sept 13/RUN

4 miles
almost to franklin turn around
59 degrees

Such weird weather. Windy. Sunny then cloudy then misting then sunny again. Cool then warm then cool. Listened to my audio book (Once Upon a River) and avoided slow squirrels sauntering on the path. Felt strong and relaxed. Greeted the Daily Walker. Faintly heard some rowers in the gorge. Stepped on and over acorns and piles of fallen leaves littering the path. Occasionally glanced down at the river. Hard to see through all the green. Even when it was overcast and the sun was hidden, I glowed in my neon yellow 2018 10 mile race t-shirt.

Returning to my haibun route project. Started reading Lorine Niedecker’s Lake Superior for inspiration. Here’s an excerpt:

The journey of the rock is never ended. In every tiny part of any living thing are materials that once were rock that turned to soil. These minerals are drawn out of the soil by plant roots and the plant used them to build leaves, stems, flowers and fruits. Plants are eaten by animals. In our blood is iron from plants that draw it out of the soil. Your teeth and bones were once coral. The water you drink has been in clouds over the mountains of Asia and in waterfalls of Africa. The air you breathe has swirled thru places of the earth that no one has ever seen. Every bit of you is a bit of the earth and has been on many strange and wonderful journeys over countless millions of years.

page 7

sept 10/RUN

3.1 miles
trestle turn around
70 degrees
humidity: 84%

Weird (almost) fall weather. Yesterday I had to wear so many more layers, today summer had returned. Humid and hot. Greeted the Daily Walker. Encountered other runners and walkers and bikers. No roller skiers on the path but I did see one on the street later when I took the dog for a walk. Listened to an audio book (Once Upon a River) and noticed the river and a spot in the tunnel of trees that opens up into an amphitheater of air–this spot is different than the one I tried to write about earlier in the summer. So spacious and airy and light–and still quite green. What color will it turn in the next month? Don’t remember noticing any non-green leaves. Today, with the sun so bright and warm, it’s hard to get excited about fall or winter. It feels like summer will never leave.

Reminded by someone on twitter of these great lines from Mary Oliver:

Sometimes/Mary Oliver (in Red Bird):

Instructions for living a life:
Pay Attention.
Be Astonished.
Tell about it.

Mannequin of the Day:

There’s something about this mannequin’s face that makes me think she really doesn’t give a fuck. She doesn’t even care that a ribbon is covering her cheek. It’s the eyes, right?

sept 9/RUN

1.5 miles
river road, north/south
60 degrees

Did a short run today in-between rain drops. It’s starting to look like fall. A few trees are losing leaves or turning red and yellow. Will there be bright orange this fall too? I hope so. In my 20s and 30s, I didn’t appreciate orange. Too bright or earthy or… orange. Green–darker, more muted–was my favorite. I still love green but I love orange now too. Is it because it was my mom’s favorite color? Maybe. I love bright oranges that glow unnaturally. And earthy, rusty oranges. It’s funny that I like orange now, when I can’t always see it because of my cone dystrophy. I’m thinking of getting some orange sneakers to wear this fall–not to run in, but just to wear and admire.

Right now I’m reading Ross Gay’s The Book of Delights and listening to podcast interviews with him and thinking about his ethics/politics/pedagogy of delight. So wonderful! Here’s one of his poems from a few years back:

Sorrow Is Not My Name
BY ROSS GAY

—after Gwendolyn Brooks
No matter the pull toward brink. No
matter the florid, deep sleep awaits.
There is a time for everything. Look,
just this morning a vulture
nodded his red, grizzled head at me,
and I looked at him, admiring
the sickle of his beak.
Then the wind kicked up, and,
after arranging that good suit of feathers
he up and took off.
Just like that. And to boot,
there are, on this planet alone, something like two
million naturally occurring sweet things,
some with names so generous as to kick
the steel from my knees: agave, persimmon,
stick ball, the purple okra I bought for two bucks
at the market. Think of that. The long night,
the skeleton in the mirror, the man behind me
on the bus taking notes, yeah, yeah.
But look; my niece is running through a field
calling my name. My neighbor sings like an angel
and at the end of my block is a basketball court.
I remember. My color’s green. I’m spring.
—for Walter Aikens

“there are, on this planet alone, something like two/million naturally occurring sweet things,/some with names so generous as to kick/the steel from my knees…”

sept 8/RUN

4 miles
almost to franklin bridge turn around
54 degrees
light rain

Ran in the rain. Just a light drizzle that I could barely feel. Nice. Listened to an audio book. Forgot to check if there were any stones stacked on the boulder. Looked for, but couldn’t find, the forest floor. Still too many leaves. Noticed a few changing colors, turning yellow. Thought I heard some cheering from the gorge. A rowing competition? Passed the Daily Walker, good morning-ed him on the way back. Worked on lifting my head, straightening my back. Saw a few squirrels, a dog, a roller skier, bikers, runners, walkers–lots of people out in the rain. Didn’t really see the river, only an occasional flash of white through the trees. I loved my run this morning.

Found this poem this morning while searching for the subject “september” on poets.org. Thinking about my mom and the 10th anniversary of her death at the end of this month. I deeply feel this profit and loss in my own grief and also the idea of not trying to assess it or to reconcile the feeling of loss with the unexpected joys it has brought–like a deeper appreciation of the woods or a football game or, in my case, the leaves in the gorge. The more I read this poem, the more I love it. Such a beautiful way to express the process of learning to live with grief.

Mannequin of the day:

Is the white in the middle of the pupil just because the paint is wearing off, or is it an artistic effort to indicate life/a spark/a soul within?

I find delight (reading Ross Gay’s wonderful, The Book of Delights, I’m trying to be better about claiming my own quirky delights) in this mannequin and her continued (and improbable) presence at the State Fair in a space barely touched by progress where the amateur is celebrated and beauty is never slicked up. Every year, walking into the creative activities building and seeing these cracked, faded, weathered mannequins still adorned in handmade hats and coats and scarves and sweaters, looking creepy and odd, I am delighted–and not in an ironic, hipster way. Here, the ugly and old and outdated have a space. I think I’m almost able to articulate this delight, but not quite. I’ll keep working at it. Something about how these mannequins represent resistance to the relentless need (by capitalism) to constantly change things to make them better! and newer! and prettier! and, in doing so, erase/remove/destroy those things which don’t fit their vision of better/newer/prettier. I love things that are ugly and overlooked and unsettling.

september 2/RUN

3 miles
trestle turn around
64 degrees
humidity: 85%

Back home. Last day before school starts for the kids. Heard the rowers on the river, geese traveling south above my head. Spotted a fat tire, a roller skier, several runners. No Daily Walker or man in black. Made sure to look at the river, but forgot to check out the floodplain forest. Noticed that there were no stones stacked on top of the ancient boulder. Smelled an over-filled porta potty. Whacked my elbow on a tree, running too close to it. As my vision declines, I have started to run into more things. Chanted in 3s: raspberry, blueberry, strawberry. Tried to think of other 3 syllable words as I ran: mystery, ambitious, remember, September, decadent, difficult. Tried to unsuccessfully remember the words to “try to remember”:

Try to remember the kind of September,
When life was slow and oh so mellow.
Try to remember the kind of September,
When grass was green and grain was yellow.
Try to remember the kind of September,
When you were a tender and callow fellow.
Try to remember, and if you remember,
Then follow (follow) follow (follow) follow

My godfather sang this at my mom’s funeral almost 10 years ago. Will this month–her death month–be difficult this year?

Also attempted to recite Silverstein’s “Sick.” All I could remember was: “I cannot go to school today/said little Peggy Ann McKay/I have the measles and the mumps/a gash, a rash and purple bumps…”

Here’s some lines from a poem that I love:

from “Poplar Street“/Chen Chen

Sometimes, parents & children

become the most common strangers. Eventually,
a street appears where they can meet again.

august 30/RUN

3 miles
trestle turn around
55 degrees

In the 50s. Yes! Love the cooler weather. Listened to my audio book–Agatha Christie’s Sad Cypress–and enjoyed feeling cooler and relaxed. I don’t remember much from the run. Didn’t see the Daily Walker or the river. Didn’t hear the clickity-clack of ski poles or the whirring of bike wheels. Lots of traffic backed up when someone was turning left and at the 4 way stop by the greenway. So nice to not be in one of those cars! Finishing the run I felt good. Not sore or tired just strong and excited about more fall and winter running.

august 27/RUN

2.5 miles
two trails
59 degrees

Woke up too tired this morning. Running helped a lot. Windy and cooler. Starting at 8:15, there are lots of cars. Such a crowded parkway! A few runners, some bikers, at least 2 roller skiers. Listened to an audio book up above, the water coming out of the sewer below. At the first pipe, it was a quiet, steady stream. At the second, a little louder and faster. Thought about my breathing and locking it into a rhythm that would keep me steady. 1 2 3/45 up hill and 5 4 3/21 down hill then 1234/5678 Slowly, I’ve been working on poems that mimic my breathing while swimming and running.

This morning I read an essay by Jericho Brown in which he describes his invention of the duplex form. He writes:

I decided to call the form a duplex because something about its repetition and its couplets made me feel like it was a house with two addresses. It is, indeed, a mutt of a form as so many of us in this nation are only now empowered to live fully in all of our identities. I wanted to highlight the trouble of a wall between us who live within a single structure. What happens when that wall is up and what happens when we tear it down? How will we live together? Will we kill each other? Can we be more careful?

At the end of the essay, he lists the rules of the form:

Write a ghazal that is also a sonnet that is also a blues poem of 14 lines, giving each line 9 to 11 syllables.

The first line is echoed in the last line.

The second line of the poem should change our impression of the first line in an unexpected way.

The second line is echoed and becomes the third line.

The fourth line of the poem should change our impression of the third line in an unexpected way.

This continues until the penultimate line becomes the first line of the couplet that leads to the final (and first) line.

For the variations of repeated lines, it is useful to think of the a a’ b scheme of the blues form.

And here’s an example from his latest book, The Tradition:

JERICHO BROWN
DUPLEX (I BEGIN WITH LOVE)

I begin with love, hoping to end there.
I don’t want to leave a messy corpse.

   I don’t want to leave a messy corpse
   Full of medicines that turn in the sun.

Some of my medicines turn in the sun.
Some of us don’t need hell to be good.

   Those who need least, need hell to be good.
   What are the symptoms of your sickness?

Here is one symptom of my sickness:
Men who love me are men who miss me.

   Men who leave me are men who miss me
   In the dream where I am an island.

In the dream where I am an island,
I grow green with hope. I’d like to end there.

august 26/RUN

3.2 miles
trestle turn around
65 degrees

Cooler. Breezier. Overcast. Too many cars rushing past me on the road. Listened to my audio book for a while then took out my headphones. Played chicken with a woman running up by the lake street bridge. I was running to the right, furthest from zooming bikes that might be coming up the hill behind me, she was to the left, also hugging the rail. She wouldn’t move, probably because she was oblivious. I wouldn’t move either because I’m stubborn and need rules, like always stay to the right, because my eyes don’t always work and I can’t see if someone is coming. I was prepared to run into her if she didn’t move, which I recognize is somewhat ridiculous but I get really angry when people don’t pay attention in these simple ways. As someone who can’t always see, other people’s refusal to care can be dangerous. The good news: just a minute or two after that, I completely forgot about it and enjoyed the rest of my run. Didn’t stop to walk at all and looked at the river at least once, but forgot to check if there were any stacked stones on the big old boulder.

I love this poem. I love Maggie Smith. Her mix of joy and grief is so great. So much I love about this poem. Here’s a list:

  • the focus on lists and their connection to and
  • lists of not quite grievances, lists of things loved
  • describing a fear of death as not wanting to be in the dirt
  • the desire for two parts bees humming to one part bee sting
  • idea of repetitions and a workout
  • rhyming hum with tongue
  • the flow of the couplets

Let’s Not Begin/Maggie Smith

Let’s not begin the poem with and,
though it begins that way

in spirit: one in a long list of—
let’s not call them grievances.

I’m trying to love the world,
I am, but is it too much

to ask for two parts bees
vibrating their cups of pollen,

humming a perfect A note,
to one part sting?

Worry and console, worry
and console: it’s how I stay

in shape. See, I’m sweating.
Some nights my daughter cries,

I don’t want to be in the dirt,
and this is what I call a workout.

My heart’s galloping hell
and gone from the paddock—

I don’t want to be in the dirt
because I’ll miss you

and there’s no stopping me.
But let’s not end

with the heart as horse,
fear-lathered, spooked deaf.

I’m trying, I am, for her.
If I list everything I love

about the world, and if the list
is long and heavy enough,

I can lift it over and over—
repetitions, they’re called, reps

to keep my heart on, to keep
the dirt off. Let’s begin

with bees, and the hum,
and the honey singing

on my tongue, and the child
sleeping at last, and, and, and

august 25/RUN

3 miles
two trails

What do I remember from my run today? Noticed the water came out of the sewer pipe in quick bursts. No gurgling or gushing just spurting. Watched the river through the trees–beautiful. The leaning trunk was still there. Lots of bikers and runners. No roller skiers on the trail but one on the road, after I was finished. No rowers–why not? No huge groups of runners–the most I saw together was three.

Three Songs at the End of Summer
Jane Kenyon – 1947-1995

A second crop of hay lies cut
and turned. Five gleaming crows
search and peck between the rows.
They make a low, companionable squawk,
and like midwives and undertakers
possess a weird authority.

Crickets leap from the stubble,
parting before me like the Red Sea.
The garden sprawls and spoils.

Across the lake the campers have learned
to water-ski. They have, or they haven’t.
Sounds of the instructor’s megaphone
suffuse the hazy air. “Relax! Relax!”

Cloud shadows rush over drying hay,
fences, dusty lane, and railroad ravine.
The first yellowing fronds of goldenrod
brighten the margins of the woods.

Schoolbooks, carpools, pleated skirts;
water, silver-still, and a vee of geese.

*

The cicada’s dry monotony breaks
over me. The days are bright
and free, bright and free.

Then why did I cry today
for an hour, with my whole
body, the way babies cry?

*

A white, indifferent morning sky,
and a crow, hectoring from its nest
high in the hemlock, a nest as big
as a laundry basket….
In my childhood
I stood under a dripping oak,
while autumnal fog eddied around my feet,
waiting for the school bus
with a dread that took my breath away.

The damp dirt road gave off
this same complex organic scent.

I had the new books—words, numbers,
and operations with numbers I did not
comprehend—and crayons, unspoiled
by use, in a blue canvas satchel
with red leather straps.

Spruce, inadequate, and alien
I stood at the side of the road.
It was the only life I had.

This poem! I’ve read it before but I don’t think I’ve posted it here. I would love to write an homage (poem or lyric essay) to this. Maybe tomorrow? Love so much about this poem. Right now: Across the lake the campers have learned/ to water-ski. They have, or they haven’t.

august 20/RUNSWIM

3 miles
two trails

Another good run. Down below, on the way back north on the lower trail, I noticed how the first sewer drain I ran by vigorously trickled while the second one sporadically gushed. Heard a bird making the classic bird call through the trees, deep in the gorge, that I imagine when I think of a bird chirping in a forest. So bird. Didn’t take the steps at 38th street again and planned to continue on to the gravel hill just past the social justice keys but took a wrong turn at the fork in the trail and ended up climbing sooner, conveniently right by the water fountain at the 36th street parking lot.

Yesterday I posted a poem with a wonderful use of the word O. (O, to take what we love inside/to carry within us an orchard, to eat/not only the skin, but the shade,/not only the sugar, but the days, to hold/the fruit in our hands, adore it, then bite into/the round jubilance of peach.) So when I saw a poem that takes on the O even more, I wanted to post it. I love the unbridled enthusiasm of an O! (and of the exclamation mark!!)

O, She Says
BY HAILEY LEITHAUSER

O, she says (because she loves to say O),
O to this cloud-break that ravels the night,
O to this moon, its mouthful of sorrow,
O shallow grass and the nettle burr’s bite,

O to heart’s flare, its wobbly satellite,
O step after step in stumbling tempo,
O owl in oak, O rout of black bat flight,
(O moaned in Attic and Esperanto)

O covetous tongue, O fat fandango,
O gnat tango in the hot, ochered light,
O wind whirred leaves in subtle inferno,
O flexing of sea, O stars bolted tight,

O ludicrous swoon, O blind hindsight,
O torching of bridges and blood boiled white,
O sparrow and arrow and hell below,
O, she says, because she loves to say O.

swim: 1.3 miles
cedar lake

Another great swim! I am really enjoying how much smaller cedar lake is. I heard someone say a loop is 600 yards. It’s easier to swim longer and farther and faster. The water was choppy again, which is great. I love battling the waves. I had no problem swimming straight today and had fun passing people.