august 30/RUN

3 miles
winding through the neighborhood*
62 degrees

*36th st, east/edmund, north/32nd st, west/river road, south/33rd st, east/edmund, north/32nd st, west/47th ave, south/34th st, east/edmund, south/37th st, west/a loop around Howe Elementary/44th ave, north/34th st, west/43rd ave, south

What beautiful weather! Sunny, shady, not too windy, not much humidity. Ran a winding route through the neighbor. Very pleased to see that they closed the river road down between 33rd and 32nd. I might start incorporating more some loops of it to add more distance. I wish I could run straight on the river road trail, but I’d rather keep my distance from others on less crowded paths. Here’s a screenshot of my route:

Running Route, 30 Aug

I can’t remember thinking about anything. Lots of bikers on the river road between 33rd and 32nd. Lots of runners on the trails. Didn’t hear any music coming from bike speakers or the clickity clacks of roller skiers. Running down Edmund, I heard a woman yell out and then a big dog running through the grass. The dog hadn’t escaped; she had let them off their leash to run free. Ran on the road, the sidewalk, a narrow dirt trail, the grass, over tree roots, up and down small rises where the sidewalk had buckled, into bright sunlight. I don’t remember hearing any birds or traffic. No distinctive smells.

Finished the run and made it home in time to watch a lot of stage 2 of the Tour de France. Alaphilippe! Alaphilippe!

august 29/RUN

3.05 miles
43rd ave, north/lake st, east/46th ave, south/32nd st, east/edmund, south/river road, north/hill
61 degrees

What a beautiful morning! Sunny and cool. Quiet, calm. As I started the run, I could hear the gentle hum of traffic from a far off freeway. Thought about my latest writing project on blind spots; I’m working on a poem about my feelings of wonder over discovering a way to see my blind spot. As I ran, I asked myself, should I try to convey a tone of wonder by asking lots of questions? (Probably not.)

Things I Remember

  • the strong smell of cologne as I ran on Edmund
  • two women running below in the tunnel of trees talking loudly
  • a couple of crows calling out to each other
  • being blinded by the sun as I ran east
  • the tree that usually glows a glorious yellow in late september has already changed colors; today it looks a mix of dull orange/red/brown

on metaphor and mood

Right now I’m in the phase of my writing project where I have ideas that I’m really excited about but that don’t quite work yet. I’m immersed in the project, thinking about it most of the time, but I can’t figure out my way forward. So far, I have decided I’d like to do a series of poems about my mood related to my growing blind spot that somehow incorporate my actual blind spot (the one that I was able to trace by staring at a blank sheet of paper, taped to a wall at eye level, and tracing the dark ring that I saw). Because my spot is not yet a spot but a thickening ring, I’m calling this series, Mood Rings. Now I’m wondering how to write about my moods–a literal description? metaphor? something else? A few days I encountered a writing prompt for mood ring poems:

(from Laura Deutsch Writing the Senses via Market Street Writers)

Pick an emotion—joy, anger, frustration, sadness, etc.—and complete your own poem.

When I feel [name emotion] __________________

It is the color _____________________ – like _____________________

I hear ___________________ – like _____________________________

I taste _______________ – like _________________________________

I smell _____________ – like __________________________________

I see ____________________ – like _____________________________

I feel ___________________ – like ______________________________

I want to ___________________ and ___________________________

But ___________________________.

I’m not sure I like this prompt or want to try it–maybe I will?–but it got me thinking about metaphor and how I might try to express my mood of wonder. Will metaphor enable me to get closer to expressing what I actually feel or further away from the IS/THIS of it? In a blog post for poetry foundation, Sabrina Orah Mark argues that metaphor, which means transport in Greek, reduces distance, bringing us closer to the feeling of what is being expressed. But, this transport only happens when the metaphor is encased within a world that supports it and its meaning. Metaphors fail when they don’t have a world, or that world no longer exists (does this fit with the failure of “doing something at a glacial pace” to work anymore now that glaciers are melting faster?). Does this fit with my own struggles to think about metaphor in my poem about wonder? I’m not sure, but I really liked this post and wanted to mention it here, especially this part:

But what if we can no longer tell if the world we are writing from is inside out or outside in? Up above or down below? The future or the past? What if the rules, like clouds, are becoming a rabbit, no an ambulance, no a dragon, no an unraveling spool of thread. What happens to our imagination when the unimaginable has imagined us up first? Is there an emergency hotline for metaphors?

Regardless of how much sense this discussion is making, it is helping me to come up with some more ideas. Now I’m thinking about ring as metaphor:

RING

  • ring of fire, burning a hole through my retina
  • tree rings, expanding, thickening like my blind spot as time passes and my vision deteriorates
  • boxing rings, brass rings, a ring of truth?

august 28/RUN

3 miles
turkey hollow loop
67 degrees
90% humidity

Keeping this log entry short because I sliced my left hand on glass yesterday afternoon–not enough to need stitches, but almost–and I am trying not to use my left hand so as not to split the just healing wound open again. A nice run. Cooler after the early morning rain. Ran above the river for 10 minutes. The trail wasn’t too crowded.

things I remember

  • A group of runners parallel to me on the grass between the river road and edmund, running almost the same speed, talking very loudly
  • Squirrels shaking acorns from a tree, their teeth clicking, the acorns plinking on the ground
  • Water rushing from the sewer pipe
  • No turkeys
  • Running by some huge logs–I ran by the crew cutting them down a few weeks ago–between Becketwood and 42nd st

Running on edmund, heading north, an idea came to me about my latest blind spot project. When I finished running, I spoke it into my phone:

Idea: Mood Rings

august 27/RUN

2.05 miles
river road trail, south/grass between river road and edmund, south/edmund, north
73 degrees
humidity: 89%
dew point: 70

Another hot day, another short run. I started on the river road trail but it was too crowded to stay. Crossed over to the dirt trail in the grass between the river road and edmund. Rutted and difficult to run on. Didn’t have a chance to see the river, too busy looking out for bikers and walkers.

At some point during the run I thought about the great book I’m reading (one of the few books I’m reading instead of listening to), Bonnie Tsui’s Why We Swim, and her chapter on flow.

Flow: the state in which people are so involved in an activity that nothing else seems to matter” (Mihaly Csikszentmihalyi).

I was thinking, as I ran by Dowling Elementary, how difficult it is to experience flow during runs this spring and summer. It’s partly because there’s too much to worry about–hurricanes, pandemics, the refusal by leaders to do the difficult work of addressing racial injustice and dismantling institutions that create/perpetuate injustice, upcoming elections and the campaign to destroy “liberal cities”–and partly because the trails and sidewalks are too crowded to get lost. I know it still happens to me–running or writing, I can lose track of time–but I wish it could happen more.

Anything else I remember? Tons of acorn shells everywhere. The squirrels are busy. Does that mean we will have a tough winter? Don’t remember hearing cicadas or any birds, not too many cars, no roller skiers or rowers. No leaf blowers or horns honking. I did see an adult biking with a little kid. I love watching little kids biking, especially when they’re very little and very good at biking–so graceful and powerful.

state fair mannequins

In a non-pandemic world, the state fair would have started today. I miss many things about going to the fair. The food, the beer, the mutant vegetables and political crop art (there would have been some really good ones this year), but what I’m missing most today are the state fair mannequins. Every year I love seeing them looking so creepy and strange and almost human. Last year I started work on a project about eye contact and faces and the uncanny valley and state fair mannequins. Some day I will finish it. Here’s one of my favorite mannequins:

august 26/RUN

2 miles
43rd ave, north/32nd st, east/edmund, north/the hill
79 degrees
dew point: 66

Very hot today. 77 degrees at 7 in the morning. I decided to do a shorter run. Not too bad. Listened to a running playlist so didn’t notice any other sounds. No chirping birds or backing up beeps or roaring lawn mowers or plink-plonking acorns or zapping cicadas. Ran in a lot of shade, which was nice. Felt strong running up the hill on Edmund. Checked out my form a few times by looking at a shadow running beside me, then ahead. Encountered many more walkers than runners.

Didn’t get close enough to see the river. Forgot to check out the aspen eyes. I did notice how the tree on the corner of Edmund and 32nd, the one that usually glows a glorious yellow in the fall, was almost all goldish-brown. Is it dying? I hope not.

Had another pandemic dream last night–my second, I think, which isn’t too bad considering how long we’ve been in this mess. Same scenario, different setting. In a crowded place (first time it was a Justin Bieber?! concert, this time in a restaurant). Suddenly, I realize I’m around too many people, none of us socially distancing or wearing masks. What am I doing here? Why am I being so reckless? I freak out, then wake up. It’s unusual for me to have such literal dreams–of course, a bunch of other weird shit happened in the midst of this that I can’t remember now too, but the basic anxiety is my actual, literal anxiety. Usually, anxiety dreams are like the one I mentioned a week ago when I was late for a band concert and couldn’t find a black shirt. Or, it’s the last week of the semester and I haven’t shown up to class at all–either as the teacher or the student. Being late for a concert, forgetting to attend class are not things I have to worry about right now–and I’m not. What is it about this pandemic and my fears/worries about it that is making my dreams so boringly literal?

I think (I hope) I’ve discovered my new project. It’s a companion project to the Snellen charts. I’m tracing the blind spot in my central vision and then superimposing it on text about vision to create erasure poems. I’m still not sure how this will all work or how many of them I will do or whether or not I will only do erasures with found text or include my own text. Last night, while experimenting with this, I tried it out. This is not the actual erasure, just an experiment taking text about blind spots from Sight Unseen, staring at it until I can see my blind spot, then tracing that blind spot on top of the text.

Blind Spot Experiment

Not sure how to make this work yet. In the above experiment, I focused my eyes on the center of the page–the W I think–and then traced the blind spot I saw. I could try focusing on different spots. Should I create the blind spot tracing with every new experiment or create a template of my blind spot that I can easily place on different texts? Should the text be blacked out or just not there–an absence in white?

Scott suggested creating two poems out of it, one with the blind spot words removed–so a ring of white, and one with only the blind spot words. This makes me think of the amazing poems of Diana Khoi Nguyen in Of Ghost, especially Triptych.

august 25/RUN

3 miles
over the lake st bridge!
73 degrees
humidity: 87%
dew point: 69

Hot and humid this morning, but who cares? I ran over the lake street bridge and got my first satisfying view of the river in months, maybe since this whole pandemic started. What a view! What a beautiful river. No rowers or motor boats or paddle boats or canoes. Just smooth, shining blue water. I’ve been reluctant to run over the bridge for fear that it would be too crowded, but I didn’t encounter anyone–and even if I did, the path isn’t that narrow and it wouldn’t take me long to pass someone.

I ran east on 36th st, then north on 47th ave, past 7 oaks, through Minnehaha Academy parking lot, over to lake street, across the bridge, down the stairs to under the bridge, up the other side and over the bridge again, across the river road to the trail then over the edmund, and finishing by running down and back up the hill above the tunnel of trees. It’s nice to do a slightly different route. Maybe next time I’ll try crossing the bridge, then running up to Summit and back down again?

Things I Remember

  • Seeing the dock at the Minneapolis Rowing Club on the north side of the lake street bridge, empty
  • Not encountering any people on the bridge but passing by three scooters leaning against the railing
  • A lone roller skier preparing to ski up the hill
  • The bright yellow shirt of a runner exiting the stairs from the bridge
  • Checking to see if there was an eagle perched on the dead tree branch on the bridge (nope)
  • The socially distanced tables with umbrellas at Longfellow Grill, empty (I think?)
  • Passing a guy sitting on a boulder in the grass between edmund and the river road 3 times, first as I crossed over from edmund to the river road heading south, second as I ran down the hill on the river road, and third, as I ran back up the hill

blind spot

At the end of February, while reading Sight Unseen, I discovered how to see my blind spot. Everyone has a blind spot, but mine is in my central vision and it keeps getting bigger every year as more of my cones get scrambled. I stared at the center of a blank white wall for a few minutes and then suddenly a ring, white in the small center, grayish-black on the broader edges appeared. I drew it from memory in my notebook:

Plague Notebook, Vol 2

Yesterday afternoon, I decided to try finding my blind spot again. This time I took a sheet of white paper and taped it on the wall, at eye level. I closed my left eye and stared into it for a minute or two with my right eye until a grayish circle with a white center appeared. I quickly traced it, then colored it in, using blue for the grayish part:

Blind Spot, Right Eye

I wasn’t very precise with this method, but still, I think this gives a good sense of how much of my central vision might be left. I want to keep experimenting with this image–maybe make a concrete poem out of it or something? I haven’t figured it out yet, but this might be a second part to my Snellen Chart poems. I’m also thinking of using the Amsler grid with it and maybe the grid out of words instead of lines?

august 24/RUN

2.5 miles
44th ave, north/32nd st, east/river road, north/river road, south/edmund, south
77 degrees
dew point: 66

Ran just after noon. So hot and bright! Ran up 44th on sidewalks strewn with acorns, past Cooper Field with no shade in sight. Past the aspen eyes and the crowded parking lot. Under the Lake street bridge, up the hill, on the trail that winds above the Minneapolis Rowing Club. I turned around and ran back down the hill below the bridge, and up the other side, through the grass in front of Minnehaha Academy, up the hill on Edmund,

For the first time this year (I think), I saw the man in black! He wore a white shirt and black shorts today. So tall, such long legs.

I ran above the river for at least a mile of the run but I don’t remember seeing it. Was I distracted or was there too much green? Probably both.

Heard the beep beep beep of a truck backing up again. Also heard the machines (what kinds of machines?) at the construction site above the tunnel of trees. Heard cicadas and crickets. Don’t remember hearing any geese or cardinals or chickadees.

Noticed the bright glare of the sun on a few cars. Beautiful and annoying.

Ran on sidewalks covered in acorns, bumpy roads, uneven grass, narrowly rutted trails, a pock-marked parking lot, on the very edge of the bluff.

Today’s Wonder: Grackles

This morning, I encountered a tweet from a poetry person: “the grackles are here.” I knew grackles were birds but not much else. I assumed that the tweet was done in the tone of delight. Then I looked up grackles and realized my mistake. Here are a few things I learned about grackles this morning (main source):

  • They are a nuisance. The collective noun for grackles is sometimes “a nuisance of grackles” or “a plague of grackles”.
  • The congregate in the fall in big groups. Very big groups. According to the Mass Audubon site, up to a million grackles in a group.
  • Their short call sounds like a rusty gate.
  • They have yellow googley eyes and iridescent feathers.
  • They are a bigger threat to corn than crows.
  • They’re into “anting”–they let ants crawl all over them so the ants can secrete acid from their stings on their feathers to kill parasites.

The Grackle/ Ogden Nash

The grackle’s voice is less than mellow,
His heart is black, his eye is yellow,
He bullies more attractive birds
With hoodlum deeds and vulgar words,
And should a human interfere,
Attacks that human in the rear.
I cannot help but deem the grackle
An ornithological debacle.

Have I ever seen or heard a grackle? I’m not sure.

august 23/RUN

3.1 miles
another route where I avoid people*
72 degrees
dew point: 69

*36th st, east/edmund, north/river road trail, north/48th ave, northwest/minnehaha academy parking lot/32nd st, east/edmund, south/38th st, west/river road, north/the hill

Went out for my run a little earlier, but not early enough. Still crowded. Was planning to do the trestle turn around route but when I saw how many bikers and walkers there were, I decided to turn up towards lake street and loop around Minnehaha Academy. I am looking forward to when it is cooler and there are less people on the trails–will that happen this year?

Heard some birds this morning but I can’t remember what or how they were singing. Also heard some cicadas. No geese or woodpeckers or black-capped chickadees. Saw my shadow running ahead of me.

(added a few hours later) I almost forgot: running on Edmund, I felt a small acorn bounce off my bare shoulder as it fell to the ground. I don’t think I’ve ever had an acorn bounce off of my shoulder. I’m glad it was a small one–and also not a walnut!

Mid-August at Sourdough Mountain Lookout/ GARY SNYDER

Down valley a smoke haze
Three days heat, after five days rain   
Pitch glows on the fir-cones
Across rocks and meadows
Swarms of new flies.

I cannot remember things I once read   
A few friends, but they are in cities.   
Drinking cold snow-water from a tin cup   
Looking down for miles
Through high still air.

I like the simple form of this poem and how he describes the landscape in the first stanza. It’s like a deep breath or a little prayer or a moment of quiet rumination. I’d like to try a few poems in this form, using details from my log entries.

Is the line, “I cannot remember things I once read,” a reference to aging? I read another poem about aging this morning:

Vertigo/ LES MURRAY

Last time I fell in a shower room
I bled like a tumbril dandy
and the hotel longed to be rid of me.
Taken to the town clinic, I
described how I tripped on a steel rim
and found my head in the wardrobe.
Scalp-sewn and knotted and flagged
I thanked the Frau Doktor and fled,
wishing the grab-bar of age might
be bolted to all civilization
and thinking of Rome’s eighth hill
heaped up out of broken amphorae.

When, anytime after sixty,
or anytime before, you stumble
over two stairs and club your forehead
on rake or hoe, bricks or fuel-drums,
that’s the time to call the purveyor
of steel pipe and indoor railings,
and soon you’ll be grasping up landings
having left your balance in the car
from which please God you’ll never
see the launchway of tires off a brink.
Later comes the sunny day when
street detail whitens blindly to mauve

and people hurry you, or wait, quiet.

august 22/RUN

3 miles
running wherever there’s an uncluttered path*
69 degrees
humidity: 89%
dew point: 66

*Ran towards the river, was almost hit by 2 bikes (one was their fault, the other mine). The path was so crowded that I couldn’t avoid people so I crossed over to the grassy stretch between edmund and the river road. Too crowded. Ran on Edmund. Too crowded. Finally turned right on 42nd and ran through the neighborhood, west on 42nd st, north on 43rd ave, around Howe school, east on 37th st, north on 45th ave, west on 35th st.

Hot and too crowded. Oh well, still good to get out there. Woke up this morning from an anxiety dream: I needed to perform in a concert in a town an hour away. I couldn’t find a black shirt. Most of the dream consisted of me frantically searching through all my clothes, which had been carefully folded by my dead mom until I threw them all around the room. No black shirt. A messy mountain of clothes.

Listened to a playlist as I ran. It helped a little. Could still hear the crickets buzzing. It’s LOUD bug season. When I reached Howe, someone was racing a remote control car on the street. I’m glad I was running on the sidewalk! I never saw who was doing it. I imagined a young boy, but it could have been a man or a young girl, I guess.

Listening to Teenage Kicks on the Current radio station this morning as I write this entry. I like this line from Prince’s “Pop Life”: everybody needs a thrill/we all got a space to fill.

Found this bit of wisdom on twitter from Dana Levin the other day. I love the poetry people on twitter.

Hot tip: It’s great to mull the context that gives birth to a poem, but if you start revising based on this context rather than on the gifts (often unexpected) of the material—language, image, tone, etc—your poems will simply be recordings rather than revelations.

In this same thread, a John Ashbery passage from his poem flow chart is mentioned:

So one can lose a good idea
by not writing it down, yet by losing it one can have it: it nourishes other asides
it knows nothing of

This makes me think of same great advice Danez Smith gave in a poetry workshop I attended. They talked about the original idea for a poem as the bay leaf that seasons the poem but that you take out before serving.

I’m also thinking about something Mary Oliver said in her interview with Krista Tippet for On Being. Just as Dana Levin ends with “your poems will simply be recordings rather than revelations,” Oliver suggests that without empathy/feeling your poem is only reporting, a field guide. Too much context/explanation distracts (or detracts?) from feeling and experiencing the poem.

august 21/RUN

2.25 miles
43rd ave, north/32nd st, east/edmund, north/hill x 2
73 degrees

A warmer morning. Can’t remember anything that I thought about, which is nice. I like getting lost. Ran one of my new regular routes through the neighborhood, then closer to the river. No tunnel of trees today. I hope that when it gets colder, less people will run so I can run on the trail without worrying too much about getting too close to people.

sound of the morning

At the start of my run, on the sidewalk north on 43rd, I heard the beep beep beep beep beep of a truck backing up. At first I couldn’t tell where the truck was, then I noticed a U-Haul parking in front of a house. How many beeps? At least a dozen. I guess they were struggling to parallel park.

fall is coming!

Turning the corner from 32nd st to Edmund, I noticed it: one of the trees that glows yellow in the fall is changing already. The yellow is creeping in, slowly. I love tracking the changing colors in the fall!

I don’t remember hearing many birds or bugs. No music blasting from bike speakers or people talking on the phone. No clickity-clacks from roller skiers or bike bells dinging. I do remember hearing the distinctive plink plink of an acorn bouncing on the ground and the hum of at least one machine at the construction site above the tunnel of trees.

Currently I’m working on turning my work memorizing poems into writing exercises/memoir. And I’ve been thinking about how useful and wonderful it is to record myself reciting a poem and then listening back to the words, which are often correct but sometimes wrong in unexpected ways. I found a tweet yesterday, which doesn’t totally fit with this memorizing but connects:

transcriptions rly show how much of our talk is dirt & gravel, how clear thoughts have to be panned for like gold

yet all the human pleasure is in the gravel, in the second-guessing & laughter & short sighs, the repetitions & amens, the silences where thoughts turn & settle

One bit of “gravel” I find in my recitation recordings is when I struggle to remember a word or phrase or line. Such delight in hearing the moment of remembering and the struggle to achieve it! What would it look like to transcribe that into a poem, I wonder?

Finally, here’s another poem about listening that I discovered a few days ago.

Listening/ Elizabeth Hoover

When I am in a restaurant or bar, I watch
women listening. They listen to men talk
about unfinished basements, art projects,
or how the land is very rocky around Sudbury.
I admire how women are resourceful in making
themselves comfortable while listening. One
cradles her chin in her palm, her spine
a deep c-curve. Another woman sits
very upright and sips her martini
while following the zigzag of waiters.
The woman to my left appears to be using
the time to memorize how her hands look
in case they are lost or stolen and she needs
to describe them to the police while a man explains
that industrial strawberry farming has created
a monoculture. The woman with perfect posture
is receiving directions to a trailhead
in another country. The woman
with the swan-neck spine stealthily adjusts
her belt as a man informs her Lolita
is really an allegory about art-making. After all
these years of listening, I am so good at it that I can
even listen to the women’s listening. It sounds
like a wind over a great plain laid to waste
by a retreating army or the pages of a book
abandoned on the sand by a swimmer
whose strong arms have taken her beyond
where waves crash so she can float and listen
to the rush of her blood, the shriek of gulls.
She can hear the gulls’ ribs creak as they inhale
before each cry. She can hear the rustle
as urchins pass over the decay they feast on.
She can hear silver on the sides of fish
and the loneliness of an uncoupled eel. She listens
to her own sounds as well: the current
of her nerves slowing, her hair lifting
and floating away, the sacs in her lungs
reaching greedy mouths to the sky.

At first, I wasn’t planning to memorize this poem but now, re-reading it, I’m thinking I will. I love the descriptions of the women listening to the mansplaining–especially the woman examining her hands in case they are stolen–and the listening to women listening–especially the swimmer in the sea.