Tag: afternoon

april 7/RUN

2.3 miles
43rd ave, north/32nd st, east/river road trail, south/edmund, north
67 degrees

Managed to make it out for a run right before the steady rain started. Was able to run through the tunnel of trees, above the river. Noticed the beginning of green on the brown branches. It’s coming—the leaves, the veil, the obscured view, the warmer mornings, the deck, falling asleep in the red chair in the backyard, spring, summer, vaccines. Saw a stack of stones on the taller boulder at the edge of the trail, near the oak with the long reach. Turned around at 38th and headed north on Edmund. There, it was sunny; where I had just been, near 34th, it was gloomy and darkish blue, ominous. Such a strange, cool sight.

Did a lot of thinking and reading this morning. Here’s a sampling of what I encountered this morning:

And, I’m thinking about words like: inefficient, clockwork, pace (as in, “keep up the” or running pace or the hectic pace of modern life), mechanization, industrialization, useless, instrumental, accessible, smooth, easy, fast, relevant, order, discipline, attention economy, rest, restlessness, sleep, internal clocks, spending time vs. passing it, paying or giving attention, eyeballs on the page, obscure, unnoticed, unnoticing.

Lots of words and thoughts swirling in my head about work, labor, productivity. And about why Mary Oliver’s poems are so popular–how/why does she speak to so many, especially those who don’t normally “like” poetry? As I skimmed through her collection, Devotions, I started thinking about how so many of the poems talk directly to the reader, inviting them to attend to the beauty of the world, to notice the long black branches, or to chastise them, nudging them to do and be better:

Have you ever tried to enter the long black branches/of other lives?
Listen, are you breathing just a little, and calling it a life?

Can you Imagine? Oh, do you have time? Come with me into the fields of sunflowers. What if a hundred rose-breasted grosbeaks flew in circles around your head? Surely you can’t imagine they just stand there looking the way they look when we’re looking?

Mary Oliver’s invitations, and even her admonishments, are seductive. Yes, I will notice! Yes, I will look and imagine and take the time! Her words inspire, making it seem attainable to be better, to change your life, to do more than merely breathe. Even as I have loved and admired her work since the first poem I read–was it “Invitation”?–I have also been wary of it. She makes it sound so simple–just change your life! Stop, take a break, notice those goldfinches!

I was bothered enough by this idea to write a poem about her poem “Invitation”, and then a chapbook about the phrase, “change your life” that features my poem which I titled, “You Must Change Your Life.” In my only workshop experience, for a great Advanced Poetry class at the Loft, the rest of my class didn’t seem to like “You Must Change Your Life”. Too wordy, too full of explanation, too much Oliver, not enough Rilke. So I put it away. But, reading it again now, I like it. It needs some cleaning up, but I’m proud of it and the questions I’m posing about will and attention, how we hear the call to notice things and change our lives, how we sustain that call.

Back then in 2018, I focused a lot on how change happens whether we want it or not and I explored different meanings and causes of change. Now, I’m interested in how we might choose to act on her invitation, how it becomes possible for us to “enter the long brown branches of other lives.” First, the easy answer: say yes, take up her invitation, decide to stop and smell the roses, watch those goldfinches and their musical battle, get up, put on your coat, leave your desk! But, don’t do this just once. Do it repeatedly–every month or week or morning. Make it a habit. Of course, making this into a habit isn’t necessarily easy; it requires effort and discipline and commitment, but it’s possible to believe, on any fresh day, that we can make this choice and change ourselves. This Yes! answer is the one that I imagine gets many readers excited about MO’s work and is why she’s so popular and important.

But, there’s another answer to the question of how we take up her invitation that is harder and more hidden, and that involves the difficult, messy work of saying no to many things in order to say Yes! to the goldfinches. And, this saying no is not simply choosing to not do this or that busy, important thing in order to notice the goldfinches. It is to refuse some of the fundamental (and toxic) values that shape who we are and what we should be doing in 21st century, late capitalism: work, always work, that is productive, useful, efficient, busy, fast, that makes lots of money for someone else, that yields status and success, that creates more things, that doesn’t waste time, that generates quantitative (not qualitative) results. Refusing these values is difficult and requires breaking habits we have been disciplined into following and practicing since elementary school. I describe this work of refusal as undisciplining yourself. And I’ve been working very hard at it for the last decade.

As far as I can tell, Mary Oliver rarely mentions this work, but it’s there, haunting every page. Each Yes! is tinged with the effort of the no that made it possible. (is this last sentence too much? maybe I’m getting carried away.) Anyway, I happened to remember one poem in which MO briefly describes her own undisciplining process:

Just as the Calendar Began to Say Summer/ Mary Oliver

I went out of the schoolhouse fast
and through the gardens and to the woods,
and spent all summer forgetting what I’d been taught—

two times two, and diligence, and so forth,
how to be modest and useful, and how to succeed and so forth,
machines and oil and plastic and money and so forth.

By fall I had healed somewhat, but was summoned back
to the chalky rooms and the desks, to sit and remember

the way the river kept rolling its pebbles,
the way the wild wrens sang though they hadn’t a penny in the
bank,
the way the flowers were dressed in nothing but light.

march 31/RUN

2.1 miles
neighborhood
33 degrees
wind: 13 mph with gusts, 21 mph

Quick run in the wind and the cold after returning home. A visit with 2 fully vaccinated grandparents! Hopefully soon, we will be too. First time away from Minneapolis since October. Not too far into my run, I heard a pileated woodpecker. Not drumming, but singing. Also heard a black-capped chickadee and their fee-bee song. Can’t remember any other bird calls. Guess the wind was singing louder. Speaking of the wind, heard lots of wind chimes, especially at the house at the corner of 43rd and 32nd. Such a cacophony! Ran down towards the river but stayed on edmund. When I crested the hill, I glanced down but couldn’t see any sparkling river through the trees.

note for me to remember: On the 29th, I memorized ED’s “I felt a cleaving in my Mind–.” That night, I got a headache that came in waves, not feeling like my brain had split but like I wished it would, so I could take the top of it off to relieve the pain and pressure. Ugh! I am a wimp with headaches because I rarely get them. And because I rarely get them, they make me worry more: I never get headaches? Why now? What’s the cause? Is this the start of something worse? I’ve had a few more since then, not quite as bad. I think (am hoping) that they’re caffeine headaches. The grandparents make much weaker coffee (1 scoop of coffee for 6 cups of water), while I make really strong coffee (I scoop of coffee for 1 cup of water).

Here are the final 2 poems in my March with Emily Dickinson. They’re connected to “I felt a cleaving in my Mind–” with the ball and the seam, which speak to ED’s interest in circumference.

I felt a Cleaving in my Mind–
As if my Brain had split–
I tried to match it–Seam for Seam–
But could not make them fit.

The thought behind I strove to bind
Unto the thought before–
But Sequence ravelled out of Sound–
Like Balls upon a floor.

Emily Dickinson Poems: March 30th and 31st

I saw no Way — The Heavens were stitched — (1863)

I saw no Way — The Heavens were stitched —
I felt the Columns close —
The Earth reversed her Hemispheres —
I touched the Universe —

And back it slid — and I alone —
A Speck upon a Ball —
Went out upon Circumference —
Beyond the Dip of Bell —

As I just discovered, the Balls in “I felt a Cleaving in my Mind–” could be balls of yarn. The ball in this poem is the Earth. Another connection: instead of seams, we have stitches. ED likes the word and idea of Circumference. Lots of entries in the Emily Dickinson lexicon, which is a super handy resource: periphery, circuit, edge, skull, perspective, view, vista.

I might have a lot of fun with this idea of circumference, especially in relation to a new vision project I’d like to start: on peripheral vision. Very cool.

I found another version of this poem on the amazing blog project, White Heat. It’s in their week of posts about Circumference. It follows ED’s original manuscript and its line breaks.

I saw no Way – The
Heavens were stitched – 
I felt the Columns close – 
The Earth reversed her
Hemispheres – 
I touched the Universe – 

And back it slid —
And I alone —
A Speck opon a Ball
Went out opon Cirum —
ference —
Beyond the Dip of Bell.

Without this — there is nought — (1862)

Without this — there is nought —
All other Riches be
As is the Twitter of a Bird —
Heard opposite the Sea —

I could not care — to gain
A lesser than the Whole —
For did not this include themself —
As Seams — include the Ball?

I wished a way might be
My Heart to subdivide —
‘Twould magnify — the Gratitude —
And not reduce — the Gold —

Here’s something interesting PB has to say about this poem and curcumference and seams and balls:

The second stanza advances our understanding a little, for we learn that the poet wants the “Whole” rather than some lesser quantity or quality that would be subsumed by the whole. Dickinson uses a ball as an example. Made by stitching leather or fabric together, the ball might be considered interior to the seams encompassing it. I am reminded of Dickinson’s poetic project of circumference. She announces this project in a letter to her chosen “Preceptor”, T.W.Higginson:

“Perhaps you smile at me. I could not stop for that – My Business is Circumference –…” (L268, July 1862).

In a later poem she calls “Circumference” the “Bride of Awe.” At least part of Dickinson’s poetic quest is to trace the seams, to see the whole.

the Prowling Bee

Here’s a source I’d like to track down and read about ED and circumference in “I Saw no way — The Heavens were Stitched–“:

Gribbin, Laura. “Emily Dickinson’s Circumference: Figuring a Blind Spot in the Romantic Tradition.” The Emily Dickinson Journal 2. 1 (Spring 1993): 1-21; 3-4.

march 4/RUN

1.65 miles
43rd ave, north/32nd st, east/edmund, south/35th st, west
46 degrees

A short run outside in the afternoon sun. Very wet, with a few slick spots still remaining on the sidewalk. Felt like spring again today. I don’t remember much about the run. I didn’t see the river or hear any woodpeckers or smell any smoke. Encountered a few runners and walkers. No kids walking home from school. I did run by a school bus, idling in front of Minneaha Academy. Noticed lots of cars driving on the river road, enjoying the spring-like weather.

a moment of sound

march 4, 2021

Before my run, I took Delia the dog out for a walk. Near 7 oaks, I heard a wonderful bird song that I couldn’t identify. I took out my phone to record it, but it stopped before I could start. In this recording, I mostly hear the rustling of my coat as I walk, which is annoying. I also hear my feet striking the gritty, crunchy sidewalk, which is delightful.

There’s a certain Slant of light (258)/ Emily Dickinson – 1830-1886

There’s a certain Slant of light,
Winter Afternoons –
That oppresses, like the Heft
Of Cathedral Tunes –

Heavenly Hurt, it gives us –
We can find no scar,
But internal difference,
Where the Meanings, are –

None may teach it – Any –
‘Tis the Seal Despair –
An imperial affliction
Sent us of the Air –

When it comes, the Landscape listens –
Shadows – hold their breath –
When it goes, ’tis like the Distance
On the look of Death –

Winter’s slanted light is quickly leaving; during today’s run the sun was bright and overhead and warmed my face and back. Listened to 2 versions of this poem on youtube and both of them replaced heft with weight and Any with anything. Heft is much better, I think. My favorite line: the Landscape listens. I love the idea of a landscape listening.

feb 10/BIKERUN

bike: 20 minutes
run: 1.75 miles
basement
outdoor temp: 8 degrees/ feels like -7

Finished the Dickinson episode I had been watching on feb 7. In my log for that day I asked: “I wonder if either Emily’s opinion (about marriage as bad for women) or Thoreau’s douchiness will change in the next 10 minutes, which is what I have left in the episode. And, will she be able to stop the railroad from being built in her backyard woods?” Well, Thoreau becomes even more douchey; Emily ends up calling him a dick and then storms out, leaving her copy of Walden behind. And, distraught, she falls asleep on George’s shoulder as they ride home on the train, which suggests she might be softening on him, if not on marriage. Finally, while sitting under her beloved oak tree her dad joins her and agrees to reroute the train tracks around the tree in order to save it. Emily is happy. My question: if the train is still running near the tree, will she want to visit it for solitude anymore? Will it be the same tree once it’s the tree by some noisy, air-polluting tracks? I guess Emily’s willing to compromise.

During my run, I listened to a Spotify playlist I had quickly made the other day. Excellent. It was fun to run much faster (at least a minute per mile faster) and listen to Britney Spear’s “Toxic”, Demi Lovato’s “Sorry not Sorry,” AC/DC’s “Thunderstruck,” and Justin Bieber’s “Beauty and the Beat.” While I ran, I don’t remember thinking about anything.

For the past few days, I’ve been thinking about creating a syllabus, or a few syllabi, out of the experiments on my running log. Right now, I’m thinking about 3 syllabi: 1 intro course, 1 intermediate course, and 1 advanced course all about movement and creativity and exploring how moving bodies influence creative expression in language (written and spoken). Mainly, I want to focus on moving = running and creative expression = poetry, but I’m also interested in walking/hiking, swimming, biking, and lyric essays. These 3 classes all fit within an interdisciplinary study of ethics/moral selfhood and the exploration of how to be an ethical, political, poetical, embodied self. What do I want to do with these syllabi? Not sure, yet. Maybe teach them. But maybe I see them more as imaginary/fictional syllabi that tell my story of running while writing/writing while running for the past 4 years.

Speaking of imaginary classes, I found this poem via twitter this morning. I love it.

What You Missed That Day You Were Absent from Fourth Grade/ Brad Aaron Modlin

Mrs. Nelson explained how to stand still and listen
to the wind, how to find meaning in pumping gas,

how peeling potatoes can be a form of prayer. She took
questions on how not to feel lost in the dark

After lunch she distributed worksheets
that covered ways to remember your grandfather’s

voice. Then the class discussed falling asleep
without feeling you had forgotten to do something else—

something important—and how to believe
the house you wake in is your home. This prompted

Mrs. Nelson to draw a chalkboard diagram detailing
how to chant the Psalms during cigarette breaks,

and how not to squirm for sound when your own thoughts
are all you hear; also, that you have enough.

The English lesson was that I am
is a complete sentence.

And just before the afternoon bell, she made the math equation
look easy. The one that proves that hundreds of questions,

and feeling cold, and all those nights spent looking
for whatever it was you lost, and one person

add up to something.

What a class! The things listed here are impossible to teach, I suppose, but wouldn’t it be wonderful if our education gave more space for them to be considered? What if we took seriously the idea that the goal/purpose of education is to flourish and to learn how to be caring, responsible people in community with others instead of about individual success and competition and being better than anyone else?

a moment of sound

feb 10, 2021/ 3 degrees, feels like -9

I started this recording at the far end of my backyard. As I made my way to the back door up on the deck, I walked through 3 different versions of crusty snow: 1. about 3 inches of deeper, crusty snow, 2. 1 inch of partly shoveled, tamped down crusty snow, and 3. a thin layer of powdery, crusty snow on the surface of the deck. Each version makes a slightly different sound.

feb 8/BIKERUN

bike: 20 minutes
run: 2.3 miles
basement
outside temp: -2 degrees/ feels like -14

Took Delia the dog for her first walk in a few days. It’s cold, but there’s no wind. Briefly thought about running outside, then decided it was still cold and slippery. Another day in the basement. No Dickinson today; the episode wouldn’t load. Watched a few races instead. Listened to my audio book again while I ran. Running while listening to a book and at a slower pace really helps.

Forgot to mention yesterday: I ran with my shadow. I could see her dark shape on the towel I put on the treadmill to cover the display. We waved to each other. Saw her again today. There’s a lightbulb on the ceiling just above and behind me as I run which casts a shadow, sometimes on the towel, other times on a far wall. I like watching the shadow flicker n front of me, slightly off to my left side.

Found a useful quotation about paying attention and the attention economy via twitter this morning:

Attention is a limited resource, so pay attention to where you pay attention.

Howard Rheingold, read in Attention Shoppers

a moment of sound

When I took Delia out for a walk around noon, there were lots of birds chirping and calling:

Feb 8, 2021

feb 4/BIKERUN

bike: 25 minutes
run: 1.5 miles
basement

2 or 3 inches of snow + wind + 3 5k runs in a row + wanting to watch more of Dickinson while I biked = basement workout. Finished the first episode of Dickinson then started the second one while I biked. It’s growing on me, but I am still not sold on it. I don’t really like this version of Dickinson as quirky, eccentrically cool, selfish, and bratty. I keep intending to write more about what I don’t like, but get stuck. Maybe I can figure it out by the end of the 3rd episode? Or maybe by then I’ll be fine with not having to figure it out. Then I ran while listening to a spotify playlist: Justin Bieber’s “Beauty and the Beat”, Harry Style’s “Canyon Moon”, and Justin Timberlake’s “What Goes Around.” Nice.

After I was done, I took my shoes off and when I stood up I could feel my right kneecap slip out of the groove. No big deal; I pushed it back in place. It’s fine and I am used to it (mostly), but it is still unsettling and almost always unexpected. No warning. No particular movement that causes it. To be safe, I iced my knee for 15 minutes after I was done. Oh, the body. I have put in a lot of physical and mental work these last five years learning to adjust to a body very slowly falling apart. Some of this adjustment involves resignation, but more of it involves admiration as my body continues to work, despite its limits. After writing this last paragraph, I paused to recite (still from memory) Rita Dove’s wonderful poem, Ode to My Right Knee: O, obstreperous one!

Earlier today as I did the dishes, I listened to the latest On Being: an interview with ornithologist Drew Lanham. So wonderful! I was particularly struck by this part of the conversation:

“The birds know who they are. They don’t need you to tell them…“ Yes!

[Orinthologist Drew Lanham responding to Krista Tippet’s confession that she doesn’t know the names of birds and is ashamed of not knowing] 

Well, it’s not a problem. There’s no shame in not knowing the name of a bird. If it’s a redbird to you, it’s a redbird to you. At some point, as a scientist, it’s important for me to be able to identify birds by accepted common names and Latin names and those things. But then I revert frequently to what my grandmother taught me, because, I say, the birds know who they are. They don’t need you to tell them that.

But over time, when we relax into a thing and maybe just being with a bird, then your brain kind of relaxes, it loosens, and things soak in. And I think that’s the key with a lot of learning. But not getting the name right immediately does not in any way diminish their ability to appreciate “the pretty,” as Aldo Leopold talks about. And so seeing that bird and saying, “Oh my God, what is that? Look at it,” and you’re looking at it, and you can see all of these hues, and you can watch its behavior, and you may hear it sing — well, in that moment, it’s a beautiful thing, no matter what its name is.

Sometimes, what I try to get people to do is to disconnect for a moment from that absolute need to list and name, and just see the bird. Just see that bird. And you begin to absorb it, in a way, in a part of your brain that I don’t know the name of, but I think it’s a part of your brain that’s also got some heart in it. And then, guess what? The name, when you do learn it, it sticks in a different way.

take a moment to not know and just see the bird, be with the bird. I love this idea and I think I’d like to turn it into an assignment. I agree with Lanham about a lot here. Right now, I’m thinking about the idea of relaxing and not trying to immediately know the bird but slowly let it sink in through a new form of knowing that involves a “a part of your brain that’s also got some heart in it.” To me, this shifts away from the drive to know (to conquer, to possess) and towards a desire to feel and connect. Knowing is not about mastering, but becoming acquainted with, getting to know.

Continuing this discussion, Lanham discusses the power and violence of naming and classifying:

…thinking about who gets to tell the story and the names — and so I’m intensely interested in language and what different people call things, and these names and what names mean. So that Indigenous and First Nations people, who have all of these languages, and who a raven is to one nation versus who the raven is to another nation or people within that nation. So all of that is important, I think, for us to pay attention to, and all of those are different ornithologies.

In Western science, we boil down to Latin binomial and to genotype and phenotype; and all of that is critical, and it’s important in what we do as scientists. But I think, again, broadening the scope of vision so that we see the big picture — we need to understand who birds are to others, what land is to others; that if my ancestors were forced into nature and hung from trees, I might not have the same interest in going out into the forest and naming the trees.

Wow. Such an important discussion and reminder when thinking about what harm knowing and naming can do. Speaking of naming, here is a map of Minneapolis-St. Paul in Dakota and Ojibwe

a moment of sound

On the back deck, as the wind picks up and the cold moves in. Some people talking in the alley, the scare rods spinning, a few cars rushing by.

feb 4, 2021

jan 31/BIKERUN

bike: 22 minutes
run: 1.8 miles
basement

Scott and I took Delia for a longer walk this morning, which was wonderful. Not too cold, hardly any wind, a few fluffy flakes falling from the sky. Lots of other people out too. So I decided to head to the basement again for my workout. While I biked, I continued watching Margaret Livingstone’s fascinating lecture about  vision and art. Then, after I finished biking, I listened to a playlist and tried to run faster, which I did but not necessarily because of the playlist. It’s time to make a new one, I think.

I’m enjoying Livingstone’s lecture. I’m not necessarily learning anything new, but it’s reinforcing thoughts I already had or ideas that I had encountered elsewhere. Maybe it’s the academic in me, but I like to have my ideas confirmed by others, especially by those who have devoted themselves to studying vision and the brain. After discussing how “your visual system has higher acuity in the center of gaze” (acuity = sharper, finer detail), she says:

But your peripheral vision isn’t bad, it’s just different. Your peripheral vision is designed to see big blurry things; your central vision is designed to see small detailed things and actually cannot see big blurry things as well as your peripheral vision. So there’s a trade-off.

It’s the forest from the trees again!

a moment of sound

jan 31, 2021

I stuck with it and recorded a moment of sound every day this month–31 moments. Nice. This final one is short and is from my walk with Scott and Delia. I can hear the chapel bells chiming from across the river at St. Thomas University in St. Paul; at least two birds–including a coo or trill or something at 15 seconds in; Delia huffing (at 22 seconds); traffic on the road; Scott and I discussing, mostly in whispers, what kind of bird we heard; snow crunching underfoot; Delia’s collar jangling; and the wind.

Slowly but surely, I am falling in love with birds. A few years ago I wrote a poem in response to Mary Oliver’s goldfinch poem “Invitation, in which I asked, “Anyway, who cares about the birds?” I do, now. I’m hoping to learn more of their calls in the upcoming months.

Speaking of birds, I found this video on Brain Pickings:

jan 30/BIKERUN

bike: 25 minutes
run: 3.25 miles
basement

While I biked in the basement, I watched this great video lecture by a neuroscientist from Harvard, Margaret Livingston about vision and art. Very fascinating–and something I’ll have to watch a few more times before I get it all. Near the beginning she says,

So if you take anything at all away from this talk tonight, please try to remember: Vision is information processing; it is not image transmission. Your visual system does not just transmit an image of the world up to your brain, because there’s nobody up there to look at an image. There’s nothing up there except nerve cells and all they do is either fire or not fire. So seeing is whether some neurons are firing and some neurons are not and what information those cells are extracting by the firing patterns from the pattern of light that lands on your retina.

Yes! Vision is not just using your eyes to see an image that gets transmitted to your brain. Vision is a complex series of processes involving light entering your eye through your cornea then landing on the retina, traveling through the optic nerve to the brain where it is processed not merely reproduced.

During my run I continued listening to the audio book, The Guest List. Wow, the men in this book are terrible; I was actually getting angry and sad about what assholes they are. Despite this, finally, three-quarters of the way through I am invested in listening to the entire thing and finding out how it ends. Whenever I make it to this point in a book where I’m finally hooked even though I had thought about giving up on it several times, I feel a sense of accomplishment.

a moment of sound

On the deck again. Listening to a crow and my neighbors’ scare rods spinning in the wind, sounding like the scratching noise that Voldemort’s soul makes in one of his horacruxes in the last movie. For the first 20 seconds or so, Delia joined me. You can hear her collar clanging, then the door open as she goes back inside. Too cold or boring for her, I guess.

Jan 30, 2021

Note: Working earlier today on some notes about vision, I think I figured out my new project: peripheral vision. So much to think about literally and metaphorically! I was inspired by a line I came up with:

If central vision represents the trees, peripheral vision is the forest. I will never lose the forest, even as the trees fade further away.

jan 20/BIKERUN

bike: 24 minutes
run: 1.3 miles
basement

Finally, it’s over! Already, Biden and Harris are working to undo some of the damage. What an awful, exhausting, traumatic 4 years. Yet, some good too, in spite of it all: a renewed faith in democracy, the chance for an actual reckoning with slavery and racism, and, most personally, a rediscovery of poetry and a new direction for my work on a feminist ethics of care. I started this running log in January of 2017, right as Trump was becoming president. There were many reasons I started writing here, but the urgent need to find a new way to be in the Trump era was surely one of them. In ways that I can’t yet articulate, this blog and my project of paying attention and of finding the small moments of delight–always letting the wonder win, as Aimee Nezhukumatathil says–was a form of resistance, a refusal to lose my faith in the world and my hope for the future. I must admit, it got much harder to resist these last few months, but the habits I built up from my miles and my words (and the beautiful words of many others), have helped me to persist and I know they will help me as I work hard to rid myself of all of the Trump-era toxins I’ve had to absorb. Does this sound too dramatic? Maybe, but today feels like a day for being dramatic!

I didn’t think about any of these things as I biked or ran. I just enjoyed moving and feeling free, even if it was in my dark unfinished basement.

Hooray for new administrations! Hooray for hope and possibility and room to breathe and grieve and imagine better worlds! Hooray for a renewed desire to do the work! And hooray for this beautiful poem by Amanda Gorman:

The Hill We Climb/ Amanda Gorman

When day comes, we ask ourselves, where can we find light in this never-ending shade?
The loss we carry. A sea we must wade.
We braved the belly of the beast.
We’ve learned that quiet isn’t always peace, and the norms and notions of what “just” is isn’t always justice.
And yet the dawn is ours before we knew it.
Somehow we do it.
Somehow we weathered and witnessed a nation that isn’t broken, but simply unfinished.
We, the successors of a country and a time where a skinny Black girl descended from slaves and raised by a single mother can dream of becoming president, only to find herself reciting for one.
And, yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect.
We are striving to forge our union with purpose.
To compose a country committed to all cultures, colors, characters and conditions of man.
And so we lift our gaze, not to what stands between us, but what stands before us.
We close the divide because we know to put our future first, we must first put our differences aside.
We lay down our arms so we can reach out our arms to one another.
We seek harm to none and harmony for all.
Let the globe, if nothing else, say this is true.
That even as we grieved, we grew.
That even as we hurt, we hoped.
That even as we tired, we tried.
That we’ll forever be tied together, victorious.
Not because we will never again know defeat, but because we will never again sow division.
Scripture tells us to envision that everyone shall sit under their own vine and fig tree, and no one shall make them afraid.
If we’re to live up to our own time, then victory won’t lie in the blade, but in all the bridges we’ve made.
That is the promise to glade, the hill we climb, if only we dare.
It’s because being American is more than a pride we inherit.
It’s the past we step into and how we repair it.
We’ve seen a force that would shatter our nation, rather than share it.
Would destroy our country if it meant delaying democracy.
And this effort very nearly succeeded.
But while democracy can be periodically delayed, it can never be permanently defeated.
In this truth, in this faith we trust, for while we have our eyes on the future, history has its eyes on us.
This is the era of just redemption.
We feared at its inception.
We did not feel prepared to be the heirs of such a terrifying hour.
But within it we found the power to author a new chapter, to offer hope and laughter to ourselves.
So, while once we asked, how could we possibly prevail over catastrophe, now we assert, how could catastrophe possibly prevail over us?
We will not march back to what was, but move to what shall be: a country that is bruised but whole, benevolent but bold, fierce and free.
We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation, become the future.
Our blunders become their burdens.
But one thing is certain.
If we merge mercy with might, and might with right, then love becomes our legacy and change our children’s birthright.
So let us leave behind a country better than the one we were left.
Every breath from my bronze-pounded chest, we will raise this wounded world into a wondrous one.
We will rise from the golden hills of the West.
We will rise from the windswept Northeast where our forefathers first realized revolution.
We will rise from the lake-rimmed cities of the Midwestern states.
We will rise from the sun-baked South.
We will rebuild, reconcile, and recover.
And every known nook of our nation and every corner called our country, our people diverse and beautiful, will emerge battered and beautiful.
When day comes, we step out of the shade of flame and unafraid.
The new dawn balloons as we free it.
For there is always light, if only we’re brave enough to see it.
If only we’re brave enough to be it.

a moment of sound

After the inauguration, Scott and I took Delia out for a walk. It wasn’t too cold, but it was windy and blustery and slippery–and difficult to get a moment of sound. In this recording, you can hear the wind and Delia’s collar clanging and our feet walking over the crusty ice and snow.

jan 20, 2021

jan 19/BIKERUN

bike: 24 minutes
run: 1.4 miles
basement

A little more snow, a little more cold, even more slick and uneven surfaces. Decided to workout in the basement. Watched some swimming races while I biked, then listened to the latest “Maintenance Phase” podcast while I ran. This one was about “The Biggest Loser” and it was disturbing. What a terrible show. I must admit, that I watched at least one season of it, and while I thought it was very problematic, sadly I still watched and enjoyed it. Such incredibly damaging ideas about bodies and fitness and health and fatness that reinforce dangerous and awful understandings of how we might live in and with our bodies!

After I finished I came upstairs and recorded a moment of sound on the back deck. Nothing too interesting today: it’s cold (15 degrees) and windy and the last 20 seconds were unusable because I was moving in some strange way that generated an irritating scratching noise. If you listen closely, you can hear the crunching, creaking sound of some car wheels. It’s my neighbor driving through the alley, slowly trying to navigate the icy ruts. The whooshing sound you hear is not a plane or traffic, but the wind rushing through the tall trees (pine? spruce?) across the alley. I don’t think I hear any birds or spazzy kids or barking dogs.

jan 19, 2021