Tag: morning

feb 24/RUN

4.6 miles
minnehaha falls and back
7 degrees / feels like -3
50% snow-covered

As promised, I made it outside for my run today. Bright, but overcast, the sun behind a veil of white. Not that much wind, not that many people either. Wore the right amount of layers: 2 shirts, 1 jacket, a vest + 2 pairs of running tights, a buff, a cap, a hood + 2 pairs of gloves and hand warmers. Probably didn’t need the Yaktrax but I didn’t mind wearing them.

Heard a bird singing that at one point I had convinced myself was a pileated woodpecker, but now I’m not so sure. I didn’t get a recording of it today, but I found an old recording from last March. The bird I heard is near the end, sounding almost like the loon call they play at Twins games. What is this bird?

from 17 march 2021

Also heard the mournful cry of a single goose. I suppose I should have looked up and tried to spot it, but I just listened to it and wondered where it was going and where it had been.

The falls were still frozen, and so was the creek. The river was covered, but I could see thin spots or, what I am imaging are thin spots: the sporadic splotches of slightly discolored snow, looking almost light brown. On the cobblestones, above the falls, some snow had melted and refrozen into a slick, shiny mirror.

The kids were out on the playground at Minnehaha Academy, laughing and yelling. Not too much enthusiasm. Was that because it’s COLD out here near the river?

Noticed a mini-plow/bobcat ahead of me, entering the biking side of the double-bridge. Nice! It needed to be plowed. On my way south, I had to trudge through the soft, uneven snow — 3 or 4 inches of it — on the path. Instead of following the mini-plow, I stopped and walked the walking path, noticing the ravine below. I wondered if there would be a mound of snow blocking my path at the end of the bridge. No.

Encountered a fat tire with a bright headlight, some walkers, a few dogs, a runner or two. No cross country skiers or groups of runners. No kids on sleds. No Santa Claus or Mr. Morning!

Glanced down at the savanna as I ran by and admired the white hill and the bare brown branches. Thought I saw someone hiking, but looked again and realized it was a tree.

There was a blue — was it a peacock blue or turquoise? — bag on the bench near the 38th street steps. What was in the bag? Was it plastic or cloth? Where was its owner? Would I have been able to answer some of these questions if my cone cells weren’t all almost gone?

Russia invaded Ukraine.

feb 21/RUN

4.45 miles
minnehaha falls and back
22 degrees / feels like 10
wind: 17 mph
less than 5% ice-covered

Windy, overcast. You can tell snow is moving in soon. A winter storm warning beginning this evening: 4-8 inches through Tuesday evening. It smelled like snow and cold and winter.

A wonderful run. Not over-dressed: green long-sleeved shirt, pink jacket, black vest, 2 pairs of black running tights, gray socks, a gray buff, black cap, pink hood, 2 pairs of gloves — one black, one pink with white stripes. Today I am coordinated, which is more by accident than design.

10 Things I Noticed

  1. very light gray sky, almost white
  2. the river was covered over; the snow/ice was mostly white with some stained spots that were a faint grayish-brown. Is that where the ice is thinning?
  3. the falls were completely frozen over. No roar, or dribble, or drip
  4. the creek below the falls was frozen over too, everything still, stopped
  5. as I approached the falls, I heard a lot of kids yelling and laughing. I wondered if it was a field trip and if they’d be near the falls overlook, taking over the path. They weren’t. They were at the playground instead
  6. running on the sidewalk through the neighborhood, the ice sometimes shimmered when the light was brighter. On the trail above the gorge, the ice was dull and flat and slightly brown. None of it was too slick
  7. on the outer rim of the Minnehaha Regional Park, near the road, I heard a loud boom: something being dropped into a big truck at a construction site
  8. someone was hiking with a dog down below on the snow-covered winchell trail
  9. every time I run by a trashcan that’s across the parking lot near the oak savanna, I think it’s a person. Mistaking trashcans for people happens a lot to me
  10. a group of much faster runners passed me on the double bridge. I watched as the distance between us became greater, then they turned up by the locks and dam no. 1 to cross the ford bridge and I didn’t see them again
  11. bonus: greeted Santa Claus! Our method for greeting: raising our right hands to each other

No “good mornings” offered, no birds heard (or remembered being heard), no cross-country skiers, no annoying path-hogging pedestrians, no open water, no shadows, no squirrels, no music, no park crews trimming trees, no black-capped chickadees or cardinals or turkeys.

Yesterday, I found an interview with the great poet, Ada Limón. Here are a few things she said that I’d like to remember:

ongoingness: the world is going to go on. And the world is going to go on without me, and without you. And the trees are going to keep living, and when they die, there will be more trees that are going to come. And that ongoingness of the world was really, in some ways, a relief.

How does her definition of ongoingness fit/not fit with Sarah Manguso’s in her book Ongoingness? I need to find my old notes to answer this….Found Manguso’s book instead. Here’s something she writes early in the book:

I wanted to comprehend my own position in time so I could use my evolving self as completely and as usefully as possible. I didn’t want to go lurching around, half-awake, unaware of the work I owed the world, work I didn’t want to live without doing.

Ongoingness/ Sarah Manguso

This quotation, especially her use of work here, reminds me of Mary Oliver and my study of her understanding of work on this log last April. Maybe time to explore that again?

When I say the word “surrender,” I mean giving into that timelessness. Time is real, yes, and it’s also a cycle. Surrender means not clinging to my own identity, to my own attachments, but finding some way to release my grip on the world. And of course when you release your grip you notice what you’re attached to, you notice the things you miss, and the things you love.

We have to live in a world where we have to protect ourselves all the time. Now even more so. We wear layers. We add a mask to it, we add isolation to it. There are so many ways we protect ourselves, even from ourselves. And I think it’s important to recognize that the self underneath the self needs witnessing.

One of the things the walk did for me was to decenter the self. At a certain point the mind opens and you start to watch, you get to witness, you get to listen, you get to receive the world instead of putting yourself into the world. I think I am someone who is inherently selfish, and I can turn anything into something about me. I think most people can. The more I walk, the more I can dissolve. The process of dissolving and being receptive to the world is where the poetry comes from. Sometimes it takes a lot of miles for that to happen.

feb 20/RUN

2.6 miles
river road, south/north
36! degrees

Wow, it feels like spring this morning! Warmer air, bright sun, melting snow, chirping birds — cardinals and chickadees. Lots of walkers and runners and bikers on the trails, but no one was taking over the path. Saw someone running in shorts, someone walking with their winter coat draped over their arm. Heard some people hiking the winchell trail. The path was mostly clear, with a few narrow sheets of ice. The river was still covered with snow and ice.

Before I went out for my run, I was listening to Lulu Miller’s story, “The 11th Word,” on Radiolab. (It was originally published in 2020 in the Paris Review). In it, she considers language and how the ability to name might shape us in negative ways. She discusses how we use language to name things, and while that give us order, and some sort of control, it also strips us of our ability to live in and with uncertainty. I kept thinking, as I listened, about poetry and how it often attempts to make words and language uncertain again. There are ways to use/play with/invoke language that aren’t about Knowing or controlling or getting rid of the uncertainty. I wondered if I would think more about this as I ran, I didn’t. I don’t remember thinking about anything but how it felt like spring and I was over-dressed and wishing I’d worn a few less layers.

Also before I went out for a run, I listened to about 20 minutes of Tommy Pico reading his amazing book-length poem, IRL. Wow! Here’s an excerpt of an excerpt from it. I’m blown away by Pico’s voice (the writing, and his audio).

excerpt of an excerpt IRL/ Tommy Pico

Just what is so scary abt
the cave? I… I can hear
my heart beating in there
and I don’t like it.
In an effort to connect,
fingers will click open
more and more tabs.
People say there are three
Muses or nine sometimes
six or eight but
we’re friends now,
Imma crack open
the mythology for u—
Really there are four
states of Muse:
Solitude
Intimacy
Anonymity
Reserve
Solitude carries a deck
of cards. Intimacy brought
lube. Anonymity is here
I think. Reserve gives gift
certificates. Obviously.
The influence of Muse
is not unlike being under
the influence, the way a poem
is spontaneously drunk
on Robert Graves. The
implications of Muse pop
fizz in all directions: photography,
printing press,
telephone, flash fry, cave etc.
The temple of Muse
is all around you. Don’t patronize
me, tradition
is a cage Conflict constant The
argument to post will take
more on and more alluring
forms. Muse must be chased!
Vigilance is all that stands btwn
us and a police state Tell me
as I switch between lenses—
which is clearer: A… or B. One
more time? Okay, A… or B.
I can’t ever see
where I stand in the lineage
of art, but I find being alone
maxes out my HP really
makes me kinder: Gap
btwn talking to mom vs
talking to mom
Muse used to mean
purpose in being
alone—Muse is romanticized
by the idea of possession and lord
knows I can’t live unoccupied.

I want to do something with their mention of switching between lenses and whether it is better in A or B. Very cool. Yes, the idea of being better with A or B (or 1 or 2), makes me think about this in-between state I’m in with my vision right now, both how well I can and cannot see, but also which world is better or preferable or more true, whatever that means — the world I was in where I could see mostly normally, or the world I’m slowly entering now where my central vision is almost gone or totally gone. I always struggle with either/or choices and the binaries they create. I want to do some more research on this vision test — what it’s called, who developed it and for what reason, why it’s used and if there are alternatives test to measure the same thing.

feb 19/RUN

4 miles
to lake nokomis
8 degrees / feels like -5
5% snow-covered

The first time in a long time: a one-way run! Scott picked me up at Lake Nokomis. I was able to run past the falls, on the parkway, to the creek path, almost to Lake Hiawatha, and then end at Lake Nokomis. It was cold, but the wind was mostly at my back, and there was the shining Sun. The path was clear of ice and people. Excellent. I woke up feeling stuffed up — another sinus infection or something worse? I’m assuming that it’s a sinus thing since I was able to run without a problem.

I don’t remember looking at the river even once. In fact, I don’t remember looking at much, or hearing or smelling many things. I guess I got lost. Let me try to list 10 things I noticed.

10 Things I Noticed

  1. 2 runners spread out on the path ahead of me, staying a constant distance away. We must have been running at about the same speed
  2. Thin sheets of ice lining the sides of the path, near the creek, by the river
  3. My shadow, somewhere
  4. the 2 runners turning off by Becketwood, taking the paved path that turns back into the neighborhood
  5. the annoying, insistent, whining buzz or ringing near the DQ of some sort of construction equipment
  6. no clear trail on the walking path (or, what some older woman called it as we tried to carefully pass her on our bikes about 7 or 8 years ago: “the people path”) that passes by the golden grove of trees and the duck bridge
  7. sprinting across the street as the light turned yellow (and making it safely, with plenty of time). Hearing a horn honk at the pickup truck first in line at the light — had they not noticed the light had turned because they were distracted by me running by a few seconds before?
  8. the lake was completely covered in snow, no open spots
  9. mostly the wind was at my back, but sometimes it pushed me from the side
  10. being passed by 2 runners near the falls, one of them called out “morning” as they passed. I called out, as usual, “good morning” — not sure why I always add the good to my morning when everyone else always says, “morning”?

Okay, I managed to think of 10 things. No bikes, no birds, no laughing kids, or big groups of runners, no sound of water, no shimmery light reflecting off the river, no music blasting from a car or a bike, no smell of pot or burnt toast, no overheard conversations.

Here’s a poem I found through twitter last week. The title is a form of poetry that I’ve never heard of before.

epithalamion: a poem written specifically for the bride on the way to her marital chamber.

Epitalamion/ Rebecca Lehmann

When I was a girl in Wisconsin, I dreamed I ’d marry
a man from Michigan. Then I did. When I was a man
from Michigan, I dreamed I ’d marry a begonia,
flowers choked with pollen. When I was a flower
from Michigan, I dreamed I ’d marry a comet
swooping around Jupiter, warming as it
hurtled toward Mars, growing a slick ice tail.
Remember Roethke’s boyhood in Michigan,
all the bogs and swamps and German ladies
pruning roses in hothouses while Midwestern
snows settled on dormant backyards?
When I was the snows of Michigan,
I dreamed I married a hothouse.
Remember the snap of the branch
in the dark fecund hothouse.
I used to smoke so many cigarettes.
When I was a cigarette in Michigan, I dreamed
I  ’d marry the sidewalk. When I was the sidewalk,
I dreamed I ’d marry Milwaukee. When I was Milwaukee,
I dreamed I ’d marry Lake Michigan.
All around me, photos document my heteronormativity.
When I was Lake Michigan, I dreamed I  ’d marry
a sea lamprey. When I was a sea lamprey,
I dreamed I ’d marry the side of a trout
darting through algae. When I was an algal bloom,
I dreamed I ’d marry a farmer. Quit listening.
Say no to who I am. When I was a farmer,
I dreamed I married the government.
When I was the government, I dreamed I married
every gnarly bluff east of the Mississippi.
There’s the Mississippi, Old Man River,
the Big Muddy, etc., etc. When I was a muddy
old river, I dreamed I married a pumpkin patch.
When I was a girl in Wisconsin, I arranged pumpkins
in my front yard to sell to tourists from Chicago.
When I was a tourist from Chicago,
I dreamed I married a pastoral fantasy.
I cracked open a rock and it was loaded
with crystals. When I was a crystal, I dreamed
I ’d marry the sky. When I was the sky, I dreamed
I ’d marry a girl from Wisconsin. When I was pregnant,
I dreamed I married my fetus. A muddy river
separated us. I woke up hungry, narrating
an epic poem. The Odyssey did not foretell my marriage.
When I was Odysseus, I dreamed I married
all of Penelope’s hanged maids, even though
I hanged them. Their dangling feet twitched
across our wedding night. When I was
a hanged maid, I dreamed I married the law.
But there was no law. When I was
lawlessness, I dreamed I married a chorus.
Their song split open Lake Michigan.
At its bottom, a baby gulped the new air.

feb 15/RUN

5.5 miles
bottom of franklin and back
21 degree / feels like 10

At first, I was planning to bike and run in the basement this morning, but I decided outside was better. And it was. The paths were slick in spots, but I was fine. Yesterday when I went running at around this time, late morning, I was hungry. I thought I’d be fine, but halfway through the run, I felt very tired. Again today, I was hungry, but I ate a cookie before I left and it made all the difference. (The cookie was a snickerdoodle from a batch I baked yesterday for Valentine’s Day.) I had energy for the whole run.

More cardinals today, no black-capped chickadees. The sun was out, then not, streaks of blue sky in the cracks of the clouds. I could see my shadow. She was not sharp, but soft, a little more than the idea of her there, a little less than her solid presence. The gorge was still white, and so was the river, except for some cracks in the ice, especially near the bridges — lake and franklin. On the way down to the flats, I cross under the I-94 bridge. Someone painted graffitied letters in lime green a few months ago and now, in the dreary dregs of winter, right above the dark gray water, they look sad and tired.

I don’t remembering noticing any critters, although I do recall hearing some rustling in the brush across the road as I entered the flats. I looked, but couldn’t see anyone or anything. Smelled a strong wave of pot. Encountered several runners and walkers. Near the end of my run, I passed a runner stopped by the side of the trail, waiting while her dog pooped in the snow.

Anything else? I think I devoted a lot of energy to watching the trail, and making sure I was avoiding ice, especially the big, concrete-like chunks that blend into the white background. At least, for me — do they for people with normal vision? One of the bigger chunks could do some serious damage to my foot.

Almost forgot: As I was finishing up, running on the sidewalks, trying to avoid the sheets of ice stretching across parts of the path, I thought about how I can usually see the ice. It’s because my peripheral vision is fine, and that’s where I spot the ice. And, to see ice — that is, “warning! ice ahead, watch out!” — doesn’t require a highly focused, precise image. Ice is often a blob or a discoloration on the path. I don’t need cone cells to see that. And, the way I, and probably a lot of other people, detect ice is by noticing how the light reflects off of it differently than the bare sidewalk. The sun on ice shimmers and sparkles more. Gray-ish light on ice is duller, flatter.

I think I finished my mannequins poem, I’m titling it, “Praise Improbable Things,” after lucille clifton’s poem, Praises, and its refrain, “Praise impossible things.” I’m barely halfway done with the month, so I have time to explore other meanings of WYSIWYG. I’m thinking of sticking with the mannequins, but exploring alt-text for them.

Here are some sources for alt-text that I want to use/refer back to:

feb 14/RUN

3.5 miles
ford bridge and back
13 degrees / feels like 3
100% snow-covered, both loose and packed

Got an inch or so of snow last night, so the trails were covered. No problem with my Yaktrax. I wore too many layers and felt overheated. Today, even with the below freezing temperatures and all of the snow, it feels almost like spring. As I drank my coffee this morning, I heard a cardinal. While I ran, it was a black-capped chickadee. The sky was clear and blue, the sun was bright. February is almost half over. Hooray. Being out by the gorge was great, but my run was hard. I think I was hungry or tired from so many running days in a row. I stopped to walk a few times. Even with my struggles, I’m glad I went for a run.

It’s funny that I mentioned that it almost felt like spring, because, with all of the snow and the bright blue skies, it looked like a winter wonderland. I remember glancing down at the river, but I can’t remember what it looked like. I’m sure it was all white. Heard some kids at the playground. Encountered some walkers taking over the entire path. No fat tires or skiers, a few other runners.

Anything else? I don’t remember much of the run, which is cool. I was able to get lost.

feb 12/RUN

3.5 miles
river road, north/south
1 degree / feels like -9
90% snow and ice covered

Brrr. Not much wind this morning, but it was cold. Used hand warmers, still my fingers were freezing for a few minutes. My circulation to my fingers and toes is not the greatest. Why not? The paths were icy, but with Yaktrax, I didn’t slip at all. Maybe it was too cold to be slick? Heard a bird chirping. Saw my shadow, faint and fleeting. Noticed the alarm under the trestle again. Not too many walkers or runners, no fat tires. Early on, I saw another runner, running below on the unplowed walking path. The river was covered in white. The road was crowded with cars whizzing by. Smelled some pot, but didn’t see who was smoking it, or where. Listened to the crunching snow for the first half, then a playlist for the second.

Last night, we watched snowboarding on the Olympics. It was very exciting to see Nick Baumgartner from Iron River, MI (just miles from the family farm) win gold in the relay. The most exciting thing was hearing the announcers say Iron River and UP several times. How often do you hear that on national television?

I continue to work on my mannequin poem. It’s fascinating to witness how this poem is transforming from an initial spark of wanting to write about how I relate to and delight in the mannequins, to an imagining of a space where they are valued and able to be strange and out-of-touch or out-of-step or on the outside.

feb 11/BIKERUN

bike: 25 minutes
run: 1.3 miles
21 degrees
wind + ice + snow

Watched most of the next episode of Dickinson. Emily is trying to help everyone, yet is failing to help anyone. She’s torn between Sue and her mother and sister, Austin and her father. She wants to lock herself in her room and write, believing that her poems are the only/best way to help others — her family and the nation, both divided, and the dying soldiers. A key question comes up a few times: what can poetry do? (and, is poetry ever more than just words?) I haven’t quite finished the episode, but this answer seems to be the most compelling, offered by the local seamstress, an African American woman named Betty:

Emily: So what if I can’t fix all the messy relationships in my family? The best thing I can do for the world, is to lock myself in my room and write my poetry.

Betty: But what good are your poems going to be if you do that? If you can’t handle the mess of the world, why should anyone need to hear what you have to say? Writing that shuts real life out is as good as dead.

Right before I started running, I listened to a recording of myself reading my mannequin poem. I have too many details, but I like the direction it’s going. Lots of editing needed. Here’s the beginning:

At the far edge of the fair
behind Merchandise Mart
in a red brick building
squeezed into an enormous glass case
are the mannequins.
Surrounded by
a glorious mess
of mismatched
textures textiles techniques
and adorned in handmade
hats and sweaters and coats
these legless armless women
preside over
a celebration
of an art form
both timeless and timed out.

Listening to the recording before I ran didn’t help me solve any of my poetry problems. Instead, I focused on my playlist as I ran.

It’s windy and white, with ice and snow covering the sidewalks. A blah day. February in its dreariest. Speaking of which, a poetry person posted this awesome news segment about February:

The idea about the trees revealing the truth, telling it like it is, seems like another version of, “What you see is what you get.” It’s funny because I have the opposite reaction to bare branches; I love the view they offer, and the gnarled truths they reveal. This could be another “WYSIWYG” poem.

feb 10/RUN

4.4 miles
minnehaha falls and back
18 degrees / feels like 8
less than 5% snow-covered!

Over the past couple of years, I’ve listened to several running podcasts. On one of them, the host ends the show by asking the guest to give listeners one reason to go out for a run today. More than half of the time, the answer they give is: because you’ll feel better and never regret it. For me, this is true. I’m better after every run and I’m glad I made it outside (or to the basement). Today included. It was colder than I expected, and I felt more sluggish than I’d like, but running for 40 minutes above the gorge and around the falls was an excellent way to occupy the late morning.

10 Things I Noticed

  1. the drumming of a woodpecker on a tree just above the oak savanna
  2. the river, white and flat and quiet
  3. 2 or 3 park vehicles in turkey hollow — are they trimming some trees, or what?
  4. the falls, frozen and still
  5. clearest view of the river: between folwell and 38th, beside a split rail fence
  6. best view of the falls: on the opposite end, near Longfellow’s “Song of Hiawatha” etched on top of a low stone wall. I stopped and stood on some packed down snow — a clear, straight shot of the falls, the creek, and the bluffs around it
  7. the paths were almost completely clear except for a few spots where ice spread across one side (the result of snow that melted in the warm temps on Monday refroze)
  8. kids yelling and laughing at the playground at Minnehaha Academy
  9. a car pulling into one of the parking lots at the falls, then looping around quickly and leaving
  10. About 10 people at the falls, walking above, admiring the view

I’m still working on thinking about “what you see is what you get” and the state fair mannequins, but I’m struggling. Is it possible for me to write about them in a meaningful way? Not sure. This morning, I was thinking more about form. I thought about how I imagine my poem as one of praise for the mannequins, and the improbability that they continue to exist. Then I thought about hymns and how Emily Dickinson wrote in common meter/hymn form. Quatrains: 8/6/8/6, mostly iambic tetrameter/iambic trimeter ABAB rhyme scheme (with lots of slant rhymes) (Common Questions on Emily Dickinson). This sounds exciting and promising, but do I have words to fit this form? Unsure. I also thought about one structure Mary Oliver uses in her poems of praise: First, a detailed description of the delightful thing; then a display of wonder/astonishment, possibly the posing of a question; and, finally, a revelation. I want to try these different approaches with some sort of praise poems, but I’m not sure they work for the mannequins.

One approach to the poem could be to provide more detail and development of the “as-is” mannequins’ location in the creative activities building at the Minnesota State Fair: encased in glass, jammed with sweaters and ponchos, dresses, hats, mittens, aprons. Close to the quilts, the rugs, the weavings. Across from the jars of jellies and jams and pickled beans, pickled peppers, pickled cucumbers. Cookies, breads, cakes, honey. And, for a few years, melted crayon art. The domestic arts. The enemy of convenience, the ready-made, the instant, the quick. Homemade, not store-bought, requiring slow, patient effort, “traditional” techniques. The point of this effort is not to sell (or buy) more of anything, but to pass on these practices, different forms of knowledge (and to win a ribbon). Things in this building are not typically recognized as artistic or possessing Beauty (as a form), but as functional, useful, necessary for survival. Women’s work. How much of this to put in this poem? And, how do I connect that with another important aspect of the mannequins: my kinship with them as strange not quite human aliens who almost look real — almost — but lack that extra something, like the spark in the eye, the direct eye contact. Not sure how (or if) I’ll do this yet.

Here are 2 praise poem that offer some good inspiration as I continue to push through how to write my poem:

Praise the Rain/ JOY HARJO

Praise the rain; the seagull dive
The curl of plant, the raven talk—
Praise the hurt, the house slack
The stand of trees, the dignity—
Praise the dark, the moon cradle
The sky fall, the bear sleep—
Praise the mist, the warrior name
The earth eclipse, the fired leap—
Praise the backwards, upward sky
The baby cry, the spirit food—
Praise canoe, the fish rush
The hole for frog, the upside-down—
Praise the day, the cloud cup
The mind flat, forget it all—

Praise crazy. Praise sad.
Praise the path on which we’re led.
Praise the roads on earth and water.
Praise the eater and the eaten.
Praise beginnings; praise the end.
Praise the song and praise the singer.

Praise the rain; it brings more rain.
Praise the rain; it brings more rain.

I especially like the repetition and the detail of this poem.

This next one, offers a much pithier approach:

All Praises / Lucille Clifton

Praise impossible things
Praise to hot ice
Praise flying fish
Whole numbers
Praise impossible things. 
Praise all creation
Praise the presence among us
of the unfenced is.

Wow. Talk about effective condensing! I love the repetition in this one as well. And, that unfenced is? the best!

feb 8/RUN

5.75 miles
franklin loop
24! degrees
5% snow-covered

Warmer today. Today’s high is 42. Sunny, not too much wind. Greeted Dave the Daily Walker and he called out, “a great day to be outside!” Yes. Not too crowded on the trail. Not too slushy either. Felt relaxed and motivated to run for a little less than an hour. For most of the run (the first 4.25 miles, until I reached the lake street bridge), I didn’t have headphones in, but for the last mile and a half, I put in my jan/feb playlist.

10 Things I Noticed

  1. the floodplain forest was white and open and empty
  2. the river was also white, with a few small cracks beginning to appear
  3. for the first mile, there was a strong smell of gasoline. Was it the quality of the air, moisture holding in the fumes?
  4. no one was sledding down the hill between edmund and the river road
  5. running under the railroad trestle, I heard a chirp or a beep. I wondered if it was some strange bird then realized it was a warning beep. Was there a train coming? I looked and listened but couldn’t sense any sign of one
  6. the huge boulder on the east side of the river was half covered with snow
  7. thought I noticed someone running below, on the walking path, through the tunnel of trees — a flash of a gold shirt — but it was just some dead leaves on a tree
  8. running west on the lake street bridge, the trees were a blur, whizzing past through the slats in the bridge railing
  9. ran above the part of the Winchell Trail that steeply descends to the gorge, noticed how it was buried under snow, and thought about hiking it in the fall, which feels so long ago, and encountering a family as we climbed up and they climbed down: a father, a toddler in pajamas, and a mother with a baby strapped to her front
  10. a few other speedy runners, 1 or 2 bikes, 2 or 3 dozen dogs, lots of walkers

This morning, I’m continuing to think about “as is” as a meaning for “what you see is what you get.” I suddenly remembered the island of misfit toys.

The misfit, mistake toys — a pistol that shoots jelly instead of water, a bird that swims instead of flies, a cowboy that rides an ostrich instead of a horse — all want to be accepted and loved by some “girl or a boy.” They lament their banishment to the island. At the end, they are “saved” by Rudolph and Santa and become presents. I didn’t watch the entire show; are they “fixed” or delivered “as is” to the kids? Will the kids (or their parents) be happy with broken/misfit/flawed toys? I mentioned this to Scott and he said, “I would LOVE a cowboy riding on an ostrich!” Much of my love for the State Fair Mannequins is because they continue to exist outside of the acceptable in an old, out-dated creative arts building. I don’t want them to fit in, or to have what “fits” be expanded to include them. I like that there is a space that seems to exist outside of progress and the newest, slickest model. But, there’s a tension for me, too: I appreciate (and identify with) these mannequins as strange, queer misfit resistors, but I also feel haunted by the pressure (and sometimes the desire) to fit in, where fit in = connect, be recognized as acceptable and human, not have to always work against the “normal.” I want to think about how I can express that unresolved/unresolvable tension.

Before I went out running, I watched the misfit toys clip and wrote some of the previous paragraph. As I ran, I thought about them and the mannequins and some words came to me. I held onto them until I could record them into a voice memo while I walked up the lake street bridge steps: “not improved, accommodated, fixed, cured. Just left alone.” I’d add now: left alone to be, away from the new, the novel, the latest model.

I found this poem when I searched, “mannequin” in the poetryfoundation.org database:

To the Mannequins/ HOWARD NEMEROV

Adorable images, 
Plaster of Paris 
Lilies of the field, 
You are not alive, therefore 
Pathos will be out of place. 

But I have learned 
A strange fact about your fate, 
And it is this: 

After you go out of fashion 
Beneath your many fashions, 
Or when your elbows and knees 
Have been bruised powdery white, 
So that you are no good to anybody— 

They will take away your gowns, 
Your sables and bathing suits, 
Leaving exposed before all men 
Your inaccessible bellies 
And pointless nubilities. 

Movers will come by night 
And load you all into trucks
And take you away to the Camps, 
Where soldiers, or the State Police, 
Will use you as targets 
For small-arms practice, 

Leading me to inquire, 
Since pathos is out of place, 
What it is that they are practicing.