Tag: morning

nov 6/RUN

5 miles
bottom of franklin hill and back
50 degrees / wind: 14 mph

Warmer this morning, so I wore shorts without tights, a short-sleeved gray t-shirt, and my orange sweatshirt. At the bottom of the hill when I turned around, I took off the sweatshirt and ran the second half with bare arms and legs. The only part of me that was cold was my ears, from the wind. A good run. Greeted Dave, the Daily Walker:

me: Hi Dave!
Dave: Hi Sara! How are you doing today?
me: I’m good. How are you?
Dave: I’m very good. Thanks for asking.

Today I thought about how both of us almost always say the same thing, but they aren’t empty words. We both are always good when we’re outside, moving; we are our best selves: happy, free, able to forget and to admire everything around us.

10 Things

  1. honking geese, heard not seen, hidden in some brambles
  2. wind chimes, softly ringing at the start of my run
  3. mostly gray and overcast, once sun and my shadow — hello friend!
  4. approaching the Welcoming Oaks, all bare now, a deep red tree — have I ever noticed before that they are a few maples mixed in with the oaks
  5. several of the Welcoming Oaks had broken branches — the branch that remained looked jagged and gnarled
  6. an open view down to the floodplain forest! only a few patches of green
  7. no stones stacked on the ancient boulder
  8. more chickadee dee dees
  9. Daddy Long Legs crossing the street
  10. a slight haze everywhere, covering everything

what the wind can do

A block into my run, the wind picked up and gathered the leaves, pushing them forward. They looked almost like kids running — frantic and fast — towards something fun or away from something boring. This image reminded me of the other day when Scott and I were waiting in the drive-up line at the pharmacy. The wind was pushing an open wrapper. Instead of swirling around, the silver wrapper looked like it was dancing or marching. It didn’t look like a wrapper, but like a bug or some creature that was alive. One more wind/leaves image: Running south, the wind was at my back. A few times it pushed the leaves and we (me and the leaves) raced. I won, of course.

loops, repetitions, projects, time, and echoes

I’m still orbiting around ideas, trying to figure out what to do next. I’m getting closer. I know that it involves my not-yet-finished haunts poems and repetitions and restlessness and the untethering of project from progress, looping and leaving and returning, and time. Time keeps coming up. I’ve thought/written/theorized about time for decades. I even wrote about it in a doctoral exam. On this log, I frequently discuss it — how it drips or disappears when I’m running, my need to slow down the time it takes me to run (pace), rethinking time outside of clocks and the tight boxes of seconds, minutes, hours, trying to imagine time in much larger and longer scales across generations and centuries, Mary Oliver’s eternal vs. ordinary time, Marie Howe’s moments, past present and future Saras, cycles and seasons.

The other day I came across an amazing new endeavor (note: I’m resisting using project here), by Graywolf Press: a series of labs in which several artists come together to discuss, share, collaborate, imagine new possibilities for a theme. The first lab’s theme is time and, as I read through it (I read the transcript first, I’ll listen to their podcast next), I was inspired. Too many ideas to try and write down in this entry. I was particularly struck by Lisa Chen (LC) and her novel (I’m starting it after I finish this entry!), Activities of Daily Living. Here’s how she describes the book:

it’s about this durational artist Tehching Hsieh who was active in downtown New York in the seventies, eighties, nineties. And the, the novel is about a woman named Alice, who’s, has a day job but is trying to make something artistic. And she decides she’s gonna do a project about this artist just because he’s on her mind at the same time that her father is declining from dementia.

And the book is partly organized by going through these six seminal projects that the artist is known for before he stopped making work. And right, so, so the “Time Clock Piece,” he punched a time clock on the hour, every hour for like a year. And he missed, he missed a few. So again, Alice is trying to make a project out of this work so part of it is she’s digging into each of these durational projects and trying to think about what it stimulates or what she can make of it.

In the conversation, LC distinguishes between artist-time and life-time and projects we work on outside of capitalist/work-time. This makes me think of the many discussions I’ve had about being useless and un-productive and engaging in work outside of/in resistance to “the clock.” For me, this sort of time conversation is about what it means to work as an artist — I should return to Mary Oliver and the ways she struggles with this in The Leaf and the Cloud! Haunting questions: what’s the point? but, what does it do?

In the midst of all my thinking about time and progress and projects, I’ve been reflecting on repetitions and echoes in my own work. After rereading an entry from nov 5, 2019, I wrote this in my notes:

Reading through entries from past years on this day and feeling like I could have written/experienced the same thing on a run today — the same river, the same gray sky, the same dying vision, the same words feelings thoughts. This sameness points to a larger time scale and a resistance to progress! and improvement! but I also wonder if it suggests that I’m stuck in the same loop — be outside, move, notice, write. Where is it all going? Does it have to go anywhere? I feel these doubts in these moments when I’m in-between projects, when I have too many doors to enter and I don’t know which one to choose. This tension of restlessness and looping and resisting and in-between and the life of a writer should all be part of this collection. It should be haunted by these themes. 

my notes

I also wrote about this theme in an “On This Day” entry this morning:

I’m thinking about my echo discussion for nov 4, 2020 and how an echo repeats but slightly differently each time — fainter or softer or distorted. So much of what I write (and experience) as I move is almost the same from year to year. The view, or lack of view, of the river. The wonderful cold air. How much I love running in the cold. Often I start with, A wonderful run or a beautiful run or another great run. What distinguishes these entries are the small and brief moments and the images they create, like the snow and the bridge. That moment only lasted a few seconds, but it creates the echo here. (if that makes sense.) 

Sara, age 49, on November 4, 2023, is thinking a lot of repetition and looping and wondering about the differences between being stuck in a rut of repetition and using the grooves to sing a beautiful song. (not sure if that metaphor works). Put another way: I’ve been doing this practice of moving outside, noticing, writing about it for almost 7 years. So many of the entries contain the same descriptions, or almost the same descriptions. Am I just repeating myself, stuck on the same path, or is each entry an echo, a variation, with (sometimes) slight differences, difficult to discern?

On This Day: November 4

Wow, this is a lot. Right before my run, as I was thinking about all of these things in a kind of jumbled mess, this idea flashed in my head: find the echoes. Start with the moments, over the 7 years of writing in this log, in which I repeat myself (sometimes word for word) and put them together into some sort of chant or small poem or something. Sprinkle them throughout “Haunts.” Mix them in with other examples of echoes — in the geography, the history, the setting? How many echoes can I find?

nov 4/RUN

4.1 miles
hidden falls / confluence
28 degrees

Loved the weather this morning! Hardly any wind, not too bright, not too cold. Scott and I drove over to a parking lot near Highland Bridge and ran beside the Mississippi River past Hidden Falls to the confluence where the Minnesota and Mississippi rivers meet. Wow! Such soft, sweeping views! Heard lots of chickadees (chick a dee dee dee) and ran up and down lots of little hills.

10+ Things

  1. a cracked rutted cratered trail
  2. steps leading down to a bridge across the river — something to try next time!
  3. empty benches on the edge
  4. a recently re-painted parking lot below the confluence with jaunty arrows on the pavements — I said they looked like they were italicized
  5. the tops of the bare branches looked fuzzy and soft and gray
  6. 2 rivers curving around an island
  7. more white sand than usual — the river is low
  8. running through Highland bridge, I could hear a dog relentlessly barking at the dog park
  9. hidden falls was steadily flowing down limestone and concrete ledges
  10. a few slick, icy spots on the bridge
  11. geese! A gaggle of geese on the edge of the trail, only the final one acknowledged our presence with a sharp honk — no hiss, thankfully

nov 3/RUN

3.1 miles
2 trails
41 degrees

A little warmer today. Another beautiful run. What a view! Clear and through the trees to the river and the other side. I love November and its blues, grays, browns, and golds from a few trees still holding onto their leaves. I felt relaxed and strong — lungs and legs.

Listened to rustling leaves, striking feet, dripping ravines for the first 2 miles of the run. Put in Taylor Swift’s new version of 1989 for the last mile.

10 Things

  1. a single leaf floating through the air, then down to the ground — was it brown or gold or green?
  2. the steady dripping of water out of the sewer pipe
  3. the smell of something burnt — toast? coffee? — but from a house or the gorge and not longfellow grill
  4. a runner in a bright yellow shirt, running across the road, then through the grass below edmund, then onto the dirt trail in front of me
  5. the steps down to the winchell trail are closed, with a chain across the railings, but I went around on the dirt path
  6. the winchell trails was covered in yellow leaves
  7. the roar of a chainsaw from across the gorge
  8. kids’ voices from the playground at Minnehaha Academy
  9. a biker on the walking trail where it dips below the road and hangs above the floodplain forest
  10. a bright headlight from a bike, glowing in the grayish gloom

Found this wonderful little poem the other day:

Injury Room / Katie Ford

Through my
little window, I
see one day
the entire bird,
the next just
a leeward wing,
the next
only a painful
call, which, without
the body, makes
beautiful attachments
by even
attaching at
all.

This poem reminds me of my own experiments in trying to determine how little information (especially visual data) I need in order to recognize or identify or be aware of the presence of some thing.

Poetry is not a Project

Two days ago, at the end of my entry, I posted about a pamphlet I was reading, Poetry is not a Project. I offered some notes from the first section, Habitus, and promised to do the rest in later entries. Here’s the rest. Instead of a lot of notes, I decided to condense it into a key passage from each section.

Poetry is Not a Project / Dorothy Lasky

Habitus

Poems are living things that grow from the earth into the brain, rather than things that are planted within the earth by the brain.

This discussion of dirt/the ground reminds me of Mary Ruefle’s Observations on the Ground and April, 2022, when I spent the month studying dirt.

An Example

To write a poem is to be a maker. And to be a maker is to be down in the muck of making and not always to fly so high above the muck.

This passage reminded me of an essay I posted about in September and finally read yesterday: En Plein Air Poetics: Notes Towards Writing in the Anthropocene / Brian Teare

What is Really Not Intentions, but Life

The road through a poem is a series of lines, like a constellation, all interconnected. Poems take place in the realm of chance, where the self and the universal combine, where life exists.

On the same site, Ugly Duckling Press, where I found Lasky’s pamphlet, I also found this chapbook, Almost Perfect Forms, in which the author creates the constellations out of ands and ors found in Dreams and Stones by Magdalena Tulli.

How We Write and What We Write For

Because poets make language and make language beautiful. Because beautiful language makes a new and beautiful world. Because poets live and make a new world, which beautiful language itself creates.

nov 1/RUN

4.3 miles
minnehaha falls and back
30 degrees / feels like 22

Yes, another wonderful run! I love breathing in this cold air. Everything that has been almost closed opens up. A lot of the snow has melted, but there were a few patches on the grass. The path was almost completely bare and dry, only one or two short stretches of ice. The falls were roaring. I passed a guy talking on his phone (he was in shorts, of course), showing whoever he was talking to the falls — these falls are so beautiful (at least I think that’s what he said).

I tried chanting in threes:

I am girl /I am ghost/ I am gorge
Girl Ghost Gorge/ Girl Ghost Gorge
Girl / Ghost / Gorge
Girl Girl Girl / Ghost Ghost Ghost / Gorge Gorge Gorge
Girl Ghost Gorge / Ghost Gorge Girl / Gorge Girl Ghost

I was hoping I find some way into words about my haunts poems. It started with one: obsession (which I thought about before my run too. See below). I was thinking about how I return to the gorge again and again, day after day, wanting to be there, wanting to find better words, wanting to establish (once and for all?) that this place is my home. I haunt this place, as ghost and girl.

10 Things

  1. honking geese (just before going out for my run)
  2. snow mixed with ice mixed with yellow leaves
  3. a strange noise — a big pipe clanging mournfully (not exactly sure what was happening, but the noise was caused by a city worker patching the path)
  4. the sharp smell of tar
  5. a woman and her dog walking on the double bridge
  6. a few patches of ice under the ford bridge
  7. running past the cold, silent meadow, almost hearing the buzz of bugs from earlier in the fall
  8. rushing, gushing, roaring falls
  9. crossing over the grassy trail (to avoid the work being done on the path), running over little piles of snow and leaves, my foot sinking into a hidden hole
  10. listening to a playlist for the second half of my run, running on the far edge of the road, being passed by a car hauling a trailer

I was just about to write that I forgot to look at the river, but I just remembered that I did and that I saw one spot that looked like it could almost be ice.

Stopped at my favorite falls spot and took a few seconds of video before turning on a playlist and starting to run again. Watching this video, it seems less white and wintery than it felt when I was there.

minnehaha falls / 1 nov 2023

before the run

I wrote this before my run. It made me feel hopeful that I’m getting closer to a way into a months long obsession.

It’s November and I’m feeling the itch to start (or return to) a big project. Me and my projects. I feel unsettled, lost, irritated, overwhelmed without them.

Not everyone likes the word project as the way to describe what a poet is doing when working on some thing (or, working on nothing, when nothing is not no thing but that empty, unknown space, the void). I guess the idea of a project bothers me a little too — too organized, structured, disciplined. Maybe I’ll start calling it my latest obsession? But an obsession with some direction; the goal = (temporarily) exhausting my feelings/thoughts/understandings/experiences with a certain thing. To write and write and write about a thing until I’m exhausted, emptied or satisfied, at least temporarily.

The difficulty right now is that I have too many obsessions: the periphery, the other side/lifting the veil, living in a land of almosts, girl/ghost/gorge, RUN! as an archive. Where should I land? Which one should I choose? Perhaps I should avoid settling on something so BIG and important, and search for a small, off to the side way in?

Ever since I encountered a chapbook by Dorothy Lasky, Poetry is Not a Project, I’ve been critical/uncertain about my own use of project as a way to describe what I’m doing. I think I first encountered it in year 2 (2018) and I don’t think I actually read it. I just remember feeling uneasy with its title. And that unease has stuck. I think I’ll read it now.

note: I did read it and loved it and then went out for my wonderful run. Now, 3 hours later, I’m back and ready to read it again and then write about it a little.

There’s a lot I could write about in this wonderful pamphlet and its 4 sections: Habitus; An Example; What is Really Not Intention, But Life; and How We Write, and What We Write For. So, I want to break it down over 4 log entries. Today: Habitus

Habitus

I think poems come from the earth and work through the mind from the ground up. I think poems are living things that grow from the earth into the brain, rather than things that are planted within the earth by the brain. I think a poet intuits a poem and a scientist conducts a “project.”

Poetry is Not a Project

She is not satisfied with this distinction, feeling it’s not quite correct, then ends this page with the following hope:

But I do think there is a distinction. And the distinction, I think, is very important to how we come to think of poetry in the 21st century. Because I want this new century to be full of people who write poems, not full of poets who conduct projects and do nothing more.

Poetry is Not a Project

On the next page, she discusses why projects are useful for poets: they bring in money and respect.

A poet with a project has everything set out before he even gets started. A poet with a nameable project seems wise, and better than other poets with unnameable ones.

Poetry is Not a Project

She calls this out as BS. Then she discusses intuition and its importance for poetry, how the outside world of an artist blends and blurs with our internal drives. This blending and blurring can be difficult to name.

Love this bit:

Naming your intentions is great for some things, but not for poetry. Projects are bad for poetry. I might argue that a poet with a “project” that he can lucidly discuss is a pretty boring poet, at best.

Poetry is Not a Project

and this:

when a poet interacts with the field or domain of poetry, she is aware of the immense history she represents in her words enough to let herself be crushed by it.

Poetry is Not a Project

She then argues that poetic “projects” can be toxic to established and new poets, creating pressure by demanding the poets know exactly what they are doing and be able to articulate it to others. She closes this section with,

a poem, as a thing, resists being talked about linearly in its very nonlinearity. In its very nonlinear life. In the poem’s actual life, goddamn them.

Poetry is Not a Project

Here, I was planning to write some of my thoughts, but I’m struggling to describe why/how Lasky’s ideas resonate for me. I think I’ll write about the other 3 sections and then respond.

But, just one more thing: Lasky’s discussion of our inability to know or express what a poem is in the form of a project, reminds me of a definition of wild that I revisited this morning:

wild = capacity of all things to elude the mind’s appropriations

oct 30/RUN

5.4 miles
franklin loop
25 degrees / feels like 20

Yes! A great temperature for running. I love the cold air and not getting overheated. Wore black running tights, black running shorts, my 10 year-old base layer green shirt, an orange sweatshirt, black gloves, a hat and a buff. Such a great run. I feel satisfied and happy and energized. A great start to the winter running season!

10 Things

  1. chatty, chirping birds — sparrows? wrens? finches? chickadees?
  2. the Welcoming Oaks are almost bare. Where was I when the leaves fell? hello friends!
  3. a bright white circle of sunlit river burning through the growing gap between the trees
  4. everywhere more of a view to the other side
  5. empty blueish gray water — so calm and pleasing to my eyes
  6. passed Daddy Long Legs, dressed in black. His hi was so quiet it didn’t register until it was too late to call back a greeting
  7. Hi Dave! — greeting Dave, the Daily Walker in the final mile
  8. crossing the bridge, approaching 2 talkative runners from behind: excuse me. / Oh! [a runner jumps to the side looking freaked out] / Sorry I scared you!
  9. the smell of smoke down below on the east side of the river
  10. a roller skier! I couldn’t hear the clicking and clacking of his ski poles until I was right next to me

bats, bells, noisy road work, and late fall leaves

Found this poem from DH Lawrence the other day while looking for poems about bats. Wow, he didn’t like bats!

 Bat/ D.H. Lawrence

At evening, sitting on this terrace,
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise …

When the tired flower of Florence is in gloom beneath the glowing
Brown hills surrounding …

When under the arches of the Ponte Vecchio
A green light enters against stream, flush from the west,
Against the current of obscure Arno …

Look up, and you see things flying
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.

A circle swoop, and a quick parabola under the bridge arches
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.

And you think:
“The swallows are flying so late!”

Swallows?

Dark air-life looping
Yet missing the pure loop …
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.

Never swallows!
Bats!
The swallows are gone.

At a wavering instant the swallows gave way to bats
By the Ponte Vecchio …
Changing guard.

Bats, and an uneasy creeping in one’s scalp
As the bats swoop overhead!
Flying madly.

Pipistrello!
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;

Wings like bits of umbrella.

Bats!

Creatures that hang themselves up like an old rag, to sleep;
And disgustingly upside down.

Hanging upside down like rows of disgusting old rags
And grinning in their sleep.
Bats!

In China the bat is symbol for happiness.

Not for me!

Today, writing this bit before my run, I’m thinking about bats and echos and echolocation. Vibrations, reverberations, sounds that haunt by continuing to ring out. Bells. But, back to the echoes. In addition to bats, I’m thinking about a stanza from a favorite Halloween poem that I posted on this day in 2020:

A ghost, though invisible, still is like a place
your sight can knock on, echoing; but here
within this thick black pelt, your strongest gaze
will be absorbed and utterly disappear:
from Black Cat/ Rainer Maria Rilke

Speaking of haunting, relentless sounds: I am sitting at my desk in the front room and city workers are paving the hole they made in the street in July or August. So loud! Beep beep beep. Rrrruuummmbbbllleee. Scrape scrape, tamp tamp. Even the visual noise echoes — a flash flash flash of the lights on the truck as it dumps the gravel or tar or whatever they’re putting in the hole. Everything is vibrating — the street, my jaw, my chair, the windows. Difficult to think or to write while this is happening!

At the end of my run, having crossed the river road to walk in the grassy, leaf covered boulevard, I was distracted by the delightful noise of fallen leaves. Then I noticed a bare tree, its still green leaves scattered around it.

An image of the ground covered in leaves, most of them green. A strange sight in late fall when most of the fallen leaves are usually brown or orange or gold. When I took this picture, the ground seemed to glow from the green, but now, looking at the image, everything is muted and dull and boring. Is it my lack of functioning cone cells, my inability to take a decent picture, or something else?
green leaves on the ground / 30 oct 2023

oct 27/RUN

2.7 miles
2 trails
37 / feels like 29
wind: 15 mph

Okay winter. Wore tights under my shorts, a long-sleeved shirt under my sweatshirt, gloves and a buff. The only part of me that was cold: my ears. Now, sitting at my desk, they burn. Blustery out there. Swirling wind. A few times I mistook a falling leaf for a flying bird, which was very cool to see. A brown bird, floating by.

My legs were sore. I’m eager to get my blood checked at my physical in a few weeks. My iron might still be low. Until then, more burgers and a new multi vitamin that’s not quite a choking hazard.

10 Things

  1. more of a view today: cold blue water through the remaining red and yellow leaves
  2. slippery leaves covering the trail — don’t fall!
  3. near the sidewalk at 36th and 46th: a deep hole, dug up by the city workers, not as neat or wide as the holes carved out on our street, more like a gash or a missing chunk ripped out
  4. walkers bundled up in winter coats with hats and gloves
  5. the entrance to the Winchell trail, which was shrouded in yellow the other day, was open and bare today
  6. dripping water at the ravine — drip drip drip
  7. looking down at the gorge from the edge, a pleasing palette: steel blue, dark green, gray, brown
  8. a brown leaf fluttering by my face, looking like a floating bird
  9. at least 3 or 4 lonely, empty benches
  10. a kid’s voice below — would I encounter them later? Yes

Revisiting a poem I posted on this day in 2020, My Doubt/ Jane Hirshfield, these lines reminded me of something:

the lines:

I would like
to grow content in you, doubt,
as a double-hung window
settles obedient into its hidden pulleys and ropes.

the something:

Dance with the pain 

That last one is something I describe a lot. What does that even mean?
It means to greet the pain or discomfort like an old friend. Know that it’s always there waiting for you. If you accept it, and envision yourself enjoying its company, it’s much more manageable.

from a race recap at the Chicago Marathon — @emmajanelbates

Being content with the doubt and greeting pain as an old friend. Accepting doubt and being content with it I think I can do, but befriending pain? I’ve been trying to work on that as part of this larger writing/living/moving project. The pain I’m thinking of is the pain in my knees or my back or my hips, but it’s also other, deeper pains: the pain of aging, loved ones dying, living within a body that doesn’t work as well. Not sure if I’d call it a friend yet, more like acquaintances. I think it’s possible, but what does enjoying the company of pain look like, outside of the model of sadomasochism?

oct 26/RUN

3.1 miles
trestle turn around
57 degrees / drizzle

Waited for the rain to stop, then went out for a late morning run. Listened to the squeaks of my feet on the wet leaves, the drips from the trees and the eaves, workers on a neighbor’s roof as I ran north. Listened to a playlist on the way back south. The sidewalks were slippery and covered with red and yellow leaves. The paved trail had some puddles. I remember looking at the river through the trees, but I can’t remember what it looked like. Probably gray.

The strangest moment of the run happened near the beginning as I ran through the neighborhood on my way to the river. The sidewalk was covered in intensely red and yellow leaves and so was the sky, from an orange tree. Everything glowed, even me in my bright orange sweatshirt. Wow! I decided that once I finished my run, I’d come back to this spot and take some video:

A sidewalk covered in red and yellow leaves. In person it glowed, but when I look at it on the screen, it is dull.

oct 25/RUN

3.3 miles
2 trails
51 degrees
humidity: 91%

Yesterday it rained all day. Today it was wet and gray and leaf-littered. For the first mile, I heard a squeak squeak each time I stepped on the wet leaves. Saw and good morninged a regular: Mr. Walker Sitter. Heard kids yelling at the school playground. Smelled the sewer gas. Avoided city workers and roofers and bikers almost over the white line. Admired the “edge of the world,” now open and looking even more edge-y. Worried about slipping on the wet leaves and falling down the steep slope. Dripped sweat in the humid air. Counted drops falling from the sewer pipe in the ravine. Wondered if the distance/pace was not working properly on my watch. Forgot about everything else.

The color of the day is YELLOW.

  1. tunnels of yellow leaves above me
  2. piles of yellowed leaves under me
  3. yellow cross walk signs glowing in the gloom
  4. a runner’s bright yellow running shirt
  5. (writing this entry): a neighbor’s yellow tree outside my window,
  6. yellow leaves on the hydrangea bush
  7. a stretch of yellow trees, just past their peak, beside me near Folwell
  8. a yellow entrance to the Winchell Trail

The yellow I see is mostly bright. Not gold, but with hints of orange and green.

Before I ran I memorized A Rhyme for Halloween. Then I recited lines from it as I moved. Never all at once, but every so often.

As I was searching for another poem to post I thought about how many poems I’ve already posted and why I keep posting more when I hardly have time to read the ones I’ve already posted. So today, I decided to revisit a poem that I posted on October 25th, 2020: Beginning/ JAMES WRIGHT. Beautiful. Reading it right now, I love the opening:

The moon drops one or two feathers into the field.   
The dark wheat listens.
Be still.
Now.

I love the idea of the moon dropping feathers and the dark wheat listening. And now, as I read the third line, Be still. I’m thinking of it less as a command to not move (to be still), and more as an invitation or a plea to continue to exist (be, still). And then I’m connecting that idea to the last 2 lines of the poem:

The wheat leans back toward its own darkness,
And I lean toward mine.

Perhaps my darkness involves an impossible wish, that my mom and Scott’s parents were still alive.

oct 23/RUN

3.65 miles
turkey hollow
52 degrees

It felt good and necessary to run this morning. Yesterday I spent a lot of time on the couch reading and watching (or, more like listening to) my son play Earthbound, an old video game that Scott used to play when he was kid. Also watched a few episodes of FWA’s new (to him, but around for years) favorite anime, One Piece. I wish I could see it better with my bad eyes, because I was enjoying it. Anyway, I spent so much time sitting that my resting heart rate was at 45. I needed some exercise this morning.

added a minute later: Reading back through this entry and thinking about my need to run, I feel compelled to add that haunting this run (and also making it necessary) are what I read over coffee early this morning: horrifying headlines about the atrocities being committed against Palestinians in Gaza and the failure of the US government in not only refusing to condemn them but condoning them in their uncritical support of the Israel government. Heartbreaking.

For most of the run, I was rerouted by obstacles: city workers trimming trees — turn right, here! — trucks sweeping the streets — now left — a parks’ vehicle clearing off leaves on the path — better stay in the grass! — a few more parks’ trucks patching the path — time to cross back over to the road! — a young kid with an adult — no narrow Winchell Trail for me today. A meandering run.

I could make a list of things I noticed — shrieking squirrels, squeaking leaves, wet and sloppy mud, yellow and red and orange leaves, beeping trucks — but the thing I’d like to remember most is the circle of bright, burning light through the gap in the trees as I ran down the small hill just past the double bridge: the sun reflecting off the rough surface of the river. Wow! No color, just pure shine, burning bright through the trees.

Rust

Before I went out for a run, I began to gather words about rust and planned to think about rust as I moved. Maybe it was the distraction of all of the detours or my sore legs or the joy of being outside, but I forgot. Here are the words I gathered:

1 – from Leaves/ Lloyd Schwartz

You’ll be driving along depressed when suddenly
a cloud will move and the sun will muscle through
and ignite the hills. It may not last. Probably
won’t last. But for a moment the whole world
comes to. Wakes up. Proves it lives. It lives—
red, yellow, orange, brown, russet, ocher, vermilion,
gold. Flame and rust. Flame and rust, the permutations
of burning.

2 — from 8 august 2023

Listening to the line in Taylor Swift’s “Bad Blood”: 

Did you have to do this?
I was thinking that you could be trusted
Did you have to ruin what was shiny?
Now it’s all rusted

and thinking about shiny vs. rusted, and rust in the fall, then I noticed some rust on one of the big metal tubes all around the neighborhood that the city is using for their sewer work — Scott says these tubes get placed vertically in the ground and the workers stand in them as they do their work.

3 — from 18 april 2023

I’m very interested in rust as a color too. I last mentioned in on March 13, 2023 with Schuyler and ED’s “elemental Rust.” I’m thinking of it less as a color-as-noun (like brownish reddish orange), more as color-as-verb and in relation to erosion, decomposing, crumbling — this is where it connects with texture. Does this make any sense, even to me? Not sure, but it seems helpful to think of rust in relation to shiny. Are they in contrast to each other? Only if you imagine shiny and sparkling as new, which isn’t always the case.

4 — Crumbling is not an instant’s Act (1010)/ EMILY DICKINSON

Crumbling is not an instant’s Act
A fundamental pause
Dilapidation’s processes
Are organized Decays —

‘Tis first a Cobweb on the Soul
A Cuticle of Dust
A Borer in the Axis
An Elemental Rust —

Ruin is formal — Devil’s work
Consecutive and slow —
Fail in an instant, no man did
Slipping — is Crashe’s law —

5 — from 11 march 2023

The sky
Colors itself rosily behind gray-black and the rain falls through
The basketball hoop on a garage, streaking its backboard with further
Trails of rust, a lovely color to set with periwinkle violet-blue.

A rosy sky behind gray-black clouds? Not pure reddish-pink or pinkish-red but the hint of it behind something darker. The rust — did I see rust anywhere on my run? I don’t think so.

6 — from 8 march 2023

Before heading out for my run, I had started revising my “How to Sink” poem. Thought I might get some inspiration by the gorge. Later, as I ran, I realized that I should wait to finish this poem when it’s spring, or at least warmer, when everything is dripping and oozing and flowing down to the river. I thought of this as the sharp flurried stabbed my face. Was thinking that I should do a “How to” poem related to water through the seasons. 

Summer = How to Float

Spring = How to Sink

Winter = How to Settle? — something about snow that’s packed, layer, staying (not melting), compacting — How to be compact? or, How to Shrink?

Fall = I need to think about this one some more. What does water do in the fall? Maybe something related to decomposing — leaves falling, drying up, becoming brittle? water leaving — freezing — frost? fog? or, How to Rust?

7 — from 20 january 2023

Noticed all of the rusty orange leaves still on the trees near the tunnel of trees. 

8 — from 13 november 2022

rusty brownish red stain on the lake st bridge

9 — from Perennials/ Maggie Smith

You can hear 
the sound of wind, which isn’t
wind at all, but leaves touching. 
Wind itself can’t speak. It needs another
to chime against, knock around.
Again & again the wind finds its tongue,
but its tongue lives outside
of its rusted mouth.

9 — from 22 october 2021

As I was running through minnehaha regional park, I thought about the things that have stayed the same, the things that have changed, and what seems to still be present as living and vital, and what only remains in decay, or in the faintest traces of what it had been. I was thinking about this as I ran by the playground, which was redone five or so years ago, but still has some old equipment, like the creaky, rusty swings. Something about that reminded me of a few lines from Poe’s “The Bells,” especially the bit about the rust.

Hear the tolling of the bells—
                 Iron bells!
What a world of solemn thought their monody compels!
        In the silence of the night,
        How we shiver with affright
  At the melancholy menace of their tone!
        For every sound that floats
        From the rust within their throats
                 Is a groan.

10 — from 28 october 2021

Reading through Poe’s “The Bells” again, I’m thinking about how the bells in this verse are not clock bells, tracking the precise, steady passing of time (which reminds me of the lines about the blind, dumb clocks and no time for the martyr). These bells toll, groan, moan, roll, throb, sob, knell. The sound of the bells floats from rusty throats, is muffled, melancholy. When it is mentioned that they keep time, it is not the time of life, but of death.

oct 21/RUN

6.2 miles
minnehaha dog park and back
53 degrees
wind: 15 mph

Back on track with the weekly “long” run with Scott. Today we ran past the falls to the dog park, then turned around. Beautiful but windy. Not sure if this has ever happened before, but a gust of wind blew my cap off my head. I joked with Scott that the wind was mad at me for the bad poetry I was composing. Something about how the bright sunlight strobed through the trees while the leaves disrobed and the wind probed the empty space where red and gold and green had been. Pretty bad — I guess I deserved to get my hat knocked off. Thankfully I was able to catch the cap before it blew into the street.

After we passed the falls, which were in full flow, I recited Mary Oliver’s “Can You Imagine” to Scott as we followed the paved trail on the edge of the bluff, above Minnehaha creek as it travels to the Mississippi. When I was finished he admitted he had become distracted when I recited the line, Surely you can’t imagine they just stand there loving every minute of it” because he started thinking about the song with the lyrics, “loving every minute of it.” At the time I couldn’t remember who sang it or how it went, but I just looked it up. Loverboy. Excellent.

10 Things

  1. a bright yellow tree
  2. next to a fiery red one, both glowing from the sun
  3. my favorite orange tree near the double bridge, now bare and looking brittle
  4. 3 roller skiers! Before I saw them, I heard their poles click click clacking
  5. a pileated woodpecker laughing, somewhere in the trees
  6. another woodpecker tap tap tapping away at the roof of the kiosk
  7. May Swenson’s scarcely gliding stream from her poem “October”: Minnehaha Creek as seen from the tall bridge that crosses over the Veteran’s Home
  8. from the top of the bluff at Wabun Park, you have a clear view of the new development on the old Ford plant grounds
  9. the glitter effect: the sparkling water burning through a gap in the trees
  10. dodging walkers, a few with coffee cups, as we sprinted down the hill and through the tunnel of trees