april 16/RUN

3.5 miles
mississippi river road path, north/south
51 degrees

What a day! Sunny. Light breeze. Warm. So long snow. Passed a woman early on, breathing heavily. Her loud gasps, almost echoing above the gorge, followed me for a few minutes. Celebrated with my shadow, both of us so happy to be outside this morning. Wondered what the workers in yellow vests were waiting for near the lake street bridge. Heard that same barking dog–the one I heard a couple of times a few months ago–pass by me in that same white truck. Weird. Stopped at the railroad trestle and took the steps down, below the trestle, still above the river. Hiked for a few minutes, climbing a few small hills–more like mounds. Heard a few woodpeckers. Turned around and had a wonderful view of the underbelly of the railroad bridge. Then started running again. When I was almost done, a squirrel decided to race me, not darting out in front of me but running beside me through the dead leaves. Was able to say good morning to the Daily Walker.

Here’s one other poem that I marked to remember from The Collected Works of James Laughlin:

THE LONGEST YEAR/james laughlin

Began with snowstorms, one after another.
In March a frantic night of wind took down
The huge sugar maple that showed a hundred
Rings when it was cut up for firewood.
Spring was dubious and too short, a hot
Summer too long. A child drowned in Tobey
Pond, it was horrible. Only in October
Were there a few perfect days with the leaves
Ablaze. Again before its time, baleful winter
Set in. Cars skidded on the icy roads.
At Christmas a false thaw deceived us
For a week before a deadly ice storm had
The branches of the trees cracking like
Rifle shots as they broke off all night.
It was a battlefield in the woodlot
Next morning. I didn’t count the days
Of that malevolent year, I only wished
Never to see such another. . . until,
Blessed miracles, it was true spring,
the lilacs blooming, the daffodils
Nodding, and you, Persephone, came up
From the world below to seek me out.

april 15/RUN

2.15 miles
mississippi river road path, south/north
52 degrees

Watched the Boston Marathon this morning. Last year, when I was watching it, we were getting 17 inches of snow. This year, sun and above freezing temperatures. Did a short run with Scott this afternoon. Windy and overcast but warmer with a clear path. Felt pretty easy, like I was bouncing on the path.

Found a draft of a poem that I wrote a few years ago. It’s inspired by what I’d recently read on how different writers remember their thoughts when they’re walking or running.

How do you keep

an idea from running away? Grab a stick
and etch it in your arm? Pin a piece
of paper to your clothes? Jot it down
in a pocket-sized notebook? Speak it
into your smart phone? Why
not let it run away
instead of immobilizing it with words.
You might be able to follow it
into the woods or
over the creek or
down by the river or
under the bridge.
Words may not be fast enough to follow
but you might
with your flying feet.

And here’s a poem I read (and heard) this morning on the Poetry Foundation site. What a poem! I love the title and so many of the images–especially describing the field after harvest as a man’s unruly face. Even better than describing it as stubble (which I’ve often thought and read before).

Thinking of Frost
Major Jackson, 1968

I thought by now my reverence would have waned,
matured to the tempered silence of the bookish or revealed
how blasé I’ve grown with age, but the unrestrained
joy I feel when a black skein of geese voyages like a dropped
string from God, slowly shifting and soaring, when the decayed
apples of an orchard amass beneath its trees like Eve’s
first party, when driving and the road Vanna-Whites its crops
of corn whose stalks will soon give way to a harvester’s blade
and turn the land to a man’s unruly face, makes me believe
I will never soothe the pagan in me, nor exhibit the propriety
of the polite. After a few moons, I’m loud this time of year,
unseemly as a chevron of honking. I’m fire in the leaves,
obstreperous as a New England farmer. I see fear
in the eyes of his children. They walk home from school,
as evening falls like an advancing trickle of bats, the sky
pungent as bounty in chimney smoke. I read the scowl
below the smiles of parents at my son’s soccer game, their agitation,
the figure of wind yellow leaves make of quaking aspens.

april 14/RUN

4.75 miles
to top of franklin bridge and back
32 degrees
5% snow-covered

The snow is melting. The birds are chirping. The path is almost all clear. So quiet and calm today. Mostly cloudy, making the river look gray. The floodplain forest was all white. Occasionally the sun sat on the surface of the river leaving a bright circle of shimmering light. Saw a few squirrels. Heard some geese. Any crows? I don’t think so. A few voices below–a family hiking through the snow on the gorge. I wonder when the rowers will return?

Yesterday morning I started reading through The Collected Poems of James Laughlin. What a big book! 1214 pages. I’m reading through them quickly, marking the ones I especially like. In general, I like his simple, clear style. Brief lines. A quirky voice. Here are a few that I marked:

THE POET TO THE READER/james laughlin

These poems are not I
hope what anyone ex-

pets and yet reader
I hope that when you

read them you will say
I’ve felt that too but

it was such a natural
thing it was too plain

to see until you saw
it for me in your poem.

IN THE SNOW/james laughlin

The track of the ermine
the track of the mouse

tracks of a deer in the
snow and my track that

wanders and hesitates
doubling and crossing

itself stops to burrow
and circles trees this

track I made twists like
the veins in a leaf or a

crack in a mirror and it
cries seems to cry cries

to the sun cries sun sun
touch and burn cries sun

touch and save cries to
the snow–and then snow

falls covering everything
new snow covers my track

covers the track of the
ermine mouse and deer.

LITTLE BITS OF PAPER: AN ARS POETIC/james laughlin

Most of them began with a few words
read in some book or a phrase over-

heard scratched on a bit of paper
these chits go into the side pocket

of my jacket usually they stay there
until the coat is so spotted it must

be sent to the cleaners when I empty
the pocket most of the slips go into

the wastebasket but a few are pasted
with Scotch tape on the bathroom mir-

ro where I see them when I’m shaving
some stay there a long time but with

some there is an urgency they come
into my head when I wake to pee in

the middle of the night more words
come with them almost faster than I

can scribble on the yellow pad on the
bedtable the words beget other words

(it’s like spilled milk spreading on
the kitchen floor) words making other

words I don’t make them they make
themselves into the poem but some-

times in the morning I can’t read
what I’ve written (because I wrote

in the dark) so that’s the end of
that one it’s had its say and it

won’t come back I write in darkness.

I picked this last one because it made me think of Susan Howe and her story about Jonathan Edwards and how he would pin ideas he had on scraps of paper to his clothes as he was riding around on his horse. A couple of years ago, I was thinking a lot about how runners hold onto the ideas that they have as their running–scribble it on pieces of paper, carry a small notebook, scratch it in their arm with a stick, talk into their smart phone. Maybe I should experiment with this some more? As I was trying to recall who Howe had been talking about (I had forgotten), I discovered that she wrote a book about Emily Dickinson, My Emily Dickinson. I might have to check it out of the library. Apparently, Dickinson wrote many of her poems on scraps of paper.

april 12/RUN

2 miles
basement, treadmill

Snowing again today. Wet, sloppy paths. But soon the snow will melt and it will turn green. Too green. Time to take up my project of collecting poetry about green and thinking about the Mississippi River Gorge in the spring.

Just found a wonderfully named essay, Green I Love You Green and this fabulous poem:

Inside Out/Bill Yake

trees are our lungs turned inside out
& inhale our visible chilled breath.

our lungs are trees turned inside out
& inhale their clear exhalations.

Love these ideas of trees and breathing and inside/outside!

april 11/RUN

2.8 miles
basement, treadmill

Winter storm warning outside. High winds, heavy snow, falling branches, covered path. School cancelled. So glad we have a treadmill. Although, if it weren’t so windy, I might have enjoyed running outside and hearing the satisfying squeaks and crunches of the heavy, water-logged snow. I’m not happy about this snow, but I also don’t really care. It will melt within a few days.

Ballad in A
BY CATHY PARK HONG

A Kansan plays cards, calls Marshall
a crawdad, that barb lands that rascal a slap;  
that Kansan jackass scats,
camps back at caballada ranch.

Hangs kack, ax, and camp hat.
Kansan’s nag mad and rants can’t bask,
can’t bacchanal and garland a lass,
can’t at last brag can crack Law’s balls,

Kansan’s cantata rang at that ramada ranch,
Mañana, Kansan snarls, I’ll have an armada
and thwart Law’s brawn,
slam Law a damn mass war path.

Marshall’s a marksman, maps Kansan’s track,
calm as a shaman, sharp as a hawk,
Says: That dastard Kansan’s had
and gnaws lamb fatback.

At dawn, Marshall stalks that ranch,
packs a gat and blasts Kansan’s ass
and Kansan gasps, blasts back.
A flag flaps at half-mast.

What a poem! I love writing under constraint, although limiting all vowels to A seems extra hard. (here’s a guide to the poem.) This technique of eliminating all vowels but A is a OuLiPo technique. Here are some others I found on Wikipedia–I’ll have to try them out.

S+7, sometimes called N+7
Replace every noun in a text with the seventh noun after it in a dictionary. For example, “Call me Ishmael. Some years ago…” becomes “Call me islander. Some yeggs ago…”. Results will vary depending upon the dictionary used. This technique can also be performed on other lexical classes, such as verbs.

Snowball
A poem in which each line is a single word, and each successive word is one letter longer.

Lipogram
Writing that excludes one or more letters. The previous sentence is a lipogram in B, F, J, K, Q, V, Y, and Z (it does not contain any of those letters).

april 10/BIKE

28 minutes, bike stand
basement

After running four days in a row, decided to bike in the basement. Watched another Father Brown episode and had fun pedaling faster as Father Brown chased the murderer on a train. Before biking, took the dog for a walk on the Winchell trail. Before we got there, I looked up in the sky and saw a huge bird soaring high in the sky. After studying the Birds of the Mississippi River Gorge, I’m pretty sure it was a turkey vulture. Close-up this bird would probably not enchant me, but I loved seeing it’s wing span way above me. I stopped walking, looked up and stared until my neck hurt. Of course I briefly wondered what others might think of me, looking up so intently into the sky.

It is snowing right now. All the sun’s hard work, melting the snow for weeks, undone. No one is quite sure how much we will get. 3 inches? 5? A foot? Will it stay snow or turn into rain?

I’ve been working on a series of eye chart poems. Today I had a revelation. Sometimes images don’t make sense to me. They’re unformed. But how to explain what this feels like? Then it hit me. Sometimes images are only a cluster of dots, like standing too close to an impressionist painting–a Monet or Renoir. This sort of thing usually happens when I’m trying to make sense of a billboard image.

I love this poem by Jane Yeh. The overzealous/Cockatoo of her impatience/Flap flap. So great!

Bel Canto
BY JANE YEH

The opera
In her head

Runs with no interval,
A lot of people singing tunelessly

About the same things.
An overheard

Comment like
A rotting peach.

The overzealous
Cockatoo of her impatience,

Flap flap. The slab
Of blue behind her

Is a sea of
Her doubts. The squirrel

In her stomach
Trying to get out—

They say you have to be
Twice as good. They say

There are pills
For everything now. Enamel

Eyes to see all
The better with, my

Dear. Fur coat
For your tongue—

And, since it’s snowing in April, I decided to find a “snow in April” poem. There are many. Here’s one from 1941 that I like:

Snow in April/Leonora Speyer

I watched the blind attack,
The white invade the green,
I saw the green strike back,
A bough shake off the foe,
While on the ground below
The sharp young blades of grass,
A million strong,
Surged up and through . . .

The battle was not long:
I seemed to hear a shout,
And all the flags were out!

april 9/RUN

3.1 miles
mississippi river road path, north/south
52 degrees

Decided to run again this morning because tomorrow winter returns: ice, snow, blizzard conditions. Hopefully it will melt quickly but if not, at least I was able to run just above the gorge today. It’s sunny and windy. My legs felt sore–not injured sore, just sore sore–and it was hard to just be in the run, not thinking. I tried chanting a little and that helped. Strawberry blueberry raspberry. Haven’t seen the Daily Walker in a while. Enjoyed listening to the grit scratch scratch scratch. Noticed a few stray patches of snow down below the lake street bridge. Marveled at the beauty of the floodplain forest, bare and brown. Didn’t really look at the river. Encountered a few dogs and their owners.

The daily poem over at poems.org is amazing:

Holdfast
Robin Beth Schaer

The dead are for morticians & butchers
to touch. Only a gloved hand. Even my son
will leave a grounded wren or bat alone
like a hot stove. When he spots a monarch
in the driveway he stares. It’s dead,
I say, you can touch it. The opposite rule:
butterflies are too fragile to hold
alive, just the brush of skin could rip
a wing. He skims the orange & black whorls
with only two fingers, the way he learned
to feel the backs of starfish & horseshoe crabs
at the zoo, the way he thinks we touch
all strangers. I was sad to be born, he tells me,
because it means I will die. I once loved someone
I never touched. We played records & drank
coffee from chipped bowls, but didn’t speak
of the days pierced by radiation. A friend
said: Let her pretend. She needs one person
who doesn’t know. If I held her, I would
have left bruises, if I undressed her, I would
have seen scars, so we never touched
& she never had to say she was dying.
We should hold each other more
while we are still alive, even if it hurts.
People really die of loneliness, skin hunger
the doctors call it. In a study on love,
baby monkeys were given a choice
between a wire mother with milk
& a wool mother with none. Like them,
I would choose to starve & hold the soft body.

I think I was that one friend to my mom. We would sit in the two matching chairs in her bedroom, watching bad tv–mostly The Real Housewives of New York–and good tv–the barefoot contessa–and laugh and talk, forgetting about how she was dying from stage four pancreatic cancer.

april 8/RUN

4.6 miles
to downtown
69 degrees
wind: 6 mph, gusts up to 30 mph

Not sure how much wind there was but I was running into all of it the whole way. It made it much harder. I stopped to walk several times but I still made it to downtown. Do I remember anything other than feeling sore and tired? The river was beautiful. I was able to make a satisfying shshshsh sound on the grit at the edge of the path. My back felt fine. I saw my shadow, running beside me. What a fabulous late afternoon. It is hard to believe that we are supposed to get over a foot of snow on Thursday.

Sitting by the open window writing this, I hear birds chirping and cooing and trilling. So I decided to look for a poem about birds and this is what I found:

Words are Birds
BY FRANCISCO X. ALARCÓN

words
are birds
that arrive
with books
and spring

they
love
clouds
the wind
and trees

some words
are messengers
that come
from far away
from distant lands

for them
there are
no borders
only stars
moon and sun

some words
are familiar
like canaries
others are exotic
like the quetzal bird

some can stand
the cold
others migrate
with the sun
to the south

some words
die
caged—
they’re difficult
to translate

and others
build nests
have chicks
warm them
feed them

teach them
how to fly
and one day
they go away
in flocks

the letters
on this page
are the prints
they leave
by the sea

april 7/RUN

3.25 miles
mississippi river road path, south/north
53 degrees/84% humidity
shorts again! too warm!

A beautiful morning. Sunny. Warm. Not too windy. Ran towards the falls instead of downtown. Tried to hang onto some thoughts about my vision diagnosis from 2016. What did I feel when the doctor told me I was losing my central vision? Relief, mostly. Finally I knew what was wrong with me. It wasn’t something I was making up and it wasn’t neurological (my big fear). Now that I knew I could deal with it. This relief lasted for a few months and then the doubt crept in as I wondered if my vision was really as bad as the doctor said it was or if my easy acceptance of the diagnosis was too easy. Then, I discovered that what I had been diagnosed with (Best’s disease) was not actually what I had. Instead, I had a rarer, more vague form of cone dystrophy–pinpointing the exact disease might not be possible, wouldn’t change anything and would involve annoying, costly test. I had a great thought about this just as I was starting my run, but then forgot it. I should have stopped to speak it into my phone. Something about knowing and not knowing, embracing the uncertainty of never really knowing and accepting that knowing exactly what my vision problem is won’t make a difference in my treatment (there is none) or the speed at which my central vision deteriorates. And, in fact, knowing is not possible. This not knowing is not ignorance–more like never knowing enough, having perpetually incomplete knowledge, the impossibility of KNOWING.

As I was trying to think about what word to use for this phenomenon, I remembered “bewilderment”–first read in Fanny Howe’s great essay of the same name. Here are a few other sources that I bookmarked way back in August about bewilderment (confusion, uncertain, unknowing, wonder):

And here’s a source I found today: Unknowing Lyric

While looking through my old journal, I found this beautiful poem:

april 6/RUNBIKE

1.75 miles
basement, treadmill

30 minutes
basement, bike stand

Wanted to run outside this morning but it kept raining. Of course, now that I’m done, it has stopped. Still gloomy and wet. But my back doesn’t hurt and I feel good and I found a new show that I love watching–Father Brown–and I’m in the midst of an exciting writing project and open water swimming is only 2 months away, so I’m fine.

I love my poetry class. Amazingly, I feel totally fine about not being very good at analyzing poems or giving other people feedback about their poems. There is so much I don’t know or I can’t quite get (yet) about line breaks and rhythm and ending lines on strong words or soft words. The trick for me is to study these techniques without having them take over my writing.

Introduction to Poetry
BY BILLY COLLINS

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.