sept 16/RUN

4 miles
minnehaha falls and back
73 degrees
humidity: 84% / dew point: 64

Yes, another day of uncomfortably hot and humid conditions. Another morning with sweat and a flushed face. Also, something new: swarms of gnats. Getting in my eyes, my mouth, my nose, on my shirt. After the run, getting ready for a shower, I counted more than a dozen dead gnats on my chest. Yuck!

Do I regret going out for the run? Not one bit. Even with the heat and the gnats, it was beautiful — changing leaves, sparkling water, a bright blue sky, a gushing creek and a roaring falls. Plus, the gnats have inspired me. I want to write about them for Girl Ghost Gorge!

Tried something new for the second half of the run: run 2 minutes, walk 1. It worked out well. I think I’ll try this again. Maybe I’ll experiment with the amounts: 3 minutes of runner/1 minute of walking or 2 minutes of running/30 seconds of walking?

For the first time in a while, I saw the regular, Mr. Santa Claus. We greeted each other with a wave.

gnats Returning to the gnats, I’ve been thinking about them more lately because of Endi Bogue Hartigan and her mention of them in her poem, “Running Sentences,” especially these lines:

c A chorus sings in swarms of gnats.

b First the body on the path, but first the body as circumference,

a First the cloud of gnats first the movement through the cloud

collective noun: a cloud of gnats / a swarm of gnats / a horde of gnats / a rabble of gnats

sept 6/RUN

5.1 miles
bottom of franklin and back
53 degrees

Another cooler run. Shorts with my bright orange sweatshirt. Ran to the bottom of the franklin hill before I stopped to walk and use one of the few port-a-potties on the route. There used to be at least one more under the lake street bridge, but they removed it. Chanted in triple berries to keep steady and distracted, or focused, depending on your perspective.

Listened to rowers and a beeping bike that I thought might be a bird before I saw it and striking feet, all around. Lots of runners out there this late morning. Listened to my “Moment” playlist once I started running again. It started with U2’s “Stuck in the Moment” and I thought about my latest insomnia rut.

10 Things

  1. a greeting from Dave, the Daily Walker: Happy 100 days after your birthday! Dave is the best — well, maybe not with his math!
  2. dark and green in the tunnel of trees, a circle of faint light up on the hill
  3. at least one yellowish orangish tree
  4. down in the flats the river’s surface was laced with grayish-white foam
  5. someone sitting on the sliding bench as I ran north, their bike propped behind the back of the bench
  6. returning south, the sliding bench was empty so I stood behind it and assessed the crumbling hill and the block view of the white sands beach
  7. finally took the dirt path that cuts behind some benches just south of the trestle
  8. 2 people walking 2 dogs, one person saying to the other something about an unwalked dog needing to be walked
  9. 2 women walking in the flats, one of them to the other: It’s by Ann Patchett. I wish I would have written down the passage.
  10. running on the north double bridge — just past the old stone steps — something caught my eye on the fence. On the way back, I remembered to stop to check it out. A small cut-out of Frump’s head on a popsicle stick with a caption: ‘tator on a stick. I took a picture, but decided not to post it*

*it took me a minute to understand fully the meaning here — at first I was thinking of the state fair, but finally it hit me that tator = dictator. Memories of reading Simon Schma’s Citizens about the French Revolution and heads on pikes being paraded around Paris. A sad and scary time in this country to have a president who foments such violence and violent responses in others.

You

1

A line from Endi Bogue Hartigan’s poem “Running Sentences”:

First the cloud of gnats first the movement through the cloud
and then the body, not a cloud

Something about running through gnats — which I’ve done many times — and the body as not a cloud, triggered past thoughts about encountering someone on the trail and what happens to the You in the time/space between my Thank you and someone else’s You’re welcome when I thanked them for moving over.

2

These were the original thoughts, from a 31 may 2023 log entry:

I had a breakthrough in the second mile as I passed a walker and a dog on the Winchell Trail. They noticed me before I reached them and moved to the side. I said thank you and the woman replied you’re welcome. As I continued running on the steep-ish trail with no railing I thought about how when I said thank you, I was the I, she was the you. But when she answered you’re welcome, I become the you and she the I. Each of us both. Then I started thinking about the space and time between when we each embodied the pronoun, before my I turned into a you or her you into and I. This is the space of possibility where unhitching can happen, when we can be both a you and an I or something else that doesn’t divide and separate or assign us a fixed role — as active I or passive you. A moment when we can experience or behold the is below the threshold of thought, over and above society and its constructs.

31 may 2023

3

And here’s an excerpt from the draft of the poem I wrote:

first movement,
a making

space for each
other, then

a cloud of
Yous to pass

through. Bodies
enter cloud,

cloud enters
bodies

sept 3/RUN

3.1 miles
2 trails + tunnel of trees
56 degrees / humidity: 80%

Fall! Cooler this morning for my run. Windy, too. Ran south on the paved path, then north on the Winchell Trail. Heard kids arriving at Dowling Elementary. It’s the second day of school. Also heard wind rushing through the trees and some water falling out of the sewer at 42nd but not at 44th. No rowers or packs of runners or fragments of conversation.

Chanted in triple berries — strawberry/blueberry/raspberry — for several minutes then other triples — mystery/mystery/mystery deepening/quieting/deepening interior/exterior/deep deep down Thought about surfaces again and their value. Wondered: should I spend a month studying surfaces?

Listened to my “The Wheeling Life” playlist for the last mile of the run. Started with “Proud Mary” and my feet found the fast beat. I swung my arms back and forth but imagined they were rolling like wheels. Rollin’ Rollin’ Gave the most attention to the lyrics of XTC’s “Season Cycle”:

Darling, don’t you ever sit and ponder (darling, did you ever think)
About the building of the hills a-yonder (all this life stuff’s closely linked?)
Where we’re going in this verdant spiral
(‘Round and ’round) who’s pushing the pedals on the season cycle?

It’s September, so it is time to wrap up my reading of Endi Bogue Hartigan’s oh orchid o’clock. Here’s another great hour entry:

hour entry: The hawk is an approximate whisking together/ Endi Bogue Hartigan

The hawk is an approximate whisking together of fractions of itself the 23 intervals in the second the eye can see the 500 intervals in the second the ear can hear the 100 intervals in the second the bird can see. The second is forming midair like any duration or station in sun. Say “look a red-tailed hawk” and in that second the alliterative span of flashes of light formed by a moving pinking-sheared wing shape becomes it. I wish my words to become unfit for a second, to not make such burred sad sounds. The unspoken fractions of our seconds are expressed imprecisely all the time in seconds. “I’ll be there in a second.” “He was gone for a second.” “The next second they were on the ground.”

intervals / frames per second / illusion: converting what’s still into motion, what’s motion into a still / duration station span / blurred imprecise approximate

motion, the animation of the still
still, the freezing of motion
Oliver’s quieting of the spirit = slowing and smoothing of the motion

aug 30/RUN

4 miles
minnehaha falls and back
63 degrees / humidity: 86%

Felt cooler at the beginning, then the sun came out. Warm! A good run. There was a nice spray coming off of the falls and lots of people taking selfies. I felt strong and able to run 2.25 miles without stopping for a walk break. A slow, steady progression towards more endurance. By winter will I be able to run 10 miles without stopping? I hope so.

Listened to cars and one runner’s slapping feet and rushing water on the first half of my run, then my “Slappin’ Shadows” playlist on the second half. I was hoping that listening to songs about shadows would make more of them appear! Did it? I don’t think so.

10 Things

  1. a speedy runner sprinting past me, his feet striking the ground with a loud slap — Slap! Slap! Slap!
  2. crunch crunch — discarded acorn shells on the trail
  3. the steady whooshing of car wheels
  4. 2 walkers, or maybe runners who were taking a walk break, walking towards me, one of them saying, let’s turn around, the other, let me get some water up ahead first
  5. empty benches, including the one above the edge of the world
  6. crash! crash! some critter rooting around in the bushes in the park
  7. kids laughing and yelling at the park playground
  8. a runner with a white shirt wrapped around her waist, running on the bike path, then on the edge closest to the bike path, forcing runners and bikers to more around her
  9. a roller skier on the walking trail doing a strangely slow shuffling exercise with her poles and roller skis
  10. a coxswain down below — rowers!

quieting of the spirit (from 29 aug 2024)

stillness: Anne Carson and taming uncontrolled movement:

The other day I discovered an essay by Anne Carson about her experiences with Parkinson’s, especially with trying to navigate tremors and tame uncontrolled movement. My experiences with vision loss are very different, yet I recognize similarities in terms of focused attention as a way to combat constant motion.

Righting oneself against a current that never ceases to pull: the books tell me to pay conscious, continual attention to actions like walking, writing, brushing my teeth, if I want to inhibit or delay the failure of neurons in the brain. It is hard to live within constant striving. 

Gloves on!/ Anne Carson

*

Since being diagnosed with a degenerative eye disease, I’m giving conscious, but maybe not constant, attention to how I see, to the complicated process of seeing. Some of this attention is out of curiosity and astonishment. And some of it is about helping neurons to fire in new ways and learning how to see differently. 

The uncontrolled motion I experience is not tremors, but images that constantly shift and shimmer and buzz, usually in ways too subtle to see clearly. I feel them — soft notes of disorientation, dizziness, restlessness. Maybe you could call them tremors? The ground never ceasing to unsettle.

Recently, I’ve been writing about the different definitions of still. Is the constant motion I see never still? I’m not sure. I think I’m striving for new ways of defining that word and of accessing the feeling of being still, enough, calm.

still / enough / calm / quieter

Here are 2 more poems from Hartigan’s excellent collection, On Orchid O’clock that I want to put beside each other:

hour entry: Sorry, I am at the gym this instant/ Endi Bogue Hartigan

I am at the gym again this instant and of it, in its treadmills, its black tongues and beetle shines its oily handles in time and time and time intervals and people cupped and kept in beeps and measures, always. I’m nearly half done with my pre-programmed eliiptical slot, having spent 211 calories. This very instant a woman, having come in from the street, is staring at the smeared glass of the vending machine an instant too long, the change hot in her palm, a kind of calm as yet unspent. And I am bent away from God, running horizontally in place, & all instance protests movement, all instance must be thick with protest, coated with candle wax of sadness, walking upright like unlit wicks.

The treadmills black tongue / time and time and time intervals (intervals as verb?) / people cupped and kept in beeps and measures / 211 calories / I am bent away from God

hour entry: Orchids because orchids are impossibly mimicking / Endi Bogue Hartigan

Orchids because orchids are impossibly mimicking the milk fluid capture of being orchids, orchids because they are grown commercially in soldiering rows in hothouse tents, because they are given as gifts for merely being orchids, because they are inherently exceeding themselves and held as if rare, though they are not, their stems are second hands untimed and slightly skewed to binding. Orchids because they are wrist-colored, because they are eyelid textured, because they are partial light captured, because they are hard to keep living. And on the slope of a hillside of a rainforest of my childhood was an orchid nursery. I don’t know I ever entered it, but knew the plastic walls sweat.

I love the repetition in this poem — the orchids, because
orchids as partial light captured / eyes as orchid textured / the slope of a hillside of a rainforest of my childhood

aug 26/BIKESWIM

bike: 8.6 miles
lake nokomis and back
62/66 degrees

Feeling a bit tired and out of it this morning. Yesterday, Scott and I biked over to the State Fair and spent the entire day walking around with 145,000 other people (a record!). Wow, crowded. And fun. And great to bike there instead of driving or taking a bus. We biked 10 miles and walked almost 9.

Even with all of yesterday’s exercise, today’s bike ride wasn’t too difficult. Not easy to see with the gray sky, but not too many people around so it didn’t matter. Encountered acorns, walkers, runners, a few other bikers, and one dude on a hover board.

swim: 1 loop (6 mini loops)
30 minutes
lake nokomis main beach
65 degrees

The water looked smooth and silvery from the shore, so I was excited to get in. When I did, uh-oh, a film of green. Not quite looking like green paint, but not not looking like green paint either. Blue-green algae blooms? I got out and walked the shore, wondering what to do. Was it an isolated patch? Should I stay out of the water? I was thinking of biking over to the other beach when I saw another swimmer get in. Decided to go for it, but only a shorter swim until the testing results come out later today — they always test the water on Mondays with results on Tuesdays.

It felt great to be in the water, but I was uneasy. Would I run into slime? No, but I encountered even more milfoil than usual. So many vines reaching up to tap my foot or wrap around my wrist. No thanks.

Out, just past the white buoys, the water didn’t seem too bad — no slime, not that green. Quiet, calm. No boats or other swimmers. One seagull that was committed to their perch on a white buoy. 4 geese having a conversation on the edge of the shore. A few ducks. The water was colder. By the 6th loop, my hands and feet were getting a little numb. Time to get out!

10 Things

  1. swirls of green on the surface when looking from abover
  2. goose poop on the sand, feathers in the water
  3. thick, opaque water
  4. a silvery surface in the distance
  5. seagull on a buoy
  6. swimming directly over some clusters of milfoil, inches from my face, its sudden appearance was unsettling
  7. a feathery soft tap on my heel — swimming over milfoil
  8. a kid at the nearby playground repeating the same phrase over and over (6, 7, 8? times) it’s so quiet
  9. wading through water, a line of green at the point of contact between suit and lake
  10. clouds then, at the end, the sun breaking through

Swimming One Day

With today’s morning swim, I’m done to 56 minutes left. If it were actually a day, it would be 11:04 pm. Very close. Hopefully the lake won’t be shut down with algae blooms in a few hours! If that happens, I will still swim the 24 hours by finding water somewhere, but it will be more difficult.

hour entry: That it never/ Endi Bogue Hartigan

-That in 1751 Carolus Linneas conceived of a floral clock, a botanical garden designed with species that blossomed predictably at certain hours of day, so that walking through it, one could tell time from the petals.

That it never worked may have been critical to the pollen of future ruins and revolts, that the lily wrist opacity decided not to show itself, that 6:00 industry was lost to the ants and the nectar chambers, that I got nothing intended done all day and coworkers floated between cubicle sunbeams, that the cockle shell women and the snapdragon breaths and the pin code clues and the politicians’ shoes never quite stood to stand there in a punctuating sequence, that all sequence would stymy and revolt, that Mary mary, alarm and delay and caterpillar-staring, that the empirical battalion of the flower clock disintegrated by noon, that subsequently there would be wilderness of soon and soon and soon where the ruins of the instrument held us.

flowers:
lily / wrist, as in wrist watch?


cockle shell
snapdragons / pin flower?
politicians

Miss Mary Mary

a wilderness of soon and soon and soon!

Is this poem in the collection that mostly directly references the title, on orchid o’clock? Possibly. I love the idea of a botanical clock! And also, I don’t. What a delightful way to connect the natural world with our sense of time and what an impossible way to impose invented time on the natural world. And that wilderness of soon by noon? I love that as a description of rewilding! I want to memorize this poem for tomorrow’s swim!

An idea somehow inspired by giving attention to this poem : 24 short poems — inklings? — about swimming one day in august.

aug 23/SWIM

3 loops
54 minutes
lake nokomis main beach
62 degrees

A little colder this morning. The water was warmer than the air. Windy, too. I liked how the wind made the water choppier — another day of gentle rocking. Swam loops off of the main beach, near the 4 white cylindrical buoys. I wasn’t too close to them because of all of the milfoil just under the surface. So many vines reaching up to briefly wrap around my heels and ankles!

I was joined in the lake by the vines, a few seagulls, maybe a duck (can’t remember), a silver canoe in the wading area with at least 2 people in it, fish (I’m imagining), my sparkle friends, and, at the end, 2 cute little kids and an adult (Dad?) giving one of them a piggy back ride and singing a silly song to them. again! again! they cried.

Wow, did I feel the deepening and quieting of the spirit! Recited Oliver’s poem and thought about that quieting as a stillness in my core, and the stillness not as motionless but a steadiness — enduring, endurance, duration, durable. I was less certain about the deepening. Not going too deep in the water; I like to be just under the surface. And not deep and thinking too much — I’m remembering Maxine Kumin’s line about the thinker as the sinker. I like deepening as commitment, a rootedness, a settling in.

I condensed the words in Oliver’s first verse:

now time said / quiet happens
now I / flux
now / I quiets / flux happens

I’m thinking of deepening and quieting as condensing. Getting to the essence of something, removing the layers, cutting through the flux of happenings to a/the core.

hour entry: it is reported/ Endi Hogue Hartigan

It is reported that 11th century Chinese peoples employed a wooden clocklike instrument that calibrated time by burning camphor, rhubarb, aromatic scents through the particular mapped incineration path of freshest ash, one could map the hour of day… it is Mountain Pear o’clock, it is Pine Ball it is Maze Petal it is Spine Curl o’clock, only part of this is imagined.

calibrate burning / mapped incineration / pine petal / spine curl / imagined mountain

aug 21/RUNSWIM

3.6 miles
locks and dam #1
74 degrees
humidity: 88% / dew point: 65

I’m trying to write this entry but I’m distracted by the little kids next door in the front yard — such cute voices. One of them was singing a song — take this grass. . .broken world. . . broken glass.

Refrain: hot, humid. Even so, a better run today than the last one I did. When was that? Tuesday (checked my log). Ran all the way to the bottom of the locks and dam #1 hill without stopping. Noticed the river. Such reflections! Clouds, trees, the bridge. Took a picture:

bridge / clouds / surface / sky

The water was smooth beneath the bridge and rippled (corrugated, as Anne Carson wrote) farther out.

Everything is still this morning, calm, quiet. Partly inspired by my 21 aug 2024 entry, I thought about being still. Not as not moving, but as a calm, steadiness. Stillness as the space between beats, when both of my feet are off the ground. Or, stillness as my strong core that floats through that space — suspended as held up in the air, not as stopped.

10 Bridge Things

  1. at the top of the hill, in-between the top and bottom of the bridge, a family was sitting on a bench
  2. the gate near the columns of the bridge was unlatched and slight ajar
  3. beyond it, hollowed out bricks with a strange pattern
  4. empty benches all the way down
  5. the reflection of the bridge on the water’s surface, upside down
  6. a car nearing the bottom, voices — couldn’t hear what they were saying but imagined it was about whether or not the locks and dam was open
  7. the echo of my footsteps under the bridge
  8. the clicking of a bike’s gear across the service road
  9. thought about what RJP told me yesterday: someone went over this locks and dam in a canoe (or was it a kayak?) yesterday
  10. at the top of the hill again, a man read the sign to a little kid who started jumping and asked him to join — by the time I reached them, they were both jumping and laughing and making goofy noises

the deepening and quieting of the spirit
among the flux of happenings

still

I thought about being quiet and calm and the opposite of restless and anxious. Then I thought about my core — literally and figuratively. Core = my core muscles, strong back, a straight spine. Core = enduring values, character. I felt the stillness within my self and my body even as the world blurred and floated and drifted around me. Then, Mary Oliver’s “deepening and quieting of the spirit” popped into my head — amongst the flux of happenings. Yes! A stillness of the spirit, where stillness is being satisfied and balanced and present in the moment, not needing to do more or feel guilt or regret for what was or wasn’t done. 

21 aug 2023 log entry

I still the clock./ Endi Bogue Hartigan

/I still the clock.

/I still the clock by holding the pendulum coin still so that
the mechanism stops
and I can sleep without the consciousness of it.

to still the clock is a ritual of the demagnification of clocks.

/it is a kind of violence of fiction for the clock to not
function as a clock while others click and breathe and blink.

the eyes blink more before they stop functioning as eyes.

/the rapid eye movement of dream frightening being pure
pulse, pure frenetic zag force

/to watch a gold-painted platinum extravagant clock you’re an excess you’re
a fire you’re in competition with the tiredness of time.
/to hold in your satiny eyelids the still unstill pendulum of
the gaudy machination you are in unison

with the aspirant expirations of the day.

still / holding / pending / stop
sleep / not function /
click / breathe / blink / dream / pulse / excess / rapid fire extravagance / tiredness / still unstill / aspire to expire

underwater the end (expiration) is the breath (expire)
the end / forced above / evicted from below / no longer water but air

In this poem, to still is to stop, to end, the deep sleep

swim: 6 loops
110 minutes
cedar lake open swim
82 degrees

The final open swim of the season. It goes so fast! Another great night for a swim. Warm, sunny. I liked that the wind made the water less smooth — not too rough, a gentle rocking. The course was set up strangely and even though I complained about it afterwards, I think I liked the challenge of it. One buoy was in the middle of the lake, the other was at the far left edge of hidden beach. At first I worried that this set-up would cause chaos with swimmers crossing over the path and running into to each other, but it was fine.

a risky moment: Because the course was so far to the left, I swam in water I haven’t before. Almost halfway across, I swam straight into a nest of vines — the biggest cluster of vines I’ve ever experienced. I didn’t panic and was able to swim out of it, but I could imagine a weaker swimmer struggling to free themselves and getting wrapped more tightly. As I swam away from it, I thought about the high school football player that drowned off of the little beach at lake nokomis about 10 years ago. That’s probably how it happened.

Some things irritated me: the swimmer that I tried to pass but sped up to prevent it, another swimmer stopped at the buoy, blocking the way, the unmoving lifeguard on his kayak too close in on the course, the bright sun making it almost impossible to see anything on the way back, the scratchy vines. But more things relaxed and delighted me: the gentle water, feeling strong and able to swim for so long, swimming past other swimmers like they were standing still, the faint clouds in the sky, the solitary orange buoy sitting on the surface of the water glowing, glimpsing other swimmers off in the distance — only inklings: the flash of a yellow or orange buoy, a bright pink cap, white foamy water.

overheard:

a mom with 2 kids, one who was around 4 or 5, the other a baby in her arms, to a lifeguard: Can he swim out to the orange pyramid?
lifeguard: (thinking she meant the baby and not the kid) alone?
mom: oh no, not the baby!

Later I heard her recounting the story to a friend. They were laughing about it.

At the end of the second to last loop, I stopped at the beach, stood in the shallow water and the sand, checked my watch, and decided to do one more loop. For the final loop, I felt Mary Oliver’s one day in August, everything calm and quiet. I thought about what a great season it has been, how grateful I am to have this time swimming, and how satisfied I am to have taken advantage of it. No open swims until next June. I thought about how no next season is guaranteed; a lot could happen between now and then. Then I remember the story of my great-grandmother Johanna standing out in the field at the farm near the end of the fall to behold the familiar view, wondering if she’d still be around the next fall.

aug 20/BIKESWIMSWIM

bike: 8.6 miles
lake nokomis and back
71 degrees

Hooray for biking to a lake that is open again! Had a few (almost) moments of panic — maybe not panic, but feeling unsettled. Everything blurred or smudged. I could see enough but not as much as I wanted to. The rest of the time, the ride was more than fine.

Nearing the double bridge, I could hear a bike approaching from behind. I slowed down to let him pass and he called out, in a chill and kind voice, you’re good — it’s single file here. After making it through the bridge, as he passed me, he called, those e-bikes are scary! I agreed, but wasn’t sure why he mentioned it. Only now, writing this, did I remember that some e-bike passed me going very fast and without warning me. I suppose that was what he was referring to.

swim: 1.75 loops (6 mini loops)
45 minutes
lake nokomis main beach
72 degrees

The lake and the beach were empty. Noticed some signs near the shore — oh no, is the beach still closed? Nope. Those signs were for more information about blue-green algae and weren’t announcing that the beach was closed.

The water was great. Not too cold, clearer than cedar lake. Saw some of my sparkle friends and a lot of ducks. At least 2 different ducks crossed my path as I swam. quack quack

Forgot to count loops; counted number of strokes for one loop (250) and each of the four white cylindrical buoys as I swam past them, and my five strokes between breaths.

Encountered a lot of pale milfoil, a few paddle boarders, a canoe. No other swimmers.

Right before starting my swim, I heard a dog barking on the other side. Something about the deep sound, repeated half a dozen times, that seemed solemn or ominous.

It was wonderful to be swimming in lake nokomis all alone. So quiet! So relaxed. A definite deepening and quieting of the spirit.

For part of a loop, I recalled the woman I met who had been bit by a fish and was unsettled. Will any fish come and bite me today? Then I remembered that it annoyed her, but it didn’t seem to hurt or haunt her. Barely a nibble.

Later, I recall thinking about how my world is always underwater: distorted and approximate forms, softened features, a sense of disconnection but also a new logic of connection. Right after that thought, I noticed how underwater was green, above blue — blue sky, blue surface, green everything else

hour entry: I made a chart today a beautiful/ Endi Bogue Hartigan

I made a chart today a beautiful weekly chart for links and breakages and shoulder pulls and astronaut walks. Some items are measured in repetitions, some in minutes and I endeavor to note on which days I have devoted my body’s minutes and repeated movements through time space onto this chart. At the end I hope for late endorphin states, and an even gait, and for uncertain ailments to dissipate by my discipline.

chart / shoulders / repetitions / measured minutes / devotion to minutes to repetitions to even gaits to uncertain ailments

What does my watch watch?

minutes / loops / beats / strokes / effort / uneven gaits / balance / breath / pace / distance / errors / miscalculations / days / dates / hours / location / light / how loud that military plane flying overhead was / ambient light / laziness / discipline / dedication / obsessions / hesitations / regrets

swim: 3.25 loops
75 minutes
cedar lake open swim
81 degrees

Another beautiful night for a swim! And the buoys were back where they belong: close to point and hidden beach. I didn’t feel too sore even though I swam earlier today. My shoulders were fine the whole swim, but my right tricep started to ache on the second to last loop.

Everything was great in the water except the vines. So many vines — strands, clumps, nets of vines. I kept swimming through them and as they hit me with their sharp scratchiness, I flinched. I’m glad I didn’t pull something in my neck with all the flinching I was doing! And the vines didn’t want to leave. They wrapped around my feet, my wrists, shoulders, head. One persistent clump wrapped around my safety buoy and kept tapping me on the thigh until I finally realized what it was and ripped it off and threw it.

The sky was blue with a few fluffy clouds and an occasional soaring bird. Oh, and a dragonfly! I haven’t seen many of those this summer.

Today I noticed the spray from my arm as I lifted it out of the water. Dripping in an arc as my hand traveled from my hip to past my head and back into the water.

One more day of open swim club. How can it be over already?

aug 18/SWIM

5 loops (9 cedar loops)
95 minutes
cedar lake open swim
77 degrees

A fabulous evening: no wind, sun, calm water. I felt so strong and buoyant for much of the swim. High on the water, a steady kick, strong arms. The light around 7 was that great late summer evening light. The sun setting earlier than in July — a chance to see a different sort of sparkle on the surface. Point beach was shallower than usual. I was able to stand up farther out than I ever have before — or, was I just standing in a different spot? The floor of this beach is very uneven. Lots of prickly vines, single strands passing slowly over my legs, clusters or clumps or knots almost getting tangled with my kicking feet.

before the swim

Continuing to read and think about Endi Bogue Hartigan’s on orchid o’clock as I experiment with what it could mean to swim one day in august. In process note #27, Hartigan writes this about the process of working on the book:

I dove into reading about the history of horology, clock systems, and theories/philosophies of time and my mind wandered through these histories for years, clock history being an incredible palimpsest of histories: religious, industrial, scientific, astronomical, governmental, economic, natural, more. The history of clocks and time measure includes everything from the capitalist puppetry of measuring industrial time to drive efficiency, to the synchronization with atomic clocks from computers where real time headline bleed into our screens and consciousness, to medieval monks creating mechanisms to wake for morning prayers. Time itself as a concept has no one definition. And while clock measure is cultural it is also so personal, is used to keep us close to our beloved ones and moments. I wrote from this interlay, and the more I wrote the more I wrestled with how we inherit these interwoven histories and constraints, but also fight against them and can slip boundless out of them. 

The mechanization and measurement of time. I’m thinking of the second verse of Oliver’s poem:

Something had pestered me so much
I thought my heart would break.
I mean, the mechanical part.

The mechanical part. The clock! That twelve-figured moon skull, that white spider belly! Regular. Ordering disorderly life. Ordinary (Oliver, Upstream). the hours on their rounds, twelve white collar workers who manage the schedules of water (A Oswald, Dart).

Precise. Neat little boxes. Nothing approximate about it, exact. The closest I can get to precision when measuring my encounter with lake water. The next closest is arm strokes, but only because I’m steady with my strokes and rarely stop or vary it. My Apple watch records this data. It even distinguishes breast stroke from freestyle. How?

It’s 150 strokes o’clock. It’s 30 breaths o’clock.

Where does an Apple watch fit into the study of clocks? To my swimming one day in August?

Later in her process notes, Hartigan describes the three forms she uses in her book:

The forms I arrived at became a way of moving with different paces in time, moving in primarily three different forms/paces: hour entries which are prose-like and which move at a slower loosely-shadowed mental pace that allows for sentences; second entries which are like little insect legs notching forward with alliteration and gap-jumping nonlinear narratives; and a variety of lyrics that often use the slash as an entrance. They work together and of course the forms mix and disrupt their own boundaries too. The slash was important to my mental movement. 

Very cool. I’m thinking about my own forms and how to express different modes of swimming in the lake. Inklings, which is the chapbook I’m working on, are short 5 syllable, 5 line, flash encounters with the lake. Brief glimpses, approximations, things witnessed in the midst of motion. Then I have some shortened sonnets — 5 syllable 14 line poems represent more sustained encounters. What other form to use, and what does it represent?

hour entry: “calendaring” is a verb/ Endi Bouge Hartigan

“Calendaring” is a verb. You can “clock yourself in.” These terms like rows of hothouse orchids living in some God-forsaken pre-purchase interval steam. New verbs for new measures, new signs of transaction as home, this moon hour spent “off the clock,” but tracked, this noon hour packed in screen-time and foam, this stem of the orchid holding itself up as an orchid. you can even check off “orchid,” you can list for Tuesday, “unnatural hothouse mixture of purple and green.”

clock yourself in / measuring data / transactor or transacted or transaction? / tracked / tricked / off the clock / on the clock / in the clock

calendar / 7 days / every day / any day / a certain day / day after day / all day / once a day / 30 days has september

orchids in rows / hothouse / swimmers doing loops / a dredged-out lake / unnatural green / fertilizer run-off / blue-green algae o-clock / an exchange — a perfect lawn for an unswimmable lake

during the swim

Thought about days and remembered my “On This Day” practice. I should use that in my thinking and writing about one day in August. Also thought about another way, in addition to minutes, strokes, and distance, that I use to measure duration: active calories. Finally, as I counted my strokes between breaths — 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left — I thought about counting as a comforting practice and about counting and accumulation (minutes/hours accrued) versus counting as a repeating of numbers with no accumulation (1 2 3 4 5 breathe). Of course, there is accumulation with these strokes and I keep track of it on my watch: total number of strokes. But, the act of counting in the water over and over is different.

aug 17/SWIM

4 loops (8 cedar loops)
95 minutes
cedar lake open swim
69 degrees

Would it rain? Would they cancel the swim? It seemed uncertain when I woke up to gloom, but the storm stayed south and the water was great. Smooth, mostly calm, not too crowded, easy to see. The first 3 and a half loops felt so easy and fast. I stopped at hidden beach for a quick break and a chance to see the lake from above the water for more than a brief flash every 5 strokes. The beach was quiet, empty. I could hear wind in the trees, then some bugs. I think I saw a few people getting ready to do open swim. They were up in the grass putting on wetsuits. Started swimming again and did another 3 loops before taking a minute or two break at hidden beach again. swam 1.5 more loops before deciding I was done — my legs decided for us. Nearing the first buoy, my legs felt like they were about to cramp, so I stopped kicking and dragged myself in for the last 50 feet or so.

strange vision

Several times, something strange happened with my color vision. Looking up quickly to sight, I noticed the lifeguard’s kayak. Instead of red in looked white and (almost) robin’s egg blue. Later, getting closer to more than one swimmer, their swim cap was white and the same blue instead of bright pink. Both with the kayak and the caps, when I got closer they returned to normal — red and pink.

10+ Things

  1. white sky — sometimes I could see the sun through the clouds, but it never emerged
  2. a swirl of vines, passing over my head, shoulders, torso, lingering near my ankles
  3. the swimming area at hidden beach was wide and long and almost empty — at least one other open swimmer was standing in the shallow water
  4. for the first 4 loops, the water was all smooth, during loop 5 it was much choppier heading to hidden beach
  5. a bird in the air — was it big or small? I couldn’t quite tell. I’m thinking small
  6. opaque water
  7. a scratchy vine, pricking my arm
  8. noticing the surface above the water from my vantage point: submerged, only my eyes out of the water, like an alligator
  9. stopping at the little beach: a dog barking, a collar clanging
  10. making note of the procession of swimmers on the other side of the course, heading to hidden beach when I was heading from it — a slow and steady line of swimmer
  11. after the swim, walking past a big puddle on the dirt/gravel road, its surface had scales on it from the wind

I never got completely lost in the swim, although I had moments where I wasn’t thinking about my stroke or breathing or sighting.

Thinking about time, last night I started reading Endi Bogue Hartigan’s on orchid o’clock. Here’s the opening poem, which I think will be a great inspiration for me in playing around with “one day in august.”

I’m talking about the rotation/ Endi Bogue Hartigan

—The predictable commencement of annual flooding of the Nile River is said to have formed the foundation of the ancient Egyptian calendar. Calculations were made using nilometers, vertical water-measurement devices, influencing taxation, crop planning, and more.

I’m talking about the black cows in the pasture along the highway between here and the office: some days the black cows’ snouts are pointed in the same direction in the morning and the opposite direction in the evening, all 200-300 or so, parallel dipping their snouts: some days they are helter-skelter; some days the shadows are crisp some days the shadows are swallowed but they have shadows on all days; and the wet eyes of the cows have an angle with which they lean into the wet grass, so they are a kind of dials to themselves and their light, visible to themselves or not. I might be comforted driving by saying cow shadow o’clock, saying east black cow o’clock, I might be comforted by talking about their rotation.

/it is child eyelash o’clock /it is having to look o’clock it is
Nile flood o’clock /it is percolate o’clock

/it is morning birds plus socket sound of car closing / 21st century pastoral
o’clock it is flashflood fear o’clock /it is TV van at the shooting site rim

/it is miscount of the dead o’clock
/it is remember to call remember to call find a corner to make a call o’clock

/it is the blue jay screech o’clock /it is having to look o’clock
/it is innocent eyelash o’clock /it is the clock continuing despite

o’clock /people emptying from their eyes
/it is yesterday’s rose-dew o’clock

/it is tearing the work blouse off its hanger o’clock/ it is
tearing and not /it is that blouse again that headline again it is

everything I forgot creeping up in tides
/it is people split and swelled

confiding overflow o’clock /it is the shadow of a gun / the shadow of
the cow o’clock /it is what is allowed in the shadow

/it is the president’s turned up o’clock it is America’s deadliness and dailiness
o’clock /it is glued to the headline o’clock

it is lunchhour-beeline o’clock /it is it’s only Tuesday o’clock another
curbside memorial o’clock another caterpillar miracle o’clock another

people emptying from their lives o’clock or into their
lives o’clock the Nile floods every hotspell in this week

/it is child-wake, it is flood of what’s at stake o’clock,
/it is the morning rupture the American rupture that

shadow-bleeds and swells /it is the felling of the shadow o’clock
/I’m talking about the black cows.

Wow!

I found this helpful essay by Hartigan about the book and the process of creating it: process note #2: on orchid o’clock

And here’s an earlier book of hers that might be interesting to check out: Pool (5 choruses)