Author: Sara Puotinen

march 6/RUN

5.3 miles
franklin hill turn around
95% snow-covered
16 degrees/feels like 5

More sun. Blue sky. Birds chirping. But no snow melting. No bare pavement. No running on the walking path, dipping below the road, above the floodplain forest. Only running on the bike path right by the road. Wasn’t able to greet the Daily Walker because we were both running the same direction. Did get to say “good morning” to the man in black. Wow, he’s tall and lean and friendly. Heard the geese by the railroad trestle. Saw a nervous squirrel dart across the road and the path. Listened to my vest rustling as I moved. Sounded like a soft brush on a snare drum. Wore my yaktrax again. The path was slick and slushy, making it harder to fly, especially as I ran up the franklin hill. The river was mostly covered with snow but as I neared the franklin bridge, it opened up and I could see gaping black holes. Encountered 2 fat tires and a walker–a woman bundled up with a mask over her mouth. No dogs. No snow blowers or trucks backing up. No cars revving their engines or disembodied voices traveling up from the gorge. I don’t remember thinking about anything as I ran–did I?

layers: green shirt, orange shirt, black jacket, black vest, hood, buff, gloves–which came off around mile 2.

Almost forgot–at some point, it started snowing big fluffy flakes. In my face as I ran south. Running under the interstate bridge I looked up and thought I saw them swirling like static–was it too much sun in my eyes or did they actually look like that? Watched a truck barrel across the interstate and wondered: do they see this staticky snow too? I liked the snow–looking at it, but not when it landed on my eyelashes. By the time I was done running, I think the sun was out again. Can you believe we might get another foot of snow this weekend?

I recently discovered Linda Hogan. She is amazing. Here are two poems from her collection, Rounding the Human Corners:

from Eucalyptus

Some of the religious say the five senses are thieves
so let’s say I am stolen
and like the tree I can lose myself
layer after layer
all the way down to infinity
and that’s when the world has eyes and sees.
The whole world
loves this unlayered human.

The Way In

Sometimes the way to milk and honey is through the body.
Sometimes the way in is a song.
But there are three ways in the world: dangerous, wounding,
and beauty.
To enter stone, be water.
To rise through hard earth, be plant
desiring sunlight, believing in water.
To enter fire, be dry.
To enter life, be food.

march 5/RUN

3.35 miles
mississippi river road path, north/south
10 degrees/feels like -3
100% snow-covered

Cold. Windy. Wonderful! It was tough running straight into the wind on the way out, but it felt great being outside above the gorge. The river is frozen over. The path is still completely covered. Wore my yaktrax today. Imagined that I was tall, strong. Wanted to think about how the cold felt but it was difficult because I had so many layers on.

layers: green shirt, orange shirt, black jacket, gray jacket, 2 pairs of running tights, 2 pairs of socks, buff, hood, visor, mittens, gloves

Didn’t feel the cold. Not even in my fingertips. Just warm. And encumbered by layers. Too many sleeves. Bulky, heavy gloves. A jacket zipped up too high. What will it feel like without the layers? Bare legs? Hopefully in a month or two I’ll get to remember.

Before heading outside, I read the article, Counting Feet: On Running and Poetic Meter. Love the ending line:

both running and poetry are ways of feeling, inside ourselves, that steady beat of being human—the marker that, yes, we are alive, and living, and carrying ourselves forward on ever-moving feet.

I can’t stop thinking about inside/outside and their complicated relationship.

Last night, I read a new poem that I don’t quite understand yet but with which I am enchanted. It’s about salt–which, by the way, is something I can feel right now on my face, caked post run. I am a salty sweater.

Salt
BY HUANG FAN
TRANSLATED BY HUANG FAN AND MARGARET ROSS

Grain by grain, salt’s frozen tears
Help me count history’s disasters
I can’t blame salt for telling food
You’re full of wounds

Salt misses the freedom of the ocean
Remembering waves, salt jumps into a soup
But it finds there only my reflected face
It hides by making itself too soft to chew

Sometimes, salt follows a cold sweat
Waking me from a nightmare
Dreamed blood tastes like salt
As if in human failure lay the silence of God

Having swum in the ocean
Salt considers soup a shallow pond
For salt, every meal is a jail

One day, an extra salty flavor
Makes me cough and cough
It feels like cold fish bones scraping my throat
Maybe it’s salt telling me
I’m going to prison in your body
Don’t ever forget who I am!

Translated from the Chinese

I almost forgot to mention that it was my mom’s birthday. If she were alive, she’d be 77. I imagine she wouldn’t have wanted to run today in this cold and wind, but she might have gone cross country skiing. Oh to be out in the wintery world with her, talking and laughing and admiring the snow decorating the trees!

march 4/RUN

4 miles
mississippi river road path, north/south
6 degrees/feels like -3
100% snow-covered

Totally snow-covered path. According to my log, the last time the path was half covered was feb 2 and 0% covered, jan 25. That’s a long time (for me at least) to be running on snow. There’s a possibility of another 7 inches on Saturday. Wow. The run started slow and I felt cold. Right around the time I reached the railroad trestle, when I was planning to turn around, I suddenly felt really good. So I kept going for 1/2 mile longer. Heard some geese–and saw them in a flash–somewhere between the lake street bridge and the railroad trestle. Also heard my feet crunching on the path. Watched my shadow. Didn’t see another runner or the Daily Walker. Did see one walker. No fat tires or skiers. Just me and the ice chunks scattered on the side of the path. The other day, when Scott and I were running, we saw a brown mouse unsuccessfully try to scale a mountain–probably 4 feet high–of snow. I wondered what happened to it. It scampered up the side but then fell backwards onto the path.

march 2/RUN

1 mile
mississippi river path, south/north
20 degrees
100% snow-covered

Was planning to run 3 miles with Scott but the path was terrible. Mushy, uneven, slick. Yuck!

From a Window
BY CHRISTIAN WIMAN

Incurable and unbelieving
in any truth but the truth of grieving,

I saw a tree inside a tree
rise kaleidoscopically

as if the leaves had livelier ghosts.
I pressed my face as close

to the pane as I could get
to watch that fitful, fluent spirit

that seemed a single being undefined
or countless beings of one mind

haul its strange cohesion
beyond the limits of my vision

over the house heavenwards.
Of course I knew those leaves were birds.

Of course that old tree stood
exactly as it had and would

(but why should it seem fuller now?)
and though a man’s mind might endow

even a tree with some excess
of life to which a man seems witness,

that life is not the life of men.
And that is where the joy came in.

march 1/RUN

3.35 miles
mississippi river road path, north/south
12 degrees/feels like 12 degrees
99% snow-covered

It’s March. Finally. The month of many birthdays.

Dear March – Come in – (1320)
Emily Dickinson, 1830 – 1886

Dear March – Come in –
How glad I am –
I hoped for you before –
Put down your Hat –
You must have walked –
How out of Breath you are –
Dear March, how are you, and the Rest –
Did you leave Nature well –
Oh March, Come right upstairs with me –
I have so much to tell –

I got your Letter, and the Birds –
The Maples never knew that you were coming –
I declare – how Red their Faces grew –
But March, forgive me –
And all those Hills you left for me to Hue –
There was no Purple suitable –
You took it all with you –

Who knocks? That April –
Lock the Door –
I will not be pursued –
He stayed away a Year to call
When I am occupied –
But trifles look so trivial
As soon as you have come

That blame is just as dear as Praise
And Praise as mere as Blame –

A wonderful run that helped my mood tremendously. Very gray–one of those pewter mornings that Margaret Atwood mentions in “February.” You could tell snow was coming. It started when I reached the turn around. Big flakes. No sharp daggers. Wore my yaktrax today and it helped. I hardly slipped at all. Still difficult to run in certain stretches where the snow was sloppy. Felt strong and free and grateful to be outside moving. Greeted the Daily Walker and a few other runners. No fat tires. Heard some geese honking near the lake street bridge. They like to congregate there.

from The Black Maria
Aracelis Girmay

Body of sight. Body of
breaths. Body of trying.

Beloved, to
day you eat,
today you bathe, today
you laugh

Today you walk,
today you read,
today you paint, my love,

Today you study stars,
today you write,
today you climb the stairs,

Today you run,
today you see,
today you talk,

You cut the basil
You sweep the floor

& as you chore, touch
the ankles & hairs of your befores
who look up from their work
in the field or at the chisel
to tell you in their ways: You Live!

What a poem! Here’s a blurb about Girmay’s book:

Taking its name from the moon’s dark plains, misidentified as seas by early astronomers, the black maria investigates African diasporic histories, the consequences of racism within American culture, and the question of human identity. Central to this project is a desire to recognize the lives of Eritrean refugees who have been made invisible by years of immigration crisis, refugee status, exile, and resulting statelessness. The recipient of a 2015 Whiting Award for Poetry, Girmay’s newest collection elegizes and celebrates life, while wrestling with the notion of seeing beyond: seeing violence, seeing grace, and seeing each other better.

feb 28/RUN

5.1 miles
Franklin hill turn around
10 degrees/feels like -1
100% snow-covered

feels like: an ice rink then loose sand on the beach then too hard concrete; spring if you close your eyes so you can’t see the snow and you just feel the bright sun, hear all the birds warbling and cooing and chirping

Scott and I signed up this morning for the Twin Cities Marathon next October. It’s happening!

Even though the path was difficult–slippery, loose, hard–I had a good run. Ran 5 miles. I haven’t done that much since Jan 12th, when I ran a 10k. Very bright. Saw my shadow, her tassels fluttering in the wind. Looked down at the river: open water. Listened to my feet snapping on the path. Greeted the Daily Walker. Ran up the Franklin hill for the first time in a few weeks. Noticed how blue the sky was. So bright! Wore my sunglasses the entire time, wondering how much bluer the sky and the snow looked through these lenses. Was passed by a runner after the turn around. Such a beautiful gait. So relaxed and rhythmic. Gracefully bobbing up and down. I love watching a good runner’s feet as they rise and fall, up down, up down, up down. Started chanting my numbers again. First, 123/45 then 123/45 It’s interesting how much easier it was to get the rhythm straight when I was moving. Sitting here now at my computer, I’m struggling. After chanting numbers I added some words: mystery is solved/suspects are captured/Shaggy & Scooby/Velma too

On the final day of February, here are 2 poems entitled February:

February
BY JACK COLLOM

It is all kind of lovely that I know
what I attend here now the maturity of snow
has settled around forming a sort of time
pushing that other over either horizon and all is mine

in any colors to be chosen and
everything is cold and nothing is totally frozen

soon enough
the primary rough
erosion of what white fat it will occur
     stiff yellows O
beautiful beautifully austere
     be gotten down to, that much rash and achievement that
             would promote to, but

now I know my own red
network electrifying this welcome annual hush.

I must admit, after reading this poem–both out loud and in my head–many times, I still don’t understand these lines: “what white fat it will occur/stiff yellows O/beautiful beautifully austere/be gotten down to/that much each and achievement that would promote to” Guess I’ll have to read it a couple dozen more times–I like that he’s making me work for it. The confusion is a nice contrast to the pleasing/easy/comfortable/welcoming rhymes: know/snow, chosen/frozen/erosion

February
BY BILL CHRISTOPHERSEN

The cold grows colder, even as the days
grow longer, February’s mercury vapor light
buffing but not defrosting the bone-white
ground, crusty and treacherous underfoot.
This is the time of year that’s apt to put
a hammerlock on a healthy appetite,
old anxieties back into the night,
insomnia and nightmares into play;
when things in need of doing go undone
and things that can’t be undone come to call,
muttering recriminations at the door,
and buried ambitions rise up through the floor
and pin your wriggling shoulders to the wall;
and hope’s a reptile waiting for the sun.

Many February poems focused on signs of spring. I read one that featured the green tips (or leaves or something) of a crocus on Feb 28! Where is this magical land of flowers in February? Certainly not in Minnesota. I like my February poems bleak, bemoaning the endless winter, with barely any hope of spring ever coming.

feb 27/BIKE

30 minutes
bike stand

Snowed another 2.5 inches last night. Wow. So much snow. Thought about going out for a run but it feels like -2 and I already ran yesterday and the day before. So I biked and watched the Super League Triathlon Championships. Before biking, worked on adding words to the beats I created while running on Monday: 123/45, 123/45, 123/45, 123 and 54/321, 54/321, 54/321, 321. Decided to make them about the cold.

0 degrees/feels like -11

i.
Up from the gorge floor
Down from the gray sky
Under a jacket
Cold sharp air

Even through layers
it comes to linger
right on the surface
of warm skin

Suddenly shocking
jolting those deadened
deeply distracted
dazed and dumb

Sober up quickly!
Sharpen your senses!
Notice the river!
Smell! Hear! See!

ii.
Cold air heavy sky
Hard path muffled steps
Trees sing lullabies
Go to sleep.

Not sharp only soft
Dense thick covering
All thoughts frozen, stopped
Shhhhh. Hush. Dream.

Sink deep settle in
Dull numb blanketed
Wrapped in frigid air
Hibernate.

Took me a long time to select a poem for today. Finally decided on one about winter branches, which are some of my favorite things to study in winter.

Winter Branches
Margaret Widdemer

When winter-time grows weary, I lift my eyes on high
And see the black trees standing, stripped clear against the sky;

They stand there very silent, with the cold flushed sky behind,
The little twigs flare beautiful and restful and kind;

Clear-cut and certain they rise, with summer past,
For all that trees can ever learn they know now, at last;

Slim and black and wonderful, with all unrest gone by,
The stripped tree-boughs comfort me, drawn clear against the sky.

feb 26/RUN

3.3 miles
mississippi river road path, north/south
2 degrees/feels like -8
100% snow-covered

Snow again. All set to go, heading out the door, looked down at the sidewalk and it was white. What? Looked up at the sky: falling snow. Wasn’t expecting that. Oh well, went out for a run anyway, wondering what the people in the cars driving by were thinking about me running and slipping on the icy sidewalks, scaling tall, misshapen mounds of snow created by the snow plow. Listened to my playlist today, which was a nice distraction from the wet, sharp shards of snow hitting my face and settling on my eyelashes. Didn’t feel much wind, but the light snow was always in my face, coating the slightly unzipped part of my jacket and the tops of my gloves. Greeted the Daily Walker and a few other runners. Encountered at least 2 fat tires. Quickly glanced at the river. All I could see was grayish white, whiteish gray. Devoted a lot of attention to watching the path and avoiding big ice chunks or slick spots. Wanted to think about the cold today and how it feels but it was hard because I didn’t really feel that cold. Maybe because of all of the layers?

layers: green shirt, orange shirt, black jacket, gray jacket, 2 pairs of running tight, extra long light weight fish scale socks, shorter heavier dog paw socks, a buff, a hood, a visor, gloves, mittens, headphones

I don’t remember breathing in the cold deeply. And it wasn’t cold enough for the snot to freeze in my nose. My face burned a bit but my fingers were fine. So were my toes. I guess the thing I remember most about the cold is how it lingers. Taking off my running layers when I got home, my torso was very cold, so were my legs. Now, an hour later, I still feel cold.

Listening to a poem about winter by Mark Strand (Lines for Winter), I wrote a few phrases in my journal that I liked:

“gray falls from the air” “the dome of dark” “the tune your bones play” What tune do my bones play?

Yesterday I mentioned the rhythms I started chanting at the end of my run: 1 2 3/45 or 54/321. I wrote them in my journal and translated them into meter: 1 2 3/45 becomes an anapest/troche or unstressed unstressed stressed/stressed unstressed. This afternoon, as I look out my upstairs window–the half of it that isn’t yet blocked by packed snow on the porch roof–at the snow, I’ll try adding words to the beats.

My poem for today is a wonderful Ars Poetica (a poem about the art of poetry):

To the New Journal
Susan Rich

after W. S. Merwin

Let’s just listen—

before the spent words and the hidden nests
of sentences begin, before the musical count

of vowels and consonants, the ink

not yet slippery with wild grief
or souped-up grandeur.

I wish to arrange you—

with a few half-formed couplets—
inquiries without answers.

But what can we do? These mountains are still

young and rising, I write. Yet,
even the fields call to an orchestra of stars.

Even the birds sing to-do lists.

Even the birds sing to-do lists. Love this line.

feb 25/RUN

3.3 miles
mississippi river road path, north/south
0 degrees/feels like -11
100% snow-covered, 40% ice-covered

Cold today. Not much wind, but lots of ice on the sidewalk and the trail. Reached the river road and encountered something strange: the path, right at the entrance, was covered in black, smoky snow and jagged black ice–like something had made the snow quickly melt then reform. Must have been some sort of fire–what happened? Heard lots of birds while walking to the river. Greeted the Daily Walker and a few other runners. Tried not to worry about my right knee which grumbled with short, sharp pains a few times. Didn’t look at the river even once. Did I look at the floodplain forest? (at least once, I remember now). I did look down at the Minneapolis Rowing club building. Spent most of my time watching the path, making sure I wasn’t running on extra slick spots or over chunks of snow. With less than a mile left to run, I started chanting a rhythm in my head: 123/45, 123/45, 123/45, 321 then 54/321, 54/321, 54/321, 321. How would these beats work in a poem? I’ll have to play around with them…

It is almost the end of February–the snowiest February in recorded snowfall history and the 6th snowiest month since they started keeping track in 1872. We started the day with a feels like temp of -23 and are facing a week of cold cold cold. Another snow emergency has been declared and then, after that, cars will only be able to park on the right side of any street until April. In light of this bleakness, I want some darkly hopeful poems. Here are two:

Catalog of Unabashed Gratitude
BY ROSS GAY
an excerpt

Friends, will you bear with me today,
for I have awakened
from a dream in which a robin
made with its shabby wings a kind of veil
behind which it shimmied and stomped something from the south
of Spain, its breast aflare,
looking me dead in the eye
from the branch that grew into my window,
coochie-cooing my chin,
the bird shuffling its little talons left, then right,
while the leaves bristled
against the plaster wall, two of them drifting
onto my blanket while the bird
opened and closed its wings like a matador
giving up on murder,
jutting its beak, turning a circle,
and flashing, again,
the ruddy bombast of its breast
by which I knew upon waking
it was telling me
in no uncertain terms
to bellow forth the tubas and sousaphones,
the whole rusty brass band of gratitude
not quite dormant in my belly—
it said so in a human voice,
“Bellow forth”—
and who among us could ignore such odd
and precise counsel?

I want to have this dream, although I imagine my bellowing would be more woodwinds than brass–deep throat-toned clarinets, trilling piccolos, a jaunty bassoon.

Instructions on Not Giving Up
Ada Limón, 1976

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

I love how she reads it on the poets.org site. Click on the link in the title to hear it. Spring isn’t here for a while. But, it’s coming. The greening of the trees and the green skin growing–so much green soon!–will come in a few months.

feb 22/RUN

4.3 miles
mississippi river road path, north/south
19 degrees/feels like 19 degrees
100% snow-covered

feels like: this snow is here to stay forever, the white is too bright, a strange dream, slick, soft, sibilant

layers: (too much) green shirt, orange shirt, black jacket, black vest, buff, hood, visor, 2 pairs of tights, 1 pair of socks. gloves. 2 miles in, the gloves came off.

Not much sun but the snow was very bright. So white. White path, white walls, white sky. No snow on the river though. Walking, right before I started running, I heard the birds. Determined to make spring come soon. They started chirping a few weeks ago. The run was fun. I like running on snow, even if it is uneven in spots. Encountered a few other runners, the Daily Walker!, the man in black (the one I mentioned yesterday)–we greeted each other and he seems very nice so I’m not freaked out by how tall he is now, 2 fat tires, a few dogs. Thought about the marathon again as I neared the franklin bridge. Also thought about a poem I read this morning: Robert Duncan’s “Often I am Permitted to Return to a Meadow.” I was trying to think about the made place in my mind that I return to. I struggled to hold onto any thought about the poem or places I imagine. I kept thinking about my breathing and not slipping on a slick spot or twisting my ankle on an ice chunk.

Often I Am Permitted to Return to a Meadow
Robert Duncan

as if it were a scene made-up by the mind,
that is not mine, but is a made place,

that is mine, it is so near to the heart,
an eternal pasture folded in all thought
so that there is a hall therein

that is a made place, created by light
wherefrom the shadows that are forms fall.

Wherefrom fall all architectures I am
I say are likenesses of the First Beloved
whose flowers are flames lit to the Lady.

She it is Queen Under The Hill
whose hosts are a disturbance of words within words
that is a field folded.

It is only a dream of the grass blowing
east against the source of the sun
in an hour before the sun’s going down

whose secret we see in a children’s game
of ring a round of roses told.

Often I am permitted to return to a meadow
as if it were a given property of the mind
that certain bounds hold against chaos,

that is a place of first permission,
everlasting omen of what is.

This poem is the first poem in Duncan’s 1960 book, The Opening of the Field. He was part of the Black Mountain Poets. Charles Olson was another member of the Black Mountain Poets. In doing some research on Duncan and this poem, I encountered Olson’s idea of projective verse: poetry shaped by rhythms of poet’s breath. So cool–I want to explore this more, thinking about breathing when I run vs. walk vs. sit.

Olson argues that the breath should be a poet’s central concern, rather than rhyme, meter, and sense. To listen closely to the breath, Olson states, “is to engage speech where it is least careless—and least logical.” The syllable and the line are the two units led by, respectively, the ear and the breath:

“the HEAD, by way of the EAR, to the SYLLABLE
the HEART, by way of the BREATH, to the LINE”

poetry foundation introduction to “Projective Verse”