Tag: Emily Dickinson

feb 16/RUN

note: I’m starting this post at 9:50 am. The temp is 4 degrees / fees like -11. The wind is 11 mph with gusts up to 20 mph. At this point, I’m thinking I will run inside on the treadmill. Will I, or will some part of me convince the rest to run outside?

3.5 miles
ford bridge and back
7 degrees / feels like -10
50% snow-covered

We did it. Good job legs and lungs and heart, you convinced brain that we really needed to be outside this late morning! Almost all of the layers were on: 2 pairs of black running tights; dark gray tank top; green long-sleeved shirt; orange pullover; dark purplish/blueish/grayish pullover with hood; purple jacket; orange striped buff; black fleece cap with ear flaps; black gloves; pink striped gloves; 2 pairs of socks — gray (long) / black (short). At times, I was too warm.

It was wonderful and sometimes hard, especially when I was running into the wind on the way back. It was also bright — glad I had my sunglasses. Encountered someone in orange with their hand up to shield their eyes as they walked south. Saw the round shadow of a street lamp and the jagged shadow of a small tree. Passed a group of four walkers, laughing and yelling and having fun on the double bridge.

Did I think about purple at all? I can’t remember now. The only color I recall noticing was orange.

the purple hour (15th and 16th of feb)

3:38 am / dining room / 15 feb

the heat turnning on, the house shifting settling, my legs restless
purple mountains — in Japan, looking out at the mountains, different shades of purple — fall, 1994
Emily Dickinson purple — sunsets and sunrises
someone shoveling at 4 am

[discussion below added at 10:30 am on 16 feb]

Where Ships of Purple—gently toss — / Emily Dickinson

Where Ships of Purple—gently toss —
On Seas of Daffodil—
Fantastic Sailors—mingle—
And then—the Wharf is still!
F296 (1862) 265

No one does sunsets better than Dickinson. I wonder if Amherst sunsets are still so colorful. Where I’ve lived sunsets are primarily red, pink, and gold, but the ones she describes often have purple. This one does, too. Here she sees great ships, large purple clouds, gently tossing in their moorings. The sea beneath them is tinted golden, “Daffodil,” from the setting sun. The mingling and fantastic sailors are no doubt smaller clouds that move among the larger ship-like ones, their shapes constantly changing. When the sun sets the sky turns dark and “the Wharf is still!”

the prowling bee

The prowling bee has been such a wonderful resource for me. Reading the comments for this poem, there was speculation about why the Amherst sunsets were so brilliant and purple:

Romantic era sunsets WERE particularly vivid, due to volcanic ash from several cataclysmic eruptions worldwide. The Hudson River School artists and their sunsets might not have been hyperbole, after all, nor were ED purple sunsets.

Another commenter doubted this suggestion, so I did a quick search and found a pop science article about a study on sunset paintings and volcanic ash: How Paintings of Sunset Immortalize Past Volcanic Eruptions

Volcanoes can cause some of the world’s most spectacular sunsets. An eruption spews small particles of gas, dust and ash, called aerosols, high into the atmosphere where they can spread around the world. The particles can’t be seen during the day, but about 15 minutes after sunset, when conditions are right, these aerosols can light up the sky in brilliant “afterglows” of pink, purple, red or orange.

The impact of climate/climate disruptions on how we see color? Fascinating. Earlier this morning, while doing my “on this day” practice, I reread my entry from 16 feb 2024. In it, I described a photo I took above the gorge.

The most important thing about this image is how the branches create a net which mimics how my vision often works — I can almost see what’s there, but not quite. Secondary, but connected, is the feeling of being disoriented, off, almost but not quite, untethered, which comes from swirling forms and the climate crisis — there’s almost always snow on tthe ground here in February. Where are my Minnesota winters?

This last bit about climate crisis and lack of snow returns me to the ash in the sky and its effect on how 19th century artists saw and depicted the world. Many places to go with this, for now I’m thinking about how my vision loss (or the making strange of my vision) has enabled me to be more open (than many people with “normal” vision) to understanding vision as complex and not as simple or straightforward as “what you see is what you get.” Does that make sense?

1:50 am / dining room / 16 feb

doorways/thresholds are definitely purple — a deep, dark purple
the air above the gorge: different versions (tints/shades) of purple
purple hums, a soft lavender static in my ears
lachrymose purple 
originally wrote violet static, but looked up the color again and thought it was too dark for the static I was hearing in my head

9:46 am / front room / 16 feb

Thought more about violet. Decided to search, “Alice Oswald violet.” Found this beautiful poem:

Violet/ Alice Oswald

Recently fallen, still with wings out,

she spoke her name to summon us to her darkness.

Not wanting to be seen, but not uncurious,

she spoke her name and let her purple deep eye-pupil

be peered into.

‘Violet,’ she said

and showed her heart under its leaf.

Then she leant a little frightened forwards

and picked a hand to pick her.

And her horrified mouseface, sniffed and lifted close,

let its gloom be taken and all the sugar licked off its strangeness

while we all stood there saying, ‘Violet! Violet!’

fingering her blue bruised skin.

Finally she mentioned

the name of her name

which was something so pin-sharp,

in such a last gasp of a previously unknown language,

it could only be spoken as a scent,

it could only be heard as our amazement.

“purple deep eye pupil”: so good!

“the name of her name” — I wrote in my notes: the flower is never one solid, consistent color — the color is an abstraction, a taking one part for the whole, a disconnection — to name a color is to reduce the experience and perception of that color to one thing — colors cannot be fully named

What is lost — in our perception, experience of the world — when we reduce what we see to a fixed color/fixed name?

This question reminds me of something I read in Turning to Stone on the importance of naming yesterday:

The names themselves are, of course, human constructs, but the act of naming requires making distinctions that sharpen the powers of observation.

*

Taxonomy is comforting because it creates a sense of control and finitude in a chaotic and open-ended world.

Turning to Stone / Marcia Bjornerud

Lists! I love lists. My lists aren’t taxonomies, but something else . . .

The proper name of God is a list.

Valentina Izmirlieva in Aster of Ceremonies

Once I get the audiobook of Aster of Ceremonies, I want to put name as taxonomy and control in conversation with JJJJJerome Ellis’ “Liturgy of the Name” and “Benediction.”

feb 14/RUN

4.5 miles
minnehaha falls and back
18 degrees / feels like 6

The bike path was clear and not crowded. The air was cold. I heard a few birds, kids on the playground, dry leaves still on the trees imitating the waterfall. My legs felt heavy, my lower back a little sore. Waved a greeting to almost everyone I encountered. Thought maybe I heard some kids on the sledding hill at minnehaha park but couldn’t see anyone.

About a mile in, I started thinking about how purple represents both very hot temperatures and very cold ones. Purple = extreme. Then I thought about Basho’s line about poetry as “a fireplace in summer, a fan in winter.”

small victories: thought about stopping to walk under the ford bridge but kept going until I reached my favorite observation spot, stopped to put in a playlist, then kept running until I reached the double bridge. also: have mostly reached my winter goal of lowering my average heart run to under 160 — today it was 157.

10 Things

  1. cloud-covered sun
  2. yellowed leaves on an otherwise bare tree — a compliment to the violet air
  3. the river was covered in white and looked wider and colder than usual
  4. at least 10 people were standing near my favorite observation spot by the falls
  5. through the slats of the double bridge on the walking side I noticed bright blue graffiti
  6. one car was parked in the far parking lot at the top of the sledding hill
  7. the bright pink plastic bag I mentioned last week was further in the woods today — was it filled with snow?
  8. the falls were frozen and not falling
  9. stopped at the bench above the edge of the world: open, empty, a few tracks in the snow
  10. a small part of the fence near 38th is missing a panel

the purple hour — 2 days

3:18 am (bedroom floor) / 13 jan 2025

Still life painting
Heavy shadows and light

Sitting in the dark, wanting to keep the quiet and how I’ve adjusted to the dark, I’m reluctant to take out my iPad and write or to speak into my phone. Now, later (10:00 am) in the morning, I remember the moon (a full moon!) coming through the slats — not as dramatically as the past few nights — and the window-sized square of light with its soft slat shadows and the deep, solid shadow of the couch and the dark almost emptiness of the closet — almost empty because I could see the hint (inkling?) of the exercise ball with the slightest outline of light. The image of the ball just barely emerging from the shadow reminded me of a still life painting — the one that Diane Seuss writes about in Quince, Cabbage, Melon, and Cucumber/ Diane Seuss (see 3 may 2024).

At night, when others are asleep and it’s more dark than light, the world stills for my restless eyes. The static stops. Finally objects freeze. Mostly I do too. A chance to look for longer, to stare and study.

I like “seeing” the darkness in the closet — its accordion doors wide open — as a deep purple. It’s not pure black; there’s color there but it’s dark and deep.

Writing this last sentence prompted me to search for Monet and purple. Why? I can’t remember now, a few minutes later. Jackpot. First, a quotation wrongly attributed to Claude Monet on the search, but actually spoken by Manet — poor Manet. How often is he overshadowed by Monet? Anyway, here’s the quotation:

I have finally discovered the true colour of the atmosphere. It’s violet. Fresh air is violet. I found it! Three years from now everyone will do violet!

found in The Secret Lives of Color, which sites Bright Earth: The Invention of Color, 208.

Bright Earth? This books looks great. Just requested it from my local library!

The impressionists were enamored with violet. Critics claimed they were afflicted with violettomania. Some theories on why:

  • a belief that shadows were never merely black or gray but colored — this sounds familiar!
  • complementary colors: bright yellow and soft purple. Robin Wall Kimmerer and Goldenrods and Asters!
  • vision problems — Monet and cataracts

*

Talking with my sister on the phone in the afternoon about my purple hour, she mentioned a paint color made from human remains. I think she meant this one:

Caput mortuum, Latin for “dead head,” is a dark brown paint that looks violet in some lights, maroon in others. It is earthy and intense, and like many browns, it can run in opposite chromatic directions when diluted. Some versions of caput mortuum paint tend toward the yellow end of the spectrum, while others wash into a light, yet slightly murky lavender. Despite its foreboding name and strange history, it is a rather simple, homey color. The substance reached the height of its popularity in the 18th and 19th centuries. It gets its hue from pulverized, mummified bodies (both human and feline) and its name from alchemy.

source

2:06 am / dining room / 14 feb

That moon! noticed a thin line of light on the kitchen floor then went over to the side (south facing) window and noticed the moon through the thick wooden slats. wow!
sitting at the dining room table, the heat kicked in — creaking everywhere through the vents. I have a short, repeated passage from one of our community band pieces running through my head. looking off to the side I caught a glimpse of myself in a mirror, my face-blob glowing from the computer screen — wistful wisteria — all parts of wisteria are toxic to humans — small purple flowers

I’m not sure why the phrase “wistful wisteria” popped into my head. Where do I know wisteria from? Searched for poetry wisteria and found a poem by Lucie Brock-Broido, Extreme Wisteria

Wisteria is, first: a hardy, deciduous, capable-of-earnest-grasping shrub which bears small flowers. After that, it can be pressed (violently if you will) into an attar of its former self. In this poem, wisteria is also a state (of mind), the place one heads toward when feeling wistful.”

QA with Lucie Brock-Broido

7:53 am / dining room / 14 feb

  • aubergine, agitated, almost/approximate
  • bathos, bruised
  • cancer: pancreatic, cough medication
  • Dino or Daphne, deep
  • eggplant, emperor, Easter dress
  • fibs faint falsehoods, fake fruit flavor, FWA’s favorite color
  • Grape Ape, grief, (ornamental) grass
  • heliotrope, haze, heaviness, hair color?!
  • iris, ink, iffy, iodine
  • jealousy, jazz, jackets
  • kingly, Kristen’s post-college car
  • lilac, lavender, Lumpy Space Princess
  • mauve, magenta, mold, mystery, magic
  • non (binary/entity/sense)
  • orchid, outrage(ous)
  • pansy, petunia, plum (fruit and Professor)
  • queer, question
  • restless, rusty/rusted
  • shadows, slant, snail-snot, scar
  • Tyranian, tantrums, teletubby, toe
  • unfenced, undulating, underwater, unique, uncertain, undecided
  • violet, violence, vapor
  • wisteria, wispy, whelk, wood with soft inhabitants, wet, wild
  • eXcessive, exasperated, extremities — oxygen-starved, excess
  • yellow’s compliment, yelling
  • zeal

10:30 / front room, my desk / 14 feb

Wandering with purple: Part of this purple hour project, part of any of my projects really, is to find reasons to wander and wonder about new, unexpected things that I might not otherwise encounter or care about. Mission accomplished! It started last night with a random phrase that whispered to me, wistful wisteria. This led to reading about the purple-flowered vine, wisteria, then Lucie Brock-Broido’s poem, then her Q&A about the poem in which they discuss Emily Dickinson, especially her poem, “Essential Oils — are wrung –“. Then the idea of ED as a hard nut to crack. Then this line from some commentary on ED:

When I read Walt Whitman, we jauntily walk side by side down the road within his multitudinous world of wonder. When I read Dickinson, I don’t know if I am inside her mind or if she is inside mine. But I am always in a mysterious, perplexing, deeply thought-provoking, sometimes scary but always beautiful place.

source

Which led me back to the Q&A:

I think we’re all in conversation on the page with that which came before us, or even during us. We inherit whatever canon we’re in the midst of, a great collective influenza.

*

What I mean to say is that, in my own work, often, I may have been with Dickinson, but she was not with me.

jan 29/RUN

5.3 miles
bottom franklin hill and back
33 degrees

Sun! Above freezing! Clear walking paths! Shadows! A nice, relaxed run.

a new experiment

I tried something new today. I picked 5 Emily Dickinson poems that I have memorized, then stopped after each mile to recite one of them into my phone. Mile 1, “Before I got my eye put out”; Mile 2, “We Grow Accustomed to the Dark”; Mile 3, “A Murmur in the Trees”; Mile 4, “A Felt a Funeral in my Brain”; and Mile 5, “A Heard a Fly Buzz when I died.” I didn’t have to stop right at the end of the mile, but just sometime before the next mile. It was fun and made the run go by faster. Sometimes I thought about what I had just recited as I ran, sometimes I didn’t. After “Murmur” I thought about ways to mash its lines up with “We Grow Accustomed” — maybe I’ll work on that more today?

assessment: This experiment was fun and helpfully distracting. I’ll definitely try it again!

10 Things

  1. Hi Dave!
  2. not much snow left on the walking path or the grass — in some places, a lumpy line of snow in the middle of the walking path from where the plow pushed the snow off of the biking trail
  3. a few slippery spots where water was barely ice
  4. the river was mostly frozen with a few spots of dark water
  5. a bird singing, cheeseburger or tea kettle — I guess that’s a chickadee?
  6. the thump of my zipper pull against by neck or chest
  7. a fat bike laboring by — slow and steady
  8. at least one bench was occupied — a person and two dogs
  9. my shadow beside me — sharp and erect
  10. another lone black glove — small

For part of the run, I focused on my rhythmic breathing: 1 2 3 in / 1 2 out. I began chanting: mystery is solved, then history is fact?, then history is wrong, then whose history is that? (which doesn’t quite fit the 3/2), whose story is told, and at whose expense?

jan 13/BIKERUN

bike: 30 minutes
run: 1 mile
basement
outside: 3 degrees / feels like -3

Cold and icy and windy outside, so inside in the basement for me. Watched an old track race while I biked, listened to my remember to forget playlist as I ran. Happy to move my legs and work up a sweat. What did I notice? I don’t remember.

remember — inheritance

gestures, ways of speaking, expressions, eye diseases, anxiety disorders, curiosity, persistence, restlessness, strong legs, a love of water, a need for being outside, the impulse to run away, an edge dweller, conflict avoider, a storyteller

for more on inheritance, see 4 nov 2021

Mary Ruefle and I Remember

I remember a lecture I read by Mary Ruefle in Madness, Rack, and Honey.

Thinking about “I Remember” and remembering, origins and when things began. I thought about how there is a sort of origin point to all of this (my writing poetry) and it’s my eye doctor diagnosing me with a rare eye disease then saying, you should write about it which prompted me to want to work on my writing so I could better explain what I was experiencing. But, I had already been writing and already had those desires, so it was really more of a slight shift, a stutter step or a quick stumble off the path, just briefly, which changed the trajectory, slightly, incrementally. Difficult to pinpoint what all changes your path.

9 may 2023

remember my name

The first song that came up on my playlist was Fame. As I listened to the lyrics — Fame! I’m gonna live forever / Baby remember my name — I started thinking about being remembered forever and fame and names and immortality and Emily Dickinson and JJJJJerome Ellis and their “Liturgy of the Name” in Asters of Ceremonies.

from Liturgy of the Name/ JJJJJerome Ellis

My name, in the time when I cannot utter it, maps the space within me. In an instant the Stutter shuttles me from the present–the barber just asked me my name, my voice fluttering in my throat, struggling not to tremble as the razor presses on my temples–to an ancient place of breath, name, silence, time, creation.

. . .

When the door of my vocal cords closes, another opens. And through that open door I escape into a region I do not know what to call but which is vaster than the space of my body. You could say: my name is the door to my being, and in that interval when I’m stuttering, the door is left wide open and my being rushes out. What rushes in?

jan 6/RUN

5.5 miles
bottom of franklin hill
11 degrees / feels like 5

Another sunny, snowless day. A little wind, some cold air. Wasn’t planning to run 5 miles, but I wanted to get to the bottom of the hill so I could see the surface up close. Iced over — not smooth, but with seams and cracks.

The Mississippi river at the bottom of the franklin hill. White ice, cracks, and shadows on its surface. Beyond it, the east bank with barre branches and blue sky.
ice on mississippi river / 6 jan 2025

I’m glad I took a picture because I did not remember it looking like this! I was visually a surface that was more gray and uniform with cracks creating big and flat sheets of ice. I didn’t remember the shadows or the blue or how uneven it all looked.

As I ran, I listened to my “Remember to Forget” playlist. It started with “I Remember it Well,” from Gigi. I heard the opening lines:

We met at 9
We met at 8
I was on time
No, you were late
Ah yes
I remember it well

I thought — wait, if he thought they were meeting at 9, he wouldn’t have thought he was late if he got there after 8 — yes, these are they thoughts I have as I run. I thought about how subjective memory can be and wondered how certain we could be that she remembered correctly. Then I heard these lyrics:

Ah yes
I remember it well
You wore a gown of gold
I was all in blue

I remembered that meme 4 or 5 years ago with the dress — is it gold or blue? — and thought again about how we can remember things differently. When is it lack of memory, and when did we always just remember it wrong, or unusually, or with a focus on different details, or in a different light?

10 Things

  1. the hollow knocking of a woodpecker
  2. the thumping of wheels over something on the road on the bridge above
  3. 4 stones tightly stacked on the ancient boulder
  4. a section of the fence above a steep part of the bluff, missing, marked off with an orange barricade
  5. the icy river through the trees — blue and white and lonely
  6. daddy long legs at his favorite bench
  7. shadows, 1: mine, off to the side, in the brush next to the trail
  8. shadows, 2: a tree trunk, tall, stretched, looking like a dinosaur
  9. stopping at the edge to put in my headphones, seeing a flare of movement below: someone walking on the winchell trail
  10. the limestones still stacked under the bridge, still looking like a person sitting up and leaning against the bridge

A poem about forgetting:

Said a Blade of Grass/ Kahlil Gibran

Said a blade of grass to an autumn leaf, “You make such a noise falling!  You scatter all my winter dreams.”
 
Said the leaf indignant, “Low-born and low-dwelling!  Songless, peevish thing!  You live not in the upper air and you cannot tell the sound of singing.”
 
Then the autumn leaf lay down upon the earth and slept.  And when spring came she waked again—and she was a blade of grass.
 
And when it was autumn and her winter sleep was upon her, and above her through all the air the leaves were falling, she muttered to herself, “O these autumn leaves!  They make such noise!  They scatter all my winter dreams.”

more forget lines

1

like the moment just before you forgot what it was you were about to say, it was like that, and after that, it was still like that, only all the time.
(Part of Eve’s Discussion/Marie Howe)

2

It’s almost romantic as we adjust the waxy blue
recycling bin until you say, Man, we should really learn
some new constellations.

And it’s true. We keep forgetting about Antlia, Centaurus,
Draco, Lacerta, Hydra, Lyra, Lynx.

But mostly we’re forgetting we’re dead stars too
(Dead Stars/Ada Limón)

3

See whatever you want
to see. Even
at the moment of death
forget the door

opening on darkness.
See instead the familiar faces
you thought were lost.
(Squint/Linda Pastan)

4

According to Howe, most (all?) of the critical studies of ED as a poet (up to 1985, when this book was written), read ED’s decision to stay isolated in her bedroom for the rest of her life as tragedy and a failure to celebrate herself as a poet (Whitman) or declare herself confidently as the Poet, the Sayer, the Namer (Emerson). Howe argues that she made another choice and writes the following:

She said something subtler. ‘Nature is a Haunted House–but Art–a House that tries to be haunted.’ (L459a)

Yes, gender difference does affect our use of language, and we constantly confront issues of difference, distance, and absence when we write. That doesn’t mean I can relegate women to what we ‘should’ or ‘must’ be doing. Orders suggest hierarchy and category. Categories and hierarchies suggest property. My voice formed from my life belongs to no one else. What I put into words is no longer my possession. Possibility has opened. The future will forget, erase, or recollect and deconstruct every poem. There is a mystic separation between poetic vision and ordinary living. The conditions for poetry rest outside each life at a miraculous reach indifferent to worldly chronology.

My Emily Dickinson/ Susan Howe

jan 4/WALK

20 minutes with Delia
neighborhood
7 degrees / feels like 4

Winter! Heading north, an arctic wind, but otherwise, not bad. Warm sun, no snow. I love being outside and moving. A thought: I should commit to doing one or two long-ish walks each week to somewhere. The library? A coffee place?

10 Things

  1. dead, brown leaves on top of a pile of crusty snow
  2. a high-pitched, quiet whine from a truck on the next block
  3. the bare, gnarled, tall branches of the oak tree on the corner
  4. 2 green dumpsters on the sidewalk outside of Turtle Bread
  5. almost stumbling as I stepped on a small rock or hard chunk of snow
  6. a neighbor on the next block having an animated conversation with the mailman
  7. bark! — Delia the dog unexpectedly barking at them from across the street
  8. bark! bark! bark! — a dog in a backyard calling out to Delia
  9. the tree on the corner across from the Blue Door — dead, most of it trimmed away, more than a stump with a few dead branches still remaining
  10. the sun! heading south, warming my face and making it difficult to see if anyone was approaching

While tagging old entries with “remember/forget,” I came across Emily Dickinson’s poem about forget-me-nots on 2 march 2021, which helped me to remember that I was thinking about it — vaguely — as I ran yesterday!

There are spaces for living
and spaces for forgetting.
Sometimes they’re the same.
(Voiceover/ Rita Dove)

dec 12/BIKERUN

25 minute bike ride
1.5 mile run
basement
outside: 2 degrees / feels like -8
dew point: -6

No running outside for me today. Earlier this morning, when I would have gone out for a run, it felt like -21. Brrrr. I did a short bike and a run in the basement. I don’t remember noticing or thinking about much. One thought: I wonder where the mouse who lives down here is right now? This morning, Scott discovered evidence that it had made its way upstairs: 3 pebbles of poop on the cutting board. Gross!

Watched a T 100 triathlon race while I biked and Taylor Swift’s “Reputation” as I ran.

Here’s a poem I found about Emily Dickinson yesterday:

Emily Dickinson at the Poetry Slam/ Dan Vera

I will tell you why she rarely ventured from her house.
It happened like this:

One day she took the train to Boston,
made her way to the darkened room,
put her name down in cursive script
and waited her turn.

When they read her name aloud
she made her way to the stage
straightened the papers in her hands —
pages and envelopes, the backs of grocery bills,
she closed her eyes for a minute,
took a breath,
and began.

From her mouth perfect words exploded,
intact formulas of light and darkness.
She dared to rhyme with words like cochineal
and described the skies like diadem.
Obscurely worded incantations filled the room
with an alchemy that made the very molecules quake.

The solitary words she handled
in her upstairs room with keen precision
came rumbling out to make the electric lights flicker.

40 members of the audience
were treated for hypertension.
20 year old dark haired beauties found their heads
had turned a Moses White.

Her second poem erased the memory of every cellphone
in the nightclub,
and by the fourth line of the sixth verse
the grandmother in the upstairs apartment
had been cured of her rheumatism.

The papers reported the power outages.
The area hospitals taxed their emergency generators
and sirens were heard to wail through the night.

Quietly she made her way to the exit,
walked to the terminal and rode back to Amherst.

She never left her room again
and never read such syllables aloud.

oct 16/RUN

4 miles
minnehaha falls and back
39 degrees

Wonderful weather for running! Not too cold, but cold enough to not overheat. The color of the day: yellow. I’m sure there were orange and red leaves, but all I remember were the bright yellow ones. Another color I remember: glitter — on the water, among the fluttering leaves. Seeing the low water in the creek on Monday, I wondered if the falls would even be falling. They were, but no gushing or roaring.

10 Things

  1. laughing kids at Dowling Elementary
  2. the oak savanna is still mostly green
  3. a sidewalk covered in dry, yellowed pine needles
  4. a person taking a selfie with their dog by my favorite overlook at the falls
  5. the man who empties the parking kiosks — I’ve seen him several times before and wondered why he comes in a regular (unmarked) car and how many coins he collects
  6. the creek was higher than in past falls when bare rock was exposed
  7. instead of a rope blocking the steps down to the falls, which is easy to climb over, Minneapolis Parks has added a green metal gate
  8. the shadow of some leaves falling to the ground, looking like the shadows of birds
  9. those same falling leaves looking like brown snow
  10. the swinging shadow of my ponytail

pines and Basho

I ran over yellow pine needles covering the sidewalk at the start of my run and thought about Basho. So I looked up “basho pine” and found this line:

Learn about the pines from the pine, and about bamboo from the bamboo.
Don’t follow in the footsteps of the old poets, seek what they sought.

from Basho on Poetry

A poem I was working on yesterday (and submitted to a journal for consideration), starts this way:

It begins here: from
the ground up, feet first,
following.

The following I am referring to is not simple repetition, even as it literally is about following trails already made by past feet, but seeking what past feet sought: connection, contact, familiarity with the ground/land and how it has been shaped.

ghosts and zombies

My plan for this month was to focus on Zombies, but between a kid crisis, the marathon, and a poem that insisted on being reworked, I haven’t given much attention to them. Maybe two other reasons: I don’t really like zombies, and I’m still thinking about ghosts.

from Circle / Dana Knott 

human obits in the process
of being written
ghostly obits in the process
of being read

Here’s what I wrote on August 1, 2024 that got me thinking about zombies:

On Ghosts V. Zombies/ Suzanne Buffam

Soul without a body or body without a soul?
Like choosing between an empty lake
And the same empty lake. 

For the past few years, I’ve devoted a lot of attention to ghosts and haunts, but I’ve rarely thought about zombies. This poem is making me want to think about them now. So many directions to go with it — the relationship between the body and the soul or the body and the spirit or the body and the mind; how, because I can’t see people’s faces or make eye contact, they look soulless to me — I’m a ghost among zombies; Alice Oswald and the Homeric mind — our thoughts traveling outside of our bodies; Emily Dickinson and the soul that wanders; the fish in us escaping (Anne Sexton) or the bees released, returned to the hive/heaven (Eliot Weinberger). 

I clicked on the ED link and read my entry from march 19, 2024. There’s a lot of good stuff in it, including a reference to Homer, but not the poet, the cartoon character, Homer Simpson. It’s the clip where his brain escapes his body to avoid listening to Ned Flanders talking about the differences between apple juice and cider (if it’s clear and yella, you got juice there fella, if it’s tangy and brown, you’re in cider town). Wow.

taking it slow

Reading the “about this poem” for poets.org’s poem of the day, Dead Reckoning, I encountered this line:

This poem began as a long sequence but arrived at this stripped-down form after fifteen years of off-and-on revision.

Hyejung Kook

15 years of off-and-on revision! I’m only on year 3 of my Haunts revisions. I’m glad to know that other poets sit with some of their poems for a long time.

After finding this, I read an old entry from October 16, 2021, and found this:

“I am slow and need to think about things a long time, need to hold onto the trace on paper. Thinking is adventure. Does adventure need to be speedy? Perhaps revising is a way of refusing closure?…” 

Rosemarie Waldrop

This slow time reminds me of Lorine Niedecker and what she writes in a letter to her poet-mentor, Cid Corman, while working on her poem, “Lake Superior”:

Cid, no, I won’t be writing for awhile, and I need time, like an eon of limestone or gneiss, time like I used to have, with no thought of publishing. I’m very slow anyhow . . . . I’m going into a kind of retreat so far as time (going to be geologic time from now on!) is concerned . . . .

Lorine Niedecker

oct 1/RUN

3.1 miles
2 trails + extra
51 degrees

Finally, fall weather! Wore my bright orange sweatshirt today, which was too warm during the last mile. Ran above on the paved trail heading south, below on the Winchell trail heading north. Sunny, breezy, cool, dreamy. Tree shadows. My left hip was a little sore, but otherwise I felt strong and relaxed. I chanted Emily Dickinson for part of the run: life is but life/ and death but death/ bliss is but bliss/ and breath but breath then life is life/death is death/bliss is bliss/breath is breath then life life life life/death death death death/bliss bliss bliss bliss/breath breath breath breath.

Thought about the marathon and how long it’s been since I ran on the winchell trail and FWA and My Neighbor Totoro, which Scott and I watched last night. Also thought about zombies, which is my theme for October. Mostly I thought about bodies without minds and feeling like you’re trapped in a body and soul-less, indifferent, relentless bodies.

10 Things

  1. heading down to the Horace Cleveland Overlook, I was blinded by a circle of light on the river — so bright! impossible to see anything else
  2. the sharp crack of a squirrel opening an acorn
  3. kids on the playground — laughing, yelling
  4. water trickling out of the sewer pipe at 44th
  5. a few more slashes of red, a golden feeling*
  6. the surface of the winchell trail is in terrible condition — cracked, slanted, cratered
  7. bikers on a bench, taking a snack break
  8. a woman on the narrow winchell trail with a dog, off to the side and facing me, talking on a phone I couldn’t see, saying something about walking after 60
  9. someone sitting on the bench in a blue shirt near the overlook
  10. big trees on the ground, cut into sections and stacked beside the trail

*For the past few weeks, I’ve been seeing trees turning yellow everywhere, but when I mention it to Scott he says that they look perfectly green to him, not yellow at all. Since my color vision is questionable, I’ll take his word for it. I’ve decided to believe that I’m seeing the yellow that is coming, or the slightest idea — the inkling — of yellow that has arrived but only as a feeling or the whisper, yellow. This morning, as I stood at the kitchen counter, about to make my coffee, I noticed the reflection of my neighbor’s tree on the granite countertop. Yellow! Wow, I said to myself out loud, has that tree turned when I wasn’t looking? I looked out the window and checked the real tree: a golden feeling, but nothing more.

Another gold/en thing: Admiring the sun spilling through the treetops, feeling the crisper air, W.S. Merwin’s line from “To the Light of August” popped into my head: Still the high, familiar, endless summer, yet with a glint of bronze in chill mornings. I thought, not bronze, but gold.

some marathon experiments

During and after my run, I had 2 ideas for things to try while running 26.2 miles. First: pick 26 poems I’ve memorized to recite in my head as I run. One for each mile. The problem with this idea is not memorizing all the poems. I’ve already done that. The problem is remembering which poems I picked and for which mile! I imagined attempting to write a list on my arm, which seemed ridiculous and too unruly.

Second: for each mile, notice things that begin with one particular letter. Do this in alphabetical order. So, mile 1 = a, mile 2 = b, etc. I could also make a list of as many words that start with that letter as possible. This experiment might be fun, but it could also get tedious.

In addition to these experiments, I’ve been thinking that I need a mantra and/or a few lines from favorite poems to chant in difficult moments or when I want to be distracted. Yes! I’ll have to make a list today. Of course, ED’s life/death/bliss/breath is on this list!

zombies!

Today is the first day of Zombie month! I’m excited to explore this topic, which I don’t know that much about. Since the marathon is this Sunday and I’m also thinking a lot about that, I’ll ease into zombies this week.

When I think of zombies, I think: relentless, indifferent, hungry, mindless, brainless bodies. And this makes me think of Jaws as a relentless killing machine. Here’s a great poem I found on poetryfoundation:

Jaws/ Emma Hine

I don’t realize I’m starved
for the color until the blood

washes up on the beach.
I’m craving red but still

haven’t seen the creature,
just the quick whip and slither

of its tail in the wake
—and then there I am,

facing the skin side
of the animatronic shark.

The slick apertures of its eyes.
The mythic teeth.

The anvil nose beating
the deck, cracking windows.

The shark, like the moon, is
pockmarked, unstoppable,

never showing its hidden side.
Surely space is just another underwater,

the messages we send from satellites
a bleeding haze of infrared:

This is my blood type,
this is where I keep my body at night,

and I tell no one about the times
my body, taking over,

stands waist-deep in the surf,
some wild need inside me

ticking into place.

The slick apertures of its eyes. Yes — Jaws’ eyes are the worst: huge, empty, black. Is much made of zombies’ eyes? Anything distinctive, or do they just look dead and empty?

sept 17/RUN

5 miles
bottom of franklin turn around
70 degrees / dew point: 63

So much sweat! The bill of my cap, the end of my ponytail, the tip of my nose dripping before I finished the first mile. Ran 3 without stopping, then walked until my heart rate was down to 135. Started running again to the metronome at 175 and finished with my winter playlist — time for a new playlist!

I liked running to the metronome (through my headphones, from the metronome/tuner app on my phone). I was able to match my foot strikes with the beat fairly quickly, but it took a few minutes for it to lock in. When that happened, I could feel the transformation from the edge of the beat (just before or after it) to the deep center of it. My foot strike seemed different, more solid and strong. The beat sounded different, less generic and more connected to a physical source (my foot). And I felt different, inside the beat, no longer a body but that steady clicking sound. Very cool.

It’s not quite the same, but I’m thinking of myself as Annie Dillard’s bell being struck. Also, Emily Dickinson and these lines:

As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race,
Wrecked, solitary, here –

10 Things

  1. slashes of red in the bushes
  2. a pinkish-orangish clump of leaves
  3. almost all green in the floodplain forest
  4. a shimmering circle of light: the sun on the river through a gap in the trees
  5. a steady stream of commuting cars
  6. mostly overcast, with occasional sun, enough sun for me to see my shadow as I walked home
  7. at the beginning of my run, a for sale sign in a front yard, by the end of my run, it was gone
  8. running down franklin, the trees were a yellowish green
  9. at least one roller skier — maybe 2, unless it was the same skier
  10. the bright, generous smile of a woman walking past me

Yesterday, I came across this cool poetry project, The BardCode Project:

In the BardCode Project Gregory Betts has analysed and mapped the rhyme patterns within Shakespeare’s 154 sonnets. Shakespeare built his famous sonnets by a unique sound pattern of rhymes in the final syllable, the tenth column, of each line. Betts asks, and answers, the question: What was Shakespeare doing in the rest of the sonnet?

The BardCode project maps out the full sound pattern of rhymes in all ten columns across all of Shakespeare’s sonnets. Colour coding these sound-codes results in a visual text rich with the sonic patterns of the poems. Suddenly, for the first time, you can see the BardCode.

BardCode Projects