/edmund, south
40 degrees
Deaths from COVID-19: 200 (MN)/ 46,859 (US)

Such a strange, scary time. For now, managing to keep the terror at a low simmer. Relieved that the governor announced today that schools are closed for the rest of the year. It’s awful, but necessary. Not sure if it’s all my training in being present on the path and paying attention to everyday delights in the midst of mess, but I’m doing okay. I know, without any doubt, that the gorge–being able to run and walk near it every day–is making all of this bearable. What a gift this river and trails and trees and ancient boulders are!

A beautiful morning! Started at 8:25 and there was hardly anyone out yet. For the first time in several weeks, I was able to run through the tunnel of trees, above the floodplain forest! The bare brown trees had a low soft glow and the dirt path winding through to the river looked quiet and lonely. Thought about how nice it would be to take Delia the dog on that trail but then I remembered how narrow the old stone steps are–difficult to keep 6ft of distance on them. Kept running north, glancing down at the river every few minutes. Mostly pale blue with a few spots of shining, sparkly brightness, almost white, or would you call it silver? Heard lots of birds, the low rumble of fast moving cars on a far away freeway, some music coming out of a bike radio. Enjoyed feeling and hearing the scratch scratch scratch of my feet striking the grit on the road.

Recited the Emily Dickinson poem, “It’s all I have to bring today,” a few times. It’s a beautiful poem, but not satisfying to recite. Why? Not sure. I’m thinking I should try memorizing and reciting “Before I got my eye put out” next. How will that poem move, I wonder?

Listened to Danez Smith’s Homie yesterday. Beautiful and uncomfortable, which is good and necessary. Heard this poem and felt it, having lived in California and longed for Minnesota:

I’m Going Back to Minnesota Where Sadness Makes Sense/ Danez Smith

O California, don’t you know the sun is only a god
if you learn to starve for him? I’m bored with the ocean

I stood at the lip of it, dressed in down, praying for snow
I know, I’m strange, too much light makes me nervous

at least in this land where the trees always bear green.
I know something that doesn’t die can’t be beautiful.

Have you ever stood on a frozen lake, California?
The sun above you, the snow & stalled sea—a field of mirror

all demanding to be the sun too, everything around you
is light & it’s gorgeous & if you stay too long it will kill you

& it’s so sad, you know? You’re the only warm thing for miles
& the only thing that can’t shine.

Love the line, “I know something that doesn’t die can’t be beautiful.” And the description of standing on a frozen lake, the stalled sea, the field of mirror all demanding to be the sun. What a beautiful poem!

april 21/RUN

3.7 miles
47th ave loop, short
34 degrees
Deaths from COVID-19: 160 (MN)/ 42,458 (US)

Sunny and bright. Looked down at the river and noticed it sparkling. Encountered a few runners and walkers and bikers. Heard some birds–a few geese, a woodpecker, some cardinals. Noticed a wild turkey hanging out in someone’s front yard–on Edmund, across from the tree graveyard. Nice! Always a good day when I see a wild turkey in the neighborhood. Here’s some turkeys that Scott and I saw on our walk on Saturday:

Recited the poem I memorized this week, Emily Dickinson’s “It’s all I have to bring today.” Kept noticing how awkward the second line was as I tried to keep my running rhythm while I said it in my head. Reading the prowling bee’s analysis, I realized it’s because every other line follows an iambic meter–da dum/da dum da/dum da dum or unstressed stressed/unstressed stressed–but the second line is strange: THIS and my HEART BEside–at least that’s how I hear it. “and my HEART” is an anapest (unstressed unstressed stressed). Found this basic description:

This poem consists of two four-line stanzas of ballad meter. In most of her poem, Dickinson typically uses ballad meter, which consists of four-line stanzas (or quatrains) of iambic tetrameter alternating with iambic trimeter: the syllable count of the four lines is therefore 8, 6, 8, 6. Ballad meter is similar to common meter, which is the meter of many Protestant hymns, such as “Amazing Grace.” In common meter the first and third lines of each stanza rhyme as do the second and fourth, making the rhyme scheme ABAB. Common meter also tends to be strictly metrical because it forms the basis of hymns sung in church. However, because Dickinson tends to rhyme only the second and fourth lines of each stanza (resulting in a rhyme scheme of ABCB) and is less strictly metrical, it is more accurate to say she uses ballad meter.

For some reason, I often struggle to recognize meter and to identify when syllables are unstressed or stressed. Not sure why. Slowly, I’m learning the terms–like tetrameter (4 feet) and trimeter (3 feet). I like thinking about this in relation to my running rhythms. Which rhythms work best for me? Which ones get me in a good groove, make running easier or faster or more fun? I’m not sure if the ballad works. I should experiment with it more. I’m also thinking about how breath fits into all of this. On easy runs, I might breathe every 4 or 3, on harder runs, every 2. How does breathing shape these lines? How does breath work in Dickinson? Here’s a source: The Breath of Emily Dickinson’s Dashes

After reciting Dickinson’s poem dozen of times, I decided to return to Richard Siken’s “LOVESONG FOR THE SQUARE ROOT OF NEGATIVE ONE.” For some reason, I enjoyed reciting it more than the Dickinson. Was it because there were more words, more ideas, more rhythms to untangle? Possibly.

Yesterday, I encountered the opening lines from this poem and was delighted. I’d like to memorize at least the first few stanzas, but maybe all of it.

from Maud (Part I)/ ALFRED, LORD TENNYSON

A Monodrama

Come into the garden, Maud, 
      For the black bat, night, has flown, 
Come into the garden, Maud, 
      I am here at the gate alone; 
And the woodbine spices are wafted abroad, 
      And the musk of the rose is blown. 

   For a breeze of morning moves, 
      And the planet of Love is on high, 
Beginning to faint in the light that she loves 
      In a bed of daffodil sky, 
To faint in the light of the sun she loves, 
      To faint in his light, and to die. 

   All night have the roses heard 
      The flute, violin, bassoon; 
All night has the casement jessamine stirr’d 
      To the dancers dancing in tune; 
Till a silence fell with the waking bird, 
      And a hush with the setting moon. 

   I said to the lily, “There is but one 
      With whom she has heart to be gay. 
When will the dancers leave her alone? 
      She is weary of dance and play.” 
Now half to the setting moon are gone, 
      And half to the rising day; 
Low on the sand and loud on the stone 
      The last wheel echoes away. 

   I said to the rose, “The brief night goes 
      In babble and revel and wine. 
O young lord-lover, what sighs are those, 
      For one that will never be thine? 
But mine, but mine,” so I sware to the rose, 
      “For ever and ever, mine.” 

   And the soul of the rose went into my blood, 
      As the music clash’d in the hall; 
And long by the garden lake I stood, 
      For I heard your rivulet fall 
From the lake to the meadow and on to the wood, 
      Our wood, that is dearer than all; 

   From the meadow your walks have left so sweet 
      That whenever a March-wind sighs 
He sets the jewel-print of your feet 
      In violets blue as your eyes, 
To the woody hollows in which we meet 
      And the valleys of Paradise. 

   The slender acacia would not shake 
      One long milk-bloom on the tree; 
The white lake-blossom fell into the lake 
      As the pimpernel dozed on the lea; 
But the rose was awake all night for your sake, 
      Knowing your promise to me; 
The lilies and roses were all awake, 
      They sigh’d for the dawn and thee. 

   Queen rose of the rosebud garden of girls, 
      Come hither, the dances are done, 
In gloss of satin and glimmer of pearls, 
      Queen lily and rose in one; 
Shine out, little head, sunning over with curls, 
      To the flowers, and be their sun. 

   There has fallen a splendid tear 
      From the passion-flower at the gate. 
She is coming, my dove, my dear; 
      She is coming, my life, my fate; 
The red rose cries, “She is near, she is near;” 
      And the white rose weeps, “She is late;” 
The larkspur listens, “I hear, I hear;” 
      And the lily whispers, “I wait.” 

   She is coming, my own, my sweet; 
      Were it ever so airy a tread, 
My heart would hear her and beat, 
      Were it earth in an earthy bed; 
My dust would hear her and beat, 
      Had I lain for a century dead, 
Would start and tremble under her feet, 
      And blossom in purple and red.

april 20/RUN

4.1 miles
river road path, north/seabury, south/river road path, south/edmund, south
46 degrees
Deaths from COVID-19: 143 (MN)/ 40,724 (US)

Started my run at 8:41. Not very crowded at all. Only a few runners and bikers. I think I remember glancing down at the river, but I don’t remember what I saw. Heard lots of birds at the beginning, don’t remember any during the run. Noticed lots of activity down by the rowing club–many cars. Will there be any rowers on the river today? Running on the walking path between the trestle and Franklin, a biker called out thanking me for staying on the proper path. I called back “you’re welcome!” and felt good for the rest of the run. What a difference such a small gesture makes! Focusing on these moments, instead of other annoying ones helps me.

A Freaked Out Runner

Yesterday, Scott, Delia the dog, our daughter, and I took a 4 mile walk around the neighborhood. Walking in the grass between the boulevard and the parkway, we witnessed a runner running in the road (on the part designated for pedestrians), getting increasingly upset as bikers (who are not supposed to bike on this part of the road) whizzed by her. When the first one passed her, she yelled “this is not the bike lane!” and then muttered to herself in anger. When the next one passed, she shrieked frantically “read the FUCKING signs!” (the city has signs posted all over the road/path identifying who should be in what lane). I could understand her anger–in other situations, I’ve been her, maybe not screaming “fuck!” but feeling that upset–but I could also see how difficult it was for the bikers, trying to find room to move when it was so crowded and when walkers were also ignoring the signs and taking over the bike paths. I’m not sure how to make this situation with crowded paths any easier, so I try to avoid it by running early, before it gets crowded.

Periodically during my run, I sang out in my head the delightful lines from Emily Dickinson I learned a few days ago: “In the name of the bee—and the butterfly—and the breeze—Amen!”

Speaking of Dickinson, I have decided the poem I will memorize for this week is:

It’s all I have to bring today—/Emily Dickinson

It’s all I have to bring today—
This, and my heart beside—
This, my heart, and all the fields—
And all the meadows wide—
Be sure to count—should I forget
some one the sum could tell—
This, and my heart, and all the Bees
which in the Clover dwell.

Such a beautiful poem. I think it will be fun to recite as I run on these early spring mornings. A poet and gardener decided in 2011 to systematically read through and analyze each of Dickinson’s poems. She’s still working on it now, in 2020. Here’s her post on this poem. In her discussion, she mentions Marianne Moore’s poem about imaginary gardens. I think I’d like to memorize this one too–if not this week, then for next week:

Poetry/ Marianne Moore – 1887-1972

I too, dislike it: there are things that are important beyond
      all this fiddle.
   Reading it, however, with a perfect contempt for it, one
      discovers that there is in
   it after all, a place for the genuine.
      Hands that can grasp, eyes
      that can dilate, hair that can rise
         if it must, these things are important not because a

high-sounding interpretation can be put upon them but because
      they are
   useful; when they become so derivative as to become
      unintelligible, the
   same thing may be said for all of us—that we
      do not admire what
      we cannot understand. The bat,
         holding on upside down or in quest of something to

eat, elephants pushing, a wild horse taking a roll, a tireless
      wolf under
   a tree, the immovable critic twinkling his skin like a horse
      that feels a flea, the base-
   ball fan, the statistician—case after case
      could be cited did
      one wish it; nor is it valid
         to discriminate against “business documents and

school-books”; all these phenomena are important. One must
      make a distinction
   however: when dragged into prominence by half poets,
      the result is not poetry,
   nor till the autocrats among us can be
     “literalists of
      the imagination”—above
         insolence and triviality and can present

for inspection, imaginary gardens with real toads in them,
      shall we have
   it. In the meantime, if you demand on the one hand, in defiance of their opinion—
   the raw material of poetry in
      all its rawness, and
      that which is on the other hand,
         genuine, then you are interested in poetry.

april 18/RUN

2.5 miles
river road path, north/32nd st, west/43rd ave, south/38th st, east/45th ave, north
43 degrees
Deaths from COVID-19: 121 (MN)/ 37,708 (US)

A short run in the sun and the wind. Heard at least one woodpecker. I think I remember seeing my shadow. Got a brief glimpse of the river. Breathed in fresh outdoor air. It feels like spring is coming back. I bet the trails will be very crowded in a few hours. (update, 3 hours later: yes, they were very crowded. Went walking with Scott and Delia the dog and the path was packed with bikes, the road jammed with cars).

Found a thread on twitter about abecedarians. I love abecedarians. Here are two with interesting takes on the form that I’d like to try.

1 ABC/ Robert Pinsky

Any body can die, evidently. Few
Go happily, irradiating joy,

Knowledge, love. Many
Need oblivion, painkillers,
Quickest respite.

Sweet time unaffected,
various world:

X=your zenith.

I like how this poem only has 26 words, each starting with a letter of the alphabet in order. I also like how each letter is not on a separate line.

2 Disorderly Abecedarian 2: Return/ Devon Miller-Duggan

Fainting sky today pulls at the
ground, trying to find color.

Why is saw blade made?
Zig-sag of teeth against
my grain, my gain, my rain, my rein.

Nailing words on trees in the forest, leaves
sursurrate like pages, but can’t read for themselves.

Trembling upward, wing-over-wing, all the birds called home,
Halving the music, having it fly upward with them, they
bother the stratosphere with all warbling and winging—
quilling sky.

Xanthic eyes
pored over every memory of you. Poured myself. Poored my own memory
operating away from itself.
Kindling catches, but there’s no more wood for this fire. This fire
exacerbates the cold,
cakes itself all over these hands
until they’re not hands.

Re-enter. Something can be worked out.
Justification by feint, by faint, by fifth, by filth.

Love me past
and forward, but not now. Now I’m a
demon for saw-teeth and nails
instead of words. When we were
younger we read poets, we were bright
versions of our jaundiced selves.

I like how this poem has 26 lines, each starting with a different letter of the alphabet, but they’re not in order. This could be fun to try.

april 17/RUN

4.4 miles
47th ave loop
37 degrees
Deaths from COVID-19: 111 (MN)/ 33,325 (US)

What a beautiful morning! Hardly any wind, lots of sun, uncrowded paths! Ran south right above the river. Pale blue. At one point, heard a woodpecker and thought about stopping to record it but didn’t. Looked longingly at the lone bench near Folwell with the clear, unobstructed view to the other side. Recited my poem of the week, LOVESONG OF THE SQUARE ROOT OF NEGATIVE ONE. I am the wind and the wind is invisible! Thought about the rhythm in the later lines:

As the hammer / 1 2 / ♫♫
is a hammer / 1 2 / ♫♫
when it hits the nail / 1 2 3 4 / ♫♩♩♩

and the nail / 1 2 / ♫ ♩
is a nail / 1 2 / ♫ ♩
when it meets the wood / ♫ ♩♩♩

Running on the road, after turning off of Edmund, I saw my shadow ahead of me. Hi friend! She led me until I turned again. Listened to my feet shuffle on the grit and my ponytail brush against the collar of my vest. Don’t remember hearing any crows or squirrels or geese–did I? Ran too early to see Dave, the Daily Walker. Didn’t see any roller skiers, but did see 1 or 2 bikers. 2 runners, one with a bright red shirt on.

Thought about the poem I’m working on and that I posted yesterday about sinking. I’m thinking of changing goo to jelly. Also, I’m not sure I like starting with think–I did it partly as a rhyme with sink but I’m not sure now. Here’s different version, in a different form. Instead of cinquains, I’m using couplets:

How to Sink/ Sara Lynne Puotinen (draft 2)

with Paul Tran

Try to recall when your son was young and so upset
all he could do was turn to jelly and ooze

down the couch in surrender — not giving in
but giving up control, a puddle of body parts

pooled at your feet. Learn to retreat like this.
Go to the gorge. Let your bones dissolve,

your legs liquefy. Submit to gravity. Slide
down. Reach the ground first, then seep deeper

through layers of loam, sandstone, shale. Drop lower
and lower, burrow through cracks and fissures, carve

out a way in and follow it farther. Go
so far inside that outside is another idea.

I think I like this version better, especially how some lines can stand alone and make interesting poems by themselves. Like, “out a way in and follow it farther” or “but giving up control, a puddle of body parts.”

It’s warmer today. Maybe spring is finally, actually coming?! Soon there will be flowers and green grass and bees. In honor of the bees, here are 2 wonderful poems by Emily Dickinson (found on this twitter thread about bee poems):

To make a prairie (1755)/ Emily Dickinson – 1830-1886

To make a prairie it takes a clover and one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.

In the name of the Bee –/ Emily Dickinson

In the name of the Bee –
And of the Butterfly –
And of the Breeze – Amen!

april 15/RUN

3.8 miles
47th ave loop, shorter version
26 degrees
Deaths from COVID-19: 87 (MN)/ 26,119 (US)

Sunny and cold this morning. Feels like 15, I think. Ran south on the trail. Made sure to notice the river. A pale blue so light it almost looked white. Bright, glowing. A few extra sparkling spots. More people out this morning. Some other runners and walkers on the trail and in the grass between Edmund and the parkway. Still managed to get my 6+ feet of distance.

Recited “LOVESONG OF THE SQUARE ROOT OF NEGATIVE ONE” again. I love chanting “I am the wind/the wind is invisible/all the leaves tremble/I am invisible.” I kept repeating it as I ran north and into the wind. I’d like to be the wind, making the leaves tremble without being seen.

Been thinking about woodpeckers the past few days. Heard one right as I was leaving the house. Quick, staccato strikes. Later, about 2 miles into my run, I heard a slower, deeper pecking–was this a different type of woodpecker? Not sure.

Speaking of woodpeckers, yesterday I started writing a fun little abecedarian poem about woodpeckers. I reworked the first line in my head as I ran this morning. Here’s what I have so far. A fun exercise, if nothing else. And a great distraction, helping me to unclench my jaw and relax my throat when I get too panicked.

woodpecker/ Sara Lynne Puotinen (draft 1)

April’s anthem
Brbrbrbrbrbrbrbrbbrbrbrbrbrbrbrbrbrbrbrbrbr
Claiming territory
Drumming for love
Echoing, excavating,
Foraging
Gutter gutter
Hole inhabiter, no headache haver
In possession of indestructible
Jack-hammering jaws
Knock knock knock knocking up to 20 times per second
Loudly looting larvae
Methodically mining maples–
Neighborhood nuisance
Or
Poet of the peck?
Quick
Repeated
Striker of
Tree trunks and telephone poles
Unstoppable
Vibrator
Wanting wood, worms, to lay waste to siding
Xylotomous
Yellow bellied sap sucking
Zealot of the rat a tat tat

And here’s a great poem I found via Lunchbox Poems:

Things to Do in the Belly of the Whale/ Dan Albergotti

Measure the walls. Count the ribs. Notch the long days.
Look up for blue sky through the spout. Make small fires
with the broken hulls of fishing boats. Practice smoke signals.
Call old friends, and listen for echoes of distant voices.
Organize your calendar. Dream of the beach. Look each way
for the dim glow of light. Work on your reports. Review
each of your life’s ten million choices. Endure moments
of self-loathing. Find the evidence of those before you.
Destroy it. Try to be very quiet, and listen for the sound
of gears and moving water. Listen for the sound of your heart.
Be thankful that you are here, swallowed with all hope,
where you can rest and wait. Be nostalgic. Think of all
the things you did and could have done. Remember
treading water in the center of the still night sea, your toes
pointing again and again down, down into the black depths.

april 14/RUN

4.25 miles
river road trail, north/seabury, south + river road, south + edmund, south
26 degrees
Deaths from COVID-19: 79 (MN)/ 24,485 (US)

Much colder today. I think the feels like temperature was in the teens. Decided to try running north. Was able to run by the ravine, the Welcoming Oaks, above the tunnel with trees. Not too many people on the trail. Was able to keep 6+ feet of distance. Also able to run on one of my new favorite spots: the part of the path that winds away from the road and above the rowing club. No one else was close by, no runner crowding me and cluelessly calling out “good morning” instead of moving over. A nice run. I know I looked down at the river at least once, but I don’t remember what I saw. Was the river blue? gray? brown? Not sure. I remember hearing a few birds and I remember not hearing any woodpeckers. Was able to greet Dave, the Daily Walker!

While I ran, I recited bits of the poem I am memorizing for this week: LOVESONG OF THE SQUARE ROOT OF NEGATIVE ONE

I am the wind and the wind is invisible, all the leaves/ tremble and I am invisible, flower without bloom, knot/ without rope, song without throat in wingless flight, dark/ boat in the dark night, pure velocity

Wow, what a poem! I think I recited the entire thing in fits and starts. That first line about the wind was fun to say as I ran into the wind.

I am the wind and the wind is invisible, all the leaves tremble and I am invisible!

Here was the rhythm/ number of foot strikes I used as I ran:

I am the wind/ 1 2 3 4/ ♩♩♩♩
and the wind is invisible/ 12 34 56 78/ ♫♫♫♫
all the leaves tremble/ 1 2 3 45/♩♩♩♫
and I am invisible/♩♫♫♫

This poem took a bit longer to memorize but it was very rewarding to be able to give more careful attention to it. I love the lines/sounds in: “Through darkness, through silence, a vector, a violence, I labor, I lumber, I fumble forward…” and “and foot by foot I find the groove, the trace in the thicket, the key in the lock, as root breaks rock, from seed to flower to fruit to rot”

A note about the strange weather

All day Sunday it snowed. We got 5.1 inches. Much of it melted Monday morning in the bright sun. On Monday afternoon, we had 2 or 3 flash snow showers that lasted less than 30 minutes at a time: Snow, then sun, snow, then sun. Today (Tuesday), it’s doing the same thing as yesterday: Snow, then sun, snow, then sun. A thin layer of snow covers the deck, then melts in the sun, then gets covered again in the next snow shower. Strange.

april 13/RUN

3.5 miles
river road, south/edmund, north/33rd st, west/43rd ave, south
32 degrees/ 5% snow-covered
Deaths from COVID-19: 70 (MN)/ 22,935 (US)

Snowed 5.1 inches yesterday. Still a lot of snow on the grass, but almost all of it is melted off the roads, the paths, the sidewalk. A beautiful, bright sun. Hardly anyone on the trail. I don’t remember looking at the river even once. I bet it was glowing. Noticed the Winchell Trail below me, clear and dry. Wanted to listen to dripping, but I don’t remember hearing any by the gorge. I don’t remember much of the run. Don’t remember hearing any woodpeckers or geese or cardinals. I do remember hearing the grit under my feet on the road. Much harder to run up the hill on slippery sand.

How to Sink, some ideas

For at least 6 months now, I’ve wanted to write a companion poem to How to Float about sinking. Back in August and September of last year, I imagined this sink poem to be only about the gorge and erosion and the idea of becoming grounded/rooted/settled in a space. Now, during this time of social distancing, I’m thinking of it in terms of sinking deep inside–holing up, hiding out, hunkering down, trying to wait patiently. I’m playing around with my own version of a cinquain (inspired by Adelaide Crapsey): 5 line groupings with 1 syllable/3/4/5/6. Here’s something I have so far

Be
a boulder
not a stone too
big to be stacked too
much trouble to be moved.

And here’s a beautiful poem I found on twitter. Dorianne Laux is wonderful. I really enjoyed listening to a poetry foundation podcast with her a few weeks ago. This poem is amazing. Love the idea of remembering only the flavor like a fine powder. I keep thinking about that fine powder–the hint of something but never quite fully the thing–as all that we have access to. Can we ever open the window? Are we ever not too tired?

Dust/ Dorianne Laux

Someone spoke to me last night,
told me the truth. Just a few words,
but I recognized it.
I knew I should make myself get up,
write it down, but it was late,
and I was exhausted from working
all day in the garden, moving rocks.
now, I remember only the favor—
not like food, sweet or sharp.
More like a fine powder, like dust.
And I wasn’t elated or frightened,
but simply rapt, aware.
That’s how it is sometimes—
God comes to your window,
all bright light and black wings,
and you’re just too tired to open it.