Month: June 2019

4 miles
mississippi river road path, north/south
70 degrees

Another beautiful morning. Not too hot or humid or windy. Ran towards downtown, past the welcoming oaks, the two ancient boulders left behind from the last ice age 10,000 years ago, the path above the floodplain forest. Under lake street bridge, up above the minneapolis rowing club, under the railroad bridge, along the split rail fence for 2 miles until I reached a dirt path that cut down through some trees to another dirt path. Walked for 1/2 a mile back towards the railroad bridge, climbed some steep wooden stairs that reminded me that my right knee was sore, then ran back on the paved path to the 36th street parking lot and home.

Nearing the railroad bridge I heard a honk. A truck on the other side? A big boat on the river? No, a train! I wondered if it was coming or going and if I’d be able to see it when I reached the bridge. With all the trees, it’s hard to see the top of the bridge until you’re almost right under it. When I got there, a train engine! Only the engine so my timing was lucky. Any sooner or later and I would have missed it. I think this is the first time I’ve ever encountered a train on the trestle. Will I ever see one again? Mundane I guess, but really cool to me.

The dirt path below the split rail fence was mud free and mostly bug free. Much steeper than some of the paths further south. In a few stretches, there was a chain link fence, leaning out. Another stretch had a plastic, make-shift fence. One small section, right above a sewer pipe, had a wrought iron fence. As I reached it, I could hear voices up above and water trickling below. Next time I’d like to run this stretch. I had planned to walk the short part that passes under the trestle and then take the steep stone steps up but didn’t. I was nervous that someone might be down there. Maybe next time? I always struggle to find a balance between being too scared and being safe.

In 2002, Alice Oswald published a book-length poem about the River Dart in south west England–in Devon. She took a tape recorder and interviewed people she encountered on the river. Here’s an excerpt of an excerpt:

Dart/Alice Oswald

The Dart, lying low in darkness calls out Who is it?
trying to summon itself by speaking…

the walker replies

An old man, fifty years a mountaineer, until my heart gave out, so now I’ve taken to the moors.
I’ve done all the walks, the Two Moors Way, the Tors, this long winding line the Dart

this secret buried in reeds at the beginning of sound I
won’t let go of man, under
his soakaway ears and his eye ledges working
into the drift of his thinking, wanting his heart

I keep you folded in my mack pocket and I’ve marked in red where the peat passes are and the
good sheep tracks

cow-bones, tin-stones, turf-cuts
listen to the horrible keep-time of a man walking,
rustling and jingling his keys
at the centre of his own noise,
clomping the silence in pieces and I,
in the pit of his throat, I
summon him just out of earshot

I don’t know, all I know is walking. Get dropped off the military track from Oakehampton and
head down into Cranmere pool. It’s dawn, it’s a huge sphagnum kind of wilderness, and an hour
in the morning is worth three in the evening. You can hear plovers whistling, your feet sink right
in, it’s like walking on the bottom of a lake.

What I love is one foot in front of another. South south west and down the contours. I go slipping
between Black Ridge and White Horse Hill into a bowl of the moor where echoes can’t get out.

Listen,
a
lark
spinning
around
one
note
splitting
and
mending
it

and I find you in the reeds, a trickle coming out of a bank, a foal of a river

one step-width water
of linked stones
trills in the stones
glides in the trills
eels in the glides
in each eel a fingerwidth of sea

in walking boots, with twenty pounds on my back: spare socks, compass, map, water purifier so I
can drink from streams, seeing the cold floating spread out above the morning,

tent, torch, chocolate not much else.

Which’ll make it longish, almost unbearable between my evening meal and sleeping, when I’ve
got as far as stopping, sitting in the tent door with no book, no saucepan, not so much as a stick
to support the loneliness

he sits clasping his knees, holding his face low down between them,
he watches black slugs,
he makes a little den of his smells and small thoughts
he thinks up a figure far away on the tors
waving, so if something does happen,
if night comes down and he has to leave the path
then we’ve seen each other, somebody knows where we are.

…

3.5 miles
river road path, north/south
63 degrees
87% humidity/dew point: 61

Even though the humidity and dew point were high, this run wasn’t miserable. It helped that it was only 63 degrees. Ran a little faster than I realized. Spent a lot of time trying to slow down my breathing with chanting: “strawberry/yogurt” in 2 3/out 2. Couldn’t see the river or hear any rowers. Greeted other runners. Didn’t see any roller skiers or rollerbladers or many bikers. No dogs. No squirrels. Only one large-ish group of runners. Thought a lot about the stretch of the trail (my favorite part, which dips below the road) that I’m writing at least 2 haibuns about. I’ve written one about descending into it already. The second one is about ascending. After stopping to study it, I’ve realized that the season for the haibun is late August, when the trees are thick with leaves and heavy with trapped humidity/insects. When you can’t see the river or the road or the forest because of all of the green.

Almost forgot–a bug flew on my face and then into my mouth mid-run. I was able to spit it out, which was gross. At least I didn’t gag on it, like I have in the past. Yuck!

Summer/Ronald Johnson (1967)
excerpt

2
What the Earth Told Me

No surface is allowed to be bare,

& nothing to stand still. A man could forever study a pebble

& at last see dilations & expansions of the hills—

to pull the most slender stalk, is to jostle the stars,

& between the bearded grass

& man ‘looking in the vegatable glass

of Nature’, is a network of roots & suckers

fine as hairs.

I threw a stone upon a pond

& it bounded the surface, its circles interlacing

& radiating out to the most ephemeral edge.

Flint & Mica, Lichened Limestone, Shale & Sarcens, Sandstone, Soil.

I saw the wind moving on a meadow

& the meadows moving under wind—

lifting, settling & accumulating.

Flint & Mica, Lichened Limestone,

Shale & Sarcens, Sandstone, Soil.

3
What the Air Told Me

It is breathed into Orpheus’ lyre & as rocks & trees & beasts

is divided there. Its origins strain

precedes the sound, by as much as echoes follow after:

the quivering of ‘cow-quake’, a ‘loud audible

humming of bees on the down’, stresses within the sustaining earth,

clouds of fleece & mare’s tail.

I saw with single eye, the facet of the fly—

the infinitesimal mechanics & all the metallic sheens

of a blue-bottle. In a land where the sun grows fat on cloud

& summer hasn’t come

till your foot can cover twenty daisies,

she came to the dark, open beak

& laid a myriad of eggs. And in two day’s time the dead

bird’s body simulated life: maggots in eye-socket &

under feather, in a subtle movement.

The White & The Glistening.

4
What the Leaf Told Me

Today I saw the word written on the poplar leaves.

It was ‘dazzle’. The dazzle of the poplars.

As a leaf startles out

from an undifferentiated mass of foliage,

so the word did from a leaf—

A Mirage Of The Delicate Polyglot

inventing itself as cipher. But this, in shifts & gyrations,

grew in brightness, so bright

the massy poplars soon outshone the sun . . .

‘My light—my dews—my breezes—my bloom’. Reflections

In A Wren’s Eye.