Tag: Emily Dickinson

sept 24/RUN

5.5 miles
marshall loop to Fry
62 degrees
humidity: 90% / dew point: 61


Cool, sticky, thick air. Lots of sweating. For our weekly Marshall loop. Scott and I ran several more blocks (past Cretin, Cleveland, Prior, and Fairview) to Fry, then over to Summit and back down to the river. We heard the bells at St. Thomas chiming 2 or 3 different times — or more? Scott talked about the Peter Gabriel tour video he watched last night. What did I talk about? I can’t remember. Oh — at one point, I pointed out the light passing through a tree above Shadow Falls, making it glow. The beauty of September light! I also talked about Glück’s line about the light being over-rehearsed and how the bushes and flowers and trees looked worn, past their prime, over-rehearsed.

10 Things

  1. a line of dead leaves floating on the surface of the river, almost under the lake street bridge
  2. slippery, squeaky leaves covering the sidewalks
  3. between fairview and fry the sidewalk narrowed — Scott guessed that it might be as narrow as 4 ft (it’s supposed to be 6, but is often 5)
  4. drops of water falling off some leaves, illuminated by the sun
  5. ORANGE! several bright orange and burnt orange trees
  6. lions, pineapples, bare-chested women with wings — lawn ornament on Summit
  7. waffles, falafel, “mixed” popcorn, Thai, ice cream — restaurants/stores passed on the run
  8. overheard: it’s hard to tell how well the Vikings will do — a biker to 2 other bikers
  9. looking across from the east side to the west bank of the river, thinking I was seeing some sort of color — not BRIGHT color, but the idea of it: red instead of RED! Asked Scott and he said, Wow, that’s some RED! [how color works for me]
  10. 3 roller skiers on the bridge — no clicking and clacking because there wasn’t room for them to swing their poles

One of my favorite local poetry people (and one of my former teachers) posted this mushroom poem by Emily Dickinson. A nice contrast to another one of my favorite mushroom poems by Sylvia Plath:

The Mushroom is the Elf of Plants — (1350)/ Emily Dickinson

The Mushroom is the Elf of Plants –
At Evening, it is not
At Morning, in a Truffled Hut
It stop opon a Spot

As if it tarried always
And yet it’s whole Career
Is shorter than a Snake’s Delay –
And fleeter than a Tare –

’Tis Vegetation’s Juggler –
The Germ of Alibi –
Doth like a Bubble antedate
And like a Bubble, hie –

I feel as if the Grass was pleased
To have it intermit –
This surreptitious Scion
Of Summer’s circumspect.

Had Nature any supple Face
Or could she one contemn –
Had Nature an Apostate –
That Mushroom – it is Him!

Tarry is to delay or be tardy.
The tare is the weight of a container when it’s empty.
A scion is a young shoot or twig of a plant, especially one cut for grafting or rooting OR a descendent of a notable family.

Favorite lines today:

The Mushroom is the Elf of Plants –
At Evening, it is not
At Morning, in a Truffled Hut
It stop opon a Spot

As if it tarried always
And yet it’s whole Career
Is shorter than a Snake’s Delay –
And fleeter than a Tare –

So good!

sept 14/SWIM!

1.5 loops
lake nokomis main beach
79 degrees
windy choppy

So glad I wore my wetsuit! Also glad that I’m an excellent swimmer who doesn’t panic easily. That was a tough swim. And that was some rough water. Normally in an open swim, even one where I’ve picked up the pace or am swimming for more than an hour, my heart rate stays between 120 and 130. In today’s swim, my heart rate was 158. Wow.

10 Things

  1. seagulls, part 1: more than a dozen, floating in the water
  2. seagulls, part 2: flying furiously, stirred up by a little kid chasing them from shore
  3. before my swim: an almost empty beach, the sand had been tamped down by a park vehicle’s wheels
  4. after my swim: 3 sunbathers and one guy in jammers (men’s swim shorts that look like bike shorts) about to swim
  5. whitecaps
  6. swam over a few ghost vines reaching up from the bottom
  7. the giant swans are still in the water, tethered together by a dock
  8. only one sailboat with a white sail out in the water
  9. cloudy, murky water, impossible to even see my hand in front of me below the surface
  10. before the swim: a motorcycle pulling into the parking lot, blasting “Love Shack” — you’re what? tin roof … rusted

an unexpected ramble about libraries and unfamiliar places and my vision struggles

Picked up my first physical (non ebook) at the library yesterday. Last time I’ve been inside the library was sometime in early 2020, before the pandemic, and before the library suffered heavy fire damage during the George Floyd uprising, when white supremacists tried to burn it down.

There are lots of reasons I haven’t made it back to the library since then — I mostly read ebooks which you check out online because the light from the screen is always bright enough for me, while I often have to read physical books outside in direct sun to see the words. During and after the pandemic, I’ve been less willing to go into public spaces. I can’t drive anymore and the library is too close for a bus, but too far for an easy/quick walk.

Maybe the biggest reason: I’ve been scared. Walking into a building, I can’t read the signs that tell me where to go or notify me of something, like a new policy. What if I can’t find where to go? What if they’ve changed how to pick up holds, where to check them out? Of course, I could ask and I have been willing to do so, but it’s hard. Even if I ask, first I have to endure that moment of unknowing and confusion, when I enter a building and can’t see people’s faces, read signs, orient myself quickly.* This is Emily Dickinson’s moment in “We Grow Accustomed to the Dark” — A Moment — We uncertain step/For newness of the night –. Also, even though I’ve been working on it, it’s still hard to ask for help — to take the time, to bother someone, to not know how to do something. I’m hoping asking will get easier and I’ll care less and less about having to do it. For now, I have a different solution: Scott (or my kids or a friend) can come with me to a new place the first time, to help with any confusion I might have. Once I know how it works, I can come back on my own.

* To add to this: it’s not just that I’m uncertain, confused. Sometimes, my brain makes very bad guesses — often the exact opposite of what is actually there — and I overconfidently act on them. The more wrong I am, the more likely I am to boldly act. This is embarrassing — I look stupid or sound crazy/ridiculous, but it is also dangerous. Scott has witnessed this enough times to verify my assessment. I believe this is related to my failing vision, but I don’t know how. So strange and frustrating because I don’t seem to have any control over it, and I like to have control.

Gary Snyder’s Riprap

The book I had requested and picked up is one I’ve wanted to read for several years now: Gary Snyder’s Riprap and Cold Mountain Poems. I read/skimmed through it yesterday afternoon, and there are several poems that I’d like to read closely and study. I think they might help me with my series of Haunts poems. I like his sparse, matter-of-fact approach. I also like his love for walking/hiking. I think that I’ll devote the second half of September to his work! I just requested a few more books from the library.

Here’s a poem I’d like to start with:

Above Pate Valley/ Gary Snyder

We finished clearing the last
Section of trail by noon,
High on the ridge-side
Two thousand feet above the creek
Reached the pass, went on
Beyond the white pine groves,
Granite shoulders, to a small
Green meadow watered by the snow,
Edged with Aspen—sun
Straight high and blazing
But the air was cool.
Ate a cold fried trout in the
Trembling shadows. I spied
A glitter, and found a flake
black volcanic glass—obsidian—
By a flower. Hands and knees
Pushing the Bear grass, thousands
Of arrowhead leavings over a
Hundred yards. Not one good
Head, just razor flakes
On a hill snowed all but summer deer,
They came to camp. On their
Own trails. I followed my own
Trail here. Picked up the cold-drill,
Pick, singlejack, and sack
Of dynamite
Ten thousand years.

I want to spend more time with this. After the 3rd or 4th reading: love the line breaks and how they keep it moving. Also how some of the lines have new meaning when read alone:

Edged with Aspen–sun
Hundred yards. Not one good

august 24/RUNSWIM

run: 5K
2 trails
72 degrees
dew point: 68

Cooler this morning than yesterday, but that dew point. Ugh! It felt good to run again after taking a short break. My last run was this past Saturday. I started at 7:30. I Listened to the gorge for 2 miles of the run, the put in headphones and started with Swift’s 1989, ended with The Wiz.

Another white-sky morning. I suppose the lack of sun made it feel a little coole, but it also made it feel gloomier.

Quiet. The river road was crowded with cars, their wheels whispering.

I ran on the dirt path between edmund and the river road. Heard some runners chatting across the road. After a few minutes, their voices drifted away behind me.

I don’t remember hearing any birds or acorns dropping, but I do remember the trickling of water through the sewer pipe near 42nd and the buzzy roar of a parks’ riding lawn mower above me as I ran below on the Winchell Trail.

I briefly glanced down at the river and thought: steamy, stagnant.

Haze in the air, hovering. Thoughts about my dying father-in-law hovering too. We went to visit him yesterday afternoon and he was asleep in a hospital bed in his bedroom. Quiet, dark, the only sounds the steady pulse of his oxygen and CPAP machines and Scott gently trying to wake him — Dad Dad Dad Dad. He had slept all day. This is it; we’ve entered the final stage. Another tender September is nearing.

Earlier this morning as I finished my coffee, I refreshed my memory on a poem I memorized a few years ago: Push the button, hear the sound by Helen Mort:

Listen to the lorikeet’s whistling song.
Can you hear the call of the mynah bird?
Can you hear the flamingos in the water?
Can you hear your small heart next to mine
and the house breathing as it holds us?
Can you hear the chainsaw start, the bones
our neighbor’s eucalyptus breaking?
It’s summer, high, emptied. Listen to the ground,
giddy with thirst. Listen to the dog shit
on the lawns, the murderous waterboatmen
skimming the green pond. Can you hear
the roses rioting on the trellis? Can you
make a noise like a cheeky monkey? There are
sounds your book lacks names for.

I recited it in my head a few times as I ran, recited it to my phone after I was done. I love how Mort moves back and forth from the command, Listen, to the question, Can you hear? In 2020, I made a list of her “listens” and “can you hears?” and then came up with some of my own: August 9, 2020

And finally, the Turkeys. I almost forget them — how I could forget the turkeys? Running the narrow dirt path between Minnehaha Academy and Becketwood (the gauntlet), I had to veer wide to avoid 3 turkeys chilling out in the grass. As I approached, the closest one trotted away, its wings flapping.

seen and read

Day two of the view of my window — not the view from, but the view of. Decided to go outside and inspect the spider web from the yard, looking through the window from the outside in. The web is still there and this spider looks even bigger up close. Wow, this spider! So big, especially the abdomen. Could she be pregnant? If I keep watching every day, will I be able to see her egg sac explode? How does that work? (Here’s a picture Scott took of the spider and posted on Instagram.)

Late morning, sitting on the HOT (feels like 99 degrees) deck, reading A Good House for Children, an excellent gothic novel featuring two of my favorites: a creepy house and the Dorset coast! One of the moms, Orla, has just taken a few polaroid pictures of her young, mute son:

Orla stood along by the window and watched the Polaroids develop in their enigmatic way, the images appearing as if through a clearing mist. Digital may have been sharper, but she generally preferred the texture of Polaroid, how it make everything look both blurred and hyper-real.

About this description, I wrote in my plague notebook (almost done with vol. 16!): digital photos, sharp images — illusion, saccadic masking, no movement, frozen.
Polaroids, the feel of things, a vague sense of movement everywhere, the illusion of vision made visible.

for my fall class

I’m teaching another addition of my “Finding Wonder in the World and the Words While Outside and in Motion” this fall and I might use this poem and Shira Erlichman’s introduction of it for thinking about the value of, and the problems with, naming:

I’ve recently fallen in love. She is fifty-five feet tall and her body is a hive of leaves where little birds zip and hide. She’s a tree. Whenever I round the particular corner toward her emerald and chirping body, I can’t help but give Esperanza a little wave. I didn’t realize I’d named her until, one day while walking our dog, I mentioned to Angel, “Oh look, Esperanza!” Her head up in the sky, she is way too cool to notice me. I admit, when passing her staggering height and chattering trunk, her ivy coat permeating that endless confidence, I get giddy. Like I’ve spotted a celebrity.

Then there’s Bernadette, another celebrity of my block. The little Dachshund-Terrier mix belongs to an older gentleman who dons coke-bottle glasses. When I see her golden-brown body wiggling down the block I actually shout, like paparazzi, “Bernadette! Bernadette––over here!” Her kind owner is used to this by now. Bernadette throws me the look of a seasoned starlet on the red carpet, then flops onto the ground and offers up her belly.

There are more neighborhood stars that catch me swooning. On one Wednesday night per month, my closed windows can’t keep out the raucous karaoke flowing from a nearby bar. At the first hint of a wild note, my heart’s flashbulb pings. “Zo-om-bie, Zo-om-bie,” spills into my living room, poorly, enthusiastically. An auditorium of cheers and laughs trails behind. “You guys,” I mutter to the disembodied voices of strangers entering my living room, “You’re crushing it.” Someone with an extra heap of chutzpah careens screechingly through Lady Gaga’s ‘Bad Romance’ and my heart flutters.

What makes someone famous? The dictionary says it’s the “state of being known or talked about by many people.” But Esperanza, Bernadette, and a boisterous Wednesday night karaoke choir all feel like celebrity sightings. Did I mention the daffodils? When they all of a sudden poked their heads out this spring I could hear my neighbors gossiping, “Did you see them? Did you see?” It’s not fame that made them famous. Today’s poet resituates our cultural obsession with stardom and flips on its head who gets to be fanatically revered.

Episode 947 of The Slowdown Show

Famous / Naomi Shihab Nye

The river is famous to the fish.

The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.

The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry close to your bosom
is famous to your bosom.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

The bent photograph is famous to the one who carries it
and not at all famous to the one who is pictured.

I want to be famous to shuffling men
who smile while crossing streets,
sticky children in grocery lines,
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.

Maybe think about this poem in relation to my poem, “The Regulars,” and Emily Dickinson’s “Nobody”?

swim: 4 loops
lake nokomis open swim
86 degrees

The last open swim of the season. Not enough lifeguards for a full course, so it was another there and back with 2 orange buoys and one green. Swimming the course, I realized 3 things: I can see the green buoys much better than the orange ones; I am much less likely to encounter off-course swimmers almost swimming into me when the course is a wide loop, than when it’s a there and back (several near misses last night); and because of the shortened course, I’ve missed out experiencing my favorite stretch one more time. It’s the stretch between the final green buoy at one end of the big beach and the first orange buoy past the other end. There’s something strange and dreamy about this wide stretch: it seems longer than other stretches; it’s the one stretch where I am usually able to see the orange buoy looming ahead of me; often, when the water’s choppy, the waves are behind me here, pushing me along, almost as if I were on a people mover; and it’s comes at the end of the loop, so I’m in a state of relief (another loop done!) and recovery (preparing for the next loop or slowing down for the shore).

I would love to craft a poem that might capture a little of the strange dreaminess of these moments — probably around 10 minutes?: vast, wide, open — not endless because I can see the orange buoy end, serene. This moment comes right after the intensity of rounding the final green buoy: the traffic jam of swimmers, the way the current pushes me forward, the changing of views from shore to water, water, everywhere. Yes! Maybe I’ll try.

august 21/BIKESWIMBIKE

bike: 8.5 miles
lake nokomis and back
degrees: 71/75

Gloomy this morning, not gray but white. White skies are the worst. Gray, blue, even green skies are interesting, but white skies are flat and empty and no fun. They’re strange, but in a way that feels oppressive instead of mysterious. One good thing about this overly white light: unlike gray skies, the white doesn’t make it a lot harder to see and make sense of things.

A good bike ride. Didn’t need to pass anyone. No asshole bikers yelled at me. I’ve memorized all the cracks and curves on the path, so I knew where I was going.

The bike ride to Nokomis is only 20 minutes, but it feels longer because you bike through so many different areas — the tight, winding river road, the edge of the crowded and hectic minnehaha park, beside minnehaha parkway then near minnehaha creek, past lake hiawatha and up a big hill, over minnehaha parkway, around a stretch of lake nokomis. As I biked, I tried to remember how grateful I am to still be able to bike — to have this independence — and tried to forget all the places I had to bike through before I reached the beach.

swim: 2 loops (9 little loops)
lake nokomis main beach
71 degrees

Because it’s the last week of open swim and because of sore IT bands, I’m doing more swimming and less running this week. Today’s swim was wonderful. Even though it was windy, the water wasn’t too choppy. No other swimmers or ducks or geese, one seagull, 2 or 3 kids, a boat. Every so often the arm that was that pulling through the water would touch a vine reaching up from the bottom of the lake. I had a brief flash of imagining the vine was evil and wanted to wrap itself around my wrist to drag me under. I didn’t feel freaked out by this thought, just curious.

10 Things

  1. watching my air bubbles underwater — We calmly trailed over them/and under them, shedding/air bubbles, little white/ balloons
  2. pinkish orangish buoys, faded from years of use, bobbing in the water — lining up my path to swim-while-barely-seeing through the small gap between them
  3. looking at the white buoy under water — its lower end covered in greenish brownish muck, the rope tethering it to the bottom of the lake barely there in the cloudy water
  4. one seagull standing in the sand at the edge of the water
  5. hearing only a steady slosh as I swam, then stopping to hear the almost of the world above the water
  6. that quiet being occasionally disrupted by a kid’s voice
  7. buzzzz — someone’s constructing/reparing? something at painted turtle, I think. Are they building the structure they need to be able to serve beer?!
  8. the water is shallow almost all the way to the edge of the swimming area
  9. my yellow backpack, sitting alone, propped against the lifeguard stand
  10. opaque water out by the white buoys, clear water near the shore

Came across this poem by Robert Frost this morning. I’d like to put it beside May Swenson’s bird deep in the woods in “October” and Emily Dickinson’s purple woods in “A lane of yellow led the eye” and darkness in “A murmur in the trees to note”:

Come In/ Robert Frost

As I came to the edge of the woods, 
Thrush music — hark! 
Now if it was dusk outside, 
Inside it was dark. 

Too dark in the woods for a bird 
By sleight of wing 
To better its perch for the night, 
Though it still could sing. 

The last of the light of the sun 
That had died in the west 
Still lived for one song more 
In a thrush’s breast. 

Far in the pillared dark 
Thrush music went — 
Almost like a call to come in 
To the dark and lament. 

But no, I was out for stars; 
I would not come in. 
I meant not even if asked; 
And I hadn’t been. 

a few more things I forgot (added hours later)

First, I forgot to mention how I recited 2 poems in my head as I swam loops 5-7. During lap 5, I recited “I measure every grief I meet.” It was a little awkward trying to match the rhythms of Dickinson’s words with my breathing every 5 strokes. In loops 6 and 7, I recited, “The Social Life of Water.” I get hung up a little on the line, Thunder throws itself on estuary. At first I forgot it altogether, jumping straight to Waterspout laughs at joke of frog pond. Then I couldn’t remember what thunder did to the estuary. Finally I got it sorted out and made it to the end — not able even to guess what you are excluded — by the end of loop 7.

Second, on Sunday I decided I was too tired and sore to swim. Instead, Scott and I took Delia on a walk. We let her off her leash in the field at Howe School and as she ran I noticed wings all around. Monarchs? No, Scott said, dragonflies. A dozen dragonflies! I’ve never seen so many at once. Whenever I see a dragonfly, I think of my mom, who loved them. What a gift to be reminded of her so much! And how cool to see so many wings zooming about!


july 26/RUNSWIM

3.3 miles
trestle turn around
71 degrees
humidity: 94% / dew point: 67

Hot and steamy today. Went out for my run right after the rain ended. Everything wet, dripping, swampy. Headed north through the tunnel of trees. Noticed a tall, precarious stack of small stones on the ancient boulder. Was passed by a shirtless runner with a bright yellow baseball cap on backwards. For the next five minutes of my run, I watched as his bright yellow head slowly bobbed out of sight. Encountered another biking camp group — 20 or 30 kids in yellow vest on the bike path. Not sure how they were doing it, but they managed to get several cars to honk for them. Turned around at the stairs just past the railroad trestle.

For most of the run it was overcast, but at the very end, as I ran back through the neighborhood, some sun emerged and my shadow joined me. Hello friend!

Listened to 1 biker talking to another — most of it was just out of range, but I heard, I always slow way down there and look carefully, otherwise I keep going, the biking kids, and cars. After turning around, put in headphones. Started with Billie Eilish’s latest song for the Barbie movie, “What Was I Made For,” then was inspired to put on The Wiz and the Tinman’s song, “What Would I Do If I Could Feel?”

I started thinking about my desire to use my runs to help open me up to the world — to feel things deeply and generously. And now, as I write this, I’m thinking about Emily Dickinson’s poem about grief and the formal feeling that comes after it, “After great pain, a formal feeling comes,” which I first posted about on this blog in march of 2021.

10 Wet Things

  1. sidewalk puddles
  2. half my street for a short stretch
  3. the leaves on the sprawling oak tree near the ancient boulder
  4. the edges of the trail
  5. one branch leaning over the trail, brushing my face
  6. my face — from sweaty effort, running through rain-soaked branches, under dripping bridges
  7. the air — hazy, steamy, fog hovering just above the trail
  8. the tip of my pony tail
  9. wheels — bike, car, stroller
  10. mud on the dirt trail, mostly where the ruts are the deepest

This was the daily poem on poems.com. A great winter poem to revisit in January. I love Major Jackson’s poetry.

lxxxi. / Major Jackson

Pine shadows on snow like a Jasper canvas,
if only my pen equaled the downy’s stabbing beak
this January morning, her frantic
chipping, more resolve than frenzy, to make a feast
of beetle larvae, if only my wood-boring eyes
could interrogate the known like pillars of sunlight
through fast-moving clouds scanning the side
of Corporation Mountain where on a distant ridge
white plumes dissolve like theories. I cannot hear
through winter’s quiet what’s worth saying.
Saplings stand nude as Spartans awaiting orders.
The entire forest is iced-up and glistening.
Sealed in its form, the austere world I’ve come
to love beckons, earth runnels soon resurrected
into a delirium of streams and wild fields. Till then,
branches like black lines crisscrossing the sub-Arctic.

swim: 3 loops (6 cedar loops)
cedar lake open swim
92 degrees

A warm night with very little breeze. Not good for cooling Scott off on the shore, but good for me and swimming in calm water. For the first few loops it felt a little harder to breathe — was it the heat? Felt a little sore during this swim — just under my right shoulder.

The coolest thing about my swim: just heading out from shore, swimming over some vegetation, dozens of small fish (much bigger than minnows) swam right below me, almost as if I was acting out Anne Sexton’s poem, The Nude Swim, real — All of the fish in us had escaped for a minute. Were these all of my fish, escaping into the water? Or, were these Sexton’s real fish that don’t mind my fish having escaped? Either way, a super cool image! As I think about it some more, I like imaging these fish as escaping from me — swim free little Sara fish!

added the next morning: Just remembered something else about the swim. Mostly the water was warm, which felt nice when I first entered the water, but as I rounded the far buoy, the one at Hidden Beach, I swam through a few pockets of very cold water, which felt nice after swimming in such hot air.

june 25/RUN

3.7 miles
marshall loop
70 degrees / dew point: 61

It started raining off and on around 8:30. I don’t mind swimming in the rain, but I wasn’t sure the lifeguards would go out on the lake in this weather. So no open swim. Instead I ran in the early afternoon. Sticky, but not too hot. No sun. Not too many people. Saw some rowers on the river. The surface of the water was a strange texture, roughened by the wind.

memorable moment

Nearing the 3 way intersection at the river road and 36th: a swarm of vespas — 15? One after the other. Not all of them were bright yellow, but at least one was. Wow.

wordle challenge

5 tries: bench / prose / lower / gored / rodeo

In her dream there’s always a bench.
Often the benches I run by have small plaques on them, dedicated to some lost loved one. I hope my family does this for me.

They shut me up in Prose/ Emily Dickinson

They shut me up in Prose –
As when a little Girl
They put me in the Closet –
Because they liked me “still” –

Still! Could themself have peeped –
And seen my Brain – go round –
They might as wise have lodged a Bird
For Treason – in the Pound –

Himself has but to will
And easy as a Star
Look down opon Captivity –
And laugh – No more have I –

lowercase

maggie and millie and molly and may / e.e. cummings

maggie and milly and molly and may
went down to the beach(to play one day)

and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and

may came home with a smooth round stone
as small as a world and as large as alone.

For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea

A few days ago, I read the book in The Odyssey titled, “Bloodshed.” Very gory. So many spears and arrows and swords and bloody, gored bodies.

I had probably heard the phrase before, but my first memory of this isn’t your first rodeo is from my physical therapist describing how my kneecap has probably slid out of its groove many times before without me fully realizing it.

june 22/RUNSWIM

3.15 miles
2 trails
77 degrees
dew point: 61

So warm! Still glad I went out for a run, but it was hard. My knees are sore, my legs sluggish. Heard lots of birds, a roller skier’s clicking poles, talk radio blasting from someone’s car, faint voices from below, water trickling out of a sewer pipe. Encountered bugs — mosquitos? gnats? — near the ravine. Passed by a person on the folwell bench, reading. Was greeted by one walker: good morning! As I ran on the Winchell trail I thought about the importance of giving some gesture — a greeting, eye contact, a stepping over to make room — when nearing another person. Without it, you’re saying to them, to me you don’t exist.

When I finished my run, I pulled out my phone and recited Alice Oswald’s “A Short Story of Falling.” Only two mistakes: I gave it the wrong title and I said “in a seed head” instead of “on a seed head.”

“A Short Story of Falling” / 22 june 2023

wordle challenge

Bad luck with the wordle today. I almost had it in 3, but I had too many choices that could be correct. I had 4 tries but at least 5 options.

6 failed tries: slant / dates / waste/ haste / paste / baste
TASTE

Even though I failed the challenge, I decided to do something with words: find connections to Emily Dickinson!

slant: Tell all the truth but tell it Slant

dates: I do not know the date of mine/ It feels so old a pain

waste: Just Infinites of Nought/As far as it could see/So looked the face I looked upon/ So looked itself on Me (Like Eyes That Looked on Wastes)

haste: We slowly drove—He knew no haste (Because I could not stop for Death)

paste: We play at Paste/ Till qualified, for pearl (We play at paste)

baste and taste:
Now You Too Can Bake Like Emily Dickinson
Emily Dickinson: A Poet in the Kitchen

swim: 4 loops
lake nokomis open swim
89 degrees

At the end of the swim another swimmer called out, these conditions are the best! (or something like that; I can’t quite remember). I agreed. Calm, pleasingly warm water, well-placed buoys. I could barely see the buoys, but I still swam to them without a problem. Lots of swans in the water, a few menacing sailboat — one with a bright orange and red sail.

I swam for a loop and a half then briefly stopped at the little beach for a quick rest. Swam another loop and a half and stopped at the big beach. Got out to go the bathroom, then one more loop. Taking a 5 or so minute break between loops 3 and 4 really helped. I should remember to do that more often.

I’m writing this swim summary the next morning. Can I remember 10 things?

10 Things

  1. at least one plane
  2. half a dozen swan boats lurking at the edges
  3. one swan stuck in the dead zone between buoys
  4. streaks below me — fish?
  5. irritating swimmers: 2 fast women that kept swimming past me, then stopping to get their bearings, then swimming again. With my slower, steadier stroke, I kept getting passed by them, then passing them when they stopped, then getting passed by them again when they restarted their swim
  6. both the orange and green buoys closest to the beaches (orange to the little beach, green to the big) were not that close to the shore
  7. no waves
  8. no ducks
  9. breathed every 5 strokes, sometimes every three, once or twice every six
  10. hardly ever saw one of my landmarks from the past few years: the overturned boat at the little beach

june 8/RUN

5.85 miles
ford loop
70 degrees

A good run, but a hard run. Stopped at the overlook near ford bridge, almost 4 miles in to admire the river — blue and still. No rowers or waves or river boats. After my stop, I ran for a few minutes, walked for a few the rest of the way. By the end, my legs were sore — not like I had an injury, but like I should have drank more water or eaten more food before I left.

overheard

was this really what I heard/saw?

a walker talking to another walker: it was because she was so flat!
as she said the word flat she gestured with her hands like she was demonstrating a flat chest.

wordle challenge

june 7: 4 tries —

bread
orbit
grubs
crumb

The bread will be on the table
The moon will orbit the earth
The grubs will become beetles
The crumb will be carried away by the ant.

If bread is to butter
as orbit is to center
and grubs are to beetles
to whom does the crumb belong?

Each face in the street is a slice of bread (W.S. Merwin)
a previously undiscovered moon orbiting a planet (dear, beloved/ sumita chakraborty)
grubs without a voice (millennium, six songs/ marilyn chin)
the crumbs of shadow (Sylvia Plath), the crumbling of elemental rust (Emily Dickinson

june 8: 5 tries

reach
waist
pansy
salsa
balsa

To reach
my waist
the pansy
will need to grow
taller than this salsa bowl
made from balsa wood

as I reach the edge of the garden
my waist brushes against the tall grass
as a yellow pansy stares with its sad purple eyes.
Through the kitchen window, I see my sister cutting jalapenos for a salsa
my mom improvising popsicle sticks from leftover balsa wood

june 4/RUN

3 miles
turkey hollow
71 degrees

Ran with Scott. Another hot, sunny morning. After a few minutes of warming up, I recited the latest poem I memorized for my list of 100 poems: Tony Hoagland’s “Summer Studies.” Later, near the end of the run, I recited 2 Emily Dickinson poems, “I felt a cleaving in my Mind” and “Hope is a thing with feathers.” Reciting the poems, then talking about them a little, helped distract us from our sweaty effort.

The big event of the run that Scott wanted to make sure I mentioned was the set-to between a small pileated woodpecker and a squirrel. We heard the squeak of a bird, then some rustling of leaves, then I saw a furry darting streak in the tree. Who won, I wonder? And why were they fighting?

Other bird events: A female cardinal flew out in front of Scott just as he was running around a tree ahead of me. I saw him flinch, but not the whirr of the brown bird in flight. A band or scold or screech of blue jays shrieked out across the grass between edmund and the river road, which prompted us to have a conversation about how much better crows are then blue jays. No turkeys in turkey hollow.

We ran past the house on edmund that posts a poem in the front window. A new one about sunflowers! I can’t remember what it’s called, or who wrote it. I’ll just have to run by the house again to figure it out. I don’t have strong opinions about sunflowers. Maybe that’s because I hardly ever see them.

Looking for water poems, I found something else, beside a water poem:

Here/ Robert Creeley

What
has happened
makes

the world.
Live
on the edge,

looking.

After our run, walking Delia the dog, Scott and I talked about Wordle, which I just recently started playing. I told him about my morning routine: a quick look at Facebook, then re-memorize a few poems, read the poem of the day at 3 poetry sites, then wordle. He suggested I try a new experiment: write a poem every day for a month inspired by the wordle that day:

The number of lines = the number of tries I have to make
Each line must include the word that I guessed
possible bonus = the theme of the poem is the correct word

Today: 4 tries: farce blame beads beast

What a farce
to blame the sun
for the beads on your brow
you, beast, were born to sweat.

I don’t really like this, but it’s a start. Maybe I’ll add one more rule: a 5 minute time limit?

may 24/RUN

4.5 miles
longfellow gardens and back
67 degrees

For today’s run, I decided to go past the falls to Longfellow Gardens. Since I was reading Mary Ruefle’s prose poem about purple sadness, my plan was to visit my favorite purple flowers. When I reached the gardens I discovered that they haven’t been planted yet. Thanks strange spring with your late snow storms and unending cold weather in April!

Another one of those wonderful spring days with sunshine and birdsong. A week ago I would have added “no bugs,” but they’ve arrived. All this week, mosquitoes have been feasting on my elbows, under my knees, my wrist. Today a gnat died on the side of my nose. I could see it through my peripheral vision. Another flew into my eye. Yuck!

My right big toe hurt again for a few minutes, then it was fine.

Heard the wind, water gushing out of the sewer pipes, the falls roaring, kids laughing at the playground, one little kid in a stroller that was over everything, a giant mower or weed whacker or some other noisy machine near the Longfellow House.

Smelled cigarette smoke as I passed a guy on the trail. Was he smoking or was it just his clothes?

surfaces: tightly packed dirt, half buried tree roots, grass, hay, asphalt, concrete, road, street, sidewalk, brick, dead leaves, crumbling asphalt — some mostly asphalt, some with big chunks of asphalt mixed with leaves and dirt, some rubble, limestone steps

Mary Ruefle, Immortal Cupboards, Windows, Offerings, and a Purple Wood

Today I’m reading Ruefle’s lecture, “My Emily Dickinson” and her purple sadness poem.

immortal cupboards

J. D. Salinger once remarked, “A writer, when he’s asked to discuss his craft, ought to get up and call out in a loud voice just the names of the writers he loves…”

“My Emily Dickinson” / Mary Ruefle, page 150

That lovely little book. I’ve had nothing affect me quite so much since I discovered haiku. But then you come from Japan! You now inhabit a corner of my immortal cupboard with LZ (especially the short poems), Emily Dickinson, Thoreau, Lucretius, Marcus Aurelius, John Muir, bits from Santayana, D.H. Lawrence, Dahlberg, William Carlos Williams, and haiku. These knew “when / to listen / what falls / glistens now / in the ear.”

Lorine Niedecker in a letter to Cid Corman

Emily Dickinson is also in my immortal cupboard, along with Mary Oliver, Lorine Niedecker, Marie Howe, possibly Alice Oswald, definitely Rita Dove.

windows

Emily Dickinson often looked out of her bedroom window, and many of her poems, if not her worldview, seem framed by this fact; so much has been made of this there is little I can add; to argue whether a window is the emblem of complete objectivity (removal and distance) or complete subjectivity (framing and viewpoint) is an argument without end, for every window has two sides, and they are subsumed in the window, the way yearning, a subsidiary of the window, is subsumed in both the object yearned for, and the subject of its own activity.

“My Emily Dickinson”/ Mary Ruefle, page 151

offerings

But she has a common grave, and I like to go there and leave things, and when I did, I see that many other people have done the same.

“My Emily Dickinson” / Mary Ruefle, page 182

list of offerings left (real or imagined) throughout Ruefle’s lecture:

  • a stone, a penny, a small bronze alien
  • two plastic champagne glasses, pink and purple larkspur, an ear
  • a lemon, a dime, a diamond ring, a parachute
  • a white rose, a fortune-telling passionate fish, ice cream for astronauts
  • a sheaf of flowers from the florist with a thank-you note attached, a plastic fly, a nickel, an egg
  • A stick of gum wrapped in foil. A shard of glass.
  • a plastic watch, a feather, some Kleenex
  • Nothing.
  • lilacs, a spool of thread, a book of matches, a mood ring
  • an envelope, addressed but otherwise empty, a piece of gum in silver paper, a packet of nasturtium seeds, and a button
  • a thimble, an acorn, a quarter, and many, many daffodils
  • yellow snapdragons. A robin made of tin. A child’s block with the letter E. A pen. A pinecone. A tiny hat. An Austrailian coin.
  • a paratrooper, a cork
  • s piece of coal, a candle stub, a chrysanthemum
  • a small gargoyle, a rubber heart, an old key, a guitar pick a sequin, a sprig of heather, and a piece of hair
  • A doorknob.

a purple wood

A lane of yellow led the eye
Unto a Purple Wood
Whose soft inhabitants to be
Surpasses solitude
(Emily Dickinson)

from My Private Property/ Mary Ruefle

Purple sadness is the sadness of classical music and eggplant, the stroke
of midnight, human organs, ports cut off for a part of every year, words
with too many meanings, incense, insomnia, and the crescent moon. It is
the sadness of play money, and icebergs seen from a canoe. It is possible
to dance to purple sadness, though slowly, as slowly as it takes to dig a pit
to hold a sleeping giant. Purple sadness is pervasive, and goes deeper into
the interior than the world’s greatest nickel deposits, or any other sadness
on earth. It is the sadness of depositories, and heels echoing down a long
corridor, it it the sound of your mother closing the door at night, leaving
you alone.

Just discovered how the ends of her lines create another poem:

Stroke
words
it is possible
to dig a pit
deeper into
sadness
a long
leaving

The last words, leaving you alone, reminds me of Ruefle’s discussion of Emily Bronté, and Emily Dickinson in My Emily Dickinson:

Emily Dickinson never lived alone for a single day in her life.
Emily Bronté never lived alone for a single day in her life.

before the run

Today on my run, I want to think about purple, and I plan to run the 2+ miles it takes to get to longfellow gardens where some of my favorite purple flowers dwell (or have dwelled in past springs). What are these flowers called? I have no idea.

other purples to think about: heels echoing, doors creaking closed, deep pits.

during the run

No flowers. well, I did find some flowers that were white, but looked like they could be or would be or should be turning purple. Also, a reddish-purple plant. I took some pictures:

2 trees in the background, a flowering bush with faint purple flowers in the foreground
tiny purple flowers (if you really believe)
a reddish purplish plant
a reddish, purplish plant

I can’t really see any purple in these, or much of anything, but maybe you can?

Other purple things I remember encountering: the gentle, queer curve of a branch towering over the trail — as I ran under it I thought, that’s very purple. Then the face of a child in the midst of bellowing frustration — I didn’t see their face, but I imagined it could be a deep purple. Purple whispers in the trees.

No purple cars or shirts or shoes or bikes or signs or birds or left behind objects in the grass. Mostly just green and blue.

after the run

Apparently the leaving of strange offerings at Emily Dickinson’s grave is a thing. In her play on Susan Howe’s My Emily Dickinson and Ruefle’s My Emily Dickinson, Meg Shevenock writes, in My My Emily Dickinson:

Then, there’s this: after visiting Emily’s house, my friends and I made a small parade to visit her grave, and the objects I knew would be there, were there. Best of all, a white plastic pen with white cap from a hotel. Or best of all, a blue pencil cracked and dried, that had weathered so much snow. We all want her to say more, write more, about who she was; or, we want to say, I get it, I’m a writer too, and we also know it’s impossible, so we leave an object from the world, from a day long beyond her breathing, to get as close to touching as stone.

My My Emily Dickinson/ Meg Shevenock