A beautiful morning! Sunny, only a slight breeze, algae-free water. There were 2 exuberant kids and a scraping shovel somewhere, so it wasn’t quiet above the water. But below: a deep soft-bottomed silence. My only complaint: too much milfoil! The vines were thick and just under the surface, wrapping around my wrist, touching my toe. Once, when I stopped to tread water, a vine encircled my foot. I wasn’t worried about them pulling me under, but I didn’t like brushing against them or having a pale clump suddenly appear in my face. I swam far out from the white buoys to avoid them, but then I had to worry about paddle boarders and kayaks. The vines were irritating enough to make me think maybe open swim season is ending. I want to keep coming this week until they take down the buoys, but navigating these vines is taking some of the fun out of swimming in the lake.
10 Things
2 women on a blanket speaking in Spanish
4 kids playing soccer in the sand, one the kids looked about 2 years old
a big bird high up in the sky, soaring
at least one plane taking off from the nearby airport
aggressive bird shadows — sharp, too close
sparkles on the water
racing a kayak, both of us parallel to the beach — I was winning, then I looped around
a metal detector man waving his machine over the sand
a few shreads of clouds in a pale blue sky
paddle boarders exiting the water — I’m so glad we were able to paddle board! And it wasn’t too warm!
Minutes after my swim, I felt the gentle, burning glow of muscles having been used. I will miss that feeling this winter!
The Poetry Daily’s poem-of-the-day is I, Lorine Niedecker. Very cool and difficult for my cone-compromised eyes to read, I’m glad they included an essay by the author about the process of writing the poem.
Surely, the finest way to appreciate Niedecker would be to read her well. And then repeated reading, reading aloud, transcribing the vibrant phrases on to paper, oh and even framing then. But how to linger in the presence of this voice, and let it echo within oneself, make her a part of oneself? Perhaps by applying Niedecker to Niedecker, I would arrive at a new condensary. De- and re- constructing her poems, deleting words, conflating words, writing through her writing.
After their explanation, Rao offers a writing prompt:
Pick a poet who moves you, isolate their characteristics, and apply this to their work. Using words from within their own work, write the narrative of their poetics or/and biography. Example: Get romantic and didactic with Wordsworth, apply surrealism on André Breton …
Imitation is the best form of flattery, but also of ridicule—so this kind of repetition can function as a spotlight or a spoof. I suggest choosing a poet you absolutely adore, as it’s better to have such a voice under your skin.
Someday I’d like to try this with Niedecker, but right now, I’m more interested in Alice Oswald and her collection, Nobody. And, maybe Mary Oliver, too — especially since I’m using her poem, Swimming, One Day in August.
Ugh — so thick! Oh well, there’s one good thing about this consistently hot and humid weather in the morning: it’s making me want to be done with summer and ready for fall and winter running. My calf almost cramped after 4 minutes of running again. I had to walk it off. I wonder what’s causing this?
Heard a lot of rowers on the river. And not just the coxswain this time; I also heard rowers cheering for each other. Was it a class? The U of M team? I stopped on the winchell trail to try and see them but I couldn’t. Too many leaves in the way.
Evidence of rain everywhere. Lots of mud, gushing and spurting sewers. The pipe that dumps neighborhood water down the ravine and into the river at 44th was loud. I decided to stop and record a video of it. In the background, you can hear the coxswain.
water falls / coxswain calls
When I wasn’t on the winchell trail, I listened to my “Doin’ Time” playlist, including Beck’s “Time Bomb.” The first time I heard that song was in the Funny or Die video with Will Ferrell and ? (can’t remember the other actor) going around Los Angeles and high-fiving everyone. Tried to find a clip of it but couldn’t.
When I looked up “time bomb beck video” a promo video for charity: water came up from 16 years ago. The organization was seeking donations to help in drilling for water in Central Africa. I don’t know enough about whether or not this is a good (effective, responding to the needs of the people by asking them what they need) organization, and I couldn’t tell from the video, partly because I couldn’t see it very well, but its reminder, at the beginning, that water is life and its emphasis on access to water offers an important link between time and water and a powerful contrast between my experience, living among so many lakes, and the experience of others without easy access to water.
I am reminded of a passage in Anne Carson’s “1=1.” After describing a scene of a train car in Europe over-stuffed with people fleeing war zones, she writes:
a scene so much the antithesis of her own morning she cannot enter it. What sense it makes for these two mornings to exist side by side in the world where we live, should this be framed as a question, would not be answerable by philosophy or poetry or finance or by the shallows or the deeps of her own mind, she fears.
1=1/ Anne Carson
Impossible to answer, important to dwell within the discomfort of it.
hour entry:When John Adams wrote / Endi Bogue Hartigan
Another toll, another count of automatic weapon casualties, another occasion of America losing track of its math. I read today that when John Adams wrote “Thirteen Clocks were made to Strike together,” clocks were a tolling of public event, rung, an occasion or station in sun. I slept, and woke, I slept too long and woke. I tried to count the measured world by reading. Read “Thirteen Clocks,” read the late morning sun slant, read the current count outpaces past casualty counts, read “just three percent of adults own half of America’s guns.” Something automatic in measure, too automatic. I woke out of 9.25 hours of sleep I calculated automatically upon waking. I saw a crow out the window that was the occasion of a crow pecking frozen specks. I read the headlines leaking into headlines, saw the orchid sky calculating nothing. I have an inclination to stream and I don’t know what it means today. I have an inclination to lie in my husband’s shoulders crook and let the day snowdrift let the dimness become wide, so a shoulder is a kind of stream too. The argument is made that the streaming of time is a perception trick. The argument is made that we have moved past occasion to incremental measure that we are obsessed with measure and stricken. I have an inclination to obsessively stream, to arise and move not through incremental measures of occasion but through water. The early clocks were water clocks but it was shown that water was imprecise, was subject to pressure and pore—even streams of consciousness can encounter ducts and brim. I am conscious of my husband’s warmth because of more than his warmth. Do not mistake headlines for measure. We were held in God’s soft pocket. Do not mistake automatic grieving for water.
toll / automatic / occasion / track / count measures / measure counts / outpace / streaming time / from occasion to increment / obsess / to stream is to move through water not seconds or minutes or hours / water exceeds measure is imprecise is more than our grief
the imprecision of water clocks / “The history of timekeeping is the story of the search for ever more consistent actions or processes to regulate the rate of a clock.” / “Since the rate of flow of water is very difficult to control accurately, a clock based on that flow could never achieve excellent accuracy. People were naturally led to other approaches.”
precision / division / headline as occasion as increment as measured line between
a line to keep/to use: I have an inclination to obsessively stream, to arise and move not through incremental measures of occasion but through water.
Maybe this could be the title of a poem? Something about softness and imprecision and the inability to be contained in easily measurable ways. And how my vision loss has made for liquid looking (Alice Oswald), and a way to see the same or better than others in the water. Moving through water offers a different logic and makes the existing logic strange — distorted, weathered, unreliable, imprecise.
And now, instead of moving through water, I’m thinking of Bruce Lee’s short poem about being water:
Empty your mind. Be formless shapeless like water now you put water into a cup it becomes the cup you put water into a bottle it becomes the bottle you put it into a tea pot it becomes the tea pot now water can flow or it can craaaaasshh be water my friend
Be water versus be like water. Metaphor versus simile. Metaphor removes the encounter with the other; you become the other (see Anne Carson and the anthropology of water).
people always believe that metaphor is more poetic. But I’ve always loved simile. One of the reasons is that simile keeps both worlds alive at the same time whereas metaphor changes one for another. So you get this beautiful kind of doubled feeling with the simile.
Searching for something else, I just came across this excellent answer to the question, Do you carry a notebook?
AO: No, I don’t much. If I travel like now I do take a notebook. I find by the time I get back home I haven’t got the sort of liveliness. Mostly I try to take things into my head. I really believe in the sort of inarticulate ways of thinking. So the fact that you can read the whole day, all day long, and then when you’re composed it can come out again. I like that process of it not yet being in language, changing your mind round. And I’m more and more wary of the kind of willed and conscious act of writing. More and more I leave my mind to do it by itself. So I will, you know, go out and be kind of shocked by all the colours and pictures and smells and then purposefully not think of them linguistically. I think that the underneath mind will then do the work and that’s the mind I’m interested in. So the skill for me is then learning how to raid that underneath mind and then, when you do pick up a pen, you’re listening just hard enough so that you don’t use your surface mind. You get down to the mind that has taken everything in.
Instead of the underneath mind, the underwater mind, or the just beneath the surface mind? The water-logged mind?
swim: 3 loops (? cedar loops*) 75 minutes cedar lake open swim 85 degrees
*a strange course set-up: the first buoy was halfway out in the lake, the second was close to shore and to the right of hidden beach, so I’m not sure of the distance. Judging my time and effort, I’m guessing that I did 3 nokomis loops.
note: I didn’t have time to write this entry right after my swim, so I’m writing it the next morning.
Another wonderful night with hardly any wind. Beautiful light. Warm water, except for when I stopped swimming to tread water and extend my feet as far below as I could. Then it was cold. Crowded tonight: the last free night of the season. The water was fast, flat, opaque. My goggles were fogged for a lap or two until I licked the inside, then they were clear. I wasn’t sure if that would work, but it did.
My favorite image: on the second half of the loop, heading back to the beginning, breathing to my right and seeing a line of swimmers in the distance heading towards hidden beach. What did I actually see? the rare flash of an arm, a pink cap, churned up water.
After 3.5 loops, I stopped to take a quick break and check my time. Oops, the workout never started. I remember pressing start on my watch, but sometimes this happens. Oh well. Even without the data, I swam for 30 minutes before turning on my workout.
After finishing the swim, drying off in the grass, I encountered another swimmer who had a strange request. A fish bit my mole, could you check to make sure it’s not bleeding? The other day, a fish bit me and when I got home I had a scab.
The fish bite? What? I can’t remember if I’ve written about it this summer, but I haven’t noticed any fish. Not one sighting of a silver flash, definitely no encounters. The other swimmer continued, I’m just so slow out there and they’re attracted to my moles. Yikes!
She joked that she was going to ask her roommate to make fish for dinner so she could get some revenge. With each bite she’d say, I’m not food, YOU’RE food!
4 loops (8 cedar loops) 100 minutes cedar lake open swim 77 degrees
A great swim. I think I’ve only ever swum at cedar lake in the morning one other time, in august of 2019 when lake nokomis was closed for the rest of the season because a few kids pooped near the big beach and the e-coli was crazy high. I liked it, although it took some adjusting. In the late afternoon, the sun is always in my eyes on the back half of the loop. This time, in the morning, it was in my eyes during the front half. The first loop felt great, the second a little harder as I worked on my stroke and breathing properly, but by the third loop I had locked into a steady rhythm. I wasn’t paying attention to my stroke or breath, I was just moving through the water.
10 Things
an orange glow on the water just below the orange buoy
orange at the edge of my vision as I swam
something big and white through the trees and on the shore. When I was swimming, it just looked white, but when I stopped to study it, I realized it was a house
a vine landed on my shoulder and I was able to whip it off with my hand mid-stroke
a small bird flying fast above me
someone with a bright pink safety buoy, swimming wide around the course
the surface of the water: blue with soft ripples
only a few clouds
lifeguard as landmark: on the edge of the course
lifeguard as obstacle: too close to the orange buoy
In the later loops, I started reciting the Alice Oswald lines I’d memorized last month. Struggled a little, but managed to remember most of them. Even as I struggled with the lines, the act of reciting them distracted me — or, did it focus me? — and I entered the flow –everything water and motion. In my head, as I stroked 1 2 3 4 5 breathe left 1 2 3 a slight head lift to sight 4 5 breathe right, I linked this flow state with some sentences from Anne Carson’s “1=1”:
And then the (she searches for the right word) instruction of balancing along in the water, the ten thousand adjustments of vivid action, the staining together of mind and time so that she is no longer miles and miles apart from her life, watching it differently unfold, but in it, as it, it. Not at all like meditation—an analogy often thoughtlessly adduced—but, rather, almost forensic, as an application of attention, while at the same time, to some degree, autonomic.
Oh yes, for much of that 100 minute swim, I was in it, in the water, in my life, in motion, where motion = the ten thousand adjustments of vivid action.
Speaking of motion, I found this from Susan Tichy this afternoon:
All I wanted for the poem was openness, a merging of muscle-memory with the skittering of words down the page, to know as a process of motion.
Does muscle-memory = those ten thousand adjustments? In the early loops, my adjustments — of my head for better breathing, elbows for better power, hips for more buoyancy — were conscious and took me out of myself, but in the later loops, I didn’t think about how I was stroking or breathing and sighting, I just did it.
In her mention of skittering of words down the page, Tichy is talking about her efforts to write about mountains. How to describe it in terms of today’s lake water? Bobbing on the page? Gliding across the page, directed by currents, re-routed by waves or lifeguards or other swimmers?
The wild fire smoke is still here. Mostly it didn’t bother me, but it did make running a little harder. The worst smoke moment was when I came off the lake street bridge and turned onto the river road — not hard to breathe so much as hazy. There weren’t too many runners out there, some walkers, a few bikers, a family of hikers and shadow falls.
10 Things
graffiti on the lake street bridge steps: STOP HATE
a fancy water fountain, bubbling, in the grand yard of the U of M President’s house that Gov. Walz rented while his mansion was being renovated
someone asleep on a hard stone bench by the Monument — in the hot sun, wearing long pants, a long-sleeved shirt, and a stocking cap
the bells of St. Thomas — ding dong ding dong / ding dong ding dong / ding dong ding dong / — the time, 10:45
an orange flash on the sidewalk — the smoky light or spray paint?
a boat speeding up the river, leaving streaks on the water’s surface
no kids outside at the church preschool — were they staying inside because of the smoke, or was it not recess?
the graceful curve of the bridge’s arch — I checked if anyone was climbing on it (nope) — my daughter told me about how kids do that (her included, but only once and only halfway across)
the soft trickle of water near Shadow Falls
a stone wall above the ravine, leaning — it had a sign on it that I couldn’t read, so I took a picture of it to study later
Furnished to the city of St. Paul by the Kettle River Co.
I could mostly read it when I looked at the photograph, but I had to doublecheck with Scott.
I wish the lake was open so I could have gone to open swim for the first day of my “Swimming One Day in August” project, but at least I was able to run. I am almost didn’t go out because of the smoke. Glad I decided to!
The smoke doesn’t seem that bad so, for the first time in weeks, we have the windows open! I like the relief that air conditioning brings, but I hate how it makes me feel trapped in the house. As I sit at my desk writing this, I just heard the feebee call of the black-capped chickadee through the open window!
Today I’m working on more swimming sonnets and Inklings. Some subjects: water quality, blue-green algae, milfoil, water as the medium, loops at lake nokomis are actually triangles, the color of the water, Alice Oswald seeing self in water, again and more darkly, Mary Oliver and the deepening and quieting of the spirit
a little later: I almost forgot about the mushrooms! Walking north before my run, I saw some HUGE mushrooms in a neighbor’s yard. The first one I noticed had lost its cap and I thought it was a newly cut tree trunk. I think there were a cluster of 4 or 5 mushrooms. I started reciting Sylvia Plath’s Mushrooms in my head. I thought about mushrooms as the fruit of fungi and little explosions and expressions of the self (like through poetry) as emerging like mushrooms. For the rest of the run I checked the grass for more mushrooms, but don’t recall seeing any more.
a lot later: RJP checked out a book for me, Mary Oliver’s Blue Pastures, so I could read some of Oliver’s sand dabs and the chapter, “Pen and Paper and Breath of Air.” I’m on the second page and I already needed to stop and archive some of her ideas:
First, in describing her practice of keeping a notebook, she writes that she doesn’t write in it from front to back, but just opens a page and writes anywhere and everywhere. She uses “private shorthand” to record phrases and feelings.
The words do not take me to the reason I made teh entry, but back to the felt experience, whatever it was. this is important. I can, then, think forward again to teh idea—that is, teh significance of the event—rather than back upon it. I ti s the instant I try to catch in the notebooks, not the comment, not the thought. And, of course, this is so often waht I am aiming to do in the finished poems themselves.
“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver
And here’s one of the phrases she put in a notebook:
A fact: one picks it up and reads it, and puts it down, and there is an end to it. But an idea! That one may pick up, and reflect upon, and oppose, and expand, and so pass a delightful afternoon altogether.
“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver
Hazy and smoky this morning. Canadian wild fires again. A present from the wind. It looked bad, but didn’t bother my breathing too much. Inspired by the wind, I listened to my “Beaufort Scale” playlist until I reached the old stone steps near the south entrance of the Winchell Trail. Then I listened to the water falling out of the sewer pipe and splashing on the rocks down to the river.
WPA 1938
I took this picture of a stone wall built by the WPA, and possibly by grandfather, on the stone steps at the edge of the 44th street parking lot. 1938 was four years before my mom was born. Was my grandfather working for the WPA then?
At the bottom of the steps is the Winchell Trail and the 44th street sewer pipe/ravine. Also, the curved wall that I like to admire from above as I run by and the spot in the trail that transitions from crumbled asphalt to cracked. Yesterday I wrote about the sound of the water falling. I decided to stop and record it today:
water falling at the 44th street ravine
10 Things
a section of the fence on the edge, missing a slat
something on the asphalt ahead — a big puddle? no spots of light shining through a gap in the trees — a pool of light!
smoke on the water (waTER — Deep Purple/Pat Boone reference) — my view from the Winchell trail through the trees, light blue looking fuzzy and faded through the smoke
the faint voices of kids on playground
the blending of car wheels above with wind in the trees and water falling down the ravine
an older couple walking fast and with purpose, especially the woman who was leading the charge, seen twice
a small bird flittering by, a flash of yellow — was it yellow, or was it a trick of the light, or was it my unreliable vision?
the 38th street steps are still rainbow colored — well, at least, a few steps are — the yellow and orange and purple ones
glancing across the road and doing a double-take: is that a turkey or a young tree with its trunk covered in black plastic?
empty benches
swim: 2.5 loops (5 cedar loops) cedar lake open swim 77 degrees
Very glad Cedar Lake is okay so that open swim could happen. It was windy and choppy and smoky. At first I thought my goggles were fogged up, but then I realized it was the smoke in the air. Air quality was bad: 168, which is unhealthy. With the choppy water, it took a few loops to get into a rhythm. Lots of breathing on one side, or breathing every 2 or 3 strokes.
I’ve been working on a new poem form today. I’m calling it inkling. It’s inspired by an Alice Oswald line from Dart: the inkling of a fish. Inkling as vague, the idea of, a whisper, unproven, a rumor. My little poems — 3-5 lines, I think — are about describing or evoking the feeling or idea of something that you can’t quite see, or that you feel more than anything else. My first one will be about fish.
swim: 4 loops lake nokomis open swim 89 degrees choppy
A great swim, but choppy! Lots of breathing on one side to avoid waves. Sighting buoys (and other swimmers) was harder, everything lost in the waves. The first loop was the toughest. Got into a groove after it and managed to do 2 more loops before pausing to tread water at a white buoy and then beginning the final loop. It was crowded in the water — kids wading at the beach, adults taking advantage of the free night at open swim. Because of the crowds and the choppy water, it was difficult to give attention to the water or the bubbles or anything else. Did I manage to notice 10 things?
10 Things
sparkle friends — particles floating, churning in the water
so many vines reaching up from the bottom, wrapping around my wrist or ankles — it didn’t bother me, but I could imagine that freaking out some other swimmer
a plane flying low, parallel to the water
hot pink safety buoys tethered to torsos
the pale foot of a breaststroker under the water
the silhouette of an upright lifeguard on a kayak, marking the edge of the course
someone swimming at the edge of my vision — far off to the left
3 swimmers with yellow safety buoys clustered together, treading water and talking
mostly blue sky, a few clouds
paused at the buoy, witnessing a strange sight: the way a swimmer was breathing and sighting in the choppy water, jerking their head high up and out of the water — at first I thought they were doing a double-take when they noticed me, but nope, that’s just the way they swim
before the swim
Each summer of swimming builds on the last. I get stronger, able to swim for longer without stopping. It’s not a deliberate choice or part of a training plan — I have no training plan for swimming; I just swim until I am too tired or I have to go to the bathroom or I’ve run out of time. I have loose goals: 100 miles for the summer or a 5k or 6 loops or the full 2 hours in one session. This year: swimming cumulatively for a day, or 24 hours, in August. It’s a goal inspired by the title of a Mary Oliver poem: Swimming, One Day in August. It’s possible, but it will take some planning and pushing myself to achieve.
In July, I’m finding myself thinking about how much time I’m spending above the surface versus below it. This year, I’m below much more than above. In past summers, I’ve done less loops and more stops at shore in-between. This year, I might occasionally pause mid-lake for 5-10 seconds, or take a 30 second break at the beach between the 3rd and 4th loop, but mostly I’m swimming freestyle without stopping. 60-90 minutes of 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left. That’s a lot of time submerged and becoming acquainted with the underwater world!
Below, my thoughts are the bubbles that surround me. Above, they become words that hover above the water or travel across the lake — maybe they get lost beyond the horizon, or maybe they linger, later taking the form of words on a page. Last night, swimming the stretch from hidden beach back to point beach, I imagined each breath as one word bursting into the air: 1 2 3 4 5 BLUE 1 2 3 4 5 GRAY. I didn’t get very far with my words before I was distracted by something — another person? a scratchy vine? trying to sight an invisible buoy? I’d like to play around with this some more while I’m swimming tonight. Does each breath have to be only one word?
My ideas about thoughts below and above the water are partly inspired by the lines from Alice Oswald that I’ve memorized and have been reciting in my head:
dived again and surfaced and smelt all the longings of grass-flower smells and bird-flower sounds and vaporous poems that hang in the chills above rivers (Nobody/ Alice Oswald)
the vaporous poems as my thoughts bursting into the air and hanging above the surface?
and thoughts escaping to the surface to move beyond the self
I wish I was there or there he thinks and his mind immediately
as if passing its beam through cables flashes through all that water and lands less than a second later on the horizon and someone with a telescope can see his tiny thought-forms floating on the sea surface wondering what next
*
like spirits of sight whose work is on the water where the massless mind undulates the intervening air shading it blue and thinking
I wish I was there
or there
All the time in the water, the front half of me submerged except for my quick breathe every 5 strokes, has me wondering about which world is real, which a dream. On 3 July, I posted a quotation from Anne Carson that ended with, Could we be exactly wrong about such things as—he rotates again—which way is up? High above him he can feel the clouds watching his back, waiting for him to fall toward them. Which way is up, which down?
I’m thinking of May Swenson’s “Water Picture” and her vivid description of a water world as the world above water in reverse:
Treetops deploy a haze of cherry bloom for roots, where birds coast belly-up in the glass bowl of a hill
The first line of her poem — In the pond in the park all things are doubled — reminds me of something Alice Oswald said in her “Interview with Water” lecture: when you look at water, it allows you to exist twice but more darkly (see full quote from 20 june 2024)
And that line reminds me of part of Oswald’s Nobody:
I lost track of the underneath of things everything became my mirror once I stood up to look over the side I sat down again terrified it was myself I saw thronged and pitch-green spilling over the top of the earth the same soft dust-sheets over my hands as the clouds the same thick curtain across the horizon
Above and below the surface is not just reversal, the same backwards, symmetry, but something else. In her lecture, the lines before the bit about twice darkly, Oswald says:
but the surface of water is complicated by transparency, and its transparency is complicated by refraction. Water is never the same as itself. Rivers can only exist as similarities, lakes reflect more than their own volume
The surface offers the illusion of reversal, one way up, the other down. Below the surface, beyond its mirror, another world waits to be witnessed. And not with eyes — the visibility in lake nokomis is currently 6.6 feet. In the middle of the lake, all I see below me are particles, stray vines, an occasional flash, and murky green-blue-yellow. Not so much dark, as Nothing.
I’m fascinated by surfaces, or what Oswald calls the waterlid. What does the surface look like from below looking up? I should make note of it today. Also, from above, looking down?
Looked up some notes, and found this great quotation from Darby Nelson in his book, For the Love of Lakes:
Human understandings rely heavily on the endless flood of messages from our eyes. But with a lake, the laws of optics work against us. Its reflective surface and the water’s rapid absorption of light with increasing depth conspire to keep much of a lake hidden from view. At a lake, open your eyes and you don’t see half of it. Nearly all the visual input from a lake comes as surface reflections, mere superficialities. Thoreau reveled in reflections. He felt because they were constantly changing they could present previously known truths from new points of view. But those truths don’t penetrate into the world of the lake below, a truth with which he seems unconcerned. What kind of landscape even exists in the absence of vision? How can we fully perceive what we cannot see?
For the Love of Lakes/ Darby Nelson
during the swim
I wanted to think about these things and recite some lines as I swam, but I was distracted by the effort of choppy, crowded water, always looking out for waves crashing over me and making it hard to breathe, or random slow or stopped swimmers. Near the end of the swim, I decided to dip lower in the water so that I could see the surface from below — a wavy, slightly distorted version of the sky and clouds. Cool!
run: 1.75 miles from minnehaha falls to home 73 degrees / dew point: 64
A quick run with Scott from the falls back home before the rain started. We made it! Checked the weather on my watch after we finished — 95% chance of rain in 8 minutes. Ran at 1 pm, which might be my least favorite time to run. It felt hard. Still, I’m glad we did it. (It never rained.)
We stopped to walk where the trail dips below the road so I could point out the new trail they’ve created that winds down to the river. I can’t wait until they’re finished. It looks cool. Speaking of cool, I was trying to convey to Scott how I felt about the air and what the impending storm was doing to the sky and the air and green of the gorge. First I said “cool,” but it’s not cool (temperature), so I started to clarify, I mean the atmosphere, but realized that atmosphere could be related to temp so I said, I mean the vibe is cool. Cool is such a strange word — both full of meaning and history and empty too. For 35 years, I’ve been trying to expand my vocabulary beyond it, but it never works. How many times a day do I use this word?
I know that there is a rich history of the term within African American culture and jazz and that it’s been appropriated by white culture, but I don’t know the history that well. In poetry, my immediate thought about cool is Gwendlyn Brooks amazing, “We Real Cool.” I also think about Beatnik poetry and the Pia Zadora/Ric Ocasek scene in Hairspray:
“your hair is really uncool”
swim: 3 loops (6 cedar loops) cedar lake open swim 79 degrees rain
Overcast, gray. Calm water, warm-enough air. A great night for a swim. As I swam, I monitored the sky, noticing it getting darker and thicker. Wondered if it would start raining. During loop 4, it did. It’s always difficult to tell if it’s raining when I’m swimming. Today I felt a drop on my check and then paused to lift my head out of the water — a steady rain. I think I heard it underwater, but I couldn’t see it, and barely felt it. No thunder, so open swim kept going. Hooray!
10 Things
a graying sky
a big canoe moving fast across the swim course
even as I tried to stay on the edge of the course, the current pushed me toward the center
pale green, opaque water
bubbles encasing my hands
attacks from floating vines
a party with a campfire and barking dogs at hidden beach
buoyant, feeling held by the water
after: itchy skin
standing up in the sand after the last loop — a final look at the buoys and the water
Remembered the first line from the A Oswald poem fragment that I forgot several times last week: this disintegrating certainty
Thought about the bubbles and imagined that they were holding me up, like some sort of raft or inner tube.
My legs felt like rudders, my torso rocked rhythmically, my shoulders rose and fell.
Wow! What a morning for a swim. Sunny and not too windy. I couldn’t see the green buoys heading towards the little beach, but I didn’t care. I’m used to my eyes not seeing the buoys and trusting that some part of me has seen them and is leading me the right way, and I use other things to keep on course — sparkles on the water, which mean other swimmers are around, the lifeguard kayaks on the edge of the course, buildings.
10 Things
a swirled glob of vines
orange safety buoys tethered to torsos
cloudless blue sky
pale green water
a young kid calling out to another kid — look at the little fish!
a swim clinic for people doing the Y-tri — the instructor encouraging people to take breaks if they needed to — of course it’s hard! it’s okay to take a break
little specks: swan boats in the distance
little specks: green buoys looking like far off white dots
sparkle friends
a paddle boarder crossing the path, then a kayak
Recited my Alice Oswald lines: He dives. He shuts himself in a deep soft-bottomed silence . . . Underwater, the silence was more than a lack of sound, not empty but still — the same view with no variations: the pale green water studded with particles. No shafts or light, no fish.
Recited some lines of my own, too: I go to the lake/to beholldto be/ held by thewater
a return to EXAQUA
“Water is the medium, the texture, the weight, the space, the motion/emotion or your writing/thinking. Would you agree? Is that too tidy? Your work is attuned to water and being close to it (or, better, being inside it) is important to you” (EXAQUA/ Jan-Henry Gray).
What might it look like to have water be the medium, the texture, the weight space motion emotion of my writing/thinking?
medium = way in which the writing is delivered — print, digital, audio, visual water as medium = delivered with water = the bubbles sparkles wound on the water my piercing hands leave
Giving water the weight and size of myself in order to imagine it, water with my bones water with my mouth and my understanding
weight and size of myself = swimming in the lake, again and again, a full immersion — without wetsuit or raft — more time below the surface than above, my full devotion and attention
4 miles river road, north/south 57 degrees humidity: 80%
In the 50s! What a beautiful morning. Sunny, calm, cool. My gait felt strange, awkward, for the first 1/2 mile. Was it the shoes? I wore Brooks instead of Sauconys. The humidity was high — lots of sweat, not dripping but pooling near my nose. Chanted in triples for the first mile.
10 Things
rowers! heard 2 different coxswains
after 5 or 6 months, they’re finally replacing the fallen fence panel above the northern end of longfellow flats
the dirt they put in the crack north of the trestle has settled and the crack is back and as big as before — at one point will this be unfixable?
good morning! / good morning! — exchanged greetings with a runner with a dog
good morning! — Mr. Holiday wished me a good morning
click click thought it was a roller skier, but it was a biker changing gears
a circle of light below the sliding bench — have they cleared some branches for more of a view here?
smell of cigarette smoke
the dark dirt of a steep trail leading down to the river
the loud slap of a runner’s shoes as he passed me, running fast, or at least much faster than me
I was watching the tour as I compiled the 10 Things list, but had to put my computer away when they reached the last climb — a tough HC. Pogacar went for it near the bottom and Vingegaard couldn’t follow. Wow!
this disintegrating certainty this water whatever it is whatever anything is under these veils and veils of vision which the light cuts but it remains
unbroken (Nobody/ Alice Oswald)
while I’m swimming today: recite this bit and the others from Dart and Nobody:
swim: 4 loops lake nokomis open swim 71 degrees
Open swim is back and I did 4 loops! A wonderful night, in and out of the water. The water was smooth and fast and not too warm or too cold or too crowded. Entering the lake, I watched as a motorized paddle board zoomed by, then another. What? As I swam toward and then past the orange buoy I heard a metallic buzz in the water. Was it because of these paddle boards? I am very grateful that motorized boats aren’t allowed on nokomis. If they were, would I be hearing this buzzing sound all of the time?
I was off course in the first loop; the sun made it very difficult to see the green buoys. But it wasn’t a big deal. On the second loop, I figured it out.
I marveled at the contrast between above and below the surface. Above was a smooth blue, below a glittering green. Checked out my bubbles. Felt the water darken when the sun went behind a cloud. Was attacked by a few stray vines.
Thought about how much I love the water and how confident I am in it, and then about how dangerous and scary and deadly it can be.
Recited Alice Oswald lines — not the new ones I just memorized, but the ones I’d already been reciting in my head.
Rain this early (7 am) morning. Hopefully stopping in a few hours. Watching the tour and rereading old entries from july 16ths. Discovered this excellent description of a buzzing bug:
Its hot voice sizzles from some cool tree Near-by: It seems to burn its way through the air Like a small, pointed flame of sound Sharpened on the ecstatic edge of sunbeams.
note: I first posted this poem on 16 july 2022. I posted it again last year in 2024. Maybe I should memorize it?
a few hours later: what a stage of the tour (stage 11)! Pogacar crashing; Visma waiting for him. What will happen tomorrow in the Pyrenees?
It is 10:30 and a light rain. Won’t stop until 12:30. Do I wait, or go now? It’s probably refreshing and it might be fun to run in the rain . . .
4.25 miles minnehaha falls and back 66 degrees light rain
I did it, and it was a great run! Back to the 9/1 (9 minutes running / 1 minute walking) and feeling strong and relaxed. The light rain helped to cool me down, and I liked how my feet glided on the wet trail. Glided sounds strange. How about glode or glid or glod? Started the run by chanting in triple berries then turning everything I noticed into triples — river road, dripping trees, running feet, rushing cars. Listened to everything dripping for the first 30 minutes, then put in the “Energy” playlist for the last stretch.
10 Things
gloom with the occasional bright flash from headlights
one flash looked lower — I think it was a reflection in a big puddle!
the ravine by 42nd was gushing like the falls
the falls were giving off a fine, gauzy spray
a stranded surrey near the longfellow house — were they getting wet in the rain?
someone walking up the hill at the edge of the park, carrying an umbrella
above the creek, the grass next to the sidewalk was soaked with a line of big puddles
the sprawling reflection of a tree in a wide puddle on a sidewalk
the silhouette of a bird on a wire, looking very Bird
the bells of St. Thomas — faint, distant
an hour later: I was planning to do open swim at cedar lake tonight but I just got an email: “canceled due to inclement weather.” Bummer.
a few random Alice Oswald bits
1
On her process of translating what she notices into a poem, and on poetry as framing the silence:
She and her husband, playwright Peter Oswald, divide their day in two – walking their sons to and from school through fields. But she doesn’t take a notebook with her. She believes in the subconscious, in what is brewing on a ‘non-verbal level’. She thinks ‘a flavour or feeling builds up, almost a sculptural shape that could be a living creature, or a dance or a painting’. Only later comes the ‘plastic art of finding the words’.
There is also, in her poems, a sense of the silence behind every word. ‘One of the differences between poetry and prose is that poetry is beyond words. Poetry is only there to frame the silence. There is silence between each verse and silence at the end.’
closed and containing everything, the land leaning all round to block it from the wind, a squirrel sprinting in startles and sees sections of distance tilted through the trees and where you jump the fence a flap of sacking does for a stile, you walk through webs, the cracking bushtwigs break their secrecies, the sun vanishes up, instantly come and gone. once in, you hardly notice as you move, the wood keeps lifting up its hope, I love to stand among the last trees listening down to the releasing branches where I’ve been – the rain, thinking I’ve gone, crackles the air and calls by name the leaves that aren’t yet there
Oh, that ending! Now I’m imagining what the rain does when it thinks I’m not around! Today the rain didn’t crackle the air but . . . dotted it? feathered it? poked or punctured it?
3
The other day I came across Alice Oswald’s description of a project she’ll be working on next year as a fellow at Columbia University. She’s calling it Interviews with Anon:
At the Institute, Oswald will write a procession of passersby, not all of whom are human and many of whom are imperfectly seen: “My inspiration is the wandering, bartering, folktale style of Herodotus, who included 940 characters in his Histories. I shan’t be writing history. Perhaps it will be more like a headcount or even a carnival.”
